Techno Vinyl New Releases - News

Bézier returns to Dark Entries with Valencia, a six track rumination on memory, geography, and transmutation. Multi-instrumentalist Robert Yang’s Bézier project has appeared on Dark Entries many times over the last decade, most recently with the 2018 LP Parler Musique. Says Yang, “What started as a project to investigate the love of the sound and scenery while living in San Francisco quickly developed into a passionate search for interlocking melodies and driving rhythms.”
On Valencia, Bézier invokes twinned places. The Valencia Street of San Francisco is channeled, which was the center of the city’s vibrant new wave scene in the 1980s.

But also echoed is Valencia, Spain, and La Ruta del Bakalao aka La Ruta Destroy, the Spanish clubbing scene throughout the 80s and 90s famed for its aggressive and synthetic sounds. Valencia is a darker record for Yang, exploring themes of submission and catharsis with nods to SF’s gay leather bars of the 70s and 80s. The high BPM salvos of “Valencia” and “Scrupulous” capture the frantic energy of Bakalao and Valencian wave acts like Última Emoción. Elsewhere Yang mines the dreamy space disco and Hi-NRG sounds they’re known for, like on the brooding “Past the Marshes” or the anthemic “Reservoir”, which features their partner Len.Leo on vocals. Bézier deftly navigates past and present, light and dark, pain and pleasure, the stasis of memory and the flux of time.

Valencia was mastered by Alex Michalski, with EQ for vinyl done by George Horn. Gwenaël Rattke designed the sleeve, which features an 80’s punk zine-esque geometric grid pattern mirroring San Francisco street maps. Also included is a 5x7 postcard with notes.

Edition Akasha launches with 'Forest Beams' by Eira Haul, proudly presenting a sonic crosscut of the Berlin artist's captivating take on UK textures and tempos, fused by a visceral feel for bright melodic touches.

Dark is the forest and deep, and overhead
Hang stars like seeds of light
In vain, though not since they were sown was bred
Anything more bright.

Edition Akasha launches with 'Forest Beams' by Eira Haul, proudly presenting a sonic crosscut of the Berlin artist's captivating take on UK textures and tempos, fused by a visceral feel for bright melodic touches.

As the rude bass stepper 'Forest Beams' rubs shoulders with the jovial, off-kilter techno of 'Oak', and the trance trip 'Cosmic Body' takes flight towards the introspective halftimer 'Kilim', euphoria and melancholy waltz in harmony atop soaring beats throughout this nod to Akasha Festival's Forest floor. At midpoint, Tornado Wallace compliments the tour de force that is EDAK001 with his 'Lights Off Mix' of 'Oak' - a cheeky balearic breakbeat rendition bringing summer firmly into focus.

Spanish producer Aiken give us a complete bomb floors techno vibes.
3 Original songs for the pure techno lovers plus a brilliant electro remix done for the master of The Exaltics.

As a young person growing up in West Yorkshire, my experiences of true underground clubbing became intertwined with names such as Back to Basics, 20/20 Vision and Carl Finlow. That period in the early 2000's became a life-affirming time for my young self.

Frequent trips to Back to Basics, then held at the Mint Club helped forge my outlook on electronic music and how it should be played in a club environment. I would often hear stories about ""the Farm"" and the late night parties and studio sessions. The anecdotes and tales of US icons recording in the countryside with the local guys provided only a small insight into the creativity and fun that must have gone on during those years. Cut to now in 2017, whilst looking back to those times more than fifteen years ago, I can proudly say that the dots have been joined and the connections now formally established.

I'm immensely proud to say that Carl Finlow, the understated king of British electro, and I, have put together a selection of his works that provides a themed snapshot into his musical history. The music I have chosen with Carl may not be all of his biggest tracks but it is the music that is special to me. The selection has a vibe, one that is deep and emotive, music for the head as well as the feet - Hope you hear it in the same way (...)

Blue Marbled Vinyl

Repress

Insanlar returns with an epic 45 minute shamanistic techno folk song, split over two sides. With 'Demedim Mi', the Istanbul born group ft. the renowned DJ Baris K and multi-instrumentalist Cem Yildiz, offer another off-kilter journey through deep, esoteric Turkish electronic music.

Insanlar means humankind. Their techno folk hybrid is rooted firmly in Anatolian/Alewi religious poetry, their energetic, almost punkish attitude has created a mystic following around the bands early shows. Insanlar's first release catapulted them on to the international stage, where their idiosyncratic mixture of traditional Anatolian/Mesopotamian instrumentation, electronic music and spiritual/philosophical lyrics continue to captivate festival audiences.

The musical excursions of the group go into uncharted territories rather than towards an end goal, melting traditional songs in their music as divine inspiration, while entering places one didn't know existed. Insanlar's recorded version of 'Demedim Mi' was initially meant to become a traditional Alewi 'deyis' song, with lyrics. However, this session resulted in a long magical instrumental folk hymn, that is surprising and captivating at the same time.

What If It Works’ first release, minimum wage maximum joy arrives by way of newcomer 11:68PM. Produced in Berlin in the winter of 2020 and mixed & mastered at the newly minted Brewery Studios, minimum wage maximum joy’s five tracks are precision-tooled for the club, showcasing 11:68PM’s veneration for UK-leaning house and techno.

11:68PM’s moniker, as well as the EP title minimum wage maximum joy draws on the artist’s experience of balancing the grind of the 9-5 with dreams of realizing his creative vision. The skittish breaks on “Bluff Mind State” and “Sway”’s glitchy “Call Mohandes Dub” reveal this state of mind, while “Vertical Mobility” reveals a playful side with its irresistible acid bassline and soaring synths.

In 11:68PM’s words: “Writing the record in the evenings in my bedroom on one of the loudest streets of Neukölln, after I had clocked out from work, I found myself in the ever-present struggle of being artistically active while making ends meet. In making this EP, I decided to prioritize my own desires and not wait for some hypothetical moment to pursue this project that might never arrive.”

Visually, this is underscored by Philipp Pess’ striking artwork, depicting the gaunt face of a man whose tired eyes hint at a lifetime spent in front of a screen.

With minimum wage maximum joy, 11:68PM offers a compelling glimpse into a new generation of Berlin’s left-of-centre club producers.

Electrodefender is back with a bang, serving up his signature West Coast influenced electro. These are for the floor! Limited to 100 black vinyl copies & 50 red vinyl.

It’s time to rave again! Welcome to Simon Lovejoy in the unreality world. Simon began professionally playing ‘rave’ and club venues and releasing records from 1989 ‘The Rave Age 'album is a supreme mix of techno, house and downtempo, includes unreleased tracks from his rave age.

For its second release, Climate of Fear proudly presents “So Nice,” the debut LP from Soft Boi aka Pessimist aka Kristian Jabs. Following 2019’s sludge-crawl collab with Karim Maas and the eco-hellscape new age of Boreal Massif’s “We All Have An Impact,” Jabs turns his attention to a new nightmare: dating. “So Nice” dials back the suffocating d’n’b bass weight. Jabs has perfected, opting instead for a shimmering palette of magenta hued synth leads and chunky Rhythm Nation snare cracks.
Across this languid backdrop, Jabs narrates the inner monologue of his Soft Boi counterpart. By turns cheeky, seething and emotive, his terse lyrics dissect modern masculinity with unflinching control. Hours blearily wasted on dating apps, spiraling arguments and circular
obsessions, the clammy loneliness of self-obsession and the rigid fury of objectification all spread out across the album like an oil spill.
From the opening credits roll of “Saying Hi To You,” through the slo-mo rave sheen of “Fais Moi La Guerre” (feat Nastychong), the junglist malaise of “And Shout” and the boiled trip hop of “Guestlist,” “So Nice” is an album of surprising violence, tightly coiled and covered an
artificially-sweetened pop glaze. As Soft Boi, Jabs reclaims the conceptual from its oft-clinical corner, giving us a concept / breakup album rooted in the club marketplace, executed with
punk’s jugular concision and driven by a deep antipathy for modern life & love.

Spring Snow is a compilation of eight leading experimental artists from different cultures and musical backgrounds who were asked to freely reflect on the word, nostalgia.

The word, nostalgia, in particular comes from the Greek nostos (homecoming) and algos (pain), which are reflected on both sides of the record.

Li Yilei's SHI, meaning 'time' in Japanese, sets the stage with its free-form synth notes and traverse rhythms. The listener is then presented with a memory of an orchestra, conducted by Lucy Liyou, leading to euphoric moments from Sawako and Gonima.

The latter half explores the melancholic and sometimes painful side of nostalgia and youth. Forest Management opens the journey with a late-night rumination, which seems to loop endlessly. Jiyoung Wi, from South Korea, reflects on her birth and upbringing, and leverages her own voice to narrate the story.

Things take a deeper turn with Gaël Segalen's The Bed of Wewa, which paints a rougher picture with its noisy soundscapes, pounding synth notes, and synthetic voices. The trip concludes with Evicshen's rumbling and noisy track, titled Inguinal.

2LP : box including DISSIDÆNCE Episode 1 (White vinyl) and DISSIDÆNCE Episode 2 (Black vinyl)

-> Hardcover Slipcase with embossing of the DISSIDÆNCE logo on the front and the tracklist on the back

-> 2 printed outer-sleeve

-> 180 grs Vinyls

-> 2 Stickers

-> 2 Download Cards

Locked down and furloughed, Vitalic went back to his synths and beatboxes, resulting in his fifth album "DISSIDÆNCE" - the title of which is a whole story in itself - destined to be released in two volumes. He describes it as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. "More than anything, it was a question of timing. While composing I realised that eight tracks felt like too little for an album, and sixteen was really over the top, so I decided to cut the whole thing in half! The main reason though is that I felt I hadn't been able to express everything I wanted to on the first volume - like something had been left unfinished."

The two episodes of "DISSIDÆNCE" - navigating between pop and hardcore, sweat and tenderness, melancholia and anger - are a sort of boiling down of what the artist knows how to do best, after twenty years of creating, from filthy whirlwinds that make your mind explode on the dancefloor to bubble gum pop songs about love that transport us elsewhere. On these two volumes of "DISSIDÆNCE" that now form one, the powerful beats and galloping sequencers translate the social and political anger of the global pandemic, and Vitalic looks into the past, channelling his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats. Above all, this dancefloor marathon expresses his obsessional passion for dance music and the primal need to dance. "DISSIDÆNCE" should be taken as both a celebration of celebration and a journey back in time to an era that maybe does not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, its BPM let loose and rage still blazing, because more than ever, to dance is to live.

And here we go again. After making his self-titled label debut in 2019 followed up by the super limited cassette tape "Sport EP" in 2020 Mint Huus is finally back on Cheezy Crust Records - and he's back on vinyl!

Exploring "Odd Radio Circles" we see Mint Huus catering an array of four cuts, once again covering and exploring a spectrum of superbly driving, high quality electronic club music of a timeless quality which is nothing short of a truly epic manifestation of the German artists production standard and value which is up to par with the genres greats.

Sparse, yet melodic, bouncing, yet dreamy from the very start the Mainz / Germany-based producer effortly amalgamates a highly functional Electro foundation, beautifully arranged vintage retro synth layers and ever bubbling Acid modulations to further carve out and create a distinct sonic realm and niche which, due it's innate drive and well comforting depth, is set to excel way beyond the confined boundaries of the Electro genre and gain praise and recognition on many dancefloors all around the globe.

UK ElectroBass! Bass Junkie's Battle Trax label returns with the second installment of the "Assimilate This!" various artist EP series. Featured are Sub Sonic Force - a new collaboration project from Bass Junkie and Mandroid, Obsolete Robotics (Global Surveyor 4), Matt Whitehead (one half of Model Citizens) and a Bass Junkie remix of the Unknown DJ produced 1980's Electro classic "2030" by Cli-N-Tel. Resistance is futile!

Arsonist Recorder lands on 20/20 Vision with his debut EP ‘Geist’. Following outings on Specimen Records, Diffuse Reality, Bass Agenda and his own imprint ZwaarteKracht. The EP sees Arsonist Recorder continue his exploration into groovy dark-matter electro- beats and abstract, abrasive sound-design. The title track ‘Geist’ kicks things off with deep Drexciyan bass and disorientating synth, an all out electro assault on the senses that sets the pace for the four track EP. ‘YvY’ follows this up like a 90% proof chaser, committing you to the land of no return as perfectly crafted drum patterns lay down heavy robotic funk with driving bass lines complimented by a peppering dark synth melodies.

On the flip side ‘Rauch’ switches things up with rapid fire pad work, serving up fast paced breaks in a dose of hyper speed electro grooves. Wrapping things up E-606 forges an evocative robotic war cry, firing on all cylinders with restlessness club-rocking rhythms.

With previous releases catching the attention of the late Andrew Weatherall as well as Detroit’s electro Don, DJ Stingray, Arsonist Recorder is definitely not one to sleep on!

Varum delivers a massive hybrid of vehemence and thoughtfulness with his six-track-release Vigilance on Strictly Strictly. Side A pushes with wild blend of trancey breakbeat escapades including a big room flavored remix by Almaty, a full series of uncompromising uplifters. Side B contrasts with forceful Electro pensiveness, accompanied with a nailing Mell G remix. High prio for vigilance!

214 aka Chris Roman is highly regarded as one the most innovative electro producers on the planet following releases on esteemed labels including; Cultivated Electronics, Frustrated Funk, CPU, Klakson and Lunar Disko. 'Exposure to Winds' sees 214 return to the 20/20 Vision fold with his first full length album release in 5 years.

'Exposure to Winds' was inspired by Roman's love of the mountains that surround his native Washington State, living in North Bend where David Lynch's masterpiece 'Twin peaks' was filmed. It could be no co-incidence that 214 produces other worldly electronic music that always sounds out of the ordinary. This expertly balanced eight track vinyl release features a selection of styles and tempos from the laid back electro funk grooves 'Tongue Twister' and 'Ball of Straw' to dark room wobblers like 'Quick Start' and 'The Night's Shift'. AIt's a record that will live long in the boxes and crates of discerning DJ's but also provides an auditory adventure for the listener.

Described by his peers as a keystone in ambient-electro, Datassette is a bastion of the underground and one of alternative electronic music’s most exceptional and enigmatic talents.

His extensive and diverse discography spans two decades and includes a plethora of albums, EPs and remixes for independent record labels, including: Ai Records, Apollo/ R&S, Wall Of Sound, CPU and Shipwrec. His work and creative output also extends to the design of music libraries for TV and radio; producing sound effects for 8-bit video games; working as a graphic designer and co-running the Misc label.

Datassette has never been shy of creating complex, addictive and emotive music and this magical music formula is replicated on Sentinel, his new EP for Lapsus Records.

As is emblematic in his long-standing career, Datassette demonstrates a healthy non- conformist approach to conventional labels and pigeonholing. By using a combination of powerful vintage hardware and latest generation digital techniques, the British producer continually manages to redefine his sound. This new four track EP sees him fuse dub, electro, braindance, ambient, experimental electronica and even abstract hip hop.

‘Flashmob’ is the second studio album by French electronic music
artist Vitalic. 2022 sees a reissue of this seminal record on white
vinyl. While the electro foundations of his sound remain the same
after more than a decade, these tracks are sleek and innovative -
proving that Vitalic spent the years between his debut, ‘OK
Cowboy’, and this album uniting everything he’d learned from
making electrifying dance tracks since 2005. ‘Flashmob’ provides
cuts that are classic Vitalic, with massive synth lines and hardedged beats.

Child of order and chaos. Part of a plan, devised by an obscure sound documentary maker, whose desire was to capture the entropic potential of his tools. A data management process, wich generates automatic poetry. This object, is a ambigus product. The synthesis of decisions and indeterminacy. A sound that blurs the boundaries between production and capture, the result of a secretly administered system.

Very sought after early Cignol productions which were only previously released on CD. TIP!

DJ Godfather is going from strength to strength with each release, turning this EP "Keep My Name Out Your Mouth". Featuring looped vocals from King Saadi and playful lyrics by Lil Mz 313, the Godfather delivers an EP that lands somewhere between a Dirtybird and Dance Mania production with its playful basslines, scandalous vocals and jacking snare rolls.

Henning Baer caught our attention after his first release on Adam X's Sonic Groove label. Nearly a decade after, Berlin's techno front-runner tweaked his machines into a moody electro escapade for his debut on Pinkman. Industrial tinged heavy kicks layered with futuristic mellow soundscapes. With Sui Generis Henning Baer once again shows his versatility & years of experience.

Lake Haze makes his Debut on Cultivated Electronics vinyl only sublabel CE LTD with 4 killer electro cuts that are firmly aimed at the dancefloor.

The original album by Laurent Garnier incl. 'The Man With The Red Face', 'The Sound Of The Big Babou', 'Greed (Part 1+2)' . VINYL BACK IN STOCK

With the VOI 029 we are presenting the UK-based Mercy System, also known as Adam Crawford. Growing up in a small town on the outskirts of Manchester, he brings a dark, swung, early dubstep influence to his beats. With "Recognise" Crawford now lands his debut EP on Voitax, a personal project that represents his patiently accumulated skill set in sound design, as part of an excellently produced dystopian UK Bass four-tracker. This powerful package combines high-definition sample work with outstanding arrangements. With the right eye for voice shaping, crowned with beautifully placed drone delays, dense bass, and broken drum patterns, this EP also explores the realms of Dubstep nuanced with UK Garage, Grime, and Dancehall, while keeping its unique character. We are thrilled to hear more to come from this newbie among the UK ass producers.

Splitradix is the moniker of Irish producer Stephen Hennelly. Prior to taking on the Splitradix title for 2014's Glassilaun Memento EP, Hennelly was known variously as DJ Gaillimh and skkatter - both names which should ring a bell for those heads who had an eye on the scene in the 2000s.

Since Glassilaun Memento, Hennelly's brand of 'Gaeltachtstep' - 'Gaeltacht' meaning those areas of Ireland where the Irish language is still actively spoken - has graced both the Virtual Urban and 030303 labels. He continues to rep his area with 51º53'43"Nord 8º25'09"Waldorf, a four-track EP which marks the debut Splitradix drop on Sheffield's Central Processing Unit imprint. This is a textured, dynamic quartet of productions, one which uses the core sounds of electro, acid and IDM-techno as a base from which Splitradix can explore some fabulously idiosyncratic production tendencies.

'3350 Beach Electronic' is an exhilarating first flurry. Splitradix tracks are cut with a bevvy of analogue hardware, and as such it's no surprise that the track is alive with the sound of busy machinery. Beginning with a squelching Fenix synth, we soon find multiple melody lines coalesce into a melodious melange. Synths chatter and sparkle, counter-melodies slip-side around the bass, and bright, welcoming pads are anchored by piston-precise 808s. It's a stargazing delight, one that comes off like a souped-up take on the Lone sound, and a cracking introduction to 51º53'43"Nord 8º25'09"Waldorf.

Second cut 'Zassenhaus Lemma' kicks off in a Posthuman mode, with a delay-drenched 303 bassline meandering atop some chunky house drums. However, as acidic as the track sounds, Splitradix finds space in this crowded genre field with some brilliantly unusual harmony choices and zippy lead-lines that channel Discovery-era Daft Punk.

Much like '3350 Beach Electronic', 'Zassenhaus Lemma' is a perpetual motion machine, gathering synths and drums as it rolls ever onward. The same can be said of following number 'PS31 Sideways Rain', but this joint also coaxes out some more cerebral elements of the Splitradix sound. Whereas '3350 Beach Electronic' found us racing through the cosmos, 'PS31 Sideways Rain' glides gracefully across the astral plane, the synths cascading over one another while the pads look up to the night sky. It sets the listener up perfectly for rose-tinted closer 'PS31 Moxie', a tune which channels both prime Space Dimension Controller and Automatic Tasty's recent CPU drop The Future Is Not What It Used To Be.

Splitradix's Central Processing Unit debut 51º53'43"Nord 8º25'09"Waldorf is an evocative collection of off-kilter electro productions.

RIYL: Space Dimension Controller, Lone, KiNK, Automatic Tasty

Repress IN LIMITED EDITION COLOUR VINYL

'Inside The Microbeat' is the long-awaited debut album by Sync 24. London's Phil Bolland, known as Sync 24 has been flying the electro flag for over two decades via his popular Scand parties and beloved Cultivated Electronics label which he launched in 2007 as a direct response to the dwindling electro scene in the UK at the time. The label has gone on to feature many of his own releases, his collaborations with the likes of Silicon Scally (Carl Finlow), DMX Krew (they collaborate as MMT-8), The Exaltics and Morphology as well as playing host to many of electro's leading lights, eventually becoming instrumental to the scene's resurgence in more recent years. Now it's time to turn the spotlight firmly on his solo work. Across it's eleven tracks 'Inside The Microbeat' is not just a collection of 12''s although tracks like the album's name sake, 'Oriental Sunset', 'Drunk on Delays' and 'Lightwire' are firmly primed for the dance floor, there's also more experimental beat-work like 'Inspired Law' and 'Sluper Smashed', or retro electronica like 'Haunt Times' and 'Spatial Racing'.

Limited copies.

Hello World, Wheel of fate forced me to lose a tiny life before I understood its meanings. Thus I needed to be a chaos swallower for the unnamed. Damn it, demon. Y.

Lack celebrates 20 releases by welcoming newest member Actefy, who's debuting in style with a 4-tracker packed to the brim with grooves.

Great release by Chris Davis who is one of the founding members of 80s cold wave legends Shoc Corridor, famous for their epic album "Experiments in Incest". On Travelling Light, his first solo release on vinyl, Chris Davis moves within the space between minimal wave and dark ambient. The three original tracks on side A are emotionally rich, melodically strong and leave you with a sense of nostalgia. On side B, the tracks are remixed by Electronic Emergencies' finest in various styles: dark electro by Rude 66, disco noir by Machinegewehr and industrial ambient by Yabibo Hazurfa. The beautiful cover art was painted by Silas Schletterer, inspired by the six tracks on Travelling Light.

whatever Gil said was true, the revolution has not been televised! why do you expect it to be sponsored by some social networks or fashion brands? meanwhile 4 tracks perhaps more techno than house

'Deutsche Krimi passionnel' oder 'Ostalgie fuer begeisterte Kranken'? Well, this album may very well have been the perfect soundtrack of some very obscured 5-year-planned and very mentally disturbing, for truly some very fucked-up alienating D.D.R. / East German Democratic People's Republic remake of Tarkovski's old sci-fi classic 'Stalker' and that somehow, thank God, never made it to the Elevated Socialist Working Masses, for otherwise that 'Berliner Mauer' would have collapsed much earlier and certainly with a hell lot of more drastic damage! I mean, ''Mein Selbstmord! Im Monschein hinter dem Baum!'', now, what psychotic poetry of Goethean-Nietzschean 'Faustian' 'Sturm und Drang Tragoedie' and Romantic Mass-Industrial 'Todestrieb' Mantra is that? 'Das Ewig Weibliche (oder gibt's vielleicht auch Das Ewig Maennliche?) des alten Werthers Leiden in Teutobuerger Schwarz-und-buchenwaldklinik?' For this dark synth-guided croonin' could have turned into the ultimate 'Alan Vega Suicide' Project of the Soviet Bloc, its bloody very last Collective Act! Mastered by Guy Tavares.

Steady rockin bass/electronica tracks with those melancholic Rephlex hints.

2021 REPRESS, first released in only 50 copies in the legendary Bunker Mantra Box, but now for a short time available to the general public. Dark and manic house from the Acid Coloniae of Cologne, by Andreas Gehm (aka The Minister), whos profile has been raised recently with a ton of hyped releases and remixes for o.a. Snuff Traxx & Robert Ownes. Second part of a two parter.

From deep Electro to Downtempo, Cheap Records is back with a new release by legendary Austrian producer Erdem Tunakan who runs Cheap Records together with his buddy Patrick Pulsinger. Being there from the early '90s these guys are front runners in the European techno scene and built a label with classic releases by Pulsinger, Robert Hood, Sluts Strings & 909, Potuznik, Louie Austin, and many others always pushing the boundaries and finding the right balance between the dancefloor, the livingroom and the laboratory!

Purple Vinyl

(English below) Verstop vlug uw vinyl van de soundtrack van de succesvolle fictiepodcast?Gothrecht?van de VPRO, daar komt het management stampvoetend aangestormd! Alle twaalf liedjes uit de serie geproduceerd door Stippenlift en geschreven door Stippenlift en Faberyayo, oppassen met koffievlekken dus. Het werk bedraagt vocale gastbijdragen van niemand meer of minder van o.a. Georgina Verbaan, Annet Malherbe en Firoza. En bovendien een selectie van de originele score door Betonkust in de vorm van interludes. Een muzikale samenvatting van de eigenzinnige podcast en haar unieke karakters, nu voor het eerst op vinyl! Ideaal voor wie zich al thuiswerkend op een spannend kantoor te wagen, te zaam zingen wij de negen-tot-vijf heimwee blues.

Soundtrack of the radio play Gothrecht. Twelve songs produced by Stippenlift and written by Faberyayo and Stippenlift. Featuring vocals by Georgina Verbaan, Annet Malherbe and Firoza, as well a wide selection of the original score by Betonkust.