Techno Новости

After a two year break, due to the birth of the sub-label Rhythm Control Barcelona, End Of Dayz returns with a new "All Stars". This time with 4 tracks in the vinyl version, plus a bonus track in the digi version.

On the A-side, the Argentinian, now based in Barcelona, Julixo brings us his song "1990 B i t c h" very much in tune with the EP he published in ARTS under his Awdha alias, hard groove techno with 90's house pads and a cool sample. Kaiser serves us a Millsian school mental bomb direct to the dance floor: "Still Life".

On the B-side we first have "The Crown" by Spaniard Pushmann, that has already been played by Dave Clarke on his White Noise Radio Show and on his set at the Awakenings Festival 2019. To finish the vinyl, the Man From Tucuman and the Barcelona's "Depressive House" king, Fede Zerdan, with his "Soc Pell".

Ritmiche Italiane transports the listeners through an anomaly in the fabric of musical space-time, connecting the distant past with the modern era and the plains of a lost continent with the cities of the Italian peninsula. The artists featured in the compilation strongly believed in the absence of barriers and conventions between genres, fully able to effortlessly put together West-African influences, World music, Jazz and crime movie soundtracks to achieve a boundless, meditative and hypnotic kind of music that still feels relevant today.

about the label
Ultimo Tango is a Milan-based reissue label fueled by a passionate interest for visionary genre-crossing music, driving them on a hunt for forgotten musical treasures that draw bridges between worldspanning sensibilities.

beste werte für josh !!!!

'Dreams In Splattered Lines' verschmilzt die 25-jährige DIY-Elektronik von Wolf Eyes mit der avantgardistischen Sensibilität von Fluxus und dem Granit des tristen Lebens im Mittleren Westen. Das Ergebnis ist eine surreale Traumlandschaft aus verwirrenden Klangcollagen, in der Hitsongs in Terrarien aus Klangflora und dezimierter Fauna verwandelt werden.

13 verwirrende Erzählungen, jede eine unvorhersehbare Reise durch unterirdische Welten, eine klangliche Reise der in sich selbst gefalteten Realität.

DJ Stingray 313's highly-praised FTNWO LP returns to heed its sonic warnings and powerful messages on his own label, Micron Audio. Originally released on WeMe Records in 2012, FTNWO displays the high-tempo, ever forward production DJ Stingray 313 is known world around for. DJ Stingray 313 says "FTNWO was conceptually centered on conspiracy theory, science, prepper doomsday preparation / survivalism and social commentary," and the foreboding introduction of "Evil Agenda" sonically explains just what lies ahead for the listener. The stark warning leads into DJ Stingray 313's stomping "Dark Arts", beginning the FTNWO experience. "Room Clearance" gets straight to business with raw, gritty and true-to-the-art Detroit electro sounds, along with a heavy, quivering lead to piece the track together.

FTNWO's cyber-explorations continue with "Denial Of Service". "I NEED a computer!" shouts a destitute voice throughout the track, as a hypnotic siren lead weaves through pounding 808s. The uptempo onslaught continues with "Interest Rate" - pads that give a feeling of falling accompany samples lamenting the realities of debt in modern society. These statements in the samples permeating the aptly titled track eerily foretell many present-day situations in 2022, as well as prove testament to DJ Stingray 313's ahead-of-the-curve production techniques. "No Knock" also carries on with arpeggiated square waves and dissonant FM stabs laced intricately over thundering drums. "Outsourced" has a call and response feel, with lush, bright tiny synths talking with each other over a thundering rhythm akin to a drum & bass arrangement.

DJ Stingray 313's sound also stretches to more melodic planes, as "Reverse Engineering" displays. Brooding pads and icy percussion engage in a sonic dance. In the same on "Image Search", cold drums and riffs intertwine the warmer layering pads and leads. Both create two powerful compositions on FTNWO that move unlike any other. "Remote Viewing" only moves lower in tempo compared to the rest of FTNWO, DJ Stingray 313's keen ear to melody still burning brightly. F.T.N.W.O. remains an ageless album - an ominous piece from a near-distant past, back again as part of the Micron Audio catalog to soundtrack the new and uncertain times we live in.

Lütfen is a new project by Tayfun Sarier (1/2 of 25 Places). Releasing his first solo EP 7PM In Leyton on his
new imprint LTFN Records.

The EP arrives with a set of tracks representing authentic sounds by blending attitudes and colliding modern-day genres such as house and techno. Strictly inspired by and dedicated to today’s dance floor.

Gaze into the moment with 7PM In Leyton to witness how low-toned and organ-esque sounds naturally unfold. Define the atmosphere with 808 Views with never-ending rhythm sections. Shift gear with Red Extreme with percussion-based drum patterns designed to exist as a big room tool in small room venues. Step out of the routine with Untitledx 22 by changing direction rhythmically with vocal chops and chord pads bringing in the warmth at any given moment.

All tracks have been mixed, written, and produced by Tayfun Sarier in London and mastered by Salz Mastering in Cologne.
Distributed by Wordandsound and EPM Music.

Toupaz is a new name on our radar but he'll stay firmly on it after this release on forward-thinking London label, Well Street. The EP kick-starts with a fusion of techno, bass and club rhythms spliced with brilliantly bubbly toms & synths that fall down the face of broken beats. The flip side explores a new take on UK funky with whirring machines and fractured vocals, whilst the closer 'Maudlin Lakitu' features the most experimental and skeletal rhythms of the project.

Undercurrent is an artist based in LA and a New Palm resident who shows his studio skills across a trio of new cuts here. 'Beliefs' is a loopy breakbeat roller with jittery rhythms that lock you into their loops and keep you there.

'No Data' is similar but more punchy, with real edge and drive in the breaks while fat bass stabs power things along from below. The same track then gets a remix from Charlie Edward that is more spaced out with searching synths and a more rubbery bassline.

Last of all is a floating ambient cut that eventually has a jungle breakbeat rise up through the mix to take you into the next dimension.

The infamous VA series returns and takes it back to the essence with 12 full clip cuts. Commanding, captivating - with charming allure and straight into the heart. Nothing but debutants and a battery of tool artillery on Essential Memories EP Part IV.

The vinyl version of this album has been out of print for over 15 years. This version will be from a new vinyl lacquer cut by Matt Colton.

Altar is a collaboration album between experimental music groups Boris and Sunn O))), originally released on October 31, 2006 through Southern Lord Records (SUNN62). in addition to major players Sunn O))) and Boris.

Altar also boasts an extensive roster of guest musicians/collaborators such as Kim Thayil (Soundgarden), Joe Preston (Earth, Thrones, Melvins, High on Fire), Phil Wandscher and Jesse Sykes (both of Jesse Sykes and the Sweet Hereafter) as well as long time Sunn O))) collaborators TOS Niewenhuizen and Rex Ritter.

The vinyl version of this album has been out of print for over 15 years. This version will be from a new vinyl lacquer cut by Matt Colton.

Altar is a collaboration album between experimental music groups Boris and Sunn O))), originally released on October 31, 2006 through Southern Lord Records (SUNN62). in addition to major players Sunn O))) and Boris.

Altar also boasts an extensive roster of guest musicians/collaborators such as Kim Thayil (Soundgarden), Joe Preston (Earth, Thrones, Melvins, High on Fire), Phil Wandscher and Jesse Sykes (both of Jesse Sykes and the Sweet Hereafter) as well as long time Sunn O))) collaborators TOS Niewenhuizen and Rex Ritter.

Legwork is back with a new single from our favourite cosmic crusader, Brother Nebula.

The A-side consists of a tape-crushed lysergic stormer, on which the Brother helps us to be mindful, and a couple of useful DJ tools from the same session. The B-side starts with a broken affair with pensive chords floating around bleeps and sounds of the universe, and finishes with a dubbed-out version of the previously-released and extremely well-received S.I.S. featuring San Francisco stalwart Solar.

The Roaring Twenties is hopeful time for peace, a burgeoning economy, with progressive rights for all. A humble group of artists continues to create, share and evolve.

Roaring Twenties offers three mesmerizing rolling bass groove tracks by Deepak Sharma centered around being powerful and effective late-night weapons. Included is a potent, raw remix from Inigo Kennedy.

Side A begins with Roaring Twenties, its looping and hypnotic design will catch dancers immediately as they feel it through unyielding, timely percussive changes. Techno dignitary Inigo Kennedy offers an organic, stripped down and forceful remix that will push dancers through the night.

Side B begins with Lost Generation, its capacious feeling of clutching groove, polyrhythms and texture will instantly grip dancers. 19th Amendment is a juggernaut of strength and power. It's groove intensifies as sinister percussion flows.

Back in 2005 UR released an EP called Electrocuter ( UR070) which contains my classic release Bang !! , I decided to remix it and update it to today's Jit / Electro Movement , The Bang II EP ( Hit it From Da Back ), get your footwork in order & let's ride !!

Fader Cap provides 3 rhythmic, sense-heightening, club-jams on his Craigie Knowes debut. The "Club Telepathy" EP is built for elevating dancefloors and features a euphoric Shedbug remix to boot. One for the DJs.

Dream Ticket returns with the latest heartmelting collection from French acid maestro and analog hardware performer Fasme. Bursting with emotion and physicality, these four machine-music symphonies shift between fluid drum and bass, braindance poptimism and a wavey kind of melancholy - Fasme's daily bread, our late-night elixir.

A collection of brilliant modern electronica scores inspired by the Bedfordshire countryside by Jodey Kendrick. Some of the historical landmarks in this historic UK midlands county, several dating back from before the 9th century, are the sceneries for this collection of eerie soundscapes punctuated by clangy metallic beats and brutal bass. Alienating old landscapes clashing with rapidly changing modern technologies is the playground for Jodey Kendrick's musical adventures.

Keith Farrugia a.k.a. Sound Synthesis delivering top quality electro tracks made up of dreamy melodies and a touch of acid. Produced with tons of analog devices and coming with that seal of quality he is known for. ''Ezzential Electro'' is the biggest project Electro Records has done so far. It consists of 36 vinyl records produced by artists they consider essential for the current underground electro movement. The first six parts of the series come in beautiful white silkscreen printed sleeves on recycled cardboard and include a real puzzle piece on the front cover, indicating which part of the series you have in your hands.

RAWAX welcomes TIJ from UK to the artist family!
Highly recommended!

Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – an online community and record label that’s showing no signs of letting up in 2021.

Born out of a lifelong affair with the many shades of electronic rhythms and an obsession for collecting records since 1988. His mission is all about sharing and releasing new music for the dance floor, front room or even just your headphones. Rather than staying hung up on the past, his reputation for digging out the best in Acid, Electro, Techno, Deep House alongside the odd slice of Downtempo precedes him, as he readies the next WGD volume for release.

Throwing down another 4 track EP of high graded electronic sounds sourced from equally brilliant artists, this next edition welcomes the talents of Reedale Rise to open Side A with the charmed tones of ‘Resonant Light’. A magically crafted trip that treads the light fantastic and skips between a heavily swung 808 beat, quick fire bass and modulating synthesis whose dance equate to a greater sum than their singular parts. The accompanying off-kilter acid of Vectrax (Part 2) provides an interesting note by comparison – a wistful mid tempo machine jam that comes courtesy of the mysterious B.R. Posse. Make no mistake, this cut bears all the hallmarks of a seasoned pro.

Over on Side B, Innate boss Owain K leads the charge with a beefy 4/4 slice of dance floor fuelled house meets Techno cut on ‘Another Place’, taking his cues from EBE as he flexes his sound towards larger spaces. Signing off with yet another laidback gem, Wise enlists another up and coming talent in the shape of ‘Polytunnel’. Dropping like it’s hot, the sumptuous tones of ‘Island Rain’ are nothing short of perfection as the Scotsman delivers a warm and comforting blanket of blissful melody and subtly tweaked 303 action

The kick cuts through the trees like a scythe, calling out to her, drawing her closer. It comes from every direction, the purr of the bass slipping through the forest like low-hanging mist.

The primal, metronomic pressure of the beat enmeshes with his lycanthropic howl. The sound is everywhere, and impossible to get a fix on. It rains down from on high, sticking her cloak to her skin and slicking his fur. It rises from the earth, seeping between her toes.

Within this secret glade they meet, alone except for the rotting leaves and creeping moss. Here they become one, disparate egos dissolved in a cocktail of chemical impulses, dopamine responses and the instinctive urgency of the sound that surrounds and consumes them.

On the second single on his Disco Inferno label, I Hate Models exudes the mysterious, ancient power of the werewolf, and invites you to join him in one last dance.

Clutching At Straws is a brand new label established by Brian Ring. Born in Cork, Ireland. Ring has been residing in Berlin for over 4 years, during which time he has lent his dancefloor-focused, predominantly house sounds to a range of renowned labels including Freerange. Running Back and Bordello A Parigi. A producer who values a vehement quality-over-quantity approach, Clutching At Straws represents the first time Ring has helmed his own imprint. Featuring two originals as well as a remix from London producer Kiwi, the Reflections EP is most definitely deserving of the wait.

We kick off with 'Acid Sunrise', a classy house cut that envelops the listener in a warm glow from the off. Full of colourful motifs throughout, it's part acid/part Balearic-tinged sound is the perfect antidote to Europe's current climes. Characterised by a nimble, catchy-as-hell baseline, this one is pure dynamite of the sort that will sound at its most pronounced as the first signs of morning begin to enter the dancefloor.

Next up is Kiwi, a producer who's been making power moves of his own lately thanks to a host of well-received cuts for the likes of Jennifer Cardini's Correspondent, Tennis' Life & Death and Optimo's Optimo Music. His dramatic reinterpretation of Ring's 'Forest Walk' , is a highbrow gem that's full of gorgeous melodies and all-round positive vibes, with the man in charge changing the narrative quite exceptionally toward the track's final phases.

Culminating the record is the sounds of 'Emergency Tool', a real statement track that's sure to leave DJs and dancers in a frenzy over the next few months. An upfront banger of the sort that wonderfully incorporates both house and techno elements, it starts off on a fairly innocuous tip before unfurling into an uptempo beast. Full of clever bells and a vocal that demands us to 'move!' (as well as a wailing cop siren that only heightens the sense of mania), 'Emergency Tool' is a track that's destined to be used by discerning DJs when they really have to step things up a notch.

Limited to 150 copies.

Second release of Sigourney Discs, a 12” vinyl focused on electro music. Dark Vektor, a veteran of Terrassa's scene, presents BACK, a work of the raw electro that defines him: robotic voices, evolving basslines and infectious melodies.
Side B opens with a remix by Agnès Pe reinventing BACK, and electro, from her own evasive genre, deconstructing the original theme into a collage of vocals and unpredictable rhythms with raving shades. The Dutch producer DJ Overdose signs the last BACK remix. As usual, a personal view on electro, revolving the original theme by sampling it with forcefulness. A blunt rhythm, heavy bassline and again, vicious melodies visiting the origins of the genre.

Dark night creatures creep through the tunnels and chambers in the abandoned sites of the former dwarven industry. Greenish-black energy flows through the empty halls as skeletons of the dead rise to dance, accompanied by the shaking of skulls, and the rattling of bones. Be warned, this spectacle is not for the faint of heart. Necromancy is an impressive school of magic, but also a dangerous one – it is better not to mess with necromancers.

K.O.P. 32, a studied alchemist of sound prepared this mythical and enchanting debut 12-inch filled with fast-paced tribal rhythm sorcery, psyish texture spells and mushroom spore acid.

Mana Abundance assumes no responsibility for zombifications, mummifications, or paralyzations. All claims for due compensation in silver are entirely excluded, including (but not limited to) shapeshifting processes such as converting into a werewolf or changeling. Under no circumstances should students of magic under the age of 18 attend the ceremony! Additionally, house elves and other magical creatures are to be kept away from this record.

Limited ep from Kronos Device aka electro legend Phil Klein aka Bass Junkie

Serge Geyzel returns to brokntoys with As Fallen Leaves. Six tracks of heartbroken electronica, blending seamlessly IDM and breaks.

Since his last outing on Control Freak with the sold-out Bunzunkunzun EP, Syz has built a reputation as one of the UKs most distinctive club producers, weaving playful, percussive techno with soundsystem-driven bass music. Releases via Shanti Celeste’s Peach Discs and more recently on Banoffee Pies have cemented his position as a rising star of the UK scene.

Much of this acclaim started with 2020’s Mindforms - a self-released mini-LP which saw the young producer step away from the dancefloor to explore an expansive sonic world, ‘balancing the tranquility of the ecological world with the immediacy of the digital one. Tropical botany meets ethereal cyberspace through a fusion of styles, influenced by UK techno, hip hop, ambient, acid, and sound-system-driven bass music’.

The original release was accompanied by a highly limited run of just 10 dubplates. Deeming this 6-tracker too good not to receive a proper pressing, Control Freak are proud to present the first ever complete vinyl run for Mindforms, housed in full-colour centre-cut sleeves featuring an adaptation of the original artwork by Jamie Fallon (Ghost Cell), reworked by London-based designer Blixa Aguerreberry.

Alongside the record, Syz & Control Freak have curated Clubforms, a collection of remixes available digitally from some of our favourite producers, each bringing the original release firmly onto the dancefloor with their own production flourishes.

Science Cult’s Occupants series continues with a surprise version 2. This follow-up features a darker and more experimental sound from artists such as Dez Williams, Fleck ESC, Ben Pest, Rise Black and more. Presented as a double 12” Blue Color Vinyl LP. Astute observers may notice that there is more to the artwork than meets the eye

Repress.

Supported by Deepbass, Ben Buitendijk, Amandra, Joel Mull, Takaaki Itoh and Brando Lupi to name a few.

As the January full moon rises the Hypnus guild is pleased to present their first record of the decade which comes crafted by dreamworld mastermind Birds ov Paradise. 'Till Dig' consists of four paradisaical cuts which offer a fair share of light in our hearts as we slowly start to ascend from the winter darkness toward summer bliss.

The music comes pressed on a black 180 gram twelve inch vinyl, sheathed inside our signature custom cut sleeves and a new artistic expression made by us that draws inspiration from the surrounding nature of our home in the forests of Balsta, Sweden.

Now, please bathe yourselves in the lush sounds of Birds ov Paradise.

The Swiss DJ and producer Walid reaches new heights with his highly anticipated proto-techno project "Child of the Waves", taking his place in the great Swiss electronic tradition - peopled by the likes of Carlos Peron, Boris Blank and Grauzone, to name just a few.

Konduku makes his first appearance on DJ Nobu's label Bitta, presenting four highly energetic, deep hypnotic cuts. It's the perfect collision between their characteristic practices. Konduku's two immersive techno works, in the form of 'Hayal' and the atmospheric 'Yakamoz', compliment Nobu's powerful and uplifting mountain-valley sound. Balancing out the EP are two proper mind-benders: 'Damla' perfectly represents Konduku's take on twirling half-tempo rhythms and 'Zifir' is a freaky heavy-hitter in the low sub territories.

With a first appearance on Token through a remix for PTTRN's 'To Disapear Completely', Mike Parker fully debuts on the imprint with 'The Burning Round Table' for 4 corrosive tracks of unforgiving power. Highly skilled in crafting cavernous ambiances and sharp tension, the American virtuoso offers a record emphasizing just that: imposing cuts to be selected with intention.

Parker immediately introduces the EP with gravitas through boiling, acidic A1 'Tripartite'. This first track stomps its way through an aquatic ecosystem with the occasional stab to reaffirm the vast dimension of the track. Parker uses texturally abstract atmospheres that dive the alert listener into its mysterious environment. The kick pummels onto Parker's next piece 'Ascension Chain', which carries its name well. A heavy low-end clears space for a mesmerizing stepped lead in this track that evokes a similar size as its predecessor's. Quick hi hat sections hurry the track along into the other side of the record that meets the listener with a clear transition. Part 2 of the EP begins with 'Bass Model', where Parker flattens the dimension of his project with a strong, operatic bassline and rhythmic syncopation. Movement is now prioritized in a B side that sets a convincing balance between techno and Detroit electro through a highly effective use of minimal elements. Closed hi hats are uplifted through sections of rolling rides to keep the pace persistent and the track tunneling. Parker then guides us to the final pillar of 'The Burning Round Table' with his title track as B2, a logical continuation to the song before. A sustained and highly saturated bassline pushes through head bobbing percussion with a vintage sounding vocal sample to wrap up the artist's sonic trip.

Un Futuro Creíble is proud to present their fourth release. Three original tracks and two remixes that offers another diverse breaks collection that range from euphoric emotions to deep and dark atmospheres. In A side we have AT64, a Nu Skool Breakz influenced track and a remix of the same track by the great DJ Normal 4, where you can expected breakbeat and trance vibes. To close this side we have AT61, an electrobreak with trance sounds track. In the other side AT55 opens the record with an euphoric breakbeat track and another remix of the same track by R.I.P. Bestia where as usual you can expected true 90s cyberdelic dreams.

Hard Techno to Hardtek with a pinch of hHrdcore kicks at some points...

Dj friendly intros and fat drops ! 100% dancefloor insurance.

Ultra limited, hand stamped and hypnotic no-ufo-vibes by Jakob & Melina.

LDR returns with another of our favourite artists joining the roster at Lunar Disko. Waterford native Leonid delivers a rare EP, crafted as always withÊmethodicalÊdepth and warmth.

A 5 track journey of emotive electronics and machine soul, evolving into another timeless masterpiece from Leonid.

Matasism and his friend Time Traveler are back with 4 killer tracks with an old-school touch by the famous Pioneer of electronic music Olivier Abbeloos aka T99, which release two raves tracks with a sour feeling.
Acid, Rave, and boomy Techno cuts.


Mastered by Luigi Di Filippo at LRS Factory.

After 2 cuts and 2 masterings... Finally the Revolture 02 can come to you ! A massive Industrial Techno/Tekno EP, with two 140 BPM bangers and two 160 BPM killerz ! A rare style for a pure raving pleasure !

Mastered by Stefan ZMK and cut by Simon The Exchange we reach a high range of frequencies and a loud sound on all kind systems !!

BIG !

Next up on Magnonic Signals we are pleased to welcome the silky skills of ReKaB aka UK stalwart James Baker. First appearing on Where We Met in 2019 followed by stellar releases on Móatún 7, Intellitronic Bubble and Fourier Transform, here he provides a superb 4 track EP that showcases his immense talent with his love for Detroit techno shining through.

To start us off we have the blissful deep of Finally Home (+) with swooning glassy eyed pads and a chunky SH bassline this deep electro burner really sets the scene. Next up Albear Wave (++) takes us into deep space territory, perfect for cruising just before planetary exploration. On the flip we begin with the stunningly beautiful Me and You (-) an intergalactic love song that will tug at the heart strings and provides that melancholic feeling we all long for, simply gorgeous. Last but by no means least the title track What Is Our Future (- -) It could be the perfect track for the sun-drenched sands of Ibiza one that would give goosebumps when dropped, an amazing way to round off the EP!

ReKaB is on top form here with all four tracks hitting the spot, a classy record from start to finish.

Signals are getting stronger…

Produzent, DJ und Community-Leader TYGAPAW (aka Dion Mckenzie) ist einer der zeitgenössischen Leitsterne der New Yorker Clubszene und veröffentlicht als erster Künstler ein Album auf Fabric Originals. Sein Debütalbum GET FREE (2020) schuf Räume für die LGBTQ+-Community innerhalb der Nightlifekultur der Stadt und wurde zur Parole für den Abbau von Patriarchat, Rassismus und Queerphobie; das Vinyl ist ausverkauft. TYGAPAWs brandneues Album love has never been a popular movement., benannt nach den Worten des schwarzen Aktivisten James Baldwin, ist eine beeindruckende Kollektion von Techno-Tracks mit Gastvocals von LSDXOXO und George Riley.

Limitierte Auflage aus transparent-klarem Vinyl mit DL-Code und Poster mit Lyrics & Credits.

Dream Ticket celebrates 10 releases on this planet with a VA matching old label favourites with fresh new blood. Multidisciplinary artist Koolmorf Widesen kicks things off with a madcap acid squirmer that will terrorize your sense of direction as much as it moves your
body, before DT stalwart Binary Digit hits us with his latest signature braindance pounder.

On the flip, Ryan James Ford, another DT alumni, brings us a techno banger that marries the best of Detroit and Berlin, then newcomer ZDR closes things out with stuttering, dreamy piece of jungly dnb magic. Here’s to the next 10!

Italian Mental acid tribe shaker... Printed sleeve :)

A superb hit combo for Cult Collective music style !

Newest addition to Pomelo is Spanish talent Vedelius, who delivers the late night burner "The Crypt". The EP comes with three inventive and floor ready remixes by the likes of Phosphene, Lodig/Dibek and Lok44 – a rolling breakbeat version by Phosphene, jacking techno by Lodig/Dibek and a dubbed out Electro-Techno stepper by Lok44.

Strictly Limited Edition of 250.

Classic GOA Trax repress :)

Banger !

crafty, dark atmospheric Techno cuts

Al Wootton returns home on Trule with an EP of highly functional dance floor techno that retains his signature brittle textures, dubwise sensibilities and clipped, stepping, swinging rhythms.

This time Anthony Linell cuts his peerless supply four ways in four tracks. Short on hubris, and economical to the point of being cruel, 'Core Field Horizon' relents in all the right places to make the effects of its peaks and troughs impossible to defend against. The opening track is a deluge. Spinning on its hydro-blasted synth line, the gravitational pull erases and ensnares in equal disordering measure. On its heel is the EP's title track, an austere display of the venom in the seam between his club-focused work and his experimental output. 'Evaporating Entities' is one of Linell's most diaphanous works to date, and after weaving through the sky we are abruptly subjected to the gravity of the closing track's nerves.

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

Analog modular synth maestro Crystal Geometry fast returns to Sonic Groove for his second outing. Continuing on from where his “Red Faith Militia” release left off, the latest EP “The Cyber Heresy” follows suit, mixing a concoction of late 80’s styled Belgian EBM and post-modern Industrial Techno into the perfect explosive for dance floor destruction.

TRO, no compromise quality elecTRO and techno, mastered by 6-BIT DEEP in Copenhagen and pressed on 180g heavyweight vinyl. TRO-2 EFX CREED EP, Di'jital/Axcess on the warpath to destroy with Electro ahead of his 2020 tour. Strictly limited to 202 copies. No Repress.

DJ Bone is a Detroit titan. He plays on the decks with high energy and next-level skill that few can match - which is why they call him the Terminator. He pulls no punches in the studio either, crafting all killer no-filler club weaponry as exemplified here by his new album Further. This is top-level techno on his own Subject Detroit label with lashings of machine soul, futuristic ideals and evocative atmospheres. Some cuts sink into deep inner grooves and take you on a mindful trip and some are more wildly expressive, but all of them bang in the club.

Di'jital Blak is back with a Modular killer that is sure to get the dance floor shaking . Di'jital Blak Orson Chronicles EP, is a new look at the way basslines are recorded from a modular synth set up. from programmed drums set deep in a 808 feel , the tracks are dj friendly & pumped up in BPM so jocks have a lot of space to mix, make sure you grab 2 copies if you are into beat juggling it's all there for you !

Following the extraordinary success of the releases signed by Lory D and John Beltran, Soul Research is publishing an EP by the creative minds of Ednic, who is from Livorno, Italy and an historical name in the international realm of electronic music, G-Man.
Pets (Try This With Mantra) is, in its original version, full of pathos. The Tibetan mantra enters and expands through base lines and obsessive rhythm.
The G-Man version, on the other hand, is the perfect for dance floor devastation, like all the techno which has come from Gez Varley.

Submerge : G-Man! Great tracks.
Paco Osuna : Will try thanks ,)
Roberto Figus : Release quality, excellent tracks, thanks very much.
Gel Abril : great!
Joseph Capriati : Downloaded for Joseph Capriati, thanks.
G-Man : ace release..
Tunnel : Lovely experimentalism on Pets original. Not afraid to risk. Love it. G-Man is pitch perfect on the remix.

Clemens Neufeld : love it! hypnotic techno dub at its best!
Ivo Toscano : G-Man remix for me, tnx!!!
Dez : G-Man!
Donnel Knox : G-man mix for me
Someone Else : liking the gman rmx
Richie Hawtin : downloaded for r hawtin
Maurizio Vitiello : g-man is the one for me!
Greg Gow : Gman remix for me thx
Terry : More into G.Man
Dj Hyperactive : G-Man rmx por moi....! Thx Hypr
Plural : Great tracks! Will play!
Anderson Noise : thanks for the music

Angel Molina : Pets (Try this with mantra) would be more for me without mantra, but the music sounds good. Ill give a proper listen, thanks.
Steve Lawler : Downloaded for Steve Lawler, thanks.
Gregor Tresher : G-man! Yes!
Koljah : like the g-man mix. thx...
Funk D'Void : great G man groove
Elon : G-Man remix! :)
Marco Carola : downloading for marco carola, thanks
Lee Holman : I like the original best on this one. Thanks for sending.

V-001/M-005. Remastered 2016 edition..

Label Misprint!

Mineral Cuts 05

Havana - Eclypse © 1995 Pin Up
Sigmatibet - Mantis Religiosa © 1992 Evolution Records.

Long journeyed, trippy, consistent, sub-driven, percussive, harmonized, techy & dubbed out - but first & foremost clubby A-side.

The B-side's reconstruction keeps the 3-dimensional solo, stabs and pads but dwells on tribal percussions in and out of the mix before going into stepper mode towards the epic & rhythmic final minutes.

Lucretio´s first solo release on Memento, the 'System Pressure E.P.' is a piece of carefully handcrafted nightclub music.
The late-hours anthem 'Addict to the dancefloor' combines the early 90s heart-felt grooves with the state of the art of contemporary electronic production.

'2bpad1' is a relentless ride of voltage controlled oscillators and hexadecimal quirks over hefty bare drums processed with a juicy analogue filter.

Finally 'Love don't leave' bring back together House and Techno, melting their rhythm and blues essence into an absolute peak-time conjunction.

Crafty techno w/ a nautical metalic sound sphere

Our man Nathan Melja kicks off his own parodia with 4 anthems feat. no less than Flørist

Wonderland is a blissful sonic universe created between Nathan Melja & Flørist. Due out June 1st, 2021 on 12” and digital via Parodia, a new label launched by Nathan Melja for creative output of his own as well as likeminded artists.

Nathan Melja, known for his releases on Antinote, Mister Saturday Night and Technicolor, as well as Kalahari Oyster Cult which saw his epic track ‘Synesthesia’ that went on to be remixed by Pariah and Anthony Naples while being rinsed by the likes of Ben UFO, Evan Baggs and Jane Fitz. Always translating sound into a wide spectrum of colours, Nathan’s signature sound has evolved over the years into a precise craft.

Flørist is hot on the heels of a stretch of highly acclaimed EPs on Trilogy Tapes, Pavilion and most recently Baroque Sunburst, constantly exploring the BPM grid, he is known to leave you wondering which way is up. Together their sensory spheres collide for a unique record which details two solo original tracks as well as two different versions of their collaborative track Wonderland, made with not only the DJ but the listener in mind.

Nathan Melja’s ‘Back and Forth’ is an updated ode to the Bleep and Bass eras, while his version of Wonderland is a colourful trip full of bright melodies. Flørist’s ‘Fade 2 Pink’ expresses the artist deeper side, exploring rhythmic boundaries. His interpretation of Wonderland hits hard with its deep and psychedelic vibrations, slipping directly into any after hours playlist.

Welcome to Wonderland.

Up next in our main series are Milan-based dub techno outfit Primal Code. With a solid back catalogue comprising releases for Hypnus Records, TGP and Konstrukt, the Italian duo have honed their skills to impressive effect over the last few years, forging a sound signature thoroughly engaging on both body and cerebral levels, and now punching in on KOC to breathe further hard-hitting opaque heat into the collection.

Putting things into gear, “AI Calculator” propels us across dim-lit streetscapes and murky subterranean entrails, pared-down to a minimal array of modular signals, subtle machine inflections and particularly acute rhythmic progression. Steering the original into further pumped-up, DJ-friendly territories, NAFF affiliate Priori, hot on heels from his sophomore album, drops the hammer badman style, bringing forth the racing muscular bass and squelchy machine talk on loop mode to keep everyone on their toes from start to finish.

Flexing a different kind of acidic swagger, “Autopilot” pulls out the weird extra-terrestrial jazz tropes and whirling dynamics for a round of proper otherworldly bop in the outer-space. Last but not least, “Mainframe” rounds off the release on a more openly experimental note, letting the loops, envelopes and textures float in a haze of half-controlled abstraction. The result evokes something of an immunocompromised Rubber Johnny getting glazed as he weightlessly drifts off from a galaxy to another, and into another world completely.

S.O.N.S is back with the last instalment of the "T.O.K.Y.O" series. This time it is a double 12" called Shin-Okubo One Night Stand. This record is made to be played using a turntable at home, at your friend's birthday party or at your uncle's wedding. Club use is possible too but no refund will be granted if you clear the floor.

Marguerita marks the next stage of Cosmic Force's recalibration and he's rolling deep with kindred spirits such as fellow Dutchman Sjamsoedin who has the honour of re-launching the label and does so in fine style; 'Research' comprises five pieces of uncompromised electro, often fractured with necksnap technoid breaks and laced with infectious acid, they rekindle Marguerita's spicy kick and full-flavoured taste for experimentalism.

Todd Osborn. For Many, The Name Conjures Up Myths, Tall Tales Told Within The World Of Electronic Music. Todd: Makes Hovercrafts, Repairs Motorcycles Out Of His Garage, Fixes Vintage Jukeboxes, Creates Handmade Components For Espresso Machines, Flies Fighter Jets, Is A Lego Expert, Owns A Record Label With His Son That Releases Music By Aphex Twin, Madlib And Underground Resistance, Has A Stunning Collection Of Rare Whiskeys. True All Of It, Of Course. Reviewing A Cv Of The Varied Styles And Sounds Of Todd Osborn Is Like A Museum-grade Survey Of Records From Electronic Music's Ultimate Outsider Artist. Yet, Todd Osborn Has Never Been Outside. From Releasing Jungle On Rephlex With Tadd Mullinix As Soundmurderer & Sk-1 To House And Jacking Club Music As Osborne On Ghostly International, To Bright, Chiptuned Boogie As Superstructure, Todd Osborn Has Done It All. From There We Haven't Yet Scratched The Surface. For Over 20 Years, Todd Osborn Has Been A Permanent Fixture In Music, Touring Internationally At Music Festivals, Warehouse Raves, Gabber Parties In Fields To Giving Lectures At Red Bull Music Academy And In Turn Hosting The Most Diverse Programme On Red Bull Radio. To Boot Todd Osborn Opened The Best Record Store In The Usa, In Ypsilanti, Mi. Portage Garage Sounds Is Thrilled, Humbled, To Present This Three Song Ep, Superdisc.

Hot off his debut 2xlp for L.I.E.S. young music prodigy Tom Carruthers delivers a new 6 track lp of total Transmat worship. Jam packed with huge DX basslines, slamming 909s, and catchy melodies - this lp is made for the floor and would be hard pressed not to be thought of as a lost relic from '89. Where as his last LP channeled more bleep elements, this one goes right to Detroit and moves the crowd as it should be...anthem after anthem.

Freaks Frequency is the sort after analogs classic that was original released on Colin Dale’s Abstrakt Dance label in 1998. Its an essential purchase for any electronic music lover.

All tracks were recorded live without the use of computer - Transparent Sound show their raw and minimal side of electro on this EP, and call up legends ECTOMORPH to remix as well.

Grab this while you can… Classic!!!

Red Vinyl

Get ready for Entourage Concept's upcoming release by Argentinian artist Volpe, including a remix by the Berlin based underground legend Stojche. You’ll find only timeless dub grooves on this EP paired with rhythmic beats and mesmerizing chords. Don't miss out on this limited vinyl only release

Zach Murray is a fast-rising London producer who makes a great impression here with an ambitious and ultimately accomplished double pack on Oscuro. The title track 'Pieces Of The Puzzle' opens with sweeping ambient before 'Chill Pill' explores as glistening melodic world of futuristic tech and 'Can't Stop The Rain' has an old-school energy to its marching drums and rave stabs. There are also forays into acidic electro like on 'Keep Chasin'' and rugged breaks on 'Phase Me', elastic house sounds on 'Dubmotions' and cosmic turbulence in the trippy 'Dreams,' all of which show off this producer's versatility in style.

An absolute neck twister that majestically blends Acid House, UK Bleeps & West Coast Style Hip-Hop with refined, delicate & grimey production techniques.

It's a smile & groove attracting cross-over fit for House/Techno as well as R'n'B/Hip-Hop floors. B-side takes the tempo up, electro-fying & advancing beat programming, while portioning dark, well harmonizing & climaxing sections of melodies. Simply an ace & elegant Sex Tags Mania power move.

Spanish techno artist Aiken is back on his own Timeline label with another EP that offers up four more of his evocative takes on the genre. It comes after previous outings on Non Series and Semantica and is his label s first release since 2016.

Basic Principles is up first and mesmerises with a pulsing lead synth line that forever changes shape. Pummelling drums power along below and add up to a disorientating and hypnotic overall effect. Theory is deeper and more rubbery, with manic synths and pads all racing along and pilling on the pressure while Midline is right out fo the Jeff Mills playbook with its molten sci-fi synths journeying through outer space. Clean, crips drums are upright and taught and get you on your toes, then Restriction closes things out in superb minimalist fashion. This EP covers plenty of ground, and all of it is utterly compelling.

Emerging from a stylistically varied collection of recordings made during the ongoing global pandemic, “Works and Days” is Alina Valentina’s debut album. Grounded by home confinement, she found herself back in the studio with generous time to reflect on the different directions taken in her previous work. Inspired by 70s horror, sci-fi and film noir, her work blends synth heavy darkwave and pop with misanthropic and playfully aloof lyrics. Lyrical themes vary in dealing with escapism, providence and existentialism; laying bare the struggle of maintaining a healthy balance between livelihood and creative output as an artist. “Works and Days” opens up like Pandora’s box, revealing a myriad of reflections on Valentina’s existence. The title refers to Hesiod’s poem ‘Works and Days’ which, like this debut, is filled with a vivid feeling for the rhythm of human life and the forces of nature.

After their Grime / Dubstep leaning debut single in late 2018 Intrauterin Recordings mastermind baze.djunkiii and production partner Sascha Müller return with a new outing of their conjunctional COMBAT DUBS project. With „Crystals“ they're coming at us with a special twist, presenting a fascinating crossover of UK Garage and Breakbeat sporting overwhelming basslines and a crystalline, most beautiful and ever cascading synth motif whilst the flipside sees the pair of producers diving deep into raw SpeedGarage / BasslineHouse territories for maximum dancefloor pressure with the aptly titled „Crystals *Speed Mix“.

Initial pressing will be limited to 200 copies on white vinyl.

The Detroit Party Train brings you more Detroit In Effect Classics Remastered for 2019.