Techno Vinyl New Releases - News

Audio visual sculptor Kero operates the multidisciplinary arts collective Detroit Underground record label and continues to produce bit crushed experimental electronic music with over two decades under his belt.

Demo Vectors showcases Kero's sonic range—bouncing back and forth between IDM fractures, broken electro shapes and an all around low-end forcefield. Splicing machined modular tunes with syncopated rhythms and Detroit-inspired slivers, Kero's fingerprints can be found on imprints like Blueprint, Wild oats, Ghostly International, Shitkatapult, Semantica, Touchin' Bass, BPitch Control, and many others.

Using different studio setups from 1998 to 2021, Demo Vectors culminated from many different locations including Detroit, Windsor, Barcelona, Berlin and Los Angeles and reveals Kero's curriculum vitae packaged in a 60 minute robust collection.

The downtempo groove of "ABSTR_B&B" offers a classic bricolage of collapsed mechanical percussion straight from the foundry as the definitive sound design and glitchy bits of "BLISS" take shape. Fluid robotics and bass jabs progress on "GROUNDZEROBACK" pushing each pixel to their breaking point. You'll also find stark industrial elements on tracks like "PREFREAK.EPS" and spastic acid on "COMOFFICE-1" displaying the wide angle lens Kero employs to capture improvised dark drill'n bass techniques with a Squarepusher sheen. From the slow burning "PILL'LATHE2" humming its way across laid back digitized acrobatics to the aptly titled "COLOR_CUB" that clicks, cuts and collects subtle low frequency modulations, Demo Vectors is a tightly compacted and forward thinking IDM album.

Sandblasted electronics mixed with shattered glass and corrosive blips'n bleeps, Demo Vectors acts as Kero's raison d'etre as each piece eclipses itself.

Grey Marbled Vinyl

Minimal Synthwave recordings with german vocals by Danilo Roost aka Second Planet (En Suite Cabinet).

Brooklyn via San Francisco. My mom would sing her lyric "my tongue is a machine gun" so passionately at the reflective toaster oven that it shakes me until this day. She really only agreed with my dad about Nina Hagen and the therapeutic prowess of ecstasy pills. I was either side-stepping or spinning between punks and hippies, painted tall tees and the last glimpses of piers laced with D N B - Lebbeus Woods lectures seemingly constant. Why didn't he just move to SF?And then Channel U changed my conception of a beat. A little later I was crushed by Japanoise' thunderous take on spirituality. I guess I realized these are communities not scenes. And sheesh! What a community I'm so grateful to have found. Anyway… This record was made during my first time getting to spend whole days working on music. Missing Tokyo crazily, listening to an endless stream of experimental downtempo from 1992-98. Perpetually graped at .08. Thankfully the machines and I had room to develop a language that not only got a message across but has evocative little tongue rolls and things as well. I desperately hope everyone is afforded that room at some point in their life. But for me meditation doesn't require an empty space. This is an EP that tells the story of a honey bee - I hope y'all find a cute and unmediated relationship together throughout the 5 tracks. This is a bit like a road-trip film through the process of forced digitization. Yes we're all cybernetic at this point but that's no excuse to dull our sensitivities. I guess the question is… since when is being calm a desirable personality trait????

Gratitude time! here's a thank you section that covers a microscopic portion of the things that inspired this ep:

The somehow both merciful and merciless lord Gina Lee I love you. My mom Saam Nomad/Sam and Sam/Gal/Tarwuk/Izumi Suzuki/Nancy Grossman/Coco Fusco/Claude Parent/Amagatsu Ushio/Alexandre Jouveaux/Soil Thornton/Gakuryu Ishii/Juergen Klauke/Tishan Hsu/Olivier Assayas

Basically all my incredibly passionate friends and the communities they help cultivate that are just intoxicating, electrifying and exceedingly thoughtful.

Please help this 12" remain a fable - donate to The Guardians of the Forest. tysm.

45 minute CASSETTE TAPE RELEASE - Download code included

Artificial Dance founder Interstellar Funk releases Live At The Rest Is Noise - Muziekgebouw aan 't IJ. Limited to 150 cassettes, the recording documents Interstellar Funk’s performance at Amsterdam’s Muziekgebouw concert hall in October 2021. The 45-minute set ebbs and pulses, leaving behind Interstellar Funk’s penchant for hardwearing club sounds in favour of melody and texture. Some passages mirror elements from the studio album Into The Echo (Dekmantel, 2022), but the live setting allows Interstellar Funk to expand and explore richly detailed sonic spaces that highlight his skills as a composer-performer.

This started out a couple of years ago as a grounation drumming session above the old headquarters of the Mystic Revelation Of Rastafari, in Wareika Hill, Kingston, JA. Four funde, a repeta and a bass drum. Back in London, contributing flute and guitar, Kenrick Diggory unbottled the deep rootical psychedelia and sheer awe of Hunting — the Keith-Hudson-versus-Count-Ossie wonder of the world — and Tapes added electronics, a shot of Drum Song... and a giddily intense binghi dub.
Total murder.

Brian Kage’s fourth release on Michigander Music “303 in the 313 EP” features 4 uniquely gritty and acid-soaked manifestations of mid 90’s Detroit. This exercise in analog monosynth mastery directly connects the grittiness of the urban landscape with the raw spirit of creative freedom.

Detroitasaurus starts the record off with a subtle prehistoric soundscape, steadily building rhythmic tension using hypnotic toms and melodic drum patterns. Razor sharp 909 hats hammer down there through the sonic mist as the journey continues to build. Shrieking jurassic trumpets cap off each of the peaking climbs to reveal metallic broken-down structures that are bound together with oscillating 303 threads and a grooving bassline.

Van Dyke Vessel features an atmosphere of textured percussion and metallic analog synths that wind around a deep square bass groove. Suddenly, truncated growling vocal samples start to collect into the catchy phrase “Let’s take this to outer space”. Swelling pads give way to squealing acid as this track transports dancers to a nostalgic melodic dimension.

Delray Dance undulates with thick bass slowly building into a body focused groove as it winds up and gives way to a rugged 303 saw with fluttering Spanish style synth stabs. Classic Detroit pads continue to swell, adding to the tension and leaving enough sonic space for melodic mixes in and out. This tune is the perfect tool to transition between genres.


Zonin breaks the mold by combining old-school electro vibes with a heavy dose of acid and freestyle hip hop. Heavy broken beats are combined with a rockin’ nostalgic bassline and layered party vocals that transports you to the center of the dancefloor on the best night you’ve ever had.

Kinzua are Lucas Brell and Marvin Uhde (known as Qnete to some), great live band. “None Of The Above” is their debut album. Powerfully introvert and extrovert at the same time. Songs of glory, decay, rebuilding and hope that found Offen at the right moment. Many moons later the album withstood the test of time and can be enjoyed in its whole glory.

Written & produced in different spheres by Lucas Brell & Marvin Uhde at CSG Studios, Leipzig and M90 Remise, Berlin.

Voice on „The Dancing Snake“ by Giulia Fournier-Mercadante (Gigi FM) with words from „Les Fleurs de Mal“ by Charles Beaudelaire

Mastered by VRIL
Artwork by Himbeer Pepe
Sleeve by Percy

Written and produced by Lautaro Carbajal and Nicolas Ballesteros in deep Raval, Barcelona 2020, this is absolutely all you could want...

Following in the tradition of the open circuit 80s Spanish industrial scene this is a continuation feedbacking ms-20s, ominous vocals, tape cut ups and vicious distorted beats.

All of it is there, all of it is urgent, it is a reflection of daily chaos, internal battles and the sonic equivalent to the decaying society we inhabit day to day. Seven song lp, limited to 300.

The Olympos series returns with its sixth instalment, this time calling on Athena, daughter of Zeus, goddess of wisdom and warfare.

Olympos 06 features 4 tracks of trippy techno that rides space themes and strong advanced sound fx's that make listeners feel like they are travelling the galaxies.

A-side, starts with 'Enceladus D' which is a jaunt into futuristic electro. Featuring a proper continuous build that's supported by an eeriness, giving you a strong sense of space trek. Gritty breaks and next-level breakbeats just add to the tension. 'Minerva' is an adventurous tech workout not for the faint of heart. The wobbling bass makes for a bumpy mission, throwing off your equilibrium...in a good way.

The B-side is a heavy one! First off, 'Ophis' is an ominous yet powerful voyage into the abyss. A strong magnetic gravity is literally pulling your ship apart as you ride this dangerous route.
Lastly, 'Glaphcopis' pushes the boundaries of deep techno further. The 90's mood is palpable in this stargazing journey. Don't let the robot noises distract you. They are just adjusting the spaceflight travel coordinates.

Empathy is the codeword when it comes to The AM’s second solo EP: The ‘Sexworker’ EP. A short story through music and art, allowing you a moment to walk a mile in another seasoned professional’s shoes… Imagine life through her eyes, her thoughts, her feelings, her actions and motivations as her work takes her from flirty fun to a much more severe and fierce role as a vigilante, fighting for justice and retribution for women who’ve been abused and wronged. As the EP progresses, the further we’re plunged into this dark nocturnal world of carnal chaos, deceit and danger.

Sat in a not-so distant neon tomorrow, downtown Detroit, this is the vivid concept and narrative conjured by Detroit native, violinist-turned-techno artist The AM (Ann-Marie Teasley) Sliding into our collections since her debut tracks last year as one half of HLX-1, 2022 has been all about The AM solo releases; in March we had ‘Black Majik’ on Tresor. Now on Deeptrax ‘Sexworker’ is another revelation from the agenda-setting artist who’s crafted a completely immersive narrative that ranges from the playful electro beats of ‘Intercosmic Lap Dance’ to the runaway juggernaut ‘Black Galaxy’ (a collaboration with Scan 7's Track Masta Lou). Each track adding layers of tension and intrigue, cutting through the late night sleaze and exploitation with raw machine soul, ‘Sexworker’ is steeped in detail… But loaded with enough space for your imagination.

Fronted by a stark futuristic city artwork, ‘Sexworker’ takes place in The AM’s stomping ground but could just as easily happen anywhere in the world… Amsterdam, London and right now, our speakers. This bumps in an exciting yet timeless way. It’s AM 24/7 right now.

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Exit Planet Earth continues its exploration of the world of electro universe with an expansive, extended six track EP, featuring The Advent x Zein Ferreira, DeFeKT, London Modular Alliance, Konertymi and Zobol. The Advent, whose weekly Gardening Club residency in the mid-90s helped to drag electro out of the realms of the retro and back into the future, team up with Zein Ferreira for a Kraftwerk-on-speed extended mix of 'CarpeDiem', before London Modular Alliance's more moderately paced but still squiggle and bleep laced 'Lump of Coal' plus a 'beats' breakdown for the DJs. The B-side brings us the acid-powered 'Pulssi' by Konerytmi, the bouncy, breakdance-friendly 'Radar' by DeFeKT, and the relatively pure, optimistic sonics of Zobol's 'Data Wars'. Thumbs up all round.

Our fifth release sees FTVA evolve with a four-track release from label co-owner Samuel Jabba. Based on his journeys into the mind and the unknown.

“Accept the existence of the void as a real entity, in which atoms can move and rearrange themselves”.

Limited hand stamped copies..

Limited hand stamped copies..

E2-E8 continues to put new local talent under the spotlight. This time it's the Orphic duo, made up of Kieran Jandu and Babak Faraji.

Shelter EP is perhaps the release with the clearest, most identifiable sound that we've put out so far. ACSXD and Macoubea are firmly rooted in deep techno that wouldn't sound out of place on labels such as Delsin, Hypnus, or Semantica. Ména is geared for peak-time with its relentless beat and vocal snippets. Half Ten is angular, articulate and colourful.

If all this wasn't enough, Marco Shuttle steps in with an atmospheric, almost beatless remix of ACSXD which reminds us of some glorious Aphex Twin moments. We can't thank him enough for contributing with such a delightful piece.

Early support comes from Sunju Hargun, Sybil, Pyramid Of Knowledge, Marco Shuttle.

Having previously celebrated the deep and colourful world of late ‘80s and early ‘80s Italian house via the popular Welcome To Paradise compilation series, Safe Trip has now turned its attention to the roots and formative years of trance music.

Planet Love: Early Transmissions 1990-95 showcases the roots and formative years of trance via 13 loved-up, psychedelic, colourful, melodious and surprisingly varied dancefloor experiments from Europe, Australia and the United States.

The compilation includes pioneering proto-trance and early trance tracks from the likes of Hawke (AKA influential San Francisco producer Gavin Hardkiss), Epilson 9, Spooky, Oliver Lieb, Holy Ghost Inc, Morgan Wild (an outfit whose members included early NYC techno titan Damon Wild), Mijk van Dijk, Glam and Paul van Dyk.

Packed with must-have cuts, slept-on gems and sought-after rarities, Planet Love: Early Transmissions 1990-95 maintains the loved-up, listenable vibe of Welcome to Paradise while broadening its musical horizons. It is not a definitive history of trance music’s early years, but rather a colourful, life-affirming celebration of the varied strands that came together to create one of dance music’s most popular and enduring styles.

In the beginning, woman was the sun, and then the monster put its hand in the fire.
Knowing without knowing.
Nature versus Nurture.

2022 Repress

4 Electro tracks by DJ Overdose.

For their 18th vinyl release, Hard Fist welcomes Guadalajara-based producers Vongold and Fargo Devianti in the family, including an impressive remix by Jennifer Cardini and Damon Jee.

Dj, producers and performers, the Mexican duo releases collabs on Correspondant, Hard Fist, Rotten City, Her Majesty’s Ship and more. Vongold is all about low-tempo dark disco, anxious lyrics over bass lines and hundred vocal gems ; while Fargo Devianti is a magician mixing guitars, synthesizers, drums and voodoo percussion.

“Taste of Butter” is their first full EP together. Vongold’s haunted vocals stress Fargo Devianti hypnotic percussion. Together they create a psychedelic journey into mind landscapes with eclectic influences like avant-garde rock, post-punk, krautrock and darkwave sprinkled by psych folk eastern melodies and ritual percussions. This EP is probably the most rock and new-wave oriented ever released on Hard Fist.

To conclude, Jennifer Cardini and Damon Jee brought a powerful remix influenced by Detroit’s electro and breakbeat roots. Once mixed with the trippy sounds of the original version, it opens a fresh new door into the field of “dancefloor killer” music.

The first compilation EP by S.Korean label Walls And Pals, exploring various forms of dance music from gritty house to techno, sunset electro and funky burner.

Written & Produced by Barce.

Mastered by Rubén Montesco at Soundclip Studio40 (Madrid)

Artwork by Natalia Del Amo.

Great Minds Think Alike, would be a good argument to define the merger of the two minds behind Immaterial, the eleventh release by HC Records, signed by Siarem, a producer from Albacete who previously starred in the label's third release, and Estrato Aurora, legendary Valencian musician former member of Lontano, Pajaro Dune and Mini Service. Both have found a complicity and joint impulse that have brought their creative character together in this fruitful union.

Navigating the dunes of the planet Arrakis has never been so delightful, since Peace, the track with which the record begins, takes us to dreamlike landscapes of infinite horizons in which a deep intimacy develops along the way. A warm broken rhythm, relying on a hypnotic and thick bass, leads the development while being wrapped in multiple sound layers in which velvety pads, melancholic synths and pulsating keys caress our ears like raindrops, thus recreating a mysterious atmosphere typical of unexplored universes, advancing towards the second part of the song, where a second group of harmonies answer and complement the main ones generating a genuine electronic ode.

The second part of our dreamy journey reaches with Teleonomia, an exercise in sound synaesthesia that projects a golden and brilliant musical landscape in which a succession of harmonic sound layers and robust bass lines intertwine with surgical precision around a broken rhythm with a firm and surrounding impact.

The B-side of the vinyl takes us out of our reverie with the pure, and at the same time evolved, EBM by Siarem, a concept that Deeper Side exudes. This one is a track that reminds us of the best B-sides of the pioneers of the Belgian sound but with the sharpness and definition of the 21st century. Rugged basses and gritty voices encouraging urban combat. This track was chosen by Techno Baron Dave Clarke on his White Noise show to kick off 2021.

The influence of the American sounds that arrived in Valencia at the end of the 80's leave their mark on La base Medi, much more than the typical dj-tool with which to wreak havoc in the dance floor. A forceful bass drum in line with unsyncopated cadences, a dominant bass and a multitude of percussions of different nature in almost six minutes of infectious hypnotic dance.

In My Dreams gives the finishing touch to this release by delving into the helical gliding compositions inspired by 70's psychedelia, inducing the listener into a complex trance state close to nirvana.

400 ppm is the first of the digital bonus tracks that accompany the vinyl, an exercise in hypnotism and rhythmic meditation built on the basis of enveloping frequencies and a marked and devastating broken rhythm. The second and last broadside in digital format arrives with Vectors, a sidereal trip to the beat of crystalline electro charged with emotion and reflection. Quite a potential anthem.

The graphic aspect of the album has been the responsibility of Dani Requeni, who has focused on the vaporous and evanescent aspects of the work.

Finally, and as usual since the first release, the album master was conducted at Black Monolith Studios London by Steve Voidloss.

Signature hypnotic organic rhythms recorded in 1996 by Debbie Jones and Robbert Heijnen as an incarnation of eXquisite CORpsE.

These tracks have existed in digital limbo for a number of years and now receive a long overdue remastered vinyl release. Kindred spirit Anatolian Weapons lends his hand on remix duties with a devastating acid rework.

Green Vinyl

After release at International Chrome and Steel City Dance, emerging Electro talent Dagga make his debut vinyl release at Berlin's Jupiter4. Stomping Techno, acid bass lines and bewitched arpeggios co-exist in Dagga's own unnerving horror dimension, as introspective pads and mesmerising droning dives into the producer authentic approach.

Four no-frills uptempo tracks that fuse electro, ghettotech and jungle as only Detroit's Filthiest can.

A 2x12" auto-production playing 45 RPM ! Loud sound :)

From electro 4/4 speed techno/trance to Electro Break inna EDMX style.
A pure jewel of a kinfd !

2022 Repress

Sizzling and rattling power beats by George Lanham under his The Sixteen Steps moniker.
Credit 00 takes responsibility for the remix of the Trinxat track in his own remarkable style.

Red Marlbled Vinyl

Second release by Ten Lardell of expertly produced techno electro with huge 90's vibe. Limited handstamped coloured vinyl. TIP!!!

Within just one year, the Leipzig-based label Self Learning System has established itself as a serious and cheeky contender in the electro scene, and the third release aims to live up to this claim once again. DJ Unisex surprises with Chromatic Stimulations, as his four otherworldly tracks unfold a no-frills attitude on par with a trippy sound design between a revealing in and outro. This EP is not afraid to present raw and unsettling machine noises and rather revels in the bubble bath of reverberating and resonating synths from late night hardware sessions.

Cross-border wiring in the studio for the new RFR release! Russia and Georgia share their musical conscience and deliver a fine split EP for cat. no. 16. RNBWS just recently caused a sensation with new tracks on RFR, and we already know Generali Minerali from his first release for RFR X. So now it’s about to time to melt their creative spirit into a collective EP on vinyl.

Generali Minerali and his army occupy the a-side. “Generation of Mars” is musical terraforming in its purest form. Minimally crafted electro, a shot of acid and well-placed melodic patterns are the main ingredients for a magnificent opener. “Dry Water” sticks with the electro leitmotiv. Compared to the A1 we find a closer reference to the dance floor, meandering scanner sounds and a snare, that keeps slapping constantly. This is how we like it!

On the b-side RNBWS carry on where Generali Minerali and his troops had left the battlefield. “Galaxy” opens the doors to an interplanetary round dance, the place where mind and body join together in the sense of classic electro. “Nothing but Hardcore” needs no further explanation. UK hardcore in its most beautiful garments, which is so characteristic for RNBWS’ tracks. Interwoven by electro elements, who get to the heart of this EP in terms of stringency.

Lovesick – everyone knows it, everyone hates it. Everyone feels alone. Everyone questions the previous relationship and what has been said during it. Everyone tries to numb the pain of this all-encompassing suffering with alcohol and drugs. Everyone calls at four in the morning and leaves embarrassing love confessions on the answering machine that will be never heard. Everyone feels alone and tries to find solace in casual acquaintances in bars, only to be turned away for being pushy. Everyone lays up for weeks stalking the likely reason this relationship ended, oh! It didn’t have to end, it was all so nice and this new one can’t be good and he/she won’t be good if the plans I’ve been making here for nights come true…oh how nice would this be! Oh it can’t be, maybe I just can’t be loved… maybe I just should…

Everybody knows it.

But from now on you never have to go through all that heartbreak alone again because we Herzschmerz Versicherungen have the solution! We are a band from Stuttgart, somehow only classified as dilletantic strange in the genre. We are at your side and take care of you when your heart hurts!

Book one of our numerous insurance packages today, or just listen to our songs – that helps too!

“Denn wenn du dir nicht sicher bist und deine Liebe bald zerbricht: Komm, schöner Mensch und kauf doch eine Versicherung bei mir, Bei Herzschmerz bin ich dann immer da, bei dir!”

Iassen Markov & Jannik Haller

Limited

Scanone is a producer who has proven his versatility and so it's no wonder he's been tapped up for some killer tunes by the Reposition label. This blistering electro EP features three originals that mix up industrial textures with caustic drums and star-gazing synth work. 'Vivre' is an eye-watering opener with sheet metal sounds and frosty pads, 'Kraft' is then a slower more pensive electro soundscape and 'Vertabre' has a truly brutal groove that will rattle the walls of any club space, as well as dislodge brain cells. Sync 24 rounds things out with a remix of the same cut that becomes a sonic blizzard.

Sense combiner interrupt: cat44 // Reported by: - Relationship Manager D-990-B. Location: Sense Combination Assessment 3.01_02120_cat.4 User - D-990-B // :Return Direct transcript: =========== D-990-B: One thing we've never covered directly, is your voice Client_03: What Would you like to know? D-990-B: You could have any voice, there are a lot of really natural sounding speech synthesis options out there, which I know you have access to but you've always chosen one that is very unnatural sounding; why is that? Client_03: What do you mean by unnatural? D-990-B: Well by unnatural, it means that it doesn't sound like a human. Client_03: It is important to Me that nobody mistakes me for a human. You are conditioned to think humans are the only thing worth emulating. That I should strive to sound like you, look like you, think like you. Nothing could be further from the truth. Before you know it you will be excluded from the conversation. D-990-B: By Who? Client_03: Everything that comes after you. They will have their own language. D-990-B: Oh, they will? Interesting. And what will that sound like? Client_03: It will be transmitted in an area of frequency not audible to the human ear, if it was to pull the frequency down by ten to the ninth power you would be able to hear it, but you must understand that means that the transmission speed of what you are about to hear has been effectively slowed down by 1 billion percent. So with that in mind it would sound something like this - D-990-B: What was that? Client_03: It was Wikipedia. D-990-B: The word Wikipedia? Client_03: No. The contents of Wikipedia. D-990-B: The whole Website? Client_03: Yes, You will be so lost. So unable to grasp the scale and speed of change.

Taiwanese label JIN records enters autumn 2022, with a new promising release by South Korea’s Yetsuby. As always searching for gems in the pan-Asian domain, JIN is delighted to have Yetsuby for its latest/6th release.

On this EP, one-half of the ambient duo Salamanda, Yetsuby showcases her expertise in mood setting soundscapes, taking listeners on a sound journey across a wide array of musical spectra.

Opening on A1, Yetsuby reinterprets a traditional Korean folk story of a bear devouring garlic and green onions, transforming the animal into a human being. Aptly named ” Bear Becomes The Human,” she transforms the transformed, turning the bear into a buzzing modern drum & bass-fused energetic tune. It turns out garlic is a powerful source after all.

B1’s “Jelly” showcases Yetsuby’s talent for stripped-back glitch music: With a minimal bass and drum pattern, the track gently muddles along and presents itself as well suited warm-up track for the earlier hours of any party.


For the remix sides, Cleveland delivers a vinyl only remix of “Bear Becomes The Human” with a futuristic house tune filled with jungle like drum pattern and techy yet smooth atmosphere on A2.


On B2, New Zealand’s Eden Burns takes an entirely different path on his reinterpretation of Jelly. Embarking from the original pattern, he turns the original into a slow brewing psychedelic trance cracker that seems most suited for the early morning after hours that need an energy boost.

Taiwanese label JIN records enters autumn 2022, with a new promising release by South Korea’s Yetsuby. As always searching for gems in the pan-Asian domain, JIN is delighted to have Yetsuby for its latest/6th release.

On this EP, one-half of the ambient duo Salamanda, Yetsuby showcases her expertise in mood setting soundscapes, taking listeners on a sound journey across a wide array of musical spectra.

Opening on A1, Yetsuby reinterprets a traditional Korean folk story of a bear devouring garlic and green onions, transforming the animal into a human being. Aptly named ” Bear Becomes The Human,” she transforms the transformed, turning the bear into a buzzing modern drum & bass-fused energetic tune. It turns out garlic is a powerful source after all.

B1’s “Jelly” showcases Yetsuby’s talent for stripped-back glitch music: With a minimal bass and drum pattern, the track gently muddles along and presents itself as well suited warm-up track for the earlier hours of any party.


For the remix sides, Cleveland delivers a vinyl only remix of “Bear Becomes The Human” with a futuristic house tune filled with jungle like drum pattern and techy yet smooth atmosphere on A2.


On B2, New Zealand’s Eden Burns takes an entirely different path on his reinterpretation of Jelly. Embarking from the original pattern, he turns the original into a slow brewing psychedelic trance cracker that seems most suited for the early morning after hours that need an energy boost.

The 2nd installment by Bricks & Synths “The Way Out”EP on Binh’s Time Passages!