House Prevendite

REPRESSED !
Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960's in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of "Pool One," a sixty minute home-produced cassette. "Pool Two" followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music.

In 1983, 'Dance It Down/Jamaica Running' 12' EP was released on Moment Productions. Based on response from D.J.'s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. "Jamaica Resting" was sped-up, extended, and reconfigured as "Jamaica Running". The whirlpool synth-strut of 'Dance It Down' came out of the studio as 'Dance In Dub', with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we've added two bonus European remixes from the 1984 12' of 'Dance It Down/Jamaica Running', released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool's spartan, self-assured songs are experiments you can dance to.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes housed in a newly designed jacket by Eloise Leigh, updating the magenta and blue grid and Pool logo of the Moment Productions release. Each copy includes a 12-page booklet with a never seen before photos, press clippings and notes.

Anané’s colourful life in music has seen her do everything from singing at the famous pre-game show at Super Bowl XLI as part of the group Elements of Life, DJ at hotspots like Hi Ibiza, Pacha NYC and Ushuaïa to name a few, while also curating her own monthly residency Nulu Movement, now ten years strong at Le Bain NYC, release unique blends of Afro, house, and pop on labels like Vega Records, and head up her own imprints, Nulu Music and Nulu Electronic. The Cape Verdean-born DJ, producer, vocalist, and songwriter has had countless club hits and has released acclaimed albums like ‘Ananésworld’ and ‘Chapters Of Becoming’, often with a lush, live, and orchestrated style that is truly unique.

With this release, Anané steps forward with her first solo production to date. Here she serves up the sumptuous ‘It Looks Like Love’, a poised, elegant house sound with her own smoking, soulful vocals and classy strings bringing colour to an Afro groove packed with infectious bounce. Neat guitar riffs and silky synths all enrich this most sophisticated sound. The first mix sees Anané link up with veteran Italian Christian Mantini, who has hosted Sunset Ritual parties with Anané and Louie Vega since 2013. Their dub is rooted in warm, rubbery drums that are even deeper and more immersive than the original.

Manda Moor & Sirus Hood are a red-hot contemporary pair who run the Mood label and are defining the contemporary underground. Their remix is more driving, but it retains the soulful vibe with breezy pads and jazzy motifs drifting in and out above the swaggering groove.

Rotterdam-based Chicagoan Jamie 3:26 is a master at blending disco, soul, and house into timeless sounds, and here he delivers a loopy rework that pairs deep drive and sun-kissed vibes with funky, Chic-style bass guitar motifs.

Golden Seconds has arrived — a brand-new Disco label brought to you by Johannes Albert.

In the 1990s, Disco House records became dancefloor anthems, drawing on the nostalgia of disco's golden era while incorporating modern production techniques like sampling. Pioneered by influential producers like JohNick or DJ Sneak, Disco House revitalized the uplifting spirit of Disco while infusing it with the infectious rhythms of House Music. A young Johannes became addicted to this happy music in a heartbeat. Fast forward two decades, and he’s crafted his own updated take on the genre, guided by one simple philosophy: "Sometimes all it takes to make a room go bang is a beat and a sample."
Golden Seconds Vol. I opens the vaults and delivers a selection of tracks straight from the stash — timeless grooves, dancefloor heat, and that unmistakable disco glow. Sexy cover included.

After his Instruction EP on Silver Series in 2023, Kuyateh makes his debut on Pressure Traxx with some of his finest work to date.

A farewell to Julien, who left far too early.

This one is for you...

Love Reaction returns with a new release and unveils the third and final chapter of its vinyl catalogue: ZONE, a series dedicated to club-oriented electronic music. For the occasion, the label welcomes ORA, two seasoned professional musicians rooted in the jazz scene, eager to explore new sonic territories together.

With Common Frequency, the duo unfolds a raw and organic sonic tapestry. Live, they sculpts landscapes in real time using drum machines and synthesizers, unleashing a club energy that is both electric and vibrant. Between analog textures and immersive rhythms, this debut EP asserts a strong and magnetic identity.

Peach’s Soak Vol. 1 is a cross-Canadian link-up with Mood Hut that moves through slower, deeper waters.

The mini-LP was written after a tour through Asia that opened up something new in how Peach approaches making music. The turning point, as she tells it, came during a visit to a neighbourhood sento in Tokyo, while surrounded by steam rising in suspended time, something clicked about the relationship between the body and the sounds she wanted to make.

She’d been learning about cycle synching and working out with the phases of her hormonal cycle, respecting energy fluctuations throughout the course of a month, and decided to apply the approach to writing music. She allowed shifts in energy to guide tempo, density, and emotional tone rather than strictly answering to the floor.

Soak came out of this exploration, sketched and layered with field recordings from her trips to Vietnam and the Philippines during a challenging time in her life. Fragments of heat, air, and shoreline are absorbed into the music itself. Vapourous pads, low-end weight, fractured percussion, and melodies hover at the edge of dissolution. Water runs structurally through the record in surges, in tidal pacing, in the slow accumulation of texture.

Wherever this music finds you, please enjoy the Soak.

Nicola Conte and Nico Lahs’ Tema Due project finally comes to full realization in a double LP entitled “Universo Astratto”,adding a wealth of new musical shades and ideas to the two EPs released on Schema Records in 2025. The albumrepresents not only the natural evolution of their artistic dialogue, but also a statement of intent in terms of sound.Fans of the most sophisticated and refined club music, elevated by the fusion of exquisite electronica with spiritual jazz (it isno coincidence that the opening track evokes the baseline of “A Love Supreme”), African-American rhythms and tribalpercussion, will be thrilled by this complex and multi-layered album, which unveils new hidden details upon each listen.A meticulous selection of exceptional musicians contributes in a distinctive and significant way to broadening the scope ofthe project: Giovanni Guidi, Pietro Lussu, and Dario Bassolino on keyboards, Gabriel Prado and Abdissa Assefa onpercussion, Magnus Lindgren on wind instruments and Hammond organ, and Pasquale Calò on saxophone. On vocals wehave Lalin St. Juste, Siya Makuzeni, Nina Miranda - for what is probably the best track on the album, “Share Your Love”- and Toco - for a new and previously unreleased version of the track “Macumba de Oxalà” featured on the first EP.In “Universo Astratto”, Tema Due’s vision is finally fulfilled: a world of ancestral grooves, cosmic jazz, and electronic musicconceived for clubs as a type of “active experience” in which one is transcended by music. This record is an invitation—tomove, to feel, to elevate—and a manifesto for those who see the dance floor not just as a location, but as a shared experience of awareness and rhythm

In a dystopian universe where elites manipulate memory to control the population. Vibracid emerges as a technique of liberation through sound: a method for erasing induced memory.

THE RHYME marks the counterattack phase. The insurgents infect the system used by the elites for control and reprogram it from within: patterns, voices and sequences as active code.

Contemporary bass, electro, breaks, acid and rave converge as transmission vectors. Each track operates as a unit of intervention within this science fiction scenario.

At this stage, new signals are incorporated. Power, with a solid trajectory within the underground circuit, opens the EP in a forceful way, with an acid, surprising and spectacular impact. Exieve, a young producer from Chernihiv, continues the attack with a raw tension where vocals cut through the signal like sharp fragments. Alongside them, Lups Digga, Atix, Parand and Calagad 13 continue expanding the system’s reach.

Mukatsuku is back with the second instalment of this series with four more ambient techno transmissions from Japan . These Virgo cuts were made between 1996 and 200 and released on a limited CD only release from Form@ Records but as yet never seen light of day on vinyl. The rhythms are supple and lithe, with painterly synths swirling around up top next to deft cosmic flourishes. It's deep but uplifting, heady but propulsive music for body and soul. 'New Era' captures the optimistic spirit of its title, 'Metasequoia' is a slower, more horizontal dub, 'The Art Roots' is pure suspensory bliss and 'Time Graphics' is a delightfully delicate and light blend of melody and rubbery rhythm.

White Vinyl Repress!

Step back to the original 2013 release of Imprint of Pleasure by Tube & Berger, which held Beatport #1 longer than any other track that year and peaked as a Beatport Top 10 all-time seller. A record that defined a moment, it captured dance floors worldwide with its hypnotic vocal, rolling bassline and perfectly measured build. Balancing deep emotion with understated power, Imprint of Pleasure stands as a defining benchmark of modern house: timeless in its groove and effortless in its execution.

Cosmic G maps the liminal terrain between waking consciousness and neural drift across four transmissions. Synaptic pathways fold into spiraling architectures. Each sequence a deeper descent into the mind's hidden hollow circuitry. From euphoric dissolve to the hum of interior mechanisms, dream state traces the geometry of altered perception where the dancefloor becomes ritual chamber. An invitation to slip into the frontal cortex and navigate the frequencies that rewire thought itself.

..an uncontrolled awakening of the inner intelligent groove...
This is the third gargantuan installment for this unassailable vanguard.
Four tracks of the undiluted, high-tech energy you would expect from these storied creators.

araviglia, the sixth album by Italian percussionist and producer Gabriele Poso, celebrates collective musicianship through a vibrant, groove-driven sound. Inspired by late 70s Italian disco and global rhythms, the record blends Mediterranean warmth, Afro Caribbean percussion and jazz sensibility, with one foot firmly on the dancefloor. Recorded live to tape in an analog studio in southern Italy, with heavy percussion, Rhodes, Hammond and a full brass section, the album delivers an organic, joyful sound built for both deep listening and global dance floors.

araviglia, the sixth album by Italian percussionist and producer Gabriele Poso, celebrates collective musicianship through a vibrant, groove-driven sound. Inspired by late 70s Italian disco and global rhythms, the record blends Mediterranean warmth, Afro Caribbean percussion and jazz sensibility, with one foot firmly on the dancefloor. Recorded live to tape in an analog studio in southern Italy, with heavy percussion, Rhodes, Hammond and a full brass section, the album delivers an organic, joyful sound built for both deep listening and global dance floors.

After a few quiet months, Griffé returns in 2026 with a powerful new release from Milès Borghese.

Previously featured on renowned labels such as 9finity (Secretsundaze), Squid Recordings (Liquid Earth), and Neptune Discs, Milès delivers a versatile EP that reflects his sound and dancefloor sensibility.

It’s Just EP moves between driven, high-energy cuts (Checkpoint) and deeper, more textured territories. Dubby atmospheres, cold chords, and hypnotic grooves shape the more introspective side of the record, leaning toward dub techno with a deep, minimal, and mental edge. A balanced and refined EP built for both peak-time impact and late-night immersion.

Besides having one of the most original artist names out there, Qrusifix aka Hampus Karlsson, is a true record collector who has been putting in the work on his MPC 2000 for quite some time. With roots in Småland and now based in Stockholm he’s been spinning records, low-key producing tracks on his home turf and popping up whenever the time felt right to spread his vibes. In 2024, together with fellow producer and friend David, he released his first record on the Malmö label Hip Hop Weekend.

The Chasing Clouds EP, out in May 2026 on Västkransen Records, presents four tracks built for late nights that drift into dawn - calm, dreamy and slightly melancholic soundscapes, as if you're on your way somewhere but without rush.

Sassy J’s acclaimed A Sanctuary tape mix arrives as a double vinyl release, featuring 18 of the 22 original tracks. All exclusive and previously unreleased music by 17 contemporary artists including Molinaro, Carlos Niño & Friends, K15, Kaidi Tatham, Legowelt, Afrikan Sciences, AsheTreJenkins, 2000Black and many more. A journey through sounds, spheres, moods and dynamics dedicated to the unity and empowerment of the independent artists.

Lo Recordings is proud to present a brand new compilation by Russian electronic producer/composer OID, spanning 25 years of music that blends in and out of focus, inhabiting styles from dub techno to ambient, vaporwave, space gamelan, electronica and beyond. The album is both a retrospective and a celebration, a journey into a singular world that exists only in OID’s imagination, available digitally and on Ltd cassette from 24th April 2026.

“I first met OID in an illicit ‘Sky High’ bar in Moscow. It was a club for people who liked to jump from high buildings. OID played the piano whilst a tea ceremony took place. It was all like some kind of strange dream. The music he creates sounds like that kind of dream. Some of the tracks are reminiscent of the music released by ALEXANDROID on the ‘False Starts’ album way back in 2003 - a legendary album, in our minds at least. Alex tragically passed away in 2009, leaving only OID.

The music on this album is a testament to the beauty of friendship, the everlasting meaning of music and the light that shines forever.” -
Jon Tye, Lo Recordings

Bergsonist emerges on Dark Entries with Depths, a genre-bending 12-track LP of atmospheric and rhythmic excursions. For more than a decade, Moroccan-born Selwa Abd has been using the Bergsonist moniker to examine postcolonial identity and speculative temporalities across disparate media, including sound, image, video, and installation. She is also a key figure in New York underground music, fostering mutual aid and community support through her platforms Pick up the Flow (PUTF) and BizaarBazaar. On the 2025 album ASL أصل ⴰⵙⵍ, Bergsonist explored her Amazigh heritage using field recordings captured in Morocco. With Depths, her sixth LP, she continues the project of ancestral reconnection through sound. Abd notes: “I really use making music as therapy, not as a precious act, more as an energy release that makes me feel alive.” Depths overflows with this excess of vitality.

Tracks like “Trust the Current”, “Depths”, and “Underwater World Pursuit” showcase her singular take on diasporic techno-futurism, where James Stinson-esque atmospherics meet Moroccan rhythms. Elsewhere, “Again” and “Higher” push into coldwave territory, with icy arpeggios and electroid beats dancing beneath Abd’s ethereal vocals. But the dancefloor is not to be neglected: “Breakthrough” and “Ode to Life” spring forth with the kind of skewed peak-hour energy that only Bergsonist can bring. Artwork for Depths was designed by Eloise Leigh, and incorporates photographs by Abd and Greg Zifcak taken in Morocco. Also included is a protection poster that features an Amazigh symbol used for warding off the evil eye. Depths is an album that achieves a rare balance of elegance and DIY ethics - it is truly an ode to life.