Pop & Rock Vinyl New Releases - News

As well as a collection of rare and un-issued tracks from the Golden era "Le Beat Bespoke" is an international festival every Easter in London. This is volume seven of this popular series and like its predecessors LBB7 is restored and mastered to the highest standard. The selections are sequenced like a fast-moving DJ set featuring current dancefloor hits, new discoveries, unreleased gems and an exclusive Dr Robert re-mix. The songs in this collection are obscure underground sixties club sounds overlooked on release but revered by dj's, dancers and collectors today. Dr Robert first tests these discs out at London club night the Mousetrap where the cool and curious gather for nights of hipshakin' fun, once satisfied they have passed 'The Mousetrap test' he starts spinning them on his DJ adventures. Some of these songs have made it onto this album for your dancing, listening and partying pleasure!

I hope you get as much pleasure out of them as I do.

Splatter vinyl

- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD SLEEVE

Death Walks Behind You is the second studio album by British rock band Atomic Rooster. It is commonly thought of as the archetypal Atomic Rooster album, recorded by the 'classic' line-up of Vincent Crane, John Du Cann and Paul Hammond.

It is, critically and commercially, their most successful album and often hailed as a classic of the progressive rock genre. It also produced the hit single Tomorrow Night' (UK #11), which became one of the band's best-known songs. The album's cover features the William Blake monotype Nebuchadnezzar.

The title track was covered on record in 1992 by Paradise Lost, in 2000 by Bigelf (on their album Money Machine) and in 2012 by Swedish death metal band NonExist.

A repackaging and remastering job restores the original artwork in all its gatefold glory.

Impossible to find Buffalo Springfield meets Grateful Dead folk-psych tastiness from 1970.

3x LPs, 3x CDs (of each of the LPs), 3x 7" Vinyl International, EPs. 2x Posters, 1x Concert Ticket, 1x Bumper Sticker, 1x Publicity photo, 60 page scrapbook and more. Limited to 7000 copies world-wide

RSD on splattered colour vinyl.

Leonard Cohen had gained fame as a poet and singer in the late '60s and continued his creative output successfully throughout the '70s. But when the '80s came along, things didn't go so smoothly. That is, until he drastically changed his sound with the 1988 album 'I'm Your Man'. Synthesizers ruled, and a dark humour was added to his baritone. With enormous critical and commercial success, 'I'm Your Man' is ranked amongst Cohen's best albums. Now available on vinyl again for the first time since 1988!

180g VINYL + CD

'Leonard Cohen, at the age of 82, is releasing an album of haunting new songs which the lucky few who have heard it deem a masterpiece' and classic Cohen'. The album is called YOU WANT IT DARKER and arrives in stores this Fall. As Leonard's record company for over five decades, Sony Music is proud to be associated with this remarkable achievement.

This great artist continues to astonish us. Uncompromising and urgent, YOU WANT IT DARKER is the latest chapter in Leonard's significant contribution to contemporary music and thought. These startling songs have been beautifully realized in this his 14th and most compelling record'.

Limited Edition, Picture Disc Includes fold-your-own paper drone and instructions insert.

Limited Edition, Mono, Multicolor Feat Keith West - 11 track LP

- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD SLEEVE

First Meeting is the only album from the short-lived British Jazz-Rock septet Trifle, founded by singer George Bean, which also included trumpeter Dick Cuthell, saxophonist Barrie Martin, keyboardist Alan Fealdman, guitarist John Hitchen, bassist Patrick King and drummer Chico Greenwood. The group folded shortly after this album was recorded as a result of the tragic death of its leader.

The brass arrangements are excellent and the mostly original material is definitely up to the standard. In retrospect this forgotten gem should have been listened to over the years if not its obscurity and prompt disappearance from the shelves, as it is another Brass-Rock classic.

Limited Edition, Blue vinyl

Limited Edition, Reissue, Purple Marbled Vinyl

Optimo Music präsentiert eine neues Sublabel, das auf den Namen So Low hört. Das erste Release kommt vom Glasgow's Happy Meal, ein Duo bestehend aus Suzanne Rodden und Lewis Cook, die auf So Low ihr zweites Album vorlegen. Full Ashram Devotional Ceremony Volumes IV - VI ist mit seinen Kraut-Electronic-Noise-Ambient-Wave Einflüßen gleichermaßen verstörend und einnehmend und garantiert ein spannendes Hörerlebnis.

20 Jahre liegt die Veröffentlichung ihres Major-Debütalbums S.C.I.E.N.C.E. inzwischen zurück -nun steht das neue Album 8 der Multi-Platin Rock-Band Incubus endlich in den Startlöchern. Produziert wurde das Album von niemand geringerem als Dave Sardy, der bereits mit großen Künstlern wie Marylin Manson, Oasis, Fall Out Boy und Rage Against The Machine zusammen gearbeitet hat. Als Co-Producer agierte der US-amerikanische DJ und Musikproduzent Skrillex. Über die letzten 15 Jahre konnten Incubus, bestehend aus Brandon Boyd (Gesang), Mike Einziger (Leadgitarre), Chris Kilmore (Turntables, Keyboards), Ben Kenney (Bass) und José Pasillas II (Schlagzeug), riesige Erfolge feiern und wurden weltweit mit Edelmetallen überschüttet und für den Grammy nominiert. Sie haben weltweit mehr als 15 Millionen Alben ihrer sieben Studioalben verkauft.

For the first time on Vinyl format, Old Scarlett (1995) by The Jacobites -Nikki Sudden & Dave Kusworth- Probably their greatest love & death songs collection. An essential band!
Remastered and with new artwork plus free Poster

Mit - Keine Nacht für Niemand', dem dritten Studioalbum der Band Kraftklub, gelingt den Chemnitzern ihr bislang vielseitigstes Album. Zwischen Euphorie und Aufruhr, Liebe und Depression, Galligkeit und fein ausziseliertem Humor treffen Kraftklub auf insgesamt 12 Tracks die alte Tante Zeitgeist genau zwischen den Augen. Vor allem aber ist - Keine Nacht für Niemand' genau das zeitgeistig-politische Album, auf das wir alle in diesen Tagen gewartet haben. Es wird ein langer und aufregender Sommer
mit Kraftklub!

Rammstein - Rammstein: Paris Ltd. Deluxe Edition - Vinyl Box




















































[ZZA] J7 | Feuer Frei!
[ZZB] J8 | Mutter
[ZZC] J9 | Mein Teil
[ZZD] J10 | Du Riechst So Gut
[ZZE] J11 | Links 2-3-4
[ZZF] J12 | Du Hast
[ZZG] J13 | Haifisch
[ZZH] J14 | Bück Dich
[ZZI] J15 | Mann Gegen Mann
[ZZJ] J16 | Ohne Dich
[ZZK] J17 | Mein Herz Brennt
[ZZL] J18 | Amerika
[ZZM] J19 | Ich Will
[ZZN] J20 | Engel
[ZZO] J21 | Pussy
[ZZP] J22 | Frühling In Paris

Upon its release 10 years ago, The Streets second album, A Grand Don't Come For Free was instantly hailed as another masterpiece to equal his initial clarion call, Original Pirate Material. Unavailable on vinyl for the best part of the intervening decade, Be With Records marks its second release by issuing Mike Skinner's electronic soap opera on this format.

Whereas Original Pirate Material was a record that garnered acclaim from the electronic/dance fraternity and the forward-thinking wings of the rock/mainstream press, A Grand Don't Come For Free swept the board in prompting critical praise.

This was the album that saw Skinner compared to the likes of Ray Davies and Paul Weller in evoking the glorious mess of everyday life. A striking concept album set to an inventive sonic backdrop, the seemingly prosaic tale of a young man unlucky in love (and, so it seems, money) is brought brilliantly to life in a barrage of astute lyrics, lurid tales and memorable hooks.

Deservedly awarded a 9.1 review from Pitchfork, the record sees Skinner reveal his most vulnerable self: Dry Your Eyes and Blinded By The Lights, in particular,manage to articulate painfully familiar feelings thatappeal to music fans of every hue.This record marked Skinner's creative peak, received international acclaim and, thanks to its distinctiveness, propelled its maker to the top of the musical tree.

From the ashes of VOM rose the Angry Samoans! In 1978 they recorded their first demos in a cheap two track studio. Some of these tracks have appeared as bonus tracks on long deleted album re-issues, others were released on a long deleted 7´´, one sees the light of day for the first time ever! In true Samoans style the album is sharp and short and finally the complete demos are now released on one piece of vinyl that plays at 45 rpm.

On the occasion of the 40th anniversary of his death, enjoy the greatest rock'n roll standards performed by "The King"! Remastered Original Versions.

Minneapolis dwellers LIVID bring towering riffage and mammoth doom metal on their Prosthetic debut 'Beneath This Shroud, The Earth Erodes', a sonically cathartic endeavor with nods to the trio's major influeces: Evoken, Mournful Congratulation and Eyehategod to the Melvins, Boris and Tool.

Originally formed in 2013, by 2015 the trio had been evolving their riffs to lay them down to tape and teamed up with producer, Ali Jaafar at Ecstattic Studio to record their first demo. The two part, 22 minute opus, Sint, was released on Bandcamp in the Summer of that year and was met with wide acclaim in the metal underground. Doomed & Stoned, The Burning Beard, as well as Seattle radio station, KEXP, all jumped on board as early flag waivers for the band. 'Sint' was powerful, both in riff and vocals. Benson's vocal style was often compared to Gregorian Monks chants. They are haunting and perfectly complimented the eerie, punishing riffs he played combined with the thunderous support of drummer Leick and bassist Padelford. Throughout the remainder of the year, Livid shared the stage with bands such as Theories, Bell Witch, Cobalt and Mantar.

Beginning in 1982, the conceptual audiovisual troupe labeled Psychic TV set out on a multimedia journey filled with subversion, liberation, and rebellion. Materialized between Throbbing Gristle co-founder Genesis P-Orridge and Alternative TV songwriter Alex Fergusson, Psychic TV started pulling in familiar faces with the likes of Peter Sleazy' Christopherson, Paula P-Orridge, Jhonn Balance, David Tibet, John Gosling and countless others. While the members' previous works took root in the counterculture zeitgeist of late '70s UK punk and conceptual art, it was no longer a question of how to rebel against authority, but rather how to carefully subvert it through collective infiltration. Parallel to Psychic TV, its members formed the anti-cult faction The Temple of Psychick Youth, further propagating the Psychic TV message and vision.

While the ensuing years saw Psychic TV's major label infection and record breaking live album release binge, it wasn't until 1988 that the band started to ready itself for a chart-friendly pop endeavor in the form of Allegory and Self. This would be the band's most notable and successful endeavor, but tragically, it would be the final songwriting collaboration between P-Orridge and Fergusson. Allegory and Self was a perfect storm of catchy pop melody along with subversive counter-culture reference and occult leanings, packaged in a perfect bundle of underground hits.

The record's opening track Godstar,' a song gushing obsessive praise upon the fallen Rolling Stones member Brian Jones, would give the album its most notable identity. Godstar's' melodic hooks and haunting, Phil Spector-era lyrical chant gives into to all the hallmarks of a chart-topping hit. Just Like Arcadia' and Being Lost' follows in similar footsteps, charging along with a somewhat whimsical Beach Boys-esque pop quality. The album also contained a sneak-peak into what direction Psychic TV was heading into going forward, apparent in the acid house number She Was Surprised.' Tracks like Starlit Mire' and Thee Dweller' reflect more of what the Psychic TV live experience was akin to in the '80s, aggressive and hypnotic. All together, Allegory and Self would stand alone as the band's signature apex from the original '80s line-up.

Beginning in 1982, the conceptual audiovisual troupe labeled Psychic TV set out on a multimedia journey filled with subversion, liberation, and rebellion. Materialized between Throbbing Gristle co-founder Genesis P-Orridge and Alternative TV songwriter Alex Fergusson, Psychic TV started pulling in familiar faces with the likes of Peter Sleazy' Christopherson, Paula P-Orridge, Jhonn Balance, David Tibet, John Gosling and countless others. While the members' previous works took root in the counterculture zeitgeist of late '70s UK punk and conceptual art, it was no longer a question of how to rebel against authority, but rather how to carefully subvert it through collective infiltration. Parallel to Psychic TV, its members formed the anti-cult faction The Temple of Psychick Youth, further propagating the Psychic TV message and vision.

While the ensuing years saw Psychic TV's major label infection and record breaking live album release binge, it wasn't until 1988 that the band started to ready itself for a chart-friendly pop endeavor in the form of Allegory and Self. This would be the band's most notable and successful endeavor, but tragically, it would be the final songwriting collaboration between P-Orridge and Fergusson. Allegory and Self was a perfect storm of catchy pop melody along with subversive counter-culture reference and occult leanings, packaged in a perfect bundle of underground hits.

The record's opening track Godstar,' a song gushing obsessive praise upon the fallen Rolling Stones member Brian Jones, would give the album its most notable identity. Godstar's' melodic hooks and haunting, Phil Spector-era lyrical chant gives into to all the hallmarks of a chart-topping hit. Just Like Arcadia' and Being Lost' follows in similar footsteps, charging along with a somewhat whimsical Beach Boys-esque pop quality. The album also contained a sneak-peak into what direction Psychic TV was heading into going forward, apparent in the acid house number She Was Surprised.' Tracks like Starlit Mire' and Thee Dweller' reflect more of what the Psychic TV live experience was akin to in the '80s, aggressive and hypnotic. All together, Allegory and Self would stand alone as the band's signature apex from the original '80s line-up.