Pop & Rock News

+ 4 BONUS TRACKS !

The unreleased Euro pysch score to the French/Portuguese X-rated version of The Devils meets The Witchfinder General! Synchronised by Spanish anti-establishmentarian, sexual liberator, die-hard independent filmmaker and unrepentant voyeur Jess Franco (Vampyros Lesbos/De Sade). Composed entirely by French composer Jean-Bernard Raiteux aka Jean-Michel Lorgere (Sinner/Harlem Pop Trotters) and presented here in full soundtrack form for the first time.

Proudly claiming the dubious accolade of the Spanish sexploitation version of The Devils as the distributor's most bankable asset, this previously banned 1973 European witch flick would rip the art house facade from Ken Russell's well polished box office smash and push the envelope way beyond the closet titillation of the gentrified new wave controversy seekers. Delivered on a comparable shoestring budget as the 55th feature in Jess Franco's filmography of approximately 203 completed movies, The Demons (Les Démons), directed under the Anglicised pseudonym Clifford Brown, took many of the Franco's sexually stylistic watermarks (epitomised in his Vampyros Lesbos trilogy) adding witchcraft, possession and nunsploitation against a rural Mediterranean backdrop before disappearing into the woods. Whilst clearly taking inspirational plot cues from Michael Reeve's The Witchfinder General (UK 1968) and drawing comparisons with scenes from Eiichi Yamamoto's Belladonna Of Sadness (Japan 1973) this B-Movie reduction of Franco's wide palette of colourful ingredients has in recent years provided enthusiasts/champions/defenders of the workaholic horrotica bastion with a rare and treasured addition. Future-proofed by an essential component, omnipresent in Franco's films, it is the mysterious commercially unobtainable soundtrack music that cements the unwaning interest in his risqué brand of unconventional shock/schlock sinema (not hindered my the enigmatic title card misinformation that often surrounds the original composers) and the music herein that has given Franco's harshest critics a second chance/reason to reevaluate this man's unapologetic art.

Following on from Finders Keepers previous expanded release of Bruno Nicolai's score for Franco's 1970 adaptation of De Sade (FKR069) this record stands as another tribute to Franco's life which he lived through the mechanisms of a camera with relentless zeal and a passion to challenge every aspect of movie making along the way. UNDERground, OVERambitious, RIGHT on, LEFTfield, BELOW the radar but ABOVE criticism. INdulgent and OUTrageous, but never middle of the road, Jess Franco was many things but he wasn't pretentious and never delivered art for art's sake and I feel honoured to have spent time with him. Franco was in fact a realist, he kept both feet firmly on the ground and a keen eye behind the right side of the lens and if Jess did have any demons his films were his exorcisms, the critics were the bloody judges and his legacy (through the medium of X-rated cinema of variable quality) is immortal.

By the time Rosemary Lane was released in 1971, Bert Jansch had covered a great deal of territory on numerous albums as a solo artist, collaborations with John Renbourn and records by the band in which he and Renbourn sang and played guitar, Pentangle. Returning to the intimate economy of his self-titled debut LP from a half-dozen or so years earlier, Rosemary Lane was recorded on portable equipment by engineer/producer Bill Leader and featured Jansch with no accompaniment save his guitar and voice.

Rosemary Lane has elements of many of the styles Jansch covered in his extraordinarily eclectic career - from the folk and blues that were his bedrock to medieval music - yet cuts to the heart of his strength as spellbinding storyteller and empathic interpreter of isolation and want. Occasional instrumentals vary the mood that, like much of his work, is usually somber and introspective.

Jansch once again lights the way forward with detours through the past. His sparse arrangements seamlessly merge original songwriting and traditional folk songs, while Jansch's imaginative lyrics charm every step of the way - as if speaking directly to the listener alone.

This vinyl release has been carefully remastered from the original master tapes and features liner notes by Richie Unterberger.

Bert Jansch's freewheeling fifth album, Birthday Blues, occupies a unique place in his solo discography. Released in 1969, the same year Basket of Light propelled Pentangle into the UK pop charts, Birthday Blues almost sounds like a Pentangle LP missing John Renbourn and Jacqui McShee. Backed-up by bandmates Danny Thompson and Terry Cox, Jansch neither holds back his characteristic moodiness nor takes himself too seriously.

What's more, Jansch is in love. Heather Rosemary Sewell isn't just the inspiration for one of the song titles, she also designed the cover, whose Hans Feurer front photo shows Bert holding the couple's puppy. With just enough of a Donovan-esque pop sense, Pentangle producer Shel Talmy keeps the overall feel of these recordings fresh, warm and immediate.

As its playfully ambivalent title suggests, Birthday Blues reveals an artist fully comfortable in his own skin. Blues and folk influences are woven together into songs at once directly personal, yet generously light and free. The most "pop" of Jansch's '60s solo recordings and perhaps one of his most underrated, Birthday Blues is a deep and rewarding family affair at the height of his musical powers.

This vinyl release has been carefully remastered from the original master tapes and features liner notes by Richie Unterberger.

180 Gram Mono. Aptly named The King Of Soul, Otis Redding was one of the most influential singers in American history, as well as being synonymous with Soul. Before his untimely death in 1967 he released many of the genre's most important tracks while exemplifying the Stax sound. 'Dock of the Bay' was his first posthumous album released in 1968, as well as being his one and only number 1 charting record. The album is best known for containing Redding's most famous song, '(Sittin' On) The Dock of The Bay' which he co-wrote with legendary Stax guitarist Steve Cropper.

Spanning a nearly 10 year period and covering some of her most iconic performances in history, this LP collection is essential for any fan of the Queen of Pop. Starting off with her legendary and controversial 1984 MTV Video Music Awards performance of Like A Virgin', performed a month before the single was even on the market, and closing with her lascivious cover of Fever' from SNL in 1993, Step To The Beat: Rare Radio & TV Broadcasts covers a bunch of ground and includes classic live versions of Into The Groove', Holiday', Express Yourself', and more. Essential Madonna on Egg Raid.

Spanning a nearly 10 year period and covering some of her most iconic performances in history, this LP collection is essential for any fan of the Queen of Pop. Starting off with her legendary and controversial 1984 MTV Video Music Awards performance of Like A Virgin', performed a month before the single was even on the market, and closing with her lascivious cover of Fever' from SNL in 1993, Step To The Beat: Rare Radio & TV Broadcasts covers a bunch of ground and includes classic live versions of Into The Groove', Holiday', Express Yourself', and more. Essential Madonna on Egg Raid.

The ultimate compilation of the most important tracks as rescued from the Sun Records archives!

This is where everyone from ELVIS PRESLEY to JOHNNY CASH made their first musical steps - impressively shown on 94 Songs on these six LPs.

Everyone who's ever meant anything in the grand Rock'n'Roll Hall of Fame - from JERRY LEE LEWIS and ROY ORBISON to CARL PERKINS and CHARLIE FEATHERS - is on board for this ride.

Deluxe cardboard box with three double albums ,Roots", ,Good Rockin' Daddies" and ,Hits And Then Some" on 180gr vinyl with gatefold covers and extensive liner notes.

Analoguely remastered tracks guarantee an authentic sound and the best possible quality.

***Roots - Double-Vinyl
Good Rockin' Daddies - Double-Vinyl
Hits And Then Some - Double Vinyl***






















































[ZZA] LP4-6. RAY SMITH - WILLING AND READY
[ZZB] LP4-7. TOMMY BLAKE - SHAKE AROUND
[ZZC] LP4-8. GENE SIMMONS - CRAZY WOMAN
[ZZD] LP4-9. RUDY GRAYZELL - JUDY
[ZZE] LP4-10. JERRY LEE LEWIS - GOOD ROCKIN' TONIGHT
[ZZF] LP4-11. CARL MCVOY - A WOMAN'S LOVE (THRILL OF YOUR LOVE)
[ZZG] LP4-12. ANDY ANDERSON - TOUGH, TOUGH, TOUGH
[ZZH] LP4-13. JIMMY WAGES - (TAKE ME FROM THIS) GARDEN OF EVIL
[ZZI] LP4-14. ALTON & JIMMY - FAITH IN MY LOVE
[ZZJ] LP4-15. JERRY LEE LEWIS & ELVIS PRESLEY - WALK THAT LONESOME VALLEY
[ZZK] LP4-16. GLENN HONEYCUTT - SEARCH FOR ME
[ZZL] LP5-1. JACKIE BRENTSON - ROCKET 88
[ZZM] LP5-2. RUFUS THOMAS - BEAR CAT
[ZZN] LP5-3. THE PRISONAIRES - JUST WALKIN' IN THE RAIN
[ZZO] LP5-4. CARL PERKINS - BLUE SUEDE SHOES
[ZZP] LP5-5. BILLY 'THE KID' EMERSON - WHEN IT RAINS IT POURS
[ZZQ] LP5-6. LITTLE JUNIOR PARKER - MYSTERY TRAIN
[ZZR] LP5-7. CARL PERKINS - BOPPIN' THE BLUES
[ZZS] LP5-8. JERRY LEE LEWIS - WHOLE LOTTA SHAKIN' GOIN' ON
[ZZT] LP5-9. BILLY LEE RILEY - FLYIN' SAUCER ROCK ROLL
[ZZU] LP5-10. JONNY CASH - I WALK THE LINE
[ZZV] LP5-11. ROY ORBISON - OOBY DOOBY
[ZZW] LP5-12. SONNY BURGESS - WE WANNA BOOGIE
[ZZX] LP5-13. CARL PERKINS - DIXIE FRIED
[ZZY] LP5-14. JERRY LEE LEWIS - GREAT BALLS OF FIRE
[ZZZ] LP5-15. BILLY LEE RILEY - RED HOT
[ZZZA] LP6-1. JOHNNY CASH - BIG RIVER
[ZZZB] LP6-2. WARREN SMITH - ROCK'N'ROLL RUBY
[ZZZC] LP6-3. JERRY LEE LEWIS - BREATHLESS
[ZZZD] LP6-4. CARL PERKINS - HONEY DON'T
[ZZZE] LP6-5. SONNY BURGESS - RED HEADED WOMAN
[ZZZF] LP6-6. JOHNNY CASH - BALLAD OF A TEENAGE QUEEN
[ZZZG] LP6-7. JERRY LEE LEWIS - HIGH SCHOOL CONFIDENTIAL
[ZZZH] LP6-8. CARL PERKINS - MATCHBOX
[ZZZI] LP6-9. CHARLIE RICH - LONELY WEEKENDS
[ZZZJ] LP6-10. CARL MANN - I'M COMING HOME
[ZZZK] LP6-11. CHARLIE RICH - WHO WILL THE NEXT FOOL BE
[ZZZL] LP6-12. JERRY LEE LEWIS - WHAT'D I SAY
[ZZZM] LP6-13. JOHNNY CASH - GUESS THINGS HAPPEN THAT WAY
[ZZZN] LP6-14. BILL JUSTIS - RAUNCHY
[ZZZO] LP6-15. CARL MANN - MONA LISA
[ZZZP] LP6-16. CHARLIE RICH - WHIRLWIND

The follow up to the awarding winning and critically acclaimed DAVID BOWIE 'FIVE YEARS (1969 - 1973)' 'WHO CAN I BE NOW' was a thirteen LP box features all of the material officially released by Bowie during the so-called 'American' phase of his career from 1974 to 1976. All the albums are newly remastered on 180g Vinyl.

Diamond Dogs - 1 LP

David Live (2005 mix) - 3 LP      

Young Americans - 1 LP

Station to Station - 1 LP                           

Live Nassau Coliseum '76 - 2 LP   

The only complete Move concert in existence, recorded at San Francisco's legendary Fillmore West in 1969, the "breathtaking" set has been restored, remastered and released in memory of Carl Wayne, The Move's dynamic frontman and lead singer. Enjoy one of the best ever bands out of the UK, arguably in their prime period on this superb 180g gatefold transparent red vinyl set.

Critics believe the Zombies were ill-served during the 1960s, that they deserved a higher place in public affection. But, well over half a century since a group of schoolboys won first prize in a talent contest, the Zombies have outlasted many of their contemporaries, and continue to attract fresh audiences with their
timeless music, the best of which can be heard in this glorious 2LP collection.

- First Time On Picture Disc
- Includes the entire KAOS-FM broadcast
- Digitally Remastered Sound
- Background notes and rare pictures

The visceral power of one of the most iconic bands in rock and roll first emerged in Aberdeen WA in the mid-1980s.

In amongst the now revered and widely recognised band scene in Seattle during this period, were Kurt Cobain, Krist Novoselik and Aaron Burckhard jointly known as Skid Row. Close friends of The Melvins, they were about to embark on a journey that would take Cobain and Novoselik to world stardom two years later.

Their session for KAOS FM at Evergreen State College in 1987 was also their first demo tape and as such, Nirvana's first ever recording session. How pivotal these recordings are in terms of rock history is not really open to question, it's evidently obvious, but it's also a priceless opportunity to witness a time and place in rock and roll that can never be repeated.

Interference very proudly presents the entire original KAOS-FM broadcast of Skid Row (Nirvana) live in session from Evergreen State College, Olympia WA on 17th April 1987.

Professionally re-mastered original FM broadcast with background liners, interviews and rare archival photos.

The year 1975 found Bruce Springsteen on the verge of super-stardom. August of that year would see the release of Born To Run, which vaulted him into the stratosphere, but before that he was still a young man from New Jersey with a couple critically acclaimed but poorly selling albums under his belt. That said, his star was rising on the live circuit, where he and his group, The E Street Band, were becoming known for epic and electric shows. Few shows from that year are more legendary than the April performance at Bryn Mawr, PA's The Main Point. Covering material from earlier in his career, as well as several tracks from Born To Run which would not be released for several months, this is Bruce at the top of his game, an unparalleled glimpse into that mythical era of one of America's all-time greatest songwriters and live performers.