A friend of mine told me he had visited the place that Cancer House live and record.He said they jammed together all afternoon. In the moment, in the zone so to speak,he became more and more convinced that what they were making together was thebest music he had ever been involved with. As the afternoon drifted by, second byrevelatory second, he began making grandiose plans to release the recording. By the timeit was dark outside the windows he imagined it as a future lost classic, a key livedocument of a scene, a moment and an aesthetic. He thought about all the recordshe loved. He thought about the great, little known, statements of lo-fi, downer indie:dark, sweet, crawling guitar music by bands like Farewood, Bedhead, UN, orThe Sonora Pine. He could even picture the sleeve down to the last detail.
The session ended and as they were all packing up he asked about the recording.And someone said ‘oh, we weren’t recording.’ ”- Jack Rollo
House Vorverkauf
Soundfiles vom 30.03.2026
‘Perfect We Are Not’ the latest track from Soulwax, emerges directly from the band’s recent Abbey Road After Hours project - a unique collaboration with the iconic London studio that saw Soulwax take over the building for a series of recording sessions and a landmark live event.
Working across Abbey Road’s historic spaces - from Studio Three, to Studio Two, to Studio One - the band used all three rooms as a continuous creative environment, moving fluidly between them in pursuit of new material. It was within these sessions that ‘Perfect We Are Not’ was written and recorded with their full live band (including three drummers).
The track was cut using the studio’s vast array of analogue equipment before being pressed direct to vinyl and played as the opening moment of their 2manydjs set inside Studio One
Now released as a standalone single, ‘Perfect We Are Not’ carries that immediacy forward — a driving, full-bodied track that reflects the band’s instinctive, performance-led approach in the studio, and will also be released as a limited edition 12” via DEEWEE.
Moom Sound are proud to announce Toomy Disco's second release — a vinyl EP that hits like a proper record should. 'House Commodities' arrives on 3 April 2026, channelling the raw energy of the Buenos Aires underground and the timeless feel of 2000s house. Rolling rhythms, soulful pressure, Toomy's unmistakable disco-leaning touch. This is music built equally for the dancefloor and those deeper moments late into the night — as powerful at sunrise as it is under strobes at 3am
2026 Repress
The Gallery launch is upon us, and what Art Masterpieces they are!
Causing shock waves across Trafalgar Square at the recent People’s Vote March this ludicrously large, galactic gem finally sees the light of day on 12”, backed with a rapturous disco roof raiser.
The crescendo to a protest and a track that many have been scouring the internet for ever since, ‘Baby Baby Please’ couples a huge ‘70s vocal with a perfectly accompanied stomping ‘80s arp-laden beat to create a record that will light the fire of revolution in even the most indifferent of souls.
Flip it over for a cosmic-tinged, disco powerhouse in the form of ‘True Destiny’. Think glitz, glam and downright unadulterated ecstasy, channelled from disco’s glory days to the modern dancefloor at the drop of a needle.
Like the track, support the movement - donations will be made to the cause.
Early support from… one or two of the best DJs in the world as no other **** has it.
Soundfiles vom 29.03.2026
Selekt Wax returns with its second vinyl offering, shifting the lens from introspection toward motion. Where its predecessor explored stillness and space, Varginha 96 leans into rhythm with a more fluid, tactile energy.
Loopedeville works within a minimal framework but pushes it toward something more animated. Groove takes the lead, while detail reveals itself gradually. The result is playful but controlled, built for movement while still carrying depth beneath the surface.
Inspired by the 1996 Varginha incident in Brazil, the record carries a subtle sense of the otherworldly. Not in a literal sense, but in texture. Unfamiliar tones, slightly off center moments, and elements that feel just outside of reach.
Etched on the sleeve, a poem sets the tone:
the analog moment is now
but, how? release
free form feelings finding
new places in yourself
a sort of synthesis
of interpretations
crash & collide
into the infinite groove of reality
but, is anything really real?
A1 – Varginha 96
A breakbeat driven opener centered on a looping vocal from the Varginha ‘96 incident. Off kilter synth textures circle the groove, giving it a subtle, otherworldly feel. Simple on the surface, with depth that reveals itself over time.
A2 – Varginha 96 (Ohm Hourani Remix)
Ohm takes it into a more stripped back, hypnotic space. Centered around the same vocal, the track locks into repetition and feel. Hazy, controlled, and built for late hours.
B1 – Thunders in Paradise
A driving groove built on dusty drums and a tightly controlled rhythm. It holds a steady pulse, with understated details and shifting textures giving it quiet depth.
B2 – Never Enough
A fluid, late night groove shaped by Loopedeville’s signature swing. Less driving than the previous cut, but still locked in, with warm tones and an easy bounce that carries through.
Now marking eight years in the underground, Blur Records delivers a various artist collection that reflects its sound across always floor-facing cuts across a house and disco spectrum tinged with retro flair. 'Back To The Disco' by Hotmood opens with big loops and a hands in the air grove that is high on funky-disco vibes, while Delfonic keeps things tight on 'Let's Do The Magic' which centres a vocal hook and busy chords. Elsewhere, Crackazat's sultry rework of Scruscru's 'Just House' adds a jazz-leaning touch and 'Touch Me' shifts into a more restrained, late-night mood. Closing with the deep, plump drums of Sven Wegner's sexy, sax-laced 'Chuck The Boom', the collection stays consistently accessible and groovy throughout.
Soundfiles vom 28.03.2026
Inside every man, lives the seed of a flower If he looks within,
he finds beauty and power.
Arno goes full length again on his second solo album.
Following a string of juicy releases on Trelik, Brouqade and The Wizzard Sleeve
the Berlin based producer is back with a bang.
Strictly Vibes Unit !
Special Limited Cover only 300 copies worldwide.
In these times of much needed peace, we deliver Paz.
This EP joins the restraint and balance of one of the punchiest and most pragmatic Uruguayan producers at the moment, Arturo Hernzama. His sound is strong and honest, baked with love.
On the B side, we find a more introspective and complex take on dance music by Lightmaker AKA Federico Lijtmaer, who transcends genre to deliver the unique style of music only he can do.
Two sides of the same Uruguayan coin, one carved with love.
2026 Repress
In 2000, Leonora Epremian collaborated with Evasive Records' founder Rob Pearson to produce a remarkable three-track EP, marking the fourth vinyl release on the label. Recorded at the renowned Online Studios in Croydon, South London, this EP captures the essence of a pivotal era in London's Tech House scene.
"Remember" and "My Soul" epitomize the quintessential London Tech House sound, their polished production still capable of energizing dance floors 24 years later. The breakbeat track "Promoseus" gained significant traction, becoming a staple in many DJs' collections, notably championed by Adam Freeland in his club sets and on his acclaimed Kiss FM radio show.
Due to the rarity and demand, original copies of this EP have fetched up to £150. This repress offers a unique opportunity to own a genuine piece of Tech House and Tech Breaks history, ensuring that these timeless tracks continue to resonate with new and seasoned listeners alike.
Since 2020, 12 Inch Lovers has embarked on an exhilarating journey, characterized by sold-out parties and samplers that have built a loyal fanbase. These samplers consistently find their way to collectors in search of contemporary classics. Samplers 7 & 8 once again constitute a collection of true classics, rare gems, and club tracks that have never before appeared on vinyl.
Sampler 7
Soundfiles vom 27.03.2026
As often, it started with discovering a CD, leading to the depths of the Internet Archive. I still remember the excitement of going through B.L. Underwood's recordings for the first time and realising how unique his approach to electronic music was, every track had something powerful yet moving within it, as he could play around with genres and tempos yet carrying a very distinctive touch. After a short detective work to get in touch with the artist, and quite some time curating the content of this compilation (the hardest part by far), System Of Objects is proudly presenting the remastered version of 6 of his tracks that showcast B.L. Underwood talent and uniqueness.
SXB Deep Tales Part 2
Smallville is happy to welcome Axel Fischer aka El Kazed to the family, proudly presenting his very own SXB Deep Tales, hitting the stores worldwide in May 2026 as Part 1 & 2.
El Kazed is a DJ & producer from Strasbourg, France. Together with a group of like-minded friends, he is running Ordinaire Records– a vinyl imprint fully dedicated to House music. The collective is throwing parties and a festival, building an underground house community in the heart of the Alsace Region. Next to releases on his own imprint, El Kazed also appeared on Chez Damiers' „House Of Chez“ label, contributing a track to catalogue number 01, as well as releasing on Brawther's Interweaved label.
On SXB Deep Tales, he delivers 8 amazing tracks, stretched onto two 12“ parts, containing all the quintessentials of house music, driving cuts next to deepest shades, solo work as well as collaborations with friends- the result is magical.
Full cover artwork from Stefan Marx – don't miss Part 1 of the series.
Das erste Album mit Originalmusik von den englischen Künstlern Flying Mojito Bros., die total auf Americana und Dance-Musik stehen. FMB hat dank seines einzigartigen Stils, der als Desert Disco und Outlaw House bezeichnet wird - ein neu definierter Americana-Sound, der von Poolside-Vibes bis zur Tanzfläche reicht -, eine wachsende Fangemeinde in den USA gewonnen. Das Album bietet eine hochkarätige Besetzung mit Künstlern wie Scott Hirsch, Will Worden und Rob Chaney (weitere werden noch bekannt gegeben!) und hat die Unterstützung von einflussreichen Persönlichkeiten wie Diplo, Phish, Pretty Lights, BBC 6 Music und KEXP erhalten. Just Passing Through zeigt die Entwicklung von FMB und kombiniert ihre charakteristischen Re-Edits und Remixe mit Live-Band-Aufnahmen. Es ist ein mutiger Schritt in ihrer Karriere, bei dem sie von den 1970er Jahren inspirierten Rock und elektronische Rhythmen mit Kollaborationen von Top-Musikern wie Shawn Lee (Young Gun Silver Fox), Joe Harvey-Whyte (The Hanging Stars) und Joe Stoddart (ABBA Voyage) verbinden. Dieses Album markiert ein neues Kapitel in der kreativen Reise von FMB und fängt ihre Erkundung der neu definierten Americana und den interkulturellen Rock-Austausch zwischen den USA und Großbritannien ein.
For their third release, FREE UNIVERSE welcomes Brooklyn's JÄK-87, making his debut EP with two acid-soaked jams along with remixes from Will Automagic and FU label head, Gee Dee. The Good Room staffer delivers Acid Bath, a subtle yet driving downtempo excursion complete with cheeky samples and a powerful 303. On the flip is Re_Cognition; a booming breakbeat stomper with distorted synths and bouncy bass. The Carry Nation's own Will Automagic ups the tempo with a speedy remix of Acid Bath, with a throbbing bass line and jacking percussion ready for 2am peak moments while Gee Dee brings a minimal approach to Re_Cognition with analog synths harking back to the likes of Liaisons Dangereuses. This record is dedicated to David G. Holland. Limited to 300 copies.
“So Help Me God is the long-awaited second album from Kelsey Lu, arriving June 12 2026 via Dirty Hit. Moving between shadow and release, the 10-track record follows her groundbreaking 2019 debut Blood and is co-produced by Lu, Jack Antonoff and Yves Rothman, mixed by Oli Jacobs, with contributions from Sampha, Kamasi Washington and Kim Gordon. Across the record, Lu blends distorted guitars, choral swells and dark electronic pulses into a sonic landscape that moves between devotional intensity and cinematic scale. So Help Me God expands Lu’s singular creative universe - where music, visual art and performance converge into one multidisciplinary project, marking the return of one of contemporary music’s most singular voices.”
Vinyl Only!
Unsung Hero Lady D appears out of nowhere, delivering three cuts of pure dancefloor attitude. Raw 90s house energy on “Son of a Gun”, deep Balearic moods and a forward-pushing Dub on the flip.
Released via kickin’ up dust on dark blue vinyl. Limited to 300 copies.
New label Species hits the ground running with its debut release. The outlet is an extension of globally-renowned booking agency Pieces, and will feature music exclusively from the agency’s roster, which includes some of the scene’s most formidable and talented DJs and producers. The first release comes from an exhilarating project - Punky & The Brain, AKA Otis and Paul Lution. Described by the duo themselves as “scientific experiments” the music is a fusion of playful excursions with their lab equipment, and their musical knowledge.
Together they have been experimenting in the studio, merging incisive technical prowess with straight up dance floor-focused rhythms. Their field research has tested emotional variables on numerous research subjects through live performances in the most renowned clubs. A Fender bass guitar and vocoder bring another dimension to their studio exploits, and this EP is the result of their preliminary scientific findings…




















