Techno Vinyl New Releases - News

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Tresor Records is proud to announce a new commission, bringing together two of its most time-honored contributors.
Berlin's Thomas Fehlmann and Detroit's Terrence Dixon came together in Detroit to produce this expressive album. An avant-premiere live performance of this album was presented at Tresor's annual Detroit showcase in May 2017.
Composed of six titles and exploring a wide range of rhythms and emotions, 'We Take It From Here' is a celebration of resilience, patience, creativity and devotion.

Mannheim based music & creative network BE9. A fusion of the local underground scene consisting of DJ ´s producers and labels from the neighborhood. The first record of the collective by Fabe & Toby T already gains love by our family and Cristi Cons. Enjoy BE9's first piece of wax.

Another fantastic Residual Release in the rebound. This time it's Todd Sine's album "Hi8us" from 1998.
It comes around with new mastering!

Head honcho of 4Plae Records, Adam Monti AKA ADMNTi has created 3 sublime tracks, portraying the more uplifting, housey side of what he represents. Following this, the London based trio Wax On Mare St. have supplied their take on Adams 'Highrise' showcasing their very particular, yet similar sound within their remix. Here we have the birth of the 'Euphorbia EP'!

10"

TABLON TEN INCHES PEOPLE 01

We are honoured to let Dilated Pupils bring us a great release on MAYAK. A-side "Remi's Phone" is a really deep spoken word techno track. "Shine Dub" on a B-side is probably the most rewarding dub-house track, that makes everyone smile on the dance floor, and that was tested thoroughly.

One of the most promising newcomers around and known from releases on Bedrock and Aeon, italian born Francys presents his first EP for OFF.

Now based in Berlin, and already hauling an impressive back catalogue, Francys delivers five tracks filled with dancefloor goodness.

Opening up with Elsewhere, a catchy melodic deep techno cut, the track creates a tense yet sustainable build up by the way of ambient-ridden synths.

Title track Komorebi exerts a similar feeling, craftly layering grave synths peppered with high pitched acid-like bits.

Fellow Berliner and BLKRTZ label boss Deadbeat is the muscle behind the remix, bringing his well known penchant for timeless techno to the game. The reputed sound designer manages to inject more groove, turning Komorebi' into a peak time
contender.

Pandora's Scream' rounds up the release, exposing a metallic ridden bassline, interspersed with eerie high pitched sounds.

Last up is The Monk', a dark and somber sonic exploration infused with mysterious,
chant-resembling vocal pieces that give the track a ghoulish atmosphere.

Martin Eyerer returns with the single release of probably the strongest track from his last album 'Struktur' featuring the vocals and bass from Berlin's celebrated band ABBY. With remixes from Chopstick & Johnjon (SUOL) and Ackerman this release looks like a biggie!

Following on the heels of last year's "Circuit EP", which got support from the likes of Scuba, Matthew Dear and 2000 And One, Andre Crom starts into 2017 with "Short Circuit", another offering of stripped back and highly functional dj-tools.

The title track's energetic drums are inspired by it's predecessor, but "Short Circuit" ditches "Circuit"'s vocal in favor of a mental industrial percussion-lead.

Impedance takes things towards a more stripped back and minimalistic route, the "randomly" syncopated drum patterns giving the track an ever-evolving feel.

Tallmen 785, a new member of the OFF-family and known from releases on Hotflush, Fiedel and his own "Tallmen Records", delivers a trippy and hypnotic underground remix.

Russian vinyl label Spaghetti Monster launches vinyl only VA compilations called Spaghetti tools. So please meet the first part with a brightest label artists on board. U can choose according to your taste or dance floor mood a more techy and dark A side with a fantastic bomb from Ukranian based label resident Stas Drive called Supernature and the uprising swiss techno star Pablo Einzig with his watch me fly. Otherwise U can turn a 12» to a B-side with more slightly and house sound from Leao who rocked a label before with his Robot Needs Oil project and now get back with more underground sound. Here also comes label fav guy Boronas with a truly outstanding story called U keep Me high Hamburg dedicated to his German relocation and blowing with this one the dancfloors in an early morning. 200 copies. VINYL ONLY. NO REPRESS.

Dapayk Solo, Berlin based producer and veteran of the minimal techno scene, announces the release of his 10th studio album 'The Calling'. This latest project will be the producer's first solo album since
2015. The 8-track double 12inch LP will be available via Dapayk Solo's label Mo's Ferry Productions and comes with a free download voucher for the extended 12-track digital album.

The first track on this LP 'The Calling' shares its name with the album and starts off with a pang of energetic, chopped beats before exploding into a brassy melody, continuously gaining momentum.
'Blackout' immediately announces itself as a next generation Detroit House anthem. The rolling synths, hi hats, and vocals make this one of the most outstanding tracks on the album. 'Aurora' stays true to its name with a buildup composed of throbbing ethereal synths that give the track an otherworldly vibe. 'Flood' transports listeners to the dancefloor with its pulsating bassline combined with Komplement's quaint vocals.

The second part of the album begins with 'After All', one of the most enticing tracks on the album. It combines the groovy rhythm of four to the floor percussion with tantalizing vocals by VARS before New Release Information 'Low Tinnitus' reverts to Dapayk's signature minimalist sound. The transition into 'Wanderer' continues the momentum built up by the previous tracks. The closing 'Walk With Me' is a deep-house jam that features a rhythmic shaker layered under Mental Bend's powerful vocals.
Dapayk Solo, alias Niklas Worgt, isn't afraid to try new things. With 5 aliases under his belt, he continuously strives to experiment with different styles and production techniques to create innovative sounds. Throughout the span of two decades he went from producing drum'n'bass to house to ultimately crafting the groovy, edgy techno sound that he's now known for.

With more than ten LP releases and over 70 single releases on his record, he is one of the main protagonists in the world of underground electronic music. In 2017, he released an LP titled 'Harbour' with his wife Eva Padberg under one of his many projects, Dapayk & Padberg. While that album aimed to steer away from traditional club beats, 'The Calling' sees Dapayk reassume his deep, dark, and infectious sound. While Dapayk is often categorized as a minimal producer, the LP proves that he is capable of extending beyond the scope of a single genre. 'The Calling' is just another example of why Dapayk has managed to stay in the scene for so long: he loves electronic music and he's great at
making it, too.

1x each customer !

vinyl only!

Here we are for the second release...

At this time we are pleased to have on our label Gabriele Mancino.

Two trippy minimal tracks with a mental vocals and dry snappy percs...

To complete this secoond release we have on board
Doubtingthomas (The Eclectic ) & BRUNO PRONSATO (THE MASTER)

NO MP3 JUST VINYL!

Red Vinyl

Final part in the series "Soul of the Automaton" by Versalife closing it in style and with fine electro orientated elegance and crispy sounddesign.

RUIS006 by Levi Verspeek

''Noir Jungle Part II'' finds the Italian producers 'Cardace & Perazzini' once again demonstrating originals and exciting modes of expression, not to mention the extraordinary level of detail in their music. It rounds the project off, with yet more unpredictable diversions of their immersive sound design to paint a vivid and unique landscape at its most dynamic framework. 'Swinging Plans' places the drums at the forefront of the mix, using incredible layers of brushed, rolling an expressive live recordings to create a truly thrilling experience that speaks to the deepest human instinct for rhythmic sound. 'Internal N.5', intensify the Techno-influenced energy as it races ahead on a tightly wound rhythm, adding a rich array of sounds into the mix to create a focused and detailed trip loaded with cinematic tension. 'George Is There', takes rich chords running through delay and reverb while maintaining a pronounced house groove with perfect and subtle touches of jazz into the track, invigorating sonic experience aimed at both, the mind and the dancefloor. 'Below the Earth', This is a perfect example of Cardace & Perazzini's exercise of restraint, keeping the mood simmering while still displaying their love for ear-snagging samples in between the folds of the track. 'Really Low Mind' sets a thrilling tone straight away with a rolling drum beat taking the lead and subtle tonal sweeps filling in the space around. It's a testament of skills when sequencing drums, not least when it peaks after a tantalizing breakdown. 'Night Train' sits easy on the ears but there is a deep level of production at work that reveals itself as the heavily processed samples of instrumentation starts to unfurl halfway through the track.

Mathew Jonson's 'Decompression' was first released on Minus in 2004. To celebrate 13 years since it's release Mathew has commissioned 11 artists to remix this classic split over 4 releases. The first EP of the series features remixes from dBridge, Konrad Black and Nathan Jonson, each artists contribution provides a fresh approach to a package fuelled by the influence of Drum & Bass. dBridge steps up for two remixes, the first is warped and deconstructed, the second a high energy Drum & Bass belter. Konrad Black slows things down with a darker groove whilst Nathan Jonson's 'rewind to 96' utilises rave tropes and chopped vocal samples. The package is a magnificent addition to the legacy of 'Decompression' and coming next will be remixes from Seth Troxler, Deadbeat, Mike Shannon and Natalia Escobar. Mathew Jonson's 'Decompression' was first released on Minus in 2004. This is the first release on Mathew Jonson's new label entitled 'Freedom Engine' Mastered at Scape Mastering

lvin Toffler was overwhelmed. When in the morning of October 4th, 1988-it was his 60th birthday-he was starring with a still somewhat absent look into a bowl of cornflakes, he thought that in the surface structure of the yellowish shimmering milk which was making an emulsion with the maple syrup and slowly but irreversibly corroding the crunchy crystals on the flakes, he could see through a window into a timeless dimension. Toffler, who at that time had reached the peak of his fames as a future scientist, was sustainably disturbed from his peek into this extra temporary peephole. In none of his books-'Future Shock' had just been released with yet another edition featuring a proud printed note on the book cover stating 'more than 5 million copies in print'-did he ever mention this occurrence. Even after his death in June 2016, no note on this incident could ever be found in his estate. The 'flake dimension' as Toffler called it in notes which were later shredded remains a secret of opaque, hard-to-grasp radiant power.

Maybe it's too simple to describe 'Pneumatics' as a creation coming from this cornflake world Without doubt. Are there any more precise terms or instruments to determine the multifacetedness and beyond-timeliness of the 'Pneumatics' soundscape There are still unknown. 'Pneumatics' is, after releases at Innervisions, Die Orakel und his own label Sound Mirror, the debut album of Orson Wells (as long as you don't count in 'Jupiter' - Wells's first LP which was released in 2014 with 48 copies on cassette-have fun digging for rarities and bargains!).
Perhaps Wells, known in Frankfurt under his real name Lennard Poschmann and as an employee at the record store Tactile, is only a messenger. Or a psychic. The sound manifesto that he apparently transmits from Toffler's secret dimension tells of a city of upside down pyramids ('Tianon'), of passes into the land of the five elements ('Multipass') and dead straight four-to-the-floor lines which appear bended within the spherical dimension (''Geodesic'). These beats are right on the heels of the ones of Intersteller Fugitives; the strings sound like that at any moment a vocal sample edited by Moodyman could warp over through the Cornflake wormhole. Pneumatics is the science of all technological applications powered by condensed and often by quite heated air. It is a matter of mechanics, compression, jackhammer, ramblings, high pressure levels, valves for blowing of steam. On 'Pneumatics' it's all about this. And more. Orson Wells's album gets to the point of the post-retro futuristic state of the dancefloors of the house and techno clubs of this planet. It is like a peek into another dimension, right on the golden cut of spacetime geometry.

PlayfulScience is back with another ep full of groove and cosmic vibe.

Third_Child & Zavor continue to leave their trademark on the playfulness of the musical sciences..

Two originals, an hypnotic rmx and an infinite loop make this release perfect for each hour, moment and situation of a party!

Essential 12'

Unknown Artist. Vinyl Only.

Looking back at the imprint's catalog one would expect Pluie/Noir's 9th release to be in the same organic tones as previous outputs, but "Pambore" is anything but
predictable: Atree's debut on Pluie/Noir is a homage to drum-machines and analog synthesizers and a welcome breath of fresh air to the imprint's evergrowing music catalog.
With a true 'no bullshit' attitude, the Stuttgarter (soon-to-be-Berliner) Oliver put together 8 dancefloor-oriented tracks that bend the boundaries between micro-house and acid-techno while always keeping things swingy and surprising, full of bleepy sounds and playful synth melodies. Oliver's music is without a doubt very light-hearted, with a endearing aura that is usually reminicent of producers living closer to the Mediterranean sea. Pambore' is a showcase of exactly that: a hefty
but light-hearted double-EP that presents eight variations of his sincopated, and ultimately funky drum programming, bouncy basslines, tumbling synth leads and functional story-telling.
This homage to machine music brings on board the Portuguese graphic wizard Nuno Patrício to visually interpret the EP, keeping with the imprint's usual audio-visual
affair. Limited Pressings.

We like to present to you our second limited release featuring some of Tupiar Records favourite artists: Herck (Romania), Gorbani (Moldova), Maurice Giovannini (Italy), Olvap (Spain). The story of the both sides is tolled by our fellow artists in the most harmonic and carefully crafted music, complete with analog synths, melodic vibes, grumpy textures, deep sounds and groovy base lines. This long awaited masterpiece is topped of by the unique artwork captured by Czech photographer and painter Jan Saudek, expressing some of the most intriguing & uncommon scenes from the last decade in his own unique vision for which we are most grateful and happy it fits right on with the design concept edited by M.Dafinoiu, giving it the finishing touch with a transparent vinyl material.

The Berlin based Gel Abril kicks off his new "Closed Circuits" label in a full form presenting a strong record by talented Polish artist Oskar Szafraniec, a crafted producer, known by his latest 12" on Rawax with Ricardo Villalobos, EPs on Murge Recordings, Cyclo or collaborations with Pier Bucci. For the debut release on Closed Circuits, Oskar has collaborated with the Swedish "Very Addictive" duo and has delivered his best work to date, a music piece called "Borderline", filled with lush vocals and hypnotic pads that kicks the label with a proper bang.

On the A side - the label boss himself, Gel Abril, turning "Borderline" into a burner, with his very own distinctive groove and effected vocals, surely to be one of the main tracks for 2018! On the flip side, already mentioned original mix of "Borderline" and another collaboration by Oskar, this time with legendary Chilean master "Pier Bucci", bringing minimalistic experimental goodness, perfect for those special after hour moments we all love. Gel Abril said: "listening to Borderline for the first time it just blew my mind and gave me that goosebumps feeling you rarely get with most of music out there these days, I felt very inspired remixing such an magnificent vocal, it is one for the books!"

seekers new album, this time a 2x12".
All tracks were recorded in tape in 2017 somewhere in Europe :)

By his debut album "Alcatraz" in January 2015, ARAS label head André Galluzzi thrilled with a concept album inspired by occult sounds and psychedelic vocals. "Alcatraz" as a whole is a captivating piece of art, its the essence of a club night. Now after received a wave of icredible feedback from "Alcatraz", the bird returns to ARAS with a bunch of remixes of the hypnotic track "Mathilda". Time to welcome Mike Shannon and Jacek Sienkiewicz to the ARAS family. This remixes will be a blast at the club by its very deep and reduced, futuristic interpretations. Mike, as head A&R of Cynosure and formerly Revolver Canada Recordings over 10 years, has shown an uncanny ability to select and produce tracks which have become go-to fixtures in the sets of the industry's best DJs. Far from pursuing the next one hit wonder or sound of the season, his steadfast curatorial vision and passion for the music have earned him the trust of discerning music connoisseurs the world over. Alongside DeWalta, Mike impressed lately with his album "Residual" on Cynosure/ meander back in March 2016. Jacek Sienkiewicz lives in Warsaw and he is a key figure in Polish electronic music scene. He holds Recognition since 1999, one famous label based in Berlin. With one foot deep in classic Detroit and Chicago dance scene, and the other in modern jazz and classical music, Jacek's tracks for the past ten years always try to find a right balance between the avant-garde and dancefloor, between primal emotions and highly sophisticated sonic wizardry. His latest album "Hideland" has been released in August 2016 on Recognition.

The first catalogue number from the house of Formatik comes from Format:B

Since his emergence in 2010, Madben's melodic, Detroit-inspired techno evolved, with various releases on Caduceus, Astropolis Records, Off Recordings, Inflyte and Bedrock. Nowadays, the Paris-based artist remains a key figure in France's new generation of techno producers, with an upcoming debut LP on Astropolis Records. Swinging from atmospheric sounds to techno, Madben produces an alchemy of rave anthems, hardware material and groovy, emotional music. With support from France's favourite Laurent Garnier, Manu le Malin and Rebekah Warrior, Fréquence(s) unveils his skillfull, mature universe.

12 tracks compose the album. The opening 'Space Bubbles' carries a cinematic, ethereal touch designed for dancefloor, from dusk till dawn. 'Mouvement circulaire' sets out a slow hypnotic rythm, leading to "Narcotica" and its warm melodies. 'MG's Groove', produced with master Laurent Garnier uncovers Madben's house moves, percussive beats and distorted synths. 'Reminiscence' and 'Stripes' wink at Madben's earlier melodic techno inprints, while 'Don't Lose the Beat' uses old school vocal as the LP's boiling point. Modern techno vision is underlined with tracks such as 'Tom & Tom' and 'The Struggle', both waving between UK inspirations, aerial sounds and Ben's original signature. Featuring with Manu le Malin and Rebekah Warrior, 'Grief, Dance to Death' stands out from the rest, swaying betwixt French vocals and rave spirit, whereas the album's last piece, 'Lunar Park', ends the journey with a gripping ethereal melody.

Having presented focused artist releases since the beginning, Dissonant is proud to present its first ''Various Artists EP''. Supporting new talent alongside well-established figures, this collection of tracks throws some exciting new names into the label. Marc Antona makes a welcome return with the thrilling spirit track, "Lord of Combines''. His refined drum science is carefully arranged with immersive organic textures creating a rising energy while maintaining the voluptuous appeal of the rhythm. Jayro shows up a fearless imagination and serious studio maturity, "Psicodelica" lives up to its name with all kinds of head-spinning sound effects whirling around a playful, snaking drumbeat. David Gtronic makes his debut in Dissonant with ''Rana'' where his sonic identity, builtup with organic textures and melodies, stands out in a perfect combination of subtle dub elements alongside strong rhythmic flow. Counrad come across with the hypnotic rhythm of ''The Human Centipede'' where the club oriented groove stretches out with restraint and increasing tension, blossoming outbreak energy engaged this alluring Tech House trip. All four tracks have their own distinct qualities, but combined on one release, they reflect the vibe of the label perfectly.

The Adventure continues with our second Understate:ment brought to you by Frankfurt boys, Marc Philipp & Nils Weimann with a reshape made by Sebastian Werle from Mannheim, Germany.

Fever AM comes from a Berlin connection between a pair of artists with roots on either side of the Mediterranean Sea and on both sides of the Atlantic. Label founders Mor Elian and Rhyw (one half of Cassegrain) share many musical reference points reaching back to early childhood right up to the present including the deeper, darker reaches of electronic music. The label is the pair s rawest and truest realisation of these influences.

The first EP will be from Elian, a sublime 4 tracker that has matured after a winter in the studio and is now ready for club play - from heating up peak time dance floors to trippier after hours moments. Sprinkling her trademark stripped back sound with electro and breakbeats the release sets out the label s stall to release vibrant, challenging dance floor music.

Time has come for a new AdMaiora release, and this time comes from the hands of Italian Yaya, who marks his debut with the astonishing 'Kayama EP'. Hailing from Turin, Yaya is surely not a newcomer into the global house and techno scene, with appearances from Desolat to Etruria Beat and Kina Music.

He has totally earned his stripes as a reputable DJ and producer over the past few years, having also his own party in Turin called 'Savana Potente'.

In his productions he melt together all the sounds from his multicultural background, collaborating with various Italian producers and being remixed by Tini and Gel Abril to name a few, making bombs after bombs and his latest two tracker 'Kayama' is no exception.

Kicking off with the entitled track EP, serious cavernous bass meets 909 solid groove structure, whilst several females pitched and delayed vocals perfectly work together for an endless hypnotic dimension.

'Come To Me' is the perfect example of Yaya's versatility in the studio as he moves for the second original into a more melodic and trippy space where wisely selected silken pads lap upon the senses. As the track moves on, a gentle acid line joins the toughened up drums and the unpredictable b-line elevate this monster to a whole new standard.

On the flipside we have a remix from one of the men of the moment.

He needs no introduction as 2015 was his biggest year so far.

With releases from Jamie Jones' 'Hot Creation' to Adam Beyer's 'Drumcode', British long haired wAFF showed to everyone how to turn a track into a warehouse destroyer.

Stomping and heavy kicks, rolling drums and a DC-10's inspired lead are the main elements of his version of 'Kayama'.

The bouncy groove and well-chosen vocal chops definitely make of this track the next dancefloor anthem.

White Marbled Vinyl

brian sanhaji, ambitious producer of chris liebing's well known clr-team, one more time underlines his talent with this beautiful ep. it comes along with 3 dancefloor-filling and peaktime techno-bombs of the, man from frankfurt on this 2nd vinyl release in coloured edition !!!

Algorithmic apparatus, dissonant strings, saxophones and twisted sounds are the elements that characterize the tracks of this release. Zavor proposes his first personal EP on Playful Science focusing his attention on the possible combination of elements and styles coming from his different musical experiences, from mixtures of jazz sounds and synthetic elements to the more marked and hypnotic rhythm.

special color vinyl 180g !