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The Remains - Live 1969

The Remains

Live 1969

12inchLP5557
Sundazed Music
31.01.2018
  • 1: Intro/Hang On Sloopy
  • 2: Route 66
  • 3: All Day And All Of The Night
  • 4: Like A Rolling Stone
  • 5: Why Do I Cry
  • 6: Johnny B Goode
  • 7: She's Nineteen Years Old
  • 8: La Bamba/Empty Heart
  • 9: Diddy Wah Diddy

A little crunchy, slightly distorted, extremely wild, and just perfect!

Recorded at the legendary Boston Tea Party in 1969, The Remains rip through an absolute killer of a set list, featuring road tested covers of Hang On Sloopy,' Johnny B. Goode,' and their crowd-pleasing original Why Do I Cry.' Captured two and a half years after they broke up, the four original members of The Remains are in perfect form here for a one-night-only performance that was only rumored to exist- until now. From the recently discovered tapes, to pristine R.T.I. pressed vinyl!

There's Nothing else in The Remains world as wild as this one. We were on fire...on the brink...' - Barry Tashian (The Remains)

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The Rising Storm - Calm Before...
  • 1: Don't Look Back
  • 2: To Ln/ Who Doesn't Know
  • 3: I'm Coming Home
  • 4: A Message To Pretty
  • 5: In The Midnight Hour
  • 6: Frozen Laughter
  • 7: She Loved Me
  • 8: Mr Wind
  • 9: Big Boss Man
  • 10: Bright Lit Blue Skies
  • 11: The Rain Falls Down

Limited Edition Yellow Vinyl

Have You ever seen this It's one of the rarest rock & roll records ever made!

"Calm Before... remains one of the finest and most important LPs by a US '60s group, never mind one that was still attending high school when it was released on the privately-pressed Remnant label. From a cache of moody ballads to highly-charged, all-out flashing teen rock, everything here is broodingly and sensationally played out, including highly-personalised covers of Love's 'Message To Pretty', 'In The Midnight Hour' and The Remains' gold-plated nugget 'Don't Look Back'. The album's mix of deep beat-pop introspection and thoroughly intense modern R&B-instigated rock remains unique among most of their peers' long-play outings, and thus played a big part in the inordinately strong pull the group would have on many young '60s-fixated longhairs in the '80s and '90s.' - Shindig Magazine


This deluxe limited edition, original mono issue of an unfathomably rare garage LP, is accurately mastered, pressed on colored vinyl and packaged with a poster in a gatefold jacket, with unseen photos from the band's personal archive!

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Beautiful Lady - A Medley Of Rare 70s Prog & Psych

12 track compilation of UK & Irish progressive and psych gems from the early 70s. Featuring magnificent Cheltenham based Tapestry, Irish legends Ceathrar, Sandgate, Foister featuring a young Mark Fry of 'Dreaming with Alice' fame, bizarre psych outfit Guggenheim, Witches Brew, a rare Gnidrolog offering plus an ultra rare cut by Listen winners of a 1972 Melody Maker folk-rock contest.

Limited to just 300 individually numbered copies on heavy vinyl accompanied by detailed info on each band.

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Mops - Psychedelic Sounds In Japan

"Psychedelic Sounds in Japan" is the debut album by the undisputed" kings of the sixties Japanese Garage/Psych scene. Original LP copies of the album trade for hilarious amounts! This reissue restores the offensive lyrics track "Blind Bird,". Sought after worldwide and if you're a fan of tightly written songs, great playing, totally incomprehensible lyrics and a smattering of surprising covers, this ones for you.

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10,71

Последний логин: 8 г. назад
The Cramps - Belted, Buckled And Bare!
  • A1: Dames, Booze, Chains And Boots
  • A2: Muleskinner Blues
  • A3: Aloha From Hell
  • A4: Boy Pills
  • B1: Everything Goes
  • B2: Creature From The Black Leather Lagoon
  • B3: I Wanna Get In Your Pants
  • B4: Goo Goo Muck

Live in Sweden 1991. Limited to 300 copies, no repress!

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Various - Midnight To 66

Various

Midnight To 66

12inchSTROKE105
Lance Records
31.01.2018
  • A1: Grains Of Sand - She Needs Me
  • A2: Resumes - One Day
  • A3: Pied Pipers - Stay In My Life
  • A4: Dicky Treadway And The Salados - You Can't Believe It
  • A5: U.s. Stamps - Pull The Wool
  • A6: Lee Vi's - Pictures On My Shelf
  • A7: Culls - Midnight To Six Man
  • B1: Group Inc. - Just Call Me Up
  • B2: Jades - Please Come Back
  • B3: Wild Thing - Weird Hot Nights
  • B4: Ethics - (A Whole Lot Of) Confusion
  • B5: Trolley - Breakdown
  • B6: Oscar 5 - I Won't Be Your Fool
  • B7: Nightrockers - Junction #1
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Various - Sick & Tired

Various

Sick & Tired

12inchSTROKE106
Lance Records
31.01.2018
  • A1: Kasuals - Just Call My Name
  • A2: Continentals - Sick And Tired
  • A3: Scholars - I Need Your Lovin
  • A4: Torquays - Something Else Kind Of Woman
  • A5: Mikey Kalis & The Bakersfield Blues Band - Got No Time
  • A6: Livin' End You're My Woman
  • A7: Sound Track - I See The Light
  • B1: Watchband - No Dice!
  • B2: Chozen Ones - Cold Summer
  • B3: 4-Score - Mini-Skirt
  • B4: Idols - Haunted House
  • B5: Chaps - Tell Me
  • B6: Cavemen - A Small World
  • B7: Dantes - 80-96
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Various - You`re So Square

Various

You`re So Square

12inchSTROKE107
Lance Records
31.01.2018
  • A1: Dean Kohler - Gooseberry Pie
  • A2: Rogues - Opportunity
  • A3: Tracers - Watch Me
  • A4: Jades - Come Back
  • A5: Ovaitt Brothers - How Can I
  • A6: Korners Of Time - Cara Lin
  • A7: Tony Church - & Crusade - Can You Picture Yourself
  • B1: Mumbles Scott & Esquires - Searchin
  • B2: Trespassers - Come With Me
  • B3: Pickwick Papers - You're So Square
  • B4: Changing Tymes - Try A Whole Lot Harder
  • B5: Continentals - Take Me
  • B6: End - Bad Night
  • B7: Al's Dynamics - Breakdown
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The Fame Beats - Don't Tell No Lies / The Watford Stomp

The Fame-Beats' Davey Lane and Rusty Hopkinson are known to some as long time band mates in celebrated Australian rock-and-roll group You Am I. These two plucky charmers share a keen interest in Hamburg era British pop and it was on a stroll down the Reeperbahn that they decided to commit their love of all things BEAT to tape.

The Fame-Beats motor along a Cuban-heeled path from Merseybeat via the Medway, doffing their caps at favorite big-beat-acts, such as Bern Elliot & The Fenmen, The Milkshakes, Russ Kruger and of course that most Fab Four, along the way.

DON'T TELL NO LIES is the sad tale of a young man spurned told with the aid of chiming chords and soaring harmonies.

THE WATFORD STOMP is a reckless Cavern styled romp that demands you to DANCE.

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7,52

Последний логин: 8 г. назад
Various - Wild Things: 16 Kiwi Freakbeat Nuggets...from 1966-1968'
  • A1: The Bluestars - Social End Product
  • A2: The La De Da's - Don't You Stand In My Way
  • A3: Sandy Edmonds - Come See Me
  • A4: Larry's Rebels - Whatcha Gonna Do About It
  • A5: The Rayders - Working Man
  • A6: Tom Thumb - You're Gonna Miss Me
  • A7: The Pleazers - Hurting All Over
  • A8: Grim Ltd. - Milk Cow Bluesh
  • B1: Chants R&B - Neighbour Neighbour
  • B2: The Roadrunners - L.s.d
  • B3: The Smoke - No More Now
  • B4: The Gremlins - Blast Off 1970
  • B5: The Principals - I Can't Stop
  • B6: The Troubled Mind - Finders Keepers
  • B7: Ray Woolf & The Avengers - Little Things That Happen
  • B8: Tomorrow's Love - 7 And 7 Is

- The 25th anniversary edition of this collection of out of control, filthy and fuzzy mayhem from the 'bottom' of the world. Get wild with these kiwi teens 'out-prettying' the Pretty Things with the mod-ish ferocity of The Who and strong doses of Beck and Page-ish rave ups. Armed with locally manufactured guitars and amplifiers through home made made fuzz boxes, these 16 skull busting smashers were recorded under minimal conditions in primitive studios. All the tracks are in mono, and transfered from the master tapes.

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The Honey Ryders - Hey! Hey! Hey!

The garage beat of The Honey Ryders comes straight out of the Reeperbahn, but could also be perfectly at home in a Liverpool pub or the streets of Soho.

But deep in their heart the four Hamburg guys Peter, Timo, Bernie und Rolf are much more at home with River Elbe than with the Mersey und the Thames and are well connected in the local music scene. Their love to the early as well as contemporary British beat music is the basis of their sound: Direct, melodic and authentic.

"Hey! Hey! Hey!" is the debut single by The Honey Ryders , will be released digitally as well as a limited 7inch single in picture sleeve, was recorded Axel Dill (Ulrich Tukur, Station 17), mixed by Zwanie Jonson (disjam, Andreas Dorau) and mastered by Gavin Weiss (Die Goldenen Zitronen, Fraktus).

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Greenhornes - Stayed Up Last Night / Shadow Of Grief
  • A1: Stayed Up Last Night
  • B1: Shadow Of Grief

Although not technically a Detroit-based garage group, this Cincinnati band fit in as honorary Detroiters by the time this single was released. The Greenhornes were purveyors of period-perfect 1960s rock n roll a la the Pretty Things and the Kinks. Plus, they were immediately set apart by their grim reputation of touring in a '67 Cadillac hearse. This single was recorded at Jack White's house in southwest Detroit right before the release of the Greenhornes' debut LP and the b-side is a re-imagined version of one of their 2nd LP's strongest tracks Shadow of Grief'. Band members Jack Lawrence and Patrick Keeler would go on to be the rhythm section in the Raconteurs while Brian Olive would later join the Soledad Brothers and make serious contributions to Dr. John's revered Locked Down' album.

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Rocket 455 - Ain't Right Girl / That's All You Get
  • A1: Ain't Right Girl
  • B1: That's All You Get

Rocket 455 is a Flamin' Groovies-loving garage rock band formed in Detroit in 1992 after the breakup of local scene essentials The Nervo Beats. Although this was Rocket 455's third single, it was the first that featured the new, longest and current line up, including founding member Marco Delicato back in the fold as well as Steve Disco' Nawara from the Electric Six. This 7' was released on Devil's Night in 1997 and is notable as the first record ever produced and released by Italy Records.

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The Hentchmen - Hentch Forth
  • A1: Yesterday's Trash
  • A2: La.m.f
  • A3: Automatic
  • A4: Gawker Delay
  • B1: Me And My Monotone
  • B2: Big Screen Lover
  • B3: Little No More
  • B4: Carry Me Home
  • B5: R&R Cancer

The Hentchmen played their first show on Halloween of 1992 and have still shown no signs of slowing down. They are noted as some of the earliest purveyors of Detroit-style garage rock. Over their lengthy lifespan, The Hentchmen have released 27 singles (about one each year!) and 8 full-length albums on groundbreaking garage rock labels Norton Records, Estrus Records, Get Hip Records and even a promotional release through Chevrolet. You cannot get more Detroit' than that. To say Hentch-Forth' is their best would be a lie, because whichever record you have spinning is the best! But this album serves as an excellent starting point into their vast, powerful discography. Hentch-Forth (1998) is the The Hentchmen's only album that includes Jack White on bass. This extended edition includes the Some Other Guy' single that also features Jack on guitar plus a couple phenomenal bonus tracks. There's a joke and a fun fact regarding this record that would have been all but lost over the decades. Italy Records and the artists included with Jack White' on both the 7' and the 12' because they thought that it would look like one of those old British Invasion records that would have an old bluesman or rocker as a guest. And for all the White Stripes trivia-heads — The Hentchmen's Some Other Guy' and The White Stripes' Lets Shake Hands' were recorded AND released at the same time, before the world would know what hit them!

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Black Lips - This Sick Beat
  • A1: The Last Cul De Sac
  • A2: 52 Drops
  • B1: It Wont Be Long (The Beatles)
  • B2: Ask For The Wolfman

2 new songs plus 2 new Sean Lennon mixes from the Black Lips' critically acclaimed 2017 album Satan's Graffiti or God's Art

Special guests include Saul Adamczewski (Fat White Family), AA Khan (King Khan & The Shrines) and producer Sean Lennon

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Guns N' Roses - Rockin Roots Of

Guns N Roses have arisen out of two bands (L.A. Guns and Hollywood Roses) and was founded 1985 in Hollywood. Their debut album Appetite For Destruction took over number 1 of the US charts in 1987 and immediately became a mega seller. This rare and limited vinyl album features FM songs and tribute classics

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Grup Bunalim - Tas Var Kopek Yok  / Yeter Artik Kadin
  • A1: Tas Var Kopek Yok
  • B1: Yeter Artik Kadin
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The Liminanas With Pascal Comelade - The Curse Of Santa Claus / Silent Night

The Limiñanas is guitarist, bassist, organist and main songwriter Lionel Limiñana and drummer and sometime vocalist Marie Limiñana, and is based in the southern French border city of Perpignan. After having released a series of singles, on which the duo used several guest vocalists, The Limiñanas released their self-titled debut album in 2010 on US label Trouble In Mind. The music of the Limiñanas finds its inspiration in the French psychedelic pop music from the 1960s - think Serge Gainsbourg and the yé yé sound. The Velvet Underground and psychedelic garage rock were also important influences in the band's sound. This all leads to music that incorporates a lot of 60s elements, but still sounds modern and different from most of the other music around. The duo continued to put out singles and albums over the next few years, slowly incorperating new influences in their music, like European '60s and early 70s soundtracks and library music. On their third album, The Liminañas worked for the first time with French avantgarde composer, guitarist and multi-instrumentalist Pascal Comenade, a cooperation that led one year later to the album 'Traité de Guitarres Triolectiques' on Because Music, re-released in 2016 as 'The Nothing Twist' on Trouble In Mind. Comenade, who became known for using toy instruments an an important component of his music, has released more than a dozen albums since the early 1980s and has worked with artists as diverse as Robert Wyatt, Faust and PJ Harvey. For their Snowflakes Christmas single, The Liminañas and Pascal Comenade again join forces and have recorded two songs together: original 'The Curse Of Santa Claus' and a version of 'Silent Night'. 'The Curse Of Santa Claus' has usual Christmas ingedrients like sleigh bells and church bells, and revolves around a story read by Odliz Bemer, but adds several vintage sounding organs, pounding drums and a fuzz guitar. The instrumental version of 'Silent Night' gives the much covered traditional a complete new perspective, with the melody being played by a glockenspiel, Herb Albert-style trumpets, violins and funky wah-wah guitars, all held together by a steady drumbeat.

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The White Stripes - White Blood Cells
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White Stripes - De Stijl
  • A1: You're Pretty Good Looking (For A Girl)
  • A2: Hello Operator
  • A3: Little Bird
  • A4: Apple Blossom
  • A5: I'm Bound To Pack It Up
  • A6: Death Letter
  • A7: Sister, Do You Know My Name
  • B1: Truth Doesn't Make A Noise
  • B2: A Boy's Best Friend
  • B3: Let's Build A Home
  • B4: Jumble, Jumble
  • B5: Why Can't You Be Nicer To Me
  • B6: Your Southern Can Is Mine
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White Stripes - White Stripes
  • A1: Jimmy The Exploder
  • A2: Stop Breaking Down
  • A3: The Big Three Killed My Baby
  • A4: Suzy Lee
  • A5: Sugar Never Tasted This Good
  • A6: Wasting My Time
  • A7: Cannon
  • A8: Astro
  • B1: Broken Bricks
  • B2: When I Hear My Name
  • B3: Do
  • B4: Screwdriver
  • B5: One More Cup Of Coffee
  • B6: Little People
  • B6: Slicker Drips
  • B7: St. James Infirmary
  • B8: I Fought Piranhas
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The Brian Jonestown Massacre - Thank God For Mental Illness

2023 Repress

This the first time this title has been available on vinyl . At the risk of further labouring a rather obvious point, with Thank God for Mental Illness, their third collection of absolutely stunning music in 1996, the Brian Jonestown Massacre parallels the prolific and effortless brilliance of the Rolling Stones at their fevered late-1960s peak, the sheer scope of their achievements is stunning — rarely are bands quite so productive, or quite so consistently amazing. Thank God is the BJM's down-and-dirty country-blues outing, all 12-odd tracks supposedly recorded on a single July day at a cost of just $17.36 .The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Since 1995 The Brian Jonestown Massacre has released numerous albums, first for Bomp! Records, the label which gave them their start, and later for TVT and Tee Pee. BJM has been essential in the development of the modern U.S. garage scene, and many LA and SF musicians got their start playing with Newcombe, including Peter Hayes of The Black Rebel Motorcycle Club.Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

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23,32
Fox Face - Spoil & Destroy

Fox Face

Spoil & Destroy

12inchZZZ151
DIRTNAP
10.11.2017
  • 1: (What You're) Good For
  • 2: Clever Girl
  • 3: (Youre Gonna) Wish You Were Dead
  • 4: Hiawatha
  • 5: Boogie Man
  • 6: Nasty Woman
  • 7: I Believe In Science
  • 8: Girl Hater
  • 9: Toxic
  • 10: Standing There
  • 11: The Moon And The Tide
  • 12: Hiawatha Reprise

Witchy, twitchy and full of attitude, Fox Face is a fogswirling,
moonlit night where nothing is as it seems.
Realized and reckless, this eerie musical force would be as
much at ease holding a seance on a stormy, nighttime beach as throwing a rager in a dark, beer-soaked basement bar.
On the tongue-in-cheek Spoil + Destroy, the band's first record for Dirtnap, the band alternates between Sabbath-y searing guitars, surf-rock and creeped-out, organ-laced sonic seances. Recorded by Kyle Motor' Urban at MotorCo Studio in Madison, WI, using an all-analog 16-track recorder, the attitude hangs hard on the vocals of everyone throughout, echoing the spirit of Kathleen Hanna and Neighborhood Brats' Jenny Angelillo. Lindsay DeGroot (lead guitarist and vocalist) leads this storm of sound, with bandmates Lydia Washechek (guitar, vocals), Mary Joy (bass, vocals) and Christopher Capelle (drums). DeGroot's
explicitly feminist lyrics are undeniably bolstered by nobullshit
politics and inspired by The Book Of The Dead and The Craft. Spaghetti Western styles intermingle with punk & roll and goth, making for a bubbling pot of riledup, creeptastic tales, where the environs are trepidatious, dark and frustrating.

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Uni - What's The Problem

Uni

What's The Problem

7"-VinylCHIM39
Chimera Music
10.11.2017

Debut single from fabulous glam / grunge band - includes Kemp Muhl (of The GOASTT / Ghost of a Saber Tooth Tiger).

Both songs are featured in insane, over-the-top videos, directed by Kemp.

Mixed by Dave Fridmann (Flaming Lips, MGMT, Tame Impala).

Upcoming coverage in Rolling Stone and Foxes (UK) magazine (cover).

Debut album coming in March, 2018 on Chimera Music.

Both sides of the single are non-LP tracks. Single includes full color poster and free download.

Uni is pronounced "oon-e" like the Japanese delicacy (raw sea urchin gonads).

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Wand - Plum

Wand

Plum

12inchDC673
DRAG CITY
29.09.2017
  • A1: Setting
  • A2: Plum
  • A3: Bee Karma
  • A4: Charles De Gaulle
  • A5: High Rise
  • A6: White Cat
  • B1: The Trap
  • B2: Ginger
  • B3: Blue Cloud
  • B4: Driving
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Los Jemax - Los Jemax

Los Jemax

Los Jemax

7"-VinylMAD009
Madmua Records
31.10.2017

450 copies numbered and signed by the members of the band, with a booklet of 12 pages.

Albert Puig, Andreu Ferreres, Joan Pujol, Miquel Griño and Xavier Amela, five friends from Barcelona, shared their talent to create Los Jemax in the mid-sixties. They played their own songs and covers of the bands they listened to the international radio stations, such as The Beatles, The Rolling Stones, The Kinks, Bob Dylan, The Animals, Wilson Pickett... Their gigs in clubs and discotheques (San Carlos Club, Gogo, Peter's Club...) were amazing and full of energy. They became a very popular band in their city, specially when they were the winners of a contest hosted by Radio Barcelona. The prize was a contract with Columbia to release two singles. They recorded four songs under the direction of José María Solá, the musical boss of the label. There were published three postcards to promote the upcoming 7's. But all of them were never released because of intern changes in Columbia. Los Jemax played alongside Los Canarios, Lone Star, Los Sirex, Tete Montoliu, Palito Ortega, Micky y los Tonis... and in several TV commercials. With a repertoire of almost 100 songs that they recorded in the rehearsals at the attic of Joan's family house, the tapes have been ketp in a drawer for 50 years. Now, Madmua Records shares these gems with you. The dreams of these boys have become real.

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Strawberry Alarm Clock - Wake Up... It's Tomorrow
  • A1: Nightmare Of Percussion
  • A2: Soft Skies, No Lies
  • A3: Tomorrow
  • A4: They Saw The Fat One Coming
  • A5: Curse Of The Witches
  • B1: Sit With The Guru
  • B2: Go Back, You're Going The Wrong Way
  • B3: Pretty Song From Psych-Out
  • B4: Sitting On A Star
  • B5: Black Butter, Past
  • B6: Black Butter, Present
  • B7: Black Butter, Future

The Strawberry Alarm Clock's unique sound—full of beautiful, day-glo pop surrounding jagged, fuzzy guitars and organs, among other garage-rock influences—is explored through a number of dreamlike gems contained in these three volumes, all presented as originally issued! Their smash Incense and Peppermints,' which reached #1 in late 1967 and remained in the Billboard pop chart for 16 weeks, is included on The Best of Strawberry Alarm Clock, and Wake Up...It's Tomorrow and The World In A Sea Shell contain fan favorites (and '60s psych gold) like Love Me Again,' Sea Shell,' Barefoot in Baltimore,' Sit With the Guru,' and many more—all mastered from the stereo UNI reels in definitive 180 gram editions!

Wake Up...It's Tomorrow, The Strawberry Alarm Clock's second album, is what many fans consider the most ambitious musical statement of the band's career. Includes Tomorrow,' Sit with the Guru,' and the haunting Pretty Song from Psych-Out,' theme from the cult-classic film of the same name, on 180 gram vinyl.

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Loop - Wolf Flow

Loop

Wolf Flow

2x12inchREACTOR05
React
08.12.2017
  • A1: Soundhead
  • A2: Straight To Your Heart
  • B1: Rocket Usa
  • B2: Pulse
  • B3: This Is Where You End
  • C1: Collision
  • C2: From Centre To Wave
  • D1: Afterglow
  • D2: Sunburst

All three LOOP John Peel sessions collated on one vinyl album from 1987 - 1990, these are some of the best recordings by LOOP. Remastered by Kevin Metcalf when the CDs were reissued in 2008, REACTOR has decided to reissue the famed WOLFFLOW 2LP for RSD 2017. In a new / updated sleeve, with new printed innerbags. Wolf Flow captures LOOP in their ascendency in the the late 90s, featuring tracks from all three of their albums, a cover of Rocket USA and the track Sunburst (b-side of Arc Lite)...theres a 10 minute version of Straight To Your Heart! Essential!! Recorded live at MAIDA VALE STUDIOS.

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The D-men - I Wanna Shout!
  • A1: I Just Don't Care - Single A-Side 1965
  • A2: Hi-Heel Sneakers - Unreleased 1964
  • A3: Love Could Show Me - Unreleased 1964
  • A4: Don't You Know - Single A-Side 1964
  • A5: No Hope For Me - Single B-Side 1964
  • A6: Like I Love You - Single B-Side 1966
  • A7: Every Minute Of Every Day - Single B-Side 1965
  • B1: So Little Time - Single A-Side 1965
  • B2: Boom Boom Boom - Unreleased1965
  • B3: When I'm Gone - Unreleased 1965
  • B4: Empty Heart - Unreleased 1965
  • B5: It's Cruel - Unreleased 1966
  • B6: Night On Fire - Unreleased 1967
  • B7: I Wanna Shout! - Unreleased Live 1967

Take the 14 tunes of this platter, add a band named The D-Men, and you've got a driving, shaking demonstration of US mid 1960's british invasion influenced Garage Rock and Roll. The D-Men are best remembered today for their minor hit success with 45's such as I Just Don't Care' or So Little Time'. Their biggest success and recognition though, came in 1967 under their new name The Fifth Estate' when they charted nationwide with their baroque rock adaptation Ding Dong! The Witch Is Dead'. But it's the 1964 - 66 recorded tracks on this platter which were first played to the neighbourhood kids and then to wild fans which often brought the house down. Included are Boom Boom," "Hi Heel Sneakers," and their unreleased demo recording of The Stones "Empty Heart". This punctuates its garage rock beat, with a fuzz­ing deep guitar riff and sing­ing with the sinister resentment that certifies the track as Nuggets ready. But the band had much more to provide than just cover material. With a gift for writing hooks and catchy melodies a string of excellent originals exposes the hidden side of The D-Men perfectly. "Like I Love You" recaptures the Anglopop charms of the British Invasion, even self-consciously sprinkling Fab Four-isms. "Don't You Know," is a song laced with the organ and guitar interplay ideally suited to take on The Animals, The Searchers, and The Dave Clark Five. More Beatlesque notions are provided in "Love Could Show Me", "I Just Don't Care" and "Don't You Know," tracks that typify the group's early Merseybeat style. A long lost punk rock gem such as "When I'm Gone" explodes with all the subtlety of The Kingsmen's "Long Green" mugging The Kinks' "Till The End Of The Day," as Paul Revere and The Raiders' "Just Like Me" gets ready to pounce. The outstanding So Little Time', earned meager attention beyond the regional market. In truth, it deserves a place among the great, if overlooked, slices of hard-edged East Coast folk rock. All these tracks make up a significant part of the group's legacy. A legacy that will only be complete with such recordings as "It's Cruel," the psychedelic "Night On Fire," and the explosive live recording of "I Wanna Shout". This collection has the flamable stuff of the mid 60s beat generation - it's something the kids could shake it up to. If you didn't do then, do it now!

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Mdou Moctar - Afelan
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Various - Bury My Body Vol. 1
  • A1: The Torques - It's Me Not You
  • A2: The Hard Times - You Couldn't Love Me
  • A3: The Dynasty - I'm Cryin
  • A4: The Fairviews - Nightmares
  • A5: The Xl's - Ruined World
  • A6: The Apostles - Help Me Find A Way
  • A7: The Fogcutters - It's My World
  • A8: The Sapiens - Love Ain't Makin' It No More
  • B1: The Sapiens - Ask Yourself Why Babe
  • B2: The Fogcutters - Castin' My Spell
  • B3: The Lost Souls - Get Out Of My Life, Woman
  • B4: The Drones - I Haven't Got The Nerve
  • B5: The Grapes Of Wrath - You Ain't Setting Me Down
  • B6: The Trojans - Leave Me Be
  • B7: The Valiants - I'm Getting Tired Of You
  • B8: The Fabulous Counts - Money

16 track collection of rare & outstanding US boss 60s punk, teen garage coolness & excellent moody winners. All contributions for the first time on vinyl - 12 out of 16 tracks compiled for the first time.

LP ct: Sir Kenneth & Yorkshire Coachmen, Cole & The Embers, Colours Of Night, Centuries, Dave & The Stone Hearts, Sensational Sleepers, Disturbers, Fugitive Five, Barons, J.T. & The Three Wise Men, Castaways Five, Zero End and more

Cool cover w/coloured label reprints on the back and all tracks painstakinly remastered. A release for the real garage connoisseur.

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Jet - Get Born
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The Damnation Of Adam Blessing - The Damnation Of Adam Blessing
  • A1: Cookbook
  • A2: Morning Dew
  • A3: Le' Voyage
  • A4: You Don't Love Me
  • A5: Strings And Things
  • B1: Last Train To Clarksville
  • B2: Dreams
  • B3: Hold On
  • B4: Lonely

Nearly half a century has passed since the day I first heard the Damnation Of Adam Blessing. In 1969 their stunning psychedelic anthem "Cookbook" became a big hit on local AM radio in Louisville, Kentucky where I grew up. It sounded dangerous. Songs with blatant messages concerning the adventure and enlightenment possible through drugs and mind expansion were still a relatively scarce thing on mainstream pop radio. "Cookbook" not only suggested taking the psychedelic journey, it dared you to do it. You can hear it in the singer's attitude. You can hear it in the first guitar break which rips in right after the first verse, they just couldn't wait to smoke you. That dare stands. "Cookbook" is a dose with no expiration date. It is the opening track on the band's first album and it sets the scene. Once you hear it you need more. Hooked. These first ever exact vinyl reissues taken from the original master tapes guarantee the full trip. You get to see inside the earliest days of hard rock, when the more optimistic psychedelic trends had largely run their course, reality and rock music both taking a turn towards a darker and heavier mood. Still somewhat psychedelic but much less interested in being pretty, cosmic and reflective. Turn up the guitars and go on offense. Feed your mind.
Unearthed proto-metal gem remastered from the original 1969 tapes and repressed on Vinyl- includes a printed insert with liner notes by Doug Sheppard. Remastered from the Original 1969 Tapes - Linear notes by Doug Shepphard of Ugly Things Magazine

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The Raunch - Total Raunch
  • A1: A Little While Back (S. Katz)
  • A2: I Say You're Wrong (S. Katz)
  • A3: Hungry (B. Mann -C.weil)
  • A4: Hey Joe (D. Valenti)
  • A5: Tobacco Road (John D. Loudermilk)

The Raunch from Ossining, N.Y. were one of countless mid sixties groups born into a healthy local garage scene, living the classic story of local bands for two years and then almost forgotten for the last five decades. In the short time of their existence, the Raunch released a legendary 7', made it with one track onto the collectable Battle Of The Bands' LP on the regionally active Ren-Vell Label and in 1967 recorded another until now unreleased pair of tracks. Both sides of their sole single on Bazaar Records, are good examples of classic 60s garagepunk. A Little While Back' is a crude heavy fuzz punker with a blistering guitar solo perfectly backed with I Say You're Wrong', a tough 'n' moody song with the classic garage girl-treats-boy-bad lyrics on the flip. While both sides of the 7' were group originals written by Sandy Katz, their LP contribution for Ren-Vell was a cover of Paul Revere & The Raiders' Hungry' - played by the group in their unique raunchy style' of course. Even more unique is the treatment the boys gave to their unreleased recordings of Hey Joe' and Tobacco Road'. Again recorded at Ren-Vell in 1967, both covers are unbelievable ultra heavy fuzz killers with a wild brand of slashing and uncompromising guitar playing. By all accounts, the studio engineer ran into the cellar to escape the loud, fuzzy noise! Despite losing several battle of the bands contests, their ultimate victory comes in the shape of this one-sided Break-A-Way release. Five tracks with the excitement and power for two LP sides, all of which are 60s savage Garage Punk and once heard, unforgettable

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Wooden Shjips - Vol. 2

Wooden Shjips

Vol. 2

12inchST007
SICK THIRST
01.03.2001
  • 1: Loose Lips
  • 2: Start To Dreaming
  • 3: Vampire Blues
  • 4: Death's Not Your Friend (Live)
  • 5: Contact
  • 6: I Hear The Vibrations (E-Z Version)
  • 7: Outta My Head

LONG OVERDUE VINYL REPRESS ON WHITE VINYL 500 COPIES ONLY!! Strap in for travels beyond the galaxy, to tranced-out cosmic bliss! Sick Thirst presents Vol 2, the second compilation of hard-to-find Wooden Shjips tracks. Vol 2 digs deep to collect the band's Sub Pop and Mexican Summer singles, two self-released European tour singles, and a track from Yeti magazine, for nearly 44 minutes of fuzzed-out psych jams. Not just for completists, Vol 2 contains the essential live standards Loose Lips, Death's Not Your Friend (live), and I Hear the Vibrations (the E-Z Version), plus savage covers of Neil Young's Vampire Blues and Serge Gainsbourg's Contact. Wooden Shjips is a trance-rock quartet from San Francisco, consisting of Omar Ahsanuddin (drums), Dusty Jermier (bass), Nash Whalen (organ), and Ripley Johnson (guitar and vocals). Their sound is something akin to the icy garage rock of early Echo & The Bunnymen crossed with the sun-bleached tremolo-punk of the Scientists. There are hints of krautrock, the trance-inducing organ haze of Suicide, Velvets-style dance-drone, classic desert-fried garage psych and the mysterious, obscure Japanese lysergic-rock band Les Rallizes Denudes, all mixed into one explosive whole. Wooden Shjips has released two acclaimed LPs and a previous collection of rarities on cult fave record label Holy Mountain. Their recordings and performances have received praise from well-regarded tastemakers, such as Tom Lax, Byron Coley, John Mulvey and David Fricke. In 2010, Wooden Shjips will embark on a March tour of Australia and New Zealand, including appearances at Lost Weekend Festival (AU) and Golden Plains Festival (AU). An April tour of the UK and Europe will be followed by festival appearances at ATP curated by Pavement (UK) in May and Roskilde Festival (DK) in July.

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Abdomen - Dazed

Abdomen

Dazed

7"-Vinyl7FAT215
Fatcat Records
30.08.2024

Dazed’ is the new single by recent FatCat signings and Netherlands power trio, Abdomen.

Sometimes described in the Dutch press as ‘postgrunge garage’, Abdomen themselves are keen to avoid any pigeon-holes or genre labels: “We’ve been influenced by so many things. Right now punk, post-punk, and noise are important inspirations, but there are a lot, lot more. Rap, hip hop, electronic music, IDM, electro, and techno, for instance.”

‘Dazed’ is heavy, heavy hypnotic groove, with a chanted vocal and wall of phased, psychedelic shredding. There are echoes of outfits such as Loop and Spacemen 3 - their stoned / stoner aesthetics, albeit turned up to 11.

It began as a demo set at a frantic pace before producer Rasmus Bredvig suggested slowing it down - “Something like 5 times” - morphing, mutating, the track into an epic, melodic, psyche mantra.

A head-banging, trance-inducing, transcendental raga, with its sights set on spiritual lift-off, the piece aims to create a path away from the negative toward a more positive way of life.

Сделать предзаказ30.08.2024

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9,20
Acid Mothers Temple & The Melting Paraiso UFO - Hallelujah Mystic Garden Part 2

Hallelujah Mystic Garden Part Two contains a new deep-pocket groove disco version of fan favorite "Pink Lady Lemonade". Side two is a slick kosmiche-electro-disco number that unfurls over a period of 20 minutes and is periodically punctuated by Makoto Kawabata's unruly soloing. Recorded at Acid Mothers Temple, June 2016-March 2017; produced and mixed by Kawabata Makoto.

Personnel: Cotton Casino - voice, astral mama; Kawabata Makoto - guitar, fretless bass, bouzouki, organ, rhythm machine, electronics, tapes, speed guru; Higashi Hiroshi - synthesizer, noodle king; Mitsuko Tabata - guitar, guitar-synthesizer, voice, kisses and hugs; Satoshima Nani -drums, another dimension; S/T "Wolf" - bass, tapes, space and time.

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ACID ROOSTER - AD ASTRA

Acid Rooster

AD ASTRA

12inchCFUL0237
CARDINAL FUZZ
22.07.2022

Acid Rooster were described by ‘Le Guess Who Festival’ as a ‘wet dream for heads who cram their record collection with Amon Düül, Spacemen 3, Wooden Shjips, Tangerine Dream’ – a statement we wholeheartedly endorse.

Ad Astra was recorded live in July 2020 in a private garden with a field recorder in front of a small audience of friends during the lockdown in the middle of the corona pandemic. The two long jams were the opening and the closing track of a completely improvised concert and are a spontaneous snapshot of Acid Roosters approach to free floating consciousness expanding psychedelic music.
So 2 tracks and 46 minutes of Acid Rooster digging deep into the well of far-out psychedelic rock that is one mind-expanding journey to the innermost limits of your mind.

Zu den Sternen was the intro and is a slow-burn trip where you ride wave upon wave of ecstatic highs until you eventually hit the peak in freak out territory as Acid Rooster merge with the cosmos and then ride the golden afterglow home into an eternal locked groove.

Phasenschieber rides that afterglow of galactic intensity – a place where you can just let go as the music created drifts and pulses away. It is a Beautiful, hypnotic, spaced out, blissful state where Acid Rooster takes you beyond the Astral Planes.
Released by Cardinal Fuzz (UK), Sunhair Music (EU) and Little Cloud Records (US) in an edition of 600 (300 x Galaxy and 300 x Black)
Artwork by our beloved Chris Kröber

Сделать предзаказ22.07.2022

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29,37
ACID TONGUE - SCARS

Acid Tongue

SCARS

12inchBRLP376
BEAST RECORDS
08.08.2025
  • Under Your Lens
  • Values
  • Scars
  • Watching Over You
  • Under The Hill
  • Take It All Away
  • All Dolled Up
  • She's A Teacher
  • I'll Drink Your Blood
  • Spider Bites

Acid Tongue is an American garage band heavily influenced by classic soul, punk & psychedelic rock. Formed in a damp Seattle basement in 2015, the band immediately hit the road, extensively touring the US & Europe and refining their unique brand of rock & roll. The brainchild of singer/songwriter Guy Keltner, the band also includes numerous touring & studio musicians scattered between Paris, New York, London, Mexico City, & Los Angeles, with a rotating roster that seems to grow larger by the day. In 2015, Acid Tongue established their own label, Freakout Records, and in 2017 the band released their debut album, aptly titled BABIES. The album is a soulful, stoney, heartfelt approach to modern psychedelia. Their 2020 sophomore album, BULLIES, expanded upon the themes of their debut, cementing the band as the Pacific Northwest's most unique garage-rock proprietors. For their third studio album, ARBORETUM, the band recruited veterans from the psychedelic rock scene during production, resulting in first-rate collaborations with artists such as Death Valley Girls, Naked Giants and Canadian singer Calvin Love. Acid Tongue's fourth full-length, ACID ON THE DANCEFLOOR, showcases their now signature sound and a back-to-basics approach to rock music. Incorporating elements of glam, R&B and post-punk, the album is a loud, funky and chaotic acid trip that redefines "the Seattle sound". Acid Tongue's latest album, SCARS, is the band's most personal release to date. The record is moody, atmospheric and overflowing with the psychedelia and punk rock characteristics that have defined the band's sound over the past decade.

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23,49
Adrian Younge & Jack Waterson - Jack Waterson Instrumentals LP

Adrian Younge presents Jack Waterson is an ode to the mind-expanding albums of the psychedelic `60s. Both colorful and dark, the album forces listeners to get lost in the impressionistic worlds of prog, krautrock, mellotrons, and fuzzed soundscapes. Laced with hip hop breaks and acid rock, their intention is to subvert the designation of what is black vs. white music. Recorded and mixed by Adrian Younge at Linear Labs, the preeminent analog studio of Los Angeles, CA.

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20,59
ALIEN MUSTANGS - BEAT OF THE EARTH

Cardinal Fuzz and Little Cloud Records are delighted to bring to you for your listening pleasure – Alien Mustangs – ‘Beat Of The Earth’.
Emanating sonically (and physically) from Thessaloniki, Greece, the band has been crafting its unique blend of '60s-flavored, hypnotic, space-psych trippiness since 2013, releasing their debut LP "Alienation" in 2018 (on the always great Sound Effect Records) - this follow up 'Beat Of The Earth' is a shimmering wash of the most lysergic, cosmic and melodic music to have reached out ears so far in 2020.
Their mutant psych / space hybrid is deeply rooted in sixties garage, and while still paying tribute to their influences,(((Loop))), Spacemen 3, The 13th Floor Elevators and The Stooges, ‘Beat Of The Earth’ has a Teutonic beauty that brings to mind Harmonia.
Opening tracks ‘Sound Of No Future’ and ‘Fairy Meadows’ are both super- kosmische space rock epics where Alien Mustangs create an alluring, thick miasma that practically invites you to lose your bearings in their incandescent, the hallucinogenic cosmic glory.
On the flip over and we get Alien Mustangs in a fuzzed up Stooges pounding strung out guitar grind, where tidal waves of guitar drones detonate in your mind, Hawkwind inspired freak flag wildness flies with an added dose of motoric krautadelia. ‘Beat Of The Earth touches down gently with he lilting ‘Waiting The Dawn’ – a track that shimmers and glides with serene beauty as you melt blissfully into the ether of its serene beauty

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ANGERED WRECKS - BENNIES, BOOZE & RNR 1981 LP

Take the freaked-out punked up soul of The Stooges and MC5 mix that with 60s garage trash, blend in Sabbath, AC/DC and heavy rock n roll and then hot wire that sound to a handful of freaks located in Fredericton, New Brunswick. Here it is that The Angered Wrecks were located - in an old Victorian style house in downtown Fredericton. It was here they set up a permanent rehearsal space on the main floor taking up the dining room and living room area with a full P.A. system and the long parties would begin as the Angered Wrecks cranked out an unholy primal serving of mind-numbing, eyeball-popping guttural pure rock and roll.

Lucky for us the Angered Wrecks had a primitive DIY recording set up as they recorded live off the floor with one cardioid mic taped to the ceiling to capture the entire room sound and straight into a cheap Alpine cassette deck. The results of these previously unheard recordings capture the essence of trashy rock’n roll at it’s finest, delivered with pure dereliction, and always a side of extra sleaze.
Keeping warm in the winter at another old salt box style house they would later rehearse and play gigs in, a large circle was cut in the floor so that the rising heat from the pottery kiln downstairs would (along with the right mixture of beer and ‘Purple Jesus’, weed and often speed and hot dogs) keep these boys fuelled long enough in sub zero temperatures to keep pumping out the rock’n roll savagery.
The last show they played was in the fall of ’81 at the Bug Shack after the household was served an eviction noticed with the house to be entirely demolished (just like Stooge Manor aka The Fun House).

They got a gig together the weekend before demolition, packed the bottom floor and played a blazing set. At the very end, walls were kicked apart, old cans of paint strewn about, general wanton destruction to furniture, doors, windows etc…insane. The bug shack had come to an end and shortly thereafter, The Angered Wrecks.
That these tapes have survived to this day is all thanks to John Westhaver’s archival hoarding (even though the loss of a 90 minute session of the Angered Wrecks still haunts John to this day).
So CRANK these tracks as loud as you can – these audio tapes are not for the faint of heart

Сделать предзаказ28.01.2022

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26,01
APPLE - An Apple A Day...

Apple

An Apple A Day...

12inchTDP54002
Trading Places
05.06.2019

British psychedelic band Apple was formed in the industrial powerhouse of Cardiff, north Wales, in 1968 by guitarist

Robbo Ingram and bassist Jeff Harrad. Joined by drummer Dave Brassington, keyboardist Charlie Barber and singer

Dennis Regan, their debut single “Thank U Very Much,” arranged by session guitarist Big Jim Sullivan, sparked the

interest of Larry Page, who signed them to his Page One label to cut the debut album An Apple A Day with producer

Caleb Quaye (the son of the multi-instrumentalist Cab Quaye and older brother of future singer Finley Quaye).

Unfortunately, Apple’s mixture of pop, psychedelia and heavy blues was probably a bit too ahead of its time; the album sold

poorly on release and the group proba bly would have been totally forgotten, if not for belated critical acclaim, especially

for Harrad’s haunting “The Otherside.” With rare originals incredibly hard to find, regularly selling for thousands of

pounds, this reissue is long overdue.

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APRIL WINE - APRIL WINE

April Wine

APRIL WINE

12inchSG7272
SNOW GHOST
06.06.2019

This album is a brilliant blend of psychedelic edged rock that was very popular at the time. When you listen to this album it has a maturity that is unexpected from a group of guy's this age. The album contains songs ranging from psychedelic to Latin flavors along with some rapid fire double bass pedal kicks that are popular today some 4 decades later. Add in some scorching guitar riffs all wrapped up in a sweet melodic sound that gives this album a world wide appeal and yet keeps the songs tied together so it almost has that concept album feel.

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ATILA - The Beginning Of The End

Often hailed as one the hard psych masterpieces to come out from Spain in the early 70's, "The Beginning Of The End" was the vinyl debut of Atila, a trio formed in 1973 by Eduardo Niebla -guitar- Joan Punyet -drums- and Francisco Ortega -keyboards. Originally released in 1975 by the obscure New Promotion label in a alledged tiny pressing of 100 copies the album has reached "monster" status between die-hard collectors worldwide, sometimes reaching the 1000€ tag.



"An incredible progressive tour de force, Atila combined the typical classical learnings with fierce guitar leads and dark keys all over in the best european tradition of the era (think italian prog)."



We have repressed 500 copies of our long deleted reissue of this Spanish hidden treasure. This new edition comes with a bonus CD that features an alternate take of the album .



The Wah Wah release comes with remastered sound worked from the original master tapes, as usual marvelously treated by sound wizard Denis Blackham @ SkyMastering. It has an expanded 8 page booklet with liner notes by Fermí Puig and many photos.

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ATILA - Intención

Atila

Intención

12inchLPS032
WAH WAH RECORDS
30.11.2019

New vinyl repressing of our long sold out edition of the glorious second LP by this killer Spanish hard prog psychedelic band.



INTENCIÓN, the sensational second LP recorded by Atila, has never fetched the high amounts their debut album THE BEGINNING OF THE END (Wah Wah LPS022) does exchange hands for in the collectors’ market, but it is still a mega rare LP hardly seen below the 400 euros tag, and is considered by many to be better than their previous output.



At the time of recording this album, the band was already considered one of the top stage acts from Spain, which led to their signing for the BASF label, where they were had access to a better production, which not only resulted in a better sound but also in a much more visually attractive full colour gatefold sleeve, which the Wah Wah reissue will reproduce to perfection and outgrade to a gorgeous 8 page booklet full of info on the band.



Originally issued in 1976, INTENCIÓN is the perfect follow–up to THE BEGINNING OF THE END, with Atila offering further pieces led by the strong guitar licks of Eduardo Niebla, Benet Nogué’s organ & Moog, and Joan Punyet’s drums melting in top progressive freakouts, plus the addition of wordless vocal parts and even some catalan sung parts, besides adding a symphonic edge to the general sound. Side A offers three killer tracks in that vein, while B side is a new recording of the bands’ signature theme EL PRINCIPIO DEL FIN, with updated overtones, Moog passages and a much better recorded sound than the one appearing on their debut LP.



The Wah Wah release comes with remastered sound worked from the original master tapes, as usual marvelously treated by sound wizard Denis Blackham @ SkyMastering. It has an expanded 8 page booklet with liner notes by Fermí Puig and many photos.



Limited repressing of only 500 copies.

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Babylon Dance Band - Somebody

One of the most important progenitors of the Louisville scene, a soulful take on an urgent garage punk sound, Babylon Dance Band released very little during their incarnation. These two tracks ‘Someday’ and ‘Rubbertown’ made up their second single, released well after they broke up in late 1981.

Сделать предзаказ03.05.2024

он должен быть опубликован на 03.05.2024

13,66
Backyard Babies - Backyard Babies

Backyard Babies' selbstbetiteltes Album wurde 2008 in weniger als 90 intensiven Tagen aufgenommen und enthält die Instant-Klassiker 'Nomadic' und 'Abandon'. Das von Jacob Hellner produzierte Album erreichte Platz 1 in den schwedischen Albumcharts.

Сделать предзаказ25.03.2022

он должен быть опубликован на 25.03.2022

23,66
BAD SPELL - ON'T GO OUT TONIGHT

13 tracks of fuzzed-out, psyched-up southern garage rock and roll. Bad Spell is a three-piece garage rock & roll combo hailing from Atlanta, GA. Members Bryan G. Malone (The Forty-Fives), Shane Pringle (Tiger! Tiger!, Go-Devils), and Pietro Digenarro (The Booze, Midnight Larks) produce an electric and driving rock & roll sound that draws from a variety of influences such as early Stones, Sonics, Remains, Roky Erickson, MC5, Dead Moon, Moving Sidewalks, Scientists, Howlin' Wolf, and Chuck Berry. Having formed in 2016, the band soon found themselves being asked to perform in venues all over the Southeast with acts such as Guitar Wolf, NoBunny, Cynics, and Subsonics. The approach was simple: A fuzzy guitar, a booming baritone, and a madman on drums playing catchy songs with a more than a hint of hell-bound attitude and plenty of reckless abandon. Their psyched-out, over-the-top live show has endeared them to the Atlanta music scene and beyond. "Bad Spell's energy level kicks the needle into the red..." - Michael Toland Bonus Materials includes download code. Limited 150 units Press Quotes: 'Bad Spell's energy level kicks the needle into the red...' _Michael Toland, Bad Spell has recorded 13 songs of high-volume, high-energy rock n' roll. Do yourself a favor - listen to Don't Go Out Tonight with the volume cranked to 11, and let it restore your faith that rock n' roll is alive and well. _Gary Schwind, The MC5/Seeds influenced opener 'Gotta Put You Down' sets the hard-rockin' agenda for 13 soul-driven songs in 30 minutes, and every one of them is a true nugget for the 2000's! _Jack Rabid, The Big Takeover

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Banco del Mutuo Soccorso - Transiberiana

Die Italo-Prog-Legende Banco del Mutuo Soccorso (in der Kurzform gerne Banco oder BMS genannt) ist zurück und präsentiert mit »Transiberiana« ein absolut beeindruckendes Konzeptalbum, welches nicht nur eine, laut Gründungsmitglied Vittorio Nocenzi, sowohl inhaltlich als auch musikalisch autobiografische Reise darstellt, sondern auch die Zukunft der Gruppe definieren wird.

Nach dem Unfalltod des charismatischen Sängers Francesco Di Giacomo 2014, ist das eine ziemliche Überraschung, doch wie das exzellente neue Line-Up - neben Nocenzi (Piano, Keyboards, Gesang) sind das Sänger Tony D’Alessio, die Gitarristen Filippo Marcheggiani und Nicola Di Già, Basser Marco Capozi und Drummer Fabio Moresco - live bereits bewiesen hat, sind Banco 2019 absolut bestens aufgestellt und verstehen es perfekt, den Vibe von 70er-Klassikern wie »Darwin!« (1972), »Lo Sono Nato Libero« (1973) ins Hier und Jetzt zu transportieren.

Wie einst finden sich auf »Transiberiana« nicht nur Einflüsse britischer Prog-Helden, sondern auch die Folk-, Jazz- und Klassik-Elemente, die ihren Stil damals spannend erweiterten, doch »retro« klingen möchte Nocenzi nicht, für ihn ist progressive Musik auch nach fünf Jahrzehnten vor allem eins: künstlerischer und kreativer Fortschritt! Das Booklet enthält Fotos von den Aufnahmen, die italienischen Lyrics, dazu englische Übersetzungen sowie Liner Notes in beiden Sprachen.

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BANG BANG BAND GIRL - 12 SUPER DUPER EXTRAORDINARY GIRL TROUBLE ROCK’N’ROLL TRACKS

From Chile now Rotterdam comes that extraordinary One Lady Rock'n'Roll Orchestra giving you the most obscure Covers of the Cramps, Motörhead or the Drifters, Recorded in Peru and the NL Ladies & Gentlemen welcome to violence, der künstlerischen Gewalt der emotionalen Kraft, Sinnlichkeit und grenzenloser Stärke... Willkommen in der Welt von Bang Bang Band Girl, der allmächtigen ein Damen-Band, die dieses fabelhafte Album komponiert und gassenhauer neu um-komponiert, spielt, singt und produziert. In Chile geboren, dann auf der ganzen Welt gelebt und jetzt im niederländischen Rotterdam heimisch, ist das Album ein echtes Sonic-Meisterwerk, das wie eine Jukebox die grandiosen Hits unseres Bang Bang Band Girl spielt. Eine wild abgespacte Wand aus Fuzz gitarren, Theremin, Reverberation-Feedback und einer warmen, gefährlichen und doch süßen Stimme bringt Ihnen die Hits von The Troggs (Wild Thing) Wanda Jackson (Funnel Of (trash) Love) Hasil Adkins (No More Hot Dogs) Nancy Sinatra (bang bang) Motorhead (the Watcher) The Drifters (Up On the Roof) Dave Diddle Day (Blue Moon Baby) The Heartbreakers (All By My Self) Elvis Presley (Heartbreak Hotel) the Cramps (Call Of The Wighat) alles selbst aufgenommen und gespielt in Rotterdam oder Lima, Peru, ausgenommen Walter Daniels (daddy long legs, Oblivians, john schooley etc) spielt Saxophon in Blue Moon Baby und Veronik spielt das Theremin in Heartbreak Hotel, wir können nur aufstehen mit den Füssen stampfen und laut applaudieren und eine weitere Münze in die Jukebox werfen, nur um in den Tiefen der Nacht zu tanzen. (Frank Zwiler) Vinyl-LP mit DLC, Poster-Booklet-Inlay und Gratistrip ins All, CD in Karton-Digisleeve inklusive 12seitigem Insert, kein Kunststoff bis auf die CD

Сделать предзаказ16.12.2022

он должен быть опубликован на 16.12.2022

19,29
Beasts of Bourbon - Little Animals
также имеющийся в продаже

Red Vinyl[25,17 €]


"THE BEASTS OF BOURBON were scabby-knuckled, Australian blues-punk motherf*ckers, severely haunted, whiskey-twisted, savage, doomed, old hard-asses, ruined, fat, mean guys in filthy t-shirts... NOT yer local tattoo-shop fonzies singin' 'bout "Sin" and "Hell". These dudes weren't greasy kids, even back then. They were venomous and aching, former members of THE SCIENTISTS and HOODOO GURUS, and the talent pool of this revolving door operation remains astonishing. - Sleazegrinder Magazine Little Animals, the last album in the official canon of the Beasts of Bourbon, was originally released unexpectedly, after 9 years of total silence from the band, in 2007. What could have been a new century renaissance for the group was cut short, however, during the next decade with the death of founding member Spencer B. Jones. Over the Beasts’ decades-long career the Beasts put out six albums and managed to carve their name into the annals of Australian rock’n’roll. Little Animals is a fitting epitaph to a legend, ten tracks of vicious and dirty crash-and-burn rock’n’roll. Svart Records is proud to present an official reissue of this hard-to-find record on vinyl, the original format for rock’n’roll. Wrapped in a gatefold jacket and limited to 500 on black and 500 on red vinyl, this shines in striking hues of blood and gold.Little Animals, the last album in the official canon of the Beasts of Bourbon, was originally released unexpectedly, after 9 years of total silence from the band, in 2007. What could have been a new century renaissance for the group was cut short, however, during the next decade with the death of founding member Spencer B. Jones. Over the Beasts’ decades-long career the Beasts put out six albums and managed to carve their name into the annals of Australian rock’n’roll. Little Animals is a fitting epitaph to a legend, ten tracks of vicious and dirty crash-and-burn rock’n’roll. Svart Records is proud to present an official reissue of this hard-to-find record on vinyl, the original format for rock’n’roll. Wrapped in a gatefold jacket and limited to 500 on black and 500 on red vinyl, this piece of wax shines in striking hues of blood and gold.

Сделать предзаказ25.11.2022

он должен быть опубликован на 25.11.2022

25,17
Beebe Gallini - Begged, Borrowed and Stealed LP

The original line up of all women featured Sally Sweet of Minneapolis garage bands THE CAVEGURLS and THE BLUE UP. After some time the original line up morphed into a mixed band of men and women and the group released a 45 on Ramo Records. This caught the attention of Boston record label RUM BAR RECORDS, who would release the BEEBE GALLINI album 'Pandemos', a collection of material made during the worldwide pandemic. A well-received collection ranging from garage nuggets to 60's BEE GEES' hit and original material.

For their next project producer and drummer for the group Travis Ramin brought the group into the legendary Kay Bank Studio in Minneapolis. A studio rich in musical history where everything from DAVE DUDLEY's Six Days on the Road and THE FENDERMEN's Muleskinner Blues to THE TRASHMEN's Legendary Surfin Bird and all of Soma Records' Big Hits Of Mid America were recorded. The early GUESS WHO recorded there and decided on their name in the building even ... the list goes on and on!

Travis' idea for a record was to re- record some Minnesota garage classics that were originally recorded there in the same room and invite some of their garage rockin' friends to join them. Run Run Run by THE GESTURES and Why by THE ACCENTS would feature on lead guitar Keith Patterson (formerly of THE FUNSEEKERS, THE SPECTORS, and THE CONQUERORS). I Believe from THE HIGH SPIRITS would feature Melanie Vammen of THE PANDORAS organ solo and Russell Quan famously of THE MUMMIES, FLAKES and DUKES OF HAMBURG would take lead vocal on THE KAN- DELS raucous Cry Girl. The session was so successful that it expanded into the full- length album "Begged, Borrowed and Stealed" and batch of material expanding beyond the Minnesota borders, with tunes from DAVE DEE, DOZY, BEAKY, MICK & TICH, OTIS REDDING, BEEBE themselves and more! Recording in the sacred space made for a special rock and roll party album which also features the artwork of legend Cliff Mott! So, get ready for an all-star cast and a little dose of Minnesota Garage Rock and Soul!

Сделать предзаказ23.05.2025

он должен быть опубликован на 23.05.2025

27,52
BELLA & THE BIZARRE - BELLA & THE BIZARRE LP

Bella and the Bizarre is a high-energy Berlin-based band that blends the raw intensity of garage rock with a silky soulful flow. A wild fusion of garage punk, sixties rock’n roll and a touch of RnB soul, with its own gentle smokiness. Combining a broad spectrum of influences - from Wanda Jackson to the Remains, Eartha Kitt to the Ramones, they are ready to set you in trance! Known for their vibrant stage presence and infectious energy, Bella and the Bizarre deliver performances that are as captivating as they are unpredictable.

Сделать предзаказ15.11.2024

он должен быть опубликован на 15.11.2024

34,41
Big'N - End Comes To Soon
также имеющийся в продаже

180gr + ALUMINIUM PACKAGING[36,56 €]


BigʼN was, is and always shall be a legacy noise rock band from Chicago (est. 1990) comprised of vocalist William Akins, guitarist Todd Johnson, bassist Fred Popolo, and drummer Brian Wnukowski. After releasing a stellar debut album (1994), followed by their sophomore and signature effort Discipline Through Sound on Skingraft Records (1996) and a split single with Shellac, the band became inactive for some years. In 2018, BigʼN recorded and released a new EP, Knife of Sin, via Computer Students™. In 2022, they released DTS 25, an expansion of their pioneering second album. Both were recorded by the late, great Steve Albini. BigʼN is back once again with a ruthless new album, End Comes Too Soon — their first in 28 years — released via Computer Student. It's all still here as present and disciplined as ever — Brianʼs powerful, reliably precise drumming with melodic phrasing that shapes the songs, Fredʼs metallic superstructure of a bass that builds the defined framework of the music, Toddʼs clangorous guitar that has more harmonic content than a lot of his noisier peers, and William Akinsʼ yarling vocals, the most recognizably human thing about the band, that convey layers of tension and intent, all the emotional content of a hellbound therapy session. Tragically, on May 7, 2024, Steve Albini suddenly passed away of a heart attack. Naturally, BigʼN were shocked and devastated. End Comes Too Soonʼs title comes from a lyric, and is unrelated to Albini; still, the album became a roundabout love letter to the man, his studio, and his legacy. Like its predecessors, the album is structured by snippets of musical interludes or Transmissions — and there are six here, under the common code "XMSN."

Сделать предзаказ15.11.2024

он должен быть опубликован на 15.11.2024

31,51
Big'N - End Comes To Soon

Big'n

End Comes To Soon

12inchCS010B
CMPTR STDNTS
15.11.2024
также имеющийся в продаже

180gr[31,51 €]


BigʼN was, is and always shall be a legacy noise rock band from Chicago (est. 1990) comprised of vocalist William Akins, guitarist Todd Johnson, bassist Fred Popolo, and drummer Brian Wnukowski. After releasing a stellar debut album (1994), followed by their sophomore and signature effort Discipline Through Sound on Skingraft Records (1996) and a split single with Shellac, the band became inactive for some years. In 2018, BigʼN recorded and released a new EP, Knife of Sin, via Computer Students™. In 2022, they released DTS 25, an expansion of their pioneering second album. Both were recorded by the late, great Steve Albini. BigʼN is back once again with a ruthless new album, End Comes Too Soon — their first in 28 years — released via Computer Student. It's all still here as present and disciplined as ever — Brianʼs powerful, reliably precise drumming with melodic phrasing that shapes the songs, Fredʼs metallic superstructure of a bass that builds the defined framework of the music, Toddʼs clangorous guitar that has more harmonic content than a lot of his noisier peers, and William Akinsʼ yarling vocals, the most recognizably human thing about the band, that convey layers of tension and intent, all the emotional content of a hellbound therapy session. Tragically, on May 7, 2024, Steve Albini suddenly passed away of a heart attack. Naturally, BigʼN were shocked and devastated. End Comes Too Soonʼs title comes from a lyric, and is unrelated to Albini; still, the album became a roundabout love letter to the man, his studio, and his legacy. Like its predecessors, the album is structured by snippets of musical interludes or Transmissions — and there are six here, under the common code "XMSN."

Сделать предзаказ15.11.2024

он должен быть опубликован на 15.11.2024

36,56
BILL FOX - TRANSIT BYZANTIUM

Bill Fox

TRANSIT BYZANTIUM

2x12inchSCAT78
Scat Records
22.01.2021

These newly remastered editions of Bill Fox’s second album are the first since its 1998 release, including the first-ever vinyl pressing. Listeners will hear a wider soundstage, more detail, and improved listenability. Recorded on 4-track cassette, the fidelity belies the sophistication and nuance of the songwriting, This adept remaster by John Golden Sr helps bring definition to the intimate, at-home feel of the album. It sparkles.Very similar in feel and quality to Fox’s debut album, much of Transit Byzantium draws from the same group of recordings. It has the same feel of musical inevitability, that the songs exist beyond time itself, their eventual manifestation guaranteed by Apollo. He could’ve given them to the Everly Brothers, or the Byrds, or the Who, but instead they were channeled through an everyman from Cleveland with an aversion to the limelight. And while a traditional folk influence colors several songs, even those possess the indelible stamp of Fox’s charismatic voice and personality. Although nearly entirely acoustic and with minimal percussion, these eighteen songs cycle through a remarkable variety of textures and moods.While much has quite rightly been written about the god-tier songwriting here (“Song of a Drunken Nightingale,” “My Baby Crying,” “I’ll Give It Away” for starters), it should also be noted that this is a guitar player’s record, though more in terms of conception than flash. Lines of harmony and counterpoint wander between parts, sublime in their invention though sometimes crudely documented.

Сделать предзаказ22.01.2021

он должен быть опубликован на 22.01.2021

31,89
BILLY CHILDISH - FROM FOSSILISED CRETACEOUS SEAMS: A SHORT HISTORY OF... LP 2x12"

Dieser Tage erscheint das Ted Kessler Buch "To Ease My Troubled Mind: Die autorisierte unautorisierte Geschichte von Billy Childish". Als die Idee für das Buch die Idee für das Buch aufkam, wollte Billy ein prägnantes Doppelalbum zusammenstellen, das die 47 Jahre seines musikalischen Schaffens zusammenfasst. Dies ist das Ergebnis. Mein Name ist William Ivy Loveday, alias Steve Hamper, alias Guy Hamper, alias Jack Ketch, alias Billy Childish. Ich wurde in Medway, Kent, geboren, wo ich immer noch lebe. Ich verließ die Schule 1976, als ich 16 war. Da ich keinen Schulabschluss hatte, wurde ich von der Kunstschule abgelehnt und ging in der Werft von Chatham als Steinmetzlehrling arbeiten. Später schaffte ich es, aufgrund meiner Bilder in einen Malkurs an der St. Martin's School of Art aufgenommen zu werden. Ich, Bruce, Big Russ und Little Russ gründeten 1977 The Pop Rivets und machten unsere ersten Aufnahmen. Unsere Inspiration war Punkrock, TV21 und The Swinging Blue Jeans. Ich lernte Gitarre zu spielen und arbeitete 1979 vier Wochen lang im Oakwood Mental Hospital als Pförtner, dann gründeten ich, Mick und Bertie The Milkshakes. Unsere Inspirationen waren Link Wray, die Beatles-Live-at-the-Star-Club-LP, der Song "Gotta Get the First Plane Home" von den Kinks und unser Hass auf die New Romantics-Szene. Dann wurde ich von der St. Martin's School of Art verwiesen, weil ich etwas geschrieben hatte, das als "die schlimmste Art von Toilettenwand-Humor" bezeichnet wurde. Ich verprügelte meinen Vater, als er aus dem Gefängnis kam, wo er wegen Drogenschmuggels gesessen hatte. Wir haben uns bei The Milkshakes nie selbst bezahlt und das ganze Geld in die Herstellung unserer eigenen Platten gesteckt. Ich bewahrte das Geld auf einem Bankkonto unter dem Namen Kurt Schwitters auf. Ich lebte 12 Jahre lang von der Sozialhilfe. Im Jahr 1985 gründeten wir Thee Mighty Caesars. Unsere Inspiration waren Bo Diddley und The Troggs. Ich wurde Mitglied von Greenpeace. 1989 gründeten Bruce und ich Thee Headcoats. Unsere Inspiration waren Son House und Downliners Sect. 1999 gründeten ich, Wolf und Johnny Barker The Buff Medways. Unsere Inspiration war Jimi Hendrix in Beatle-Stiefeln und The Who, bevor Roger Daltry anfing, die Vorhänge seiner Oma zu tragen. Etwa 2008 gründeten Julie und ich The Musicians of the British Empire. Daraus wurde dann CTMF. Daraus wurden dann die Chatham Singers. Unsere Inspiration basierte auf uns selbst. Als Nächstes war es an der Zeit, dass Neil und ich die Spartan Dreggs gründeten, inspiriert von Homer und A. E. Housman. Andere Gruppen entstanden und zerfielen - damit niemand wusste, wer wir waren oder warum. Im Jahr 2019 entstand The William Loveday Intention - inspiriert von Hollis Brown und den Mississippi Sheiks. Das Guy Hamper Trio tauchte noch einmal auf, zusammen mit Jamie an der Hammond. Einige dieser Gruppen sind geblieben, viele haben sich zu fernen Ufern mit scharfen, versteckten Felsen aufgemacht. Hauptsächlich male ich und schreibe Gedichte und Romane. Zusammen mit der Musik, die ich spiele, ist nichts, was ich tue, jemals besonders modisch gewesen, aber genau darum geht es auch. Schon 1977 haben wir gerne Nein gesagt. Dann, als der Punk sich in New Romantic verwandelte, fielen wir in den frühen Rock 'n' Roll und den Blues zurück. Bei The Milkshakes sagte man uns, dass wir zu viele LPs veröffentlichten und damit kommerziellen Selbstmord begingen, also brachten wir an einem Tag vier verschiedene LPs heraus. Ab und zu kommt jemand Berühmtes vorbei und ein kleiner Krümel rollt über den Tisch und spritzt in unsere lauwarme Suppe. Ein anderes Mal eifern uns Unbekannte nach und erweisen sich nur als besser. Ich liebe Pop, aber keine Popstars. Ich interessiere mich nur für Klang und Farbe und das in einem kleinen Maßstab zu sein. Ich verstecke mich nicht hinter Lautstärke und Off-Stage-Mixing. Ich brauche keine Show zu spielen, weil ich lieber daheimsitze und eine Tasse Tee trinke. Meine Arbeit gehört nach unten, zum Instinkt und zum Elementaren, und ist nahe am Boden. Ich glaube an selbstgemachte Musik, selbstgemachte Kunst und selbstgemachtes Kochen. Die Musik war über die Jahre hinweg ein lohnendes Hobby. Ich habe viele gute Freunde getroffen und mit ihnen gearbeitet, und Gott hat mich vor dem Ruhm bewahrt. Ich möchte die Straßenbahn und das Pferd zurückbringen.

Сделать предзаказ05.07.2024

он должен быть опубликован на 05.07.2024

24,16
BILLY CHILDISH & HOLLY GOLIGHTLY - IN BLOOD - ONE CHORD! ONE SONG! ONE SOUND!
  • 1: Step Out
  • 2: In Blood
  • 3: Let Me Know You
  • 4: You Got That Thing
  • 5: Demolition Girl
  • 6: Upside Mine
  • 7: You Move Me
  • 8: I Believe
  • 9: It's A Natural Fact
  • 10: I'm The Robber
  • 11: Move On Up
  • 12: Hold Me

BILLY CHILDISH veröffentlicht seit 1979 Platten, HOLLY GOLIGHTLY seit 1990; 1999 taten sie sich für ein gemeinsames Projekt zusammen, das ursprünglich in den USA bei Wabana Records erschien. IN BLOOD ist ein großartiges Album, das bei der ersten Veröffentlichung in Europa so gut wie ignoriert wurde. Der Untertitel von IN BLOOD lautet ONE CHORD! ONE SONG! ONE SOUND!. Aber es ist so viel mehr als das: Tracks wie ,Demolition Girl" und ,Step Out" dröhnen aus deiner Stereoanlage - wirklich großartige, dreckige Ein-Akkord-Blues-Songs (mit vielen Noten), mit Gesangswechseln, klirrenden Gitarren und begleitet von der Medway Delta Review, zu der Bruce und Johnny von Thee Headcoats sowie Johnny Gibb von den Wildebeests gehören. Während Einfachheit, Wiederholung und purer Rock-'n'-Roll-Minimalismus das Herzstück des Albums bilden, verliert IN BLOOD nie an Reiz. Es macht einfach süchtig! Diese Neuauflage erscheint auf schwarzem Vinyl.

Сделать предзаказ22.05.2026

он должен быть опубликован на 22.05.2026

17,23
BLACK LIPS - LET IT BLOOM

Black Lips

LET IT BLOOM

12inchFIRELPB686
Fire Records
02.06.2023

This blue coloured vinyl is exclusive to Indie stores, very probably including a DLC as extra bonus. The classic third album from the Black Lips, originally released in 2005 and now back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. 16 tracks of grimy and chaotic punk, scuzzy and raw, and catchy as hell. The band at their trashy best, more melodic but every bit as psychotic. If The Royal Trux had listened to the Troggs instead of the Rolling Stones, they might have recorded this album. This baby is a masterpiece. Unapologetic southern-fried twang, crunching through the gears in a blitz of grimy bravado. Their music twitches with an engaging, wired vigour." **** Uncut - "Their strongest effort to date." All Music

Сделать предзаказ02.06.2023

он должен быть опубликован на 02.06.2023

30,46
BLACK LIPS - BEBOP ARMAGEDDON (DETOURS & OFFCUTS FROM SEASON OF...)
  • Kingdom Come
  • Colt 44 (Ft. King Khan)
  • Step Back Old King Cole
  • Gunnin
  • Bound For Rodeo
  • Zulu Saints (Demo)
  • Sx Sx Sx Men (Remix)
  • Back To Kiev
  • The One
  • Satan
  • Back With The Breeze
  • Judas Pig (Demo)
  • Kassandra (Alternate Mix)
  • Gunnin Demo (Instrumental)
  • The Illusion Pt. 1 (Dream Mix)

Exklusive Vinyl-Sammlung mit Demos, Skizzen und Outtakes vom neuen Album "Season Of The Peach" von Black Lips. Mit einem Feature von King Khan sowie alternativen Versionen und Mixen und exklusiven Songs aus den Sessions. Gleichzeitig mit ihrem richtigem neuen Album "Season Of The Peach" wird die Outtakes-Sammlung "Bebop Armageddon (Detours & Offcuts From Season Of The Peach)" veröffentlicht, ein wildes, limitiertes Kompendium: Demos, alternativen Versionen und klingende Missgeschicke der jüngsten Sessions zum neuen Album, für echte Fans auf Vinyl gebannt. Wenn "Season Of The Peach" eine farbenfrohe Halluzination ist - teils Garagenrock-Fantasie, teils verbranntes Americana-Land - dann ist "Bebop Armageddon" sein zerfetzter, magnetischer Schatten. Diese 14 Tracks nehmen einen orientierungslosen Weg durch dasselbe Terrain und bieten mutierte Skizzen, wunderschöne Trümmer und freakige Umwege, die vor rohem Charme und chaotischer Erfindungsgabe nur so strotzen. Es gibt alternative Mixe (,Kassandra"), Demoversionen (,Judas Pig", ,Zulu Saints") und schwindelerregende Neuinterpretationen wie ,The Illusion Pt. 1 (dream mix)". Das Exklusive ,Colt 44" (mit King Khan) rattert wie ein Güterzug, der zu entgleisen droht, während ,Satan" und ,Back To Kiev" gleichermaßen versengten Psych, Saloon-Gospel und gespenstische Front-Porch-Melodien bieten. Alle Tracks wurden auf Analogband im Sound At Manor Studio von Oakley Munson in den Catskills aufgenommen. Bebop Armageddon fängt den Geist der Sessions in roher, ungekünstelter Form ein. Keine sauberen Linien. Keine Wiederholungen. Kein Glanz. Das ist das Chaos unter der polierten Oberfläche des Mutteralbums - die Black Lips, die sich nicht benehmen wollten. Limitiertes klassisch schwarzes Vinyl (1000 Stück weltweit) mit DLC dabei.

Сделать предзаказ19.09.2025

он должен быть опубликован на 19.09.2025

26,01
Black Mekon - NEAT! LP

Black Mekon

NEAT! LP

12inchLPPNKSLM108C
PNKSLM
20.10.2023
Сделать предзаказ20.10.2023

он должен быть опубликован на 20.10.2023

28,36
Blood Red Shoes - Ghosts On Tape LP

Blood Red Shoes

Ghosts On Tape LP

12inchJAZZLIFE50LP
Jazz Life
14.01.2022

After years spent living on opposite sides of the Atlantic world events threw Laura Mary Carter and Steven Ansell of Blood Red Shoes back together into what has become the must fruitful era of their 17 years together.

“It’s been a loooong time since we both lived in the same city”, explains Steven. “I mean we actually wrote this album in LA at Laura’s place, then came to the UK to record it…and then everything went nuts”.

Realising very quickly that they wouldn’t be able to release the album or tour until the world returned to some kind of normality, the band found their energies quickly spilled over into other projects. Laura-Mary started a podcast, Never Meet Your Idols, with her best friend in LA, interviewing everyone from Zack Snyder to Mark Lanegan to CHVRCHES. It is now about to start its third season. Steven started applying his love of electronic music by writing and producing other alternative artists like Circe, ARXX, Aiko and XCerts, racking up millions of streams in the process.

Having worked together on Laura–Mary’s forthcoming solo mini album Town Called Nothing and restless from the lack of touring, the duo started jamming out in rehearsal rooms, which led to the light-speed writing, recording and release of the impossibly-titled Ø EP in the summer of 2021. Which concludes what the band call an “off year”.

And that brings us back to GHOST ON TAPE. It appears that like David Lynch’s The Lost Highway, nothing is linear in the world of Blood Red Shoes. Written and recorded before their most recent EP, GHOSTS ON TAPE is a huge jump into new terrain for the band. Musically and emotionally their most mature work, it is a complex, imaginative, and very gothic development on their sound. Musically, it leaves almost no trace of their former selves.

Сделать предзаказ14.01.2022

он должен быть опубликован на 14.01.2022

25,59
BLOODSHOT BILL & GERARD VAN HERK - SHOT OF BLOOD EP
  • Shot Of Blood
  • She Said No
  • Shish Taouk
  • Crawl

"Bloodshot Bill, the Canadian hickup rockabilly Trash LoFi King of One-Man-Bands meets Gerard Van Herk from the legendary Deja Voodoo duo to create music that comes direct out of a rotten crypt and smells like an obscure trashed up rock'n'roll bad-ass delinquent." -VVR Bloodshot Bill ist eine Ein-Mann-Band aus Quebec in Kanada. Keine Computer, keine Overdubs, einfach nur seine Gitarre mit Kickdrum und ein Hi-Hat, 2020 war er Gewinner von ,Ameripolitan Rockabilly Male Of The Year". Bloodshot Bill sei ,wie Roy Orbison mit einer Kopfverletzung", sagt Reg isseur John Waters. Er hat in den letzten 20 Jahren eine Menge Musik veröffentlicht (Norton, Goner, Squoodge etc und wurde auf Platz 8 der Top 10 Rock-Gitarristen des Vintage Rock Magazine gewählt. Gerard Van Herk, Gründer und Frontmann des legendären Duos Deja Voodoo aus Montreal in Kanada, veröffentlichte seit 1981 viele Platten auf u.a Midnight Records oder What Wave. Sie waren Pioniere in Kanada und schufen ihr eigenes Musikgenre Slugabilly. 2024 trafen sich die zwei Musiker und nahmen die vier Songs dieser EP auf. ,Shot of Blood" und ,Crawl" von Gerard Van Herk sowie ,She said no" und ,Shish Taouk" von Bloodshot Bill. Die Tracks gingen verloren und es wurde nur eine dünne MP3 gefunden die dann von Matt von den Ouside Inside Studios versucht wurde wiederherzustellen. Hören Sie selbst!!!

Сделать предзаказ28.03.2025

он должен быть опубликован на 28.03.2025

8,36
Blues Weiser - Obey The Booze

“Booze for Blues! No time to think, time to drink!”
That’s the motto of the Spanish heavy fuzz rock
and psychedelic power blues trio Blues Weiser.
They stay true to their motto on album number
three – ‘Obey The Booze’.
‘Obey The Booze’ is now available on red vinyl.
Blues Weiser unleash a vibrant blend of Fu
Manchu / Nebula fuzzy stoner blues jams, 70s Jimi
Hendrix-infused wah-wah solos, thunderous 90s
rock riffs and big grooves.
Sometimes crystal clear and laid-back and
sometimes exploding in a face melting distortion,
Blues Weiser do know how to shake grounds with
their sound; “It’s been a wild ride since we started
recording it, while trying to settle on making a
fuzzy, bluesy, psychedelic, feelgood, but at times
yet dark but honest record. Let’s have some good
time!”
For fans of Fu Manchu, Monster Magnet, Karma
To Burn, Nebula, Snail, Brant Bjork.

Сделать предзаказ03.02.2023

он должен быть опубликован на 03.02.2023

25,84
Causa Sui - Loppen 2024 LP

Causa Sui

Loppen 2024 LP

12inchEPR078LP
El Paraiso
07.02.2025

Causa Sui returns with a new live album, recorded at their home turf – the legendary Copenhagen venue Loppen, located at the famous, and notorious, freetown Christiania – a venue the band has played more often than any other throughout their 20 year career.
This set is the perfect companion to last year's career highlight ‘From The Source”, which saw the band condense the multiple stylistic aspects of their sound into an awe-inspiring 47 minutes. Represented here are key cuts from that album – including the sidelong 7-part epic ‘Visions of a New Horizon” - as well as a few fan favorites such as ‘Red Sun in June” from the band's Summer Sessions series, which has never previously been released in a live version. In this rendition the band let themselves get carried away, riding on the energy of the room, soaring into jammy Grateful Dead territory. Elsewhere the band explores jazzy, improvisatory group interplay (The Spot) and get as heavy as they can (Soledad, Boozehound). Getting carried away is what Causa Sui are all about when playing live, and that mentality is captured in entirety on this set. Mixed and mastered by Jonas Munk from a multitrack soundboard recording

Сделать предзаказ07.02.2025

он должен быть опубликован на 07.02.2025

25,84
Chain Whip - Two Step To Hell

Chain Whip

Two Step To Hell

12inchDRUNKENSAILOR142
Drunken Sailor
12.11.2021

"You ever wonder what Keith Morris does at the end of the day? Does he maintain that wide-eyed stare, the one that pins audiences to the floor with its very intensity, while he’s putting on his pyjamas? Does he continue spitting venom from that heroically ragged throat of his while he’s making his cocoa? Does he lay his head on his pillow with the same righteous fury that launched thousands upon thousands of moshpits? Hey, I’m just wondering. Y’see, all that intensity and venom and fury… it has to go somewhere while he’s otherwise occupied with mundane tasks like taking off his socks or brushing his teeth, right? And listening to the thrilling racket conjured up by Vancouver’s Chain Whip, you’d be forgiven for thinking that they have somehow become vessels for that energy. I mean, they’re Morris’ spiritual successors - if their 2019 debut ‘14 Lashes’ wasn’t enough of a clue, then this six-song blast of blink-and-you’ll-miss-it brilliance should leave you in no doubt. This is hardcore punk as it was originally conceived, and it slays. ‘But who are Chain Whip?’ I hear you ask. Well, they’re a bunch of dudes from British Columbia who’ve also served time in bands like The Jolts, Fashionism and Corner Boys (among others). They’re the ones who are gonna have you slashing the seats at your local cinema, or taking potshots at lines of empty bottles on street corners, cuz they make you feel so damn tuff. OK, I’m just goofing around here - whereas Chain Whip are serious business. No, really. I dare you to listen to the Germs-go-nuclear b(‘)last of ‘Laguna Bleach’, or the garage-slop-at-200-mph rush of ‘Fresh Paint And Philanthropy’, and not want to launch a stink bomb into your teacher’s car. Or, failing that, to bring about the extinction of global capitalism. If that fails, you’ll just end up wearing out the grooves of this very fine six-song EP while bouncing between walls like the DRI logo guy if he wore jet heels and spring-loaded shoulder pads. Jeez, imagine Keith finishing the night shift and giving these guys a handover. As if they’d even need to be told. Look, Chain Whip are the best straight-up old-skool punk band you’ll hear today. You know what to do. Trust your instincts. Dance that two-step to hell with ‘em. This. Is. The. Shit." Will Fitzpatrick.

Сделать предзаказ12.11.2021

он должен быть опубликован на 12.11.2021

19,79
Chalk - Conditions II

Chalk

Conditions II

12inchNSWN80
Nice Swan
24.05.2024

Fresh from winning ‘Best Live Act’ at NI Music Prize 2023, Chalk relentless ascent continues to gather thrilling pace, with EP lead single ‘The Gate’ landing on the BBC 6 Music playlist (alongside PJ Harvey, IDLES, Sampha) to kick off 2024, whilst widespread praise throughout the press community (The Independent, NME, DIY, Dork, So Young, The New Cue, Rough Trade, Consequence of Sound) has certainly positioned the trio at the very forefront of the emerging indie elite.

Сделать предзаказ24.05.2024

он должен быть опубликован на 24.05.2024

25,17
CHARLIE MEGIRA - END OF TEENAGE LP 2x12"

Der hebräische Surf-Grunger kehrt zurück! End of Teenage Charlie fängt Megiras Berliner Jahre mit den BetShe'an Valley Hillbillies ein, kurz vor seinem Tod. Eine Zeitreise, ein fünf Lieder langes Gitarren-Krimi-Album, das Dick Dale ebenso viel wie David Lynch verdankt. Diese erweiterte Ausgabe zum 10-jährigen Jubiläum enthält auch das 11-Song-Demo, auf dem Megiras vertraute Themen wie Drive-Inn Melancholie, Stranddecken-Bongos und dem Treiben in der Wüste in seinem Schlafzimmer erforscht werden. Lass ihn in dein Ohr flüstern.

Сделать предзаказ25.10.2024

он должен быть опубликован на 25.10.2024

31,05
CHARLIE MEGIRA & THE MODERN DANCE CLUB - LOVE POLICE LP 2x12"
Сделать предзаказ20.10.2023

он должен быть опубликован на 20.10.2023

33,15
CHEMTRAILS - THE PECULIAR SMELL OF THE INEVITABLE

Punk Slime Recordings are proud to present the new album from the garage-punk and acid-corroded new-wave outfit that is Chemtrails. Having started life as the lo-fi bedroom recording project of romantic partners Mia Lust and Laura Orlova back in 2016 Chemtrails quickly set about releasing two digital-only EPs before making their album debut in early 2018 with Calf of the Sacred Cow, while drawing the attention of ex Stereogum, KEXP, The Line of Best Fit, DIY and more.
Another EP, Cuckoo Spit, was released on 12” vinyl late the same year and Chemtrails spent 2019 working on their next full-length, which is now finally here. The Peculiar Smell of the Inevitable is the band’s heaviest and wildest record yet, with their trademark big melodies and harmonies performed over a frenzied wall of raw guitar noise and glistening synths.

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CHERRY PICKLES - THE JUICE THAT'S WORTH THE SQUEEZE

Conceived over a bucks fizz binge in Birmingham UK early 2018, Cherry Pickles comes at you like the basement band you always wanted to start. Priscila B (guitar, vocals, songwriting) brings from Brazil her love of early Tropicalia and the kind of ‘let’s be bad’ attitude that can only come from a land chock full ofCatholic guilt. Mimi B (drums) brings her love of stripped down, bare essential rhythm. If two drums are good enough for Peggy O’Neill then they should definitely be good enough for you.

Together they bonded over a mutual love of 50s malt-shop-pop, 60s minimalist garage, no wave, fuzz and all forms of outsider art. ‘Art damaged’ isn’t a slur, it’s a compliment. Anything lost in translation with this transatlantic duo only doubles the charm. Following the band’s storming US debut at SXSW, Cherry Pickles’ debut LP ‘CherryPickles Will Harden Your Nipples’ was released on April 5th 2019 via PNKSLM Recordings and picked up fans all over the world. Their sophomore album THE JUICE THAT’S WORTH THE SQUEEZE continues the tradition... their arsenal of thrift store instruments may have expanded slightly but the enthusiasm and naiveté is still fully intact.This is not some clever re-imagining or ironic take on lo-fi, this is the real deal! All rolled together with gum, glitter and sticky tape the result is slightly wrong-sounding but infectious one-minute-garage-pop with gusto. One guitar, 2 drums, the basement band you always wanted to start! Technique and skill be damned, the message comes through strong and that message is “Don’t think about it, just cross the line and enjoy i

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Chico De Nazca - Ether

Chico De Nazca

Ether

12inchBYM64
BYM Records
14.06.2019

Seventh album that deepens into psych rock with anchors in those wonderful seventies and great reminiscences of the 90s lysergic ballads. Different soundscapes, lo-fi sludgy production and spacier songs that flow beautifully. Chicos this time manages to make warm sun-washed album that reflects several tours, long day jams and rock and roll living on their skin.

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COSMIC PSYCHOS - DOWN ON THE FARM

Cosmic Psychos

DOWN ON THE FARM

12inchAARGHT026
Aarght Records
Release unknown

Forte is proud to present these fantastic reissues on the Aarght label from one of Australia's greatest rock & roll bands, the Cosmic Psychos.

The band debuted on wax almost 30 years ago and since then have become an Aussie punk/pub rock institution, touring the globe and influencing a generation of Seattle musicians (Mudhoney, the Melvins and Pearl Jam among them) in the process. On top of that there's the recently released full-length documentary on the band, Blokes You Can Trust, which is doing the rounds in cinemas around Australia and the US, a US tour in September and now these! 2013 is the Year Of The Cosmic Psycho.

Let's start with 1985's Down On The Farm mini-LP. This is the record which made the original splash back in the day and hasn't been in print on vinyl anywhere since that time. Featuring original guitarist Peter 'Dirty' Jones on wah-wah guitar, it's an absolute classic of heavy-duty punk/grunge. The vinyl edition comes with a download card.

The self-titled LP from 1987 is another classic with the original line-up. The download card for the vinyl edition comes with two bonus tracks - outtakes from the same recording session - and the CD also contains the two bonus tracks PLUS the entire Down On The Farm mini-LP. 19 songs in total.

1989's Go The Hack was Dirty's last foray with the band and featured the killer single, 'Lost Cause'. The LP edition comes with a download card.

All of these classic '80s recordings by the Psychos have been out of print since the 20th century. With the band's fortunes and notoriety in the upswing this year, expect some big interest in these long-unavailable quality reissues. Blokes you can trust, indeed.

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23,49
Crawlers - The Mess We Seem To Make LP

"The Mess We Seem To Make is the eagerly anticipated debut album from Crawlers. Digging deeper into what fans already know and love about their eclectic alt-rock sound, it builds on the relationship of trust they have with producer Pete Robinson and engineer Tom Roach at Liverpool’s Coastal Studios and takes on a whole range of challenging topics; trauma, sexual politics, mental health, the general goings on in a young person’s life.
The album features 12 tracks and on the Deluxe CD 20 tracks, including the single ‘Would You Come To My Funeral’, and is available on multiple formats including: standard CD, deluxe CD (with bonus tracks) Standard White Vinyl"

Сделать предзаказ16.02.2024

он должен быть опубликован на 16.02.2024

26,85
Crumb - Jinx

Crumb

Jinx

12inchCR2LP
Crumb Records
14.06.2019

Crumb is the collaboration of Brooklyn-based musicians Lila Ramani (guitar, vocals), Brian Aronow (synth, keys, sax), Jesse Brotter (bass), and Jonathan Gilad (drums). The friends came together in 2016 with the goal of developing and recording a collection of songs Ramani had written in high school and college, the work ultimately resulting in the band’s first two EPs, 2016’s Crumb and 2017’s Locket. Encouraged by the warm reception online and at shows, the band evolved into a full time touring and recording project.

In June 2019, Crumb will release Jinx, their first full-length album and best distillation to date of their singular blend of psych-rock and jazz. On Jinx, Ramani continues to helm the songwriting, with Aronow, Brotter, and Gilad each bringing distinctive ideas to match her ethereal, intimate vocals and luminous guitar lines. Informed by two years of nearly non-stop touring, the songs sweep and swell to capture the beguiling live spirit of Crumb shows, while taking listeners one step further down the band’s dizzying, hypnotic path.

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Crumb - Jinx

Crumb

Jinx

12inchCR2LPC1
Crumb Records
14.06.2019

Crumb is the collaboration of Brooklyn-based musicians Lila Ramani (guitar, vocals), Brian Aronow (synth, keys, sax), Jesse Brotter (bass), and Jonathan Gilad (drums). The friends came together in 2016 with the goal of developing and recording a collection of songs Ramani had written in high school and college, the work ultimately resulting in the band’s first two EPs, 2016’s Crumb and 2017’s Locket. Encouraged by the warm reception online and at shows, the band evolved into a full time touring and recording project.

In June 2019, Crumb will release Jinx, their first full-length album and best distillation to date of their singular blend of psych-rock and jazz. On Jinx, Ramani continues to helm the songwriting, with Aronow, Brotter, and Gilad each bringing distinctive ideas to match her ethereal, intimate vocals and luminous guitar lines. Informed by two years of nearly non-stop touring, the songs sweep and swell to capture the beguiling live spirit of Crumb shows, while taking listeners one step further down the band’s dizzying, hypnotic path.

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CRYSTALLINE - Axe Music

Crystalline

Axe Music

12inchGUESS205
GUERSSEN
16.12.2022

First reissued by us in 2012 and out of print for many years, here’s a new, improved repress of this UK psych holy grail.

Axe (known also as Axe Music and finally Crystalline by the time they recorded their rare acetate) were an obscure British psych band led by acid-rock guitar player extraordinaire Tony Barford and graced by Vivienne Jones ethereal vocals.

The band hailed from Northampton (home also of their mates Dark of “Dark Round The Edges” fame). In 1970, they recorded a demo album of which only 12 copies were pressed as a demo acetate.
Here's a straight reissue of this legendary artifact, as the previous "reissue" on the Kissing Spell label from 1993 and credited to Axe was altered without the band consent and included newly edited tracks, artificial echo / phasing effects, altered song titles...

Here' you'll find the acetate recording on its pure form: 100% unadulterated heavy psych and acid-rock sounds full of raw, fuzzed-out guitars and dreamy female vocals. Four impressive original songs plus a long, psyched to the max cover of Love's "A house is not a motel" which has to be heard to be believed.

Carefully remastered from an original acetate copy in 24-bit. Unfortunately, no masters survived and no 100% clean copies are known to exist of the original acetates, but you’ll get the best result for the possibilities. In fact we’ve managed to improve the sound a bit over our first edition from 2012.

* New artwork (the original acetate came in blank sleeve), insert with unseen pictures and liner notes by Paul Cross (Sweet Floral Albion).

"...This is possible the finest example of British underground psychedelia..."
- Richard Falk, Galactic Ramble

"...Axe did not make a lot of music, but they made some phenomenal music. Some of the best ever to emerge from the swamp of heavy British psychedelia, certainly some of the rarest"
- Paul Cross (Sweet Floral Albion)

Rated with the maximum rarity (six stars) in Hans Pokora's 5001 Record Collector Dreams book.

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CUBY & BLIZZARDS - SOMETIMES

Cuby&Blizzards

SOMETIMES

12inchMOVLP2756
Music On Vinyl
23.10.2020

The legendary Dutch blues formation Cuby + Blizzards, founded by vocalist Harry Muskee and guitarist Eelco Gelling, released their seventh studio album in 1972. It was recorded under time pressure between tours. It fits perfectly in the list of top albums they recorded during the years. Sometimes contains a number of long and quiet blues tracks, but all with that really great Cuby sound. A must have for every fan of blues rock in general.

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