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Billed as 'controversial' in its press materials for its open spiritual message, this jazz inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs 'The Work, Pt. 1' was released by Prince as a free download on the file sharing service Napster - this move, along with direct to consumer stream and download options on the NPG Music Club, made Prince a digital music pioneer. This record is a favourite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums/full horn section and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl pressing was incredibly limited.

Reissue. Remastered.

The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums.

Kraftwerk created the soundtrack for the digital age of the 21st century. AUTOBAHN 1974, RADIO-ACTIVITY 1975, TRANS EUROPE EXPRESS 1977, THE MAN-MACHINE 1978, COMPUTER WORLD 1981, TECHNO POP 1986, THE MIX 1991, TOUR DE FRANCE 2003. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop. 

Soweto Soul Orchestra is produced and composed by Sipho "Hotstix" Mabuse, whose importance to South-Africa's music scene can hardly be underestimated. Being a formative member of The Beaters, which was later renamed Harari, he toured Africa extensively and even hit the American charts with their "Party" single. After Harari split in 1982, Sipho went solo and scored another hit with "Burn Out", which could be heard in every township, and produced and recorded for Hugh Masekela and Miriam Makeba among others.

The Soweto Soul Orchestra project boasts a variety of funky tracks, all marked with that jazzy South-African sound. The stand-out tune on this one, for us, is the epic 8 minute long cosmic disco cover of "Hang em High", the original soundtrack for the eponymous classic Western movie.

This 2020 re-issue sees all tracks cut again from the official studio files, ensuring both audio quality and originality.

Originally released on and licensed through Gallo, 1981.

The Doors The Doors

heavy sleeves + heavy printed inner sleeves, 180g vinyl, free download code. // Robin Schlochtermeier is an Anglo-German composer who has written the music for several award-winning broadcast documentaries and features. Classically trained, his music often combines organic sound design elements (and occasionally synthesis) with more traditional instrumentation (piano, orchestra).Most recently Robin composed the music for 'The Spy Who Fell to Earth', an international espionage documentary which was released on Netflix worldwide in 2019. Robin, among others, also scored 'Virgin Queen's Fatal Affair' (Best Specialist Factual - Royal Television Society Awards), the features 'Queens of Syria' (Black Pearl Award - Abu Dhabi Film Festival), 'Retreat' (Premiere at Screenplay Shetland Festival, curated by UK film critic Mark Kermode), 'Oh No, Not Rudy Again!' (Cannes film festival 2015), and 'Strings' (British Independent Film Award).""Spectral"" is the first solo album of Robin Schlochtermeier. It's a set of slow, sometimes ambient pieces that function like distant echoes of childlike experiences of the natural and material world."My inspiration for the album is tied up in having become a father recently," says composer Robin Schlochtermeier. "As my daughter's consciousness was forming I would often catch an amazed look on her face or notice that she stopped and stared at some small detail in her environment. This would frequently evoke a profound sense of mystery in me, and I grew curious as to what was causing her to react in such ways."The pieces on Spectral are attempts to capture some of this mysterious, nebulous spirit of bafflement and wonderment. "Seeing the world through my daughter's eyes reminded me of the experiences the world can produce in our minds when we are open, receptive and boundary-less", says Robin. "I started to wonder if I was half-remembering my own experiences of the world from when I hadn't yet been trained to carve it up into neat concepts." The result are pieces like "Lapping", which in its slow, circular motion points to a rhythm of life unaffected by expectations of busyness, while rooted in a sense of grandeur and timeless wonder.Spectral was recorded using a British upright piano from the 1950s with original worn strings, which are occasionally dampened with poster putty. The other elements are all forms of electronics and sound design, including a software synth (Retrologue) and custom programmed sounds generated from the composer's bank of original sample recordings.One of the aims for the album was to explore a limited palette of sounds. Some pieces only contain 3 layers of sound, while some are a little more complex. "The intention was to create space and openness in the arrangements", according to Robin. "This principle also led me to explore longer and longer forms. As I went on I felt increasingly drawn to longer emotional arcs, resulting finally in Sonnenstaub.

heavy sleeves + heavy printed inner sleeves, 180g vinyl, free download code. // Robin Schlochtermeier is an Anglo-German composer who has written the music for several award-winning broadcast documentaries and features. Classically trained, his music often combines organic sound design elements (and occasionally synthesis) with more traditional instrumentation (piano, orchestra).Most recently Robin composed the music for 'The Spy Who Fell to Earth', an international espionage documentary which was released on Netflix worldwide in 2019. Robin, among others, also scored 'Virgin Queen's Fatal Affair' (Best Specialist Factual - Royal Television Society Awards), the features 'Queens of Syria' (Black Pearl Award - Abu Dhabi Film Festival), 'Retreat' (Premiere at Screenplay Shetland Festival, curated by UK film critic Mark Kermode), 'Oh No, Not Rudy Again!' (Cannes film festival 2015), and 'Strings' (British Independent Film Award).""Spectral"" is the first solo album of Robin Schlochtermeier. It's a set of slow, sometimes ambient pieces that function like distant echoes of childlike experiences of the natural and material world."My inspiration for the album is tied up in having become a father recently," says composer Robin Schlochtermeier. "As my daughter's consciousness was forming I would often catch an amazed look on her face or notice that she stopped and stared at some small detail in her environment. This would frequently evoke a profound sense of mystery in me, and I grew curious as to what was causing her to react in such ways."The pieces on Spectral are attempts to capture some of this mysterious, nebulous spirit of bafflement and wonderment. "Seeing the world through my daughter's eyes reminded me of the experiences the world can produce in our minds when we are open, receptive and boundary-less", says Robin. "I started to wonder if I was half-remembering my own experiences of the world from when I hadn't yet been trained to carve it up into neat concepts." The result are pieces like "Lapping", which in its slow, circular motion points to a rhythm of life unaffected by expectations of busyness, while rooted in a sense of grandeur and timeless wonder.Spectral was recorded using a British upright piano from the 1950s with original worn strings, which are occasionally dampened with poster putty. The other elements are all forms of electronics and sound design, including a software synth (Retrologue) and custom programmed sounds generated from the composer's bank of original sample recordings.One of the aims for the album was to explore a limited palette of sounds. Some pieces only contain 3 layers of sound, while some are a little more complex. "The intention was to create space and openness in the arrangements", according to Robin. "This principle also led me to explore longer and longer forms. As I went on I felt increasingly drawn to longer emotional arcs, resulting finally in Sonnenstaub.

Presented by Mitsuko & Svetlana Records, distributed by WRWTFWW Records.

A golden era gem from the master himself.

Archival reissue of long lost treasure from genius pianist and composer Masahiko Satoh whose resume includes hundreds of legendary albums and collaborations with Midori Takada (Lunar Cruise and Ton•Klami) among many others.

Very rare soundtrack of a 9-episode suspense drama that aired on TV in 1969 and 1970. Filled with exquisite jazz, soul-jazz, folk-jazz, and mystery-jazz, plus groovy affairs, classical moods, and 70s flair.

Highly recommended to Japanese jazz collectors, soundtrack collectors, Masahiko Sato collectors, lovers of rare gems and wearers of vintage trench coats.

All compositions and arrangements by Masahiko Sato
Masahiko Sato: piano, keyboard
Yoshiko Goto: vocal
Kiyoshi Sugimoto: guitar
Kunimitsu Inaba: bass
Yasuo Arakawa: bass
Akira Ishikawa: drums

Originally released in November 1970 as an LP on Toho Records (BL-1001)

Limited edition 100 Copies

"B002696001" Vinyl, Originally released in 1961! Very Ltd. Edition, 35 Copies! Each 5,99 £.

Active since the late 1990s, Brussels-based Frenchman Sylvain Chauuveau is an unsung pioneer of a now burgeoning scene and was making elegant post-classical compositions years ahead of celebrated current peers like Max Richter, Nils Frahm, Olafur Arnalds, Dustin O’Halloran and Hauschka.

Now reissued in a remastered, first-ever vinyl edition, ‘Simple’ was originally released in 2012 as a CD collection of Sylvain’s works for cinema - a set of out-of-print, rare, and unreleased tracks composed between 1998-2010 that span stark / minimal electronic drones, processed guitar explorations, chamber pieces, solo piano and two 40-piece string orchestra recordings.

Chauveau’s work here sounds as fresh and relevant today as it did back then and its author is long overdue some recognition / reappraisal of his role in helping prepare the ground for today’s scene. His music has been praised by numerous peers - Ryuichi Sakamoto listed ‘Nocturne Impalpable’ as one of his Top 5 records; Hauschka and Peter Broderick have admitted his influence and Jóhann Jóhannsson, Adam Wiltzie (A Winged Victory / Stars Of The Lid) and Fennesz have also praised his work.

“Occupies the twilit area where downbeat, muted experimental electronic music melts into downbeat, muted chamber music” - Pitchfork “One of the most brilliant minds of French Music” - Les
InRocks

For fans of Max Richter, Olafur Arnalds, Nils Frahm, Johann Johannsson, Erik Satie, Arvo Pärt, Labradford, Mogwai, Peter Broderick and Hauschka.

Project founded in Milan in 1979 by musicians producers Luciano Ninzatti, Stefano Pulga, Matteo Bonsanto and published one year later in the States by Sergio Cossa on Emergency Records. At the time when people were seen dancing on skates on the notes of "Bounce, Rock, Skate, Roll" of Vaughan Mason And Crew, "I'm Ready" by super-studio-group Kano it represented a great way to start the decade of the 80s for the Italian productions. Its famous bass-line has been sampled tons of times and the original track still sets dance floors on fire. On the flip side "Holly Dolly" it's a pioneering example of stripped down electronic synthesized disco which will become a trademark of many productions to come in those years.

- 180 GRAM AUDIOPHILE VINYL
- INCLUDES INSERT
- GUEST PERFORMANCES FROM JON BON JOVI,
STIV BATORS AND STEVEN TYLER
- INCLUDING THE HIT-SINGLES POISON', BED
OF NAILS' AND HOUSE OF FIRE'


Trash is the 18th studio album by rock singer Alice
Cooper, released in 1989. The album features the single Poison', Cooper's first top ten hit since 1977. It marked
a great success in Cooper's music career, reaching the
Top 20 of various album charts and selling millions of copies of Trash.

The album features many guest performances including
Jon Bon Jovi, Stiv Bators, Steven Tyler, as well as singer/
guitarist Kane Roberts. Songwriting contributions were also
made by Joan Jett, Diane Warren, Jon Bon Jovi, Richie
Sambora, and John McCurry.

Sony CMG release this commemorative album as a single pink vinyl LP, featuring 16 of her greatest and best loved songs. Includes "Perhaps, Perhaps, Perhaps", "Move Over Darling", "Whatever Will Be, Will Be", "Dream A Little Dream", "Secret Love", "Its Magic", "Fly Me To The Moon", "Both Sides Now" and more. Marketing activity.

Remastered 2014, BACK IN STOCK

The Andrews Sisters waren eine US-amerikanische Girlgroup
im Jazz-, Swing- und Popbereich und mit über 70 Millionen
Platten zurecht die ersten echten „Superstars“.

Auf dieser Platte reiht sich Hit an Hit wie „Bei mir bist Du
schön“, „Boogie Woogie Bugle Boy“ und „Rum and CocaCola“.

Super gute Laune Swing-Hits, die man immer wieder hören
kann, ohne sich zu langweilen...

MOV Übernahme.

Deutscher-Pop

7" Colour Vinyl

This is the original version of Thru The Flowers that was released in 1986 on Lazy (LAZY001) and not the re-recorded version.
Previously only available as a 12” .
All 4 tracks appear for the first time here as a 7” single

Red Vinyl

A very sweet release, I love the scores you get with the vinyl' - Wolfgang Zamastil (composer/cellist)
Beautiful and Haunting' - Michael Hain (Hard Wax)
I found the music mesmerizing, calming and beautiful. I could hear it as if you were talking to me' - Jiri Klobouk (writer/New York)
A bold and brave release, this is amazing to dance to.' - Kiani Del Valle (choreographer/director) 'Klavirni' is something that seeps gently into the soul without demanding unnecessary effort from the listener.
The album provides a personal, raw, unpolished and captivating glimpse into the pure essence of artistic endeavor.
Emika is offering an intimate look into the fundamental process that lies at the core of not just this latest body of work but of the artist as an individual. I stayed a few weeks at my parents home in Milton Keynes in Dec13/Jan14.
My favorite piano is there from my childhood, the piano that I did all my grades on. That piano has been the most important instrument in my whole life.' - Emika
A piano diary based on improvisation.
Emika Records continues on its self-chartered journey with a personal, warm, inviting and moving record from this ever creatively thriving and enduring talent.

* Press / Promotion: In house campaign from Emika Records with partner Lucy Palmer from Trix PR.
* Editorial sought in all UK and world-wide music titles (The Wire, FACT, Pitchfork) as well as world-wide daily and
weekly press titles and music blogs for review. Targeted banner advertising, print and online in The Wire and FACT magazine. Interviews with Emika on her creative process and her new label / its diverse releases. Fashion press and blogs covering Emika previously also included, cover art and press photos feature Emika's collaboration with designers (DSTM / Purple magazine) 29 Nov, full live show, Kortrijk @ NEXT Festival. Piano / classical mix by Emika coming in early Jan 2015 ahead of release.

Pills 'n' Thrills and Bellyaches was Happy Mondays commercial peak, both a No. 4 victory and a benchmark album in history. That year the Mondays made a generation feel like the freaks were winning again, the dreamers and schemers hurtling in from the shadows to park themselves, like grin-faced goblins, in the daylight glare of the mainstream. Artwork lovingly replicated by original Manchester designers Central Station Design. Featured the singles "Step On", "Kinky Afro" and "Loose Fit".

Picture London, thirty years ago, as Neneh Cherry gears up to release her debut album Raw Like Sushi - a thrumming, restless, vibrant city that in 1989, much like today, pulsed defiantly against a backdrop of increasing political doom, rocking to the joyful noise of culture leaping across boundaries, radically reordering itself. Rents are low.

Soho hums to the chatter of poets, vagabonds and petty sex tourists drinking in the same elixir of possibility. The divisions between the queens of Old Compton and mods and punks of Carnaby Streets look huge but feel slight. A spirit of multiracial unity permeates the air.

New York hip hop and Chicago house continue their euphoric colonisation of nightclub culture. Amid this maelstrom, Neneh Cherry emerges, capturing the entire, giddy rumble of this rolling community street culture in one record, Raw Like Sushi. With no interest in genre, Raw Like Sushi upsets and inverts everything you thought you knew about how pop can work, at it's brightest and most effective.

One of the greatest debut albums of all time, born halfway between Never Mind The Bollocks and Boy In Da Corner, Raw Like Sushi was ready to escort you right to the centre of it's dancefloor, dripping hot sweat under a mirrorball at 3am - and its particular magic remains just as potent today.

To celebrate the 30th anniversary of an album that culturally, musically and stylistically defined a generation and everything that followed, Raw Like Sushi has been remastered at Abbey Road and will be released in super deluxe format across 3CD and 3LP heavyweight vinyl box sets, and 1CD and 1LP formats.

The box sets include a stunning 48-page 12x12 book packed full of iconic photos, new interviews, liner notes and memorabilia. The album features five of Neneh’s biggest singles - including the worldwide smash hit single ‘Buffalo Stance’ as well as hit singles ‘Manchild’ produced by Massive Attack’s Robert Del Naja, ‘Kisses On The Wind’, ‘Heart’ and ‘Inna City Mamma’. It also features rare mixes of key tracks by Massive Attack, Arthur Baker, Smith N Mighty, and more.

Since the release of Raw Like Sushi 30 years ago, Neneh Cherry has continued to define and redefine culture, style and music releasing five studio albums, including 2018’s Broken Politics, produced by Four Tet, which was met with critical acclaim by the likes of The Guardian, Rolling Stone, The Times, Q and Pitchfork.

Neneh went on to tour the album throughout 2019 including her largest ever headline show at London’s Roundhouse, and festival performances at Glastonbury, Latitude, Primavera, Pitchfork and more proving her music and message more relevant than ever.

The End Is Where We Begin is the sixth studio album by Canadian rock band Thousand Foot Krutch. It was released on April 17, 2012 in the United States, and was released in Canada on May 8, 2012. Vocalist Trevor McNevan has stated "the record is some of the heaviest stuff we've done and some of the lightest".

Good Times is the twentieth studio album by American singer and musician Elvis Presley. He recorded this ten-song album at the Stax studios in Memphis. His great voice is outstanding on both the rock & roll songs as when he’s performing with a gospel choir. While his physical condition was going downwards, he’s still singing like he used to do in the past. Guitar riffs by James Burton are present on the more country like tracks “Take Good Care of Her”, “Lovin’ Arms”, “Good Time Charlie’s Got The Blues”, and “My Boy”. The versatility is shown when he’s bringing the Spanish flavour on “Spanish Eyes”. This is more than a solid outing from “The King”, a wonderful record.

Available as a 45th anniversary edition of 2500 individually numbered copies on transparent blue vinyl.

ondon Records are to release Happy Mondays ‘The Early EPs’ on October 25, available digitally and as a 4 x 12” coloured vinyl box set. The release brings together the seminal Manchester band’s first four EPs – ‘Forty Five EP’ (1985), ‘Freaky Dancin/The Egg EP’ (1986), ‘Tart Tart EP’ (1987), and ‘24 Hour Party People’ (1987).

‘The Early EPs’, which have never before been available digitally, have been re-mastered from the original two-inch tapes held in the Factory/London Records archive. The artwork has been redrawn and digitised by original designers Central Station Design. The original Happy Mondays line-up will embark on a UK headline tour in late October, including London’s Roundhouse on October 31.

London Records will follow this release later this year with vinyl reissues of Happy Mondays first four albums - ‘Squirrel and G-man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out)’, ‘Bummed’, ‘Pills ’n’ Thrills and Bellyaches’ & ‘Yes Please!’ - later this year. None of these albums has been available on vinyl for over a decade.
‘The Early EPs’, which have never before been available digitally, have been re-mastered from the original two-inch tapes held in the Factory/London Records archive. The artwork has been redrawn and digitised by original designers Central Station Design. The original Happy Mondays line-up will embark on a UK headline tour later this month, including London’s Roundhouse on October 31.

London Records will follow this release later this year with vinyl reissues of Happy Mondays first four albums - ‘Squirrel and G-man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out)’, ‘Bummed’, ‘Pills ’n’ Thrills and Bellyaches’ & ‘Yes Please!’ - later this year. None of these albums has been available on vinyl for several years.

How would a Stimming track sound like when it's played by a real, 64 people orchestra That was the question which didn't let Stimming sleep. On side B there is the original version of 'November Morning' which some of you might already know; it was released on Diynamic earlier this year. Blue and melancholic house chords with a typical Stimming climax: not obvious but effective. A pseudo violin, field recordings and his whistle round things up. Side A is the answer to our disclosure: More than 60 musicians from the Brandenburg State Orchestra were involved and made this work an unique classical expierence. No artificial sounds or elements were used afterwards - all you hear is pure 'analog' Orchestra. He also made a very personal video about the development of this project which you can watch on his youtube channel: www.youtube.com/mstimming 'This is one of my most emotional tracks, and thus is has to be played by an orchestra. Not by a sampler but from real people!'

Raucous 60’s R’n’B monster obscurity and killer dance tune. Super rare on original pressing

Special Remarks: 1 colored green LP in single sleeve with 3mm spine. Printed inner-sleeve. Collectors edition CD album included.

Vinyl (Limited Colored Edition)

Bananarama"s third album "True Confessions" features the smash hit "Venus" which hit the top spot in the US on Billboard Hot 100. The track was a huge dance floor hit across Europe, South American and Asia.
The album includes the singles: "A Trick Of The Night", "Venus", "Do Not Disturb", "More Than Physical".
Bananarama are often cited as the UK"s most successful ever girl group with 5 UK singles and 10 top 10's.
They were the girl group that defined the eighties with their run of pop hits which soundtracked the lives of fans around the world. The news of Bananarama"s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again. In 2017 the trio reassembled for a UK & USA Tour in a pop reunion only dreamt of in the wildest imaginations by many quarters. The band reunited in their original line up for the first time in years. For many Siobhan stepping back into her natural habitat once again is pop"s very own version of Morrissey and Marr re-uniting. The band play their final dates as a trio this summer in a run of gigs including Edinburgh Castle, British Summer Time and Smukfest.