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Originally released on 'cult' Pegaso promotional label, "THE MAN WITH ICY EYES" soundtrack was pressed on very few copies like all Pegaso editions 'out of commerce', becoming a truly sought-after gem among Record Collectors of the genre. Trombonist and arranger Giuseppe De Luca, who died shortly after, wrote this magnificent score in 1971, ripping off the main theme from "Lady In Cement" by Hugo Montenegro from the same year. The high music in here is played by the MARC 4 (Maurizio Majorana on bass, Carlo Pes on guitar, Antonello Vannucchi organ) feat. Giuseppe De Luca at trumpet and Vincenzo Restuccia at drums. Magnificent vocals by the best scatting queen Edda Dell'Orso and chorus by I Cantori Moderni Di Alessandroni. KILLER!

Death Waltz Recording Company and One Way Static Records have joined forces and are overjoyed to be able to bring you the score to a truly iconic - or notorious - classic of the horror genre: Riz Ortolani's music to the one and only CANNIBAL HOLOCAUST, directed by Ruggero Deodato.

One of the early found footage' films, this 1980 picture takes you into the heart of the Amazon rainforest as we see the lengths a film crew will go to get their footage, and the inevitable revenge by the jungle tribesman who thrive on eating human flesh. What follows is some of the most shocking material in a legitimate film, including some distasteful real animal killings Deodato has since apologized for.

Due to the film's heavy graphical on-screen violence it received heavy banning (in over 50 countries), censorship, heavy cuts, 'Video Nasty' classification and even confiscation by courts (resulting in a trial where Deodato was facing jail time) all over the world. This resulted in a controversy that still goes on this present day.

Ortolani's main theme is gorgeously dreamy, deceptively so. It's a remarkable truth amongst horror soundtracks that some of the most effective music of the genre is aesthetically beautiful, and Ortolani's theme certainly qualifies. But in being so pleasant, it does give off a false sense of security, certainly for the film. Some of Ortolani's music is more overtly creepy, with more electronic elements blending with the orchestra to provide a harsher backdrop. But then that beauty is there again, juxtaposed alongside horrific elements to ask ourselves about whether beauty needs a context. CANNIBAL HOLOCAUST stays with you - it's notorious for a reason, and the soundtrack is no different.

For the first time on vinyl, Limited to 2000 copies 'Valentine' Red Vinyl. Housed in a 300 gr. jacket with obi-strip. Featuring all new art by iconic artist GRAHAM HUMPHREYS. Comes with an exclusive fold-out poster.

- LP Red vinyl limited to 2000 copies (with obi strip)
- First time vinyl release of this iconic release
- One-of pressing, there will be no repress
- Comes with fold-out poster
- All new artwork by iconic artist Graham Humphreys

A sophisticated work by Claudio Gizzi for the soundtrack of the ultra cult FLESH FOR FRANKENSTEIN, the legendary movie directed by Paul Morrissey and produced by Andy Warhol, starring a young Udo Kier. With its sad tone the score perfectly matches the cold and cruel realism of this bizarre horror film.

- 1ST TIME EVER DOUBLE VINYL GATEFOLD EDITION
- DELUXE EMBOSSED COVER
- MIXED DOUBLE COLORS VINYL
- LIMITED NUMBERED EDITION OF 1000 COPIES

MUSIC COMPOSED AND CONDUCTED BY MAX STEINER

DAVID O. SELZNICK'S PRODUCTION OF MARGARET MITCHELL'S GONE WITH THE WIND

a1 MAIN TITLE 4.12
a2 THE BARBECUE AT TWELVE OAKS 3.29
a3 THE BALL 2.30
a4 ASHLEY AND SCARLETT 2.35
a5 MAMMY 2.25
a6 CHRISTMAS IN ATLANTA 4.58
a7 FALL OF THE SOUTH 1.23
a8 ATLANTA IN FLAMES 1.40
a9 INTERMISSION MUSIC 1.26
b1 SHERMAN'S MARCH THROUGH GEORGIA 1.59
b2 ASHLEY'S RETURN FROM THE WAR 3.13
b3 SCARLETT AND RHETT AT TARA 2.26
b4 BELLE WATLING 3.21
b5 RHETT AND BONNIE 2.17
b6 SCARLETT'S FALL - RHETT'S REMORSE 3.36
b7 BONNIE'S DEATH 2.39
b8 TOMORROW IS ANOTHER DAY - END 1.25

RECORDED IN HOLLYWOOD CALIFORNIA, 1939

The Wrong Man was a unique project for the legendary Alfred Hitchcock. undertaken as a flamboyant experiment with neorealism, it differs significantly from his most famous films in both style and substance. Similarly, Bernard Herrmann's minimalist score took simple device already in evidence in his previous film work to an unprecedented extreme. While Hitchcock never again attempted such an austere and moody work, the brooding score laid the groundwork for much of the rest of Herrmann's career.

First press limited to 500 copies.

a1. Hitchcock
a2. Prelude
a3. The Hallway
a4. 5am
a5. The Car
a6. The Store
a7. The Second Store
a8. Fingerprints
a9. The Cell I
a10. The Cell II
a11. Police Van
a12. Felony Court
a13. The Tank - Handcuffs
b1. The Door
b2. Bob
b3. The Telephone
b4. Farmhouse
b5. The Bridge
b6. 3rd Floor
b7. Alibi
b8. The Glove
b9. The Mirror
b10. The Parting
b11. Prayer
b12. Stork Club
b13. Finale

The fruitful and long working relationship between the legendary director François Truffaut and composer Georges Delerue covered 23 years and 11 films, beginning with Tirez sur le Pianiste. In this compilation two of the most famous scores of the 'Mozart of Nouvelle Vague' are reunited in a precious LP. From the melancholic tunes of Jules et Jim to the vibrant piano play of Tirez sur le Pianiste' here you can find all the 'colours' of Truffaut's cinema.

First press limited to 500 copies.

A1. Jules et Jim
A2. Vacances
A3. Le Tourbillon
A4. Retrouvailles a L' Auberge de la Becasse
A5. Brouillard (1)
A6. Jules et Therese
A7. Confession au clair de lune
A8. Brouillard (2)
A9. Jim et Catherine
B1. Charlie
B2. Charlie et Lena
B3. Rock
B4. Au Restaurant L' Arbois
B5. Theme d'amour
B6. Monologue
B7. Poursuite
B8. Theme de Fin

Despite a long series of reissues and rediscoveries that are throwing the ultimate light on one of the most fascinating and enigmatic periods of Italian music history - that of sonifications - the project that goes by the name Braen's Machine continues to evade categorization, and positive information. If you are among the many who got their hands on the beautiful "Underground", republished by Schema a few months ago, you will already know of the involvement of, among others, Piero Umiliani, Alessandro Alessandroni - the

name Braen seems to be his alias - and Oronzo (Rino) De Filippi, real name of the other credited author, the mysterious Gisleri. For this new chapter from Braen's Machine, the beautiful and hard to come by "Quarta Pagina (Poliziesco)", published apparently in 300 copies, there are few available pieces of information, pointing to an involvement of Giuliano Sorgini, hidden under the name of Raskovich, and author of five out of the eleven tracks on the release.

The lack of reliable information and the enigmatic flavor surrounding the project Braen's Machine, as opposed to the ease with which the music allows us instant identification, are among the secrets that make their records unique.

Unlike "Underground", "Quarta pagina" portrays with great skill some possible - who knows if they ever have been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the psych funk rides that have always characterized many of the projects related to the Italian cinematic genre. All this without excluding, however, avant-garde attitudes and atonal passages that makes "Quarta pagina (Poliziesco)" comparable to the best pages of the Gruppo d'¼Improvvisazione Nuova Consonanza.

The track titles, fascinating as usual, tell of "Fraud", "Shadowing", "Remorse", "Soliciting", and emphasize decisive moments as in the case of "The Victim", "On the Run" or "In Prison", while the indications that accompany the pieces will be a treat for fanatical collectors of sonifications. It's not that hard to imagine situations of "exotic full moon, preparation for a violent action, spiritualism,

facing fear, sexual freedom, preparation for a revolt" while listening to these precious eleven tracks, which alternate between "slow and animated". And, believe it, you don'¼t even need a dose of LSD (as per the advice of "The Den") in order to travel back to 1971, the year of the album'¼s first release. A page 4 ("Quarta pagina") crime story perhaps, but a legacy of sound that largely deserves a nine-column headline on the front page...;

Gatefold Cover, Etching on side D, DL incl. film in HD, incl. mp3
There's always been a hugely cinematic tone to Dark Dark Dark's music, be it through the immersive sense of atmosphere much of the instrumentation and vocals instill, or the image-strewn lyrics and sense of place that can transport the listener to another world. So it makes perfect sense that they would end up in the world of cinema. However, this is not simply a film score commission. Here the group's involvement with Flood Tide runs much, much deeper. Flood Tide is written and directed by former band member Todd Chandler, and features the band both as characters and performers.
Set within artist Swoon's floating junk sculptures project, 'Swimming Cities of Switchback Sea', Flood Tide both documents and reimagines the real-life journey of Swoon and her collaborators as they build boats out of junk and set out on the open water of the Hudson River. All of this is accompanied by an original, nineteen song soundtrack by Dark Dark Dark.

The film and soundtrack release comes after a fruitful and productive few years for the group. After releasing the much praised debut album on melodic 'Wild Go' in 2011, the band followed up with full-length 'Who Needs Who' in 2012, and then the 'What I Needed' EP in 2013, a year that saw them tour the world, play two ATP's within 6 months (curated by The National and TV On The Radio), as well as create a score to Jerome Hill's La Cartomancienne. Flood Tide also premiered in 2013 at the Torino Film Festival, exposing the world to the group's rich and evocative soundtrack for the very first time.

With much of Dark Dark Dark's previous material being glued together by the distinctive vocals of Nona Marie Invie, this soundtrack is unique in that it is primarily instrumental, an approach that motivated the group immensely. 'We were excited to have an opportunity to make an instrumental record because we've always been inspired by bands like Rachel's and Dirty Three, and soundtracks like those from the movies Waking Life and Dead Man,' say the band. Much like some of the influences and inspirations mentioned here, the soundtrack to Flood Tide succeeds as a stand-alone record, even when free from its contextual home of the film. 'This is a really unique record,' the group say of the project, 'it's much more textural and ambient than most Dark Dark Dark material.
The line-up featured on the soundtrack is one that never toured full time, and this record is a beautiful document of the chemistry and sensibilities of that variation of the band. The group have taken the material on the road, playing it in strange, distinctive places that are emblematic of the film's own unique journey. 'We've played this material in a hand-built drive-in movie theatre filled with junk cars, on rafts on the Hudson River, in the canals of Venice and in museums across the USA.'

The double gatefold vinyl release wraps up this project for the band perfectly, 'We're excited to have the recordings out in the world. It's a document of a special time in our lives. Releasing a small run of vinyl with a download of the film seems like the most beautiful and intimate way to share this project.'


The film and soundtrack feature Dark Dark Dark members Nona Marie Invie, Marshall LaCount, Todd Chandler, Jonathan Kaiser, and Mark Trecka.

Yuji Ohno, is a Japanese jazz musician born in 1941. He's principally known for his musical scoring of Japanese anime-television series, of which Lupin III and the feature film The Castle of Cagliostro are his most well-known works. Ohno is also well-known as a member of a jazz trio with bassist Miroslav Vitous and drummer Lenny White. This is the second LP in a five album series of Lupin The 3rd original soundtracks released between 1978 and 1981. Yuji Ohno plays here with his new group called You & The Explosion Band formed in particular for the soundscape of Lupin III. All tracks arranged, composed and produced by Yuji Ohno.

Featuring Takeru Muraoka & guests musicians: Fumihiko Kazama (accordion on Saint Germain A La Nuit Tombante) Makiko Hirayama (biwa), Hiromitsu Katada (tsuzumi) & Koso Sakata (shakuhachi) on Zantetsuken. Titles include Lupin III '79, the opening of the first Lupin III movie broadcasted in 1978 (Lupin VS Mamo), new ending theme of season two (the Fujiko song : Love Squall), the Jigen Daisuke & Goemon Ichikawa themes (Tornado & Zantetsuken)

Yuji Ohno, is a Japanese jazz musician born in 1941. He's principally known for his musical scoring of Japanese anime-television series, of which Lupin III and the feature film The Castle of Cagliostro are his most well-known works. Ohno is also well-known as a member of a jazz trio with bassist Miroslav Vitous and drummer Lenny White. This is the third LP in a five album series of Lupin The 3rd original soundtracks released between 1978 and 1981. Yuji Ohno plays here with his new group called You & The Explosion Band formed in particular for the soundscape of Lupin III. All tracks arranged, composed and produced by Yuji Ohno.

SECOND MOON OF WINTER is a new experimental ensemble from Ireland melting gloomy, discordant ambiences with luminous soprano. 'One for Sorrow, Two for Joy' is a truly fascinating and deeply persuasive listen for enthusiasts of avant-garde, ambient, dark free jazz and contemporary classical music. Recommend if you like the dark jazz institutions Bohren & der Club Of Gore and The Dale Cooper Quartet or the fuzzy feelings of David Lynch movies.

John Carpenter, the Legendary Director and Composer behind Halloween, Escape From New York, They Live, Assault on Precinct 13 and many more announces his debut solo album 'Lost Themes' out February 3rd on Sacred Bones Records. In anticipation of his debut release, Carpenter shares a new track 'Vortex,' a custom-designed video for 'Vortex' set to clips from different Carpenter films and the full album artwork and track list.

John Carpenter has been responsible for much of the horror genre's most striking soundtrack work in the fifteen movies he's both directed and scored. The themes that drive them can be stripped to a few coldly repeating notes, take on the electrifying thunder of a rock concert, or submerge themselves into exotic, unholy miasmas. It's work that instantly floods his fans' musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kung fufighters, or a mirror holding the gateway to hell. Lost Themes asks Carpenter's acolytes to visualize their own nightmares.

'Lost Themes was all about having fun,' Carpenter says. 'It can be both great and bad to score over images, which is what I'm used to. Here there were no pressures. No actors asking me what they're supposed to do. No crew waiting. No cutting room to go to. No release pending. It's just fun. And I couldn't have a better set-up at my house, where I depended on (collaborators) Cody (Carpenter, of the band Ludrium) and Daniel (Davies, who scored I, Frankenstein) to bring me ideas as we began improvising. The plan was to make my music more complete and fuller, because we had unlimited tracks. I wasn't dealing with just analogue anymore. It's a brand new world. And there was nothing in any of our heads when we started other than to make it moody.'

As is Carpenter's style, repetition is the key to the thundering power of these tracks, their energy swirling with shredding chords, soaring organs, unnerving pianos and captivating percussion. Singularly titled to inspire dread with such names as 'Vortex,' 'Dominion,' 'Abyss,' and 'Purgatory,' but all linked into a unified whole, Lost Themes has a mesmerizing power. Horror fans will be reminded of Carpenter's past works, as well as ancestors like Mike Oldfeld's Tubular Bells and the raging guitars and chiming percussion of Goblin's Suspiria. ''Both classical music and rock and roll are part of my musical language, which is riff-driven,' Carpenter explains. 'So if you listen carefully, I'm sure you can hear some echoes from my past. But I'm sure that's true of any composer. You just bring your music along with you.'

Motionsound Records is pleased to present this 2015 revamp of John Russo's MIDNIGHT soundtrack which was originally released on the Traq record label back in 1982.

This issue has been completely remastered/remixed from the original 1/4" & 1/2" eight track reels, retaining all the original elements but now with brand new additional production performed in 2014 by Quintessence. Three extra background music synthersizer sound effect tracks from the movie which were performed by Paul McCollough are also included, these tracks were not present on the 1982 Traq release.

This issue is pressed on 180g blue transparent vinyl & is housed in a tip on sleeve with brand new artwork by Graham Humphreys. Limited to 500 copies only.


1 Masses Confessional Suite
2 Midnight Again
3 Escape By Van
4 The Whip Poor Will
5 Nancy At The Waterfall
6 Shooting The Escaped Prisoner
7 Nancy Meets Cynthia
8 The Family That Slays Together
9 Cyrus In The Caged Room
10 The Abduction
11 The Black Mass Re Reversed
12 Daddy To The Rescue
13 Cynthis Creeps
14 The Final Assault
15 Fire Tone
16 Cyrus Submerges The Preachers Daughter

Neu geschnittene Reissue-Ausgabe des Kult-Soundtracks "Halloween II" von John Carpenter und Alan Howarth. Klares 180g Vinyl. Exklusives neues Artwork von Brandon Schaefer. Sleeve Notes von Alan Howarth und Brandon Schaefer. Limitierte Auflage.

This unedited collection of Alain Resnais soundtracks, for the first time ever on vinyl, explores the music in 60's movie production of the legendary French director and his relation with some of the greatest composers of the era: George Delerue (the Mozart of the Nouvelle Vague), Giovanni Fusco (know for his work with Michelangelo Antonioni), Francis Seyrig and the great Hans Werner Henze.

Limited first press of 500 pieces.

Brought together by their common love for soundtracks and Italian libraries of late sixties/early seventies, the four members of La Batteria are well-known musicians and veterans from the underground scene of the capital city, with quite different experiences ranging from progressive post-rock (Fonderia), indie-pop (Otto Ohm, Angela Baraldi), experimental jazz (I.H.C.), hip hop (La Comitiva, Colle Der Fomento) and world music (the famous Orchestra di Piazza Vittorio).

The band performs original compositions informed by the type of songwriting, very sought after in the heyday of the italian movie glamorama: Music for images in the years between 1968 and 1980, with the likes of experimental composers and masters at work Ennio Morricone, Stelvio Cipriani, Alessandro Alessandroni, Bruno Nicolai and bands such as Goblin and I Marc 4.

All the instruments recorded are exclusively vintage, though the first self titled album of La Batteria is not merely revival, but a welcomed result of a sound/style projected into now. So, in between the lines of their cinematic prog-funk you will detect traces of afro-beat, hip hop and kosmische music, all filtered through a typical italian feeling.

A record conceived in Roma, in the same area and environment where those soundtracks and libraries were made. The album was originally intended as a library for publisher Romano Di Bari and his own Flipper Music (house of cult labels such as Deneb and Octopus) and mastered in historical Telecinesound studio, property of Maurizio Majorana, bass player for influential band I Marc 4. A continuity not only with that sound-world, but with a whole movement that brought Italy to the attention of the main foreign media, thanks to a correct balance between art and craft. A great time for experimentation in the fields of music, theatre, cinema and visual arts, a whole cultural revolution now renewed.

Even on a graphic note La Batteria discovers the same elements of that magical short circuit between past and present, thanks to a very cinematic logo designed by Luca Barcellona (aka Lord Bean) and a cover artwork fully realized by Emiliano Cataldo (aka Stand) inspired by some of the most cultish italian libraries.

EMANUELE BULTRINI - Electric, acoustic, & classical guitar, mandolin

DAVID NERATTINI - Drums & percussion

PAOLO PECORELLI - Electric bass

STEFANO VICARELLI - Hammond C3, Clavinet, Fender Rhodes, Clavicembalo, Celesta, Piano, Mellotron, Mini Moog, Prophet 5, Modular Synthesizer Dot Com System 66

Dawn Of The Planet Of The Apes is the eighth theatrical film in the Apes franchise, released in 2014. Directed by Matt Reeves and starring Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell, and Kodi Smit-McPhee, it's the sequel to the 2011 film Rise Of The Planet Of The Apes, which began 20th Century Fox's reboot of the original Planet Of The Apes series. Upon theatrical release, the film was immediately met with critical acclaim, with critics praising its visual effects, story, direction, acting, and emotional depth.

The latter is at least partly caused by the wonderful score by acclaimed soundtrack composer Michael Giacchino. He has composed scores for movies, television series and video games, some of his most notable works include the scores to television series such as Lost, games such as the Medal Of Honor and Call Of Duty series, and films such as Mission: Impossible III, The Incredibles, Star Trek, Star Trek Into Darkness, Cloverfield, Ratatouille, Up and many more. Giacchino has received numerous awards for his work, including an Emmy, multiple Grammys, a Golden Globe Award, and an Academy Award.

The first 2000 copies of Dawn Of The Planet Of The Apes are
numbered and pressed on 'silverback' coloured vinyl!

* 180 gram audiophile vinyl
* Gatefold sleeve
* Includes insert
* PVC protective sleeve
* Game Of Thrones Live Concert Experience 2018 tour featuring Ramin Djawadi in Europa (May/June) and USA/Canada (Sept/Oct)
* Limited tour edition of 2500 individually numbered copies on transparent vinyl

Previously unreleased soundtrack of the porn movie from 1978. Staring BRAVO teen stars Olivia Pascal and Bea Fiedler as mainactors. Limited to 100 copies on pink vinyl, +vibrator insert +poster!

The soundtrack to the 1959 peplum/sword-and-sandal Italian film Goliath and the Barbarians starring American bodybuilder and mega-star in Europe at the time, Steve Reeves, Barbarians is about a million times better than the movie it was made to accompany. Featuring Baxter's signature percussion sound and moody arrangements, Barbarians is one of Baxter's finest titles of the late 50s/early 60s. Back in print on LP courtesy of the Exotica enthusiasts at So Far Out.

A1 (Main Title) Goliath's March
A2 (Love Theme) Landa
A3 (Noisy Village) Barbarian Games
A4 The Sacred Crown
A5 Sword Dance
A6 Mountains Of Mystery
B1 Ride Of The Barbarians
B2 Night Attack Of The Stranger
B3 Love's Farewell
B4 Rape Of The Village
B5 Fire Dance
B6 (End Title) March Of Victory

Yuji Ohno, is a Japanese jazz musician born in 1941. He's principally known for his musical scoring of Japanese anime-television series, of which Lupin III and the feature film The Castle of Cagliostro are his most well known works. Ohno is also well-known as a member of a jazz trio with bassist Miroslav Vitous and drummer Lenny White.

First LP from a series of five albums of Lupin The 3rd original soundtracks released between 1978 to 1981. Yuji Ohno plays with his new group called You & The Explosion Band formed in particular for the soundscape of Lupin III. The band is accompanied by a horn section featuring Takeru Muraoka, Jake H Conception and Shigeharu Mukai plus s string ensemble conducted by Minoru Suzuki (The Suzuki Group). Titles include opening & ending themes from the first season, I Miss You Babe, (Yes I Do) sung by Sandi A Hohn, and Lovin' You (Lucky) by Tom Snyder from GODIEGO. Most of the songs are introduced by some dialogue samples extracted from the episodes of Lupin III, starring the main characters.

All tracks arranged, composed and produced by Yuji Ohno.

Lavagnino's soundtrack to the great 1962 movie 'Kali-Yug La Dea Della Vendetta' (also known as Goddess Of Vengeance (1963, UK), Kali Yug: Die Göttin Der Rache (1964, Germany), Kali-Yug, Déesse De La Vengeance (1963, France), Vengeance Of Kali (1963, United States), directed by Mario Camerini and starring Senta Berger and Lex Barker, finally get a proper reissue since it's 1963 release on CAM Records.

Composed and directed by Lavagnino, 'Kali-Yug' is one of the best soundtracks ever written by the late Maestro.

Known for his beautiful orchestral themes, Lavagnino outdoes himself in Kali-Yug, with stunning exotic themes which makes this score a must have for serious soundtrack collectors.

Original artwork. Master and sound restoring done by Roberto Zamori at Film Music Art Studio.ac

Limited Ed.Vinyl + Download - Numbered - Inspired by a number of conversations between director Yann Demange and music producer David Holmes, the majority of '71's score was created before the film was shot. Yann likes to shoot with music already written - an idea that resonates with the collaborative work of Sergio Leone and Ennio Morricone. With reference to CAN's soundtrack work, in which only Irmin Schmidt would have seen the film, David would describe the emotion, tone and atmosphere of the scene with the other band members before recording and then editing to picture after. He says 'It frees your imagination to try and capture a world that only you can see and feel but in total relation to the directors overall vision. Living in Belfast for most of my life was also a big inspiration.' Musically influenced by John Carpenter's 'Assault From Precinct 13' & 'Escape From New York', John Paul Jones' 'Four Minute Warning' and Tony Conrad's 'The Pyre of Angus Was In Kathmandu', the music pulses with the tension and potential terror of war-torn Belfast streets in 1971. Touch Sensitive Records 2014 http://www.touchsensitiverecords.com

Bam! Pow! Zap! Faithful vinyl reissue of the 1966 Nelson Riddle conducted television soundtrack album to the-one-and-only Batman starring Adam West and Burt Ward. Both swingin' and campy, it features the famous hit TV theme song along with original incidental music and dialog from the show. Hear the actual television voices of Batman and Robin plus guest villains The Penguin, Zelda the Great, Mr. Freeze and the Riddler. To the Batmobile...let's go!

Special 50th Anniversary pink vinyl edition of the quintessential American soundtrack composer Henry Mancini's unforgettable film score for the iconic 1963 crime caper comedy The Pink Panther, starring Peter Sellers and directed by Blake Edwards. Mancini's indelible "Pink Panther Theme," is, in the current digital era, the #1 most-streamed song in the entire Sony Music catalog. The original Pink Panther soundtrack album, which took home three Grammy Awards in 1964, was given a well deserved Grammy Hall of Fame Award in 2001.

Henry Mancini composed music that's woven into the fabric of American pop culture: "The Pink Panther Theme," the "Peter Gunn" bass line, "Moon River" (from Breakfast at Tiffany's), "Days of Wine and Roses" and more. Mancini holds the record for most Grammy nominations (72), out of which he won 20. In addition to his four Academy Awards, he won a Golden Globe, secured two Emmy nominations and was honored in 2004 with a United States Commemorative Postal Stamp.

The original soundtrack to the #1 cult film of all time - 1975's Jim Sharman directed The Rocky Horror Picture Show - is now back in print on limited edition red colored vinyl LP. Produced by Richard Hartley, the enduring soundtrack features Tim Curry, Susan Sarandon, Barry Bostwick and Meatloaf and is home to such timeless operatic send ups as "Dammit Janet," 'The Time Warp' and 'Sweet Transvestite' among many others!

The loyal composer of all the original soundtracks for Céline Sciamma's movies, Jean Baptiste de Laubier aka Para One offers to "Bande de Filles" 9 instrumental pieces and the track "Slow Down" featuring Frida Sundemo.

The platform is extremely crowded, however, and she can't get to Mick, who is standing at the opposite end, so she shouts his name. Two other passengers relay the message to Mick that Sue wants to talk with him. "What does she want" Mick relays back. "Tell him that I'm not going to marry Richard," Sue shouts. "Why not" Mick asks. "Because I love you!" she relays. When the message finally gets to Mick, he tries to make his way through the crowd but he can't get to Sue, so he climbs on top of the crowd and walks over the people's shoulders to get to her. In the final scene, they embrace while the crowd cheers.

Next week will make the release of Grand Theft Auto V on Playstation 4 and Xbox One. On 1/27 it will be released on PC. Along with this launch, Rockstar Games in collaboration with Mass Appeal (who brought you Run The Jewels), will be releasing a deluxe edition of the game's soundtrack on a 6 LP set on 12/9. There will be less than 5,000 copies worldwide.



The soundtrack features 59 songs including original music from A$AP Rocky, Tyler The Creator, Twin Shadow, Wavves, Flying Lotus, Yeasayer and more. The original sore was composed by Tangerine Dream, Woody Jackson, The Aclhemist and Oh No mixed by DJ Shadow.



The three colored limited edition Vinyl collection features a high end collectible box that houses a color booklet and lithograph poster.



Lots of pick up - and make important note that gaming sites and Rock Star are calling this out!!

Tracklisting



LP1

1. Welcome To Los Santos - Oh No 2:34

2. ExplicitSmokin' and Ridin' (feat. Freddie Gibbs & Problem) - BJ the Chicago Kid 3:32

3. Old Love / New Love - Twin Shadow 3:53

4. Change of Coast - Neon Indian 3:12

5. Nine Is God - Wavves 4:57

6. Bassheads - Gangrene 2:45

7. Stonecutters - Flying Lotus 4:18

8. High Pressure Dave - HEALTH 3:15

9. What's Next - OFF! 2:09

10. ExplicitGarbage - Tyler, The Creator 3:28

11. Nowhere To Go - Nite Jewel 3:59

12. Explicitr - Cali - A$AP Rocky 2:19

13. Colours - Age of Consent 4:23

14. ExplicitHold Up (feat. Nipsey Hustle) - Marion Band$ 3:52

15. Life of a Mack - 100s 3:24

16. The Set Up - Favored Nations 4:03

17. Don't Come Close - Yeasayer 3:28

18. Sleepwalking - The Chain Gang of 1974 3:38



LP2

1. We Were Set Up - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 3:31

2. A Legitimate Business Man - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 2:57

3. A Haze of Patriotic Fervor - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 5:30

4. Los Santos At Night - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 1:43

5. North Yankton Memories - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 4:02

6. The Grip - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 3:10

7. Mr. Trevor Philips - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 4:25

8. A Bit of an Awkward Situation - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 4:42

9. No Happy Endings - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 5:19

10. His Mentor - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 1:27

11. (Sounds Kind Of) Fruity - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 4:44

12. Minor Turbulence - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 4:33

13. Chop the Dog - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 4:11

14. A Lonely Man - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 3:32

15. You Forget a Thousand Things - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 3:36

16. Impotent Rage / Am I Being Clear Now - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 2:08

17. Fresh Meat - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 4:03

18. Therapy and Other Hobbies - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 0:57

19. Rich Man's Plaything - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 4:06

20. The Agency Heist - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 3:22

21. Hillbilly Crank Dealers' Blues - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 5:19

22. Welcome To Los Santos (Outro) - Tangerine Dream, Woody Jackson, The Alchemist, Oh No & DJ Shadow 1:11



LP3

1. The Kill (feat. Niki Randa) - Flying Lotus 3:25

2. I Am a Madman - Lee ''Scratch'' Perry 5:48

3. Jasmine (Demo) - Jai Paul 4:10

4. I Get Lifted - George McCrae 2:44

5. What You Wanna Do - Kausion 4:08

6. Can't Hardly Stand It - Charlie Feathers 2:48

7. Life of Crime - Weirdos 2:19

8. Es Toy - Mexican Institute of Sound 3:15

9. Gabriel (Soulwax Mix) [feat. Valentina] - Joe Goddard 4:28

10. I'd Rather Be With You - Bootsy Collins 4:57

11. Hollywood Nights - Bob Seger & The Silver Bullet Band 5:00

12. From Nowhere (Baardsen Remix) - Dan Croll 4:27

13. Say That Then (feat. Glasses Malone) - Problem 2:52

14. I Ain't Living Long Like This - Waylon Jennings 4:45

15. Nobody Move, Nobody Get Hurt - Yellowman 3:43

16. All the Things She Said - Simple Minds 4:16

17. Harm in Charge - Toro y Moi 3:59

18. This Mystic Decade - Hot Snakes 3:03

19. Mirror Maru - Cashmere Cat 4:02

The stunning soundtrack composed by Ennio Morricone for the 1968 movie La Resa Dei Conti, directed by Sergio Sollima and starring Lee Van Cleef, Tomas Milian, Walter Barnes, is finally available again on vinyl since its original 1968 release on Parade (Italy) and United Artists (USA).

The typical Morricone's western tunes are mixed here with avantgarde sounds and delicate romantic themes. Orchestra directed by Bruno Nicolai, featuring Bruno Battisti D'Amario (guitar), Michele Lacerenza (trumpet) and the beautiful voice of Christy.

Two separate lp's sold together in a deluxe pvc sleeve!!! LP1 is the exact reissue of the original album. LP2 contains 11 bonus tracks released on vinyl for the first time.

Original artwork. Master and sound restoring done by Roberto Zamori at Film Music Art Studio.

Original copies, if you're lucky enough to find one, change hands for around 400 euro!!!

[Kl a11 | William and Sarah

Composed by unsung composer Andrew Thomas Wilson, the soundtrack is a forgotten piece of 1980s electronic film scoring. A clash between driving electropop and the ominous dirge of John Carpenter's The Thing and The Fog soundtracks. Layers of icy modular Synth and proto techno rhythms serve as the backdrop to the explosive biological-apocalyptic meltdown. 

Described as 'Mad Max meets the China Syndrome', the 1980 Australian film The Chain Reaction is an often overlooked entry in the highly venerated Ozploitation Genre.

A nuclear disaster themed thrill ride into early 80s Australiana and industrial paranoia. Sitting alongside Night Of Fear (1972) and Turkey Shoot (1982) in the outlandish canon of Australian B-cinema from the 1970s and 80s The Chain Reaction includes its fair share of gratuitous nudity, ocker attitude and souped up vehicular carnage, but also carries a skilled visual style and strong environmental message that sets it apart from its less cerebral counterparts.

Fuzz guitars, go-go beats, weird exotic soundscapes and Doris Troy (of 'Dark Side Of The Moon' fame) screaming about gizzards. Only in Rome, only in 1971.

Brilliant but overlooked composer Berto Pisano and (we suspect) his no less talented brother Franco (working under a pseudonym) to craft the perfect score for this drug-fuelled piece of cinematic mayhem.

Recorded at the Orthophonic Recording Studio, Roma 1971 and remastered in 2014 from the original stereo album master tapes this LP includes 2 previously unreleased tracks (one a haunting vocalization from ill-fated star Jean Seberg).

Featuring extensive and exclusive liner notes by Alvin Lucia (documenting the largely unknown and quite incredible history of the making of Kill!) plus original artwork and rare photos/ephemera.

Deluxe 180 Gram Limited Edition LP with inner sleeve.

"This soundtrack has everything, driving percussive workouts, strange creepy celestial wordless vocals, nimble orchestral jazz stylings and pensive scraping free-form avant tom-foolery. Sheer brilliance!' - A Sound Awareness

The notorious 1982 Australian film, Turkey Shoot (Also known as Escape 2000 in the US and Blood Camp Thatcher in the UK) has long been considered the ultimate of Australian Video Nasties.
Scored by renowned Australian film composer Brian May (Mad Max, Patrick, The Day After Halloween), the predominantly electronic soundtrack hints stylistically to brooding horror-synth of John Carpenter, the mutant patchbay of Gil Melle's soundtrack The Andromeda Strain as well as some of the sonic characteristics found in Italian B-cinema (Fabio Frizzi & Goblin). Pulsing synth oscillations and pounding percussion together with inspired sound design all encapsulate the confused and claustrophobic human big-game hunt.
Set in a dystopian future where a totalitarian regime imprison a group of 'deviants' to a high security prison destined for rehabilitation and social re-programming. The story involves the group of inmates fleeing from the camp controlled by the draconian warden, a sadistic alopecic henchmen and a bizarrely scripted lycanthropic carnival-mutant...shall we read on..
Produced by Antony I Ginnane's F.G films (Patrick, Thirst, Snapshot etc...) together with British actor David Hemming (Blow Up, Fragment of Fear, Deep Red), the film was aesthetically influenced by the brutality and savagery of Italian sub-genre cinema, (ie Umberto Lenzi's Cannibal films and Lucio Fulci's Zombie films), as well as borrowing the central theme from the 1932 film The Most Dangerous Game.
Previously unreleased Ozploitation soundtrack.
From the Composer of Mad Max, Patrick and The Day After Halloween

















[Qb1 Tractor Pursuit

The notorious 1982 Australian film, Turkey Shoot (Also known as Escape 2000 in the US and Blood Camp Thatcher in the UK) has long been considered the ultimate of Australian Video Nasties.
Scored by renowned Australian film composer Brian May (Mad Max, Patrick, The Day After Halloween), the predominantly electronic soundtrack hints stylistically to brooding horror-synth of John Carpenter, the mutant patchbay of Gil Melle's soundtrack The Andromeda Strain as well as some of the sonic characteristics found in Italian B-cinema (Fabio Frizzi & Goblin). Pulsing synth oscillations and pounding percussion together with inspired sound design all encapsulate the confused and claustrophobic human big-game hunt.
Set in a dystopian future where a totalitarian regime imprison a group of 'deviants' to a high security prison destined for rehabilitation and social re-programming. The story involves the group of inmates fleeing from the camp controlled by the draconian warden, a sadistic alopecic henchmen and a bizarrely scripted lycanthropic carnival-mutant...shall we read on..
Produced by Antony I Ginnane's F.G films (Patrick, Thirst, Snapshot etc...) together with British actor David Hemming (Blow Up, Fragment of Fear, Deep Red), the film was aesthetically influenced by the brutality and savagery of Italian sub-genre cinema, (ie Umberto Lenzi's Cannibal films and Lucio Fulci's Zombie films), as well as borrowing the central theme from the 1932 film The Most Dangerous Game.
Previously unreleased Ozploitation soundtrack.
From the Composer of Mad Max, Patrick and The Day After Halloween

01. Main Title / Radio Freedom
02. Turkey Shoot Theme
03. Camp 47. Re-education & Behaviour Modification.
04. All deviants report to Centre Compound.
05. Freedom Is Obedience, Obedience is Work. Work Is Life
06. Suitable Targets.
07. Thatcher's Ball Games
08. Shower scene
09. Embrace
10. Don't Worry My Dear, he has already eaten.
11. A little Sport, a little Hunt. 
12. Do we really have a chance
13. Nightfall.
14. The Hunt Begins
15. Head Start
16. Jungle Trap / Jungle Sorrow

01. Tractor Pursuit
02. Crossbow standoff
03. Shrunken Heads
04. You're s sharp man Ritter
05. Cut him down to Size
06. Hot & Ready
07. The Cane Field Burn
08. Swamp escape / Beach fight
09. Open season
10. Revolution begins with the misfits (End Titles)

The missing link in the Morricone / Gruppo discography. Their originally unreleased avant / cacophonic score to Elio Petri's manic Artsploitation masterpiece was the first and last time Morricone and Il Gruppo would co-sign an OST/session.

Conducted by Bruno Nicolai with vocalisations by Edda Dell'Orso and drums by Vincenzo Restuccia, A Quiet Place In The Country is an historic (and quite forgotten) recording that sees Il Gruppo in their key gestational phase just prior to recordings for Deutsche Grammophon, RCA Italiana (The Feed-Back) and the magnificent unreleased session, Niente.

Featuring Gruppo di Improvvisazione Nuova Consananza members Franco Evangelisti, Mario Bertoncini, Egisto Macchi, Ennio Morricone, John Heineman and Walter Branchi and recorded at Forum Studios Roma 1968.

Remastered 2014 from the Original Stereo Album Master Tapes (originally prepared by Morricone for a 1968 LP release but for reasons unknown not issued at the time).

Extensive and exclusive liner notes by Andy Votel, original artwork and rare photos/ephemera.

Deluxe 180 Gram Gatefold Limited Edition LP with inner sleeve.

'His music was cool and modern, but there was a hot heart inside. Komeda was a film composer par excellence. He gave truth to my films. Without his music they would be meaningless.' Roman Polanski.

Volume One of this Krzysztof Komeda series on vinyl looks at Komeda's classic work for Polanski's Knife In The Water (Nóz W Wodzie) along with rare earlier recordings that have never been on vinyl before. These were recorded by Komeda's progressive trio at the legendary Jazz Jamboree Festivals in Warsaw.

Together these recording signify a sea change in the sound of modern jazz - especially in Poland where it had been banned until Stalin's death in 1953. By the early 1960s Komeda had found his modern sound, one which he would build on and develop through various film scores and free jazz sessions. His untimely death in 1969 left the jazz world with a small but significant hole, one that seems to grow bigger as more people realize just how unique and versatile his music was.

'Floating Into The Night' is the 1989 debut album by vocalist Julee Cruise featuring songs written and produced by composer Angelo Badalamenti and film director David Lynch (who wrote the lyrics). The songs "Falling" and "Rockin' Back Inside My Heart" were both featured in Lynch's cult television series, while "Into the Night", "The Nightingale" and "The World Spins" also appeared in the show. The instrumental version of 'Falling' was the theme song for Twin Peaks while the album as a whole is almost an unofficial soundtrack to the series. The track 'Mysteries Of Love' was prominently featured in Lynch's classic film Blue Velvet. Cruise's dreamy, light vocals match perfectly with the music and lyrics to make this album sound like it is unattached to any era or time. Reissued on 180 gram vinyl with a double sided insert by Plain Recordings.

Track list:
Side 1:
1. Floating 2. Falling 3. I Remember 4. Rockin' Back Inside My Heart 5. Mysteries Of Love

Side 2:
1. Into The Night 2. I Float Alone 3. The Nightingale 4. The Swan 5. The World Spins