Виниловые новинки и релизы Pop & Rock - Новости

Re-discovered island disco masterpiece by the Trinidadian Quincy Jones. 'What You Won't Do For Love' was DJ Harvey's end-of-the-nighter for his long awaited tour of Europe last year. Both sides are previously unreleased extended versions of these tropical gems re-mastered from the original tapes. Officially licensed, limited edition.....

1x per customer !!
This crew don't do things by half! Following the insanely nice Michael Boothman record a few months back - Invisible City Edition descend to even further depths and give us a fully re-mastered issue of this mythical treasure! BIG Limited Edition TIP!
"For many this is the ultimate Disco Illusion; a record that should have been epoch making in its day, something that would have been a staple for David Mancuso, Larry Levan & Ron Hardy had it ever gotten distribution when it was originally released 34 years ago. Somehow time passed it by and it was only re-discovered in a warehouse in Trinidad last year. Since then it has been gaining momentum fast, with DJ support from Moodymann, MCDE, Floating Points & Kon, as well as original copies selling for four-digit sums. Part of the illusion is in the structure of the record. The A-side begins with beautiful, but relatively normal disco song, but suddenly an Egyptian sounding bridge turns the things inside out and the song opens up into a proto-house jam complete with bubbling Sun Ra synths and Black Ark tape delay action. The there's the b-side, which sounds like Bob James after he had a taste of callaloo, with deep electronics and a mind-melting steel pan solo. Finally, thanks to Invisible City this record is getting the life it has always deserved. "

Jimi Tenor has compiled a selection of afro jazz tracks that he has written and performed over the years with musicians Icelandic drummer, Helgi Svavar Helgason, Helsinki based guitarist/bassist and journalist Ilkka Mattila, legendary drummer Tony Allen, Cuban & Berlin based trumpeter Daniel Allen Oberto, Ethiopian/Finnish & Helsinki based percussionist Abdissa 'Mamba' Assefa (Itetune), Nigerian/German & Berlin based percussionist Akinola Famson, Helsinki based percussionist Mongo Aaltonen, American & Paris based spoken word artist/singer & painter Allonymous, Helsinki based flügelhornist Tero Lindberg, Finnish & Berlin based guitarist Kalle Kalima, Polish & Berlin based bassist Patrick Frankowski, British trombonist Hilary Jeffery and Ghanaian/German & Berlin based drummer Ekow Alabi Savage. Jimi Tenor, born Lassi Osmo Tapio Lehto in Lahti, Finland, who has been releasing recorded music for 30 years, plays several instruments as is his usual practice. He is credited for playing on the upcoming release Saxentric; acoustic guitar, acoustic piano, background vocals, bass kalimba, drums, drum programming, electric guitar, electric piano, flute, Hammond organ, Korg MS-20, Korg PolySix, Log-o-phone, Moog, organ, percussion, Photophone, plastic bongos, programming, shaker, synthesizers, tambourine, tenor saxophone, vocals and Walton organ.

Rolling Stone 500 Greatest Songs of All Time - That's The Way Of The World - Rated 337/500!

Rolling Stone 500 Greatest Albums of All Time - Rated 486/500!

The 1975 album "That's The Way Of the World" was also the soundtrack for a 1975 motion picture of the same name which featured some of the band members of Earth, Wind, & Fire in cameo roles. The album includes the ballad "Reasons" alongside the #1 US pop and R&B hit single "Shining Star" as well as the title track which reached #12 on the pop chart.

"Before he got into African thumb pianos and otherworldly philosophizing, EWF founder Maurice White was a session drummer at Chess Studios. EWF's sixth album is make-out music of the gods." - rollingstone.com

"Earth, Wind & Fire has delivered more than its share of excellent albums, but if a person could own only one EWF release, the logical choice would be That's the Way of the World, which was the band's best album as well as its best-selling. Open Our Eyes had been a major hit and sold over half a million units, but it was World that established EWF as major-league, multi-platinum superstars. Fueled by gems ranging from the sweaty funk of "Shining Star" and "Yearnin' Learnin'" to the gorgeous ballad "Reasons" and the unforgettable title song, EWF's sixth album sold at least five million units. And some of the tracks that weren't major hits, such as the exuberant "Happy Feelin'" and the gospel-influenced "See the Light," are equally powerful. There are no dull moments on World, one of the strongest albums of the 1970s and EWF's crowning achievement." - allmusic.com

The mystery band is back with a holiday heater. The follow up to their 2 side also on STAR CREATURE. Limited for the holidays includes instrumental to keep it funkin all year long plus holiday acapellas with enough festive DJ drops for all 12 days of Xmas. Pure Xmas Funk for the heads!

180gr. Reissue incl. Original Artwork, classic debut album by Philadelphia International Records houseband MFSB, released in 1973.

African disco album from 1978. No original copies available anywhere for sale. âLove In Spaceâ is a soul disco tune that's smashing every 1970's jam, reminding a bit of Pink Floyds âThe Great Gig In The Skyâ and scoring with an endless break. The great âGalactic Interludeâ and the funky deep âBeyond The Sunâ are an unique mix between african soul and cosmic disco beats. Obviously a totally unique sound and a one of a kind album were talended female soul singers meeting intergalactic disco beats. incl. large poster + download

Voilaaa is one of the many projects led and produced by Bruno Patchworks' Hovart, who's proven over the past 15 years, his place amongst the finest producers of groove music in all genres.

This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa's first album, On te l'avait dit, released late 2015 on Favorite Recordings.

Following to that success and pursuing the same direction combining of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, Voilaaa's now presenting its 2nd efforts, Des Promesses.

The 13 tracks of the album are again up to expectations, and Voilaaa has not finished feeding international dancefloors with heavy Afro-Disco music. Alongside Bruno at the production, singers Pat Kalla and Sir Jean are back providing their carefree lyrics and Afro vibes, and Senegalese artist Doctor Lass comes to extend the team, with 3 brilliant titles, including a great Funky cover of the classic Mandjou' by Salif Keita and Les Ambassadeurs Internationaux..

white vinyl !

On 'Other Life' the creative forces of Scottish producer MAKENESS and art pop four piece Adult Jazz combine to create an addictive slice of catchy disco-not-disco with post-punk influences.

MAKENESS is the name of producer and songwriter Kyle Molleson. Having grown up in The Outer Hebrides it was at Leeds Uni that he meet Harry Burgess, Steven Wells, Tim Slater and Tom Howe of Adult Jazz. Drawing on influences from Afro Beat, New-Wave and techno in 2015 he had his debut release 'Laca-Langa', a thundering percussive track. Adult Jazz released two lovingly received records, 2014's 'Gist Is' and 2016's 'Earrrings Off!' (on Tri-Angle) and have established themselves as one of Britain's finest new experimental pop groups, with lyrics that tackle questions of identity and belief.
Prior to the release on Meno Records, a then unreleased 'Other Life' was remixed by Whities producer Minor Science. 15 dub plates were pressed up and stamped with MXMS, finding their way to Jamie XX, Ben UFO and Roman Flügel, who all played the track. The original track is now being released by Meno Records, with a limited run of 300 12' as well as being made available digitally. Fans of avant-disco will rejoice at the sound, with its loose and un-quantized groove, synth squeaks, flourishes and off-kilter vocal falsetto, it's the artists but not as you know them and totally addictive. MAKENESS and Adult Jazz let their hair down and follow Arthur Russell's advice, 'First Thought, Best Thought'.

Robo Arigo is an extraordinary multi-instrumentalist from Nigeria's Ogun State. A founding member of Pogo Ltd, he played bass, guitar and organ on both their albums and plays all kinds of instruments, including cowbell, on Sexy Thing too. One listen to the record, however, (and a quick look at the back of the cover), and it's pretty clear that playing bass is where Robo's heart lay. Especially when he gets to slap it. The slapping starts early on 'Konastone Ponk', a dippy, funky track where Robo implores that if his music 'touches your soul, get up and dance.' The interplay between bass and guitar is magic - it's clear that Eno Louis is Nile Rodgers to Robo's Rick James, with a bit of Prince and Parliament thrown in for good measure. The funk feels dark and dangerous on 'Girls Reservation' and gets seriously slinky on 'Sexy Thing'. I can't over emphasis what a truly great album this is. The sound is clean and the production is stripped back and funky, a sound Robo would finesse as a producer with his Robbosoneex Music Company in Benin. Listen to the audacious cover of 'Get Up, Stand Up', and tell me that you're not convinced that very Bob Marley songs needs a slap bass break in the middle. You need this record in your life. - Peter Moore

Robo Arigo is an extraordinary multi-instrumentalist from Nigeria's Ogun State. A founding member of Pogo Ltd, he played bass, guitar and organ on both their albums and plays all kinds of instruments, including cowbell, on Sexy Thing too. One listen to the record, however, (and a quick look at the back of the cover), and it's pretty clear that playing bass is where Robo's heart lay. Especially when he gets to slap it. The slapping starts early on 'Konastone Ponk', a dippy, funky track where Robo implores that if his music 'touches your soul, get up and dance.' The interplay between bass and guitar is magic - it's clear that Eno Louis is Nile Rodgers to Robo's Rick James, with a bit of Prince and Parliament thrown in for good measure. The funk feels dark and dangerous on 'Girls Reservation' and gets seriously slinky on 'Sexy Thing'. I can't over emphasis what a truly great album this is. The sound is clean and the production is stripped back and funky, a sound Robo would finesse as a producer with his Robbosoneex Music Company in Benin. Listen to the audacious cover of 'Get Up, Stand Up', and tell me that you're not convinced that very Bob Marley songs needs a slap bass break in the middle. You need this record in your life. - Peter Moore

2018 REPRESS! Steve Monite's album, Only You, is a prime slab of Nigerian boogie. It's sinewy, compact and sexy, a little bit of disco mixed with a big dose of funk. Loose and groovy, it's a sonic seduction from another dimension. With legendary producer Tony Okoroji at the desk, and influential musician and sound engineer, Nkono Teles, creating magic on the synth, the title track is raw and melodic, dark and sweet at the same time. Steve sings about putting out a fire, but the music, and Stella Monye's sultry backing vocals, stoke it with aural gasoline. You've never heard a song less likely to lower the temperature and let cooler heads prevail. While never quite reaching the heights of 'Only You', 'Welcome My Love' and 'Things Fall Apart' keep the groove going, the later with a distinctly Latin swing. A couple of extended 'Disco Jams' and an obligatory, romantic ballad ('I Had A Dream') round out the record. In all honesty, however, it is 'Only You' that you'll keep going back to. It's a killer track, an Afro Boogie classic that would hold its own on any dance floor in the world, whether in the 80s or today.

- Peter Moore

The 12' DANCE series is dedicated to showcasing the finest rare original 12' remixes and extended versions of crowd-pleasing, floor-filling classics. From the Disco, Soul, Rare Groove and Funk mixes of the 70's, to the Groove, Hip Hop/Electro & Techno/House of the 80's and the Acid Jazz, Indie, R&B, Rap & Club/House of the 90's, 12' DANCE will deliver a lovingly curated selection of both the commercial big hitters and the underground cult club classics!

This 2LP set showcases an essential selection of the finest 12' extended versions and mixes from the era. Visiting iconic New Romantics, Synth/Electro pop acts and New Wave legends, artists featured include Duran Duran, Spandau Ballet, Bronski Beat, New Order, Echo And The Bunnymen and many more.

Steve Monite's album, Only You, is a prime slab of Nigerian boogie. It's sinewy, compact and sexy, a little bit of disco mixed with a big dose of funk. Loose and groovy, it's a sonic seduction from another dimension. With legendary producer Tony Okoroji at the desk, and influential musician and sound engineer, Nkono Teles, creating magic on the synth, the title track is raw and melodic, dark and sweet at the same time. Steve sings about putting out a fire, but the music, and Stella Monye's sultry backing vocals, stoke it with aural gasoline. You've never heard a song less likely to lower the temperature and let cooler heads prevail. While never quite reaching the heights of 'Only You', 'Welcome My Love' and 'Things Fall Apart' keep the groove going, the later with a distinctly Latin swing. A couple of extended 'Disco Jams' and an obligatory, romantic ballad ('I Had A Dream') round out the record. In all honesty, however, it is 'Only You' that you'll keep going back to. It's a killer track, an Afro Boogie classic that would hold its own on any dance floor in the world, whether in the 80s or today. - Peter Moore

Leaning against a wall, his shirt unbuttoned to his navel and cradling a tumbler of something strong and sophisticated, Tony Igiettemo looks every bit the smooth talking 80s gent. When you put Hot Like Fire on the turntable and drop the needle, however, it is immediately clear that Smooth Tony is also a little bit freaky. Sirens, slap bass, squelchy synths and a titchy high hat that just won't give up, Hot Like Fire is a cosmic call from a dance floor on the far side of the universe. Produced by John Malife - the go-to man in Nigeria when you wanted your funk freaky - it's driven by a heavy low end that compels you to move. 'Baby You Can Do It' is Boney M's 'Daddy Cool' via a sweaty Nigerian dance floor. 'I Feel So Good' has a Kool & The Gang vibe, albeit with a freaky, warbling synth. And 'Hot Like Fire' is a strange reggae/funk fusion, fuelled by the righteous herb. 'We Are One' and 'Africa Must Unite', meanwhile, are post-disco, reggae-tinged calls for African Unity. 'Rock Your Baby' is the album's most relentless dance floor banger and sums up its ethos best. Clap your hands everybody and get down on it. Tony Igiettomo is here to make your body move. - Peter Moore

Following in the footsteps of the hugely successful Twelve Inch Eighties range, comes the Twelve Inch Seventies range.
Compiling extended alternate mixes of some of the biggest hit singles of the 70s. Each release is housed in a sleek 3CD digipak
with abstract imagery representative of early dance label releases. These carefully selected titles bring together some of the
finest seventies anthems, in all their full 12' single glory.
Boogie Wonderland is a collection of classic disco songs extended, remixed and reimagined.
- Features over 30 classics by the likes of The Jacksons, Boney M, The Three Degrees, Earth Wind & Fire, and many more......
- Packed with many UK Top 40 Hits and rare versions available for the first time on CD.
- Many hit records exclusively licensed from Sony Music Entertainment UK Limited.

Following in the footsteps of the hugely successful Twelve Inch Eighties range, comes the Twelve Inch Seventies range.
Compiling extended alternate mixes of some of the biggest hit singles of the 70s. Each release is housed in a sleek 3CD digipak
with abstract imagery representative of early dance label releases. These carefully selected titles bring together some of the
finest seventies anthems, in all their full 12' single glory.
More, More, More is a collection of classic disco songs extended, remixed and reimagined.
- Features over 30 classics by the likes of The Jacksons, Frantique, Three Degrees, Earth Wind & Fire, and many more......
- Packed with many UK Top 40 Hits and rare versions available for the first time on CD.
- Many hit records exclusively licensed from Sony Music Entertainment UK Limited.

As part of our 10 years anniversary this year after starting the label back in 2006 Mukatsuku is proud to release the remastered holy grail instrumental long version co produced by Tommy Stewart of 'Brotherson' from Atlanta USA resident Ojeda Penn with the other version on the flip on a 180 gram 12 inch single There were two versions of the album Happiness on the IFE independent label. They looked almost identical but the first version contained the now rarer elongated jazz fused instrumental version of 'Brotherson' and then a few months later they recut the album with a much shorter version adding strings and vocals.
The former version is now being sold up to £500 so this 12 is a welcome release to the reissue market. According to Mr Penn this is the first time either version has been reissued officially and Mukatsuku after many years of discussion is glad to finally be in a position to finally put out both versions on one phat 12''

Label boss, George Kelly and Milan based Rollover DJs get together for a very special 2017 Record Store Day limited-vinyl-only release, marking the long awaited return of the famous Chopshop label to the vinyl market. Tiptoeing the fine line between original scalpel-work and heavy sampling both tracks revisit pop classics and transform them into modern dance-floor-bombs on this lush 300-limited-hand- numbered-blue-vinyl.

Brand new label Odion livingstone, based out of Lagos, Nigeria, presents its debut release, a reissue of the sought after Nigerian disco LP rarity 'Friday Night' by Livy Ekemezie. I was just out of senior secondary school and I wanted to make an album,' recalls Ekemezie. I was into disco and funk at the time and I was looking for a bass-driven funky sound. The entire idea was to make an album that sounded like something made in London or the U.S. I tried to sound American' but we ended up with something else: a mix of American and Nigerian.' 'Friday Night' was recorded at Goddy Oku's Godiac 24-track recording studio in Enugu, one of the best studios available in Nigeria at the time. It took about 9 months to a year to make the album,' continues Ekemezie. I financed it by myself so I had to resort to friends helping out with loans for session men and studio time. The original LP was released on blue vinyl and that idea came from William Onyeabor. We used his pressing plant and he sold the idea to me. It was different so I said 'why not''

A real rarity! 1977's "Stepping Out" by obscure Oliver Sain produced Funk/Soul outfit The 13th Floor has always been a tough LP to catch, the only release by this lesser known St.Louis outfit showcased a unique blend of jazz, funk and soul that has intrigued hardcore collectors of rare grooves and black music since it's release. Released on the highly collectable Blue Candle sub label of Miami's TK Disco empire, "Stepping Out" features lots of different musical flavours - from the languid, Ohio Players-esque "Hang loose" and the incessant mid-tempo burner "Leanin" to the dance-floor groove of "Sweet thang", the LP showcases across it's 9 tracks show a band at the top of it's game, completely in tune with each other and firmly in the pocket. This should be no surprise when you consider the opening track of the album is co-written by a young Chaka Khan and members of the band went on to form parts of her band Rufus and played alongside artists such as Patti Austin, Maxayn Lewis, Ronnie McNeir and High Voltage. The overall feel of the album is one of amazing musicians keeping it gritty, soulful and most of all, funky! This album has always demanded high prices on the second hand / used vinyl market and is a truly lesser spotted gem, which is surprising considering the eye catching sleeve artwork!
This is the first time that The 13th Floor's "Stepping Out" has been reissued on vinyl, fully remastered from TK's original tapes, represented the way the the LP was issued in 1977 with all original cover and label artworks intact. Now, almost 40 years after it's original release the album has now been made available again for 2016, fully licensed in conjunction and with the full permission of Henry Stone music / TK Disco, Miami, FL.

New limited edition series from Sofrito: Sofrito Super Singles, which will bring to light the finest reissues of rare and forgotten tropical dancefloor sounds. The debut release celebrates the Afro-disco and boogie scene of South Africa, - where Salsoul meets Soweto. Comes housed in a new look Sofrito house sleeve.

The three track EP features Teaspoon & The Waves - led by veteran alto player Teaspoon Ndelu. They released one album in 1980, covering a mix of disco and funk sounds for the SA dancefloors. Oh yeh Soweto is a cheeky version of Lamont Dozier's Going Back To My Roots - changing the lyrics and toughening up the beats, but with the same killer riffs. Saturday Night Special is from the same LP, a spaced out Afro Disco groove with excellent percussion and psychedelic synths, re-edited by the Sofrito team.

The B side features a track by the Nzimande Allstars - another mysterious group of session musicians. The drawn out groove of Highway Sporo Disco fuses a heavy disco backing with jive guitar and stellar horns and organ for a unique taste of the underground sound of the Cape.

Coming up soon on Sofrito Super Singles will be a slice of Trinidad Soca Disco and some raw Haitian sounds.

Soul Jazz Records' are releasing their long-out-of-print album 'Hustle! Reggae Disco' in a new expanded 2017 edition which now features five extra tracks.
This ground-breaking album features non-stop killer reggae versions of original funk and soul classics in a disco style. Reggae disco updates of seminal classics by Anita Ward ('Ring
My Bell'), Chaka Khan ('I'm Every Woman'), Michael Jackson 'Don't Stop 'til You Get Enough,' Sugarhill Gang ('Rappers Delight' here performed by Derrick Laro and Trinity for producer Joe Gibbs) and more, all showing the hidden but inseparable link between the dance floors of New York, Kingston and London.
New bonus tracks to this collection include Derrick Harriott's funky take on Eddie Drennon's 'Do It Nice and Easy', the classic disco reggae of Risco Connection's take on McFadden and
Whitehead's 'Ain't No Stopping Us Now' and the London rare groove lovers rock take on Barbara Acklin's soul classic 'Am I The Same Girl'.
'Hustle! Reggae Disco' has been one of Soul Jazz Records' best-selling releases since its first release 15 years ago (and subsequently featured heavily in the early Grand Theft Auto
games!). This new edition comes complete fully re-mastered and with all original titles plus new tracks. This new expanded edition now comes a triple album (+ download code), CD and digital album.
'The effect of American R&B and soul music on Jamaican reggae is well documented, but the story doesn't stop there, for disco (and more so now for rap and hip-hop) have also been
subsumed into the reggae mix, and while one might suspect that the resulting hybrid would die of its own implausibility, the feral mix of disco with reggae rhythms is so darn infectious that it hardly matters. Once you take your brain out of the frame and just let your feet go, this collection is a dancer's delight all done up in full-blown disco style, but with huge dub-style rhythm tracks ... if you're looking for an impossibly infectious dance collection, this is
it.' All Music

Philippe Baden Powell (son of Brazilian musical legend, Baden Powell de Aquino) is reinventing Brazilian jazz in the lineage of his father's generation. Balancing the classical with the spiritual, the cinematic with the introspective, and sensitivity with a distintly Brazilian groove, Notes Over Poetry, a new album for Far Out Recordings, calls upon the inspiration of the many musical and artistic greats Philippe has been surrounded by throughout his life.

The great Brazilian poet and old family friend, Vinicius de Moraes used to say that 'life is the art of encounter', and that is what this album is about.' A nomadic upbringing - moving between Rio, Paris and the coincidently named German city of Baden-Baden, as well as touring internationally alongside his father and brother, provided boundless encounters with inspirational figures, too many to name. Touring also gave Philippe his first taste of life in the spotlight: recorded when he was just thirteen, a sold out show alongside his father and brother at Sala Cecília Meireles in Rio De Janeiro, would become the 1996 album Baden Powell & Filhos.

Classically Brazilian in its roots, but global in its outlook, Notes Over Poetry sits as comfortably next to Tom Jobim's 'Wave' as it does to Robert Glasper's 'Black Radio'. Vamos Donatear - a track dedicated to the great Joao Donato - is hot, fluid samba-jazz in the vein of the Brazilian legend himself, while the equally groovy Chica hosts punchy horn arrangements reminiscent of masterpieces by Arthur Verocai and Eumir Deodato. With lyrics in English, title track and the satin-soft 'State Of Music' lean toward the cooler climate of North American Hip/Hop and RnB, while 'For You To Know' is a spellbinding syrup of deep-jazz, flaunting Philippe's innate talent for writing powerfully emotive melody and harmony.

To his father, Philippe attributes key characteristics which have enriched and guided him in his professional life: He transmitted to me the passion and commitment indispensable to any artist.' With his father he also shares an innate pull towards collaboration as key to the creative process. I can't remember a time making music just by myself, I've always felt like a kid with toys waiting for friends to come and play.' Credit is indeed due to the musicians on the album, many of whom are legendary artists in their own right: French jazz drummer André Ceccarelli, who has worked with everyone from Aretha Franklin to Michel Legrande, prolific Belgian jazz vocalist David Linx, and Afro-Brazilian percussion master Ruca Rebordão.

Today we are in the midst of a global revival of jazz as an art-form capable of traversing its once tired image as music for an older generation, with the emergence of artists like Kamasi Washington, Shabaka Hutchings and Takuya Kuroda. Parallel to this, from MPB (Musica Popular Brasiera) to Samba, Bossa-Nova and Tropicalia, new generations of music lovers are rediscovering Brazilian music from the 60's onwards. Philippe Baden Powell's music perfectly reflects Brazil's huge and unique contribution to the global jazz landscape, and with Notes Over Poetry, set for release in Spring 2017, he presents a milestone release in his career as a torchbearer for a new wave of Brazilian artists.

Philippe Baden Powell (son of Brazilian musical legend, Baden Powell de Aquino) is reinventing Brazilian jazz in the lineage of his father's generation. Balancing the classical with the spiritual, the cinematic with the introspective, and sensitivity with a distintly Brazilian groove, Notes Over Poetry, a new album for Far Out Recordings, calls upon the inspiration of the many musical and artistic greats Philippe has been surrounded by throughout his life.

The great Brazilian poet and old family friend, Vinicius de Moraes used to say that 'life is the art of encounter', and that is what this album is about.' A nomadic upbringing - moving between Rio, Paris and the coincidently named German city of Baden-Baden, as well as touring internationally alongside his father and brother, provided boundless encounters with inspirational figures, too many to name. Touring also gave Philippe his first taste of life in the spotlight: recorded when he was just thirteen, a sold out show alongside his father and brother at Sala Cecília Meireles in Rio De Janeiro, would become the 1996 album Baden Powell & Filhos.

Classically Brazilian in its roots, but global in its outlook, Notes Over Poetry sits as comfortably next to Tom Jobim's 'Wave' as it does to Robert Glasper's 'Black Radio'. Vamos Donatear - a track dedicated to the great Joao Donato - is hot, fluid samba-jazz in the vein of the Brazilian legend himself, while the equally groovy Chica hosts punchy horn arrangements reminiscent of masterpieces by Arthur Verocai and Eumir Deodato. With lyrics in English, title track and the satin-soft 'State Of Music' lean toward the cooler climate of North American Hip/Hop and RnB, while 'For You To Know' is a spellbinding syrup of deep-jazz, flaunting Philippe's innate talent for writing powerfully emotive melody and harmony.

To his father, Philippe attributes key characteristics which have enriched and guided him in his professional life: He transmitted to me the passion and commitment indispensable to any artist.' With his father he also shares an innate pull towards collaboration as key to the creative process. I can't remember a time making music just by myself, I've always felt like a kid with toys waiting for friends to come and play.' Credit is indeed due to the musicians on the album, many of whom are legendary artists in their own right: French jazz drummer André Ceccarelli, who has worked with everyone from Aretha Franklin to Michel Legrande, prolific Belgian jazz vocalist David Linx, and Afro-Brazilian percussion master Ruca Rebordão.

Today we are in the midst of a global revival of jazz as an art-form capable of traversing its once tired image as music for an older generation, with the emergence of artists like Kamasi Washington, Shabaka Hutchings and Takuya Kuroda. Parallel to this, from MPB (Musica Popular Brasiera) to Samba, Bossa-Nova and Tropicalia, new generations of music lovers are rediscovering Brazilian music from the 60's onwards. Philippe Baden Powell's music perfectly reflects Brazil's huge and unique contribution to the global jazz landscape, and with Notes Over Poetry, set for release in Spring 2017, he presents a milestone release in his career as a torchbearer for a new wave of Brazilian artists.

Favorite Recordings proudly presents this new official single reissue of I Believe! by Calvin B. Rhone: A very rare Gospel/Disco masterpiece, originally released at only 1000 private-press copies, and surprisingly unknown and underrated until today.

Calvin Bernard Rhone, a native of Los Angeles, has been ministering in word and song for more than 40 years throughout the US and abroad. He acknowledges that he is passionate about music, yet purposed for ministry. Beginning his professional singing career at age eight, he has shared the stage with possibly every major Gospel artist from the 60's to present.

In 1983, he released the album Intimate Friends on his own label, C.B.R. Records. Recently discovered by DJ and collector Charles Maurice, the LP has never received the attention and fame it deserves. It was anyway obvious for the DJ and Favorite Recordings, that some of the tracks it includes would for sure become real classics for all Disco and Funk music lovers and deejays.

Officially licensed to Calvin B. Rhone himself, it's today reissued for the first time, as a 3 tracks vinyl single.

First ever reissue of the only solo album from Indian percussionist Ramasandiran Somusundaram, a former member of BAMBIBANDA E MELODIE (post-GARYBALDY band of Bambi Fossati), MAYA and NEW TROLLS ATOMIC SYSTEM, pressed in a limited edition of 500 copies with digital download. Produced and played along with a large portion of New Trolls (the De Scalzi brothers, Gianni Belleno, and Giorgio Usai) SKINNY WOMAN is an absolute anomaly of an album, one that mixes hard-funk and rock with the incisive and extraordinarily rhythmic side of Indian music, all wrapped in an exploito feel. The A side is a funky party starting with the disco-funk-rock title track; but by the second track, "I Am Afraid of Loosing You", all takes a more experimental turn, with Clavinet, Hammond organ, lo-fi brass and a bizarre use of voices incredibly similar to Frank Zappa and the Mothers of Invention; the Zappa references continue in the next song, "Everybody", which starts with a distorted bass riff in a GEORGE CLINTON style. Then you get to "Electronic Heart", a rhythmic bomb with a long insane flute solo (by the unmistakable Vittorio De Scalzi) in ROLAND KIRK / IAN ANDERSON style. The B side is more psychedelic and meditative, mixing Oriental tinges and American west coast in a very peaceful hindu atmosphere (in the extraordinary "Shanghai'). At the end is the bonus track 'Contrabbando di fagioli' (Smuggling of beans) previously released only in a very rare single in 1973; a percussive orgy with flute.

Alex Malheiros' earth-shaking slap bass in the first few seconds of 'Dear Limmertz' makes up an iconic moment in jazz-funk history. Next to their groundbreaking disco hit 'Jazz Carnival', it's one of the heftiest of Azymuth's dense and still growing catalogue of floor fillers, along with being one of the trio's most recognized tunes. The flip is home to the equally club ready 'Maracana', another super-heavy jazz-funk belter encompassing Ivan 'Mamao' Conti's signature swing, backing Jose Roberto Bertrami's effortlessly slick keyboard harmonies. Both tracks were classics on the London Rare-Groove scene in the 80's and remain as relevant today as ever.

Now re-mastered from the original tapes and pressed onto heavyweight 12' vinyl, the sole purpose of this release is to make these career defining tracks sound bigger and bolder than ever before, and we honestly can't believe how PHAT these new remasters sound.

A bona-fide Nigerian prince and probably the only musician to have ever played with Fela Kuti, Miles Davis and Bob Marley, Eji Oyewole combined African Highlife with western jazz to create a hybrid so that was as smooth as it was funky. His first album, Charity Begins At Home was an angry tirade against corruption in Nigeria. Me & You is his 'relationship' album, a brighter and happier set of songs that sees Eji all loved up, presumably with the mysterious 'Cameleon' featured on the cover. Eji's flute is no longer a strident voice raised in anger. Instead, on 'Me & You' and 'I'm a Dancer' it is a playful line of seduction. On the wonky and woozy 'Eniafelamo' his sax is a post-coital salutation. Even the one political track, 'Long Live Nigeria', is a loved up call for peace, progress and trust. Chilled, assured and dexterious, Me & You is a sophisticated showcase of Eji Oyewole's chops. 'This is the beginning of an atomic musical evolution,' he declares on the cover. 'Brothers and sisters, stay cool.' - Peter Moore.

A bona-fide Nigerian prince and probably the only musician to have ever played with Fela Kuti, Miles Davis and Bob Marley, Eji Oyewole combined African Highlife with western jazz to create a hybrid so that was as smooth as it was funky. His first album, Charity Begins At Home was an angry tirade against corruption in Nigeria. Me & You is his 'relationship' album, a brighter and happier set of songs that sees Eji all loved up, presumably with the mysterious 'Cameleon' featured on the cover. Eji's flute is no longer a strident voice raised in anger. Instead, on 'Me & You' and 'I'm a Dancer' it is a playful line of seduction. On the wonky and woozy 'Eniafelamo' his sax is a post-coital salutation. Even the one political track, 'Long Live Nigeria', is a loved up call for peace, progress and trust. Chilled, assured and dexterious, Me & You is a sophisticated showcase of Eji Oyewole's chops. 'This is the beginning of an atomic musical evolution,' he declares on the cover. 'Brothers and sisters, stay cool.' - Peter Moore.

In 1979, Emma Dorgu decided it was time to act. He'd torn up the Lagos live scene with The Thermometers and conquered the airwaves with the single, 'World People'. But there were injustices afoot, not just in Nigeria, but in South Africa and Zimbabwe and across the continent as well, and he felt that something needed to be done. Roverman was his politicized call to action. Blackman Akeeb Kareem lent him the instruments and let him rehearse in his sitting room. Dorgu sets his stall out early in the reggae-tinged 'Free My People' calling for freedom for South Africa, freedom for Zimbabwe, indeed, freedom for all. Thankfully political injustice hadn't rid Emma completely of his urge to get on down. The New York ghetto funk of 'Roverman' and 'Loving' and the straighthead boogie of 'Afro Fever' leaven the message with a funky beat and an irresistible pull towards the dancefloor. On Roverman Emma Dorgu has achieved that that rarest of beats, an album that challenges your mind while it speaks to your feet. Protest music has never sounded so funky. - Peter Moore.

In 1979, Emma Dorgu decided it was time to act. He'd torn up the Lagos live scene with The Thermometers and conquered the airwaves with the single, 'World People'. But there were injustices afoot, not just in Nigeria, but in South Africa and Zimbabwe and across the continent as well, and he felt that something needed to be done. Roverman was his politicized call to action. Blackman Akeeb Kareem lent him the instruments and let him rehearse in his sitting room. Dorgu sets his stall out early in the reggae-tinged 'Free My People' calling for freedom for South Africa, freedom for Zimbabwe, indeed, freedom for all. Thankfully political injustice hadn't rid Emma completely of his urge to get on down. The New York ghetto funk of 'Roverman' and 'Loving' and the straighthead boogie of 'Afro Fever' leaven the message with a funky beat and an irresistible pull towards the dancefloor. On Roverman Emma Dorgu has achieved that that rarest of beats, an album that challenges your mind while it speaks to your feet. Protest music has never sounded so funky. - Peter Moore.

Kiki Gyan's star didn't burn long, but it burned bright. Drafted into the Afro funk super group, Osibisa, at 15, he was millionaire by 18 and regarded as one of the best keyboardists in the world by 21. 'Life was good, man,' he told journalist Kweku Sakyi-Addo. 'Too good!'. In 1983 he dived head first into the New York party scene. He took a lot of drugs, spent a lot of time in clubs and got together a team of crack local musicians to record Feelin' Alright, his third and final solo album. All the Kiki Gyan trademark elements are present and correct. The album is unique a blend of highlife music with electronic funk and disco. 'Rosemary' follows the formula most closely and was a hit across Nigeria and Ghana. But on 'Give It To Me', 'Love To Love You' and the title track, you'll hear a slicker, boogie-influenced sound that has made Feelin' Alright one of his most sought-after albums. Kiki Gyan would never hit such heights again. His addictions eventually took hold and he died aged 47, destitute and alone. Feelin' Alright remains one of the brightest stars in his extraordinary constellation. - Peter Moore.

Kiki Gyan's star didn't burn long, but it burned bright. Drafted into the Afro funk super group, Osibisa, at 15, he was millionaire by 18 and regarded as one of the best keyboardists in the world by 21. 'Life was good, man,' he told journalist Kweku Sakyi-Addo. 'Too good!'. In 1983 he dived head first into the New York party scene. He took a lot of drugs, spent a lot of time in clubs and got together a team of crack local musicians to record Feelin' Alright, his third and final solo album. All the Kiki Gyan trademark elements are present and correct. The album is unique a blend of highlife music with electronic funk and disco. 'Rosemary' follows the formula most closely and was a hit across Nigeria and Ghana. But on 'Give It To Me', 'Love To Love You' and the title track, you'll hear a slicker, boogie-influenced sound that has made Feelin' Alright one of his most sought-after albums. Kiki Gyan would never hit such heights again. His addictions eventually took hold and he died aged 47, destitute and alone. Feelin' Alright remains one of the brightest stars in his extraordinary constellation. - Peter Moore.

With the Super Wings in mutiny and a trail for the manslaughter of his former bandmate, Spuds Nathan, still hanging over his head, Manford Best came out swinging with Come Go With Me. It's a chirpy, calypso-influenced insight into the state of his mind and his first solo album. Recorded at Godiac Studios with the guys from Rock Town Express and a few of the Super Wings, Come Go With Me was the first album recorded on a new Tascam system that Goddy Oku had just bought back from London. The sound is crisp, clean and bright, perfectly suited to tracks like 'Come Go With Me' and 'Good Morning' and a welcome respite to the darker lyrics on 'Nobody Cares' and 'Far Far Far Away.' One of the stranger cuts is 'There's a Woman On My Mind (Mother)'. Manford regarded his mother as something of prophetess and would act instantly and without hesitation on the revelations in her 'dreams'. Come Go With Me was self-financed and released on Manford Best's own MacSeries Records label. Only 1,000 copies were pressed and he distributed them from the back of a Toyota van himself. A rare Afro gem, deserving of its place in the sun again. - Peter Moore.

With the Super Wings in mutiny and a trail for the manslaughter of his former bandmate, Spuds Nathan, still hanging over his head, Manford Best came out swinging with Come Go With Me. It's a chirpy, calypso-influenced insight into the state of his mind and his first solo album. Recorded at Godiac Studios with the guys from Rock Town Express and a few of the Super Wings, Come Go With Me was the first album recorded on a new Tascam system that Goddy Oku had just bought back from London. The sound is crisp, clean and bright, perfectly suited to tracks like 'Come Go With Me' and 'Good Morning' and a welcome respite to the darker lyrics on 'Nobody Cares' and 'Far Far Far Away.' One of the stranger cuts is 'There's a Woman On My Mind (Mother)'. Manford regarded his mother as something of prophetess and would act instantly and without hesitation on the revelations in her 'dreams'. Come Go With Me was self-financed and released on Manford Best's own MacSeries Records label. Only 1,000 copies were pressed and he distributed them from the back of a Toyota van himself. A rare Afro gem, deserving of its place in the sun again. - Peter Moore.