COP001 bio Spincycle are Andy Davies and Dave Clements, two UK based producers who, back in the late 90s and early 00s, became an established name on the UK house & techno scene.
Their releases on Low Pressings, Surreal, and Bushwacka's Oblong label, alongside productions on their own imprint Geek Records, earned them much respect from DJ's and music lovers all over the world leading to some crazy modern - day Discogs prices.
Coin - Op records is proud to present Spincycle’s first release of 2024. Imperfect Storm is a soaring, synthy techno journey. On the B, Fundamental is a groovy 90’s dancefloor house affair and Oceans on Saturn rounds off the EP with some deep downtempo 808 vibes.
Techno News
Twenty-four years on from its original release, Monolake's seminal Gravity receives its first vinyl pressing courtesy of Field Records. Occupying its own space at the intersection of dub techno, minimal and electronica, it's an ageless album of staggering vision and technological prowess which has matured into an all-time pillar of electronic music. This edition, remastered by the album's key architect Robert Henke, follows on from the recent reissue of Monolake's first album, Hongkong.
Arriving just after the turn of the millennium, Gravity marked a turning point for Monolake. With co-founder Gerhard Behles moving on to other ventures, Henke produced most of the album solo and journeyed deeper into spatial exploration and the dub-informed principles that underpinned their project from the start. Minimalism and negative space run through the whole record, from the keen slithers of percussion pinging through lattices of delay to the hypnotising pulse of subliminal basslines anchoring the tracks. Gravity is a record which hangs on techno's linearity as a form of meditation, but the crystalline clarity of the mix allows every micro-fluctuation in rhythm and sound to cut through.
Compared to a lot of overly sterile digital music released in the early 2000s, Gravity endures thanks to the warmth and texture Henke elicited from his processes — even when leaning into none-more-digital effects like bit reduction. He described the ninth-floor view over Berlin from his studio at night as a key influence on the sound of the record, but the space Gravity shapes out feels thrillingly implacable. Unbound by the standard conventions of time and space, Gravity stands proud as a true original and finally gets the ceremonious vinyl pressing it so richly deserves.
- A1: Pop Vampires Cologne - Karianne
- A2: Superpitcher - Pandora’s Box Feat. Alexis Taylor
- A3: Jürgen Paape - Grace (A Tale) Feat. Hella
- A4: Triola - Arcadia Feat. Irene Kalisvaart (The Modernist Mix)
- A5: Reinhard Voigt - Zahl An Einem Anderen Tag
- B1: Gui Boratto - Panorama X-Press
- B2: Robag Wruhme - Starsow Total
- B3: Michael Mayer - Brainwave Technology (Wassermann’s Brainwave Inferno Mix)
- B4: Michael Mayer - Erdbeermond
- B5: Hardt Antoine - Let Me Go
- B6: Wassermann - Sog
The latest boy band in town, POP VAMPIRES COLOGNE, opens the party with the enigmatic ‘Karianne’. SUPERPITCHER knows how to make a grand appearance, accompanied by high-calibre guests. His electro-pop treat ‘Pandora’s Box’ features Hot Chip’s ALEXIS TAYLOR on vocals. JÜRGEN PAAPE isn’t coming alone either, but with newcomer HELLA in tow. ‘Grace (A Tale)‘ once again shows our resident hit maker at his best. JÖRG BURGER also has a table companion, the extremely talented Irene Kalisvaart, and remixes himself on top of that. REINHARD VOIGT points out that money never sleeps and proceeds according to the motto: ’Zahl an einem anderen Tag (Pay another day)’. Our Brazilian whirlwind GUI BORATTO returns after a long absence with the banger ‘Panorama X-Press’. After careful consideration, ROBAG WRUHME has named his new track ‘Total’ and sings in the chorus with his family for the first time. WASSERMANN contributes an ultra-fat remix of Mayer’s ‘Brainwave Technology’, while MICHAEL MAYER himself marvels at the rare ‘Erdbeermond’. HARDT ANTOINE’s ‘Let Me Go’ really gets the party going again before WASSERMANN orders a large taxi and skips out on the bill.
See you again next year!
TOTAL 25… Schon wieder ein Jubiläum in einem an Jubiläen ohnehin nicht armen Jahr. Zum 25. mal versammelt sich die Kompakt Familie zum alljährlichen Stelldichein. Ohren angelegt, los geht’s!
Die neueste Boygroup in town, POP VAMPIRES COLOGNE eröffnet die Party mit dem enigmatischen ‘Karianne’. SUPERPITCHER weiss, wie man einen großen Auftritt hinlegt, und zwar in hochkarätiger Begleitung. Sein Elektropop-Leckerbissen ’Pandora’s Box’ featured Hot Chip’s ALEXIS TAYLOR an den Vocals. Auch JÜRGEN PAAPE kommt nicht allein, sondern mit der Neukommerin HELLA im Schlepptau. ‘Grace (A Tale)’ zeigt unseren Haus- und Hitlieferanten mal wieder in Bestform. JÖRG BURGER hat ebenfalls eine Tischdame im Gepäck, die überaus talentierte Irene Kalisvaart, und remixed sich obendrein selbst. REINHARD VOIGT gibt zu Bedenken, dass Geld niemals schläft und verfährt nach dem Motto: ‘Zahl an einem anderen Tag’. Unser brasilianischer Wirbelwind GUI BORATTO meldet sich nach längerer Abstinenz mit dem Banger ‘Panorama X-Press’ zurück. ROBAG WRUHME hat seinen neuen Track nach reiflicher Überlegung ‘Total’ genannt und singt darauf erstmals selbst im Chor mit seiner Familie. Der WASSERMANN steuert einen ultrafetten Remix von Mayers ‘Brainwave Technology’ bei, während MICHAEL MAYER selbst den seltenen ‘Erdbeermond’ bestaunt. HARDT ANTOINE’s ‘Let Me Go’ bringt die Party nochmal so richtig in Schwung, bevor der WASSERMANN ein Großraumtaxi bestellt und die Zeche prellt.
Wir sehen uns wieder im nächsten Jahr!
K S R introduces X, a brand-new series dedicated to various artist collaborations, presented exclusively as split EPs. The first release brings together Sev Dah and Decka, delivering stripped-down, fierce and powerful techno weapons.
AnalyticTrail unveils the first chapter of its new series with Gems 0.1, a carefully curated snapshot of where the label's techno heart is today. Conceived by Markantonio and rooted in the Neapolitan school of groove, this collection focuses on functional power, hypnotic motion, and forward momentum across seven cuts split between vinyl and digital. On wax, the journey opens with Human Safari's Trap Door, mixing tight percussion with jazzy melodic touches. Lysander continues with Riot in Rio, bringing tribal rhythms and rolling basslines that push the dancefloor. KLBR's Thunder Drums hits hard with analog weight and crisp drums, while SYNDROM's Nikaia Nightfall closes the side with deep, hypnotic grooves and cinematic textures. The digital edition adds three more highlights: The Groove Room's Bloom delivers a dubby, pulsing journey; Cri Du Coeur's Safre builds raw warehouse tension with powerful hits and Omis (Italy) Collapse drives a stripped-back, high-intensity groove perfect for peak-time sets. With Gems 0.1, AnalyticTrail shows its formula in action: rooted in groove, focused on the dancefloor, and always looking toward the future.
A highly respected figure for dancers and artists alike, Markus Suckut offers his signature built-to-last sound to Fuse with 'Moments'. In this style, confidence is key and Suckut provides soul to club music in a way few have been able to. Simple yet ever so refined, the German artist furthers his sound with the Belgian label with rolling tracks that reach beyond the dancefloor yet again. 'Moments' is just that, a collection of instances spent inside the mind or outwards into the world in order to move and connect.
The A1 remains usually the first impression of every record, so it makes sense that 'Patience' would mark the beginning of this eight release for the Brussels' club. A bubbly yet impactful track, 'Patience' rolls through six minutes in no time with eccentric percussion and a viscous low-end. Unafraid to break the codes in order to push his sound forward while respecting the essence of what makes the genre great, Suckut puts years of mastery at work in order to find balance and air between his elements. This impressive low-end rhythm is continued into 'Resurrection' - which is more of an exploration of dissonance and texture than its predecessor. With hi-hats whipping around the stereo field through metallic bends and a harmonic kick/bass, the record knows for what context 'Resurrection' is reserved for. 'Myth' then comes along to lighten the load with a positive groove and an extraverted arrangement, maintaining balance to the overall EP. Complete with a subtly modulating live-played percussion that echoes the character of a vocal and layered over an almost vintage drum sequence, the persistence of 'Myth' finds a sweet spot between techno and house, making it a versatile tool in almost any record bag. The soul of the EP, however, belongs to its title track 'Moments'. Appropriately named, this fourth piece concludes Markus Suckut's latest statement for the dancefloor. A suspension of time in structure as much as in melody, the producer takes the time to unveil each element of the record while maintaining a burning intriguing throughout. A truly timeless piece reserved for only the most special moments and most deserving crowds, Suckut proves once again that his understanding of emotion through his medium will echo his music across the world for years to come.
- A1: Annē - Coral Reefs
- A2: Fukumachi - Sakura
- A3: Forum - Claymore
- B1: Mike Konstantinidis - Apocalypse
- B2: Augusto Taito - Rock Bottom
- B3: Dold - We All Know About This
- C1: Dj Plant Texture - Swingers
- C2: Hadone - Track Pour Remco Avec Pad
- C3: Parano - Dead Funk
- D1: Jacobworld - Reviver
- D2: Jarrod Yeates - Sesh Gremlin #2
- D3: Theloopmasters - No Frills
Releasing solo for years on his self-titled imprint, Berlin-based DJ/producer Amotik launched AMTK+ earlier this year to feature other artists via split EPs. Following the first instalment with the label boss and Deluka, Berlin-based Arthur Robert and Decka team up for the next EP, bringing another dose of deep and grooving techno to the table across four new tracks.
Unterwegs co-founder Decka kicks off the A-side with 'Bridging the gap', bringing punchy kicks under oscillating tones and razor-sharp hats. 'Sulphur' follows with reverberating synths, rattling percussions and moody bass textures, delivering another menacing techno workout.
On the flip, Figure affiliate Arthur Robert provides deep, dark and hypnotic productions with 'Husk' blending warping stabs over a rumbling bass, while 'Charisma' takes us on a futuristic trip, embracing metallic bleeps and staggered hits, luring us into the early hours.
Repress 2026
Some records don’t need further description. This is one of them.
Limited Vinyl Only!
Manche Platten sprechen für sich. Diese ist eine davon.
Ausschließlich auf limitiertem Vinyl erhältlich!
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One more year and a new edition of our ANAØH INVITES vinyl series.
As is tradition, in this third volume, Dig-It and Fixon, hosts of the label, invite two artists to join them and release four original tracks on a special edition 12′ vinyl.
For this new edition, we have two artists whom we truly love and respect.
On one hand, until a few months ago, the mysterious BLK_BETTY an artist with few appearances but undoubtedly a powerful and forward-thinking producer, a true representative of that jacking and energetic sound.
On the other hand, we are honored to welcome the legendary The Advent, a living icon of pure Techno, who has delivered a track that gives us goosebumps and brings back the essence of his early 2000s sound, the most aggressive and powerful The Advent.
We are honored to celebrate 9 years of work with this 12′ vinyl edition alongside artists we deeply admire, and we hope you love it as much as we do.
From México with Love. Fixon & Dig-It
Autechre setzen ihre chronologische Reihe von LP-Neuauflagen mit den Alben Untilted (2005) und Quaristice (2008) fort. Keines der beiden wurde seit seiner Erstveröffentlichung neu aufgelegt, beide sind über 15 Jahren kaum erhältlich. Die Nachfrage hat in der Zwischenzeit für begehrte Wiederverkäufe unter Fans gesorgt, die diese Musik auf Vinyl hören möchten. Die Neuauflagen erscheinen zu einem besonders aktiven Zeitpunkt für Autechre, die sich auf eine ihrer bisher umfangreichsten Live-Tourneen vorbereiten, darunter eine komplett ausverkaufte Serie mit 25 Konzerten in 29 Tagen durch die USA, Kanada und Mexiko im Oktober sowie Tourneen in der EU (August) und Großbritannien (November). Autechre veröffentlichten zuletzt im November 2024 neue Musik im Rahmen des laufenden digitalen Projekts AE_2022–. Weitere erhältliche LP-Neuauflagen: Incunabula (1993), Amber (1994), Tri Repetae (1995), Chiastic Slide (1997), LP5 (1998), Confield (2001), Draft 7.30 (2003).
Nach der Veröffentlichung des neuen Albums "Tomorrow's Harvest", das von einer aufsehenerregenden Internetmarketingstrategie begleitet wurde und Boards Of Canada weltweit erstmals in die Charts katapultierte, erscheint nun - aufgrund starker Nachfrage - eine Reissue-Reihe mit all ihren bisherigen Vinylformaten. Jedes neue Vinyl enthält diesmal zusätzlich einen Downloadcode sowie einen BOC-Sticker aus der jeweiligen Zeitphase. Zuerst erscheinen die Alben "Music Has The Right To Children" (1998), "Geogaddi" (2002) und "The Campfire Headphase" (2006), im zweiten Schritt das Minialbum "Twoism" (1995) sowie die beiden EPs "In A Beautiful Place Out In The Country" (2000) und "Trans Canada Highway" (2006).
The hugely influential British DJ and producer Bushwacka bursts onto Nu Groove with a four-track EP, ‘House Sound Vol. 1’, that demonstrates the touch of an expert. A member of the legendary Rat Pack rave outfit, Bushwacka’s impact on the underground scene of the ‘90s was felt worldwide; together with fellow Brit Layo Paskin, the pair created spellbinding compositions that defined the sound of house and techno, blending the two genres approaching the new millennium.
For this fresh outing on the pioneering NYC label Nu Groove, Bushwacka taps into his unwavering knowledge of dancefloor culture. The opening, an ode to the legendary imprint ‘Strictly Nu’, builds infectious loops with ease before dropping into an arresting four-on-the-floor club feel.
The subsequent tracks follow suit, with ‘Love Can You’ and ‘Right Now’ showcasing the producer’s unique club-led sound in full flow, while ‘True For You’ has a more minimalistic approach. With this new delivery of originals, Bushwacka further cements his status as a genre-defining electronic innovator.
Developer Archive returns with its Twelfth release. The EP is made up of four groove based techno bangers tailor-made for floor-filling. The moods differ on each track and it's mostly in-your-face beats, growing looped riffs, haunting modular electronics, and occasional mind-altering synth lines. Huge TIP!
Developer Archive returns with its 13th chapter and as you'd expect, the EP is made up of four groove based techno bangers tailor-made for floor-filling. The moods differ on each track and it's mostly exotic grooves, looped riffs, haunting modular electronics, and occasional mind-altering synth lines. Huge TIP
Modularz label head Developer returns just in time for Summer. 2024. Presenting a new vinyl release pushing new limits recording with slightly increased BPMS and focusing more on driving dark rhythms and tribal hypnotic funk-infused drama cuts. After releasing over 100 records in the last 10 years the man continues to push into the next 100 with sure thing works and gaining the pressure knob on every track. this is a must if you want to destroy buildings. TIP!
Produced by Developer and upcoming Dutch techno artist DJ Surgeles who has recently released on label "Up in the sky" by legendary Jeff Mills. The Mercurian Particle is a well balanced techno EP pushing that quality sound of techno Modularz continues to present release after release.
It's dark, hypnotic driving and deep all all the same time. this is a real banger TIP!
After a string of solo eps Modularz returns with a wave of various artists releases pushing established and emerging producers laying down strong tracks made for the warehouse or the club. These releases are really getting the pick of the litter when it comes to techno. play these loud and often.
Layton Giordani continues his rich vein of outstanding form with ‘Freaks at Night’.
‘Freaks at Night’ continues his adventures in sound. Unmistakably a peak-time record, the track still manages to traverse a rich ethereal energy, highlighted by an otherworldly synth line and striking vocal that sets it apart from so many. Teased in sets by Giordani and Beyer going back to last summer, this one’s hugely anticipated.
Four years on from Layton Giordani’s critically acclaimed ‘New Generation’ album, Space 92 – one of techno’s most impressive new artists – steps up for a fitting remix. A masterclass of techno futurism, the 2020 album was a defining release of that year and was an impressive marker of Giordani’s ever-evolving talents in the studio. The title track was a memorable highlight, mixing ambient textures with head scrambling synth effects make it an enduring dancefloor classic. One of techno’s future stars Space 92 has added his touch to ‘New Generation’. With very special results. The Frenchman has super-charged the original, adding in plenty of laser-kissed energy as a barrage of powerful chords and silky pads take the cut into steamrolling territory.
Modularz introduces Spanish producer Roll Dann to the growing roster of champion producers from around the world. This is a special release for the Madrid based producer focusing on the strength and power of Techno to his full potential. This release is the perfect model of where things are headed with the fusion of Drum and synth and made for abandoned buildings. The whole release is pure force Highly recommended TIP
This ultra stacked remix EP see’s artists, Lauren Flax, Josh Wink, Radio Slave, and the ‘Missing’ remix contest winner Kai Van Dongen. Legend Josh Wink brings his minimalistic approach to the classic ‘Concentrate’. Lauren Flax brings her deep jackin acid flavor to ‘Culture’. Radio Slave does what he does best and keeps his remix of ‘Reflex’ stripped down and tough, Rekids style. Lastly, remix contest winner and new comer Kai Van Dongen, balances out the EP with his deep but driving rendition of ‘Missing’.
In Celebration of 10 years of Modularz We present a very special 40th vinyl release, focusing more on the deeper side of the label pushing a more melodic and chord progressive sound.
Written and produced by label head Developer, Ukrainian producer Rhomb and new comers
Astronomical Telegram from Colombia and Heretic from the UK. Together compile a great compilation that will destroy floors for years to come.
- A1: Aleksi Perala - Fi3Ac2502126
- A2: Conrad Van Orton - Plaintive Drift
- A3: Dynamic Forces - Ms4
- B1: Force Reaction - Mysteries Unfolding
- B2: Jeroen Search - Void Signal
- B3: Kerrie - Proxima K
- C1: Marcel Dettmann - This Is A Test
- C2: Peder Mannerfelt - The Alternate Current
- C3: Sanna Mun - The Testament
- D1: Section 6 - Phalanx
- D2: Sonic Propaganda - Triangle Maze
- D3: Ufo95 - Apollo 95
Repetitive Rhythm Research presents: FW25/26 The sound of the season? Or a tongue-in-cheek reflection on fleeting trends? Techno has always moved in cycles--styles fade in and out of focus, but true character stands the test of time. As the genre enters its fourth decade, it's fascinating to see how experimentation sometimes becomes formula, and how fresh ideas can either break the mould or quietly slide into the mainstream. This new compilation on Repetitive Rhythm Research explores exactly that tension. 12 tracks by 12 artists--ranging from rising talents to established names--each bringing their own distinct approach. This isn't your typical 'cut from the same cloth' compilation. It's a diverse journey through contemporary techno with all its depth, quirks, and raw energy. From Marcel Dettmann's dark and spooky slow-burner This Is a Test, to Peder Mannerfelt's forward-thinking Alternate Current. Force Reaction dives into trippy terrain with Mysteries Unfolding, while Sanna Mun and Dynamic Forces channel classic Detroit vibrations. Section 6 (a well-known Dutch producer) and Sonic Propaganda (aka Earwax and Rosati) deliver peak-time power. UFO95 takes you on an epic trip with Apollo95, while Conrad Van Orton's Plaintive Drift operates in a lane of its own--fast-paced, hypnotic, and emotionally rich. And then there's the ever-consistent Jeroen Search, the fierce energy of Kerrie, and the unmistakable sonic fingerprint of Aleksi Per?l?--each contributing to this wide-ranging exploration of techno's current landscape. This Fall/Winter 25/26 release isn't just another techno compilation. It's a curated statement that embraces contrast, personality, and forward momentum. Pick your favorites. Revisit the outliers. Let the rhythms unfold.
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Partisan and PILLZ join forces once again, this time tapping into the innovative sound world of Brazilian live act Lucas. His signature style, twisted beeps, energetic glitches and razor-sharp mechanics, takes centre stage on Sign, a vinyl journey built for the peak hours. Each track is packed with calculated machine funk, emphatic drums and a relentless bassline drive. Lucas’ rising reputation across Europe stems from his electrifying live sets, where he seamlessly shifts between electro, techno and house. This record captures that same kinetic spirit, playful and powerful, built to move the floor.
A rave-ready trip from an artist breaking all the rules.
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Sharp Fragments marks Stenny’s second full-length release on Ilian Tape, a tense exploration of spatial and material disruption. Each track functions as a fractured, self-contained unit, yet together they form a wider language where interference becomes structure. Across twelve pieces, the record shifts through evolving states, tracing a path defined by transition rather than destination.
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- A1: Ben Klock & Fadi Mohem Feat. Flowdan - Our Sector (Azu Tiwaline & Cinna Peyghamy Remix)
- A2: Ben Klock & Fadi Mohem Feat. Coby Sey - Ultimately (Amotik Remix)
- B1: Ben Klock & Fadi Mohem Feat. Flowdan - Our Sector (Quelza Reinterpretation)
- B2: Ben Klock & Fadi Mohem Feat. Coby Sey - Clean Slate (Alarico Remix)
Azu Tiwaline & Cinna Peyghamy, Amotik, Quelza, and Alarico remix four tracks from Ben Klock and Fadi Mohem’s collaborative album ‘Layer One’. Released last year on the pair’s label LAYER, each artist on the ‘Layer One Remixes’ EP retains the weighty, low-end edge that shaped the album, while reinterpreting four tracks through a myriad of techno, IDM, bass, and experimental shades.
Honouring the conceptual direction of ‘Layer One’, which delved into a post-human world and offered a serene reflection on a realm that continued to flourish in the absence of humanity, the ‘Layer One Remixes’ EP echoes the same theme. The remaining human survivors on Earth signal a remembrance of their sensibilities, told through the powerful lyrics and vocals of grime MC Flowdan and interdisciplinary artist Coby Sey.
Azu Tiwaline & Cinna Peyghamy open the EP with their remix of ‘Our Sector’ featuring the commanding vocals of Flowdan. Fragmented bass-driven textures skitter across the sparse soundscape, culminating in a track primed for the weirder hours of the night. On ‘Ultimately’, Amotik delivers his take on the original featuring spoken word by Coby Sey, and whips up a rolling four-four number pierced with bleepy percussion.
On the flip, Quelza’s reinterpretation of ‘Our Sector’ unfolds with zappy motifs and technoid flourishes, permeating the shadowy pads and spine-chilling harmonics that slink through the atmosphere. Alarico remixes ‘Clean Slate’, serving a potent techno track laced with equal parts restraint and release, enhanced by Coby Sey’s taut vocals.
While the original album represented the more exploratory sides of Ben Klock and Fadi Mohem, the ‘Layer One Remixes’ EP offers a further step into the void, led by five contemporary artists who are unafraid to delve into the murkiest corners of the dystopian world conjured up by Klock and Mohem.
Introversion delivers a powerful five-tracker on FJAAK's CROWD with 'Ghost Rockets', pushing his signature blend of gritty textures, stripped-down rhythms and emotional weight even further. Known for fusing 90s-rooted techno with contemporary clarity, Introversion opens the EP with 'Lights', a track that rides a relentless hardgroove rhythm before lifting off into an epic, melodic climax made for big rooms and peak-time moments. The title track 'Ghost Rockets' follows with the unmistakable CROWD signature: rolling, minimalistic grooves anchored by Detroit-inspired synth stabs and tense, driving percussion. On the B-side, 'Visitors' starts deep and atmospheric, slowly morphing into a propulsive, forward-pushing roller that balances subtlety and pressure. On 'Hessdalen' things take a darker turn: A menacing groove emerges, led by evil synth stabs that march with precision through a hypnotic, unrelenting beat. The EP closes with 'Wow-Signal', a digital-only track that begins with a long robotic intro, building tension before unfolding into a groovy, nerdy banger loaded with synthetic detail and energy. Introversion's 'Ghost Rockets' EP is a high-impact release that balances floor power with intricate design, being a perfect fit for both deep club nights and peak festival moments. The Berliner will present the release as part of the CROWD Showcase along with label-heads FJAAK on November 29th at Gew?lbe in Cologne - make sure to be there in the first row!
Joshua Kit Clayton released very inspiring music during the late 90’s. Forward-thinking minimal-dub-techno that influenced many artists and labels such as Vertical Forms and Scape. Joshua later designed the MSP/MAX program that is used by artists like Aphex Twin and Autechre and a major influence on the IDM, Minimal Techno sounding music.
This closing chapter of the Kit Clayton’s Retrospective trilogy featuring rarities like Sliding Window and Zepto among new and unreleased tracks. Big with fans of Basic Channel, Porter Ricks and Aphex Twin. Vinyl Only.
Joshua later designed the MSP/MAX program that is used by artists like Aphex Twin and Autechre and a major influence on the IDM, Minimal Techno sounding music.
Lamalice is back on Partisan with Dysproprioception — four swung, low-end heavy cuts built for the floor. Hypnotic, atmospheric, and armed with groove, these are pure dancefloor weapons.
New on Partisan: Lamalice’s Dysproprioception. Four tracks, heavy groove, hypnotic flow — including the standout “CONTROL,” already turning heads on the dancefloor.
Berlin-based record label, Equilibrisme, has just revealed its third vinyl release.
This EP continues the tradition of its predecessors by offering a skillful blend of deep minimal techno, chords, and dubby groove to energize the dancefloor. The release includes tracks from producer Man-L, a collaboration between Man-L and Berlin-based Uruguayan producer and musician Martin Teysera, and Canadian dub techno legend Altitude aka Matt Thibideau.
Default Mode by Raleigh & Takenaga continues the newly established X series – Harmony’s platform for new voices and limitless exploration. Hailing from Prague, the duo embodies the next wave of adventurous sound design and musical talent from the imprint’s home town.
Incentive Program opens the EP’s A side with a drifting, trance-tinged flow wrapped in sweeping pitch movements and fractured vocals. The track sets a shadowy, almost sinister atmosphere, pulling all witnesses into its slow-burn gravity. It’s a steady build, tipping the floor over the edge. Stiff Envelope pulls you into its depths as it continues to build tension with resonating synth hits that quiver over a powerful trance foundation. With a few moments of silence that let its unsettling atmosphere settle across the stereo field before swinging back in at full force, this one is tailor-made for big systems.
B side’s Ground Floor carries on with metallic swells and shimmers that ring underneath the surface as the tension built on the A side bursts, settling into a grounding four-on-the-floor moment and leaving just enough time to breathe before Raleigh stirs up a concoction of devious vocals, snappy percussion, and a seductive bassline that lifts the mood tastefully. Takenaga wraps up the record with Head Count, a razor-sharp blend of crisp percussive cuts and stuttered crumbles that are seeking the perfect pitch all the way, climbing up and down. Heads are counted on a lively groove that radiates playful momentum and commands the dance floor to get in formation, keeping a tight rhythmic focus. Infused with the pulse of UK club culture, this track delivers a fresh and forward-thinking sound perfect for adventurous turntables.
A pioneer of the NYC underground returns to Psionic. After a highly sought after release in the label’s early years, Reade Truth delivers once again with the Life In Review EP. With decades of experience shaping the sonic landscape, his signature blend of analog vintage textures and modern flair shines across four diverse cuts. From hazy minimal electro and dusty broken beats to hypnotic, mind-bending energy—this is Reade Truth in full force. A vital new weapon in the Psionic arsenal from a legend, one of the true originals.
Microm Records V/A Vol.One reúne a siete productores españoles en su mejor momento.
Un recorrido por el electro contemporáneo desde distintas perspectivas, mostrando la fuerza y la diversidad de la escena nacional.
Microm Records V/A Vol.One brings together seven Spanish producers at their finest.
A journey through contemporary electro from different perspectives, showcasing the strength and diversity of the national scene.
Edición limitada a 200 copias.
It’s Clut008.
This time the EP comes from Clut Communication label head Riccardo Rizza.
“Electrons” is his first solo EP on the label, featuring five spacey tracks suitable for any dancefloor, designed to transport you to a different dimension, guided by unique melodies and atmospheres that touch the soul.
Punchy basslines, analog melodies and progressive atmospheres will let you have the perfect record for every situation.
2025 Repress
At last, we get doused from the source; four priors of reissued gems and newer beauts now land us at the quintus maximus: the inaugural Spray on Spray. It’s large and in charge, as we pull back the velvety curtain to reaffirm the exquisite curator is just-as-exquisite a melody maker. OT Rails adjusts the prog antenna to broadcast 3 anthems from the great big dance satellite in the sky, including a collaboration with French cuties Baraka. You’ve had your trad, now dance!
The title track struts along its psychedelic catwalk with a sexy house swagger, unlocking a wobbly stack of pineal-tickling melodies en route. The angels soon sing in positiva harmony, before the piano-lude calls for a tight embrace with those closest to you on the dancefloor. Raise those hands aloft, you know what’s coming; that hard house’d snare roll soon erupts and, before you know it, you’re soaring like the white dove you are. Why does it feel so good?
Spray then switches channel to Ceathair, coaxing the prog spirit from the motherland as the psilocybinised breaks wisp through the undergrowth. The vibe is bouncy, as the diva croons and bassline sings, before the vista opens and the sprayed piper summons you home. Open that third eye, súil eile.
Our swan song is reserved for Baraka and Spray, conjoining their tech trance powers on Think Of Me. The trio up the pace for the grand finale, rolling the tight groove from the off while igniting its hybridised trance rump with hypnotic fervour. The friendly mantra floats heavenly above throughout, absorbing you in a semi-lucid ecstatic state. It’s a whirlwind of dancefloor energy from beginning to end, and Spray wouldn’t have it any other way.
Zonate presents its fifth release, The Roots EP, uniting four tracks from three exciting new voices in the scene. The A1 comes from Guzman with Final Point - a grooving electro cut that builds patiently before unleashing a roaring drop in the second half. Bassy Bee follows with Will Not Hurt You - dark and evolving, driven by growling low-ends and self- recorded vocals. The flip side is all Gaston Cabrera. On B1, Persiguiendo Pesadillas is propelled by a defining arp that touches into prog-trance territory. Closing with B2, A La Luz De Las Velas, Cabrera returns to his South American–infused sound - hypnotic, driving techno / prog.
Acerbic returns after 2 killer EPs of forward thinking Acid Techno for Acid Artists In Action (aaa011) and Stay Up Forever (suf112) which have literally torn the roof of DJ sets from Perc, Choci, Chris Liberator and dozens more. This time he ditches the 303's for throbbing, wiry techno grooves, 4 trax of fast and scuzzy warehouse techno of the highest quality - already being caned by those lucky enough to have a test pressing!
Hailing from Stuttgart, Ackermann delivers a no-compromise EP on Safe Space, combining rough-edge techno dynamics with high-tempo house energy and stripped-down hooks. Expect tight, driving drums, textured basslines and raw rhythm-tools built squarely for the dancefloor. Four original cuts, one steady mood: power-packed club action without fluff.
Black Vinyl[11,72 €]
How about a volley of hydraulic heaters from one of Denmark’s finest?
Already a man of many projects, both on the label side and in the studio, Natal Zaks has minted a brand-new alias… Enter Aquafaba, the ocean floor operator kicking it on a subaqueous tip.
Not many moving like this today. Properly submerged techno, masterful and ultra-essential by Aquafaba, self-monikered after the starchy, liquid byproduct of cooking chickpeas. Patrick Star would be proud for sure.
From Aarhus to the deepest ocean trenches in pursuit of that fathoms-below sound. Nods to the Midwest – chiefly mid-’90s Robert Hood and Cajmere’s ‘Percolator’ – felt in parts, but it’s also riddled with ultra-engrossing detail. Zaks goes heavy with the effects as tracky rollers are propelled to new mesmeric heights, even allowing for a moment of proper widescreen ascension.
Heads-down dynamixxx in full effect as we harness immense hydraulic power. Eschewing instant dancefloor gratification, Zaks emerges with tension and funk, like only the finest strains of techno can achieve.
Benjamin Damage is back on ARTSCORE with a stunningly crafted record that explores the deepest parts of his mind.
We strongly believe that an Artist should have the freedom to express many phases of his thoughts, and doing it with the power of Techno is one of our main goals to inspire you. Benjamin is clearly on top of his game, and we are proud to deliver something very powerful here, done in one of the most elegant ways.
- A1: Nook & Cranny
- A2: Le Grand Dôme
- A3: Grandiflora
- A4: Black Lamb & Grey Falcon
- B1: Miniature Rock Dwellers
- B2: When I Leave
- B3: Iberia Eterea
- B4: Moistened & Dried
- C1: Algae & Fungi (Part 1)
- C2: Algae & Fungi (Part 2)
- C3: Too Fragile To Walk On
- D1: When I Leave (Finely Tuned Version)
- D2: Algae & Fungi (Candelaria Version)
- E1: Minuarta
- E2: Hoodoo
- F1: Slowly Etching
- F2: B9
Repress!
Biosphere is the main recording name of Geir Jenssen (born 30 May 1962), a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
Cirque - originally released in 2000 - was Biosphere's first album for the UK label Touch. This new re-issue comes with a 6-track bonus album and new artwork.
Mojo (UK): Fourth full album from ambient pioneer. Coming to prominence with 1992's Microgravity - which along with the first couple of Aphex/Polygon Window CDs, defined the genre ambient - Geir Jenssen as Biosphere has made three of the '90s' best albums, culminating with last year's near beatless Substrata. The idea - as it always was thanks to Eno's On Land - is music as environment (reflecting, creating): working from his base in Tromso, Arctic Norway, Jenssen offers a polar, Apollonian exploration of the human psyche. Cirque is a perfectly constructed 47-minute sequence: cold clarity up against real depth of field, synth cycles dissolving into sudden moments of sonic revelation that sound like a waking dream - try the first 20 seconds of Black Lamb and Grey Falcon. (And if you think that's pretentious - your loss). Inspired by the story of a young American, Chris McCandless, who walked alone into the Alaskan wilderness and perished, Cirque balances the tightrope between warmth and unease, resolving into a moon melody that leaves you a peace. What a good record! Jon Savage.
Swedish titan, Eric Prydz, drops two brand new tracks, ‘Valborg’ and ‘The Raid’ under his highly acclaimed techno-focussed moniker Cirez D, via his own Mouseville Records.
Having teased new material at the likes of Tomorrowland and Creamfields last year, many have been eagerly awaiting this 12” and quite rightly too. A double header of big room, synth heavy Cirez D slammers, that take listeners on a hard-hitting techno exploration.
Presenting this limited edition 300 picture disc vinyl on Warehouse Manifesto from label boss GAMADON with the original sci-fi inspired Daleks In The Dancehall and five excellent remixes by Kafkactrl, C-System, Code Rising, Robodrum and EKATA. The style of tracks vary considerably and encompass a variety of Techno and Electro infused influences - all with a heavy punch and sure to get you moving on the dancefloor. This is part two of a three part series from GAMADON with remixes from some of the best in the business.
The label say "Fresh from impressing with the pulsating techno of Boris Werner and the fuzzy live house jams of San Proper, Tom Trago's Voyage Direct label turns to a man who needs little introduction: Dutch legend and man of many pseudonyms Danny Wolfers.
Best known under his Legowelt alias, Wolfers has spent the last two decades flitting between strobe light acid house, 808 electro, fluorescent techno and shimmering space disco. Throughout, he's kept his productions pleasingly analogue-heavy, making great use of classic drum machines and vintage synthesizers. While his music may be steeped in the past, Wolfers' productions always sound like the future.
For this first outing on Voyage Direct, Wolfers resurrects the House of Jezebel alias - a pseudonym previously only used for the twinkling deep house warmth of 2010's 'Love & Happiness' - and delivers two tracks of synth-laden analogue house goodness.
'Back In Dogtown USA' sets the tone, as Wolfers layers rising chords, darting electronics and wide-eyed synthesizer melodies over a clattering analogue house groove. As with much of the legendary Dutch producer's work, the track ripples with rush-inducing melodic intent. It's the soundtrack to a party on Jupiter, and we're all invited.
Wolfers' ups the tempo dramatically on 'I Took A Train In 1979', transplanting us to the far reaches of our galaxy via jackin' techno drums, picturesque organ melodies, drifting chords and intoxicating pads. There are echoes of classic Detroit techno, surging Rotterdam electro and vintage cosmic disco, yet it doesn't really sound like any of these things. Like 'Back In Dogtown USA', 'I Took A Train In 1979' sounds like the past, reconfigured and rearranged for the consumption of future generations. In other words, it's a classic Wolfers production."
Layton Giordani’s two-track stunner ‘Life Moves Fast’ continues his inspiring run of form.
The young New Yorker begins the year in a similar vein to how he ended 2022; working tirelessly to push his sound forward, while delivering captivating studio results in the process. Case in point, ‘Rabbit Hole’ his collaboration with HI-LO, that not only topped charts to end the year as one of 2022’s standout techno tracks, but also marked a definitive step in the development of his sound signature.
His latest offering ‘Life Moves Fast’ continues in this adventurous vein. First tested at Warehouse Project and at the Gashouder for Awakenings late last year, the title track is characterised by a distinctive lead, which is both playful and pensive and arouses a dramatic energy, before a series of magnetic drops lobs it into peak-time dancefloor territory.
‘Heart is King’ is an elegant, rhythmic slice of techno that balances euphoria and tension on a knife’s edge, while showcasing Giordani’s classy sound design.
Part 1 black vinyl[11,72 €]
From Buenos Aires, Argentina, Dialektica Records presents its first release by Memory Operators, the duo formed by Mich & Vinz.
Dialogues EP is a creation born from communication. Each track is the result of a deep exchange of words, sounds, and emotions. The record dialogues between genres such as Synthwave, New Beat, Electro and Techno, exploring sampling, mysterious melodies, high-energy arpeggios, and a
nostalgic sensitivity.
The EP closes with a remix by Dani Labb, who true to his style, managed to give it a fresh twist without losing its essence.
More Water pairs the dancefloor stylings of Sub Basics and Witch Trials through the platform of Temple Of Sound. Beckoning the listener to the centre of the dancefloor with haste, there they will remain as the tracks appropriately travel from light, to dusk, to dark. All the while holding a high-paced tumbling percussion, encouraging complete expressive movement.
Encapsulating bright keys travelling on a wave of undulating rhythm, littered with muffled vocals that enhance the persistent energy that traverses daytime house. All the way to warehouse rackets that hiss and pump with 4 AM energy, this release has something for every moment of the night.
Sohrab unveils “Dreams of Dawn”, on his newly born Toneblind label, a sonic journey that bridges the space between night’s final whispers and the first light of a new day. A fusion of styles with a progressive imprint, this release is a reflection of movement, crafted as a distinct evolution from the artists previous work
Each track, a fragment of a larger vision, pulses with the energy of transition, capturing the essence of dreams dissolving into reality. More than just a collection of sounds, Dreams of Dawn is a statement of intention, dedicated to friendships forged on the road and the experiences around the globe lived so far
SEVEN welcomes Seoul-based Suman, whose vocal-driven signature sound marks our seventh release. This EP, exclusively showcasing the talents of Korean artists, features longtime affiliates of Seoul's club FAUST and early friends of SEVEN. The B-side is enriched with two remixes by female artists, DAMIE and Mars Parck. While the opening track drives forward with a more energetic, fast-paced vibe, the remaining tracks on the A-Side embrace dreamy, laidback house grooves accented by slightly cheesy yet classic vocals - perfect for a daytime dance.
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