Виниловые новинки и релизы Techno - Новости

MIA010, this will be a special VA with some great artists!

Pleasure Zone proudly welcomes Kepler to the artist Family! His "Dimensions EP" is a great debut, we could't expect this release to be done better! Watch out for this gem

LIRIK is a concept made by Libe & Trik (Lucian Rotaru & Constantin Leonard), two romanian producers who became friends thanks to music it self. Discovering they have the same 'feel' and 'taste' in music they got together and gave birth to these 4 mind-blowing tracks. The minimal sound & breaks with some vocal jazzy influences make this EP unique, original, happy and deep in the same time.

Eagervision is back with a bang a year after its first vinyl-only release. This new compilation pushes the quality even higher, merging four top-notch tracks from some of the label’s top producers, each one bringing a special touch to it while following a common leitmotif of crisp, futuristic, house beats.

Alffie has been perfecting a fresh and original minimal sound that is exemplified in the opening track “Be Bop”, a flawless piece of quality modern house music. The energic A-Side continues with ‘Directionless’ by Leeds’ producer Pük, a middle-of-the-night microhouse tune that feels ready to smash the dancefloor.

On the B-Side the sound gets calmer, but also deeper. The affirmed Romanian producer Octave dives deep in a collaboration with a new face for Eagervision, Specter, while the Italo-Romanian duo Nedeea close the LP in style with the mysterious ‘Suflet’.

There’s no doubt: Eagervision is taking it to the next level, perfecting its sound and contributing to innovating the scene by telling a story with every single release.

Romana Records 003 Takes a slightly different route this time we got a original from Ted Amber Botanic Minds sunset Series and a remix from Magnus Asberg and a stella remix from TIJN Curte Vache,Moss Co. The original has been been a firm favorite for Arapu for some time now.

Birthed from a radio show and event series with iconic Los Angeles radio station DUBLAB, SOS MUSIC’s goal is to provide a platform for diverse and forward-thinking electronic music, with a keen emphasis on womxn talent from around the world. In conjunction with Berlin-based !K7, the label’s debut release, SOS MUSIC Vol. 1 is a 14-track eclectic compilation showcasing dance music from some of the best producers working at the moment including rRoxymore, Violet, Nightwave, Umfang, LCY & Minimal Violence - lovingly curated to uplift and celebrate the global electronic community in a time of deep uncertainty in the music industry. SOS MUSIC Vol. 1 is international to its core, drawing on in?uences from the artists’ respective backgrounds including the UK, US, Serbia, Spain, Japan, Slovenia, Portugal, Germany & Canada.

SOS MUSIC was founded in Los Angeles by Maddy Maia (UK) and Tottie (Spain via the UK). Maddy has a long history in independent music, and is currently VP A&R in the US for famed British indie label Ninja Tune. Tottie is director of events and special projects at DUBLAB, and curates music, art and cultural programming that re?ects the diverse landscape of the city and beyond.

A shared love of underground music and culture, Maia and Tottie’s bond started strong via throwing events and later with hosting a monthly radio show; The SOS Music imprint is a natural next step in the pair’s progression as curators and its goal will continue early principles the duo stuck to- to seek out diverse underground talent and amplify their voice or community, whilst championing diversity on all sides of the industry. Maddy and Tottie’s music in?uences and styles span wide across the spectrum of experimental dance music, ranging from left?eld house, orchestral ambient sounds, not forgetting a nod to their youth growing up in the UK rave scene.

Cécille starts in 2011 with a huge release of the label owner Nick Curly. Nick shows with this record his experiences over the last year

Hard hitting guaranteed floor burning techno...will be supported by sven vaeth, villalobos and hawtin for sure !!!

Adam Pits & Lisene suit up and shoot straight for the stars as Space Cadets on the newest Seven Hills release, SHR002. Driving, gutteral and bass-heavy, Space Cadets combat the predisposed semblance of 'space music' with a collection of fast, pumping, uncompromising club music.
Trance-infused, breaks-splattered tech-house from Adam Pits, a broken beat UK bass & techno fusion from Lisene, and a serene warping remix delivered by equally gifted producer No Moon, we're excited to hear these tracks grace dancefloors throughout this galaxy and beyond.

Amaniel presents his sixth release by Felipe Valenzuela that brings us an EP formed by 3 original tracks and a remix by Jorge Savoretti.

We are delighted to welcome the two french talents Gab. Jr and Admo for our 4th release!

Vinyl only

"Fluctuation is Dycide's second solo EP on Lowless and the artist's first vinyl release. The Munich-based producer presents three club-oriented tracks. A rhythmic and minimalist techno like the German has often accustomed us to.
The vinyl opens with the mystical groovy journey called Fluctuation. The second track Fluent Iteration is probably the artist's most tortured production where a dialogue between a humming bass and a dark pad take the main role. Inflation is a long and dark apocalyptic descent.
The deep techno legend Claudio PRC closes the EP in the best way possible with a great remix of Fluctuation revealing his dreamy and emotional side. "

Emerging from the dynamic tundra north, Iceland to be exact, the newly established imprint LAHAR celebrates its launch with a fiery EP from the scene's most mythical
creature, NonniMal. Dubbed after the eponymous volcanic debris flow that swallows whatever crosses its path, LAHAR refracts in its sound the ever-changing, jagged and
entangled landscapes of a crisis-riden time.

Residing today in the company of many post-industrial wonders, from Reykjavik's semi-subterranean water reserve Gvendarbrunnar to the phallus-shaped Smaralind mall, NonniMal prefers to give salience to his environment and remain extensively unknown. In this untitled high-octane techno EP, he spurs us to imagine an uncanny coalescence of glacial disaster into the minimalism of enumeration.

Type I high-bias tape in a petrochemical-orange cartridge with risographed j-card. Limited to 75 copies.

RICO PUESTEL debuts on his TIME IN THE SPECIAL PRACTICE OF RELATIVITY label with a mind-boggling journey of 41 minutes — split in two parts to fit on vinyl! HEPTAKAIDEKA is what it won't be and will be what it never was: Something from in-between worlds, a place beyond far beyond, where time dissolves into relativity...

Every modern electronic music presenter should be able to find joyful, elevated, convulsing or simply useful moments within the extent of this track that is designed to have its inherent connecting factors and starting points in place for every DJ set — letting it be just a few minutes, well-placed groove looping or bigger amounts of its entirety for diving into a long night, bringing it to an end or making it standing out in-between.

Starting off with a hazy half-grasp hint of what's to come, a mysteriously pervasive bionic loop emerges, slowly coalescing with a bone-dry groove on the rise. Taking up a first quadrant of the track, already gnawing into the long-term memory, it manages to gradually establish itself along the pathway while the "rhythmatics" endure some subtle layer-shifting with occult-like strings come sliding in from somewhere unknown like an admonitory subtext.

Being halfway through (and all the way in), everything smoothly crumbles down to its basic framework, still shaking off its own reminiscences while foregone vestiges almost perilously try to reassemble themselves. All of that leading to a clearly unforeseen yet fortunate drift into a 1980's-like synth peak time section after about 27 minutes being in that track, finally cherishing an evolving emotional felicity and the climax of its own being that tends to feel like an overarching salvation.

As everything being eventually finite, the track starts to bring to mind where it came from by assuredly falling back into a story told before with the well-established bionic loop that once used to run free, sounding somehow different and more tamed now. Ending with dignity, the consistently resurfaced admonitory strings lead the way to its conclusion and possibly new beginnings, solely leaving behind the heartbeat-like booming that carried it all, now fading away...

Coming into existence during a series of multiple productions of exuberant proportions with Rico making the studio his citadel-like stronghold, this is an extensive story of desires, instincts, pride, fall, mirth, solicitude, tension, détente and basically life itself while subtly yet versatilely entertaining on a dodgy yet accessible level throughout the wingspread of Techno, House, Minimal, Dub, Electronica and Ambient influences.

The CD version not only brings you the title track in the guise of its non-split completeness but eminently churns out the extra drumming dub treat DEKAEPTA for a pleasurable groove-delight as well as the trippy bonus beauty VOSEM' that transits as a precious component of infinity.

Tervisio 005 comes at us from emerging British producer Pierre Codarin. '3000 & Me' features three stunning and eclectic, dancefloor-driven cuts. The title track is a steely, stifling track that's notable for its hypnotic, loopy emphasis as well as its thoroughly uncompromising demeanour. Dark and dextrous, it neatly paves the way for Losoul's robust re-work. The B side kicks off with Codarin's 'Fly Screen', which belongs to a dominant and mystical after hour vibe. The concluding track 'Blue' is a trippy, whimsical cut that is characterized by its floating baseline and many warm hues.

There are certain records you have to earn the right to play. After buying the right kind of warehouse, you have to build the energy in the room for what feels like an eternity until the precise moment the vape circle starts gettin’ out of control and Dionysus the Greek God of Greek Promoters tears through the very fabric of reality and screams “t??a!” right in your goddamned face. All of which brings us to Color Code, the latest EP from new Turbo sensation Dean Grenier.

Every single one of these four tracks is killer, a term industry demands have forced us use lightly in the past, but not this time, mister. This is sexually-viable sci-fi techno that rewrites your genetic code to give future generations a better chance at exhibiting club-friendly phenotypes like dance antlers or even more powerful sweat glands. At the snap of a glowstick, any of these selections will take your next set from “good” to “very good” on a scale of “good” to “shitty” to “very good.” That is our promise to you, no matter who you are or how much we care what you think.

The new PGSounds on Sued Records.
Recorded at PG Studio 2020
By SVN & PG

EYA 009 featuring Kiev based artist Zolaa. and a remix from Etienne.

Second step: G-Man “Quo Vadis”, a track released for the first time in 1995... It had in those years massive support of the greatest exponents of electronic club music and in a short time, it became a real classic. Now on Back To Life Records returns with Original Mix
+ D. Diggler remix (Never released on vinyl) + Sparticus.

Thanks to Gez "LFO" Varley for this gem. He say about the track: “Quo Vadis was born as the perfect track to mix between a house set to a techno set ,the track was inspired after the film Quo Vadis and means 'where are you going to?' ".

Black/white riso printed Jcard, black tapes screen printed w/ white ink

The new Rico Puestel ep combines striving, restrained, overturned, uncanny or quirky cool techno music. Rico is always keeping a clear line due to his individual touch of positive tension, funkyness and soul. Played by Josh Wink, Oscar, Paco Osuna, Tim Green, Timo Jahns!, Alec Troniq, Danilo Vigorito, DJ Misk, Franco Bianco, Black Vel, Blood and Tears, Sascha Kösch aka bleed (DE:BUG), Glanz and Ledwa, Homebase, Infusion Magazine (Dubai),..

Amsterdam collective De Lichting proudly presents their second solo EP on the label. Known for their collaborative compilations and multi-faced jam sessions, once in a while they shine a light on one member solely. This time it’s Utrecht based producer queniv with four high-energy power jams. He has appeared on all three De Lichting compilations before and is an active member of the group since they launched early 2018.

Opening track ‘Unfold’ starts at high pace with rubbery kick drums formed in an unstoppable groove. With its bleeping lazer shots and crafty programmed drum patterns it’s a powerful electro tool for joyful DJ-sets. ‘Unknown Territory’ continues on a slightly darker path, the ambiance is dreamy and floats smoothly into sub heavy territories. Another fresh take on electro on the flip-side with ‘Redesign’, a bright shining two-stepper followed by the muggy drums of ‘Viba’. It rounds of this highly recommended party pack for a wide range of DJ’s.

2LP Over the past decade, SUED co-founder SW. has arranged the building blocks of dreamy rave and techno music-billowing pads, undulating sub-bass and adroit, nuanced drum programming-into and novel dance floor structures. TRUElipS, SW.’s first full album since 2016 and his first for Avenue 66, is a beguiling, fully-realised statement. The 12-track LP is rooted in the storied ’90s era when the spirit of orbital raves and free parties was channeled into massive leaps forward in the studio. A combination of house and drum & bass looms large, as does the much-referenced intelligent techno era, but if you’ve listened to an SW. record, you already know TRUElipS is the work of a singular auteur. Breakbeats, rave stabs and major chords permeate the album, motoring along on a chassis of sine-wave bass lines and SW’s widescreen percussive vision. Forays into downtempo and sweeping ambience keep the listener’s head in the clouds, while the superb melodic techno constructions that comprise the album’s core are at once contemplative and liable to bring on a giddy head rush. TRUElipS brims with the optimistic, escapist spirit that fueled dance music’s original triumph, a throwback to bright, imagined futures.

Following our deep & dubby vibes, this time is our Swiss friend Philipp Lichtblau as usual, no digital promotion and limited edition.

Vinyl Only, Limited to 400 copies, NO REPRESS Series.

A beautifully crafted deep techno EP. Bjika delivers a cascading expanse of atmospherics and rolling deep techno beats. Every moment that passes feels familiar, yet unique, in its own space and time. Quite simply this is Lush.

OMOSA is the first sublabel of GAAZOL. For its first release, OMOSA welcomes no less than 5 artists : Bitterjazz, Oden, Fatzo, Munir Nadir and Modbox.

Mike Parkers Geophone label celebrates the 20th anniversary of Voiceprint. A keystone release in the rich Geophone history. Produced 20 years ago and re-mastered and re-cut for maximum impact.

Thisorder is proud to announce the 2nd output: landscapes.the original version is a techno magic track with an emotive flow cupled with solid grooves perfect for many dancefloors.

Sister label of EYA Records- Lonewolf start its journey into sound with a very solid Various Artists .Music by TwoPhaseU, Meta4 and Jorge Gamarra. You snooze, you loose.

Repress!

Butter Sessions swiftly follows up Sleep D's May release BSD-01 with two complimentary heavyweights for a 12" release, Freak of Nature. Listeners may feel acquainted with the tracks as both have served as a staple in Sleep D's live set over the last 12 months.

Freak Of...is a strong beckon of electro-tinged techno that lures with a fearless pulse and an entrancing inflection, utilising the faithful sounds of the Roland Jupiter 6, Super Juipter and TR-09. The follow-up echoes basslines and percussion to overtly fuse the two tracks together. Naturetaps further into Sleep D's homage to the live techno greats of the 1990s and early 2000s, mirroring their vigorous and eager momentum. Overall, Freak of Nature hits as an anesthetic swirl of brisk looping and thoughtful production.

TELUM returns with its 6th episode of the label. Worldwide support from Raresh, Petre Inspirescu, Cap, Praslea, Barac, SIT, Gescu, Priku, Arapu, Mihigh, Mihai Pol, Cosmjn and more

Japanese dj/producer, DJ WADA has over 30 years of DJ
career. His reputation has grown as accurate technician. On the producer side, he formed Co-Fusion and Atom with Heigo Tani (a.k.a. WALL FIVE), they have released over 20 titles on the labels as Reel Musiq, Pro-Jex, etc. This is the 2nd release from his own label 'Diretta' launched 2014. A side is with electro beats featuring jazzy hones. Side B is minimal techno track with piano sample and freestyle drums taking you to a long journey.

Julien Chaptal is an electronic assembly — part French electronics, part Detroit synth machine, and part Dutch minimal robot (as part of MFD, Le Clic and Amsterdam661). Purpose built with a modular brain, Julien’s performances are switched on, live, utterly groovy, and while pulsating with machine wiring, undeniably human.
Chaptal's newest record, The Way, was conceived after a few too many knobs were turned on his Octatrack, sending Julien tumbling through time and space to capture decades worth of dance floor musical influence before returning home. Recorded live along the journey — on stage, by boat, and in a camper van — The Way’s hypnotic tracks are an intimate look at the intricate circuitry composing the logic behind electronic music, showcasing where it has come, where it is now, and where it will travel to in the future.

A-side with homies Ma.to and Sukaz.
Ma.to delivers a banging straight track to keep the dancefloor warm, groovy bass, dreamy and foggy atmospheres, game-changing parts that will surprise your ears. Sukaz with an long Acid developing track closes the side proving again a master attitude at early stages.

B-side delegated to mysterious producer Yellow Inc. and it just speaks for itself - enjoy the trip!

Recognized for bringing some of the most cutting-edge DJs to Tokyo from its inception in 2013 (starting with a:rpia:r), Beat In Me is proud to announce the launch of its own record label. Catalog No.001 finds Raha, a key contributor to the Japanese club scene for over 30 years, collaborating with his creative partner K-Sobajima to bring us their very first EP. Side A is a masterly crafted made-for-dancefloor track - its high-density, dynamic minimal grooves deployed with precise effects. On Side B, we have Romanian up-and-comer Crihan (known for releases on Ultrastretch, Naural, and Eliptic) on remix duties, as he takes a detour toward a more ‘dope’ and atmospheric mood. Working tirelessly while constantly traveling between Europe and Japan, Raha finally delivers on this long anticipated work. And with early full play support at parties and festivals by such top-class DJs like Rhadoo, Petre Inspirescu, Cezar, Dubtil, and Mihigh, its quality is unquestionable - a true gem of a release, polished through the kind of experience and taste that could only be gleaned from standing steadfastly at the very core of a scene

Balkon, the best place for relaxing in the spring and the summer time.

Tom Almex takes up this theme musically and serves a great four track ep.

Fat kickdrums and atmospheric fx sounds in best minimalistic techno manner.

200STK // LIMITED // VINYL ONLY // NO REPRESS

For Our Eighth Release, Point Of View Shares Its Latest Chapter With Two Original Cuts Of Pure Magic By Mysterious Producer, Viceversa.
Opener 'sevensevenone' Is A Truly Distinctive Viceversa Trademark And Gets Continually Evolving Over Its 9 Minutes Ride. It's That Kind Of Ethereal And Dreamy Dimension, With A Light And Fluffy Synth Line That Comes Into The Track
As A Ray Of Sunlight During The Rainy Days.
Up Next 'sevenseventwo' Goes Into The Shadow, Discovering A Brand New Exciting Face Of This Producer. Scattered Drums, Solid 4/4 Low-end Structure And Electrical Scratchy Bleeps Dominate The First Part, Until Subtile Pads Make Their Appearance To Close In Style The Track.

Tresor's newest release features BNJMN on Body Reflections Pt. 1.

The four track EP captures a uniquely subdued mood that resides at the nexus of ambient dance music, and that integrates seamlessly with Tresor's penchant for restrained and dub-inflected techno.

Each track on the EP introduces symmetry and rhythm in the form of organic percussion. "Overskies" and "Enceladus" are more lethargic and ethereal, each blanketed with discordant melodies and arcing synth lines. "Hadal Zone" is more dance-oriented - here, a sophisticated interplay of percussive elements loop over plaintive vocals and soft harmonies. "Syzygy" then brings the EP to a techno-focused close with driving kicks, oscillating synths, and repeating minor chords.

Body Reflections Pt. 1 is deeply illustrative of BNJMN's affinity for creating nuanced and delicately balanced layers, and a culmination of his vast experience.