Techno Vinyl New Releases - News

Madrid, Malmø, Motor City – the places that influenced the sound behind the pure Electro EP, „M-Technology“. The fifth SNC Recs release fuses elements from very different cities from all around the world.

The musician Dip Shim aka. Diego Ocejo unites on „M-Technology“ the Sounds of Detroit, his roots in Spain, and the current scene of Sweden. Dip Shim has many talents; in his formative years, he was active in the Graffiti scene and working as a graphic designer. Turning his lifestyle into education, he moved to Malmø, getting lost within the city’s artistic bubble. It was within this creative environment, that Dip Shim found a place to start a new project. Since 2020 he runs the record store called „Bolero Record-Store“ and started his own label „Malmø Traxx“. One thing is for sure – he knows what he’s doing. By the way, Dip Shims' first release on his own imprint was a top seller on Juno and sold out after only two weeks.

„M-Technology“ is for sure the perfect soundtrack for your favorite Graffiti Film or a rave night that will hopefully take place soonish. With his full analogue producing style, using legendary equipment like the MPC2000 and a selection of classic Roland drum machines, Diego created an outstanding 4 track, full Electro EP which will probably heat up a lot of Dancefloors in the near future.

Our imprint marks its five years anniversary this year and to celebrate it’s offering up five special various artist packages across 2019 limited to 250 copies each, featuring material from the likes of Vid, The Mole, Cinthie, Shinichiro Yokota, San Proper, Akiko Kiyama, Com Sin aka Cosmin TRG, Subb-an and more..
Here though we see the focus on the core family as well as some new additions, celebrating the artists involved over the past five years and looking towards the future with some fresh, hotly tipped acts.

For the fourth installment in the series the label welcome’s Berlin’s queen of House Cinthie onto its roster with ‘6am’, as the name would suggest a heads down, emotive slice of House aimed at those special moments in the early hours of the dance floor, fusing a robust analogue drum workout with bright strings, jazzy piano lines and driving low-end.

Akiko Kiyama’s ‘Dirt Specks’ follows, a typically unique offering from the Tokyo based experimentalist, built around swirling bass notes, hypnotising processed vocals and glitched out percussion before label co-founder Red Pig Flower’s ‘Mental Adventure’ brings eastern-tinged plucked strings and vacillating atmospherics into the limelight alongside rounded subs and a bumpy rhythmic drive to create a smooth, hypnotic trip.

Repress

"Do you wanna faq me? I wanna faq you!" - It's starting like the last one ended. Toni M. is back on falling apart with his 2nd ghetto house, electro funk release and shinin' like never before. Better get your hands on that record before they all gone. For DJ use. ONLY VINYL!

DJ Support
Roman Flugel, Axel Boman, Dixon, Nick Hoppner, Groove Armada, Hdvision, Ida, Bradley Zero, Mosca, Enzo Siragusa + more

Tracks by Holtz, Cignol, Repeat Eater, NullPTR, Plant43 and Obergman. The Time Capsule project, also known as 808 Box, is a project created by Fundamental Records. The six boxes released in recent years include 56 records with over 300 tracks from artists from every corner of the world. Some warehouse copies have surfaced of the 10th Anniversary 808 Box, and these will be available individually. These are new copies in perfect condition, with the original sleeves printed with the images of the classic Roland TR-808.

“The Grind” by El Agua Es Profunda is a beautiful, ever evolving track. Building from a basic rhythm, layering and layering into an anthemic state. Fans of John Hopkins, Kaito, The Field, Gui Boratto will find a familiar vibe in The Grind, but this vivid and cinematic ten and a half minute production triggers memories of epic moments in any dancer.

The B-side holds a remix by Copenhagen‟s Kasper Marott. Highly regarded for his releases on Modeselektor 's Seilscheibenpfeiler, Courtesy's Kulør, and most recently his own Axces imprint. Marott has taken The Grind on a more intense trip, enhancing the percussive elements for the floor.

Behind the artist name El Agua Es Profunda we find the Danish music producer Jacob Funch. He has previously released four digital EPs as well as the abum “Circumnavigating Lueena“ through his own Gold Records. The productions vary in genre from melodic soundscapes and synth-pop to dance music. Besides his solo work he is a frequently used producer for several other artists on the global leftfield indie scene.

Inner Space PT1 is the debut release of Kerrie’s ‘Dark Machine Funk’ imprint, with PT2 forthcoming late Summer 2021.

The Vinyl Debut Of Microm Records Is A New Era For Negocius Man And Microm Records N.e.g.o. They Are Very Special Songs With Different Styles Of High Quality Electro. It's My Cover Letter Around The World Hard, Raw, Dark, Robotic Vocoders, Detroit Sounds And Drexciyan Moments, Galactic Funk, Minimalist Atmosphere With Effects. They Are My Different Facets Making Electro But Not All, I Have A New Sound For 2019, Stay Alert And Enjoy!!! For Me Is A Timeless Disc, I Like It And I Always Will, All The Tracks Are Me: N.e.g.o.

Ōgon Batto is an exercise in patience; indeed, a model of restraint in these trying times. Although a fixture of the Belgian underground for over a decade (as part of the Hare Akedod label and band, the latter with DSR Lines’ David Edren), Bent Von Bent has released just two albums thus far. A scroll through ‘Browse’ reveals a series of miniature compositions — bite-size psychedelic treats, a sequence of imaginary hyperlinks and clickbait for Generation Instant Gratification, reminiscent of the early work of Battiato, Francois De Roubaix, and Igor Wakhévitch.

Limited edition of 300 copies. Includes an insert, download code and a UE sticker.

*PRESSED IN DETROIT - OFFICIAL* Metroplex makes another classic available again... Off-kilter, electrifying, Very Funky production works this time, by the magician that Anthony Shakir is. We're huge fans here!

A message from the unknown.. limited to 200 copies

Another exploratory and bulletproof data delivery by Das Ding, returning for his second record in the Mechatronica White series following "I Am Not A Robot" from last year - this time assisted by Heap's radiant interpretation on the flip. Hand numbered, hand stamped, no repress.

Limited pressing of 200 copies..

Extrawelt are Arne Schaffhausen and Wayan Raabe. Both have been around for about 40 years, and making music together for half that time. They enjoy normal things and are ashamed of their carbon footprints due to the large number of flights they take to bring them to their gigs. Unknown, is the tenth studio album from the producer team, and the fourth under the name Extrawelt. Its largely devoted to another side of their creations.

Something's different. Well, Extrawelt releases always have been somehow different yet, despite becoming instantly absorbed into the familiar Extrawelt atmosphere when listening, I can't help but notice again: something's very different. Feet are bouncing, mind is traveling and my fingers speed across the keyboard like they're on fire. I'm trying to imagine what it would be like to listen to Unknown with closed eyes in the midst of a throbbing concert instead of through laptop speakers.
Listening to Extrawelt on crappy speakers is anyway never a good idea, as it really deserves the backing of the loudest and best possible sound system.

With this, I leave the audio confines of my low-fi laptop world and get in the car. Cranking up the stereo, I cruise around aimlessly — lost in appreciation of the music from within the bubble of my metal highway-pod on wheels. I've got the urge to speed up — which is surprising considering I'm a usually a very sensible driver. The bass and the beats blow up in my face. Something uncluttered. Something broken. Something grimy. Something sideways. Something undeniably Extrawelt, yet inherently different to what we've come to expect from the Hamburg pair. I don't plan on getting all emotional, but something about this twelve track journey fits together so superbly it's hard not to be overcome with at least a few shivers up the spine. With profound bass lines and cutting drums, I keep coming back to these sounds. Again and again these sounds. On one hand you feel that you know them, on the other hand you don't know them at all. Is that a synthesiser or a voice Is it rotating or just linear reinvented Whatever the answer, my mind goes astray. Whether this is exotic or native doesn't matter: all I know is that it's great. Meanwhile I've reached track seven and now I realise what's been different all along — it isn't techno! Somehow, they've accomplished staying true to themselves despite deploying not even one four-to-the floor-bass drum. Admittedly, you can find a couple of similar tracks on a few of their previous releases, but here you've got a whole album fullof it. I gotta listen to track seven again. As a music writer I'm asking myself: what genre of music is this actually Neo-Electro Alternative Electronica Emo-EDM Ah, whatever — these guys don't like to be put into boxes anyway. It's simply Extrawelt.

As I talk to Arne and Wayan later on, I discover that the tracks on Unknown began simmering more than ten years ago without any goal or idea regarding if they'd end up releasing them. Come 2018 though, the time felt right to dedicate an entire album to this side of their musical spectrum. This also explains how Unknownappeared so quickly after their most recent LP 'Fear Of An Extra Planet'. As the guys mention 'We just felt these tracks a lot when we made them, and never cared really if anyone would be interested in it'.

We're definitely interested!

Yours sincerely,
Cocoon

It’s been long overdue but finally No Moon is back on X-Kalay and we are HYPED. A lot has changed in the three years since his debut on the label but Fred’s ability to turn in forward thinking and original electro definitely has not. This latest effort is the work of an exciting producer on the rise.

Opening the A side “CPU Limit 99” is full of jungley skittish breaks, acid bass and off kilter rhythms. By the time we hear the voice of Agent Smith creeping out in the first break we could be forgiven for casting our minds back to Metalheadz circa 2002. Next up, “Aoe_Rushin” is the pick of the bunch for us and continues The Matrix theme, albeit less explicitly, via a full on bonkers trip of searing acid, razor sharp drums and smashed up vocals.

On the flip Adam Pits switches up “Aoe_Rushin” into a pacey 4x4 club joint utilising some expansive arrangement and lovely speed garage-esque bass. Closing things out, title track “Set Phasers to Stun” winds things back and rounds up with a deep and meditative cut of melodic electro.

COVID-19 pandemic infectiousness and the relative necessity to put hard distance between people has brought up a wide range of means to cope with it. For some it went by as nothing happened, some struggled with not being able to be social, some were overly social on social medias, some spent it in a total drugged-out haze. Some, like Leroy se Meurt, used it to actually create something. The 5 tracks presented in this EP are the result of that forced stay in, the push towards the outside and the realisation that, in the end, there's nowhere to go. We recommend to stay locked in, even when this will all be over.

Barking´s productions are expressive live sets stem from his background in live instrumentation and improvisation. The Berlin-based Australian artist delivers on Openthenext label a forward thinking EP that is equally suited for advanced dance floors and home listening sessions.

The music is slow, enveloping, immersive and will surely delight the acid lines and slow techno beats lovers out there.

Moirai EP. can trigger a bunch of different emotions: between the magnetic intensity of ‘Scylla’, the melancholic and hypnotic vision of ‘Khasma“, the haunting voice of “Dionysia” will take you to another uplifting & rhythmic path. This #neodancefloor EP, as the Spanish label defines it, also includes a tripping remix of ‘Scylla’ s from Heap, the man behind Neubau & Discus Throwers. A must for the finest jewelry seekers

Over the last couple of months, the records of Berlin-based duo CYRK have become a hot commodity within DJ circles. Their releases on Rawax and Vakant are firm favorites of selectors like Helena Hauff, Steffi, Alienata, Laurent Garnier,Slam, Maceo Plex, Solid Blake or Len Faki. Time Zero, CYRK's new label (together with their friends Flash Fab and Lad Caduceus), marks the next step for the prolific duo. Dreamscience, Time Zero's inaugural EP, features five tracks that traverse CYRK's influences in style, adding their own trademark twist. Tracks like "Collateral" and the eponymous cut are diving deep into Detroit's electro heritage, while "CS70m" takes cues from classic electronica and IDM. "Automotive" is a throbbing broken beat work-out with plenty of soul and "Monument", the EP's closing tracks is a string-laden journey in itself. Get ready for the next chapter in CYRK's irresistible ascent!

Cosmic library dub album by disrupt on the new Zonedog imprint, soaked in swirling synths, mind-altering loops and lushly textured polygons.

"The Recreation Room" follows up on the old SciFi idea of The Holodeck, a computer generated reality where space ship crews can get a break from the daily grind – a place where your mind can travel while your arse stays firmly on the couch. Disrupt is taking a closer look at the mechanics behind it, then messes with its deeper controls to optimize the simulation for an intense horizontal experience.

The VR-ready sequel to "Omega Station" (2018 on Jahtari) is a dubbed out piece of Sonic Fiction with a washed out nineties digitality, as seen through layers of tape all the way back to Black Ark – music from a future that already happened.

Eszaid (Collapsing Market records) with an EP of busted beats and bass crushers on the ever red hot L.I.E.S. TIP

Full lenght album by GB on his own label. We love what this guy is doing an on his new album he finds more depth with his signature sound. Recommended!

Jex Opolis is back with a full length with lush and effervescent goodness! The Canadian musician and producer, delivers nine tunes composed after his sudden, Covid-hastened return to Northern Canada after five years in NYC. Jex switches up his 80s influences and takes a left-turn into rubbery breakbeats, granular IDM and dubby sub bass; all while maintaining his celebrated melodic focus. "Over the past few months, I've found myself really missing big bass sounds in the club. So I bought a 2003 Camry and tried to make tunes that would rattle the windows," says Jex. Super fresh and exciting release, perfec tly for the album format. Worth every penny!

Anthony Di Franco (Ramleh, Skullflower, AX) debuts on L.I.E.S. with his infamous JFK project. Starting in 1987, Di Franco was immersed in the burgeoning UK "tape exchange by mail" scene which fostered many different strains of extreme and experimental sounds being developed during this time.

Initially working in a murky, decayed industrial sound, as the project has progressed to the the present, JFK has transformed the early approach into a now razor sharp, hi- fidelity, punishing wall of sound that still envelops the listener in the same way as his early music but now with a refined and massive sonic attack.

Throughout Avalanche Zone's six tracks we get Di Franco in top form alternating from blistering machine gun rhythms to stand still slow beat metallic crushers with synthetic electrified drama forcing the air from the speakers demonstrating full on sound pressure. This is a welcome addition to the JFK catalog and further expands how the artists vision has developed as the years have passed. Complete and total heaviness!

Offen sends out another probe.

Karamika - a studio creation from George Thompson (Black Merlin) and Gordon Pohl AKA Dussuldorfs engineer supreme(Musiccargo / Kunstkopf / The Isolators...). This their second long player is a record full of mind games. Sounds leak from fractal-like holes, and are sedately trodden back into the cosmic fabric of the album. The noise of post cruise carpet.

What would be the result of putting together to work such talented people as Julia Bondar, Franck Kartell, The Hacker and Years Of Denial? (...) Cyril Pansal and Gäel Loison reach to do it here resulting in extremely fresh and harsh ebm with touches of rudimentary but very effective modular electro that sounds as fat as a sumo fighter.

Released in collaboration with our french brother label UNKNOWN PLEASURES RECORDS trough THE BLACK ALLIANCE project.
All tracks have been specially remastered for LONG CUT Vinyl by Daniel Hallhuber at Young & Cold Studios.

Visible Spectrum is the newly launched creative playground of Yuri Boselie, also known as Cinnaman. Since donning the Cinnaman alias nearly two decades ago, he’s become a well known figure of the Amsterdam nightlife scene with long running residencies at the city's most lauded clubbing institutions like Club 11, Trouw and most recently De School. Next to his DJ sets, he's made early moves in label curation with A&R work for Rush Hour and Kindred Spirits offshoot Nod Navigators, and with his own Beat Dimensions compilations in the late 00s. With Visible Spectrum — defined as the electromagnetic frequencies visible by the human eye — a new chapter is born. It is an outlet for electronic music in the widest sense. Each sleeve will have its own unique screen printed artwork by Marilyn Sonneveld.

The first EP comes from Mor Elian, the Berlin based artist and owner of the Fever AM label. Here she offers the loose and hypnotic rhythms of 'Clairvoyant Frog' which is deep and atmospheric, like some sort of primordial techno soup. 'Shoshana's Roses' then picks up the pace with layers of rumbling drums, wooden hits and snaking synths taking you into a steamy, humid jungle before closer 'Planet Kismet' is a much quicker and more urgent bit of enchanting break-beat techno with pummeling minimal drums and warped synths and perc getting you under their sci-fi spell. A fascinating first outing that sets a high standard from the off.

The new reference of INDUSTRIAS MEKANIKAS comes to us from artist MOVA, a young promise of the electronic scene of Georgia.

The new 12″ of the Madrid label, gathers 6 cuts of the artist to present this work in Mini Lp format, where MOVA makes us a presentation of all its potential.

Under the title TSRIULI BRUNVA, the Georgian artist is shattering us with a devastating forcefulness, what awaits us… Dark rhythms, apocalyptic pads, or voices that seem taken out of the same underworld, without a doubt we can say that listening to each one of his tracks, it is left to intuit the influences of the artist, that are alternating between broken bases to the purest sound Electro Techno, with own sequences of the EBM, arriving even in their hardest tracks to play with genres like the Industrial Techno.

After a few minutes of listening, we can say that TSRIULI BRUNVA is an exquisite work, which will make the dance floors of half the world burn …!

PVAS lives/works in Berlin, but grew up near Pleasant Valley in Canada. Accepting eEntropy Loss was recorded at home in March 2020, and served as an emotive outlet to a period of critical thinking about the internet. It consists of a mixture of machine music and homemade software.

dangerous voltage in the hot tub ... (70g, 7inch). TIP!

X’trapolis is under threat...

Word is spreading fast that the powerful an long-feared Agamid lizard known by many as Reptilius has been sighted building a dangerous army on the outskirts of Squamata, exhausting the forests natural resources and leaving previously thriving, culturally significant and beautiful areas decrepit and lifeless in a greedy, capitalistic move to gain control.

Completely unaware of this, Reptant returns home to X’trapolis after spending 5 years conducting extensive research on Earth’s unique analogue technology.

With his esteemed Lizard Tech Militia stuck back on Earth, Reptant finds himself alone and must seek help from the infamous Gecko Force if he wishes to succeed in protecting his home.

The Gecko Force are a lounge of superior prehistoric native Gecko’s rumoured to have been some of the only survivors from the brutal Agamid colonisation of X’trapolis which occurred many generations ago.

With their power and extensive knowledge of X’trapolis, the planet and all of its delicate and precious lifeforms just might stand a chance...

Return To Planet X’trapolis was written, recorded and mixed by Reppi T. Lizrd Aka Reptant at Squamata Studios, X’trapolis 2019-2020. Mastered by Alden Tyrell. Cut by Marco Pellegrino at Analog Cut. Distributed by One Eye Witness. LKR Records, 2020, Naarm (Melbourne), Australia.

“Dedicated to all the Lacertilia in the galaxy, May your forests remain untouched and liberated”

Wake Dream is proud to present Palav Aed, the first full length album by Amsterdam/Tallinn based Estonian musician Ruutu Poiss.

Recorded over the course of seven years from 2012 to 2019 in various home studios in Ruutu Poiss’ home town Tallinn, the tracks on Palav Aed were all made revolving around the same equipment constellation, the album sounding as coherent as it sounds timeless.

Having released several 7”s, 12”s and EPs on Levels, International Major Label, Rets Records and being featured on various compilations from Fasaan Rec. and Porridge Bullet, Ruutu Poiss defined a sonic universe of his own that is equally unique as it is familiar.

Rich in influences and references, from ethereal harmonics and melodics that might be traced back to his background in choral music, to saturated synth funk and psychedelic futurism, Palav Aed is a document that encompasses the full range of Ruutu Poiss, a musician peacefully floating through leftfield electronics, experiments and sonic imaginations.

Archival material from UK techno stalwart, Steve Bicknell ( LOST, Cosmic Records). Heavyweight DJ tools, check!

"All tracks were recorded in the early 90's intended to be released as an introduction to Chicago influences of the LOST dancefloor, and to also launch another side of Cosmic Records, ‘CLUBTRACKS’. The release was titled ‘The Message’ as that’s what it was, an unspoken message of the introduction of ‘CLUBTRACKS’.

"The production concept was minimal and raw, with Chicago influences, the tracks were recorded using an Atari 1040, Roland 808 and JD800 Synthesizer, non structured, recorded live to DAT. Edits 1 & 2 were recorded late 92/3 and never intended to be released as these were produced for my Dj sets. But they created a lot of interest when played, and many Dj’s wanted the edits released for their use. I had gone through a few acitates already, so I decided to include the edits as part of the release." Steve Bicknell

Pressed at 45 RPM.

The relationship between Norm and Core is in terms of sunlight playing over a mountain and a valley. Norm is the brightly lit portion, Core is the dark area occluded by the mountain's bulk. As the sun moves across the sky, Norm and Core gradually trade places with each other, revealing what was obscured and obscuring what was revealed. Norm is solid, focused, hot, dry, and active.

Fire – Sky – The Sun – Day Time.
Core, by contrast is yielding, cold, wet.
Water – Earth – The moon – Night-time.

For their first release, Zurich-based label Unruh proudly present Sextant Part 1, comprising four tracks from the crew and their friends. First up is Panstarrs with ‘Pendulum’, a fierce slice of dark, semi-industrial electro, followed by the nagging synths and jacking drums of ‘Night Ride’ by Tachyon. The flip opens with ‘Mammoth Hunt’ by The Winky Wanky Wonky Woo, a shapeshifting behemoth of unhinged effects and pounding beats, before Robotron brings the EP to a blissful conclusion with ‘Baltik’.

From the mind of VernoN comes the first release of Eupasia, a label that tells the story of a mythic world built under the ground by some undead worms that have gained human characteristics. This first EP evokes gloomy and misty ambiences, followed by electro rhythms and rough basses, creating tension and resembling claustrophobia feelings.

Yoshinori Hayashi's second album Pulse of Defiance is an outstanding statement from the Tokyo-based producer, expanding his ever-growing world of sound and showcasing his musical versatility in the process. Spanning ecstatic jungle breaks, club-ready techno, and free jazz's unpredictable gait, Pulse of Defiance is a sonic journey through Hayashi's marvelous mind that provides new surprises at every turn, and with every successive listen. Pulse of Defiance is the latest and most fascinating step in Hayashi's still-blooming career_a half-decade of fantastically quixotic output that's established him as one of electronic music's most fascinating aural conjurers. After a string of releases on esteemed labels like Lovers Rock, Going Good, and JINN, Hayashi made his Smalltown Supersound debut with 2019's Ambivalence, his first full-length album. An immersive and fascinating work, Ambivalence submerged Hayashi's sound in distant, underwater textures that added layers of allure to its loose, jazzy confines; it was followed up by last year's Y, a four-tracker that splayed drum-machine freakouts and wobbly low-frequency textures across techno's brittle framework. Earlier this year, space disco masterminds Prins Thomas and Bjorn Torske offered lush remixes of Ambivalence cuts that emphasized just how musically fluid Hayashi's style is_ and Pulse of Defiance is more concrete proof that he's working without limitations. Within the opening third of the album's enticing sprawl, the listener's treated to gorgeous jazzy hip-hop breaks, upward-scaling piano drama, and cavernous techno reminiscent of rave-era greats like Orbital and Underworld. From noise-bursted drum'n'bass to rapid-fire club music not unlike Paul Woolford's rave-revivalist project Special Request, there simply is nothing Hayashi can't do. Indeed, such virtuosic and diverse-sounding music collected in a single statement brings to mind myriad reference points; you can hear the eclecticism of post-rock greats Tortoise amidst the clattering drums of "Alone," while the expansive work of Thomas and Torske is recalled throughout as Hayashi plumbs his body-moving instincts more than ever before. But Pulse of Defiance is also a work that could only come from him at this point, the latest delightfully surprising release from a musician that continues to chart his own path.