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Last entrance on 29.09.2026
Brighter Discs opens with its first release from label founders Kamma & Masalo. Born out of Brighter Days, the duo’s long running party series since 2014. A colourful get together where generations mix freely, DJ legends share space with new voices, and the dancefloor is treated as common ground. Brighter Discs carries this same spirit into recorded form, a natural continuation following the Brighter Days compilation previously released on Rush Hour.
Brighter Discs starts things off with ‘Can’t Fake The Feeling’, built around the original vocal by Renee Mohannon, taken from the 1989 release produced by house music pioneer Joe Smooth. The vocal is fully cleared and officially licensed, with everything surrounding it newly written and produced, resulting in a club track that honours the emotional core of the original vocal while giving it new space to shine.
The ‘Club Mix’ unfolds with immediate lift, a classic yet upfront house energy carried by Kamma & Masalo’s elevating instrumentation moving in lockstep with Renee Mohannon’s vocal. A pure club track celebrating dance music to the fullest.
On the flip you will find K&M’s ‘Unity Dub’, a darker, percussion driven workout that strips things back and presents the track in a different light. A twilight version that highlights the duo’s versatility and deep dancefloor understanding.
Kamma & Masalo have tested both cuts extensively while touring, from sun soaked festival stages to esoteric club spaces. Each version has been shaped in real rooms and refined on the road, ensuring the tracks are heard in their best possible form.
All produced with care and free-spirited party energy, Brighter Discs 001 marks the beginning!
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This is somehting Kano's and die-hard italo-disco fans will definitely
appreciate. Kano's "Anothern Life" is finally remastered and repressed on limited-edition white vinyl for the first time since 1983 and out on FullTime Production.
This LP consecrated the fascination of italo-disco, which merged disco, funk and synth pop.
This is demonstrated by a song like "I Need Love", where we immediately recognize the classic elements of synth pop (thus merged with the rhythm and the funk voice of the charismatic voice of Glen White. So "Mad In Love" and "Dance School", where you can already recognize all the grooves that will one day be other followers who have taken, to recall the name, a direct lesson from this "school". Kano surely influenced a whole genre of new European dance acts.
"Another Life", a single now immortal for lovers of the genre, certainly
felt the influence of another genre, known as space disco, a short Eurodisco vein. So "Ikeya Seki", which is not a tribute to the East
like the later China Star (typical of the aesthetics of many bands of
this early 80's), but a very suggestive instrumental piece whose name
derives from a comet discovered by two astronomers Japanese in 1965, Seky and Ikeya in fact. This, is the sound that is also found in the 8-bit soundtracks of arcade videogames, in those contained in Commodore floppies, and it is the music that everyone would have liked to sweat every day.
Out on October 7th!
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FullTime Production is honored to presents Kano "I'm Ready" featuring remixes by Mousse T. and FrescoEdits!
"I'm Ready" published in 1980 on FullTime Production, among the first
success, also peaked at #21 on the R&B and hip hop songs in the United States and at 8# on the most popular songs being played in nightclubs across the United States.
Kano combining elements of 1970s disco, funk and R&B while extensively using synthesizers and percussive handclaps as well as raw-processed and vocoderized vocals inspired by United States and European disco, from Chic and Giorgio Moroder.
The great producer Mousse T. gave us his great musical experience, he wanted to make the song a real hit in the house music and disco music genres.
The piano, the voice and harmony were transformed into something softer and less computerized and metallic. Mousse T. made us glimpse the immensity behind a remix and the most diverse musical facets that only an excellent producer can astound and leave the listener speechless.
The musical break of the "extended club remix" at minute 03:24 makes us raise our arms to the sky and clap our hands!
FrescoEdits introduced his more afro side to the remix by expertly
marking the percussion and resulting in a funk and tribal remix.
FrescoEdits is an artistic project that has based its success from the
love and art of sampling big hits as well as a label and a community, is
among the most highly regarded artists in the disco edits.
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Kashpitzky returns with an era marking new EP on Be As One Imprint, channeling the classic Detroit techno into a modern sonic journey.
Blending driving rhythms with lush orchestration, the release is rich in sweeping strings and cinematic textures, Each track unfolds with emotional depth, balancing raw machine energy and elegant musicality.
The EP pays homage to the golden era of Detroit while pushing its sound into new territory, A timeless yet forward-thinking release, it captures both nostalgia and innovation in equal measure.
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Be As One is excited to release the long overdue "Romantic & Dead" LP, the debut Album from one of the most talented artists of the recent generational Techno movement, and the label regular "Kashpitzky".
Being the hyped Berlin based producers most crafted project to date, the Buzzing 11 tracks LP is spread over 2 vinyls, astonishing covered artwork and shiny polished product, and reflecting the different shades of techno from several moments of the night, tailored straight from the mind of the most sought after artist of the recent couple of years.
Lining with the label's raw and old school influenced sound Aesthetics of re defining the term "House influenced Techno", Kashpitzky fits right in as one of the imprint's leading figures, compiling the 5th full length artist album to date from the label, after industry icons such as Kenny Larkin, Samuel L Session, Orbe and the label head Shlomi Aber.
As its title, the Romantic & Dead LP is an excepional abstracted and mixtured techno journey for the heads and collectors both, and marks a significant milestones for the young artist and the established label.
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2024 Repress
Iconic Deep House label Large Music returns to the vinyl market with a limited repress of the classic Kerri Chandler release Return 2 Acid. First pressed in 2005, this was the 100th release on Large and has been out of print for 10 years. The A side features Kerri's powerhouse tribute to the glorious days of Acid House laced with driving beats and an incessant 808 acid line. On the flip side Kerri goes old-school, this time with an electro Afrika Bambaataa influenced jam entitled Planet Sonic. Also included for this special reissue is the unreleased Acapella of Return 2 Acid solidifying this as a true collectors item.
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Dutch producer Kid Sublime presents his first EP on Makin’ Moves, here he teams up with Philly singer/song writer Lady Alma exploring elements of soul, broken beat and house.
The EP kicks off with The Grind a super smooth soulful house track, that catches your attention straight away with its groovy baseline that remains throughout adding to that Alma’s meaningful lyrics demonstrating the power of the music as she uses it as to get herself through the day.
The positivity continues on ‘Can You Feel It’ another quality piece of soulful house as the action moves to the dance floor as the beat and grove winds you in as once again Alma’s lyrics drop perfectly on the track.
The B side shows Kid switch it up on the broken beat production wiith ‘Ready To Meet You’ a touching song about two individuals excited to meet each other for the first time, a sure shot hit for the ‘bruk’ beat and dance heads alike!
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Dj Spinna’s very own Wonderwax record label is back with yet another soul-infused EP of trademark remixes from the man himself. This time around the Brooklyn producer unleashes for the first time on wax his brilliant vocal and dub versions of two tracks from critically acclaimed RnB duo King.
The 4 track EP includes the highly anticipated and unsurprisingly ace Galactic Soul remixes of “Mr Chameleon” plus the vocal and instrumental remixes of “Red Eye”, released digitally back in 2017 and never before on vinyl, showcasing once again Spinna’s amazing touch with downtempo beatdown jams.
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2026 Repress
KiNK & Raredub inaugurate new sub-label Spectra on SHDW's Mutual Rytm, backed by remixes from icon Marcel Dettmann.
Spectra is a new sub-label from contemporary techno powerhouse Mutual Rytm, with the project set to showcase memorable singles alongside feature innovative remixers. The name Spectra reflects the wide range of vibes the label will deal with and the diversity of sounds that emerge through these creative reinterpretations.
Needing little introduction, Bulgaria's KiNK is a synth wizard and live specialist who gets more out of machines than anyone else on Earth. He has dropped endless standout tunes ranging from Running Back to Hypercolour and, more recently, Mutual Rytm with his 'Quantum Shake' EP earlier this year. For this latest outing, he works with fellow Bulgarian talent Raredub, known for his own high-octane, distinctive and dynamic sound that has gained supporters From FJAAK to Paul Woolford.
The original 'Time to Change' has already generated buzz and has been a favourite of DJs from across the electronic realm, bringing a forceful and slamming cut with plenty of machine funk. A buzzy lead synth roams through the mix to bring great menace, while garage-like percussive loops keep things moving over a monstrous bassline.
One of techno's most influential DJs and producers, long-time Berghain resident Marcel Dettmann joins the release to offer his unique touch as the first remixer on the project. His 'Reconstruction' brings subtle nuances as he slows the beats to a more dubbed-out house vibe and layers in bright synths and swirling vocal loops that will get hands in the air. His 'Universal Raw Mix' closes the package in style, delivering a stripped-back roller with freaky vocals and eerie synth details.
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- A1: Nanbu Ushioi-Uta (feat Kifu Mitsuhashi)
- A2: Isohama Bon-Uta (feat Toshiko Yonekawa)
- A3: Hohai-Bushi (feat Kifu Mitsuhashi)
- A4: Otemoyan (feat Toshiko Yonekawa)
- A5: Aizu Bandaisan (feat Kifu Mitsuhashi)
- B1: Saitaro-Bushi (feat Toshiko Yonekawa)
- B2: Soma Nagareyama (feat Kifu Mitsuhashi)
- B3: Yagi-Bushi (feat Toshiko Yonekawa)
- B4: Asadoya Yunta (feat Kifu Mitsuhashi)
- B5: Konpira Fune Fune (feat Toshiko Yonekawa)
Following the already classic Wamono A to Z trilogy, 180g presents an exceptional collection of jazz funk / rare groove tunes recorded in the mid-seventies at the Nippon Columbia studios by three giants of Japanese music: arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakuhachi master Kifu Mitsuhashi.
- 180g heavy vinyl pressing, reverse board jacket
- Fully licensed Nippon Columbia masters available for the first time outside of Japan
- Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland
- Artwork by Nker
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Born in 1932 in Tokyo, Kiyoshi Yamaya started his musical career in 1953 when he played in various jazz bands in town. In 1957, Yamaya joined Nobuo Hara's famous jazz big band Sharps & Flats as a baritone saxophone player and started composing, arranging, and recording for them and other big bands. He became a key jazz figure in Japan in the sixties together with Norio Maeda and Keitaro Miho, both jazz pianists, composers and arrangers, by forming the Modern Jazz Three Association – which aimed at improving the level of Japanese jazz composition and arrangement. In the mid-seventies, his Contemporary Sound Orchestra explored jazz funk fusions with traditional Japanese melodies and instruments such as the shakuhachi, koto, biwa, and shamisen. These works were recorded for a series of panoramic Japanese albums released domestically on Denon and Nippon Columbia, from which the tracks on this compilation are taken from.
Toshiko Yonekawa, born 1913 in the city of Himeji, not so far from Osaka, is the eldest daughter of koto and shamisen master Kin'o Yonekawa. She started studying both instruments with her talented father from the age of 3, played in her first concert at 8, and was only 12 years old when she first appeared on national radio. Her unique style of koto playing is widely recognized due to the extreme accuracy of the intonation and rhythm, as well as the unequaled beauty of the instrument's sonority. After a life decorated with awards and prizes, Toshiko Yonekawa was named a Living National Treasure in 1996.
Born in Tokyo in 1950, Kifu Mitsuhashi is a great master of Koto style shakuhachi. After completing the NHK Hōgaku Training Program in 1972, Mitsuhashi became a member of Pro Musica Nipponia, a group of leading composers and top-ranking musicians devoted to performing a wide-ranging repertoire of classical and contemporary compositions from both Japan and the West – in which all music is performed by traditional Japanese musical instruments. Mitsuhashi has toured the world for hundreds of recitals, also as a soloist, and has performed his art with the greatest ensembles such as the BBC Symphony Orchestra and the Berliner Philharmoniker. In 2020, Kifu Mitsuhashi was awarded the Order of the Rising Sun.
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All tracks selected and compiled by Greg Gouty and Maxime Brottes, with the assistance of Ryohei "Nitchiku-kun" Tanaka.
All tracks licensed by Nippon Columbia, Japan.
Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.
Artwork by Nicolas Kerembellec (Nker.fr).
Proofreading by Brian Durr (Diskotopia).
Executive producers: Greg Gouty and Maxime Brottes.
180GWALP04 - Manufactured and distributed by 180g.
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- A1: RONI SIZE - Heroes Kruder's Long Loose Bossa
- A2: ALEX REECE - Jazz Master K&D Session TM
- B1: BOMB THE BASS - Bug Powder Dust K&D Session TM
- B2: LAMB - Trans Fatty Acid K&D Session TM
- C1: COUNT BASIC - Speechless Drum 'n' Bass
- C2: ROCKER'S HI FI - Going Under K&D Session TM
- D1: DEPECHE MODE - Useless K&D Session TM
- D2: COUNT BASIC - Gotta Jazz Richard Dorfmeister Remix
- E1: APHRODELICS - Rollin' On Chrome Wild Motherfucker Dub
- E2: KNOWTORYOUS - The Revenge Of Bomberclaad K&D Session TM
- F1: RAINER TRÜBY TRIO - Donaueschingen Peter Kruders - Donaudampfschifffahrtsgesellschaftskapitänskajütenremix
- G1: DAVID HOLMES - Gone K&D Session TM
- G2: SOFA SURFERS - Sofa Rockers Richard Dorfmeister Remix
- H1: MAMA OLIVER - Eastwest Stoned Together
- H2: BOMB THE BASS - Bug Powder Dust Dub
- H3: KRUDER & DORFMEISTER - Boogie Woogie
- I1: SIN - Where Shall I Turn K&D Session TM Vol. 2
- I2: BONE THUGS 'n' HARMONY - 1st Of Tha Month K&D Session TM
- I3: KRUDER & DORFMEISTER - Lexicon
- J1: KNOWTORYOUS - Bomberclaad Joint K&D Session TM
- J2: ROCKER'S HI FI - Going Under Evil Love And Insanity Dub
- J3: STRANGE CARGO - Million Town K&D Session TM
25 Anniv Boxset[97,44 €]
Originally released on Studio !K7 Records in 1998, Peter Kruder and Richard Dorfmeister's groundbreaking release, 'The K&D Sessions' reset the bar for what could be achieved in a compilation. Across an array of original tracks, dubs and infamous 'K&D Session' remixes, the DJ and producer duo took the listener on a smoke-filled blunted journey that flowed flawlessly.
Often compared to DJ Shadow's 'Endtroducing' for it's similarly deft craft of rhythm and quoted by Allmusic as "the most blissfully blunted music the world has ever heard", the album has sold over 1,000,000 copies to date and was included in Spin's 'Top 20 albums of 1999'.The album has long since been deleted on Vinyl with original 4LP sets changing hands for €300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over €100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood.
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2026 Repress
Welcome to a special series from Legofunk Records. Sample bag is a strand of sounds full of afro and exotic vibes. First issue with two tracks, straight from Lego Edit , on clear red vinyl.
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Gerald Mitchell is back on Mother Tongue after the now classic "Another Day" with a new Los Hermanos EP, this time bringing it back to the origins with the Detroit Techno opus "Family".
Recorded in Tokyo with Ian O'Brien, this special extended version has "Anthem" written all over it. Also included is the futuristic tech funk of "Paradigm 4th Shifter" and the intergalactic beatless space jam "Far Beyond Sight".
Another classic in the making...
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2023 Repress
Shanti Radio Moscow Bomb
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2023 Repress
Dublin based producer M4A4 releases his debut 12” for Running Out of Steam, with 4 luscious cuts of NY House inspired goodness.
It’s hard to believe that ‘Forever Underground’ was scene newcomer M4A4’s first vinyl outing, the talented young Irish producer flawlessly blends the sounds of Deep House with those of Jersey & NY House, creating a record that’s destined to make people dance.
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- A1: MG1 (0 43)
- A2: Ionic Funk (20XXX Battle Music) (4 32)
- A3: Krystle (URL Cyber Palace mix) (3 26)
- A4: Ginger Claps (3 06)
- A5: Ghost (3 04)
- B1: Undercover Investigator (GabberTrap mix) (2 06)
- B2: Out By 16 Dead On The Scene (3 28)
- B3: Post Rave Maximalist (2 57)
- B4: Phase A (2 52)
- B5: Freewill (Phase Beta) (2 09)
- C1: Excruciating Deth (Phase Y) (4 54)
- C2: Hidden Power (Phase D) (8 16)
- C3: MG2 (1 04)
- D1: Nightsaber (4 13)
- D2: Lifeforce2 (3 18)
- D3: WLFGRL ACID (3 13)
- D4: Phantasy13 (3 16)
Machine Girl's debut album celebrates its tenth anniversary with a long-awaited reissue, which marks the first time it arrives on CD as well as vinyl. Originally released in 2014, WLFGRL fused footwork, jungle, digital hardcore and rave into a chaotic, euphoric sound that helped launch a global underground movement. The album's packed with raw intensity and plenty of breakcore influence so it introduced a new generation to extreme electronic music and to celebrate its return, a one-off livestreamed show at Brooklyn's Trans-Pecos accompanied the release. As we are reminded listening back now, WLFGRL is a real high-water mark in outsider music culture.
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Mathias Kaden returns to Rekids with the 'Circulate' EP, featuring a William Kiss Remix.
Mathias Kaden is back on Rekids after 2022’s ‘Blackbird’ EP, this time with the four-track ‘Circulate’ EP featuring a remix from the hotly tipped William Kiss. Kaden’s ‘Freedom’ kicks things off with stripped-back machine rhythm, tasteful stab melodies and a deeply satisfying low-end groove before an iconic gospel vocal joins in. Title track ‘Circulate’ is another infectious low-slung crawler with crunchy synth hits and a hypnotic and classy vibe that will get the dancefloor moving.
On the flip, William Kiss remixes Mathias Kaden’s ‘Freedom’ following his recent EP on Rekids' sibling label RSPX and the release of his collaborative project, Not Without Friends, with Luke Alessi and Jordan Brando on RÜFÜS DU SOL’s Rose Avenue. Kiss turns the track into a pumping peak-time cut with additional percussion and plenty of his signature Jackin’
flavour. Closing out the record, Kaden’s ‘Twisting Shadows’ introduces an acidic bassline and warped, dubbed-out vocals before dropping into an energetic trip.
Active since the mid-90s, Mathias Kaden appeared on Radio Slave’s Rekids for the first time in 2019 for ‘Liberate Drums’. He now returns to the label with the ‘Circulate’ EP, adding to his versatile discography on labels like Dyinamic and Vakant while also remixing work by Matthias Tanzmann, Onur Özer, Anja Schneider, and Trentemöller.
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Die Gründungsmitglieder von Mojave 3 sind Sänger/Gitarrist Neil Halstead, Bassistin/Sängerin Rachel Goswell und Schlagzeuger Ian McCutcheon. Die Band trat 1995 erstmals in Erscheinung, als ein Demo mit sechs Tracks 4AD so sehr beeindruckte, dass ihnen ein Plattenvertrag angeboten wurde - trotz des damals vorherrschenden musikalischen Klimas des selbstbewussten Britpop, der scheinbar völlig im Widerspruch zu dem stand, was Mojave 3 machten. Diese Unvereinbarkeit war kaum überraschend, wenn man bedenkt, dass Halstead, Goswell und McCutcheon zuvor Mitglieder der prägenden Shoegaze-Band Slowdive waren, während Gitarrist Simon Rowe zuvor bei den Dream-Pop-Verwandten von Chapterhouse gespielt hatte. Das Debütalbum von Mojave 3, Ask Me Tomorrow, war eine erfrischend reduzierte Sammlung von Songs, die sich kaum von den ursprünglichen Demos unterschied. Halsteads melodische, von Folk und Country geprägte Stücke wurden wohlwollend (wenn auch etwas oberflächlich) mit Künstlern wie Nick Drake, den Cowboy Junkies und Bob Dylan verglichen.
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- A1: Yaw - Where Will You Be
- A2: Flying Lotus feat. Andreya Triana - Tea Leaf Dancers**
- A3: Les Sins - Grind**
- B1: Noir & Haze - Around (Solomun Vox)**
- B2: Julien Dyne feat. Mara TK - Stained Glass Fresh Frozen
- B3: Jitwam - Keepyourbusinesstoyourself
- C1: Dopehead - Guttah Guttah
- C2: Talc - Robot's Return (Modern Sleepover Part 2)**
- C3: Peter Digital Orchestra - Jeux De Langues**
- C4: Jai Paul - BTSTU**
- D1: Beady Belle - When My Anger Starts To Cry**
- D2: Daniel Bortz - Cuz You're The One**
- D3: Joeski feat. Jesánte - How Do I Go On**
- E1: Nightmares On Wax - Les Nuits
- E2: SLF & Merkin - Tag Team Triangle**
- E3: Lady Alma - It's House Music ** Moodymann Edit
- F1: Tirogo - Disco Maniac
- F2: Kings Of Tomorrow feat. April - Fall For You (Sandy Rivera's Classic Mix)**
- F3: Soulful Session, Lynn Lockamy - Hostile Takeover
NO.2 on the groove charts!
Following a year that saw the 50th entry in the long-running series released to wide acclaim, DJ-Kicks returns in 2016 another landmark edition. Iconic Detroit DJ and producer Moodymann is at the helm for his first ever multi-artist DJ mix compilation. Born Kenny Dixon Jr., Moodymann is a one-of-a-kind electronic music icon, hailing from, and wholly synonymous with the Motor City. He is an outspoken, impossibly charismatic artist who has been putting a distinctive and soulful stamp on house and techno since the early 90s. Melting together jazz, funk, soul, blues and rock in captivating ways, he is responsible for some of electronic music's most definitive tracks, EPs and LPs on labels like Planet E, Peacefrog and his own KDJ and Mahogani Music imprints. As able to serve up the sweetest and most sensual sounds as he is the darkest and most depraved grooves, his own unique voice and stream of conscious musings infuse expertly sought-out samples for music that is decisively alive and authentic.
Across 75 minutes and 30 tracks, Moodymann does not disappoint: despite being a notorious vinyl fetishist, Dixon's aim is to present music of quality, not to one-up fellow collectors. Rather than serving up ridiculously rare or hard-to-find records, he instead focuses on creating a libidinous, blues-drenched mood that takes in heart-breaking soul, gorgeous hip-hop and love-fuelled house. In addition to cuts from his own creative circle, the mix features 11 exclusive Moodymann edits. Like everything Kenny Dixon Jr. touches, DJ-Kicks showcases the taste, skill, and soul of a dance music original.
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