Super Rhythm Trax welcomes back Cardopusher for his second appearance on the label. This EP showcases a range of styles including his trademark jackin' acid trax but also widens the net to include the New York Freestyle of 'Never Fade Away' and the Nu Groove-esque 'Mental Jobs' .
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3x12"
Camelot Arcade is the new triple LP from Ceephax Acid Crew on WeMe Records. 13 tracks of Camelot goodness with all the feeling and melodies we've come to expect from Ceephax and his collection of classic electronic hardware. The tracks range from the easy listening sound of Phraxby to the baroque dancefloor pump of Camelot Escalator, to the trap-esque cyber feel of Yodecahedron and the Detroit moodiness of The Green Night. Creon Happy and Trusthouse Forte have an upbeat classical feel (backed up of course by Ceephax's favourite Roland drum machines.) While Path to the None and Shadowphax Part I&II are more dark in spirit. A lot of the tracks such as Life Started Tomorrow and The Great Greatsby were born randomly of quick jams with live keyboard playing and the album has an organic feel to it which a lot of the more formulaic electronic music lacks. All in all Camelot Arcade is a wonderful breath of fresh air and is sure to go down in history as one of Ceephax's best.
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Unflinching and dead set on imposing his outlandish take on so-called "dance music", Shinoby's been steering his ship on his own ever since his first 12" hit the streets back in 2015. Following up to a handful high-pressure Eps released via his proactive personal platform Istheway - all geared towards turning the club into a bastion for weird, terror-friendly experimentation, the Verona-based producer struck back earlier this year with his debut album 'Celestial Bliss', a mazy and fascinating introduction to the world further displayed on his sophomore full-length 'R.I.S.E.' which will undoubtedly stand as a watershed for the proto-tech / off-axis electro troublemaker
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25 years later, the legend of Drexciya still lives on, and a clear example is this new EP by the young RNXRX. While the title of the second song is directly "DRXCYAN", the first few seconds of each track are enough to show the inspiration in James Stinson and Gerald Donald: pure electro with aquatic sounds, tension and deep distorted voices, a dystopian futuristic narrative to the rhythm of magnetic techno bass. This 12 '' contains 4 original tracks supplemented by a Black Merlin remix (cleaner and deeper) that would not disappoint at all in the sets of Helena Hauff or of the DJ Stingray himself. An impressive covering letter from MUSA, new series of Struments that is going to focus on local talent.
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* After two years of the "Anubi" released, awaited return on the Italian duo Beat Movement has embarked a new journey in Berlin and unveils this landmark sequel under Luciano Lamanna's Love Blast, among their own label Dlbm. the duo has released Ep's collaborating various artists like Endlec and Umwelt. Moving into the future sound, Beat Movement envisions a new era of dynamic techno by curating futuristic and punchy form of music dismissing the most commonly used of dark frequencies which break all the usual boundaries of techno music. Entrainment is a futuristic prodigy with hypnotic synthesis, syncopated basses, and progressing into intense rhythms that will encapsulate the mind and body, transporting it to a full-blown raving era.
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Showcasing state-of-the-art Electro in varied stylistic facets, this is a transmission of some of Europe's finest Electronic Dance Music. From Germany, Croatia, Ukraine and Finland, radiowaves pulsate at an energy level suited for both vigorous club treatments and intense home-listening. Tune in!
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LA's Private Selection imprint returns, this time to shed light for the first time on a producer from Argentina who goes under the guise of 'Crash ID'. All 6 tracks on PS003 are primed for the dance floor, touching on a kind of ritualistic, electro industrial body music that feels right at home with the labels current catalogue and event series.
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Pioneers of the electronic music scene, Music Producer and Finiflex Studio Owner, John Vick and DJ, Davie Miller are working together on a new project . . . . FINIFLEX
Bonus Freaks is the second single to be released from the much anticipated forthcoming album SUILVEN, slated for release in May 2018.
FINIFLEX have been playing the new material live since the end of 2016 with gigs in Edinburgh (Neu Reekie), Glasgow (Let's Go Way Back) Skye (Non Stop Easter Weekender) Barcelona (Kosmopolis), Dundee (Carnival 56) and the TA TA OO HA Single Launch Party (TRANSMISSION) in Glasgow.
The show itself is an immersive experience featuring lights, live projections and video graphics, basically a super slick production rammed with back to back bangers.
These new releases may by the first in 20 years but in reality it's not been such a long period of silence. The almost a secret FINIFLEX Studio Complex (FINIFLEX HQ) based in Leith, Edinburgh has continued to work away with some of the best in the genre including the likes of Justin Robertson, Lord Of The Isles, DJ Rolando, Andrew Weatherall, Sparks, Billy McKenzie, John Pleased Wimmin, Paul Oakenfold, Dave Ball (Soft Cell) to name a few.
It's a given that their past assures their pedigree within the electronic music arena but with this NEW release 'Bonus Freaks'. . . . . FINIFLEX brings it all rushing into the future. . . . . .
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Following the surprise release of his Slow Fade EP last month, Daniel Avery presents a collection of remixes from Surgeon, Actress and Inga Mauer. The remix EP will be released digitally and on 12' vinyl on March 9th.
Widely regarded as one of UK electronic music's leading lights and arguably the finest techno DJ in the world' (FACT), with a career spanning over 20 years, Surgeon lends his clinical touch to 'Radius', adding an erratic, propulsive beat to Avery's warm synth layers for one of his best remixes yet.
Werkdiscs head Actress meanwhile delivers a pared back and introspective rework of 'Slow Fade', shrouding the synth refrain in hypnotic, distorted production, in his first remix following the release of his critically acclaimed 2017 album AZD.
Bunker Records' Inga Mauer completes the package, offering a claustrophobic mix pierced with metallic shards that confirms what Resident Advisor said of the uncompromising Russian-born Amsterdam-based DJ and producer last year: Mauer is destined for big things.'
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The first release of Blind Allies is a four track musical journey from scientific electro by DVS NME and acidic trip by Lectromagnetique on one side, explosive cut from Gosub and mysterious experiment of Cosmic Force on the other side will take you away to the dark side of electro world.
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Carl Finlow returns with a double pack under his renowned Electro pseudonym, Silicon Scally, featuring tracks produced for the live set he performed to a packed crowd at London's long-running Scand night at the tail end of 2017.
In Carl's own words: 'I used to use a real 808 back in the '90s but when I moved over to France it was left with it's original owner, Ralph Lawson. My equipment was gone almost entirely apart from my Apple Mac, which I used to write ALL of my stuff for about 10 years. Over the last few years I've been experimenting with lots of different USB midi controllers and I've finally ended up with a few that really allow me to play around in real time with both my audio and midi parts and I created a setup where I can have full hands on control of two killer plugins, the D16 Group's Nepheton 808 and Audiorealism's ABL3 303 emulation. The main controller I'm using is the Akai APC40mkII which allows me to map a huge amount of knobs to both of those plugins whilst also giving me mixer faders and pads to trigger drum clips in Ableton Live. Alongside this I also use the Novation LaunchPad Pro to trigger all my bass, keyboard and fx parts. The two units work in really nice harmony with each other and they give me a huge amount of real time control over the live set.'
'Live @ Scand' comprises 8 tracks of pure and undiluted electro ranging from glistening cuts like openers 'Chrysonite' and 'Emeril', dark and forceful with 'Candensium' and 'Mordite', the fluidity of 'Fervidium' and 'Antrium', or dappled workouts like 'Plugneum' and closing track 'Omegon'.
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Joyous electro-braindance-acid hardware wonkouts, straight outta Grenoble. Binary Digit follows a string of cassette-only releases with a vinyl debut on Dream Ticket, the new label from the team behind Lisbon's staple Carpet & Snares Records. Come for the razor edge highs and mutating basslines, and stay for the moments of pure pop that reveal themselves inbetween.
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Emanton (Dann Abala) is an Argentinian producer, electronic musician and thereminist. After studying with synth maestro Ernesto Romeo, Dann began producing under Emanton and also has an experimental alias as Turvia. Here we have what Emanton perfectly describes as "hard esoteric/mystical/ mega darkness sound". Four dark and pounding tracks with leanings toward industrial in uences and maintaining a consistently propulsive sound-design techno vibe. Carefully crafted with a diverse spread of analog gear/synths and modular instruments. Absolutely perfect example of the Transfusions aesthetic.
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A double album of dirty, raw, bone-grinding Techno from post apocalyptic survival times by Franziska Lantz released on Global Warming Records, London 2017 Loaded with heavy distortion, fat textures, harsh beats, relentless rhythms, moody synths and erratic melodies, this sound is bursting with rawness and urgency. Harness your speakers and dance!
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Chicago's Jamal Moss moves further up his mysterious path towards unknown planets with new punchy tracks for Cejero. Using his The Sun God moniker Moss has once again set out to hypnotize dancers and make listeners jack.
The A-side was recorded in Copenhagen, November 2014, while the B-side is a studio recording done back in Chicago.
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After his collaboration with Adam Beyer Joseph Capriati teams up with Flavio Folco for the second Redimension with a fully analogue production in the studio. A wide range of sounds taking you deeper into their idea of space, dimension and possible destinations. Joseph's creativity received a new drive from the collaboration with the emerging talent Flavio Folco whose musical roots range from Jazz to Hip Hop and Acid House. Their studio sessions in Barcelona and Flavio's openings sets at Capriati's shows gave both of them the chance to get to know each other on a deeper musical level which turned into an unexpected and dynamic EP.
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Following up 'Drawn With Shadow Pens' on Spectrum Spools, Belgian sound artist Yves De Mey returns with 'Bleak Comfort', his third solo full-length. Geared towards serving up an intense musical experience, the album deconstructs regular club music to highlight some of its key elements in a transformative way.
An album about absence, malfunction and disorientation, 'Bleak Comfort' is equally packed with floor-functional material and left-of-centre electronics. By turn sizzling and spherical, convulsive and atmospheric, Yves De Mey ushers his listener in a hypnotic kaleidoscope of sounds, providing a fascinating picture of his ever dynamic grammar at variable scales and tempos.
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Since first joining forces in 2014, hardware freak Parrish Smith
and former punk activist Mark van de Maat (founder of Amsterdam's admirable Knekelhuis label) have earned a reputation for delivering the kind of incendiary live shows that were once the preserve of British multi-media mavericks such as Cabaret Voltaire and Throbbing Gristle.
Mutilating and manipulating their songs on the fly, Volition Immanent takes no prisoners in pursuit of artistic expression.
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Deeat Palace is the solo project of Marion Camy-Palou, no wave musician from Paris.
** 8" clear disc in sealed clear & silver bag **
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2018 Repress with alternate label-art for this epic release on the Frustrated Funk offshoot!
Seattle's 214 (TwoFourteen) is next in line for some HCS ear candy. His Miami roots are clearly present in his strong booming beat programming but Puerto Rico born Chris Roman has more tricks up his sleeve as his style crosses many borders.
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Mini Album with very high quality packaging. printed clear pvc sleeve over printed outer wich creates a stunning grafic effect when pulled out!
shadowy multidisciplinary artist & videographer denial.of.service returns to FILM for an extended EP of wrought iron electronics, channeling the spirit of classic electro, Industrial & Noise. the artist, active since the 1980's producing video work for a host of high profile names - including not least david bowie, currently transmits sporadically from an undisclosed location, though contemporary work has appeared on the creators project, as well as making the vimeo staff picks on an almost regular basis. recently, video commissions for minimal wave & jealous god affiliate In aeternam vale have ap-peared online, showcasing the artist's trademark crushed, hallucinatory visual aesthetic. If 2015's sensou EP communicated a more brooding, emotive side to denial.of.service - then contour & shape works in stark contrast. the palette remains relatively unchanged, with the 808 providing the back-bone for most of the compositions, paired with the same warped vox and heady synth leads - but this time around the production aesthetic is harsh and abrasive and there's a powerful, burning immediacy to the work. gone are the delicate, introspective leads & gently saturated drums, and in their place bursts of caustic, high energy noise and twisted drum machine strikes - and though much of the more tentatively dance floor material sticks to a stepping half time rhythm, 4x4 moments make a welcome appearance. contour & shape is bold and direct - a thunderous, high-energy salvo from a true creative with a rich and unique electronic music heritage.
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Following a trio of instantly sold out 45s on Polytechnic Youth, between 2015 and 2017, The Home Current finally channels a full length album through this bounteous and blossoming UK imprint for select experimental and DIY electronic music.
Another Way of Falling Apart' aims to build a wider audience for singular music adorer, Martin Jensen, a cosmopolitan Copenhagen-born artist whose music follows an emotional route that meanders back ultimately to analogue and electronica inspirations of myriad treasurable kinds. This incursion into LP territory follows a decade or more of Jensen's passionate engagement with music as the creative force behind singles on Static Caravan, and as the co-founder of the label Second Language (until 2014), for which he was the wings behind the celebrated Music and Migration' series in support of 'BirdLife International'. He has also remixed Colleen, Dollboy, and Ellis Island Sound.
Jensen's journeys into sound and harmonious living, which have recently taken him from London to a Brexit-rejecting Luxembourg home setting, are fuelled by his happy addiction to record acquiring (an almost pathological corollary of his now 25+ years of deejaying), his net thrown weekly into the waters of disco, electro, jazz, soundtrack, and global beats and textures from any city, desert oasis, or tribal trail, a knowledge that decants through his processing into the flavours of these ten instrumental pieces as likely to take you into dystopian industrial darkness as a field full of cyber fireflies...and both simultaneously.
This is home territory for a committed and expert birder who joyfully connects as much with the planet in bijou record stores or when trying to sight great grey owls or azure-winged magpies in remote country locations!
Hence, an almost subliminal, feminine aura to this debut work, and an existential stance that aims not to trouble but to thrill and stir, to convey the beauty that happens when Jensen exposes the adrenalinic tide rocking his angst and calms it with balsamic polyphony and poignant melody.
Across ten tracks that begin with A Gathering Silence and end, appropriately a little closer to heaven, with Rooftop Nights, mercurial soundscapes feature subtle references to past musical trends defined by sound and rhythmic energy, his past, our past. Through a sophisticated shuffling of plains, he creates space for dark and light tone colour, brooding synth couches, faraway themes, and euphoric builds, a full scope of arthouse cinema ambiences and new-wave and pre-techno tensions.
It seems appropriate that the launch of an album into a marketplace experiencing such huge levels of eclecticism should carry the hopes and signature of someone who turns the curation of an unlimited palette of sonic proposals into such a labour of love. Enjoy!
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Turbo Recordings is proud to present the kind of remix pack we've heard you talk about in your sleep, featuring a banging techno remix from masked man/presumed German Redshape, an electro-funk jam from veteran Clone machinist Dexter, and two mixes (one vinyl, one digital) from rising Turbo star ANNA that will enrich the lives of completists everywhere. Label boss Tiga has declared this to be his favourite release of recent times, with each track instantly plunging him deep into a persona he calls 'Mr. Goin' Crazy,' which he describes thusly: 'Your best friend if you're feeling' the highs and your worst nightmare if you ain't deep in the groove...can rap his way out of any cypher...naturally good at math...makes his own ceramic dinnerware with insane designs and patterns...
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When we started The Bunker New York label in 2014 there was a short list of artists whose music we knew that we wanted to get out into the world. Lori Napoleon, aka Antenes, was high up on that list, although at the time the Brooklyn-based Chicago native had yet to release her recorded music at all. Five years on, after acclaimed records on L.I.E.S. and Silent Season, residencies at Issue Project Room and Bell Labs plus a busy global touring schedule as both a DJ and live performer, we are proud and excited to present Lori's Ante Meridiem EP under her Antemeridian production moniker. She tells us that the Antemeridian project is a special outlet for her more melodic synthesizer compositions and the name Antemeridian refers to morning light and the meridian lines of the planet, the view you would have from above if you were already in the sky/space/seeing the atmosphere also from a great distance.'
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With this EP, Antemeridian has created nothing less than a masterwork of synthesis comprising unique soundscapes unbelievably detailed and crisp. We asked Lori to tell us a bit about her production techniques, which include home-built machines from unorthodox source materials including vintage switchboards and telecommunications equipment. She actually built her first synthesizer out of an antique telephone switchboard we donated to her from The Bunker HQ! I use a combination of synths and controllers/sequencers that I've made along with commercially available/ bought or modded analog synths and field recordings that have gone through a number of effects chains. There may be a crackling sound that emerged from the modular which made me think about a flame sparking and burning out, recalling a very organic process in nature - but in a composition it's a drum element. Perhaps the sense of detail comes from how I work on finding sounds before arranging them in a track so when I find one with little nuances and textures, then I'll be inspired to compose with it. Visceral sounds are very important to me, and sounds that you may not instantly identify with this or that synth model - which is why I like the idea of designing my own palette for portions of tracks.'
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We are very excited to welcome Arnaud Le Texier and Electric Rescue on the Stimulate side of Inertie Records for the second wax. The london based producer, Arnaud Le Texier, delivers three wild and intense tracks with a unique and rhythmic atmosphere.Electric Rescue, crazier than ever, brings a strong and powerfull remix perfectly fitted for dancefloors. We are proud to bring you this 100% French travel on wax!
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price tba! Mutant Beat Dance has returned with their debut self-titled 25 track album, a record album booklet consisting of 6 records in 3 different formats of 12"s, 7"s and 10'. Huge!
The debut album from renegade trio Mutant Beat Dance (Traxx aka Melvin Oliphant, Beau Wanzer and Steve Summers) takes the wild and free sound of Chicago's Music Box era into the 21st Century. Over twenty-five tracks the album mines an oft cited but rarely understood ground at the intersection of Post-Punk, Minimal Wave, Industrial, Disco Dub, EBM and proto-House / early-House. 'Mutant Beat Dance ' is an epic journey into a classic American ideology that had its apex in Chicago.
This aesthetic has already proven influential on many artists across the globe. Least of which is the Grammy winning LCD Soundsystem whose members Tyler Pope and Patrick Mahoney back Melvin on vocals here on the Martin Hannett and Howard Devoto inspired 'Feed The Enemy' - a cut that shows how wide and deep this epic record goes. Another LCD member Gavin Rayna Russom also provides vocals on the later cut 'Geometrical Disease.' That these collaborations are included here should come as no surprise to anyone who caught the recent LCD tour - Traxx was the opening DJ on that nationwide tour.
Mutant Beat Dance was originally a duo made up of Traxx, and molecular biologist, Chicagoan Beau Wanzer. Traxx and Beau have been working on this concept in various forms throughout the last decade on solo and duo releases for Discos Capablanca, Rong Music, Hour House Is Your Rush Records, L.I.E.S, Light Sounds Dark, Rush Hour, Jealous God, Beau's own untitled label and Traxx's own Nation label. After this rack full of releases the duo began to refine their concept from 2015 on into its most thoroughly developed state - the result is this epic 25 track, 200 minute long debut M.B.D album for Rush Hour.
Given the scope of the material for the project it became logical and necessary to expand the unit to include its newest member Brooklyn based Steve Summers known for his releases on Clone Jack For Daze, Confused House and others. Together this hard-working trio has completed an album with an enormous diversity of song styles unlike anything they have ever done before. Unique in its musical range and content from obscure electronics with subliminal messages to funk laden machine grooves, industrial soundscapes, Detroit dirge, cryptic ankle bitter anthems and beyond this is a genre-bending challenging monster of an album that may scare you at first but push forward and deep rewards lie within.
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NNY Records presents the new work of the Alphacom duo, formed by the producers Eduardo de la Calle (Analog Solutions) and Kristina (Amsafe Records). This new Spanish label is responsible for publishing the four new productions included in "Path EP", a work where Eduardo and Kristina show another facet, different from their solo careers, close to the style of
mythical projects such as Plant 43, ERP and The Other People Place where the electro merges with the IDM. Throughout four tracks they show their mastery when producing an analog and melancholic electro, where each sound is milimetrically studied and shaped to sound as it should, to provoke movement and stimulation of body and soul.
Analog deep space electro with a intimate and melancholic vibe. With each sound carefully designed and crafted to provoke movement and stimulation of body and soul by the Alphacom duo. A duo formed by the producers Eduardo de la Calle (Analog Solutions) and Kristina (Amsafe Records). The "Path EP" showcases another facet of the producers mind, a different from their solo careers. A superb start for the new NNY label from Madrid. Recoommended!!
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