Zohar's debut EP contains a wide spectrum of sound structures and complex moods. The 5 track industrial experiment variates from club driven breaks, electronics, ambient to dub.
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Modeselektor veröffentlichen eine dreiteilige, limitierte Picture-Disc-12"-Serie mit den Highlight-Tracks ihres Albums "Who Else" samt Vinyl-exklusiven B-Seiten. Die Single "Wealth" mit der Londoner Grime-Künstlerin Flohio erscheint samt Instrumental und Accapella-Version (Vinyl-only). "Who", die knusprige Kollabo mit dem estnischen Rapper Tommy Cash, wird mit Modeselektors atmosphärischem "Who Else" gespiegelt. Und der Dancefloor-Hammer "I Am Your God" mit Otto von Schirach ist gekoppelt mit dem nicht minder effektiven "Bronko". Alle Picture Discs erscheinen in vollwertig bedruckten Innenhüllen und Außencovern.
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Legendary artist Mick Harris (Napalm Death, Painkiller, Scorn…) kicks off his 2019 with this EP of tar-black, bass heavy sonic violence. This EP features 4 reworks of “Salford Priors”, one of the heaviest tracks from his return-to-form album “Over Depth”, the first by Mick Harris himself, and 3 more by his longtime collaborators in the production guises of Fausten, Stormfield, and Monster X. The EP begins with an apocalyptic, dubbed out violent rework by the man himself, creeping in with a cold, calm eerie drone that quickly goes from zero to 100%, blasting into a full force attack of artillery percussion and strafing, shrapnel textures atop the landmine subs and characteristic Harris snarling mono-bass.
Julien Caraz has caused much distress over the years with the sheer rage and precision sonic assaults of his Monster X project. Here he eschews his usual frenetic tempos for a solid 130BPM, a sleek techno destroyer built for giant spaces and huge soundsystems in mind. The Combat Recordings boss has worked audiovisually with Mick since the Scorn AV at Bangface Weekend in 2011, touring with Fret AV in 2018. Here he switches back into audio mode to rework Salford Priors into a hard electro assault for the Stormfield remix.
Fausten is the shadowy, twisted collaboration between Monster X and Stormfield.
Having released a staggeringly twisted album on the legendary Ad Noiseam, Fausten
went into hibernation as the pair pursued their own projects, with only a few sporadic tracks surfacing over the years. The pair have been putting together an album’s worth of new material for 2019, beginning with a powerful remix of Salford Priors. Taking Fret back into it’s aquatic, fathoms-deep sonic territory, this remix is a behemoth work that moves at quarter-step tempo, allowing for more physicality and dynamics, the profound pulse of each profoundly deep bassdrum like an underwater volcanic explosion, with skittering percussion the resonates in the stillness.
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✖ INCL 7 STICKERS, 2 BUTTONS + 2 FOLDOUT POSTERS
✖ SPECIAL „GLOW IN THE DARK“ PRINTS
✖ LIMITED TO 300 RECORDS WORLDWIDE!
✖ COVERART by SCOTT ROBINSON 3D (UK)
✖ MASTERING by STAZMA THE JUNGLECHRIST (F)
✖ DESIGN + PRINTINGJOBS done by e_wann (BE)
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In mid 2018 Denham Audio and & Borai put out a self released cassette tape named Club Glow Vol 1 full of early 90s hardcore and breakbeat madness, it was well received and tracks started showing up in DJ sets and radio shows. The most popular and widely played was "Make Me" First championed by DJs Peach and Sienfield, the track took on life of its own and has been named checked and ID'd in groups many times by people desperate to know what it was called and where they could get it.
We have remastered the track alongside a new production by the duo that also has that 90s hands-in-the-air-singalong feel, and are able to offer a heavy weight 12in complete with artwork by Mani Festo for everyone who has been asking if it was ever going to be released on wax.
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This Spring Garland returns with their second album on LFI.
The follow up to their debut Preludes # 1 is a surreal journey in which the duo further explore their shared interest of sample based music, minimalism and arrangement methods found in the dub tradition. By combining analogue and digital technologies with found sounds and acoustic instrumentation, Cologne based DJ Phillip Jondo and Glasgow based artist Simon Weins invite the listener to delve deeper into their exploration of time, space, texture and form...
Returning with a more refined body of work, Garland sets the tone on # 2 by shifting attention to the ever-changing nature inherent to sound itself. Worlds in which the origin of sound is untraceable and where micro events become the basis for extended explorations.
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7 track EP/mini album by L/F/D/M 's Richard Smith - ‘Dream Bleeds’ overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late ‘90s and the caustic spirit of EBM.
Richard Smith says about ‘Dream Bleeds’, “attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. These tracks thread together; each starting point completely open, each new step informed by the last. I find it interesting that the process is the same but the outcome somewhat unexpected; shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. They reach a different end point due to that evolution of circumstance.”
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7 track EP/mini album by L/F/D/M 's Richard Smith - ‘Dream Bleeds’ overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late ‘90s and the caustic spirit of EBM.
Richard Smith says about ‘Dream Bleeds’, “attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. These tracks thread together; each starting point completely open, each new step informed by the last. I find it interesting that the process is the same but the outcome somewhat unexpected; shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. They reach a different end point due to that evolution of circumstance.”
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PYRAMID TRANSMISSIONS presents the 2nd solo release on the label from PT creator ADJ.
STREET LIFE Part 2 continues the theme of Part 1 with another 4 tracks of bass driven future electro music from one of the longest standing members of the scene.
STREET LIFE Part 2 is more pure Future Bboy music with punching kick drums, Alien melodies and crunchy glitches for that unmistakable ADJ sound aimed at making you dance while getting in your head simultaneously. ADJ always looks to the future but with nods to his past of 808 electro music.
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A BRUTALIST BLOW. A DARK EXERCISE IN PROGRESSION. A PUZZLE THAT OUTLIVES THE EXECUTION OF HARMONY.
Vanta is a construction for the savage. It reaches the profane along with the cryptical. The EP includes 5 tracks in which Zomby redetermines his access to techno by developing a language that is archaic. A language that is his own.
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Electronic music has been quite obsessed with its past canon for a while. Ongoing trends such as the reissue frenzy or the obsession with vintage equipment make it harder than it should be to find music that feels absolutely contemporary. But Cleveland's 'nDSi' is a prime example of it. His new double EP showcases an evolution of his sound into more minimalist and forward-looking grounds. The crystal-like textures and playfulness are still there, but displayed with a much more ambitious approach. The seven tracks of the double EP are an exploration of futuristic soundscapes delineated with swirling tones, understated rhythms and ever-evolving patterns. Often drawing inspiration from "happy accidents with half broken synthesizers", Andrea Mancini works with the frictions of apparently contradictory ideas to come across a sound that defies the conventions of modern club-ready music without loosing its primary appeal. The textures might be cold but the vibes are warm, the sounds might be technological but the spirit is lively, the structures might be volatile but the impact is immediate. 'nDSi' not only creates a world of its own but also an impressively balanced one. As with any novelty, it might feel awkward at first, but its weirdness manifests itself in a refreshingly na?ve way, dodging any kind of excessive pretentiousness or overproduction. Truly one of the most stimulating works we've heard in a while. The double 12" comes housed in a sleeve by Barcelona based designer Guillermo Lucena.
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ELLLL continues her prolific 2019 run with a new EP for the expertly curated (and newly revived) Paralaxe Editions label out of Barcelona. Fresh off releases on Glacial Industries and First Second, the Irish-born, Berlin-based shapeshifter takes a creative turn here, setting aside her bassy excursions and techno flirtations for something much more cinematic in scope. Rich in melody, this record finds ELLLL taking an orchestral approach, weaving together piano swells and delicate strings to create a truly immersive listening experience. Mastered by Rupert Clervaux.
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Sworn Virgins are back on Soulwax/2manydjs label, DEEWEE with two more hugely effective club tracks entitled ‘Lazer Beam / Take Your Lady.
From the green hills of Albania to the back rooms of New York City, Sworn Virgins bring the light. A strangers hand on your shoulder, bright red painted finger nails scratching your thigh, all those beautiful things that made you leave that small town you came from. Greased up and ready to go, close your eyes and take it in.
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Alex Jann returns to Censor for the label’s second excursion into the unknown with three direct communications and a mix of the title track from Rotterdam’s Animistic Beliefs.
The EP’s title track Computoid.Transmission.X is a pulsating drum workout laced with dystopian pads, laser-cut leads, anxious bass lines and an evocative mutant vocal from an A.I. system gaining consciousness.
Animistic Beliefs create a darker texture in their Electric Eye Mix of the title track, sending the vocal and lead sound straight through the stratosphere via complex bass and arp phrases that filter and stalk around the lead bringing a deeper and more contrasting A2.
Firewall Culture comes as an intoxicating trip on the B1 with off-world FX, feral acid lines and a spacetime-defying style of vocal that haunt Alex’s work.
Jupiter Storms on the B2 ascends the EP to a higher plane with deep washes created from evolving pads adding space and movement to the final track of the release, all accented with glacial micro drops, syncopated beats and tight trickling synth sections. The release was mastered by Keith Tenniswood at Curve Pusher.
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Spatial Cues releases split singles and solo EPs that sound out main(void)’s and Kon Janson’s shared musical space. Operating out of Berlin and London, the two artists join forces to showcase their mutual vision of techno music.
CUES005 aligns itself with the deep and hypnotic side of the series by inserting repetitive themes into flowing soundscapes and subtly shifting rhythms.
Spiralling deeper and deeper into a slowly evolving vortex of sound, CUES005 A emits gleaming signals into the expansive space emanating from its mesmerising bass line.
Held together by the gravitational pull of its sub-heavy kick drum, CUES005 B’s swirling drums orbit around a minimalistic synth pattern that echoes back in bleepy accents.
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We're delighted to share this record from the Moscow-based recording artist OL aka Oleg Buyanov. His most recent work, the double LP "Height Difference" on the seminal Gost Zvuk label, saw him transmit his research in soviet sound heritage into a range of genres and tempos. On "Dismeteo", we see him inhabit a similar atmosphere, refracted through a different lens of influence. In Buyanov's own words, "The tracks are like concrete blocks & buildings lost in the woods. It's a point where correct geometry and mathematical constructions meet with organic forms.
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Seasick Acid is an aquatic addition to the Gunnar Haslam multiverse, a twisting realm of mirrored realities and fully realized continents with their own submarine logic systems. We asked Gunnar Haslam about the story behind this EP, his third release on The Bunker NY, confirming that he has not been recently seasick but did grow up by the ocean spending plenty of time on boats as a young man. Seasickness thus established as a part of Haslam’s personal history, he went on to explain “the best nights out hearing music are the rocky ones, not the smooth voyages” flashing to the experience of a very deep rave as a large ship with all hands on deck working to keep the whole thing afloat. All four tracks bring a woozy driving force to the dance floor that are sure to keep everyone bobbing along disorientedly.
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Dixon Avenue Basement Jams are proud to present "Rainbow Body" by Nightwave on their new sub-label Neutralizer Records.
New music from Nightwave is what life is all about.
Check out her new fantastic release for Dixon Avenue Basement Jams’ Neutralizer sub-label if you’re in any doubt. Rainbow Body EP is 4 tracks of Detroit influenced dance floor damage, taking in and breathing out lush melodic techno, driving ghetto beats, steppin’ authentic electro and bold yet synthy house music. It’s a release that does it all and with such style and confidence. You’d be a fool to miss out.
Limited Hand Stamped Vinyl and crazy story inlay included
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The Kioku EP is Wata Igarashi’s third release on The Bunker New York, showcasing considerable emotional range that speaks to his long career as a sound designer. All four tracks feature a cinematic, expansive quality that make it easy to imagine how each could fit specific moments across the arc of a party. Different aspects of the music are carefully balanced and combined: seemingly simple patterns in the foreground are animated by precise intensities at play in the background.
We encourage you to give this one a listen on a proper sound system or headphones to fully dive into the intricacies of Igarashi’s sound design. “Reflecting on his feelings about these tracks, Igarashi tells us that, “there are many times when you’re listening to powerful music and you are not really able to think but your body still remembers how to move and breathe”. Kioku means “memory” in Japanese and Igarashi goes on to explain that “all the fast and complex melody combinations (of the title track) make me imagine how our memory functions: connecting via synapse and nerves, going all over the place...the music comes from my experience and memory.” The complexity and beauty of our thoughts and bodies are mirrored in these fine productions that make up the Kioku EP.
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Marvellous synth rhythms are the key-player on ZEIT008, Roman Debnar’s Dark Matter EP.
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Stefan Smith has channeled an elevated reverence for process, texture and synth-extrapolation with the forthcoming release of his self-titled LP on the Sapiens imprint. A relative new-comer to the land of rapid fire releases and dance floor formulae, Smith is deeply steeped in the art of music creation, performance and theory.
As a graduate of Mills College's revered music department, Smith's prosaic understanding of music partially explains his migration to Sapiens, a label headquartered in Paris, France, which, under the direction of techno luminary, Agoria, has been expanding the realm of possibility for what a techno label can become. Collaborating with musicians, visual artists, film directors, shamans and sound designers, the young Sapiens platform releases may include political speeches, radio hits, dance floor tunes, sensorial or cognitive music or a gentle computer
virus'. Smith's LP contribution will definitely fall on the more delicious end of this spectrum, having woven a synth-lovers dream tapestry.
The nine tracks composing the album, Stefan Smith', draw the listener in on a river of oscillators, which push just past the banks of perceptible sound with with flawless production and loving sound treatment. The idea behind the album is very raw and organic. Stefan Smith focuses on atmosphere, mood, tones, and frequencies, rather than melodies. His productions are a response to the subliminal, and about feeling.
This album came together from a natural flow of working with computers and synthesisers, and also from the musical connection fostered Sebastien Devaud (Agoria). His approach to the album's production was to edit as little as possible, keeping the original feeling of chance and temporality intact. We can sense here Smith's intuition as sound designer, a role which has enabled him to work with artist Nicolas Becker and through this association further contribute work to the Philippe Parreno 'Anywhen' exhibition in Tate Modern Turbine Hall. The feedback
generated by studio experimentation gives birth to new ideas for aural shapes and textures. If one were only to lie back and identify the various wave forms, like butterflies and birds flittering through dappled sunlight, in each track's canopy of bountiful synth elements the mind's eye would dance with the steady intervals of Smith's real-time probe of his machinery, however, deep tracts of emotion and effortless grooves won't allow for a purely sensory listen. In the spirit of exploration, enjoy the ride.
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Here the first release of Coordinate records, a new Italian label based in Turin. Limited press.
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Pedro Zopelar and Benjamim Sallum started jamming and performing live sets in São Paulo in 2016, when Ben was only 15 years old. At that time they where doing freaky improvised live perfomances in tribute to a popular youtube video called “My Girlfriend Is Programming The Roland TR-909, Making a House Beat”. Using that huge name the duo performed live before Theo Parrish at the RBMA festival in São Paulo 2017, and was the first that the track GIDI was played. In 2018 “My Girlfriend” releases their first record dropped by Subsubtropics, (a Brazilian label that previously released “Dreams”, “Design a Wave”, “Seixlack & Zopelar” and more).
The Apron EP is a compilation of My Girlfriend’s tracks there are more influenced by a Brazilian approach on neo-soul, house and funk. From the first raw jams to these particular vision from “what is Brazilian music from nowadays”, the duo represents a fresh sample about what is happening into the club music scene there. Benjamim Sallum is resident at the famous party “Mamba Negra” headed by Cashu and Laura Diaz (Teto Preto, Carneosso), and since his 15yo developed a fast progress on the art of making tracks and DJing. He runs his own label “OXI”, where he often drops some crazy cassettes EPs from himself and his friends. Zopelar is multi instrumentist, DJ and producer based in SP, responsible for the keyboards, synths and basslines of the record. He studied piano on his youth and made music college in rio with 18 yo. Based in SP after his studies till now, he runs another well known party named “ODD”, where Funkineven played in 2017 (both Rio and Sao Paulo editions) and knew all that crew.
The opening track “piercing”brings pads and strings recorded and manipulated on a MPC sampler with some dreamy lead synths on top. GIDI is a tribute to all the church keyboard players in the world. And there is also another tribute to a specific music school from late 70’s in Brazil called club da esquina (“B2 Corner Club”), headed by legendary singer and composer “Milton nascimento”, is a typical sound from Minas Gerais, State where Pedro was born and raised till his 17 years old.
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Cyberspeak multidipliscinary collective keep on programming. The second output from the label goes deep inside the restless character of Katatonic Silentio, a sound artist driven by cyberfeminism and queer culture who perfectly express the collective accellerationism. Emotional Gun is an half-stepping beats masterpiece, seven tracks crossing mystic territories full of pulsating soundscapes, apocalyptic and cinematic atmospheres with a painstaking attention to details.
Mixed at Zona9Studio
Mastered by TapewaveMastering
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DJ Haus drops a slab of modulated bassline driven house music - backed with an incredible LONE remix - TIP!
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No-nonsense, 12' releases. Cut loud for your pleasure.
DJ-focused, functional records made for having fun on the dance floor. Rooted in UK club culture and taking inspiration from techno, house, garage and breakbeat, every release will have at least one track that absolutely bangs.Human Resources christens this new series with two tracks of absolute heat.Lovingly delivered by the crew at YAM Records
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The first release from The Bug’s ‘PRESSURE’ label in 2019, is an absolute sound system crusher from JK Flesh (aka Justin Broadrick Godflesh/Jesu/Zonal etc…). Three tracks of the slowest, heaviest, dread techno you are ever likely to hear. Plus a remix from The Bug himself, in full doom riff mode. Kevin Martin (aka The Bug) is quoted as saying “I’m as proud of dropping this epic 12”, as I was of being the person to release Godflesh ‘Love is a Dog from Hell’, many moons ago on my old label Pathological Records. This time around, Justin again redefines absolute heaviness, but in a club format, as he gets sociopathic with his homicidal riffs and deep space explorations. Absolute malevolence, a complete body slaughter. I virtually begged Justin to let me release ‘In Your Pit’ ! haha. And i’m very happy he agreed and additionally passed me two more tracks of utter dirt”. JK Flesh has previously released music via Speedy J’s Electric Deluxe imprint, Regis Downwards label and Vatican Shadow/Prurient’s Hospital Productions. He also recently released a split album with Goth-Trad, entitled ‘Knights of the Black Table’. In 2018, PRESSURE unleashed the Bug collaboration with Burial as FLAME 1, released Miss Red’s outstanding ‘K.O.’ album, and detonated 12” club destroyers by NAZAMBA and G36. If this ‘E.P.’ is any indication of what 2019 holds for the label, this year will further intensify the label’s promotion of “Dub, Dancehall, Grime and Dirt” and absolute speaker shredding carnage.
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Polynation set to release their debut album 'Igneous' on May 10th through Dutch imprint Atomnation. Stijn Hosman and Hessel Stuut worked on a 2LP that surpasses older work such as Allogamy & Sufi. The new LP is a perfection of their signature of acoustic drum sound, impressive synth work and unheard of arranaging skills / dreamy soundscapes.
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