Playlists - Новости

Timeless – yet always fresh: Regardless of the whims of the pop business, Planet Yello has been making its rounds for almost fifty years, repeatedly whisking us away to a world where past and future greet each other and James Bond joins forces with the Man in the Moon, Dionysus and Philip K. Dick.

"To the future, through the past"—with their fifteenth studio album, "Time Lab," Dieter Meier and Boris Blank put this maxim into practice more vividly than ever. Blank meticulously crafts his imaginary soundtracks from fresh samples and found objects from his own archive, which has accumulated a vast collection of sonic fragments, riffs, and motifs over nearly fifty years of creative work. Meier immerses himself in these parallel soundscapes, discovering within them his romantic tales of robbers, mysterious night creatures, and Dadaist wordplay. Essentially, every Yello track is both ancient and brand new at the same time. This principle is perfectly illustrated by the first single, "Around the Sun." It's based on a dormant Meier recording that was cut at the last minute from the selection for "Claro Que Si" (1981). Blank gave Meier's sonorous voice a fresh sonic makeover – the result is an elegant and flexible, thoroughly Yello-esque combination of past and present, romantic wanderlust and driving percussion. "Break Out" also plays with stylistic elements that can be traced back to Yello's earliest days: a dangerously prowling bass riff, fiery percussion, and storyteller Meier in hypnotic top form.

Time begins where it ends, or vice versa. Or, as Boris Blank says: "Yello's music doesn't really know time."

""Röntgen" is Ø's (aka Mika Vainio) subliminal, minimal techno classic, and was featured on the first Sähkö Recordings release in 1993. Spatial, silvery-sharp, and reduced yet frenetic, it's a blueprint of drum machine and synth work that helped redefine an era in techno. This special-edition 12" also features a full-side cut of a previously unreleased Ø track from 1995. The untitled B-side carries the same approach as the title track—minimal TR-808 and acidic synthesis—but in contrast to the hard-edged A-side, this track features a subtle, warm melody towards the end, a melodic approach also heard on later Ø productions. THIS 12" IS CUT WITH LOUD VOLUME FOR EXCELLENT CLUB USE!

For its ¬rst release, Binding System introduces Acidulant's My Vision Of Space, a ¬ve-track EP that masterfully blends Electro, Acid, and Techno. Hailing from Malta, Acidulant is known for his raw, space-driven soundscapes and highintensity production, which are on full display throughout the EP. Each track is a journey into deep, otherworldly realms, with gritty basslines and sharp synths creating a truly immersive listening experience. The title track, "My Vision Of Space," is the heart of the EP, offering a hypnotic fusion of acid lines and cosmic rhythms. Belaria, the label’s founder, adds her own take with a slower remix that retains the original’s soaring energy, emphasizing its atmospheric depth while giving it a more expansive feel. My Vision Of Space is an ambitious and timeless exploration of sound. Available on vinyl and digital, this release marks a bold start for Binding System

A1 Aetius Clay - Toinella (Original mix)
A2 Aetius Clay - Anya (Original mix)
B1 Aetius Clay - Toinella (Holchin Remix)
B2 Aetius Clay - Anya (Alejandro Vivanco Remix

Repress!

That suspended moment when the body lies motionless, a prisoner of sleep, caught in an enigma that resists all solutions.

Sleep Paralysis dives into dark, immersive sounds, recounting an intimate and complex journey where darkness itself becomes a voice, a mirror of the soul.

Anané’s colourful life in music has seen her do everything from singing at the famous pre-game show at Super Bowl XLI as part of the group Elements of Life, DJ at hotspots like Hi Ibiza, Pacha NYC and Ushuaïa to name a few, while also curating her own monthly residency Nulu Movement, now ten years strong at Le Bain NYC, release unique blends of Afro, house, and pop on labels like Vega Records, and head up her own imprints, Nulu Music and Nulu Electronic. The Cape Verdean-born DJ, producer, vocalist, and songwriter has had countless club hits and has released acclaimed albums like ‘Ananésworld’ and ‘Chapters Of Becoming’, often with a lush, live, and orchestrated style that is truly unique.

With this release, Anané steps forward with her first solo production to date. Here she serves up the sumptuous ‘It Looks Like Love’, a poised, elegant house sound with her own smoking, soulful vocals and classy strings bringing colour to an Afro groove packed with infectious bounce. Neat guitar riffs and silky synths all enrich this most sophisticated sound. The first mix sees Anané link up with veteran Italian Christian Mantini, who has hosted Sunset Ritual parties with Anané and Louie Vega since 2013. Their dub is rooted in warm, rubbery drums that are even deeper and more immersive than the original.

Manda Moor & Sirus Hood are a red-hot contemporary pair who run the Mood label and are defining the contemporary underground. Their remix is more driving, but it retains the soulful vibe with breezy pads and jazzy motifs drifting in and out above the swaggering groove.

Rotterdam-based Chicagoan Jamie 3:26 is a master at blending disco, soul, and house into timeless sounds, and here he delivers a loopy rework that pairs deep drive and sun-kissed vibes with funky, Chic-style bass guitar motifs.

DJ support: Chris Stussy, M-High, Prunk, Cinthie, Michel de Hey, Locklead, Dennis Quin

When Souls Collide - A soulful fusion of sound and spirit, this track invites listeners to experience a harmonious clash where emotions and rhythms intertwine.

Shy Time - Inspired by the vibrant energy of Chicago, this deep house gem brings a raw, underground vibe that captivates and moves the dance floor.

Feel Free - A high-octane heavy house anthem, 'Feel Free' is designed to electrify any dance floor with its cutting-edge beats and infectious energy. Prepare for some real damage!

Dexed Tek- The perfect B-side to complete the EP, 'Dexed Tek' features dubby chords layered over a powerful beat, creating a deep, immersive soundscape that resonates long after the last note fades.

2026 Repress

After a 3 year hiatus, Kampana brings back Aroop Roy to the label for his debut 7".

On the A-side, he takes a lo-fi funky blues sample and beefs it up with piano stabs, bass and a killer disco groove.

On the B, he reworks a Brazilian jazz-funk classic with a bumping house twist. Timeless sounds!

After a few years of silence, the London-based label resurfaces from the depths of the underground with a new split EP, the fifth in the series, merging nu-skool breaks and futuristic electro from the like of two firmly established talents.

The Brussels-based artist and founder of ZwaarteKracht Records - Arsonist Recorder.With standout releases on Diffuse Reality, 20:20 Vision and Specimen he takes control of the A-side to deliver two finely crafted electro gems. Spanish producer Sigma_ALgebra, co-founder of Tensor Norm and already featured on Science Cult, Elektrodos Recordings, Anti Gravity Device, Digital Distortions or Urban Connections is slamming the Side B with two experimental yet powerful electro assaults, unmistakably stamped.

Ranging from dancefloor-oriented electro to industrial breakbeats and lo-fi textures, this fifth chapter offers a deep dive into raw, hammering rhythms and pulsating grooves crafted for sweat-drenched, late-night sessions.

Berlin-based Asphalt DJ returns to the label with a house focused EP

smokey vinyl / 180 grams /

For the second release, the Swiss Label present a classic Dub techno track produced by AudioChain (A duo composed by the Label owner Brenno Della Vecchia and his friend Luca Gaggetti). A timeless track with a deeper groove born directly from the Alps!

The remix otherwise, is a faster interpretation remixed by the Dub techno producer from S. Francisco, Federsen. A wonderful relaxed track full of details able to bring you inside Kelly's rhythm.

Limited to 300 copies, only on vinyl!

One of Australia’s unsung house heroes Jeremy Joshua (AKA Avon Stringer) returns in time for Summer with a brand new vinyl-only release - 4 The Heads EP. From Latin groovers to Filtered Disco & Soulful House, these 4 joints will work poolside just as much as in the club.

South Asian super-producers Lapgan and Baalti – the former a Madlib-disciple spinning hip-hop grooves out of dusty desi samples, the latter duo purveyors of intricately tapestried dance music – holed up in the California desert in early 2024 for a songwriting session to blend their complimentary styles. They ended up with several albums worth of club material built upon decades of Indian music history – floor fillers that move like early Four Tet meets The Avalanches. They’ve been teasing this material around the world during live sets – from Paris Fashion Week to Glastonbury, London Clubs to BK Warehouse parties, sessions at Lot Radio and Karachi Community Radio, and anywhere else they find an aux. The result has been endless ID requests for unreleased gems like “Ipa Ma” and “Lime Tikka”, calls which should finally be answered with the release of Threads.

Lapgan Bio
Chicago-based archivist and producer Lapgan has become renowned for his signature style: unearthing rare and forgotten Indian & Pakistani sounds and recontextualizing them into hip-hop and dance beats that evoke J Dilla and Madlib. He has cultivated a reputation for quietly revolutionary sample-work across his beloved solo projects History and Duniya Kya Hai, as well as LAFANDAR, his critically acclaimed team up with Heems (of Das Racist / Swet Shop Boys). He has worked with a range of artists from both the West (Your Old Droog, Saul Williams, Cool Calm Pete, Kool Keith, Open Mike Eagle, Blue, Quelle Chris) and the East (EXCISE DEPT, Baalti, Sid Sriram, Sid Vashi, Dynoman), and has been featured in global media including Pitchfork, FADER, Stereogum, Passion of the Weiss, Mixmag, Homegrown, and Vinyl Me, Please. Over the past year he has headlined clubs and performed at festivals across the world from Chicago and New York to London and India, and was personally invited to soundtrack back to back Paris Fashion Week shows for the similarly norm-shifting designer Kartik Research. In 2026 he will soundtrack his third Kartik Research runway show, as well as reissue Duniya Kya Hai for its five-year anniversary alongside a companion EP featuring remixes from peers and supporters Arushi Jain, Loris, Mera Bhai, Malkfunktion, and Maral.

Baalti Bio
Baalti makes electronic music built around rhythm, pressure, and collective release – weaving through leftfield bass, dusty hip hop, tripped out dub and raw house all while maintaining a throughline rooted in South Asian culture seen through the lens of a sweaty dancefloor. In the last year they have experienced a whirlwind rise and growing global recognition: from their EP Mela vividly evoking West Bengal’s sound system culture to their Tamil-cinema-infused filter-house project with Anish Kumar Stunt Doubles, in addition to wide-ranging collabs and remixes alongside DJ ADHD, Naya Beat, and A.R. RahmanThey have also built a reputation for their frenetic live show, with appearances at international festivals like Glastonbury and MELT, headlining shows across Australia and Europe and supporting influences turned peers like Four Tet and Disclosure across North America. Their explosive, percussion-heavy sets have been platformed by Rinse FM, NTS, The Lot Radio, Beats In Space, and Refuge Worldwide, and their music has been renowned by publications including Pitchfork, Bandcamp Daily, RA, and MixMag. Their forward momentum continues into 2026 with slated headline tours in India, Australia, and Asia along with appearances at Coachella, Party in the Paddock, Fvded in the Park, and We Out Here festivals.

Texas-based Ben Hixon is a high-quality house head and for the one on his home label of Dolfin he hooks up with Stonie Blue, while Atlanta mainstay Stefan Ringer also steps up to feature on one cut. 'DX15' opens with a hooky synth motif that's stretched and bent over wooden drum knocks. It's minimal but warm and full of subtle tension. 'The Dancers (feat Stefan Ringer)' has more of a shuffle and sway to it to get those hips going and 'W3dnesday' then sinks back into loopy, elastic rhythm territory with woozy late-night chords draped over the top. 'What You Want (feat Sotnie Blue)' is a more jacked-up cut with hurried kicks and an irresistible urgency.

2026 Repress

Almost an instant sell-out on the debut BISOU release via G.A.M.M
This on every likely to do the same !
Maximum sunshine vibes, with uplifting steel-band Funk and Afro-Disco reworks melting the speaker cones !

VERY hot !

Biz has some serious techno credentials, having landed on esteemed labels like Transmat and Acquit Records before now, and here he is back on his Subjekt label with a third outing in his limited series. This is cerebral techno steeped in Detroit style but looking to the future. 'No Pain, No Gain' is awash with crystalline pads over a surging groove, 'Monozukuri' gets more prickly with metallic percussive textures and a forlorn lead. 'Manipulate' unhinges from reality with trippy synth cascades that remind of 8bit video games and the flip then has a more introverted sound across three minimalistic, deep rhythmic excursions.

GERBlair / Huber - ECLIPSE ist das eindrucksvolle Debut eines der spannendsten neuen Jazz-Duos Europas. Der preisgekronte Frankfurter Saxophonist Darius Blair und Gitarrist Niko Huber entwickeln in reduzierter Besetzung einen eigenstandigen, modernen Sound zwischen Jazz, Hip-Hop-Asthetik und improvisierter Musik. Entstanden aus ihrer langjahrigen Freundschaft und intensiven Zusammenarbeit seit der Pandemie, lebt das Album von intuitiver Interaktion, klanglicher Prazision und emotionaler Tiefe. Die neun kompakten Stucke verbinden subtile Grooves, atmospharische Weite und starke melodische Ideen. Aufgenommen im Berliner Funkhaus mit einem Grammy-pramierten Produktionsteam, steht ECLIPSE fur die kraftvolle Verschmelzung zweier musikalischer Personlichkeiten - reduziert, innovativ und zeitlos.ENGBlair / Huber - ECLIPSE marks the striking debut of one of Europe's most exciting emerging jazz duos. Award-winning Frankfurt saxophonist Darius Blair and guitarist Niko Huber craft a distinctive and modern sound from a minimalist setup, blending jazz, hip-hop influences, and improvisation. Rooted in a long-standing musical partnership, the album thrives on intuitive interplay, sonic clarity, and emotional depth. Across nine concise tracks, the duo balances subtle grooves, open textures, and strong melodic ideas. Recorded at Berlin's renowned Funkhaus with a Grammy-winning production team, ECLIPSE captures the powerful alignment of two artistic voices-refined, innovative, and timeless.

There is some real mystery around this new 12". Even Google has no clues as to the artist or the tune. 'By The Way I Like Your Pants' could be brand new or 40 years old - it's a funky disco cut with great instrumentals and a serious vocal that rides the great basslines and hip-swinging clapping, but one thing is for sure, it's a real edit master who has set to work on it. A dub version is included with extra fat bass and then the instrumental takes it back to the irresistible groove.

Born in São Paulo, Caetano Malta embodies the vibrant creative energy of one of Latin America's most dynamic cities. A singer, songwriter, and multi-instrumentalist, he has spent more than twenty years crafting a distinctive musical universe shaped by Brazil's rich and diverse traditions. Tropicalia, MPB, Afro-Brazilian rhythms, psychedelic folk, and contemporary pop blend seamlessly in his work with effortless elegance.

Over the years, he has become a highly sought-after collaborator. Since 2004, he has performed with numerous leading Brazilian artists, including Lucas Santtana, Bixiga 70, Karina Buhr, and many others. After two decades of international touring, he eventually settled in Paris, where he became the guitarist for Flavia Coelho, Luiza, Guts, among others. As a songwriter, he has also co-written with artists such as Lucas Santtana, Wado, MOMO, Rubinho Jacobina, and Arto Lindsay.

With Eterna Juventude, his long-awaited debut solo album, due for release in autumn 2026, Caetano Malta reaches a new artistic milestone. The record reveals a radiant songwriting style where harmonic sophistication, organic rhythms, and instantly memorable melodies come together naturally. Filled with joyful energy and deep tenderness, Eterna Juventude celebrates imagination, movement, and childhood's unique ability to reinvent the world. It is a remarkably accomplished debut, showcasing an artist whose singular voice and musical identity are already fully formed.

The Comfort’s sixth release comes from the Italian producer Cesare Muraca, aptly titled Calabrian Flow.

Spanning four tracks, the record maintains a fundamental structure and attitude towards the dancefloor: dynamic, immersive, and universally compelling. But as always, the devil is in the details. From the A-side to the B-side, these tracks traverse moods and emotional nuance with elegance, unfolding like a well-told story.

The title track, Calabrian Flow, is a hypnotic interplay of bleeps and enchanting melodies, walking the fine line between dramatic ambiguity and raw force. Cosmic Odyssey, on the other hand, carries a sense of urgency, shrouded in shadowy gloom yet punctuated by flickers of light—a delicate interplay of tension and fleeting luminescence.

On the B-side, the record embraces pure release. The cathartic and expressive energy of Dynamic Dance offers both freedom and propulsion, while Working balances maximalism on a blade’s edge. Cesare utilizes choral chants that reverse and morph, synthesizers that pulse like distant signals, vortex-like low-ends, and an extremely tight rhythm. The result stuns and pulls—lingering long after the kick fades out.

The story of Change goes back to the 1980 and our introduction to Luther Vandross on their hits “Searching” and “The Glow Of Love”. Next there was the amazing James Robinson with them on “The Very Best In You” and “Miracles” before they joined forces with writers/producers Jimmy Jam & Terry Lewis for “Change Of Heart”, “You Are My Melody” and so many more. You know this already! But here in 2019 Expansion are thrilled to bring you two tracks from their new album with extraordinary remixes by Joey Negro and Opolopo. What could go wrong? Both tracks are astonishing, brilliant on the dance floor and presented here on vinyl exclusively for the first time.

The compositions recorded here are a product of work with computers in synthetic speech, song and vocal sounds and were created between 1972 and 1975. The music was realized on two different computer music systems and takes advantage of, and attempts to extend and explore their features. The system employed to realize speech songs was created at the Bell Telephone Laboratories for research in synthetic speech and speech communication. Since the system was not designed for musical purposes, its limitations were severe and its musical use a great (and often rewarding) challenge. The system used for In Celebration and The Story of Our Lives was designed with the expressed purpose of creating synthetic musical voices, and was therefore much better suited to the task at hand. As with any high technology project, there was extensive collaboration in the production of the works.

The works on this disk are called computer music because the sounds were created numerically in a computer before reaching magnetic tape and loudspeakers. The computer did not compose the music. However, it was only used as a sound synthesis and analysis medium. In order to hear the sounds which are represented in the computer as successions of numbers it was necessary to attach a digital-to-analogue converter to the computer. The converter transformed the succession of numbers into a fluctuating voltage which was recorded directly on to audio tape.

The technique used to create the synthetic voices is called speech synthesis-by-analysis. For this method of speech synthesis, only those words, phrases and sentences which have been spoken into the computer previously (via an analogue-to-digital converter) may be synthesized. First the digitally-recorded speech is analyzed by programs which extract the attributes (parameters) of the speech for short time segments (.01 sec.). From these parameters the speech may be recreated in a form which resembles the original recording very closely. But for musical purposes the parameters are most often altered before synthesis. It is possible, for example, to change the natural pitch contour of the speech into a melodic line or to change the speech speed without altering the natural pitch level.

The variety of musical patterns which may be created from the analytic parameters is limited only by the composer's imagination. Most of the speech sounds on the recording were created by changing the pitch and duration attributes of the original on resynthesis, but for a few, the resonances (the formants) of the speech were altered as well. The voice of the book in The Story of Our Lives was created by replacing the program which simulates the sound of the human vocal cords with one consisting of 64 sine tones glissandoing at different rates. All the textures in which more than one voice is heard were obtained by mixing the synthetic voices together digitally.

The compositions recorded here are a product of work with computers in synthetic speech, song and vocal sounds and were created between 1972 and 1975. The music was realized on two different computer music systems and takes advantage of, and attempts to extend and explore their features. The system employed to realize speech songs was created at the Bell Telephone Laboratories for research in synthetic speech and speech communication. Since the system was not designed for musical purposes, its limitations were severe and its musical use a great (and often rewarding) challenge. The system used for In Celebration and The Story of Our Lives was designed with the expressed purpose of creating synthetic musical voices, and was therefore much better suited to the task at hand. As with any high technology project, there was extensive collaboration in the production of the works.

The works on this disk are called computer music because the sounds were created numerically in a computer before reaching magnetic tape and loudspeakers. The computer did not compose the music. However, it was only used as a sound synthesis and analysis medium. In order to hear the sounds which are represented in the computer as successions of numbers it was necessary to attach a digital-to-analogue converter to the computer. The converter transformed the succession of numbers into a fluctuating voltage which was recorded directly on to audio tape.

The technique used to create the synthetic voices is called speech synthesis-by-analysis. For this method of speech synthesis, only those words, phrases and sentences which have been spoken into the computer previously (via an analogue-to-digital converter) may be synthesized. First the digitally-recorded speech is analyzed by programs which extract the attributes (parameters) of the speech for short time segments (.01 sec.). From these parameters the speech may be recreated in a form which resembles the original recording very closely. But for musical purposes the parameters are most often altered before synthesis. It is possible, for example, to change the natural pitch contour of the speech into a melodic line or to change the speech speed without altering the natural pitch level.

The variety of musical patterns which may be created from the analytic parameters is limited only by the composer's imagination. Most of the speech sounds on the recording were created by changing the pitch and duration attributes of the original on resynthesis, but for a few, the resonances (the formants) of the speech were altered as well. The voice of the book in The Story of Our Lives was created by replacing the program which simulates the sound of the human vocal cords with one consisting of 64 sine tones glissandoing at different rates. All the textures in which more than one voice is heard were obtained by mixing the synthetic voices together digitally.

Now a regular on the label, scene stalwart Chronicle continues his joyful journeythrough a landscape of dancefloor-friendly atmospherics.

A1 - Air Temple

Chronicle opens the EP with Air Temple, an immensely playful track with a superb 2-step hot pants break, programmed superbly with layers of depth generating anenergetic and immensely danceable tone, following the deliciously smooth late 90'sGLO-style intro. Lush female vocal samples perfect for the vibe are present and correctwhile micro melodies pan across the mix adding a wonderful texture.

A2 - Everblue

A delicately ominous intro with pads, whooshing samples and rustic synths precede adensely crafted slew of old-school analogue breakbeats laid in a subtle arrangement,bringing a blend of energy perfect for dancefloors and home listeners alike. Vocalsamples are programmed and twisted like instruments as Chronicle embarks on aspace odyssey with memorable melodies you'll keep discovering listen after listen.

AA1 - Encarta

Next up we have Encarta, which sets out intentions quickly in the introduction with abouncy, clean breakbeat which is quickly bolstered by a superb 2-step old school drumloop to create a pulsating energy. A myriad of samples are collected and fleckedthroughout the mix, while Chronicle's editing techniques mimic a skilled DJ cuttinganother break in and out to satisfying effect towards the back end of the main phases.

AA2 - Angular Momentum

Closing a diverse and uniquely atmospheric EP, Chronicle opens Angular Momentumwith a patchwork of synths and pads, ushering in a serene, simple high note melodyabove the driving breaks - detailed with distinctive cymbals that give the track's nameserious validity. With a slew of samples darting in both the foreground and backgroundfor the listener to enjoy, this is a piece which will live long in the memory.

Words by Chris Hayes (Spatial / Red Mist)

The Civil Wars is the second and final album by americana/folk duo The Civil Wars (Joy Williams and John Paul White). Their songs can only be described as intimate and deeply personal. Although John and Joy's collaboration only lasted from 2009 to 2013, the duo was highly acclaimed, won 4 Grammy Awards, worked with Taylor Swift and toured with Adele.

Their swansong studio album features the Grammy Award Winning Song “From This Valley” plus the singles “The One That Got Away” & “Dust To Dust”. The album also includes a brilliant cover of the Smashing Pumpkins classic “Disarm”.

The Civil Wars is available on black vinyl.

2025 Repress

Comrade Winston's "Native Rhythm" EP perfectly represents what a music-enthusiast delivers after years of crafting the art of DJing, listening and digging. The album represents pure wisdom in 4 cuts: from tribal elements to heavy percussions and so on, inviting you to get lost between sound and the walls of a dance floor. Two rising starts contribute to making this release special for the artist and label: Tresor resident Baily Ibbs delivers a perfect spicy-up bouncy track while Chontane delivers a serious dancefloor-orientated cut with dub elements.

Erol Alkan returns to his vinyl Reworks series for ‘Part 6’ the first new pressing since 2017. A long-awaited addendum to a series that has previously encompassed artists including Daft Punk, Justice, Hot Chip and Tame Impala, Alkan delivers two club-friendly tracks from his own Phantasy Sound imprint, both previously only available digitally.

For a propulsive take on Josh Caffe’s emotionally defiant, warehouse-bound ‘You’, originally produced in collaboration with Quinn Whalley of Paranoid London, Alkan delves deep into a lifelong appreciation of Chicago house. Stripped, spacious and tough on the drums, Alkan keeps Caffe’s demands front and centre while riding out an irresistible bassline and conjuring a brooding, typically psychedelic atmosphere.

Flipping from minimal jack to maximal funk, Alkan pays a visit to the esoteric archives of Cowboy Rhythmbox, the partnership of much-loved London DJ Nathan Gregory Wilkins alongside pop-provocateur Richard X. ‘Rock Music’ arrives rescued from a dormant hard drive of demos, its frenetic collage of samples stitched back together and fully recharged for a circuit-frying electro workout by Alkan, operating here at full tilt for the dancefloor.

Yore Records proudly welcomes Craig Alexander with a deep and timeless 12" straight out of the birthplace of House: Chicago.
Across four previously unreleased cuts, Craig Alexander delivers a refined blend of deep, jazz-inflected House music. Rooted in the classic traditions of the genre yet shaped by a distinctly musical and organic approach, these tracks unfold with warmth, depth, and subtle complexity.
Rich chord progressions, soulful textures, and fluid grooves come together to create a truly immersive listening experience. There’s a clear nod to the golden era of House, while the production maintains a fresh and contemporary edge — perfectly aligning with the ethos of Yore Records.
This 12" is both a DJ tool and a deep listening journey — versatile, emotional, and built for long nights and early mornings alike.
A genuine and heartfelt statement from an artist deeply connected to the roots of House music.Strictly limited to 250 copies worldwide / no repress.

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr.

Second instalment of Tempa’s Archive series, D1 Enigma EP, 8 tracks originally produced between 2002-2006.

2025 Repress

David on the dubs. Hip-shaking dubbed out techno to stretch the night into day, or the other way around.

Only 200 copies available, vinyl only, hand-stamped, all black.

Fresh Milk Records proudly presents the launch of its new repress series, Fresh Milk Rewind. The first release, FMRW001, revives three legendary Gass Club anthems originally released in 1998. Featuring rolling grooves by Daryl Bryant and lush vocals by Jo Bryant, this timeless EP has become a must-have for serious collectors. Long-sought after due to its limited original pressing, it is now available once again.