Techno Vinyl New Releases - News

On 9th July Crosstown Rebels present the third in a trio of EPs featuring reworks from Krust’s lauded masterpiece ‘The Edge Of Everything’. The selection of top-drawer artists delighted to rub shoulders with the revered master now adds UNKLE, Hodge and DJ Nature to a list that has seen Masters At Work, Four Tet, Damian Lazarus, Batu, Calibre, LCY and Flynn all deliver inspired re-rubs.
Linking back to a shared history that saw Krust (alongside Roni Size) remix DJ Krush’s ‘Dig This Vibe’, and also provide their own track ‘Tribetoon’ for the seminal ‘Headz 2’ compilation, both on James Lavelle’s label Mo’Wax, now the influential DJ/producer/A&R delivers arguably his best ever work under the UNKLE alias: This is deep breakbeat goodness which sounds both classic and perfectly now.

A sonic son of Krust, fellow Bristolian Hodge works ‘Constructive Ambiguity’ into a proggy new school breaks monster that carves the original’s metallic bass into sharp new shapes, whilst West Country royalty and Wild Bunch founder Milo Johnson AKA DJ Nature provides wigged-out Martian house by way of New York – which, in one of Krust’s many thematic circles – echoes the Latin-tinged, blunted science of Nu Yorican Soul’s classics ‘Mind Fluid’ and ‘The Nervous Track’.

Return of the mysterious project Photodementia produced by Dave MNLT whose first ep released on Rephlex rec, sets the scene with pure electro coordinated to perfection. Names like dj Stingray, Helena Hauffs played tracks on bbc radio 1 essential mix... Do not miss this essential !

Rotterdam duo Black Cadmium deliver their debut EP on Vault Wax with four Detroit-inspired techno and electro cuts laced with acid.

Am 27. Mai erscheint mit „TRON: Legacy Reconfigured“ die Wiederveröffentlichung des Remix-Albums
zum Soundtrack von Daft Punk zu „TRON: Legacy“. Seine ursprüngliche Veröffentlichung hatte das Album am 5. April 2011 und erscheint nun wieder pünktlich auf Vinyl zum 40-jährigen Jubiläum des ersten „TRON“-Films.

Das Album enthält Remixe einzelner Titel aus dem Soundtrack zu „TRON: Legacy“ von Artists der elektronischen Musik wie M83, Avicii, Boys Noize, Moby, Paul Oakenfold und viele weitere.
In mehreren Ländern war das Album in den Charts und erreichte Platz eins der Billboard Dance/Electronic
Charts.

We are excited to introduce you the new exclusive label from Finnish producer Artificial Latvamäki known for his legendary releases on labels like Curle, Morse, Trapez & Cocoon.

Remixes from the North is an Electro/Techno/Disco vinyl record with 6 remixes from Artificial Latvamäki's Suunta Trilogy, featuring artists such as Recue and CRC (one half of Morphology). The two sides of the record explore two different approaches: murky and scintillating

"Move toward that inner paradise; that immortal, glorious metroplex abounding with simplicity, rich with substance. That is our door to the future: right now. Go to your heaven and relax. Embrace the loneliness. You've done enough, and you've earned it. You don't need to do anything more. Take a break. Grant your mind permission to become tranquil, and relaxed. Take care. Listen to the sound of your life; that flawless, neverending symphony of electricity & beauty. What you hear is what you are." No better time to release (reissue) a cyberpunk masterpiece than a global pandemic, right?

Cygnus "Neon Flux" is a selection of remastered tracks from his under-the-radar digital release "Rainy Days" (Biosoft Records). Comin' in hot via Dallas, TX... Smashin' the thermometer w/ the dirty south electro heaters!! Don't mess with Texas!!

I Always Tried To Give The Audience What They Wanted And In Return They Made Me Ridiculously Stinking Fucking Rich. Now, You Might Want To Hate Me For That, But Before You Do, Remember This, You Jealous Prick. I Earned My Right To Be Hated.

Preferred Family Name's first release is also the debut of Steifl. This mini album shifts from melodic electro/braindance towards the more heavy techno tracks.

Premium solo material from Jordan CGZ (Magic Mountain High, Juju & Jordash). An unbounded trip around the producers musical universe. Sounds ranging from icy futuristic soundscapes to crunchy melodica techno workouts, Other-wordly Jazz explorations to hazy Rhodes washed Deep house memories.

“I feel that Jordan’s album is an innovative masterpiece that will stand the test of time” Terrence Dixon

Pressed In Detroit, MI , Artwork by Karl -Otto von Oertzen

The relationship between Central Processing Unit (CPU) and Shun begins in 2018, when the British label decamped to Tokyo to throw a party in the Japanese capital. Alongside a lineup which contained the likes of Fleck E.S.C., Shun was one of the local artists who DJed that night. Now, four years on, he links up with the Sheffield imprint in order to deliver dancefloor destruction in the form of new EP The Door.

There is some seriously tough club tackle here. Regular followers of CPU will be able to identify many of the sonic archetypes which have made the label a leader in the field of modern electro. These four tracks are backed by broken-beat machine-funk snaps in the vein of Drexciya, Jensen Interceptor and the like, and one finds a sense of dystopian futurism running through The Door which links it to other CPU drops.

However, there is also a gritty, saturated feel to these productions which marks Shun out from the pack. With their writhing, insistent bass melodies and heat-treated drum programming, opening cuts 'Digital Slave' and 'Kishibi' have plenty in common with the underground wiggle of labels like Super Rhythm Trax, while prominent use of 303s also provide these tunes with an acidic tang.

Another quality which distinguishes Shun's vision is the inspiration he draws from anime. Track titles like 'Kishibi' and 'Rohan' are references to Kishibe Rohan, a figure from the manga 'JoJo's Bizarre Adventure' in which the names of characters and their specific techniques are drawn from musical sources. This give and take with influences outside of music is further felt in how Shun makes liberal use of keyboard melodies that nod to horror and sci-fi movies - the introduction of such synths into 'Kishibi' and 'Rohan' give The Door an almost cinematic quality which is amplified still further by the vocal snippets which flit around the mix on several tracks.

Japanese producer Shun debuts on Central Processing Unit with The Door, an EP of hard-bitten, acidic electro bangers.

RIYL: Jerome Hill, DMX Krew, Drexciya, Jensen Interceptor

Back In stock soon...

PYRAMID TRANSMISSIONS end 2021 with a Full on Electro Assault from the one and only WEE DJ's, bringing a slamming 4 track Vinyl ep from the Edinburgh Master.

Handy Records returns for round two with another obscure electro flavoured EP. This time from the illusive, East London dwelling; Adam Curtain. Known for his own imprint ‘Troublemaker’ and his analogue heavy productions which dance between broken electro, huge sound design and cheeky melodies and rhythms. We are excited to have him up next with his offering for Handy Records. Teaming up with ‘UTTU’ Club’s very own DJ Haus for the remix duties this time round, it’s sounding rather naughty.

Opening the EP we have ‘Escape Velocity’ It’s a clear nod to the bleeps and bass scene of Adam’s native Sheffield stomping ground. A fusion of a paranoid electro-esque beat flecked with bouncing acidic squelching bass, ominous synths and mesmerising vocal hooks that dip in and out of the mix keepsit flowing. Following on we have; 'Pressure Point', from the go this is a weapon of a track, the creeping bass that sneaks around and follows the alarming leads. Minimal madness but also full and sonically curious.

On the flip we have 'Ratchet', bouncy baselines galore, reminiscent of 2007-10s darker garage and bass era and late 90s electro. Heavily syncopated rhythms, distant soaring synth lines and a 2 step beat make this an absolute gem of a production. Perfect for the nasty side really. 'Doping Scandal', another nasty one for sure. Adam’s characteristic haunting synth lines and squelchy bass notes flow endlessly over this clean and well thought out beat. With interesting synthesis and vocal cuts when needed. An excellent tribute to the music that shaped his youth.

Stepping up to the plate and offering us his take on Adam’s work is one of London’s finest, none other than DJ Haus. Taking influence from Adam’s synthesis and smashing it through the digital wonder machine that Haus’ has recently finished developing; the ‘Data Dump’. Haus has given us a slice of sonic madness for sure. Playing around heavily with the sounds of the original and applying that Haus touch, this one is sure to tear any dance floor up.

Earlier this year Jamal Moss aka Hieroglyphic Being released 'The Disco's Of Imhotep' album via Ninja Tune's Technicolour imprint. Drawing on the energy and spirituality of Sun-Ra, Moss conducted his machines to create a raw, pulsating and meditative work that focused as much on the dancefloor as on the synapses. It was universally praised: 'Sweaty and ecstatic, elevated and pure...' (Pitchfork - 8.0); 'Frequently sublime' (Crack Magazine); 'Fires the mind and soothes the soul...' (The Quietus) and earned Moss a thoroughly deserved' Album Of The Month' spot in Mixmag.
Never one to rest on his laurels, Hieroglyphic Being returns to Technicolour on 11th November 2016 with an essential 12' two-tracker paying homage to 'The Natives' of Chicago's nascent and fertile electronic music scene in the 90s. Fiercely visceral and channelling the same 'rhythmic cubist' approach, 'This Is 4 The Rave Bangers' and 'HOME 95' are proffered as 'Reinterpretations or a Revisionist's retrospective of the early 90's electronic music based in Chicago during the rise of Rave Culture from a sonic anthropological narrative'.

“Grinding, old industrial influenced, no wave techno for outsiders…”
JK FLESH is the industrial techno alter ego of JUSTIN K BROADRICK (NAPALM DEATH, GODFLESH, JESU, TECHNO-ANIMAL, ETC). It is techno made by an extreme music pioneer, so expect techno that is heavy, brutal and psychedelic. ‘NEW RELIGIONS OLD RULES’ is the latest JK FLESH album, made up of 8 fierce dancefloor destroyers. ‘NEW RELIGIONS OLD RULES’ thematically explores mankind’s persistent obsession with indoctrination. Limited 500 copies worldwide only on double vinyl!

The EP was composed during a fully immersed, three-month residency at a secretive studio in the centre of Toronto - a city nick-named 'The Six', hence the name of the EP. Stacked to the roof with rare, vintage Moog synthesizers and machines, one piece being custom-made by Robert Moog himself, LVCA had unlimited access to this unique studio that's the result of decades of accumulation by a private collector.

The opening track Teep takes us straight into that 2am, underground, dance-floor feeling where all heads are locked into a body-jacking 4:4 journey. Psychedelic bleeps and electronic schisms float above a seriously chunky baseline that's 130bpms of pure drive.

Dean's Groove is a bubbling cauldron of squelching bass and atmospheric moods that builds to a head bobbing, floor stomper laced with trippy effects; all triggered by LVCA who was conjuring heat to keep warm while physical temperatures outside the Canadian music studio reached -40 degrees.

Notherplan delivers a teasing build of acid bleeps, space echoes and bass notes that opens out into a psychedelic future-scape of raving on Mars. LVCA's joy at being let loose on synths, Roland machines and Synton Fenix boards is clear as layer upon layer of sounds weave in and out of this funky, robot-punk jam.

Heavy-Duty Sound is a glorious acid house call-and-response where different bleeps swirl and jive with synth tones aggregating into a near tribal trip that goes deep, deep into a Moog jungle where the flora and fauna is pulsing with electric energy.

This release on R&S marks the debut appearance of one of the most active and vital voices in dance music culture, combined with a one-off bold & idiosyncratic sleeve re-design from another omnipresent, globally influential practitioner.

The music is by Special Request.

The artwork is by Virgil Abloh™️ c/o Alaska-Alaska.

Spectral Frequency first appeared on the final day of 2019 — it was included on the 4th SR album released in that year alone and caused so much havoc in clubs, warehouses, basements, bedrooms, dive bars, sweatlodges and ear buds that we simply KNEW we needed to give it a full release.

After discussing it with Paul Woolford, he told us he viewed a possible EP as an equal split of “Face-Melters and Heart Breakers” and this is exactly what he has delivered across both sides of this EP.

Virgil Abloh is a man that by now needs no introduction. He has contributed both a psychedelic and incredibly apt one-off sleeve redesign to mark this occasion.

Pick your side and let the world melt away.

L2 Glenn Davis - Oh My Love - 7:13
L3 Irene Buckley - Mother Of Tears - 4:35
L4 Zvuku - Breakup - 4:48

Get back to the rich musical universe of Daft Punk with this album dedicated to the legendary duo. Rediscover their best hits with versions interpreted by :Chilly Gonzales, Christian Prommer, The Dø, Señor Coconut, Chamberlain, Kid Loco, Soulwax and many more…

Adam Strömstedt's debut album features 11 tracks of elegant chords and softcore acid basslines that instantly fit perfectly into the KANN universe.
The LP as a whole works excellently with slippers and morning coffee, while individual tracks definitely also aiming at the dancefloor. Although more reminiscent of a very life affirming sunrise party than a 90s rave in Sheffield. Please check out the opening track "SWF" or "Desperate Housevibes" for further reference.

GLOW IN THE DARK Vinyl (incl. poster & download)

Emerging as one of the most vital producers from South America to Europe, Filmmaker is back on Veyl with the new album, Fictional Portrayals. Recorded in his home country in Envigado, Colombia, the
release delivers 8 tracks of raw, body pursuits proving yet again that he remains at the forefront of EBM, industrial, wave and beyond. While always carrying the producer’s soundtrack influenced sound, the LP kicks offwith the haunting 'All About That Pyramid' moving next to the title track’s driving energy while then shifting to the more cerebral programming of 'Possession' ft. Bad Faith Actor.
Things are just picking up with club decimators like 'Splitter' and 'Immune to Propaganda' while also switching moods with the more sinister 'Orphic Eggs' and the mesmerizing 'Continuity'. Rounding out
the release is the cold, emotional ride of 'Far From Prospect', leaving us with a sense of dread while simultaneously questioning just what is fact and what is fiction - something we never quite know in today’s multi-dimensional existence.

On Electro Records' ''Sci Fi Electro'' series, each artist has created a 15 minute track for each side of the record, taking you from pure electro tracks to very experimental compositions, sounds and atmospheres. Each side is divided in ''movements'' in a continuous morphing process without any pause between different tracks. The series is a collection of seven releases inspired by the following films created in the 20th century: THX 1138, 2001 A Space Odyssey, Blade Runner, The Thing, Akira, Terminator and Tron.

One of the many musical entities the French collective Simple Music Experience sent to earth to vociferate electronic incantations, Radiante Pourpre is the name of a duo comprised of Alex and Leopold as well as the name of their 2017 debut album on Antinote. Last year, they have released an acclaimed LP on Kneklehuis under another moniker, Violent Quand On Aime, but the place from which they keep on transmitting musical signals has not changed: a post-exotic world (NO ZONE) where the only remains of the societies we live in are barbwires, battered radio transmitters (TAKATO) and deserted oil rigs the duo uses as fictional shelters.

From their precarious haven, they send us field recordings of waves mixed with analog glitters (INTERLUDE). From their lost at sea run down tower, they record the cries of ominous seagulls (SMALL TALK) and a bewitching Spanish voice (MALA 800), incorporating these to primitive drum machine patterns… And then…

A miracle happens when the record is flipped: a Balearic hit for post-apocalyptic times (IEMANJA)! Begining exactly like the opening track (THE COPS, THE JAZZ, THE BIRDS), in an unexpected twist of fate, it summons the angelic voice of Galadriel Andrade for a delicate Brazilian conjuration. There might even be a sunny spell lurking in the spirited closing tune (MS BUTTERFLY): “NO BORDERS, NO COPS, NO PROBLEMS”.

Moscow based Ivan Karasev aka Torn inked his Samurai affiliation in 2017 with his first-ever solo vinyl release on Shiro, a sub-label for highlighting new artists.

In the 5 years that have passed since this release, the Torn name has progressed into a widescreen sonic project leaving an indelible mark not only on DnB but also reaching into the outer edges of the underground Techno scene.

Electronic icons from across the ages come together to contribute to a stunning new package that features Grammy winner Midge Ure and cult house artists Ame on a record inspired by legendary Kraftwerk drummer Wolfgang Flür.

This project came about when Midge Ure was performing with his group Band Electronica in Dusseldorf in 2020. Wolfgang Flur was in the audience and later asked Ure to join a new project he was working on. A few days later, with thoughts of Wolfgang's pioneering electronic drumming, the role Dusseldorf has played in the scene, and the beat which makes the world move, Midge Ure wrote 'Das Beat'. Whilst Wolfgang went on to record his own version of the song for his LP, Ure laid down ‘Das Beat’ with Band Electronica in its original form.

Ultravox and Visage legend Midge Ure played a pivotal role in the world of electronic music and here gives credit to those that inspired him, Wolfgang Flür among them. Says Midge of the new record, "'Das Beat' is a nod of thanks to the people who created the inspirational sounds and music I heard in the clubs in the late seventies and early eighties."

'Das Beat' is an archetypal piece of European electronic music. This superb single nods to the heritage of the genre through the proudly stark synth sounds of the 80s, right through electro-pop and modern techno. The clean, crisp vocals nod to Midge's knack for pop songwriting as they muse on the enduring appeal of electronic beats. Finishing it in style are the sleek Kraftwerk-esque melodies that are filled with a subtle sense of hope.

Remixing the record is German duo Âme. Kristian Beyer and Frank Wiedemann have fomented their own deeply emotive house sound over the last 15 years. They run the influential Innervisions label and constantly drive the scene forward with their widely-influenced sounds, whilst bringing DJ and Live sets to the world's best events. Their excellent remix fills out the sound for the club, with chunky broken drums bouncing beneath visceral acid, big hits locking you into the groove and a vocal that brings a standout retro-future flourish. The remix also comes with an alternative ‘Dub version’.

Following last year’s ‘Pleasure Machine’ EP on 10PILLSMATE, Posthuman return on their own imprint Balkan Vinyl with more acid-fuelled electro and rave. On remix duties are WTCHCRFT (New York City), DJ Karawai (Berlin) and LDLDN (London) taking the tracks into more purist electro, techno, and house directions.

Picking up DJ support from Erol Alkan, Superdefekt, Anja Schneider, Art-D-Fact, Colin Dale, Addison Groove, Emerald, Vladimir Ivkovic, Alienata, Black Cadmium, Giant Swan, Rob Hall, Luigi Di Venere, Wavefold, Éclair Fifi, Chrissy, John Barera, Bored Lord, ASOK, Jossy Mitsu, Mystic Bill, India Jordan, Nyra, Nikki Nair, Shedbug, Etch, Jason Kendig, Josh Wink, Andrea, Ian DPM, & loads more

Paris-based producer Alexandre Bazin returns to Umor Rex with another side to his music approach. If in Full Moon (Umor Rex 2016) he explored the analog electronic music merged with classical minimalism, in this new work, Bazin dives into totally rhythmic terrains while maintaining his devotion to electronic exploration and acoustic drums. Four Steps even rubs shoulders without discretion with techno music and the dancefloor, and retains his refined obsession with melody and structure.

In these pieces, Bazin lends space to electronic soundscapes, experimentation, and computer programming, everything derived from precise compositions. With melodies created with Buchla Music Easel, EMS Synthi, among other instruments, Four Steps –through the drone and ambient music– crosses roads with elegant and infinite techno loops. The album is a 4 track EP released in vinyl 12" in 45 rpm, finely mastered by John Tejada with a focal point in harmonics and dimension, offering an exquisite hi-fidelity experience even for the digital lossless audience.

Alexandre Bazin has been a member of the France GRM (Groupe de Recherches Musicales) since 2005.

Composed & mixed by Alexandre Bazin at Château Rouge. Drums in Four Steps III by François Desmoulins. Mastered by John Tejada in Sherman Oaks. Artwork & photos by Daniel Castrejón in Mexico City.

BLIQ's latest instalment is by prolific Chicago artist Ike Release & long-standing label friend Iron Curtis on the remix duties. "111118 & Wmpwmp" are hardware driven, pitched-down jungle juxtapositions, instilled with soul. On the flip, Signal 2 Signal Remix by Iron Curtis on "Leisure Devices" triggers an electrified excursion into the old school, with the original score laying an immersive experience with emotions powered by the machines.

3 electro techno at the ecletroswing frontier... Funkyest than ever !
And one speeder at the Electro tribe "electribe" Ixindamix style...

Assumed pumpin sound !

BIG !

On a sultry summer evening last summer, Brussels producer Victor De Roo performed solo on the debut evening of WOODBLOCKS, a series of live concerts at Parc Royal hosted by Kiosk Radio.

We’ve decided to bring out the live recording of this very special evening on cassette as the second release on our label offshoot Kiosk Recs.

Credit 00 links back up with Mechatronica, this time in their White series, to manifest a lawless mirage of digital dread, paranoid energy and hallucinatory desire. Limited to 500 copies, no repress.

Ian Lambert's long-awaited debut EP on Analogical Force has been many months in the making and the wait was absolutely worth it. 'Coordinate EP' embodies a masterpiece of structured chaos sculpted by intricate acid lines, playful melodies, heavy breakbeats and razor sharp glitches executed with expert precision signature to his programist-driven sound. This record embarks on a cerebral journey and leaves you eager for more. Fans of Phoenecia, Aphex Twin, Richard Devine, Dwaallicht will surely enjoy. Daed is a welcome addition to Analogical Force.

Pink Vkinyl

Dylan Dylan joins the Shall Not Fade with her debut album Euphoria.

On his sophomore album “ITSAME” on FILM, Brainwaltzera navigates the turbulent waters of personal crossroads with cautious optimism for an uncertain future.
Drawing comparisons with his debut full-length Poly-Ana , an equally introspective album that explores broader conceptual themes, the artist hesitantly describes the new record as a very personal affair. Acting as a kind of “journal” of the last four years of his life, each of
the 17 tracks directly relate to events and experiences that transpired during their composition

Jessy Lanza has always made music that perfectly suits the mood - whether it's the heads-down trance of the dancefloor or that hazy, post-club bliss. It's no surprise for an artist that takes electronic music's most intoxicating sensibilities and effortlessly reimagines them as experimental pop and R&B. The Canadian singer, producer and DJ from Hamilton, Ontario, has trodden an inspiring path which led to 2013's boldly minimalist debut Pull My Hair Back, released on revered UK label Hyperdub. Gorgeously complex follow-ups Oh No - shortlisted for Canada's prestigious Polaris Prize - and 2020's All the Time crowned her as a singular talent in the left-of-pop sphere. It's with this genre-bending approach that Jessy Lanza presents her entry for the DJ-Kicks series - a sprawling, club-indebted odyssey that draws you in closer and closer with each listen. Recorded this summer, the mix is an incisive snapshot of her emotional landscape during the past 18 months. In 2020, with nothing but a van, a few personal belongings and her musical gear, Lanza and her partner relocated from New York City to the Bay Area to ride out the pandemic. A change of scenery, buoyed by the slower pace of their new home, gave her a fresh perspective during a worldwide screeching halt. Jessy Lanza's DJ-Kicks mix also arrives as a divine stroke of timing. As the world slowly starts to re-open, it's a portal into the ecstatic energy of the dancefloor; an emblem of genuine healing - both personal and communal - that transports listeners to a state of pure euphoria.

Doing exactly what it says on the tin - a tough four track electro set from Mustafa Ali under the N.A.D. moniker. TIP!

A true unsung hero of mid 90's techno, Nurmad Jusat aka Nuron helped cement the UK sound that became synonymous with labels like Likemind, B12 and A.R.T With his original releases long out of print and selling for serious money on Discogs, Likemind finally gives fans what they've asking for for so long. 8 of his most sought after tracks, remastered and repackaged in the form of a 2 x 12" compilation. For a truly breathtaking snapshot of 90's UK electronica, look no further.

Much to our delight, the newest Dom Trojga offering comes from Olivia. The Unsound Festival resi-dent and We Are Radar crew co-founder is undoubtedly one of Poland's most beloved DJs, with deep crates and a singular musical vision spanning electro, techno, industrial, EBM, Italo, and wave music. She had been active on the underground circuit, both locally and internationally, for over a decade before she moved to distill her style into her own recordings. After well-received releases on K-Hole Trax and Pinkman Records comes New Life EP, dedicated to her newborn daughter. As un-compromising as ever, and refusing to adhere to the norms of more conventional dance music, the material is teeming with - well - life, and displays a subtle, non-linear playfulness often lost on techno and EBM music these days. Whether it is the constantly building title track, raging "Laser", housed-up "Hidden Gem" or the mutant-disco of "Magic Walk", the record's squelching 303s, wild drum pro-gramming and unhinged synths take you where you need to be! The cover was designed by the 3D artist and photographer Ma?gorzata Pawi?ska. Dom Trojga - live anew!

The drawbridge finally comes down, and The Mail Coif’s “Medieval Ditties Compendium” label takes physical shape in the form
a heavyweight 7" available June 2019. We are big fans of the output of this man ( Jackson Bailey aka Tapes), and this is honestly
some of our favourite material to date! Goblin Wizard Cauldron Spell marks the start of The Mail Coif's quest into Fantastical
Territory both familiar and unknown: an LP of Ditties is set to follow later this Year.

"Hear ye hear ye!

It is time to feast ye on succulent cuts of wildest fanfare as he of The Mail Coif bringeth forth arcane ear-curling wonderment!
Know this, when the hen suckles the dusty teats of a moon-drunk serpent so shall appear the first 7" from the prophetic Medieval Ditties Compendium!

Meet we at the ritual grounds for conjuring, with Maiden's Mirror in hand, 10,000 barbarian souls cast to the void for Goblin Wizard Cauldron Spell!
Hearken thee and Stay the clatter of thy chainmail, churlish knave, these 2 lays will cleave through the musical miasma to free thy mind maiden from boredom eternal!

So Heft thy horse at the heavens, shuck off thy cursed rags and bring forth gold nuggets, for these dungeon dirges are set to raze temples and summon beasts unfathomable!

M.D.C

"