Pop & Rock Vinyl New Releases - News

Four-time Academy Award® nominee Jeff Bridges stars as the richly comic, semi-tragic romantic anti-hero Bad Blake in the debut feature film from writer-director Scott Cooper. Bad Blake is a broken-down, hard-living country music singer who's had way too many marriages, far too many years on the road and one too many drinks way too many times. And yet, Bad can't help but reach for salvation with the help of Jean (Maggie Gyllenhall), a journalist who discovers the real man behind the musician. As he struggles down the road of redemption, Bad learns the hard way just how tough life can be on one man's crazy heart.

Enter the all-encompassing universe of Everything, a score by Ben Lukas Boysen and Sebastian Plano - available worldwide via Erased Tapes on July 28th 2017.

Game creator David OReilly has built an interactive world for you to explore at your choosing. Whether you decide to take the role of a microbe inside a plant in the desert, or a star in the furthermost galaxy, each layer of the game is coated with ambience which takes the simulation even further into the limitless boundaries of each world. Composers Ben Lukas Boysen and Sebastian Plano have shaped this experience with their intricate 4-hour soundscape, alongside the continuous narration by philosopher Alan Watts.

Words from Ben and Sebastian, April 2017:

Based on the French graphic novel of the same name, Zombillenium is an animated film by Arthur de Pins and Alexis Ducord released in October 2017 after premiering at the Cannes Film Festival earlier in the year.

The story takes place in a horror theme park where real zombies, vampires and monsters entertain human tourists. It's a thankless task but everything changes for the disenchanted monsters when they are forced to turn meddling health and safety inspector, Hector, into one of them. Trapped and separated from his daughter, he becomes an integral part of the monsters' plan to turn the fortunes of the beleaguered theme park around.

The soundtrack, by Eric Neveux (with songs by Mat Bastard) is released digitally on October 13. French composer Neveux has scored over 55 feature films (including Just Like a Woman (2013), Two Men In Town (2014), La Route d'Istanbul (2016)), as well as music for TV (Borgia, Un Village Français) and put out an album under the name Mr. Neveux which was released on the UK's label Cup of Tea Records.

The vinyl has been produced to promote the film and is therefore extremely limited.

A deluxe edition of the soundtrack composed and directed by Armando Trovajoli for the 1960 horror movie Seddok, L'Erede di Satana (a.k.a. Lycanthropus, Atom Age Vampire, Werewolf In A Girls' Dormitory) directed by Anton Giulio Majano and starring Alberto Lupo, Susanne Loret, Sergio Fantoni, Franca Parisi.

For the first time ever on vinyl, this stunning soundtrack sees Maestro Trovajoli working on symphonic compositions full of tension and mystery and often enriched by electronic atmospheres. As always happens with his works, you will also find some jazzy-lounge themes in the typical Trovajoli style. A must have!!!

The complete recordings remastered from the original analog tapes. Master and sound restoring done by Roberto Zamori at Film Music Art Studio.

Beautiful gatefold sleeve cover artwork done with the original movie poster, as we did for Morricone's L'Istruttoria E' Chiusa.

Quando Le Donne Avevano La Coda (When Women Had Tails) is the soundtrack of a bad italian ripoff of One Million Years B.C. recorded in the late 1960s when Morricone was at the height of his psychedelic period.

The music is colorful (that's an understatement!), bouncy, gooey, and completely irresistible. To Morricone fans, this is worth whatever you'd have to pay to get hold of it.

More than this, Quando Le Donne Avevano La Coda is one of the rarest Morricone' scores, originally released by CAM in 1970, it never gets a vinyl reissue since then. Orchestra directed by Bruno Nicolai, featuring Alessandroni's Cantori Moderni.

Reissued in its original artwork. Sound restoring and master done by Roberto Zamori at Film Music Art Studio.

This stunning soundtrack composed and directed by Piero Piccioni for the 1964 Spaghetti Western movie Minnesota Clay, directed by Sergio Corbucci and starring Cameron Mitchell, Georges Riviere, Ethel Rojo and Diana Martin, is the holy grail' of italian soundtracks!

The music has the classic Spaghetti Western mood, and the main theme is a milestone of the genre.

Reissued in its original artwork. Music taken from the original analog master tapes.

Master and sound restoring done by Roberto Zamori at Film Music Art Studio.

La Vergine Di Norimberga is a great horror movie directed by Antonio Margheriti (aka Anthony Dawson) in 1963, starring Rossana Podestà and Georges Riviere.

The great soundtrack, composed orchestrated and directed by the late Maestro Riz Ortolani, will give you the intense phatos of the movie through a serie of songs that could be only described as orchestral horror music'. Do not expect the classic Ortolani's orchestration or jazzy' tunes here. This is Ortolani as you've never or rarely heard!

A must have for any serious collector of italian soundtracks.

Original artwork revised and approved by the Ortolani Estate, music taken from the original analog master tapes. Master and sound restoring done by Roberto Zamori at Film Music Art Studio.

A deluxe edition of the soundtrack composed and orchestrated by Riz Ortolani for the movie "Fratello Sole Sorella Luna", directed by Franco Zeffirelli in 1972.

Revisited gatefold cover with the title printed in gold. Revisited tracklist with an unreleased new live version of the main theme, sung by Claudio Baglioni.

Includes a video cd with the Maestro Riz Ortolani directing the orchestra and the choir inside the Basilica of Santa Croce in Florence, and this is the first time ever that a video of the Maestro have been released.

This is a must have for any serious collector of Italian soundtracks. Master and sound restoring done by Roberto Zamori at Film Music Art Studio.

Soundtrack for the Zombies In Spaceland section of Call Of Duty: Infinite Warfare. The soundtrack consists of 10 jingles of various genres taken from the game.

Everyday Is Kill is the first new material from Damon Baxter (aka Deadly Avenger) in 8 years. Having previously released records on the legendary D.C Recordings & Wall Of Sound imprints, we here at Death Waltz Originals are thrilled to be releasing this brand new LP. You will have heard Deadly Avenger even if you don't own any of his records - Over the last few years he has supplied music for trailers such as Ant Man, The Avengers & John Wick. He has created a neon-drenched nightmare of a record that can stand shoulder to shoulder alongside current synth wave heavyweights such as Le Matos, Carpenter Brut, Perturbator or composers such as Steve Moore and Cliff Martinez. It's an assured mix of speaker crunching synth bangers and more contemplative tracks.

Rick Wakeman is an English composer, keyboardist, songwriter, author & actor that actually needs little introduction. He is best known for being in the progressive rock band 'YES' and for his solo albums released in the 1970s. Rick's early credits include playing on David Bowie's "Space Oddity" and on songs by T.Rex, Elton John, Cat Stevens, Lou Reed and Black Sabbath (among others). Mr. Wakeman's discography includes over 90 solo albums that range from several musical styles. To this date Rick continues to perform concerts worldwide in various capacities.

During the decades Rick Wakeman also composed numerous soundtracks and additional music for films. In 1990 this led him to compose a conceptual soundtrack for the legendary 1925 Lon Chaney silent film 'The Phantom Of The Opera' which was released under the moniker 'Phantom Power'. Unfortunately 'Phantom Power' was cut short and was missing more than half an hour of what Rick came up with - a silent realization required non-stop music for more than 80 minutes of action - yet, thought lost for quarter of a century, the score is now back in its original expanded form.

Combining baroque moves with romantic passages, sometimes in a rock setting, Wakeman's variations really bring back the original feel of this 1925 cinematic classic using a quasi-orchestral backdrop containing organs and harpsichord with the ghosts of Mozart and Bach lurking in the dark.

One Way Static Records is proud to present to you (for the FIRST TIME on vinyl) the complete unreleased recordings for 'The Phantom Of The Opera'. This is the original Rick Wakeman unedited soundtrack and contains the original mixes of the songs which are different to what eventually appeared on the Phantom Power' album. Spread over two glorious LP's, this set contains over 80 minutes & comes with extensive sleeve notes by Tim Scott.

* Rare Italian soundtrack album for crime movie, composed by Armando Trovajoli

* Features an original artwork and insert with rare photos and extensive liner notes

* 180gram heavy weight vinyl on black & limited orange color

A classic score by legendary Armando Trovajoli for the comedy-action-spy movie directed in year 1968 by Michele Lupo and produced by Marco Vicario. Fresh off the big hits of the SEVEN GOLDEN MEN, producer Vicario hired again Armando Trovajoli for this motion picture. M° Trovajoli has created a very loungey soundtrack filled with blues and jazzy elements. The highly talented choir of I Cantori Moderni di Alessandroni plays an important role in the score, performing in its unique way. The composer has written a very cool Beat tune performed by the beat band The Casuals with a swinging London mood. This album has been carefully mastered using the original mono master tapes, with extra tracks not on the first pressing issued in 1968, one of them being a rare stereo mix.

The film

7 VOLTE 7 (aka Seven times Seven) is a comedy-action-spy genres movie directed in 1968 by Michele Lupo and produced by Marco Vicario, the producing force behind two huge worldwide hits, I SETTE UOMINI D'ORO (Seven Golden Men) in 1965 and IL GRANDE COLPO DEI SETTE UOMINI D'ORO (Seven Golden Men Strike Again!) in 1966. Because this new movie has a robbery plot planned by seven men, the title had to attract the audience with reference to the titles of two previous hit movies and work as a kind of unofficial sequel, even if the characters had nothing to do with those in the previous ones. The super cool scores by Armando Trovajoli had played such an important role in the huge success of the two GOLDEN MEN movies that producer Marco Vicario hired Trovajoli again for writing the music. The screenplay was written by Lorenzo Ruffino and the noted director Michele Lupo (TROPPO PER VIVERE...POCO PER MORIRE, AMICO, STAMMI LONTANO ALMENO UN PALMO, UN UOMO DA RISPETTARE, CALIFORNIA) was chosen for directing this motion picture, with photography by Franco Villa and editing by Sergio Montanari. The movie starred Gastone Moschin as Benjamin Burton, Lionel Stander as Sam, Raimondo Vianello as Bodoni Gordon Mitchell as Big Ben, Paolo Gozlino as Bingo, Nazzareno Zamperla as Bananas, Teodoro Corrà as Briggs, Erika Blanc as Mildred, Terry-Thomas as Police Inspector, Turi Ferro as Bernard, Adolfo Celi as Warden, Ray Lovelock as Mildred's Lover, Gladys Dawson as Miss Higgins and Neil McCarthy as Mr. Docherty. The movie was entirely shot in the center of London, capturing all the mood of the fantastic swinging London of the late sixties with cabs, double-decker buses and phone booths. Part of the movie was shot in the countryside outside London as location for various scenes of the seven thieves going around.

The music score

1968 was a very busy year for composer Armando Trovajoli writing about ten scores! Among them were unforgettable movies like RIUSCIRANNO I NOSTRI EROI A RITROVARE IL LORO AMICO SCOMPARSO IN AFRICA directed by Ettore Scola or LA MATRIARCA directed by Pasquale Festa Campanile. One more time M° Trovajoli used the super cool group I MARC 4 to perform the brilliant SEVEN TIMES SEVEN score. The composer has written a recurring main theme where the vocal talent of the I Cantori Moderni di Alessandro powerfully emerges in the score. All the Swinging London mood is fully captured thanks to this jazzy score where Blues and also Shake dance floor tunes are included. The explosive theme called Seven Times Seven' by Fishman and Trovajoli (which also appeared on the original single) is performed by the beat band called The Casuals and is also reprised in an instrumental version. The secondary theme is a Scottish mood tune performed by the ever so great I Cantori Moderni di Alessandroni choir. At the time of the album and single releases the score was recorded in mono only, but recently an ultra-rare stereo mix was discovered in the vaults that was included here for the pure joy of the fans of great Armando Trovajoli around the world!

* Rare Italian soundtrack album for crime movie, composed by Armando Trovajoli

* Features an original artwork and insert with rare photos and extensive liner notes

* 180gram heavy weight vinyl on black & limited orange color

A classic score by legendary Armando Trovajoli for the comedy-action-spy movie directed in year 1968 by Michele Lupo and produced by Marco Vicario. Fresh off the big hits of the SEVEN GOLDEN MEN, producer Vicario hired again Armando Trovajoli for this motion picture. M° Trovajoli has created a very loungey soundtrack filled with blues and jazzy elements. The highly talented choir of I Cantori Moderni di Alessandroni plays an important role in the score, performing in its unique way. The composer has written a very cool Beat tune performed by the beat band The Casuals with a swinging London mood. This album has been carefully mastered using the original mono master tapes, with extra tracks not on the first pressing issued in 1968, one of them being a rare stereo mix.

The film

7 VOLTE 7 (aka Seven times Seven) is a comedy-action-spy genres movie directed in 1968 by Michele Lupo and produced by Marco Vicario, the producing force behind two huge worldwide hits, I SETTE UOMINI D'ORO (Seven Golden Men) in 1965 and IL GRANDE COLPO DEI SETTE UOMINI D'ORO (Seven Golden Men Strike Again!) in 1966. Because this new movie has a robbery plot planned by seven men, the title had to attract the audience with reference to the titles of two previous hit movies and work as a kind of unofficial sequel, even if the characters had nothing to do with those in the previous ones. The super cool scores by Armando Trovajoli had played such an important role in the huge success of the two GOLDEN MEN movies that producer Marco Vicario hired Trovajoli again for writing the music. The screenplay was written by Lorenzo Ruffino and the noted director Michele Lupo (TROPPO PER VIVERE...POCO PER MORIRE, AMICO, STAMMI LONTANO ALMENO UN PALMO, UN UOMO DA RISPETTARE, CALIFORNIA) was chosen for directing this motion picture, with photography by Franco Villa and editing by Sergio Montanari. The movie starred Gastone Moschin as Benjamin Burton, Lionel Stander as Sam, Raimondo Vianello as Bodoni Gordon Mitchell as Big Ben, Paolo Gozlino as Bingo, Nazzareno Zamperla as Bananas, Teodoro Corrà as Briggs, Erika Blanc as Mildred, Terry-Thomas as Police Inspector, Turi Ferro as Bernard, Adolfo Celi as Warden, Ray Lovelock as Mildred's Lover, Gladys Dawson as Miss Higgins and Neil McCarthy as Mr. Docherty. The movie was entirely shot in the center of London, capturing all the mood of the fantastic swinging London of the late sixties with cabs, double-decker buses and phone booths. Part of the movie was shot in the countryside outside London as location for various scenes of the seven thieves going around.

The music score

1968 was a very busy year for composer Armando Trovajoli writing about ten scores! Among them were unforgettable movies like RIUSCIRANNO I NOSTRI EROI A RITROVARE IL LORO AMICO SCOMPARSO IN AFRICA directed by Ettore Scola or LA MATRIARCA directed by Pasquale Festa Campanile. One more time M° Trovajoli used the super cool group I MARC 4 to perform the brilliant SEVEN TIMES SEVEN score. The composer has written a recurring main theme where the vocal talent of the I Cantori Moderni di Alessandro powerfully emerges in the score. All the Swinging London mood is fully captured thanks to this jazzy score where Blues and also Shake dance floor tunes are included. The explosive theme called Seven Times Seven' by Fishman and Trovajoli (which also appeared on the original single) is performed by the beat band called The Casuals and is also reprised in an instrumental version. The secondary theme is a Scottish mood tune performed by the ever so great I Cantori Moderni di Alessandroni choir. At the time of the album and single releases the score was recorded in mono only, but recently an ultra-rare stereo mix was discovered in the vaults that was included here for the pure joy of the fans of great Armando Trovajoli around the world!

- INCLUDES INSERT
- THE MOVIE WON A DAVID DI DONATELLO
AWARD FOR BEST ACTOR
- TITLE SONG A BRISA DO CORAÇÃO' BY
DULCE PONTES
- FIRST TIME ON VINYL!
- LIMITED EDITION OF 1.000 NUMBERED COPIES
ON TRANSPARENT VINYL

Sostiene Pereira is a 1995 Italian drama film directed by Roberto Faenza. It is based on Antonio Tabucchi's novel Sostiene Pereira.


In Lisbon, during the António de Oliveira Salazar's Estado Novo dictatorship, Pereira (Marcello Mastroianni), a journalist that works in the culture section of a newspaper, discovers the real dark side of the regime when he meets and helps an anti-fascist young man Monteiro Rossi (Stefano Dionisi).


The movie was nominated for several Italian awards. Eventually Marcello Mastroianni won the David di Donatello as Best Actor.


Ennio Morricone (10 November 1928) composed and arranged the score of the movie. He has made scores and soundtracks for more than 500 film and television productions, making him one of the most influential and best-selling film composers since the late 1950s.


This release is available in the Ennio Morricone Classic Soundtrack series and is strictly limited to 1.000 numbered copies on transparent vinyl.

- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD SLEEVE
- 4-PAGE BOOKLET
- LIMITED EDITION OF 500 NUMBERED COPIES ON TRANSPARENT BLUE VINYL

The groundbreaking 2015 PlayStation® 4 game Everybody's Gone to the Rapture tells the story of the inhabitants of a remote English valley who are caught up in world-shattering events beyond their control or understanding. Made by The Chinese Room - the studio responsible for the hauntingly beautiful Dear Esther - this tale of how people respond in the face of grave adversity is a non-linear, open-world experience that pushes innovative interactive storytelling to the next level. This story begins with the end of the world. The game won GameSpot's Best of E3 and was nominated for Best in Show and Best PS4 game by IGN.

The soundtrack features the music of BAFTA-nominated composer Jessica Curry, who is also joint Studio Head of the developer The Chinese Room. The music was recorded at the famed AIR Studios in London and features solo vocal performances by renowned Welsh soprano Elin Manahan Thomas, ethereal choir, and a tragically beautiful orchestral accompaniment.

- 180 GRAM AUDIOPHILE VINYL
- INCLUDES INSERT WITH TRACKLISTING AND CREDITS
- GATEFOLD SLEEVE / PVC PROTECTIVE SLEEVE
- FEAT I'M DERANGED' BY DAVID BOWIE, HEIRATE MICH' BY RAMMSTEIN, THE PERFECT DRUG' BY NINE INCH NAILS, I PUT A SPELL ON YOU' BY MARILYN MANSON A.O.
- SCORE BY ANGELO BADALAMENTI (TWIN PEAKS)
- 20TH ANNIVERSARY EDITION
- 2.000 INDIVIDUALLY NUMBERED COPIES ON BLINDING BLUE VINYL

Lost Highway is the 1997 French-American neo-noir-horror mystery film written and directed by David Lynch. It stars Bill Pullman as a man convicted of murdering his wife (Patricia Arquette), after which he inexplicably morphs into a young mechanic and begins a new life.

The film's score was composed by Angelo Badalamenti, with additional music by Barry Adamson, however Trent Reznor from Nine Inch Nails was responsible for assembling the soundtrack. David Bowie's I'm Deranged', Rammstein's Heirate Mich', Lou Reed's This Magic Moment', Marilyn Manson's Apple Of Sodom' plus more tracks from Trent Reznor, The Smashing Pumpkins all appear on the double album to accompany the Angelo Badalamenti and Barry Adamson theme music.

Lost Highway premiered in 1997 in the United States on a limited theatrical release and has developed a cult following. Director David Lynch received three Academy Awards nominations, a Golden Lion award from the Venice Film Festival for lifetime achievements as well as a Palme d'Or at the Cannes Film Festival for Wild At Heart in 1990.

Music On Vinyl celebrates the 20th anniversary of Lost Highway by releasing an exclusive limited edition of this critically acclaimed soundtrack. The 20th anniversary edition is strictly limited to 2.000 individually numbered copies on blinding blue' vinyl.

* Contains the complete 1973 original motion picture score, including the title track featured in Tarantino's film KILL BILL 2

* This is the first 12' vinyl reissue after more than 40 years, featuring extra tracks

* Features beautiful gatefold sleeve, and insert with rare photos and extensive liner notes

* 180gram heavy weight vinyl on black & limited splatter color

THE SUMMERTIME KILLER (aka TARGET REMOVED - RICATTO ALLA MALA - UN VERANO PARA MATAR), a crime movie and a love story, was directed in 1972 by Antonio Isasi-Isasmendi and starred Christopher Mitchum, Karl Malden, Olivia Hussey and Claudine Auger among others. Academy Award winning composer Luis Bacalov wrote the score which perfectly reflects the core of the plot, with a strong mix of love and death. The composer alternates dramatically suspenseful score with 'source music' in the form of ballad, rock music and dance floor tunes, usually heard through a car radio or a jukebox typical of the 60's - 70's cinema. Remastered from original stereo master tapes.

THE SUMMERTIME KILLER (aka TARGET REMOVED - RICATTO ALLA MALA - UN VERANO PARA MATAR) was directed and produced in 1972 by Antonio Isasi-Isasmendi. This motion picture was financed by three countries, Italy, Spain and France, but the main location chosen by the production was Spain, more specifically the area of Entrepeñas lake in the Province of Guadalajara, central Spain, the area of Torrejón de Ardoz US Air Base and the Torres Blancas Building in Madrid which represented a very fine example of modern architecture in those days. Other important location in the movie is placed in the Plaza de Toros de las ventas in Madrid where director Isasi-Isasmendi shot an important scene of the movie. The most memorable scene is without a doubt the one pictured in the poster art, the main star riding a motorbike chased by gangsters and the location was a very fascinating place, the M30: Madrid's main ring road. According to the memoirs of director Isasi-Isasmendi (issued on his book Memorias tras la cámara') he had an intention to cast Kirk Douglas as the main star, but it never happened due the high guarantee requested by the Hollywood actor. Another candidate was Richard Widmark, but in the end the veteran actor Karl Malden accepted the role of the police officer John Kiley. The young stars in the film were: Olivia Hussey with Argentinian roots who was an important star at the time, following the international success of Franco Zeffirelli's Romeo and Juliet' in 1968, Chris Mitchum, son of the Hollywood star Robert Mitchum. Again according to the director's memoirs Chris Mitchum was chosen more for his ability as motorbiker and athletic shape than for his acting skills. THE SUMMERTIME KILLER has all the elements of the noir with the couple of young lovers escaping, the veteran police officer who's doing the investigation and spectacular acrobatic action scenes: for the close shots on the motorbike Chris Mitchum was really riding it, but for the most risky sequences the great stuntman Rèmy Juienne (of James Bond fame) was involved. The movie was well distributed around the world with 40 copies in the US territory, and it was a good success after all for a 1972 Spanish production. This motion picture brought its director various awards and it became an hit in Europe, USA and especially in Japan. And 32 years later Quentin Tarantino, a huge fan of European Cinema and Film Music wanted pay tribute to this movie by using one theme from the Bacalov-penned soundtrack in KILL BILL VOL.2'. Argentine born composer Luis Enrique Bacalov (Buenos Aires, 1933) worked mostly in Italy during the sixties and the seventies writing scores for famous movies like westerns DJANGO' (1966) and IL GRANDE DUELLO' (1972) (later explored again musically by Tarantino respectively for DJANGO UNCHAINED' in 2012 and for KILL BILL VOL.1' in 2003) and working with some of the most famous Italian directors like Pasolini, Lizzani, Di Leo (his score for MILANO CALIBRO 9' remains one of his best soundtrack efforts.)

* Contains the complete 1973 original motion picture score, including the title track featured in Tarantino's film KILL BILL 2

* This is the first 12' vinyl reissue after more than 40 years, featuring extra tracks

* Features beautiful gatefold sleeve, and insert with rare photos and extensive liner notes

* 180gram heavy weight vinyl on black & limited splatter color

THE SUMMERTIME KILLER (aka TARGET REMOVED - RICATTO ALLA MALA - UN VERANO PARA MATAR), a crime movie and a love story, was directed in 1972 by Antonio Isasi-Isasmendi and starred Christopher Mitchum, Karl Malden, Olivia Hussey and Claudine Auger among others. Academy Award winning composer Luis Bacalov wrote the score which perfectly reflects the core of the plot, with a strong mix of love and death. The composer alternates dramatically suspenseful score with 'source music' in the form of ballad, rock music and dance floor tunes, usually heard through a car radio or a jukebox typical of the 60's - 70's cinema. Remastered from original stereo master tapes.

THE SUMMERTIME KILLER (aka TARGET REMOVED - RICATTO ALLA MALA - UN VERANO PARA MATAR) was directed and produced in 1972 by Antonio Isasi-Isasmendi. This motion picture was financed by three countries, Italy, Spain and France, but the main location chosen by the production was Spain, more specifically the area of Entrepeñas lake in the Province of Guadalajara, central Spain, the area of Torrejón de Ardoz US Air Base and the Torres Blancas Building in Madrid which represented a very fine example of modern architecture in those days. Other important location in the movie is placed in the Plaza de Toros de las ventas in Madrid where director Isasi-Isasmendi shot an important scene of the movie. The most memorable scene is without a doubt the one pictured in the poster art, the main star riding a motorbike chased by gangsters and the location was a very fascinating place, the M30: Madrid's main ring road. According to the memoirs of director Isasi-Isasmendi (issued on his book Memorias tras la cámara') he had an intention to cast Kirk Douglas as the main star, but it never happened due the high guarantee requested by the Hollywood actor. Another candidate was Richard Widmark, but in the end the veteran actor Karl Malden accepted the role of the police officer John Kiley. The young stars in the film were: Olivia Hussey with Argentinian roots who was an important star at the time, following the international success of Franco Zeffirelli's Romeo and Juliet' in 1968, Chris Mitchum, son of the Hollywood star Robert Mitchum. Again according to the director's memoirs Chris Mitchum was chosen more for his ability as motorbiker and athletic shape than for his acting skills. THE SUMMERTIME KILLER has all the elements of the noir with the couple of young lovers escaping, the veteran police officer who's doing the investigation and spectacular acrobatic action scenes: for the close shots on the motorbike Chris Mitchum was really riding it, but for the most risky sequences the great stuntman Rèmy Juienne (of James Bond fame) was involved. The movie was well distributed around the world with 40 copies in the US territory, and it was a good success after all for a 1972 Spanish production. This motion picture brought its director various awards and it became an hit in Europe, USA and especially in Japan. And 32 years later Quentin Tarantino, a huge fan of European Cinema and Film Music wanted pay tribute to this movie by using one theme from the Bacalov-penned soundtrack in KILL BILL VOL.2'. Argentine born composer Luis Enrique Bacalov (Buenos Aires, 1933) worked mostly in Italy during the sixties and the seventies writing scores for famous movies like westerns DJANGO' (1966) and IL GRANDE DUELLO' (1972) (later explored again musically by Tarantino respectively for DJANGO UNCHAINED' in 2012 and for KILL BILL VOL.1' in 2003) and working with some of the most famous Italian directors like Pasolini, Lizzani, Di Leo (his score for MILANO CALIBRO 9' remains one of his best soundtrack efforts.)

The groundbreaking 2015 PlayStation® 4 game Everybody’s Gone to the Rapture tells the story of the inhabitants of a remote English valley who are caught up in world-shattering events beyond their control or understanding. Made by The Chinese Room - the studio responsible for the hauntingly beautiful Dear Esther - this tale of how people respond in the face of grave adversity is a non-linear, open-world experience that pushes innovative interactive storytelling to the next level. This story begins with the end of the world. The game has already won GameSpot’s Best of E3 and was nominated for Best in Show and Best PS4 game by IGN.

The soundtrack features the music by Jessica Curry, who is also joint Studio Head of the developer The Chinese Room. The music was recorded at the famedAIR Studios in London and features solo vocal performances by renowned Welsh soprano Elin Manahan Thomas, ethereal choir, and a tragically beautiful orchestral accompaniment. With her compelling soundtrack, Curry took home the BAFTA Games Award for Best Music.

Everybody’s Gone To The Rapture is available as a 2LP limited edition of 500 individually numbered copies on translucent red coloured vinyl and includes a
4-page booklet.

'Stranger Things' ist eine neue Netflix-TV-Serie die gerade in Deutschland gestartet ist und international große Wellen schlägt.
Die Mystery-Serie bietet jede Menge Referenzen an die 80er Jahre, Vergleiche zu Steven Spielberg und Stephen King werden gerne gezogen. Nicht weniger im Fokus: der kongeniale Soundtrack von Kyle Dixon & Michael Stein. Von atmosphärischen Stücken bis hin zu treibenden Synthie-Pop reicht das musikalische Spektrum. Hier wird gerne eine Parallel zu dem Score von - Drive' gezogen, wohl einem der ikonografischen Soundtracks der letzten Jahre.
Der zweite Teil des Kult Soundtracks knüpft musikalisch nahtlos an seinem Vorgänger an und bietet abermals Synth Heavy Soundscapes in der Tradition so großartiger Filmkomponisten wie Vangelis, John Carpenter oder Cliff Martinez.

Edda Dell'Orso (born Edda Sabatini, February 16, 1935) is a legendary Italian singer who has long been the vocalist of choice for the Maestro Ennio Morricone. She has provided vocals, often wordless singing, to countless Morricone scores beginning in the mid-1960s and most famously for the immortal score to Il buono, il brutto, il cattivo (The Good, The Bad, and The Ugly). This collection compiles, for the first time in one place, many of her finest performances for Morricone, including such legendary films as C'era Una Volta Il West (Once Upon A Time in The West), Cosa avete fatto a Solange (What Have You Done to Solange), and the aforementioned The Good, The Bad, and The Ugly. The Goodfellas OST label, in conjunction with GDM, is pleased to present this one of a kind collection that highlights the unique talents of Edda Dell'Orso with her longtime collaborator, Ennio Morricone. The Maestro has long been acclaimed for his brilliant use of vocals in his scores and none of that would have been possible without the work of the Dell'Orso, who has been behind the scenes of his finest work for 5 decades.

Persona 5 is a massive and epic opus of a game - the kind of 100-hour-plus JRPG journey that it is impossible to peel away from.

The soundtrack is equally epic, featuring hours of jazzy, poppy, energetic musical magic that you'll find yourself unconsciously whistling throughout the day. From upbeat vocally-driven songs (many featuring the incomparable throaty gusto of Japanese soul singer, Lyn Inaizumi) to more contemplative, instrumental riffs - it's an impressive ensemble of tunes.

Quite simply, Persona 5 is one of our favorite videogame soundtracks to date.

Nicolas Roeg's 1973 horror film Don't Look Now still retains the power to shock 44 years after its release and over that time has established itself as a seminal work in that genre. Julie Christie and Donald Sutherland are a married couple mourning the death of their young daughter, clinging on to her memory through a meeting with a mysterious psychic in Venice.

Native Venetian composer Pino Donaggio was discovered by a producer on the film and his music appealed to director Roeg. It became his debut film score, launching a long career and a close working relationship with Brian De Palma. Many of the instruments in this recording were played by the composer himself. As well as writing soundtracks, Donaggio wrote Dusty Springfield's chart-topping hit You Don't Have To Say You Love Me' (originally a hit in Italian as Io Che Non Vivo')

The cover was the winning design by artist Benio Urbanowicz in a competition organised by Creative Review and BFI Publishing for the 20th anniversary edition of the BFI Film Classics book on the film.

Fearlessly charting a journey into a world of mystery, Ross Blake's delirious original soundtrack to Pretty en Rose conjures up the glamorous milieu of its parent film, yet goes beyond to inhabit its own peculiar and poetic realm of the imagination.

Pretty en Rose was directed by underground auteur Angélique Bosio, and documents the career of cult Parisian fashion icon Fifi Chachnil. Blake and Bosio have been acquainted for some time following Blake's discovery of her earlier film Lilk Your Idols, which documented 'The Cinema of Transgression' in 80's-90's New York. Having then been similarly impressed by Blake's theatrical soundtracks and the experimental output of his former bands Buttonhead and Poino, she summarily enlisted him to provide a simpatico score to her film, a documentary that transcends Fifi Chachnil's diva persona, and looks behind the exotic veil of her idealised Parisian glamour-puss image to investigate the personality within.

Taking French musical themes and interweaving them with a plethora of influences ranging from Ennio Morricone to Angelo Badalementi, and Joe Meek to Angela Morley's Watership Down soundtrack, Blake creates a finely-wrought tapestry that exists on a plateau beyond kitsch and exotica, drifting effortlessly through realms of fantasy and hallucination. Nonetheless, the strains of luminaries such as Broadcast, The Advisory Circle and Basil Kirchin might make fitting comparisons for the elegant arrangements and golden filigree herein.

He was ably assisted in his mission by an assortment of guest artistes, including Dearbhla Minogue (The Drink / The Wharves) and Natalie Sharp (Lone Taxidermist / Gazelle Twin), who imbue the album with their ethereal and gymnastic vocals. Techno magician Karen Gwyer also contributes a compelling spoken word stream of consciousness to the track Karen Black, juxtaposed fragments of domestic gripery and film exposition. In exploring these tangents, the original film forms a jumping-off point for fresh adventure and ever more bewildering expressions of surrealist art.

A collection of short film soundtracks taken from 1960s Australian documentary and public information films.
Modal and Bossa jazz composed by the esteemed Australian film composer.
12-track LP re-mastered from the original tapes.

The Sven Libaek soundtrack story begins here. The genesis of one of the most singular modern jazz voices to emerge in documentary film music during the 1960s and 70s, an unheralded style that melded European modernism, west coast jazz and Brazilian rhythms combined with a unique antipodean disposition; a musical vision inspired by a personal experience in an alien environment together with a sound shaped by a virtuoso team of Australian jazzmen. In the words of the albums original liner notes, 'A kaleidoscope of 1960s Australia...' Compiled here is a collection of soundtrack themes composed for various early 1960s documentary and public information films produced by the Australian Newsreel Company Cinesound. All pieces were composed in the short few years after Libaek immigrated to Australia and were first recorded prior to his landmark score to Vince Serventy's television series Nature Walkabout (1966). Reminiscent of future Libaek documentary soundtracks, To Ride A White Horse (1968) and of course the now legendary score to Ron And Valerie Taylor's Inner Space (1973), it is on this compilation that we first witness the unique elements that make his music so alluring, the inception of a refined jazz modernist with a wonderful pop sensibility. Hypnotic 7/4, 5/4, waltz and bossa rhythms combined with a strong focus on the tonal colours of the Vibraphone and Flute (played by John Sangster and Don Burrows respectively) but above all else, it is the first introduction to those highly individual and blissful Sven Libaek melodies.

LP GATEFOLD 180 GRAM + POSTER (limited edition 500 hand numbered copies)
The jazz beat soundtrack, composed by Maestro Rustichelli for the Caper / Crime Movie 'Stuntman' directed by Marcello Baldi in 1968. The film starred Gina Lollobrigida, Robert Viharo, Marisa Mell and Marie Dubois. The orchestra was directed in the studio by Bruno Nicolai, with the participation of Alessandro Alessandroni's 'I Cantori Moderni' (The Modern Singers) choir and was produced by Franco De Gemini. The first print of this soundtrack was released by CAM in 1969 and is one of the most sought after records by record collectors around the globe. Available for the first time since it's original release, this limited edition vinyl reissue is limited to 500 hand-numbered copies (The first 200 copies are pressed on colored vinyl).

The Tuscany big band La Band Del Brasiliano is back for their second studio album, Vol. 2, following Vol. 1 released in 2013. The band draw on the retro tradition of Italian easy listening, funk, and sexy comedy, presenting a set rich in sung songs and with a large number of original tracks compared to Vol. 1, as well as with the contribution of bows, percussions, and a complete brass section. In Vol. 2, you can locate three lines: One that develops the soul beat of the band, shamelessly retro in the musical and textual approach: mostly captured in straightforward songs, like "Impossibile", "Hey Ragazzo", and "Preparati Bambina", are a blend of rock n' roll and raw soul, with the two voices of Serena Altavilla (Solki, Mariposa, Calibro 35) and Davide Arnetoli. The other is a romantic soul, tied to passion and jealousy, that is expressed best in the almost noir atmosphere of the triptych "Un'ora In Più", "Il Tema Della Gelosia", and "Anna - La Domenica". But even in "La Verità" the story of emancipation and freedom is present, with musical veins from spy story. The third line is funk and eroticism, as in "Ti Voglio", the favorite Italian disco song of the band which anticipates the release of the album as a whole -- the sulfur "Eclisse Twist" from Antonioni's masterpiece, "Giovani Di Nulla" and "92° Minuto", conceived as imaginary characters of TV programs

Just in time for Sonic's 26th Anniversary and to celebrate the launch of his newest adventure, SEGA and Data Discs are proud to announce the official Sonic Mania vinyl album.

The Sonic Mania LP features 16 new tracks selected by composer Tee Lopes, as well as new gatefold art featuring Sonic, Tails, & Knuckles exploring the lush vistas of Green Hill Zone Act 2. The vinyl album is a must-have for any fan or Sonic music aficionado, and a gorgeous addition to any Sonic collection.

Sonic Mania is a single LP packaged in a heavyweight gatefold sleeve with UV spot varnish, featuring new artwork exclusive to this release, along with a printed inner sleeve featuring an array of characters from the game. The release also includes a download code of the album in both lossy and lossless formats. It is available in the following editions

Death Waltz Recording Co., is proud to present, the original motion picture score to THE VOID. The soundtrack is an ominous synth driven beast, genuinely unsettling and thrilling. Shape shifting from ambient to semi industrial in the blink of an eye. Recalling NIN, Throbbing Gristle and John Carpenter the soundtrack is nothing short of excellent, a truly scary late night listen. This limited one time pressing is housed in a laminated reflective jacket, and pressed on 180 gram black vinyl.

Jacket layout and design Spencer Hickman & Mo Shafeek.

Istanbul's drone-pop producer Ekin Fil turns her sites to the big screen for the first soundtrack in her impressive catalogue of recordings. Inflame (2017) is a psychological thriller laced with paranoia and nightmares, directed by Ceylan Özgün Özçelik and was showcased at the Berlin International Film Festival and the SXSW Film Festival, amongst others.

In making her cinematic debut, Ekil Fil turns synths and electronics, in building the score that in part is brimming with tension and claustrophobia through out all the blank spaces. Always known for her restrained compositions that float amidst ethereal pools of drone and whorl, Ekin Fil sets forth haunting minor-key melodies, monotone arppegiations and plenty of seance-fiction dread. Scattered bits of the film's sound design flicker at the edges of these tracks, as an aural hallucination that dissolves as quickly as it becomes evident. Dubbed electro rhythms creep through the recursive leitmotifs and variations on themes always cast in a dim, crepuscular light.

Less informed by the retro-garde aesthetics of Carpenter and Argento, the spectral electronics of Inflame's soundtack finds its neighbors in the skeletal sprawl of Raime and the darker ambient propositions sponsored by Posh Isolation.

Farväl Falkenberg is an album by Erik Enocksson and a soundtrack to the movie of the same name. It is 10 years old this year and in celebration of that Posh Isolation is rereleasing it in a remastered version with new artwork, giving it its first widespread LP release to date. When Farväl Falkenberg was originally released, the record label responsible, Kning Disk, wrote in their press release — having not only created a lush record full of thick, backcountry piano and raw, acoustic guitar waltzes, Enocksson has more importantly produced an album that effortlessly translates the feeling of isolation (both geographically and emotionally) in an intensely personal way you don't often come across.' With such a statement it seems only natural that now 10 years later it should find a new home via Posh Isolation. It is hard to overstate the importance Erik Enocksson's work in relation to the discography of Posh Isolation. Years before we met, his release Apan' completely changed how I thought of music. Something similar happened when i later heard Farväl Falkenberg for the first time. I was in a car going from Prague to Berlin sitting on the backseat, the person next to me had tears down her cheeks in the middle of the first song, by the end of the record the whole car was silent and remained so for the rest of the drive. It is rare to witness music with such effect and it is not often that a record could have that effect still, ten years after its initial release. I think Farväl Falkenberg can. The work of Erik Enocksson has been an inspiration since the first time i heard it and i imagine it always will be. It is in honour to be able to present this work again now on its 10th year. -Loke RahbekAsking Enocksson about the record and what to say of it he said, When I turned twelve my dad took me out back to fire a shotgun for the first time'

Under license from Lakeshore Records. A Fire Soundtracks release.

Featuring Nick Cave & The Bad Seeds and Kylie Minogue and Sophia Loren with Tonis Maroudas Academy award nominated film and winner of the 2015 Cannes Film Festival Jury prize (among many others), 'The Lobster' is a dystopian comedy-drama directed by Yorgos Lanthimos (Dogstooth, The Killing Of A Sacred Deer) and co-written by Efthymis Filippou that stars Colin Farrell, Rachel Weisz and Olivia Colman. Love is a crazy thing that's as perverse as the relationships that come with it, living in the digital age of love-matching and profiling, 'The Lobster' tackles humanity's struggle with love, the fear of loneliness and societal issues. Forced by the government to find a partner in forty-five days under their watchful eye and extreme training program or you'll be turned into an animal to survive in the woods. The absurdist sci-fi horror movie sees residents out hunting for 'Loners' who once caught are sent off to face their fate in return for extra time to find love that keeps them alive. Out in the woods alongside them are celibate freedom fighters that have joined the resistance, it is here a love story unfolds. Curated by Lanthimos and music supervisor Amy Ashworth, the soundtrack brings the film's edgy tension and menace to the fore' (Screen Daily) with orchestral renditions of Beethoven, Stravinsky and Shostakovich alongside Nick Cave & The Bad Seeds with Kylie Minogue on 'Where The Wild Roses Grow' and Sophia Loren with Tonis Maroudas on 'Ti Ein Afto Pou To Lene Agapi'.

ORIGINAL MOTION PICTURE SOUNDTRACK SCORE COMPOSED BY BENJAMIN WALLFISCH. New Line Cinema's horror thriller IT,' directed by Andres Muschieg ( Mama'), is based on the hugely popular Stephen King novel of the same

name, which has been terrifying readers for decades.

When children begin to disappear in the town of Derry, Maine, a group of young kids are faced with their biggest fears when they square off against an evil clown named Pennywise, whose history of murder and violence dates back

for centuries. The film is released in the UK on the 8th September.