Trauma Collective returns to shock to your system on their fifth release, which comes courtesy of Spain's Rafael M. Espinosa aka Geistform. The Barcelona-based artist, also known for his exploits under the Univac alias, has crafted a singular style that exists at the interzone of IDM, digital noise and electro and having earned him releases on Pi Electronics, Femur and Hands Productions in recent years.
Espinosa executes four programs in sonic warfare on the Antena EP, all sounding akin to complex bitstream amplification. A multi-level barrage of frequencies play offense on opening cut "Proxima B", which sets the theme for more widescreen pulsations that gash the senses, as heard on the syntax error of "Note Repeat" and building up to a climax on the monochromatic soundstage of "Norc" - a jagged and angular exploration in bass artefacts and static redux.
Since unleashing the austere techno of Birmingham legend Mick Harris (as Monrella) and hometown hero Kwartz on unsuspecting ears, the Madrid-based collective has now ventured into more experimental spheres, as heard on the off-kilter mentalism of ASC's Loop Research and the brooding atmosphere of Makunaimadama's limited cassette release last year. Antena is the logical progression for the label's next chapter, where it continues to push the threshold of electronic music's outer limits.
Techno News
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Repressed !
New album by the irrepressible Dutchman... The '2080' part of the album title is taken from the Roland JV2080, a legendary digital synthesizer from the nineties that was used a lot in the making of the album. Bought second-hand in Tokyo for a couple of hundred dollars, it lends the record a very dewy eyed soul, whilst the 'Crystal' part of the title stands for the self-made 'DIY germanium crystal compressor' Legowelt used throughout the writing process. The album itself features ten new tracks of pure Legowelt music mainly recorded in De Hague in the past year, but also on the road during tours of LA, the Californian desert, Tokyo (which spawned 'Crystal Cult 2080') and Tejada Gran Canaria (where 'The Future of Myself' was written.) Where his last album The Paranormal Soul was an organic trip into misty forests, this one seems more concerned with medieval spirits; it's deeper, darker and the whole thing is tied together by a more coherent sense of ancient alchemy. Given the use of a DIY germanium crystal compressor during production, it's no wonder everything feels warm, fuzzy and mystic in a way that draws your attention in like that fabled philosopher's stone... glare too long and you might just turn to stone. Right from the opening track the mood is so encapsulating you are drawn right into Danny Wolfers' mysterious electronic world. From there various different tempos are explored and plenty of famed synthesiser work comes to the fore, wrapping grooves in trippy themes, impish spirits and plenty of organic lushness.
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2020 reboot for Detroit's legendary Metroplex.
The Label Say "Cologne based producer Bas Grossfeldt has crafted an outstanding release perfectly aligned with Juan Atkin’s brilliant Metroplex aesthetic. As a relatively new name in the scene, Bas Grossfeldt’s music sounds as if it were the results of decades of focused experience in the studio.
With a background in installation, choreography and performance art, Bas Grossfeldt is the artists alias to focus on the musical side of things. His deeply rooted interest in the relation of space and body is also translated into his music. The fusion of spaced-out textures, rhythmical distortions, cold waves of synthesis, and enough modern production prowess ensures a release saturated with innovation and abundant imagination. A rare release for the seminal Detroit label, which also represents Juan Atkins’ interest in the arts world and new, different approaches.
The exchange between the label head and the artist, initially came to life because internationally renown conceptual artist Mischa Kuball, knowing Juan from a joint project, sent him the demo of Bas Grossfeldt. Especially intrigued by the track „Lost In Translation“, Juan and Bas started exchanging, approaching the record as an „art project“ and a classical EP at the same time, for example leading into the cover being made by Bas Grossfeldt/Søren Siebel himself and including numerous hidden references to the sound.
Each track embraces an incredible array of sounds and styles, from soundscapes to mind-bending Techno – all equally as effective for the brain as the dancefloor.
“Lost In Translation” opens the release with a cinematic piece of electronica permeating with frozen emotion and melancholic soul. The beautiful track captures a foggy morning’s haze, the first chill of winter with only a gentle kick-drum keeping the cold from completely taking over. It is also accompanied with a hypnotizing abstract video by film-artist Svenja Voß.
Continuing in a dubby, winter haze is “Lost In Sensation” which floats alongside a sharp, metallic rhythmic arrangement and a gentle, ever-present kick drum. Deep, heavily saturated atmospheric textures sleep underneath the sounds while lucid melodies float in and out.
“Your Orbit” rounds out the release with the most club-ready production. Disorienting melodies and gritty synths capture a dreamlike perception while a tough kick drum and clattering percussion drives the music deeper into undiscovered dancing territories just left of center. "
A 12” filled to the brim with talent, Schrödinger’s Box have collected three juggernauts of wave tainted electronics for the latest. Dmitry Distant teams up with Norwell for a partnership of serious intent. The pair deliver a trio of blackened tracks, opening with the ghoulish caverns of “Transient State” before the long shadows, acid stains and painful echoes of “Visionary.” The duo venture into brighter territory with the computer funk of “On A Verge of Veil”, crisp beats and bubbling melodies changing the tone. Following Beyond the War, Cute Heels returns to occupy the flip. The Colombian is immediately on it with the swirling mirrors of “Kuriyaki Horizons,” a kick drum offering solid footing in this entrancing piece. An aloof, yet alluring, disco hook takes hold for “Litua”, a low thump keeping time. The finale arrives with the clipped industrial gait of “Determinated In Order.” Marching to a military beat, this work is industrial inspired with Cute Heels keeping a close ear to the pressure release gauge.
n 2018, unknown artist James Infiltrate dropped an album of smart electro tunes that get everyone talking. It turned out to be an alias of James Burnham aka Burnski aka the Constant Sound boss aka Instinct, who is one of the most visible and prolific artists of recent years. Now some of the cuts from that album get choice remixes - AlexJann flips 'Flash' into a caustic electro banger with bright synths and twisted bass. Stojche goes for a lurching, loopy, scintillating and loopy remix of 'Isolate' that takes you to the stars and the flip offers up an acid laced electro cruiser from Sound Synthesis and Relpek mix of 'Reconnect' that is melodic and mysterious.
Repress
Grim Headlights features the latest acid mayhem by Peel MD member and Nerike Primate labelhead A. Stantz. Utterly advanced bassline tools for the dark techno clubs. All tracks recorded deep in the rural area of Sweden.
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2022 repress, 45 rpm
incl. download code
Second Woman is a new collaborative project featuring Turk Dietrich of Belong and Joshua Eustis of the renowned Telefon Tel Aviv. As one would imagine, Second Woman is a nonpareil debut of futuristic electronic music fusing the coveted genetics of the duos respective previous endeavors into an alluring new enigma of ASMR-inducing kaleidoscopic dub. Second Woman is a fully realized entity; a well-crafted sound world and a refreshing shared effort which is inspiring in its purity and painstaking in its design.
The opening "100407jd7" wastes no time exhibiting mastery in both sound and structure, contorting the frequency spectrum into a psychoactive mirage with its mutating tectonics and vaporous tone clouds. Cuts like "200601je6" and "700358bc5" are bar-raising examples of veteran craftsmanship and vision, refining and reengineering the blue prints of their early works to create an original and dynamic album. The deliberation and control over every particle is obsessive, but the end results of each individual track unfold with an organic temperament unparalleled in a grid-locked world of DAW shaped musics and rat's-nest modular aleatory. Words fail where essential sonics are concerned, and this vital new creation speaks for itself.
The man like Lerosa returns to LDR with more electronic synth goodness for the masses.
The multiform of sounds from Lerosa is presented on this 6 track EP, which ranges from dark and moody electro soundscapes to electro bangers for the floor!
An essential 12 for your collection....but who can you trust?
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- A1: Cosmic Garden - Reptilian Treant
- A2: Cosmic Garden - Rare Centaur
- B1: Cosmic Garden - Reptilian Treant (Orgue Electronique Remix)
- B2: Cosmic Garden - Apocalyptic Moose
- A1: Rhythmic Theory Entering Sector 11
- A2: Rhythmic Theory - Neo Tokyo
- A3: Rhythmic Theory - When Scanners Collide
- A4: Rhythmic Theory - At What Cost
- A5: Rhythmic Theory - Machine
- B1: Rhythmic Theory - Plains Of Centauri Prime
- B2: Rhythmic Theory - Her
- B3: Rhythmic Theory - The Bridging Effect
- B4: Rhythmic Theory - Existence
- A1: Dona - Vrs 2
- A2: Dona - Inverno
- B1: Dona - We Dont Really Care
- B2: Dona - Vrs 3
- B3: Dona - Visione Distorte (Dj Plant Texture Air Mix)
- A1: Photonz - Gnosis Of Wolfers
- A2: Photonz - Ceremonial Acid
- B1: Photonz - Sad Mania
- B2: Photonz - Filterhatzb
- A1: Ekman - Doomsday Argument
- A2: Ekman - The Great Filter
- A1: Dj Haus - Werk It Gurl
- A2: Dj Haus - Little Pieces
- B1: Dj Haus - Peekaboo
- B2: Dj Haus - Feel The Powder
- A1: Pussycat - Count Doekoe Vox/Dub
- B1: Pussycat - Crack Is Wack
- B2: Pussycat - Are You Ghetto Enough - Seymour Bits Rmx
- A1: Ken Finger - Thanks For Those
- A2: Ken Finger - Bury The Beds
- B1: Ken Finger - Tongues Under A Hammer
- B2: Ken Finger - From Telly To Belly
- A1: Bnjmn - Skur
- A2: Bnjmn - Herz
- B1: Bnjmn - Nommo
- B2: Bnjmn - Hydrofoil
- A1: House Of Black Lanterns - Cold (This City)
- A2: House Of Black Lanterns - Deep Devotion
- B1: House Of Black Lanterns - Midnight Caller
- B2: House Of Black Lanterns - A Girl Called Desire
- B1: Ekman - Post Singularity Day
- B2: Ekman - Antifragile
10x12inch bundle + book
What is going on here then? Well, digging through the ever shrinking tunnels in the cave system that is our warehouse we come across many forgotten ore and metal deposits that silently beg to be unearthed. Since we are not the beroerdste, we reckon it's about time to put some of these on offer to you, the unsuspecting consumer. And we have hit the jackpot in this case! For a limited time only (and as long as stock lasts) we offer 10 (yes TEN) records from the vast Creme Organization back catalogue + a copy of the glorious Godspill Artwork Book for just 50 (yes FIFTY) Smackeroonies! Which titles you will get will be a surprise, so take a chance take a chance boys & girls and all shades inbetween, cause here's a breath of fresh air in these times of inflation and global uncertainty! Love, the management.
Number 23 from Continental Drift seems to be all about the journey. These are slowly evolving groovy tracks, never staying totally loopy and often being a bit sly about the direction they're headed.
Perspectives Shift, the rst track and release namesake starts out as a oating tune centering around the Mathew Jonson-style wandering bassline melody; it gradually churns thick with rhythmic action and
counterpoint chords. Deep Summer Techno is trippy acid that plays with time and space, maybe channelling a bit of that CABARET Recordings spirit from Ospovat's time in Japan. Finally, the whole B-side is dedicated to Conoley’s rework of label co-owner and dear friend c_olvrin’s Cryogenic Freezing Of Friends, a more Chicago-house excursion, full of groove and many-textured details.
Following the ‘In Love EP’ 12in, Vertical Cat returns with four tracks of beautiful Deep House bass groove and nostalgic warmth, all unique to the sound of Vertical Cat.
Parole (French/Italian: meaning ‘words’) is a solid sweet roller with morphing distorted funked bassline and achingly beautiful chords
Luna is a hypnotic dive into late night beats, squelch and haunting swirl
Papaver is Dub Techno made with proper groove, almost breakbeat in percussive feel, enriched by luscious, delicate strings
Moss (Electro Origin mix) closes the EP with gentle Electro, subtle acid bass and gorgeous melodies
REPRESS
Identified Patient and his notorious femme fatale are back with another record of deranged darkroom anthems for Pinkman. This 12" is where crunchy drums and heavy bass are laced with aggressively seductive vocals by Sophie Du Palais. While the theme of the songs, compared with their previous record, goes in a rather kinky direction, the raw ferocity that never fails to grip a dance floor remains.
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- A1: X-Heart - Electropolis
- A2: X-Heart - Peaking Toms
- A3: Adam-X - Faces Of Death
- B1: Adam-X - Octane Propellant
- B2: Adam-X - Unreleased Acid From 1994
- B3: Adam-X - Chemical Spill
- C1: Adam-X - What's That
- C2: Adam-X - House Of Horror
- C3: Adam-X Vs Adsx - Acid Over Wiesbaden
- D1: X-Crash - Urban Bass
- D2: Trope Vs X-Crash - Morgue
Trends come and go as we have seen, unlike many, Brooklyn-born Adam X isn't one to follow trends, but rather set them. Now entering his 30th year of DJing and 25th year running his Sonic Groove label much of the world of dance music has come full circle since Adam started back in 1990. With that said there was no better time to explore his vast back catalog then the present as it's all the more relevant right now.
As many younger contemporary techno djs have taken to the faster, harder, stronger route as of late, this was par for the course back in 1992, where this compilation begins. What we have here is a collection of formative psychedelic acid tracks specifically made for the raves that were happening all over the world at the time.
Many of the tracks here had previously appeared on cutting edge labels such as Direct Drive, Drop Bass Network and Magnetic North, who were all spearheading the sound at the time, we also get two unreleased cuts from the vaults, plus a rare collab with Thomas Heckmann.
Back then the goal was simple- to push the limits of this fresh sound, and see how far they could actually go with their 303s; this music now filling warehouses and clubs worldwide. The eleven tracks on this record undoubtedly take rave-extremity to new heights whilst keeping the integrity (and brutality) of the music intact and the crowd in a frenzy.
Guaranteed to destroy the club as much now as they did in back 1992.
Remastered at Dadub Mastering.
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SINM introduces their second release: 74 Space Station EP. Starting out with "74 Space Station" the crew delivers an ambient influenced breakbeat with chopped vocals, voyage-like arpeggiators that take you back and fourth in a low-gravity state. Talented Cesare Muraca takes over a electro influenced remixed with a heavy baseline and layers of powerful synthesizers for a suprising twist on the original. Finally "Hello Callisto" rounds up the EP with a fast paced, train-like momentum with engaging baselines, galactic pads and garage influenced drums that will keep your journey going from start to finish.




















