Recorded live during Nuits Sonores, Brussels, 2022. Tomorrow Comes The Harvest is a theory initiated and put into action by late Afro Beat creator and Nigerian Drummer Tony Allen and Deroit Techno’s Jeff Mills. Each belonging to a long tradition of using music to reach higher levels of consciousness, along with veteran keyboardist Jean-Phi Dary, the three toured internationally until the untimely death of Tony Allen in 2020.
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Electrodynamique is back with five tracks that fuse past and future into a single, electric pulse. Born in his early years and rediscovered with care, these songs are raw, vivid time machines — bursting with wonder, heart, and unrelenting rhythm.
Rooted in the sounds of early 2000s electro, synth-pop, and breakbeats, this release is a sonic flood of glistening synths, aching melodies, and driving drums. Each track carries its own weight — a story, a feeling, a frame of life caught in sound.
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Marcello Giordani is back in the spotlight with his new E.P. Dynamic, released on the new label Tutti Pazzi. The E.P. features four tracks that faithfully reflect his sonic vision, ranging from Italo to Electro/Disco — elevated to the next level while always staying true to his identity. FM Attack, Dynamic, and Italo Genesis authentically recreate the early '80s Italo Disco sound, particularly around 1983, while Gliding caters to more refined tastes with Cosmic and Cinematic tones, also nodding to fans of Library music.
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LIMITED EDITION - Riso Print Cover (each individual cover may vary)
4 chop-outs from the Japan (tour) Tape. Edited and turned into full tracks.
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Roy Porter Sound Machine's 1975 follow-up to their 1971 debut, Inner Feelings, drifted deeper into Blaxploitation-era grooves by layering flanged guitars, jazzy horns, undulating basslines and electric piano licks with plenty of the flair that defined their standout debut album, Jessica. Standout track 'Panama' gets its first 7" outing here via a Muro re-edit alongside the original vocal version. The instrumental has busy keys and punchy drums, while the vocal adds bustling character and playful conversation, bringing a lively narrative to the tight funk framework. A seamless bridge between jazz sophistication and cinematic soul that shows off Porter's adventurous spirit and groove mastery.
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This isn’t a compilation—it’s a vinyl conversation between cities, generations, and musical bloodlines. This inaugural release embodies the spirit of collaboration, community, and cross-generational artistry that defines each artist’s deep musical legacy.
A statement on wax bringing together Glenn Underground, Coflo, Jon Dixon, Kevin Reynolds and sillygirlcarmen, this four-song project documents the shared language of five Artists through deep house, jazz roots, and forward-looking soul. Though these artists have shared DJ booths and dance floors around the world, this release marks a rare moment where their creative voices intertwine on wax. Each track stands on its own, but together they form a continuum—past, present, and future etched into wax. Pressed with intention and made for real systems, this release exists for the heads, the selectors, and anyone who still believes vinyl is where the story lives. Meant to be played—not archived. The kind of tracks that feel alive in the room and grow every time you hear them.
‘Ease’ EP tracks:
Glenn Underground ‘Dive (Into The Deep)’; the Chicago legend & Strictly Jaz Unit co-founder combines deep house, freeform jazz & soul, here in a jazz-infused, laid-back, hypnotic melange of house beat, synth chord riff, rippling arps, with a whisper of disco in the bassline and 80’s electro in the high, singing strings.
Coflo x sillygirlcarmen ‘Never Forget (That Feelin’)’; East Bay CA-based Coflo combines Hawaiian & Portugese roots with a global reach. A collaborative skipping house beat, pattering percussion & melodic jazz synth piano embrace sillygirlcarmen’s soulful voice and heartfelt lyrics. This collaboration marks a merging of emotional storytelling and percussive sophistication.
Jon Dixon ‘Saturday At Northland’; Detroit’s modern jazz & techno fusionist, rooted in long study and prestigious performance of classical & jazz piano both in orchestral and electronic contexts, employs his keyboard virtuosity in a thrilling wave of melodic piano improvisation & complex lively percussion, combining sheer craft with spiritual heft.
Kevin Reynolds ‘I Got Music’; from an Irish/US Detroit family, producer/live artist Reynolds blends techno, jazz, soul, from influences as diverse as 90s underground techno, Kraftwerk & John Coltrane, and roles/performances in multiple prestigious venues & positions. Here, a stealthy beat & Kraftwerk-evoking robotic electro synth theme are joined by a dual vocal used as a riff, while clusters of piano chords flower into jazz motifs.
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Ali Renault re ignites the Vivod catalogue after a four year hiatus with Circle of Sins — a solo EP built for italo fiends, horror romantics, and synth obsessives alike. You already know the vibe: detective-noir disco, low-slung BPM swagger, basslines that churn like midnight fog, and those unmistakably icy Renault melodies slithering through the mix.
Four tracks, one ultra-limited 12″, just 150 copies on the planet — each hand-numbered. They’re going to vanish faster than you can say “don’t sleep,” so get that pre-order in before they’re gone to the underworld.
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Shoegaze slow dance where distortion and desire merge into a single narcotic pulse. Each track feels like a transmission from a beautiful but broken future, numbing the senses before consuming them completely. Much like the most immersive works of Tropic of Cancer or Death in Vegas, the album drifts beneath a flickering sodium sky, lost in reverb and ritual. This is not just another new release—it’s an unforgettable sonic hallucination, a cinematic comedown carved in echo and melancholy, where time and thought dissolve in waves of velvet static. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl, including printed innersleeve with lyrics.
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Black Vinyl[14,08 €]
Imagine having a song go viral for 17 years - without even knowing it. That's exactly what happened to the German 1980s band FEX. And this isn't just any song - it's The Most Mysterious Song on the Internet, a track that puzzled music detectives for decades before finally being identified in November 2024. Now, it has been officially released - twice.
The Story in Brief:
Sometime around 1984, a song was broadcasted on NDR Radio. The name of the song was Subways Of Your Mind - only found out 40 years later in November 2024. Back then, a listener recorded the NDR show on cassette, a common practice at the time. Decades later, the tape resurfaced, but while most songs from the recording were identified, one remained an enigma. On March 18, 2007, the track was uploaded to the internet in an attempt to uncover its origins. Due to its now-iconic opening lyric, it was tentatively titled Like The Wind. Over time, the mystery deepened, and the song was given a nickname: The Most Mysterious Song - or simply TMMS.
Starting in 2019, a dedicated Reddit group, TheMysteriousSong, now boasting over 63,000 members, took up the search. They meticulously documented every lead, hoping to solve the riddle of the song's origins. Then, in 2024, the breakthrough: Reddit user marjin1412 reached out to musician Michael Hädrich after discovering a reference to his band FEX in an old newspaper article. Hädrich, FEX's keyboardist, provided a recording from an old demo cassette which included an alternative version of the song. On November 4, 2024, the mystery was officially solved: FEX was the band, Subways Of Your Mind was the title.
What Happened Next:
Since then, FEX has released two singles - both featuring Subways Of Your Mind - through the Berlin-based independent label The Outer Edge. First, the demo cassette version was pressed onto vinyl, as the original NDR radio recording remained lost (see EDGE-028). The Remastered Demo Mix single instantly topped Bandcamp's global charts, holding the #1 spot for several days. By then, it was clear: this was more than just an internet curiosity. A real fanbase had formed. Enthusiastic comments on the sales page ranged from "best post-punk song to ever exist" to "FEX themselves (are) perhaps the most underrated musicians of all time."
But the story didn't end there. A higher-quality version of the NDR radio recording was rediscovered in late december, remastered, and now sent for a second vinyl pressing: the TMMS Version. This new vinyl 7" is backed with Talking Hands another great and unissued song that was found on the demo cassette.
Fame Comes with a Price
Suddenly, time isn't standing still for FEX. The band had to come to terms with the fact that they had become Lostwave super stars. A FEX fan club quickly formed on Reddit, fan-hosted FEX parties are popping up, and the internet is demanding more - an album, merchandise, live performances. But how does a band prepare for a comeback after a 40-year hiatus?
For now, FEX is carefully considering their next steps. Their demo cassette contains six songs - and a few other recordings have resurfaced which probably could be restored and compiled. But foremost, a brand new re-recording of Subways Of Your Mind is in progress.
One thing is certain: The Most Mysterious Song will continue its unstoppable journey around the world. Don't miss this (second) chance to own a piece of music history!
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Double Je is Hypnotique’s third release on Bordello A Parigi. Following the successes of La Pénombre and Solitude, the trio of Sergio Mesa (IAMNOTAROBOT), David and Maia Jornet have reconvened for a smouldering three tracker. Vocals scale soaring synthlines in the title piece. Melodies dip and swoop like birds in flight. A beat throbs as Maia’s lyrics sail ever higher in this tale of misguided romance and impossible answers. The instrumental version allows the track’s intricate synthwork to take centre stage. Drums snap that bit tighter, gentle pads lapping against the pulsating basslines and addictive hooks. Tempos drop on the flip, the B-Side being dedicated to “Dark.” Slender keys rise above a steady kick before a rumbling bass takes hold. Vocals take spoken word form, their message and mood shifting from resignation to resilience and then resolve as the track becomes ever more emboldened. A truly fantastic return from a uniquely talented group.
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Bosconi Records proudly introduces Neon Cyberwave, the first solo EP on the label by Italian electronic visionary Miguel Herrnandez, marking a milestone in the evolution of an artist who has consistently bridged Detroit-rooted aesthetics with the experimental pulse of the European underground.
Based in the Val d’Elsa region between Florence and Siena, Miguel has forged a unique sonic identity shaped by his devotion to vinyl, his deep connection to the techno capital the “Motor City”, and his passion for deeply rooted yet still futuristic electronic culture.
His productions and DJ sets—built on a seamless fusion of raw electro, deep house attitudes, new beat flavors, and timeless grooves—have appeared on respected labels such as Bosconi, Rawax, and Norm Talley’s Upstairs Asylum. With Neon Cyberwave, he now delivers his most complete and personal statement to date.
The EP opens with “Neon Cyberwave”, a powerful acid-driven stomper built around a rolling 303 bassline, warm melodies, and an emotional breakout moment that captures both the effectiveness and the sensitivity of Miguel’s approach. It flows naturally into “Italo FM”, a track infused with Italo disco spirit—choir-like harmonies, a punchy bassline, and a groovy, ecstatic progression that turns into a genuine dancefloor trigger.
The journey deepens on the flip, where “VHS Direct Drive” introduces a dystopian atmosphere characterized by constantly shifting, unusually toned bass movements—unpredictable yet catchy, fresh yet rooted in classic electro DNA. This is followed by “Electric Soul Stranger”, where Miguel navigates Drexciyan undercurrents and subtle Gigolo-era references, balancing between straight rhythmic propulsion and broken-beat twists to create a cold, mental, transportive electro experience.
The record closes with the epic “Punky Shift”, a dramatic and powerful finale echoing the spirit of artists like The Hacker. Dramatic strings, an intense acid bassline, and a massive groove come together to shape a timeless closing track—one designed for peak emotional moments, sunrise sets, and long-lasting memories.
With Neon Cyberwave, Miguel Herrnandez has crafted a work that feels fresh yet nostalgic, classic yet forward-facing, and deeply personal. It stands as a versatile DJ weapon, a tribute to electro’s past and future, and a defining chapter in the artistic evolution of one of Tuscany’s most intriguing electronic voices.
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GAMM REACH 200 !!
And what better way to celebrate than 3 unbelievably amazing remix 7's of their very first release ?
A track that defined GAMM's identity and helped pave the way for everything they've achieved since. Now, 23 years later, GAMM has reached its landmark 200th release.
To mark this anniversary and honour our dear friend Fredrik Lager (aka Red Astaire), who sadly and unexpectedly passed away three years ago, we are re-releasing 'Follow Me' alongside remixes from some of our favourite producers. The remixes will be released across three separate 7-inch EPs featuring Soul Supreme, DJ Spinna, Ukokos, and Kampinos.
On the first EP, Amsterdam-based keyboardist and producer Soul Supreme delivers a masterful cover version featuring live instrumentation, programmed beats, and fresh vocals. It is a beautiful tribute that honours the original while evolving the track from its sample-based roots into a full-scale production. The EP features two takes: a Jazz-Funk infused original and a Samba/Bossa-inspired version ('Follow My Samba').
Timeless music
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TSTD NEO returns with smooth slow disco remixes for three tracks, originally featured on THE SUNSET MANIFESTO Volume 2:
One of the standout tracks of THE SUNSET MANIFESTO 2, the super smooth Westcoast inspired "Hands of Love" gets an even smoother remix treatment by Liverpools BEN JAMIN, perfectly suited for your next late night bar dj sets.
Stockholm meets Mexico City! TSTD resident producer Monsieur Van Pratt returns from remixing Poolside on The Sunset Manifesto 2, and comes back with a romantic slow disco version of Kimchi's "Do You Ever"
Last but not least UK producer Matt Hughes already did a funky electro disco remix for Goodvibes Sounds' "Stay For One More Night" on The Sunset Manifesto 2. Looks like the original tune didnt leave his head, so he returned to his studio for new remixes. Here you can find the "Echo" version of his new 80s cinema sounding "Late Night Radio Remix", which would sit well in the soundtrack oft he Stranger Things TV series. The long version of this remix will be relased later digtially.
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On Stock and ready to ship
2025 Repress
“In stark contrast to the stress-makingly staccato assault of your average 'ardcore rave, Telepathic Fish was a wombeldelic sound-and-light bath"
Simon Reynolds (Energy Flash: A Journey Through Rave Music And Dance Culture)
The first-ever illustrated compendium recounting the seminal underground South London ambient party that surfaced at the axis through which the likes of Ninja Tune, Warp and Rising High flowed. Telepathic Fish shared fertile waters with Megatripolis and The Big Chill, moving the early 90s London back room chill-out space into the kaleidoscopic spotlight.
Documenting the sights and sounds of South London’s seminal Telepathic Fish ambient parties. Hosted by Chantal Passamonte (aka Mira Calix - RIP), David Vallade, Mario Aguera and Kevin Foakes (aka DJ Food) - collectively named Openmind. With the help of Mixmaster Morris (The Irresistible Force) and Matt Black (Coldcut), they put on some of the earliest chill out events in London.
Rooted deep in the heart of the electronic underground they started DJing and decorating house parties or squats with mind-blowing installations and wholly idiosyncratic design, hosting the likes of Aphex Twin, Andrea Parker and Tony Morley (The Leaf Label). Within a year they were playing VIP after shows for the likes of Orbital and illegal New Year’s gatherings at the disused Roundhouse whilst guesting on Coldcut’s Solid Steel radio show on London’s KISS FM.
Whilst collaborations with legendary club nights such as Megatripolis saw them share bills with Autechre, Higher Intelligence Agency, Scanner and Global Communication, they also created their own ambient fanzine - Mindfood – to document the scene evolving around them. A 20-page history of their parties is included in the release, richly illustrated with personal photos, artwork and memorabilia from their adventures between 1992-95. The gatefold sleeve also features their Telepathic Fish logo, mirroring an original T-shirt design they sold in Ambient Soho, a record shop three of the four worked in at different times.
The selections featured here are all personal favourites that were played at the Telepathic Fish parties during the 90s. Picked and arranged by Mario, David and Kevin who combed their collections for key pieces they associate with the time and Chantal’s music tastes. Over a hundred tracks were selected, totalling nearly 11 hours of playing time, before being whittled down to the essentials by the trio, forming a snapshot of their world back in the day.
KEY POINTS:
* Features long deleted and hard to find tracks by Caustic Window (Richard D. James aka Aphex Twin), Tranquility Bass, Spacetime Continuum and Global Communication (Mark Pritchard and Tom Middleton).
• Pressed on DJ friendly double black vinyl
• Includes A 20-page history of their parties is included in the release, richly illustrated with unseen personal photos, artwork and memorabilia from the Telepathic Fish crew’s adventures between 1992-95, as well as detailed liner notes courtesy of founding members Mario Ageura and Kevin Foakes.
• Cover includes horizontal obi sticker with quote from Simon Reynolds' book Energy Flash: A Journey Through Rave Music And Dance Culture, describing the Telepathic Fish parties' place in the dance music landscape.
• Lacquer cut by Beau Thomas at Ten Eight Seven Mastering
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Hot on the heels of Luv (LuvLuv) comes a sublime new Drum Chums from midland's madlads Wrekin Havoc.
Over the years we've shared great tunes, fun times and A-grade dance floor debauchery with these permanent party people (our first encounter almost exactly like that Spiderman pointing meme) so it made more sense than we usually do to invite them aboard the V*nga bus for some Balearic-Disco edit excellence.
Things kick off with the sexy throb of 'Shine A Light', a stonewashed funk workout complete with Paisley guitars, Troutman bass grunts and some big time blue-eyed soul vocals. It's a bit like an extended and unheard collaboration between George Michael and Tears For Fears recorded immediately after a particularly heavy night at Future. Unsurprising perhaps that this one's been getting a whole lot of love from DJ Harvey.
'Mars Bar Party' grabs you by the hips from the first bar of its swaying Mediterranean house rhythm, then tugs at every single one of your heartstrings with melancholic pads and a silken vocal croon. Fuuuuuuckin' hell! Sorry, was totally bewitched by the primal power of piano house magic - it's like John Rocca was in the room for a second. Armed with an awesome arrangement and clocking in at ten massive minutes, this may be the ultimate Balearic house journey.
If all this wasn't enough to have you stocking up on 5-HTP and sinus rinse, those crafty cats close the set out with the shimmering disco euphoria of 'Leccy Meet Her'. The bottom end pulses endlessly, Cowley synths trill and a crystal clear Vox soar above, sending us far off into mirrorball orbit. If this isn't a hit at Horse Meat, we'll neck a bottle of poppers and never eat a tomato again.
Each and every track Wrekin Havoc touch is a pearler, but we're particularly chuffed with ourselves for snapping this top trio up.
100% Drum Fun Guaranteed. .
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