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A surefire Salsoul classic and comfortably one of the label's finest moments, the self-titled LP from The Strangers was originally released in that golden year of 1983 and is one of the greatest albums of the post-disco era. It’s one of Be With's favourite ever LPs and it's a complete honour to be giving it our reissue treatment.

Still strangely overlooked but not for much longer, The Strangers contains flawless tracks with truly top tier production and includes the eternal Paradise Garage favourite "Step Into My Dream."

Are they Strangers to us? Well, no, they shouldn't be. The Strangers were a US electronic-funk studio concept group comprising Edward "Tree" Moore, Howard King and Hubert Eaves III, all key members of Mtume and Gary Bartz NTU Troop and, in the case of Eaves, one half of D-Train.

Now I KNOW you're gonna dig this!

We kick off with the dope electro-funk of "Wanna Take Your Body" which features Gary Bartz on sax (!) and becomes more sensational and irresistible the longer it plays. The wonky super-bomb "Let Me Take You Home" has a punk-funk, post-Prince feel, driving and delicate all at the same time while "Show Me How You Like It" is pure FUNK, the groove just pure fire.

Side B is perfection. It kicks off with the NTS favourite "Love Rescue", a track so slick it positively SLAPS out the gate and, while it bangs throughout, the vocals and melodies elevate this to the status of EMOTIONAL POP.

Next up, "Step Out Of My Dream" swaggers forth, the undisputed masterpiece that was huge with the London DJs and UK Soul fraternity; it's not hard to see why. It's a gliding, smooth, soulful piece of once-in-a-lifetime magic.

Berlin techno bastion Jamaica Suk’s generous ‘Uncertain Landscape’ series continues with the third part of this weighty 17-track release serving up another quartet of rugged grooves.

early 2000s techno, he brings it up to date with pummeling bass and kicks and taut percussive loops

Surface’ chugging along at an unhurried pace. Resonant metallic sounds chime over the stuttering overdriven edges emerge, gentle screeches and hisses forced into existence.

Techno royalty Oliver Deutschmann pitches in next with the pacey contrast of ‘Hunting’. Its manic tempo is contrasted by its comparative lightness of touch, with the acidic theme continuing. The

Parallax Records boss and Berghain and Concrete guests Pharaoh and Yogg provide the closing salvo, an experimental cut by the name of ‘Betelgeuse’. Broken beats underpin glitchy textures and

Based in Rennes and founder of the Vives label in 2020, Weever has been exploring the interplay of light and shadow for over 10 years, crafting abstract soundscapes and textured sonic tunnels of unparalleled musical breadth. He elegantly blends industrial and baroque sounds to construct sonic cathedrals. His music is both utterly raw and meticulously crafted.

L’âge de la Galère :

started this EP in 2020. At the time, I had just finished my studies, it was a pretty difficult period and I had made a track, or rather a melody, that I thought was amazing. I held onto it all these years without ever releasing it. 2020 was a tough year overall. The big question was: What am I going to do with my life? Hence the title L’âge de la Galère

The title really started to make sense when I began putting tracks together for Micheal. Around that time, I was reading Those of 1914 by Maurice Genevoix. For those who don’t know it: it’s written as a journal and tells the story of the author and his fellow soldiers in the trenches during World War I.

I’ve always been passionate about the two World Wars, I watch every film, old and new, I listen to the soundtracks, and so on. Same with period films, especially medieval ones. I love drawing inspiration from them.

So naturally, I imagine and create around that. It comes easily because it’s always been my universe. And when I make music, those kinds of images inevitably come out, even subconsciously.

So I created and told an audio story through my 6 tracks.

“It’s 1914. The story of many men who, upon hearing the sound of the bells, are met with the announcement of a war like no other. Most of them are young, some very young, and they are drafted into the French and German armies. They have no military experience, and the first battles are so violent that many won’t make it back. Very few will earn the glory they deserve.

The conditions are appalling, everything is in short supply, and the men are exhausted. Still, they must hold on.
Leaving carelessly from beneath their mothers’ skirts, too few returned. Many were left traumatized, and an entire generation was forever changed.”

Woody Herman Shaw war ein US-amerikanischer Jazztrompeter, Flügelhornist, Kornettist, Komponist, Arrangeur, Bandleader und Pädagoge. Shaw gilt weithin als einer der bedeutendsten und einflussreichsten Jazztrompeter und Komponisten des 20. Jahrhunderts. Das ursprünglich 1976 bei Muse Records erschienene Album „Love Dance“ gilt als eine der spirituellsten und zukunftsweisendsten Aufnahmen von Woody Shaw. Diese audiophile Neuauflage stellt den vollen Klangreichtum des Albums wieder her und fängt Shaws schwebende Trompetenlinien und das dynamische Zusammenspiel des Ensembles mit beispielloser Klarheit ein. Shaw leitet eine hochkarätige Besetzung – darunter Billy Harper, Steve Turre, René McLean, Cecil McBee und Joe Bonner – durch fünf ausladende Titel, die Modal Jazz, spirituelle Themen und Post-Bop-Intensität miteinander verbinden. „Love Dance“ ist ein Meilenstein in Shaws Diskografie und ein Muss für jeden Musikliebhaber – jetzt präsentiert mit der Tiefe und Detailtreue, die es schon immer verdient hat.

‘Moonshot’ is a genre-defining EP heavily influenced by electro and dark wave music.

It crafts intense, pulsating beats that seamlessly blend intricate rhythmic patterns, bleak pad synths, and a driving atmosphere into powerful, club-focused tracks — all layered with groovy basslines and sharp breakbeat energy. What sets it apart is XXOK’s haunting voice, delivered in both Korean and English — a personal interpretation of introspection and melancholy that adds emotional depth and resonance.

Benny Blanco debuts with a five-tracks "Staraya Ep" onto his Valkea Music. Every detail has been taken care, from mixing
to the master from the WHITE 180 GRAMS vinyl press to artwork. Following a short description about "Staraya EP"
STRY 1 by Ricky L Red "Is Not Dead Mix" intense and majestic, the track of rare and profound beauty.
STRY 2 "Original Mix" it's a tribute to Benny Blanco's origins and to the electronic/progressive sound of the mid nineties
that had great influence on him and became his trademark from the very beginning.
STRY 3 by Giammaria Coccoluto & Luca Vera "As Soul Sonic Remix" an ethnic rhythm full of grooves thanks to the addition
of percussive elements and a masterly used organ, which won't keep you still.
STRY 4 "The THC Revenge Remix" an atmosphere that captures and hypnotizes, where it extrapolates and magnificently
enhances the most melodic part.
STRY 5 "Erly Tepshi Dark Vision Mix" an esoteric and astral journey in the furthest and most remote corners of your mind.
This original project to the artwork that will in essence, satisfy your eyes and especially the ears.

A name that keeps bubbling up from the current UK industrial techno scene, Conrad Pack . . . .he's packing some fire on this one. No messing about. TIP!

On The Button are back again and coming in strong with their 3rd release. This time Birmingham native Croft. delivers his first full debut EP for the Leeds based record label and Event.

Croft. has delivered 4 heavy cuts all ready for the dancefloor, a mixture of a 4/4 groove laden techno/tech house and breaky electro, all 4 tracks truly complimenting each other with Croft. establishing his unique sound.

Tom Sharkett arrives on Discotecas hot on the heels of his DFA-released rework of LCD Soundsystem’s ‘Home.'

On the A side is Certamente, driven by a catchy hook — think Tom’s Diner reimagined for house heads — which is followed by an instrumental. On the flip, Pinballed drops into deep, low-slung territory — pure drug-chug at its finest, already getting road-tested on the dancefloor.

Introducing the highly anticipated first EP, ‘Flat Earth Mafia Edits Vol.1,’ by illusive underground artist, Flat Earth Mafia. This four-track vinyl release promises to take your turntable game to the next level with rave-ready dance floor edits for the club. The EP effortlessly blends breakbeat, bass, and rave tracks drawing on nostalgic vocals to create a euphonic journey for listeners.

Flat Earth Mafia remains shrouded in secrecy, allowing their edits to speak for themselves. With limited availability, don’t miss your chance to own a copy of this EP.

Distant Worlds welcomes Gilbert to the roster with an EP possessed by the ghosts of UK techno past. A broad offering of sonic delights echoing the days when the likes of A13, Pure Plastic and GPR were sharing shelf space.

‘Lost Frequency’ kicks off with eager intent aimed directly at the dancefloor, drum machine funk collides with punchy bass and soaring synths. ‘Quantum Echoes’ offers a meditative take on bass weight accompanied by heart-breaking melodies and enriched by a true master’s attention to detail.

Flip over to ‘Earthscapes’ for a breakbeat infused workout resplendent with percussive flair and melodic deep bass. ‘Particle Drift’ takes us home in style with beautiful acidic flourishes atop emotive harmonies that could easily be an undiscovered gem of 90s techno. Timeless music sure to endure.

It was 1993 when Insight last released on the iconic Strictly Rhythm imprint. Terrestrial Funk brings you their first fresh output in three decades. Perfect house productions hot on the heels of their highly acclaimed V4 Visions comp on Numero Group. The four track EP gives you three unique house cuts with Ashaye’s ethereal vocals and an unreleased dubbed out downtempo version of their beloved anthem, ‘What Is This World Coming To?’.

Toscal Records presents its fourth only vinyl release TSCL004.

Italian maestro Jamahr takes the lead with two refined club weapons — Keep Rock Again and Need You — blending deep rhythm, swing, and hypnotic warmth. On the flip, Spanish duo Borch & Joel Hernandez deliver two playful cuts La Discoteca and Bipolar to complete the record’s dance-floor narrative.

Move and dance!

Julian Jeweil returns to Drumcode for his first EP in two years with the inspired six-tracker ‘Boreal’ split across two records.

The Frenchman has been a vital member of the extended Drumcode family since 2017 when he debuted with the fantastic ‘Rolling’ EP. Since then, highlights have included playing main stage at Drumcode Festival and dropping the critically acclaimed ‘Transmissions’ album in 2019.

Part II opens with ‘Cosmos’, a peak-time belter that sees Jeweil do what he does best; deliver functional, powerful techno with a trippy extra-terrestrial edge.

One the B side, ‘System’ is a jacking slice of heat, led by shuffling beats and a persistent vox designed primed for sweaty dancefloor moments. Part II rounds out with ‘Minuit’, a polished driving cut with a sleek melodic core that reinforces the Frenchman’s breadth in the studio.

Planet Harvest is not just a vinyl—it’s an encrypted artifact from the outer fringes of the galaxy. Limited to 200 vinyl only copies, this analog drop is both a musical release and an in-game item from the Kizi 404 universe, our post-apocalyptic, sci-fi infused, sonic rebellion.

Each track on the record is a fragment of the original soundtrack to our retro video game Planet Harvest, a terraforming simulator and galactic resistance adventure. The game puts players aboard the DIY spaceship Kizi 404 as they navigate hostile planets, fight off Darth Bezos’ neoliberal fleet, and gather rare materials to power an interstellar radar built to chase the elusive Signal—a frequency that might just save humanity.

Firing remix package of cuts from two legendary album's from Brazil's Orquestra Afro-Brasileira. Feat

Two albums - Obaluayê (1957) and Orquestra Afro-Brasileira (1968) - were enough for Orquestra Afro-Brasileira to mark its history in music forever. Born in 1942 in Rio de Janeiro by its founder Abigail Moura, it remained active until 1970 and, in 2021, was revived by the only living member of the original line-up at the time, Carlos Negreiros, when the third and final album in the orchestra's career, entitled 80 years, was released by Amor in Sound/Night Dreamer. Today (31) the album gets its remix version with tracks signed by names of the caliber of Marcelo D2, Criolo, Pupillo, Emicida, Rael, Cut Chemist, Mexican Institute of Sound, among others.

Aiming to keep the legacy of the Orquestra Afro-Brasileira alive, the album 80 Anos (Remixes) reaffirms the group's relevance as a creative source for different generations of musicians and listeners, based on new interpretations produced by artists who are also fans of the orchestra. According to Mario Caldato Jr., the album's musical director, "it was a great joy when I got to know the work of the Afro-Brazilian Orchestra and, soon after, had the honor of meeting and working with Carlos Negreiros. Producing 80 Anos alongside him was a gift and being able to look back on it, having the remix album to celebrate this legacy, is really wonderful."

For Amor in Sound - Mario and Samantha Caldato's record label - this release faithfully represents their values: Respect for memory, diversity, friendship and the possibility of creating new worlds. Made in a totally collaborative way, the album is born as a historical record, interpreted by great names in current music and, above all, great friends. “Being able to do this is indescribable, the value of relationships makes up and continues the legacy of the Orquestra Afro Brasileira,” says Samantha.

The project brings together Brazilians Criolo, Emicida, Rael, Marcelo D2, Lucio Maia, Pupillo, Rogê, Tropkillaz, Kassin, Pedro Dom, Zilladxg, Nuts, Daniel Ganjaman, Imperatore and Nave, as well as international DJs and producers such as Mix Master Mike, Cut Chemist, Gaslamp Killer, J Rocc, TASO, Mexican Institute of Sound and Mophono.

Repress!

After the enormous support received in previous releases, we believe that the time has come to give our music a bit of color and this time we have opted for green, the color of our natural habitat ... "La Jungla de Andalucía"

Sekret Chadow surprises us again and shows us the most sentimental side of him with his "I Love You Mommy" We can already imagine what this artist would be thinking about when creating this beautiful musical composition, a true tribute to one of the most important people in our life, without a doubt a track created with a lot of love, loaded with arpeggiated melodies, vocals, basses. and powerful breaks that create perfect harmony. Close your eyes and let yourself be hypnotized by the magic of his music.

Baymont Bross joins our family and we could not start in a better way than presenting this beautiful version of one of his greatest hits throughout his career "Enjoy Yourself" Do you remember those infinite closings at Carpas Yerbabuena? Are you one of those who danced in Mangueta Beach until dawn? Surely you once danced to this track and now we can relive those wonderful moments with this vocal version created on the occasion of the 10th anniversary and extended for this occasion. Welcome to the monkey family.

Adam Vyt brings us his track "Don´t Give Up" a message of strength and encouragement for the times. A track with piano melodies followed by an elegant line of atmospheres and basses, vocals and a powerful base with airs of Uk Garage, a mixture of styles that already define this artist. This track was previously released in digital version by the "Distorsion Records" label, making it one of the best tracks in Beatport's Top100. Never give up...!!!!

Case82 is back with us and this time with another of his most powerful tracks "Pump This Party" and that's how it is ... the party's pump .... !!!
Once again this Dutch artist shows us that his strength is pure Old School, a mixture of powerful bases, vocals, stabs and wonderful melodies with violins and piano to which he is already accustomed. This is "Lost in The Jungle"

Skyline Systems emerges from Australia with Escape Vector — four deeply elegant cuts rooted in the classic deep Detroit influenced sound. Stripped-back and refined, the producer crafts machine-driven landscapes where analog synths and drum machines intertwine with a hypnotic, subtly futuristic groove.

Warm, fluid basslines, shimmering metallic chords and a steady pulse invite both introspection and late-night dancefloor drift. Minimal yet immersive, Escape Vector distills the essence of Detroit’s deep house and electro heritage while adding a contemporary sense of space and precision.

Four tracks built for careful listening — and for getting lost under low lights.

Limited vinyl pressing coming soon via Baldo's Physical Education.

Upsurge is the 5th LP on Ilian Tape and the musical journey of a sensitive soul.

Over the last 8 years Stenny has become one of the core artists on the label, continuously evolving his own style and exploring new territories. His debut album flows through ups and downs and reflects the highs and lows we all go through.

MAXED OUT MAXI EP OF THE HIGHEST ORDER FROM TAPES, HONOURING JAHTARI'S 20 YEARS OF D.I.G.I.T.A.L. BUSINESS IN FINEST STYLE...LOADED WITH RIB-8-BIT PRESSURE!

Four digital dancehall scorchers with two accompanying 8-bit versions meticulously crafted with the soundsystem session in mind!

Tapes has been spreading wonky saturated riddim goodness since his ground breaking “Hissing Theatricals” EP in 2009. Now, after a brief hibernation in the northern spawning pools, he’s spinning up his reels once again to present a new killer set of amphibian friendly, nintendo-fied sound system depth charges!

The “Photos of My Frog EP” is croaking off with its oddly addictive namesake: a surefire pond party starter – Ribbit! Hopping along, the adorable but tuff “Cleat Skank” and its gameboy driven pollywog follow, swinging their 8bit melody lasso till the cows come home. Yeehaw!

“Ramp Up” on B is a dense and raw FM synth digi banger, sure to fry any nearby circuits, so best beware! “Back Cramp Riddim” then turns up the low end even more and swirls its drums and synths into the next delay vortex, warping into a pixelated 8bit conclusion.

Whatever your taste in insects there’s something on this record for any lover of vintage dancehall and amphibious wild life alike!

These are going to fly out - sticky tongues at the ready!

Introducing The Hood 001, the first vinyl release from Noisy Neighbours, the Colombian label on a mission to showcase and promote the most talented South American club music producers.

TH001 features the label's founder, A. Naranjo (@a_naranjado) and Emilio Mustafa (@emiliomustafaa), alongside two sought-after producers and long-time neighbours, Donnie Cosmo (@donniecosmo_) and FI-LO (filofortheworld).

The record provides four killer and full of energy tracks, drawing influences from 90s Deep House, UKG, Tech House and Breabkbeat—ready to find its way into bold selectors' bags and make dancefloors rumble.

Don't think twice—hit the pre-order link now, as copies will be limited. But be warned: No Noise Complaints.

Those in charge of opening this vinyl saga are "Fat & Blind" these two artists from Cádiz better known as "Deibeat & Shemma" with their track "Mother F .... Breakbeat" published by the label "Weekend Breaks" in 2000 , a track that became an anthem and continues to resonate at every party, now remastered for this occasion.

After two eps on L.I.E.S. Voiski heads East making his debut on the CCCP sub-label. We are treated to classic Voiski material here- all the elements he excelled at on his previous efforts all present-massive drum programming, huge basslines and epic builds carry the songs along. 100 percent guaranteed club approved and essential for any Voiski fan.

Joining our label for the 4th release are Dan Andrei and Kozo, under their collaboration named AK41, a fructuous project that offers three highly complex tracks. On the A side you can find "Icebreaker" solely, an eccentric sound with a steady bassline, percussive kicks, tripping shakers and a thoughtful, mysterious melody that touches all the frequencies of your body. Turning to the B side we find "Swingenious", a groovier interpretation produced by a combination of spacey feelings and sophisticated instruments that will move every bone on the dancefloor. Closing the EP is "In Memoriam", a melancholic version that is not short of an aggressive bassline, ambiguous vocals and deep introspects, all aligned to disconnect you from the reality of routine.

REPRESS 2017
Early Support from Stephan Bodzin, Steve Bug, Lexy, Christian Fischer, Markus Guentner, Laurent Garnier, Tim Xavier, Someone Else, Gunjah, Oliver Klein, H*O*S*H, Sebbo, Anderson Noise, Habersham, Emma Thompson, Markantonio and Jamie Stevens.

Autechre setzen ihre chronologische Reihe von LP-Neuauflagen mit den Alben Untilted (2005) und Quaristice (2008) fort. Keines der beiden wurde seit seiner Erstveröffentlichung neu aufgelegt, beide sind über 15 Jahren kaum erhältlich. Die Nachfrage hat in der Zwischenzeit für begehrte Wiederverkäufe unter Fans gesorgt, die diese Musik auf Vinyl hören möchten. Die Neuauflagen erscheinen zu einem besonders aktiven Zeitpunkt für Autechre, die sich auf eine ihrer bisher umfangreichsten Live-Tourneen vorbereiten, darunter eine komplett ausverkaufte Serie mit 25 Konzerten in 29 Tagen durch die USA, Kanada und Mexiko im Oktober sowie Tourneen in der EU (August) und Großbritannien (November). Autechre veröffentlichten zuletzt im November 2024 neue Musik im Rahmen des laufenden digitalen Projekts AE_2022–. Weitere erhältliche LP-Neuauflagen: Incunabula (1993), Amber (1994), Tri Repetae (1995), Chiastic Slide (1997), LP5 (1998), Confield (2001), Draft 7.30 (2003).

6 song LP with 3 tracks in extended mixes w/ dub.

Long requested reissue of this 1981 Barrington album, featuring some tracks not available elsewhere, like "Full Understanding" as played by the great Jah Shaka. The whole LP is heavy stuff from the Radics + Scientist combination of the day, like all Barrington's classic early albums. This album has only been available very briefly a couple of times since its original release, and it's back here pressed from new stampers from the original mothers, which means you're getting a record identical to the original press. An essential album if you love the heavy sound of the early 80s.

For years & years & years, I have been trying to get some solo music from Champa B on Future Retro London! This release has gone through so many different forms & iterations to try and accommodate getting him onto a release in some form & it's now finally here as a collaborative release with me.

I'm a huge huge fan of Champa B's tunes, especially his 93 darkside hardcore style that he previously done on releases for Modified Magic, Parallax Recordings & Green Bay Wax. I wanted so desperately to have him do some more music in that vein, but he was busy making other styles of music under his Grief alias as well as being busy with his day job to not really have the time for it.

But eventually, he was able to make some time for getting back into this style & we were able to do 2 collaborations and a solo tune each to get this done. Big thanks to him for his involvement in this release, hopefully not the last you'll see of his darker side!

A couple years ago Developer created a Modularz sub label named " Developer Archive " the idea was to slowly release tracks taken from his personal collection and specifically made for his live DJ sets. Through Developer Archive these tracks are now being released in a limited amount and the chosen selection are the ones that Developer felt made the largest impact in clubs and venues around the world.

Developer Archive is an extension of Modularz.

A solo project that started in 2011 releasing limited vinyl only releases and continuing to focus on techno and bizarre raw grooves produced exclusively by Developer.

Exactly one year after Developer's 5 year anniversary release on Modularz which also was also celebrated in a special label night at Berlin's premiere techno club Berghain back in November 2015. He returns for is next ep named "Dispatches from LA" Developer went to his home city of LA over the summer 2016 to play a calendar of shows in the US and to record this ep from his 2nd studio in Los Angeles. Its more of his trademark sequenced based yet hypnotic sound with a bit more of analog gear used for this one.

History _ its evident that Developer has been unstoppable over that last decade, but it‘s been an even longer time ago that Developer got his start as a DJ back in 1992 where he started djing in the backyard party scene then moving to a residency on 88.7fm Radio then eventually becoming a fixture in the Los Angeles underground warehouse scene playing alongside many of the worlds techno elite and organizing events throughout the 90s into the 2000s. In 2009 Developer retired from events and then converted Modularz from event organizer group to a techno label and began releasing his own music eventually making his way into europe and onto the world. The Album _ Sangre Por Oro, which translates to Blood for Gold, is a full-bodied album, with each track highlighting the different complexities of where techno can go and take you. The whole-room experience that he creates through his tracks high- lights his ability to unify techno lovers, all under one roof.

- Pullproxy Germany

Developer Archive returns with its Eleventh chapter and as you'd expect, the EP is made up of four groove based techno bangers tailor-made for floor-filling. The moods differ on each track and its mostly in-your-face beats, growing looped riffs, haunting modular electronics, and occasional mind-altering synth lines. Huge TIP