Pop & Rock Vinyl New Releases - News

Neroli starts a new series of one offs releases within its own catalogue, with a seven inch double a-sider from Nicola Kramer. The urge to finally put on wax these beautiful songs produced by Domu in 2008 was the sparkle that brought Volcov to create this Neroli From The Archive series references to his old label Archive and the From the Archive radio shows and compilations are pretty clear. Nicola Kramer was the phenomenal voice behind many Domu, Rima, Bakura songs with appareances also on Jazzanova and Chateu Flight releases. But especially on her only solo album The Other Side, from which these two songs are taken, she shines immensely with her unique ghostly soulful tones.

Nils Petter Molvær is one of the most prominent performers within an electroacoustic jazz hybrid that has, since the 1990s, become a genre all of its own. In this domain, sometimes referred to as ‘future jazz’ or ‘nu jazz’, the Norwegian composer is both a pioneer and a veteran having been one of the first jazz musicians to embrace the new digital and electronica tendencies at the turn of the century. With his signature sound that brings together poignant trumpet and dynamic electronic soundscapes, Molvær has achieved heavyweight status for showing a path forward for the genre in a new age, a path which, faithful to jazz’ past, remains cool all the way. His newest release, Stitches, is no different. Unafraid to explore new sounds and emotions, Molvær once again shows us that not only jazz has a future, but one that is both bright and exciting.

Beyond trumpeter and composer, Molvær is also a seasoned bandleader with an aptitude for choosing the finest musicians to make up his many musical teams, and providing them with just the right mix of framework and flexibility that enhances each of their individual skills as well as the project’s overall vision. For Stitches the trumpeter collaborates with drummer Erland Dahlen, bassist Jo Berger Myhre and guitarist Johan Lindstrøm, first in-person at Ocean Sound Recordings on the island of Giske, in his native Norway, and later, when the pandemic broke out, the conversations and musical exchanges had to be transposed online. Despite the sudden shift in their mode of interaction, the material on Stitches suffered no harm with spontaneity and fluidity continuing to be at the heart of the compositions – such is the four musician’s musical intimacy and synergy. Stitches was later sewn together and mixed by Jon Marius Aareskjold and Molvær himself at Kysten Studio in Tromsø.

Dahlen, Myhre and Lindstrøm were given full artistic freedom by Molvær when it came to adding their particular and special imprint on the tracks. The result is a breathtaking journey that spans different moods and inspires reflection, meditation and deep insights. From the poetic and tender Median via the dramatic A Sudden Rash to the three extremely powerful pieces taken from Frameworks – Molvær's commissioned work for the 2021 Kongsberg Jazz Festival – the album showcases the trumpeter's distinct musical language that constantly innovates while keeping the fragility of the trumpet at the heart of every movement. It’s exactly this fine balance between pure tenderness and avant-garde sensibilities that has made Molvær’s sound known and appreciated by listeners worldwide. Despite the album’s darker moments, with track title’s that reference disorder and disease, Stitches comes across as a cathartic experience, a necessary journey that provides both listener and composer with a sense of cleansing and renewal. Stitches’ closing track, a heartwarming version of Radiohead's True Love Waits, feels both hopeful and prophetic – after turbulent times, the wounds will heal.

In 2001, P.O.D. released its fourth studio album Satellite, a triple-platinum smash that remains the hard rock band’s best-selling album. To celebrate the record’s 20th anniversary, the San Diego-based group is hitting the road for its Satellite Tour and releasing a newly remastered version of Satellite, which has been expanded with rare and unreleased music.

This new album 'Make a Film' by Palmbomen II can be viewed as a (faux) crash course in filmmaking plus the soundtrack to score your first movie. A beautiful double vinyl album with a step-by-step course on writing, directing and shooting your first film. To make it easy, Palmbomen included 24 tracks that set the right mood for different scenes. From Medium Melancholy to Slightly Dark.

Founded by the pianist Robin Notte (from the former electro-jazz band WISE) Panam Panic is one of the best Jazz-Groove french band. Influenced by Musician like Yussef Dayes, Robert Glasper, Roy Hargrove or Christian Scott, Panam Panic mix up Jazz with groove, Hip hop and electronic textures. The Black Monk is their first vinyl album.
Robin Notte's gamble is to create a Jazz which is sufficiently sophisticated to delight the most demanding experts, yet also accessible enough to initiate neophytes.
As such, Panam Panic defends a resolutely actual Jazz, open with no borders or blinders, combining powerful organic grooves with tidy melodies, delicate harmonies and frenzied solos.

We Are Vinyl release - fourth studio album by US rock/grunge legends, originally released on August 27th 1996 through Epic Records. Following a troubled tour working their previous album (Vitalogy 1994) the band went into the studio to record this follow up. The music on the record was more diverse than what the band had done on previous releases, incorporating elements of garage rock and worldbeat. Pressed on standard black vinyl (no download code). Super deluxe gatefold sleeve packaging which includes 9 insert cards. Marketing activity. Stock is limited/allocated.

For 1971’s Black Unity, Pharaoh Sanders added groove to foundation of spiritual and free jazz he had explored on his previous Impulse! albums. The result is a piercing and emotive 37-minute rhythm-driven title track exploration of African, Latin, aborigine and Native American sounds.

This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.

OUTSIDER ist die Idee von Philippe Cohen Solal, dem millionenfach verkauften Künstler, Produzenten und Komponisten hinter Gotan Project, der exklusiven, beispiellosen Zugang zu Henry Dargers Leben und Werk erhalten hat. Er hat den mit dem Mercury-Preis ausgezeichneten Produzenten Mike Lindsay von der Acid-Folk-Gruppe Tunng zusammengebracht, um das im Februar 2021 veröffentlichte Album mitzuschreiben und zu produzieren. Sie haben die gefeierte Solokünstlerin und Komponistin Hannah Peel für das Blechbläser-Team mitgebracht. Streicher und Backing-Vocals, die Dargers Kindercharaktere, die Vivian-Mädchen und Adam Glover für den üppigen, krächzenden Lead-Gesang darstellen, der die innere Stimme von Darger selbst durch die Originaltexte widerspiegelt. Die reichhaltigen Instrumente und Vocals, die zuweilen theatralisch, nostalgisch, magisch und unschuldig sind, verbinden sich mit Dargers Texten und Geschichten, um den Hörer in panoramische, aquarellierte Klangblicke zu versetzen. Solal und Lindsay haben ihre überragenden musikalischen Talente zusammengebracht, um rollende emotionale Streicher, hymnische Hörner und hochfliegende Symphonien zu schaffen, die Melodien über Vintage-Gitarren, verzogene Tape-Loops, Synthesizer und Kinderinstrumente hinzufügen. Solal und Lindsay tauchen in Dargers innere Welt ein und haben eine neue musikalische Dimension geschaffen, die uns auf eine Reise in Dargers Fantasie entführt

In 2020, Dance Music don, Ashley Beedle was approached to edit the unreleased track which had a UK 12” vinyl release in 2021 on the charity A's and Bees label. Having heard the track in all its glory, Ramrock Boss Lady, Jo Wallace immediately thought that a 7” edit would sound like a Blackpool Mecca classic that never existed!

And so, the editing process began again and, this time, the North Street Collective came up with ‘Superfine Feeling’ 7” Edits and, in the true tradition of soul tracks, named them Pt1 & Pt2. An exuberant, uplifting, Mecca Soul unreleased monster finally receiving the talcumed dancefloor love it deserves 44 years later!

"Sun Khosi" is a tribute to Tender's father who spent many years in Nepal working as a Gurkha Officer. The name is taken from one of the most famous rivers in Nepal, which runs through the Himalayas. It translates to "River of Gold" and is an appropriate title for this uplifting, feel-good summertime tune. It's also Tender's first composition and recording to feature him playing the alto flute, which has a deeper, more mellow tone compared to the usual concert flute that he plays.

The B-side "Chrysalis" composed by keys and synth bass maestro Aidan Shepherd, is inspired by the playing of pianist and British jazz legend John Taylor, who had something of an obsession with music in 3/4 time. 'Chrysalis' breaks into two distinct parts; kicking off with with Ruby Ruston's signature tight, snappy melodies and driving
groove, then reversing back into the bands carefree 'Two for Joy' sound of 2015, when the bass is given a rare chance to come to the forefront by joining the flute and trumpet melody. Herbie Hancock's classic track "Butterfly" has become a staple in the bands set, so the snappy melodies and driving groove of "Chrysalis" represent the
restless energy of the butterfly about to emerge from its chrysalis.

These two new tracks are taken from the bands forthcoming album, their fifth in 5 years, due for release in November on 22a.

1977’s Jenakuru was self-produced and reveals a slightly darker, somewhat introspective and perhaps more vulnerable side to Saitana. A great admirer of Jimi Hendrix, Satiana often performed
solo during this period. “It was really unheard of at the time to perform without a band. He could
entertain people like that and a lot of people loved him because he was such a character.” There
was also an increasingly Dionysian aspect to Saitana’s routine as a performer - a gradual advance
into drunken showmanship akin to Jim Morrison. Taken from the original reels.

Saitana’s debut Baby Don’t Go in 1976 saw him return to the producer of the Beaters first album, Ray Nkwe,
whose JAS Pride label was undergoing a mid-70s boom. In contrast with the mod sensibilities of the early
Beaters, Saitana came out of the gate with a completely new look to suit the times, sporting an impressive
Afro, an embroidered dashiki and an amicable grin on the album’s cover. A mix of Soul, Folk, Blues and Rock
the debut from Saitana is not to be missed. Recently mentioned by Trevor Noah as one of the albums that
influenced him as a youth. Taken from the original reels.

Funkamental is a label of new releases and first-time-on-wax reissues curated by Funkamente, also behind the Edits Estrela and Lisbon's East Side Radio.

When a record collection starts to grow, some blind spots become very noticeable: records too hard to find, upcoming artists with music so good it deserves a nice record or old releases that have never been
pressed to vinyl. Yet.

That's how Funkamental was born: out of the desire – should we say "the need"? – to have a specific release on vinyl. How specific? Anything that'd fit in our bag.

The first Funkamental release is Sonic Fiction, the only album by Spaceboys, initially released on CD back in 2003 described as an interplanetary never-ending jam session between Sun Ra and Fela Kuti, materialized by the hands of Francisco Rebelo, João Gomes and Tiago Santos who first assembled as Cool Hipnoise in 1995 a prolific band recording a string of albums, singles and EPs revolving around Funk, Acid Jazz, Jazz Funk and Dub for the best part of ten years

Spirale were an Italian quintet from Rome, consisting of Gaetano Delfini (wind instruments, vocals, percussion), Giancarlo Maurino (saxophone, flute, percussion), Corrado Nofri (piano, marimba, mbira, siren, Jew’s harp), Giuseppe Caporello (contrabass, guitar, percussion) and Giampaolo Ascolese (drums) who released a single eponymous album in 1974. This is a release known mostly by Italian progressive rock lovers, since its sound can be easily associated
to the jazz-rock delivered by the way more popular Napoli Centrale and Perigeo - but also to the ‘fundamentals’ Dedalus, Arti & Mestieri, Uno, or even the lesser known Bauhaus for instance. But playing this
kind of music and trying to release an album in the first half of the ’70s in Italy was also incredibly hard and courageous: Spirale, in fact, was one of the many bands that lived a very short life, before splitting up and disappear forever. Spirale was originally released on the International King record label, thanks to Mario Schiano, a free-jazz
saxophonist who discovered the band, and producer Toni Cosenza, who included the album in the ‘King JazzLine’ series. Consisting of just four tracks, most of which taken by the 13-minute long “Cabral, Anno 1” and the marvellous 17-minute “Peperoncino (Cose vecchie, cose nuove)”, Spirale is an incredibly balanced and flowing record that sounds still fresh and inspired even today, and it’s a shame that it has remained hidden and overlooked for such a long time. Moreover, it is characterized by that undescribable and particular Mediterranean flavour that only Italian musicians were able to obtain. This beautiful album is of course immensely rare in its original edition, and is now finally reissued on Dialogo record label in a faithful restored version that will finally satisfy any collectors who have waited for
years for this beauty to see the light again!

Steve Lacy (July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Lacy worked extensively in experimental jazz and to a lesser extent in free improvisation, but his music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. In 1977 he released a one-off record titled "Straws" for the Italian Cramps Records label, as the 6th volume of the DIVerso series (which included, among others, Demetrio Stratos' solo albums) dedicated to contemporary avant-garde composers. "Straws" is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork and inner sleeve.

Studio One Records is excited to announce the release of their new boxset, the Studio One U.K Red series! Featuring 16 classic tracks from artists such as Ken Boothe, The Heptones, and Ernest Ranglin, this collection is a must-have for any music lover. Get your copy now and experience the sounds of Studio One Records!

Deviation Records is pleased to present you their latest and exiting collaboration with the Mieruba Label Team.
The Super Biton has existed since the 60s, like Ségou, its orchestra, the Super Biton has always remained behind what was done in Bamako and in the big cities of Africa. The Ségou orchestra developed and incorporated amplified instruments that mingle with brass, in particular electric guitars, symbols of modernity at the time. It opens up to Cuban music, and congas and bongos complement the sound of the orchestra. The group drew a unique sound from it, a perfect balance between tradition and the modern. There are about fifteen artits on stage, singers, guitarists drummer and percussionists. The Super Biton has for years been the best known and most sought-after orchestra of Mali outsid the country's borders, the Super Biton transcends the only Bambara heritage with its repertoire. Ségou is crossroads between Bambara, Fulani, Mandingo and Somono cultures and Biton has drawn on all these traditions to creat a repertoire extremely rich in rhythms and words. Some musicians completed their training in Cuba. They play "bambara jazz", incorporating a lot of
brass instruments such as saxophone, trumpet, clarinet. The compositions are modern and sophisticated.
Mieruba Art Center is a place dedicated to the transmission and safeguarding of Malian musical heritage through musical exchange between the older and newer generation - Artist residences, music lessons, rehearsals, Workshops, Masterclasses - and so on. Just as happy former musicians of Mali, the members of Super Biton give lessons on site. It is also the office of the Mieruba-ML label in the same place where Deviation Records is collaboration for the second time on the album - After the « Lost Maestros Collection » - with the
support of La Manufacture de Vinyles. Phil of Deviation Records tells: "I am very enthusiastic at the idea of offering you these two volumes of the History of the Super Biton of Ségou, Clique of Super Heroes of sound,
a source of inspiration for generations of musicians, DJs and also griots and storytellers of great renown! This double LP compiles the first Chapter of the rich Afro-Jazz-Folk Collection whose tapes have been remastered by Monsieur Jonin and cut at the MB Mastering Studio in Aubervilliers .The gatefold artwork is conceived by
Ewwanuelle Collage and formatted by Bertrand Tondeur, Graphic designer of Les Mouches. All that’sleft to say is that i hope that you enjoy listening to the final result !"

Taken from the album ‘Alice In Ultraland ‘ (initially released on the Harvest EMI label in 2005) these 3 epic cuts show the Amorphous Androgynous at the top of their cosmic space orbit - expansive psychedelic rocktronica and soundscape fusing in full effect . Samplerdelia guitars strings keys and dynamic aplenty matched with tripped out otherworldly lyrics on THE WORLD IS FULL OF PLANKTON on the A side is backed by immersive emotional instrumental ALL IS HARVEST and triumphant piano riff groove and sliding bass rock replete with Floyd wailing diva of ‘ THE EMPTINESS OF NOTHINGNESS ‘ on the B side . File under - COSMIC SPACE MUSIC. 1000 copies only, all individually numbered and in full picture sleeve

Rigid slipcase to house:
LP1: Let It Be (new stereo mix of original album)
LP2: Get Back – Apple Sessions
LP3: Get Back – Rehearsals and Apple Jams
LP4: Get Back LP – 1969 Glyn Johns Mix
12” EP: Let It Be EP
105-page hardbound book in slipcase
Limited Edition

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

• 1971 Invictus records release, The Glass House features the distinguished voices of Pearl Jones, Ty Hunter, Larry
Mitchell and Scherrie Payne. Each selected with great care to form HDH’s only mixed- gendered vocal group
• Scherrie Payne, sister of Invictus start Freda, who co-wrote many of the groups songs before joining The Supremes
in the mid 1970s
• ‘Crumbs Off The Table’ #7 in the R&B and Pop charts. Other stand out tracks include ‘Look What You’ve Done To
Love’, ‘If It Ain’t Love (It Doesn’t Matter) – a Payne/Hunter duet.
• Demon Music are proud to reissue the groups debut album on 180g heavyweight vinyl with printed inner sleeve

Limited edition, expanded 10th anniversary pressing which contains the original album pressed on ‘sky blue’ coloured vinyl. The release also includes a bonus 12” featuring all 12 B-sides from the Jump Into The Fog, Anti-D, Techno Fan (which world renowned DJ, Diplo is a big fan of) and Our Perfect Disease singles pressed on ‘golden sand’ coloured vinyl. Includes two art prints featuring the album cover plus the alternative cover shot that featured on the original deluxe boxset at the time.

Raised on the salted air and pebbled beaches amidst the faded seaside opulence of Brighton, Tigers & Flies spent much of their formative years building a friendship forged on a diet of the melodies and rhythms to be found deep within their parents’ wildly eclectic record collections. A worthy and noble pursuit for anyone, from those wonderfully endless hours, those bottomless cups of tea great ideas can flourish. Tigers and Flies are a great and flourishing idea.

From the bounce and sunny optimism of Orange Juice to the brutalist edge of Gang of Four. From XTC to Bacharach. Each listen offers more. A harmony appears where you’re convinced there wasn’t one before, or a rhythmic change you hadn’t noticed. A lyrical twist. Harmonies that seem to float in through an open window.

"As Purple is to Lavender..."

With our Africa Airways series flying high we felt it is time to introduce a new compilation focusing on the unique contribution from some of Africa's most recognised female artists and some lesser known ones for good measure. We are excited to be launching this on Women's Day 2018 as our way to highlight the incredible, yet under-acknowledged musical contribution that African women have given to the funky sounds of Africa. Taking our cue from the Alice Walker essay "In Search of Our Mothers' Gardens", the creative sparks that inspired this collection of songs were formed in their Mothers' Gardens by Mothers who paved the way for their daughters to keep the creativity of black women alive through their strength and resilience. Whilst we have a bit more of a message with this one, we wouldn't be Africa Seven if it wasn't damn funky at the same time!

We kick things off with the infectious sound of South-African Letta Mbulu. Letta started her career playing alongside fellow heavyweights Miriam Makeba and Hugh Masekela as cast members of King Kong in the 1950's and has since gone on to become one of the most influential south-African artists, even featuring on Michael Jackson songs, as well as being recognised for her contribution both musically and to that of the country's liberation struggles. With a crate-digger, secret weapon version of her classic Kilimanjiro single, "Kilimanjiro, Take Us Higher" is longer and has all the disco groove and delight you need and desire from such a star.

Uta Bella takes over from Letta, with a powerful Africa Seven return. "Enyin" is a glamorous disco scorcher heightened by glittering keys and irresistible West African vocals. One of Nigeria's unsung pioneers, and first female pop bandleader, Mona Finnih continues the flow with an effortless boogie number "Ani Kewa Jo" which just keeps on giving for nearly 7 glorious minutes. This devastating 80's number "Nou Ke Sa Inmew" from Cida Desvarieux follows up Uta and is dealt in two halves. Firstly a hit of beautiful vocals and slap bass controls the floor before handing over to the powerful guitar riffs and horns which groove out for the rest of this number. Wrapping up the first side with a classy reggae inspired number "Time Waits For No One" is Christy Essien, the grand dame of Nigerian pop, who was never far away from the issues affecting women in the Nigerian music industry.

Side two, enter Togolese singer Akofa Akoussah causing a storm with "Tango", delicate at times yet with a ferocious, unforgiving energy. Next a more obscure offering from Carmen Ezumah with vintage afro goodness in the form of "Tala Tala". Moving on, we have the Nigerian Lijadu sisters (dubbed "the West African Pointer Sisters") with one of their most notable hits "Danger". Our penultimate offering is another dose of obscurity, sandwiched between two greats, with Kenyan Bakambi N'Kela's uncompromising "Kilimanjoro".

Mothers' Garden finishes the way we started. With another one of Africa's leading ladies and music royalty, Miriam Makeba. Nicknamed Mother Africa, Miriam is famed for her huge musical contributions, her role in fighting the apartheid and for becoming a UN Ambassador. "Xica Da Silva" is a cover of Jorge Ben and the slow, hypnotic rhythm allows for the power of Miriam's voice to shine through.

Some serious swagger emerged on Shelby S. Singleton’s SSS International label, including the funk-soaked, Allen Toussaint-penned ‘There’s A Break In The Road,’ Mickey Murray’s relentless ‘Sticky Sue,’ Bettye LaVette’s standout revival of ‘Piece Of My Heart,’ and more sensational workouts! Cut by Kevin Gray and pressed on gold vinyl at Third Man Pressing!

!!! A DOSE OF PSYCHEDELIC FUNK & BLUE-EYED SOUL !!!

It's been a minute since Perfect Toy Records last hooked you up with a wild ride down that ol' psych-soul highway but the blacktop beckons once more with the sourcing of material for Down & Wired Vol. 5 by veteran follower of the 'way of the dusty crate' - Chan The Man!

This one begins, aptly enough, with an irresistible cover of Hit The Road Jack, by turns languorous and fiery from Bay Area-based Lydia Pinkham & The Denver Hot Flashes. Of course, working up a head of speed, is intoxicating and the next three cuts, from Changes, The Changing Times and Abe, Malka & The Basic Bronx, deliver increasingly scorching psych-funk laced with wah-wah guitar. Things get heavier again as Side A draws to a close with a brace of rock-oriented cuts – an uptempo blues groove from Reb and a psych-rock nugget from Dallas.

The second half of the LP, like the first, also opens with a cover – this time with The Nassauvians' heavy take on Baby Don't Let Me Be Misunderstood followed by a dirty slab of 60s garage rock from The Continentals. After that, things take a mellower turn with The Ladds' lowrider love song, I Found A Girl, (the first ballad to be featured in the series!) before getting back to the psych-rock on a short edit of the original 9-minute long It's Love from German Christian rock band Oratorium. Wrapping things up for Vol.5 are Caesar & His Romans' garage classic Black Lantern and The Bobbies' funked up cover of Jerry Lee Lewis's, She Put Me Down.

In short, it's another triumphant set of dope obscurities (once againaccompanied by detailed liner notes and never-before-seen photos of the artists) and a tribute to the dusty-fingered digging skills of Chan The Man.

It's been a minute since Perfect Toy Records last hooked you up with a wild ride down that ol' psych-soul highway but the blacktop beckons once more with the sourcing of material for Down & Wired Vol. 6 by veteran follower of the 'way of the dusty crate' - Chan The Man!

This release opens with two consecutive covers, the first of which is What's Happening's instrumental Latin-jazzy cover version of Nancy Sinatra's Bang Bang followed by Hercules & The Black Majic's raw take on counter-culture anthem War. Then it's the turn of E.S. Grit to deliver proto-stoner rock on Petty Insinuations and Canadians the Klaas Craats Six to unleash a heady cocktail of funky psychedelia and garage fuzz on their sole 45 release. Mercy Men's Fifth Street, by contrast, delivers unadulterated deep funk and is followed by blistering funky rock on Staff & Managements' aptly-named instrumental, Fresh Dirt.

The second half of this collection is opened by two amazing finds - Snapdragon's super-funky organ-led Hardluck and Ron Lynch & Bene Regesh's psychedelic garage-rock number Evil Woman. Subsequently, Carolina Tikis and The Raiders keep the revs up with a brace of instrumentals - funky garage rock and a garage/RnB hybrid respectively - which are slipstreamed by some uplifting bubblegum guitar fuzz from The Cynch. The final cut is an unreleased live recording from Mike Peace & Filet of Soulpitched somewhere between garage rock and 'country funk'and while it may havestanky lo-fi production values it is not only one of the best cuts on the entire release but the band have arguably the funkiest rhythm section too!

In short, it's another triumphant set of dope obscurities (once againaccompanied by detailed liner notes and never-before-seen photos of the artists) and a tribute to the dusty-fingered digging skills of Chan The Man.

A second volume of late 50s and early 60s Cambodian slow rock, pop and R&B tracks - following the first volume's featuring as compilation of the week on Lauren Laverne's BBC 6Music show.

From the late 1950s onwards a music scene developed around Cambodia's capital Phnom Penh, inspired by the prevalence of imported rock & pop records arriving in the country from US & UK and also chanson and bolero records from France & Latin America. This collection documents some of these early home-grown slow rock, pop & rnb 45 recordings from the early 60s, prior to the further embrace of US psych & garage rock-orientated sounds in the mid 60s and into the Vietnam war era.

A high quality selection of little known and underrated Soul, AOR and anything in between!

As a spare time dj and only one of the many thousands of record collectors on this planet (but avowedly one of the not so many from Austria) it's a wonderful feeling to share some of my personal favourite songs with fellow music lovers from around the world. I don't wanna bore the pants off anyone out there as the music clearly speaks for itself. But then I think that I should shine some light on particular songs of my choice selection.

The twelve tracks on this album display a wide range of genres with some being difficult to categorize. Call it whatever you feel describes it best. I would say it is authentic music with a whole lot of soul. A fact which should be mentioned (and which makes me proud to be honest) is that many of the songs have not found its way onto a compilation album yet. Rarity was not the prime reason though, however some of the original records do not turn up often and thus might be considered 'rare'. During the last couple of months I have had listened to this selection at least a hundred times. For some reason I am still not tired of it and this is what I hope for you to experience too.

Roman Bloecker – December 2021

Don Cherry, Dewey Redman, Charlie Haden und Ed Blackwell verbündeten sich ursprünglich, um das Werk ihres Mentors Ornette Coleman zu würdigen, aber das Repertoire ihres Quartetts Old and New Dreams entwickelte sich bald zu einem Projekt von viel größerer Tragweite, das auch die musikalischen Erfahrungen einbezog, die die Spieler auf ihren Reisen rund um die Welt gemacht hatten. Neben einzigartigen Versionen von Ornettes ”Lonely Woman” und ”Open or Close” umfasst dieses einflussreiche, heute als Klassiker geltende Album von afrikanischer Musik inspirierte Stücke von Cherry und Blackwell, Redmans rätselhaftes ”Orbit of La-Ba” und Hadens impressionistisches ”Song for the Whales”. Das Album wurde im August 1979 in Oslo aufgenommen und von Manfred Eicher produziert. Die Vinyl-Neuauflage der Luminessence Serie enthält einen neuen Begleittext, der historischen Kontext und Hintergrundinformationen liefert.

180g Vinyl LP Reissue featuring All-Analog Mastering from the Original Tapes by Kevin Gray at Cohearent Audio Plus Eight Collectible Baseball Cards!

Craft Recordings presents a 180g vinyl LP reissue of the Peanuts classic, A Boy Named Charlie Brown! The album, recorded by the seminal Vince Guaraldi Trio, has been newly remastered from the original analogue tapes by Kevin Gray at Cohearent Audio. Recorded in 1964, the music of A Boy Named Charlie Brown contains Guaraldi's earliest Peanuts creations, including the first appearance of "Charlie Brown's Theme" and "Linus and Lucy," which became the defining song of all the early TV specials.



The album was an instant success upon release, thanks to such memorable tracks as the lilting "Oh, Good Grief," the reflective "Happiness Is," and the buoyant "Frieda (With the Naturally Curly Hair)." The reissue also includes a special bonus: eight collectible baseball cards that showcase Charlie Brown's team of misfits: Snoopy, Woodstock, Peppermint Patty, Linus and Lucy Van Pelt, Franklin Armstrong, Schroeder, and, of course, manager and pitcher, Charlie Brown. On the back of the cards are key stats for each player, including their field position and favourite sandwich.

Four tracks from French krautrock/psychedelic rock/synthwave/new wave band Vox Low’s 2018 debut LP, remixed by Pilooski, Tolouse Low Trax, French krautrock band Abschaum and composer/producer Orestt. They keep the original spirit of the tracks but take the songs into interesting and different directions - post-disco, acid, electro and left-field rock.

Cédric Marszewski aka Pilooski found fame with his “Beggin” remix and has also remixed Bryan Ferry, LCD Soundsystem, Tame Impala, Jarvis Cocker, Nina Simone, Alain Chamfort, Mark E. Smith Von Sudenfed, also Metronomy, Yelle or Joakim, Who Made Who (with Discodeine).

The German producer Detlef Weinrich aka Tolouse Low Trax has released music on labels such as Idle Press, Infiné, Karaoke Kalk, Kunstkopf, Neubau and Themes For Great Cities. His productions as Tolouse Low Trax explore Afrobaroque elegance through dark arpeggios leading to a slow and hypnotic liberation.

Since 2010, the French trio of Abschaum, led by Chris Poincelot, have been exploring krautrock and associate sounds. Their sound mixes hypnotic, synthetic loops, saturated riffs and voals, Abschaum have cradled their ears to the sounds of Spacemen 3, Ash Ra Tempel and Can. Orestt is the boss of the label Evrlst.inc and of the famous record store of the same name in Nice, his first “remix” is in the same vein as his productions: synthetic, dark and hypnotic.

King Earthquake 12" from Winston Fergus - Bills Pressure / Fari

Cinematic Roots-Reggae from Ghana as it has potentially never been heard before! Y-Bayani and Baby Naa are giving the perfect blend of two natural talented voices, backed by the wonderful sounding Band of Enlightenment, Reason & Love, which features master drummer Josie Coppola, who gave his rhythmic energy to such artists as Gentleman, Junior Kelly, Dean Frazer, Don Corleone, Alborosie and many more.

The nine songs show the group's clear own interpretation of reggae music, a unique balancing act between afroretroism on "Nsie Nsie" or "Get Away" and some afrohyperfuturism on "Asafo Weyasi" or "Zooba Maka".

Produced by Maxy Weissenfeldt of Poets of Rhythm and Whitefield Brothers fame, who also worked with artists such as Dr. John, Dan Auerbach, Lana Del Rey, DJ Shadow, The Heliocentrics and many more.

WRWTFWW Records is insanely happy to announce the first ever vinyl reissue for both volumes of Yoshio Ojima's superb environmental music project Une Collection des Chaînons I and II: Music For Spiral, originally released in 1988 on CD only. Each volume is sourced from original masters and comes as a double vinyl LP with liner notes in English and Japanese. This marks the inaugural release from the ESPLANADE SERIES by WRWTFWW Records which focuses on the works of Yoshio Ojima and friends.

Une Collection des Chaînons I (along with its complementary part two Une Collection des Chaînons II) gathers selected music pieces conceptualized and produced for sound-designing the Wacoal Art Center in Aoyama (Tokyo) also known as Spiral, a hub for a wide range of sophisticated cultural proposals spanning visual arts, theatre, music, design, fashion, and lifestyle.

Named after its superb curled-shaped structures laid in a vast atrium, Spiral is a monumental work of architecture by Fumihiko Maki, designed according to the principles of Metabolism, a movement advocating the fusion of the notions of megastructures and organic biological growth - in essence, evolving designs and constructions, adapting to human needs naturally.

Evolving, organic, adapting, these are notions that perfectly describe Yoshio Ojima's divinely designed brand of environmental music. From its eerie and levitating "Entrance" to the quirky "Esplanade (LIVE)", the gentle and reassuring "Flius", or the measured and ravishing escalation of "Mensis", Une Collection des Chaînons I is a delicately laid out sonic landscape where textures provide the link between space and emotions, adjusting and transforming through the ear of the listeners.

Sitting alongside Midori Takada's Through The Looking Glass, Satoshi Ashikawa's Still Way, Hiroshi Yoshimura's Green, or Yutaka Hirose's NOVA, Une Collection des Chaînons is a pivotal work of Japanese environnmental/ambient/minimalist music.

A note from Yoshio Ojima: "Please listen to this album at around the same volume as daily life sounds such as air conditioners and refrigerators."


b A2. Esplanade LIVE?8:29

German post-punk band Onyon scrambled our brains when we heard them for the first time last year, so much so that we signed them & reissued their eponymous debut cassette EP (originally co-released in limited quantities by the Flennen/U-Bac labels) in June of '22. "Last Days On Earth" is the band's latest & first proper full-length for Trouble In Mind. The oddball, synth-soaked world of Onyon is disorienting at first - the band's herky-jerky rhythms may operate in a familiar fashion to bands like Devo, Kleenex/Liliput or label-mates LITHICS, but Maria Untheim's woozy synth squiggles that populate & punctuate the band's songs keeps everything at arms-length. Flirting with the primitive cool of 80's minimal-synth and the wire-haired cretinism of 60s garage, especially on tunes like the manic `Dogman' or first single `Alien, Alien'. Guitarist Ilka Kellner's six-string salvos rage unpretentiously with edges torn & frayed, rarely (if ever) soloing, but never afraid to unleash a spindly lead-line over Florian Schmidt's rubbery bass lines & Mario Pongratz's stuttering drum patterns that phase in & out of time imperceptibly like drunks doing their best to seem sober. Kellner & Untheim share vocal duties (in both English & German - sometimes in the same song), but the real magic comes when the two sing together, voices merging in loosely harmonic gang vocals; one deadpan, the other slightly unhinged. The group's beguiling lyrics add to the mystique - inscrutable neu-world fables about egg machines, ghosts, worms that talk, and urges to consume newspaper that ooze a rural, old-world understanding of life & the imperceptible spaces in between reality & fiction, transmuted thru a modernist sci-fi lensflare. Recorded, mixed & mastered in late 2022 by Martin Müller, "Last Days On Earth" is released on CD, black vinyl & limited purple vinyl (while supplies last) as well as streaming via most digital platforms.