House Actualización

Since its inception in 2011 the Fuse label has grown to be one of the leading voices in the dance music underground, originally kicking off with co-founder Enzo Siragusa's 'The Sagamore EP', subsequent releases were kept strictly in-house with productions from the roster of resident DJs that feature at their London based daytime raves (Seb Zito, Rich NxT etc). In 2013 offshoot label 'Infuse' was initiated as a way of harnessing production talent from around the globe.

As a celebration of reaching 5 years of releases, a three part vinyl only EP is to be released featuring tracks from the established Fuse roster as well as a few new additions.

EP one features tracks from Enzo Siragusa, Dan Farserelli, Ferro & Makcim and Fabe. Seb Zito, Romanian talent Iuly.B, Ben Rau and Joseph Williams feature on EP two whilst Rich NxT, Rossko (making his production debut), Archie Hamilton and Sam bellis round things off with the EP 3...

STRICTLY VINYL ONLY!

Red Axes return with LOUD—their most explosive record to date. Blending post-punk grit, indie-rock swagger, and their signature electronic pulse, the duo deliver 13 tracks packed with raw energy, twisted hooks, and fearless experimentation. LOUD is restless, fearless, and wildly diverse - showcasing a band that never stands still.

Following over a decade of groundbreaking releases and genre-defying sets at Coachella, Glastonbury, Sónar, and Berghain, LOUD showcases Red Axes’ ever-evolving sound and genre-defying legacy. Drawing inspiration from acts like Amyl and the Sniffers, Viagra Boys, and The Brian Jonestown Massacre, Red Axes channel their roots in psychedelic rock into something gritty, loud, and deeply addictive.

Lead single Home "La La La” captures the hazy feeling of a night spiralling out—equal parts bliss and breakdown. From distorted riffs to hypnotic grooves, each track pushes Red Axes into thrilling new territory. From the surf-rock energy of “Church Avenue” to the pounding chaos of “Lava Lava,” LOUD spans moods, genres, and states of mind—but always hits hard.

For its debut release, Echoform presents a sonic palette of the shapes and colors that define its events.
The journey begins with Circles, a tension-packed peaktime driver. Built around a deep bassline, layered leads, and emotional pads, all tied together by a vocal that calls for love.
Next is Squares, a raw, heads-down groover made for sweaty dancefloors. Dreamy FX meet stripped-back rhythms in a hypnotic blend.
The EP closes with Another Shape, a 90s-inspired tech house cut with a deep emotional core. Subtle pads and a rolling groove carry you through the early hours.

Echoform is a newly formed record label based in Amsterdam and Berlin. Formerly known as boshuis, the label has been refreshed with a new mission: to unravel the mysteries of visualising sound. Have a look at their artworks and take some time. “Do you hear what you see?”

A sonic ode to Italy's 2023 Capital of Culture, Brescia-Bergamo, "Brixia Sonora" by Rebirth celebrates the city's diverse music scene. Breaking free from genre constraints, the project unites fragmented musical paths into a collective identity. Featuring remixes from heavyweights like Fred P, K-Lone, Rahann, Bruise, Map.Ache, and Pedro Ricardo, the original tracks are transformed for the dancefloor. With a limited pressing, swift action is essential.

Repress

Frankfurt’s fast rising Ludwig A.F. Röhrscheid makes mind massaging music that enters realms from afar. Here he debuts on UTTU with 4 fantasy house jams for your mind, your body & your soul.

RTR debuts on UTTU with 4 tracks of IDM infused emotional house music - having turned heads on Analogical Force and WEME - here we are treated to a more laid back club focused EP for both heads and feet”

Limited to 200 pieces. Each record comes on heavy 180g vinyl, handnumbered and with an exclusive art print inside. Launching both his debut record and the very first release on brand-new label Tennis Is Good, Justus Rokah kicks things off with the Disco Fizz EP.

The title track blends soul, funk and disco into a sparkling groove – a Motowninspired homage to Sektmate, evoking rooftop sunsets and live jam vibes straight out of the ’70s. Warm, musical, and made to get you vibing.

On the flip, Tennis Is Good (the duo of Justus Rokah & Flemming Bassedow) strip things down for the floor: a raw, driving house rework with pumping bassline, grinding kick and Detroit-tinged chords. Pure underground energy designed for peak-time moments. A strong first statement from Rokah – bridging soul, disco and house in his very own style.

Skee Mask the lord of german underground rap proudly presents his brand new Ilian Skee Series powered by Ilian Tape.

Punching in with his debut vinyl EP for Fluid Funk, Chilean house producer Massiande follows up to a string of head-turning releases on an array of labels, including Jimpster’s Freerange Records. His much anticipated new offering, “Essential”, packs all the attributes of his vivid, floor-focussed vision, taking us on a bouncy ride across densely forested coastal house scapes and heavy-lidded electronics. Draped in washed-out pads and cottony textures, Massiande’s tracks have us floating in a chromatic daze of sorts, light-hearted and somewhat nostalgic, but above all hopeful and resilient.

A textbook slab of Massiande’s ever-expanding palette of woozy house tropes and silken disco touch, A1 “Tears” (also presented in bare instrumental form on the flip side B2) has it all, from the euphonic synths arrangements to the no-nonsense, club-igniting jack and irresistible footwork, via the infectious bass and Chicago-style soulfulness of its vocals. Proper fiery number and absolute weapon for any DJ seeking either impactful elegance in a peak-time context or to rekindle the flame when the after gets a bit too prosaic and requires that extra funky boost to get back on tracks. Grooviness exemplified.

More of a straightforward affair, A2 “Essential” unflappably beckons us on the path of utter vaporous escapology with its pulsating tableau of FX-soaked machine talk, semi-acidic bass and zero-G synthwork painting the sky all shades of pastel. The result is a rather captivating piece of weightlessly intuitive though carefully engineered sonic daydream. Injecting further oomph to the groove, B1 “Come On” pulls out a symbiotic collage of Sino-flavoured melody, Stax-ian vox sampling and straight out Detroit house-indebted propulsion, neatly showcasing both Massiande’s broad spectrum of influences and that idiosyncratic take of his on the said genres’ tried-and-tested leitmotivs.

Black Vinyl

Legalize Lambada step up for their 4th outing with four delectable afro disco edits from Sputnik.

'Superlove' see's Sputnik channel a South-African take on early garage house before melting 'Feeling Fine', the reggae tinged, afro boogie gem.

On the flip side, 'Groove Me' unearths some feel good Cameroonian disco gold complete with killer guitar solo, whilst 'Rick' closes out the e.p. dropping the tempo for a synth soul, slow jam.

With early support from Hunee, Lexx and the likes, LEG004 is shaping up to be one of the summers standouts.

Fourth release for the Pennyroyal Rec label.

For the occasion a various artists was created entitled "TEAROOM VIBES."

Imagine a Tea Room where warm electronic sounds are ready to envelop the listener.

On Side A we find Lele Franza with dark and hypnotic sounds and spanish master Ildec with a real bomb from syncopated rhythms.

On Side B The Lumens and Luca Doobie pay special attention to the
dancefloor with two tracks to play in the middle of the party!

The track VISITORS from 1985 is probably one of the best songs of the Italo Disco era and is now going to be released in a new guise on colored vinyl in a strictly limited edition.

An absolute must-have for all die-hard fans of the Italo Disco and Spacesynth scene.

Dejan Dex from 005 is back but with Blagoj in their mischievous music duo: Son Kota. From Misla to Termos, Dejan brings forth a new level of artistry with his right hand partner in this sizzling 3 track compilation. Literally sizzling, Termos isn’t shy in sound, waking up the listener with profound, sexy yet soothing beats in a humble, homemade kind of way.

“Our inspirations range from day to day activity. From 80’s pop rock music and good movies to tv shows and live sets from artists that we admire, together we combine all the sounds we hear into one full package.” - Son Kota

Son Kota - A story of two artists meeting halfway, making an alias to expand their music horizons. Focused on finely shaped sounds, and digging deeper as they can into the house music world.
Producing for 13 years running, Son Kota began paving their way around the same time. Coincidence? We think not. Destined to work together, Blagoj and Dejan were passionate pioneers on the Macedonian music scene with their like minded approach to genre identity and track ideation. Officially born in 2017, Son Kota was given its project name meaning “sounds of happiness” in French/Japanese dialect.

The two exude a sense of genuine awe and wonder for minimalism, and the blissful feeling it evokes.
Echoing the 90s once again, Son Kota offers a fresh batch of 3, including a remix by Arapu, each having its own musical idiosyncrasies.

Top of the track list is the dark and moody Vroche: a somewhat psychedelic ensemble of broken beats and synth stabs for the adventurous minimal listener. Up next is Termos, a marvelous piece that embodies classic house qualities peppered with nostalgic melodic elements. Finally, Arapu spins this record further with his own interpretation of Termos, bringing his signature touch to the table. Any Satya fan and production nut will be sure to appreciate his groovy minimal hypnotic flavors.

Kim Rapatti, aka Mono Junk, is a key figure in Finnish techno, known for his deep, hardware-driven sound. A firm believer in analogue synthesis, he has been shaping raw and hypnotic club tracks since the early '90s, drawing inspiration from Detroit pioneers like Derrick May and Juan Atkins. His releases have appeared on his own imprint, DUM Records, as well as Skudge, Forbidden Planet, and most recently, Cold Blow—earning him a dedicated following among DJs and collectors.

Recorded in Turku in 2002 using the Korg Minikorg 700s, Loving Your Mind showcases Mono Junk's signature stripped-down grooves and live hardware improvisation—an essential pick for anyone seeking an authentic slice of early-2000s machine funk. Alongside the title track is Gamma, a previously unheard production that was commissioned as an exclusive for a highly regarded mix series, further cementing Mono Junk's status as a trusted name in underground techno. Built around a percussive groove, a deep electro-funk bassline, and a four-to-the-floor pulse, the track unfolds in an atmospheric haze, balancing dancefloor functionality with hypnotic depth.

The B-side features remixes from Katerina and Sansibar, two of Finland's most notable international breakthroughs in recent years, known for their modern yet timeless club productions that nod to classic techno and house.

Katerina, a versatile DJ and producer with releases on Rekids, Running Back, and Cómeme, transforms Loving Your Mind into a high-energy techno duet, layering her own vocals over the original vocal track, with her infectious synth lead as the icing on the cake.

Sansibar, one of the fastest-rising names in the underground with releases on Kalahari Oyster Cult, WARNING, and Émotsiya, delivers a darker, four-to-the-floor rework—bringing a sinister edge while maintaining the raw energy of classic machine funk.