Techno Novedades

Repress

Insanlar returns with an epic 45 minute shamanistic techno folk song, split over two sides. With 'Demedim Mi', the Istanbul born group ft. the renowned DJ Baris K and multi-instrumentalist Cem Yildiz, offer another off-kilter journey through deep, esoteric Turkish electronic music.

Insanlar means humankind. Their techno folk hybrid is rooted firmly in Anatolian/Alewi religious poetry, their energetic, almost punkish attitude has created a mystic following around the bands early shows. Insanlar's first release catapulted them on to the international stage, where their idiosyncratic mixture of traditional Anatolian/Mesopotamian instrumentation, electronic music and spiritual/philosophical lyrics continue to captivate festival audiences.

The musical excursions of the group go into uncharted territories rather than towards an end goal, melting traditional songs in their music as divine inspiration, while entering places one didn't know existed. Insanlar's recorded version of 'Demedim Mi' was initially meant to become a traditional Alewi 'deyis' song, with lyrics. However, this session resulted in a long magical instrumental folk hymn, that is surprising and captivating at the same time.

New Swiss label Rababoo is proud to present his first release: Marcel de Sie! Oscillating between melodic industrial and shaky psychedelic music, Mr. de Sie overcomes his first 3 tracks with a static approach of electronic low drifts – in that sense, we decided to call it a soundtrack “to schuss'', in dedication to all our skiing friends from here and there. The First 2 tracks, “Filter Seq'' and “Mezzo FM'' pitch the tone of the EP and are built as explorations of dance floor narratives, with the purpose to generate a wave state of mind through a real sound experience. While the first track is a relentless technoïd filter-driven smasher which immediately bleeps your mind and floods it with sound, the second track unleashes a cascade of sounds that bring any lost hiker and drive him into a shamanic waltz in the mountain.

The Title track “Poetic Frame” is a direct response to these soundscapes, where howling disturbing synths are at times chimera that fractures the pattern and calls you back into reality.

For his 1st release, Marcel de Sie is joined by Greek producer Anatolian Weapons (Dark Entries) and Belgian’s Victor de Roo (Stroom) for the remixes. Each one delivers a proper interpretation of the 3rd track of the EP « Poetic Frame ». While Anatolian Weapons explore a tribal trance sonic journey that can drive a dervish dancer crazy, De Roo makes use of his distinguishable style and creates the most abstracted version of this track. Not scared to apply kind of a trap snare ratcheting, he brings us to a space urban take.

Put your seatbelt on, seasons are not existing for long anymore.

fetter fünf tracker !!!! spacige technotracks !!!

inkl. remix by paul mac !!!

23H23 is back in town... a superb Crystal Distorsion tune... One of the rare of a kind... Full out love of a music style creator... and all the other tunes trying, tiding and overfooding for more : Ixindamix in her funky live exercise... always surprised me and I luv that sound... Kindaz and his style too... Gravos bugging the tribe for more experimental groove : big 3rd type encounter ! Attention the extract we builded up does not show the end of the tune .. but finally you get 3 minutes of a round confortable kick... ahaha big I say again... 25D, Redge, Assolm System, Gravos... some other 23 heads of all kind will joice you up to the nirvana of the magic clock ! 23H23 of march or november 2023 !... ouuups... 2022 !

Triple album, Gatefold sleeve, LTD edition. WaveBNDR is the AKA name for Collision from Cult Collective / OBS:C UR, an artist organising parties , booking, Labels, and making music... Hyperactive man, secret raver of a kind... With this first full vinyl album designed by Artcoton through the time too, he offers 12 tunes in a Raving style 150/160 BPM, progressives and acid-dark, melodious or sobre... A music for hangars, dirty clubs and Bunkers.... and open air when the sun rises !

A travel through the galaxy. A label where every issue will link to a Planet. Opus 1 is for... Pluton.

Big Bad and heavy !!

Tribe mental, definitely classious and well done...

Once again... Acid, this time again with a very rave to transcore sound... at a more Hardtek speed...

MAD STUFF !

Bloody old school tunes with a magestic DSP soundlike from Jaycore.

Dj Bebedera Is A Young Producer Who Hails From Lisbon And One Of The Pioneers Of The Tarraxo Do Gueto / Fodência Style, Which Is The Lisboan Sub-genre Of The Angolan Tarraxinha.

The Tarraxo Do Gueto Is Characterised By Its Languid 90bpm Beats Highlighting The Erotic Side Of Kuduro Music Which Is Surprisingly Known To Few Audiences.

The 2 Labels Bazzerk And Promesses Have Collaborated On A Series Of Two 7" Singles With The Lisboan Producer Which Groups Together 4 Iconic Tracks From The Genre.

After a humble startup release in 2019, Philou Louzolo continues his quest with his Afrofuristic label Wokoundou and welcomes us once again in his fictional multiverse. The opening anthem Ahosi Army is that song where we can hear Philou's diverse influences come together: aggressive polyrhythmic African drums are taking the lead accompanied by Philou himself playing the percussion in combination with lightsaber - effects and lazershots shooting over a deeply layered African Techno track, a true space battle anthem. Violet and Alma Negra are taking us to a new place at the intergalactic outskirts of Wokoundou's multiverse with two strong and propulsive remixes.

talian duo Crossing Avenue debuts on Outis Music with Piromanzia, their fourth solo EP, presenting a fresh batch of their organic rhythm tools. It's the duo's first EP on Dino Sabatini's Outis Music where they released three EPs on Spazio Disponibile before. First track Piromante is a dark and spooky hypnotizer in optimal form. Sacrificio brings out the drums, the pulsating rhythm groove subtly transforms into a playful DJ weapon where the EP closer Fuoco Freddo dives into the deeper techno territories being a true heads down kick drum roller. It's an exciting selection of carefully crafted noodling jams that makes this an essential pack of Italian techno.

Roman Poncet's 2018 debut LP stands an impressive work in its own right. Now Figure has invited a group of artists to contribute new takes on standout album cuts. Some clearly for the floor, some nestling on its verges. But all adding to the unique Gypsophila-vibe.
Antigone turns in dust shaking flurry of tribal drumming, ceaselessly pounding and rattling away for an exhilarating and at the same time grounding rhythmic experience.
Wiggling and squelching, Efdemin blends a bunch of lively elements into one wildly roaming remix, which despite all its inner momentum retains an orderly structure, testament to the artist's extraordinary production skills.
On the flipside, Margaret Dygas adventurously goes on a trip of finely tuned acoustics, patiently letting each sound grow into what becomes an enthralling piece of enchanted electronica. Evocative, emotional and of serene beauty, Echoplex closes the collection with an epic track, led by grand strings and flute-like synths, begging to be dropped at the break of dawn.

Pure Hardtek/tribe oldschool release. A pure pleasure of a kind : progressive and dancefloor, easy in da mix papa !

In its 4th installment, JIN, the Taipei, Taiwan-based label, continues its cosmic journey with a set of tracks that simmer between peak-time dancefloor and early morning after hours vibe.

First up sees Bangkok’s Siamese Twins mainstay Sunju Hargun, 1/2 of Mogambo, returning to JIN with two A-side tracks. The first, “Chale”, is a modern ode to classic trance that will leave dancefloors from Bangkok to Berlin in ecstasy. His second track -フーイズカサンドラ (“Who is Kassandra”) is a post peak-time 7-minute acid bomb that spins and reverberates in every direction.

The B-side features two remixes of “Chale”. First up, Barcelona’s wunderkind Marc Pinol removes the trance needle and rebuilds the track creating a perfectly dubbed-out cosmic trip between musical galaxies. Finishing the E.P., Taipei’s own Initials B.B. incorporates guitar samples turning the original into a futuristic, new wave-like slow burner that leaves one floating between planets.

Hardtek Tribe maybe have a new name... But the music is the same :)

From the golden age of the Teknomad crew... 2 Electro-Hardtek tunes and 2 Hardfloor bangers for a maximum pleasure!

Pumpin Fenek master musician brings 3 of his classics on vinyl !!! Big up !

The Keneda finally out on vinyl !! Full sleeve !

After a humble startup release in 2019, Philou Louzolo continues his quest with his Afrofuristic label Wokoundou and welcomes us once again in his fictional multiverse. The opening anthem Ahosi Army is that song where we can hear Philou's diverse influences come together: aggressive polyrhythmic African drums are taking the lead accompanied by Philou himself playing the percussion in combination with lightsaber - effects and lazershots shooting over a deeply layered African Techno track, a true space battle anthem. Violet and Alma Negra are taking us to a new place at the intergalactic outskirts of Wokoundou's multiverse with two strong and propulsive remixes.

The second volume of Nothing Is Real’s self-titled compilation builds on their towering reputation as leading lights within the global electronic music community. As the label’s first release distributed by the respected Dutch record label and store Bordello A Parigi, the collection is set to further establish their international presence and spread their eclectic sound far and wide.

Bringing together diverse influences from across the spectrum of electronica and into new wave and ambient music, Nothing Is Real stand at the forefront of modern dance music as sonic innovators that continue to push boundaries with each offering.

Curated by Alberto Iovine and Alessandro Fumagalli, also known under the stage name Modular Project, this four-track collection takes listeners on a journey through the outer atmosphere of techno, expanding and evolving the genre into new forms along the way.

Cantor’s opening track kicks things off with a hypnotic, driving groove built on acidic synths before Niv Ast & Roe Deers bring a human touch to the proceedings with a vocal-led heater that recalls classic ‘80s sounds. Dharma pairs shuffling rhythms with extraterrestrial soundscapes that recall Squarepusher and Aphex Twin, before Argia closes the record with force and momentum, surrounding voltaic synthesizers and tribal drums with expressive atmospherics.

This collection of 12 luk thung* songs from the 1960s-70s, all produced by Surin Phaksiri, is a superb showcase of cross-genre/multi-national fertilization, with Latin, jazz, western pop, Indian and Japanese music seamlessly melding with the musical culture of Isan (northeast Thailand), which is strongly rooted in Laotian culture; indeed, the Isan language, as featured in these songs, is a form of Laotian. Esteemed producer Surin Phaksiri, an Isan icon, always strove to drive Thai music forward, with innovative techniques and open ears, introducing international elements as well as Lao influences, including the use of the khaen. Many of the singers here, all famed and respected, have Lao roots, and it is predominantly through music that the Isan Lao-Thai culture has entered the Thai national consciousness. These lovely and joyous songs are, for the most part, previously unavailable outside of Thailand; more than half are first-time reissues. The wide range of songs here includes covers of Japanese folk and pop songs, a paean to marijuana, proto-Thai funk, a ramwong-style** dance tune, a cover of a Bollywood classic, some straight-ahead luk thung, a unique Indian-style luk thung, and a gorgeous answer song to a movie hit. An array of gems, available on vinyl and CD, with English translations of the lyrics and Soi48’s liner notes. Cover art by Shinsuke Takagi (Soi48)

* Lukthung: A musical genre whose name means ‘country person’s song’ or ‘children of the field’. The name became established in the latter half of the 1960s and now has the status of a national genre of popular song unique to Thailand. The lyrics of luk thung songs deal mainly with the rural idyll, comparisons between the city and the countryside, life in the big city and current affairs. There are certain typical traits to the music, but no official musical form.

** Ramwong: A unique form of Thai dance music, fostered as a means of promoting national pride and unity. Similar to Japanese Bon Odori, participants form a circle and dance together. The term can refer to the particular style of music, or the actual dance.

one per customer - limited to 150 copies on black vinyl

one per customer - 50 copy purple marbled press!

Blood flowers are wounded memories that refuse to let go

Blood Flowers is a heavy duty 4 tracker for the freaks. electro, dungeon techno, slinky acid and tribal excursion – properly damaged party starters for lowlight dreams and nightmares. Over the last 10 years, Mule Driver has been making special 808 day releases. This latest set is his most convincing effort to date, jumping from idea to idea but retaining a solid guideline of sci-fi weirdness and collapsing body movements.

on Unnamed War, maddening backward sounds are backed by a jumpy bass line and a heavy electro beat. Blood Flowers brings the hot middle eastern desert wind over tribal war rhythms, covering the poor drummers with burning sand. Those lost souls keep wandering aimlessly over a rumbling bassline in the Tunnels of track 3. Naqoura, the closing track, brings a hazardous grinding feedback, pounding bass drum and sword-like cymbals, topped with Fata-Morgana-synth-sounds that flicker a glimpse of hope.

Official reissue of this experimental industrial electronic classic originally released by Discos Esplendor Geométrico in 1987.

"After 41 years you should know De Fabriek means The Factory, a name not chosen because of a love for Andy Warhol or the UK label of the same name (which hardly existed at the time De Fabriek started), but because of what a factory represents; there are workers, creating a small portion of the final product. In the early days these workers were a bunch of friends whom knew each other from the city of Zwolle, and as such they recorded their first LP 'Schafttijdsamba' at home in 1980. After that the group splintered and expanded, odd as it may sounds. The original core went each own way and De Fabriek sought outside help. This was a time of independent cassette culture, home production of music, corresponding and mail art and so it happened membership, co-workers in De Fabriek lingo, were fanatical home tapers around the world, with a director at the helmet in Zwolle, albeit not a director not in the capitalist sense of the word, but someone directing the sound. Listening to the cassettes received, deciding upon order and layering of various sounds. Some of the releases from De Fabriek were recorded at home still, but for record releases they now used studios. For 'Made In Spain' De Fabriek headed out to Nijmegen, Studio De Tempel, and home of Mekanik Kommando. But workers and a director is not enough for a factory, it also needs machines, and machines were plenty around in De Tempel. Following a decision on what goes where along with what other received contribution, and then mixed together, using the vast amounts of effects racks available in this studio, which put their fingerprint on this record. 'Made In Spain' was first released by Discos Esplendor Geometrico and is a expansion of an earlier release 'Mont Cantis', slightly the same yet significantly different and exploring the industrial sound a bit further, taking cues no doubt from the music of Esplendor Geometrico, taking matters a bit further and deeper, to stay within the theme of old mines in the German Ruhr area that runs through these ten pieces, this is a record that at that time saw De Fabriek fully connecting to the industrial scene without forgetting their earlier post-punk and krautrock roots; there is a line from the Ruhr area to Spain via the highly minimalist rhythm approach. 'Made In Spain' is a wild ride, almost like that scene from Indiana Jones & The Temple Doom, the Mine Car Chase. You feel the speed, the railway lines cracking, and the carts trembling and shaking, you feel the heat, the mayhem that you can also find in a foundry. Yet unlike so many other industrialists back in the day, De Fabriek always remains to have some melody to be part of their music. It is not the noise for the sake of noise. This is somehow a very pleasant factory."

A new release by Serenades features a magical adventure created by two talented artists from Russia and Greece. Believe it or not, with LINJA’s beckoning modular foghorn, you will find yourself in a desert heading towards the ancient lighthouse castle, while Anatolian Weapons is helping you walk through the vast sand dunes with his electrical mantras and spells.

A lighthouse in a desert? How can it be so? Will sand turn into water? The answers are unpredictable and you will find them while listening to these offbeat record.

A double pack with one track per side, playing 45 RPM. 4 tunes from 4 different musicians, a new generation of mental and acid crazyness.. Offering a pure pleasure for listeners and Deejays... the last tune, from DJI shall surprise some. But yeah. Life-chance deserve some (good) urprises.

The pioneers of slo-mo trance are back with the 4 th installment of their Back To Disco Valley series on Crowdspacer. Don't get mislead though, there's almost nothing disco about Full Circle (aka Alexis Le Tan and Joakim). Instead we're in for 15 minutes of psychedelic slow techno that became the trademark of the duo : on the harder, epic acid side of things on Alien Nation (probably the duo's biggest club edit so far) and on the trippy, tribal side on Shivering Shiva.

Bakongo comes proper with two stripped back drum workouts for TRULE’s 10” series. UK Funky pioneer Roska has been making great percussion tracks under his Bakongo alias for some time now. On Thirteen/Level Cowbell he continues this with two rugged, skeletal drum tracks with minimal bass and the faintest trace of texture in there that absolutely demand to be moved to.

Narcotic is perhaps one example of an album in both camps of the muslimgauze spectrum, it denotes the expertise acquired in oriental percussion by Bryn Jones after a crescent development and practice through action, part Tribal, part Ambient with shades of texturized noise, glitch details and field recordings, as result the listener is inside this intoxicant atmosphere of exotic madness, where the basic musical premise constituted by the consistent tribal beats from darbukas and tambourines contrasting radically with the eerie sounds from organic noise, distortions and minimal jams.

A side first tune brings at first a grindy noise tekno mental, quiet dark... Textures sounding a bit like live extracts.
Then comes a very structured tune, full of breakbeat jungly bridges leading to bangers parts.


The flip bring at first a pumping "classic" tribe tune. Old school tribe is it ?
the final track is Hardfloor solid kicker, a freekore tune with a wide open ambient/synth. A dynamite.

Compilation of 4 of the ebst tunes from the Digital label.

The next release on Phase Group comes in the form of the debut self-titled album by Carcass Identity, the live mutant-electronics partnership of Bruxelles-based artists Ernesto Gonzalez and Matthieu Levet aka Bear Bones Lay Low and Carrageenan.

Following up their breakthrough 2018 EP on Random Numbers, Carcass Identity present us with 6 tracks of warped, percussive, dub-infused psychedelics, born of live hardware jams and succinct sampling work.

Sonically, this LP takes you from the tension-inspiring but dance floor initiating stutter-chug of ‘Things to Forget,’ through the swelling and trance-inducing percussion ride of ‘Spiraling Paradigm’ before ending the A-side with the dubbed-out metallic IDM of ‘Freedom Principle’. On the flip, ‘Quiet Spectator’ is a masterpiece of dread-in-dub ominosity followed by the haunted machine jam of ‘Kundu Basket’. Finally, ‘Desultory’ presents the LPs “grooviest” moment, a repeating and evolving synth line and drum machine combo holding things together while modulating synths and a pitched-vocal sample come in and out of the mix.

As a collection of tracks, this record illustrates perfectly the prowess over hardware manipulation that these two artists possess after years individually releasing music and performing in DIY spaces across Europe and the world. These are two musicians that we hold in highest regard and we’re thrilled to be releasing their debut album together on Phase Group.

one per customer - limited to 150 copies on black vinyl

Repress!

the first roule produced by thomas bangalter @ daft house in paris
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A.C.E.W. returns, seeing founder A Credible Eye Witness teaming up once again with long time partner Ghost Ride on the much anticipated "Voices From The Sun E.P.". This time, the Italian versatile duo will lead you into the depths of Space, where superior intelligences scrutinized Earth and slowly drew their plans against us. The 12” kicks off with “Light In The Darkness”, an horrific tale dealing with strange phenomenon in the sky. Related through some seriously intriguing melodies, bubbling bass and unstoppable electro beats, the cut will immerse you into a complex array of uncanny, scary atmospheres, in particular when a child coming from nowhere tells “Don’t Be Afraid, Come With Me”. The main thrust isn't so much about the rhythm, but more about the aerial tones that craftily fill the song with purpose and melody. Ace! Things start to get a bit serious with the title track "Voices From The Sun". Reptilian lyrics fused into a rather 4/4 tempo will invite you to leave the planet and take a sit into an unfriendly ship. No doubt the nightmarish sequences that characterize the cut will haunt and consume your mind for a while! On the flipside, future classic "Flash" gets even more frightening. Deranged melodies enhanced with acidic lines will distort your reality as if you were travelling through time and space at light speed; a kind of kinetic tele-transportation given possible by the profound pad arrangements deployed there... you’ll be quickly realize that you definitely left our Solar system for a no return trip to the unknown! Lastly, mysterious "Linear Dimension" will bring you right back into your sinister fate: your body will be used to feed the species that kidnapp you and that’s all the splot of the song. Focusing on relentless modular loops and synth swirls, the jam offers some warm acid roars with an intuitive sense of drama. "Voices From The Sun E.P." shows the strong musicality and versatility of the Roma based team, maintaining the subtle balance between dancefloor and home listening intends. Highly recommended release!

Superb Demontage again! A Class - A Sound of a kind, for all Bangerz in a party moment. With newcommers and old school skillz at same level. Crazy shit refreshing the view on a style! Hope, you enjoy.

Superb epic acid tribe renewer... A modern and sophisticated sound. Defenitly full of story-telling.

One of the best record on this label.. .and in this style !

Two new techno cuts from Amsterdam-based Cool Tiger, followed by two massive remixes from Subjected and Daniel Ruane.

Junction Records label head returns with his psychedelic-infused techno signature sound for the second installment of the Junction White series. Raw, organic and playful jams for the dancefloor, inspired by the feeling of tribal belonging.

On the flipside, Vault Series’ boss and ARTS affiliate Subjected gives a fresh and heavy version of “Right Now”, while Manchester up-and-coming producer Daniel Ruane delivers a mind-melting breakbeat remix which will please Warp and R&S records fans.

Hypnotecho’O is Pho Bho’s second release made and arranged by Matteo Coffetti, label’s co-founder along with Federico Spini. The record’s distinctive feature is its original fusion between ethnic samples beaten by violent kicks and sharp snares from the rawest techno. What it generates it’s a unique rhythm-flow ideal for the dancefloor. The collaboration with Filippo Zenna is the result of the two artist’s anxieties and fears over a past that is no longer here and a tomorrow that strives to come.

The Debut “Cobra EP” comes from a new production project “Mogambo” a collaborative brainchild of Sunju Hargun and multi-instrumentalist Jerom Doudet.

Both located in Thailand and bounded by a shared love of acid electronica, Bollywood movies and big psychedelic gongs.
Delving deep into a highly personal and unique sound cosmos this album covers a wide range of sound textures. Featuring trippy jungle grooves, mesmerizing tribal percussion, countless eccentric effect pedals and hints to 90’s Goa.

The EP ranges from spacey Asian soundscapes, sweaty basement after hours journeys to slow-burning hypnotizing grooves slithering as a Cobra! Recorded- and mixed in the City of Bangkok & Islands of Koh Chang- Mastered at Maspaventi Studio, Amsterdam. Artwork Designed by Taychin Dunnvatanachit.

Nazdar Pumpaz !

TIME TO BE ALIVE - The newest and third 10" in the candomble various artists series - Featuring 3 mystic tracks by DJ Ungel, Instrumensch and D.J. Rasputin.

3 progressive mental acid/acidcore tribe. Precise sound !

First release in a series of four compilations, which includes international artists of the slow-industrial, tribal and experimental scene.

"Lyon based new label Kump presents a stunning debut with a 5 tracks vinyl compilation.

Opening with new project 'Ricco' by label boss himself Markus Gibb and french producer Jutix aka HLM38, 'Gilbert & George' would be the perfect soundtrack of an immersive nightmare in slow motion. Distorted hats and ghosty voices from the graves surronding by detuned guitar and discreet acid cuts.

Followed by a Middle East psychedelia inspired, Pletnev's 'Thinder' fit in the perfect definition of a dusty weapon. Mystic melodies and mesmerizing bass for suave basement parties.

Turn over, Ju-Ju83 is flirting with depression and nihilism. Untimely End takes you to an obscure journey in the 80s with this new-wave-ish banger. Where drum machines hangs out with rock bass and dying voice.

'Nirvana' by lithuanian producer Roe Deers is a subby minimalist down tempo triplet drive by weird-melodic' synths.

Killing the codes, this is truly musical rollercoaster for insensible souls.

Last breath with Markus Gibb, his 'Dernier Souffle' is a shamanic ambient and subliminal Eno-ish track.

Ethereal grace synths and smoky reverberations, this is the track to cross the nevada desert, psychotropes loaded

Welcome to the seductive groove of Nonetheless, a new duo formed of Florian Bocksrucker and Felix Bergleiter, and the first LP on Neubau. Across four sides of vinyl Nonetheless deliver an intriguing mixture of tough dystopian midnight-drive soundtracks and transporting early electronic/musique-concrète-hybrid interludes. Nonetheless is the sound of cogs turning, churning melancholy and pulsing snake-charmer drum machine palpitation. The end result is catharsis through sinister journeying. From the near-acidic punch of 'Machine of Love and Hate', to the grandiose slow-motion of 'Epik' and the ravey 'Exclusion Zone', Nonetheless' debut record is something special to savour, and is proudly presented as the tenth release on Neubau.

Minimal olschool DJ Tool Tribe sound.

Back in the XXth ceintury and one of the very first CZ sound....
Bloody early techno time-line... And Adam Vandal first records on what is "Dual Cyclo Trial" Record !

Inner atmos and next time – rain into rivers, rivers to rain.

Sequence is subjective, irrelevant – it’s where we stand. Out of order, we dissolve and reform, coming together to come undone. There is no first, no now, no next – just precision points in the wide deep sky.

Another bang, another – it’s the reading which is important. Repeating in parallel, the natural loop is healing; repair, resonance, return. We live in a fragment; soft light and clouds drift like dreams into memory, showing movement in the mirror.

“Here the performer becomes free like the playful clouds high above the world of pain, suffering, happiness, ecstasy, disappointment, greed and ambition of human life”

In this present, we are touched to have unreleased business from Memphis. In unlocking the stoic DAT tapes we open a direct channel from 1993 to this now; three tracks which are meditative, essential rhythm with direct, organic charge. It’s Dream Night Dance Music and Osram 509, with RHK, En-Trance, and Microgravity.

More poetry in remembering our first release was also Memphis. Big complex loops and inner paths. Who’s been here before? All of us, one of us, none of us.

Impromptu muscovite supergroup Lilipulu turn the needle neon with a quartet of unexpected killers for club cosmonauts, rainforest ravers, anxious insomniacs and giddy punks.

Unplanned, inspired and all the way live – the pin is glowing! Ever wondered why the Growing Bin releases sound so damn good? Well, it has more than a little to do with mastering magician Sergey Luginin, whose eagle-ears and technical know how have been a part of the process since GBR002. For the latest Glowing Pin powerplay, our man in Moscow joins some close friends on the other side of the console, letting the creative juices flow for ‘Four Amazing Tracks’. Luring Simple Symmetry brothers Sasha & Sergey and DJ & photographer Ivan Pustovalov into his studio with the promise of an afternoon stroll through the nearby Elk Forest, Sergey set the circuitry in motion and the quartet got lost in music. What begin with a plan for some simple edits and a woodland walk quickly became a full scale studio throw down, reimagining forgotten favourites amid a multi-instrumental stew of propulsive polyrhythms, low slung bass, cosmic synths and frazzled guitars. There’s techno-tribal hypnosis on the mind bending, brain blending A1, poetic post punk on the angular, janglier A2, outrageous Afro-cosmic on the freaky Floyd-in-Lagos B1 and languid ambience on the lysergic lullaby which closes the set. Recorded as they worked and presented in chronological order, this EP is a triumph of inspiration over perspiration - a snapshot of a moment which will last forever.
Patrick Ryder

Tribal journey into psychedelics grooves, voodoo incursions and exotic atmospheres.

Recorded by composer and multi-instrumentalist Giuliano Sorgini between 1974 and 1976 in his studio in Prati district in Rome, a stone's throw from Italian television offices, Africa Oscura is a set of tracks inspired by the wildest and most obscure secrets of those lands, intended to be the background of some tv documentaries.

Attention!!! This is an acid attack, all over the world!

Once again the DeltaPlanet offers a beautyfull landscape of sounds !

"KUMP is delighted to release the first EP by HLM38 (ou HLM38's first EP), the naughty half of duo Ricco and member of the Notte Brigante crew from Lyon. The three original tracks, a mix of ethnic looting and industrial racket in slow motion, feel like steel wrapped in Turkish delight. Front de cadeaux's take on Illicite Cong' is reminiscent of an erotic rave flavoured with Oriental spices. Last but not least, Kris Baha slices up Exit' like a tablier de sapeur (local Lyonnais dish) served on a julienne of syncopated samples and noisy beats.'

Printed Cover + Printed Innersleeve

For This Various Artists #2, Kump Is Pleased To Present These New Talents That Make Their Debut On The Label :

French John The Baptist And Maahrt, English Stove, Russian Yssue, And Australian Yaws.

Like The Various Artists #1, We Discover 5 Downtempo Tracks With Slow-industrial, Tribal, And Dub Sounds.

As For The Artwork, This Release Corresponds To The Second Part Of The Collaboration With Lyon Artist "etus".the 4 Compilations Once Assembled Will Reprint A Work Of The Artist."

Ultimate compilation of owesome tunes... From techno to hardcore, all about acid !!!

LTD EDITION.

“Creating collages of avant-garde ambience using instruments from the many corners of the earth, along with tape loops and samples, Finis Africae created a fourth world sound that was both exotic and mysterious.” – Andy Thomas

First vinyl edition ever of this lost experimental Spanish essential album. A delicate work that absorbs specific aspects of different music – minimalism, tribal sounds, new age, ambient, spoken word – to create its particular universe.

With an absolutely contemplative recording climate, the poems and their sound environments explore the deepest self of the poet and singer from Extremadura, Pablo Guerrero. The work combines memories of childhood through the valleys of his native village, Esparragosa de Lares, with the evolution of life to reach the contemplative state in adulthood. A score written in a collaboration with two old friends, Juan A. Arteche Gual andJuan C. Fdez Puerta (Finis Africae), who weave a beautiful tapestry of electronic sounds so that the deep and serious voice of the poet shells all the images that his ode encloses.

The recording, through fourteen poems, breathes an aroma of maturity, balance and total freedom. Maturity and balance with minimal arrangements, small gestures surrounded by abundant silences. Total freedom with instruments of the most varied, without restrictions or complexes: samplers, synthesizers and field recordings mixed with rattles, self-arches of the Appalachian Mountains, zithers, saxes made with reeds, conches, shortwave radios, plastic pipes, Hindu harmoniums … beauty can arise from any element and all these minimal arrangements come together to create the perfect ambience that sublimates the poem.

Completed in the spring of 1996, the recording was moving in no man’s land until the end of 1999 saw the light in book format of poems, accompanied by a CD. A co-edition of Música sin-Fin ( Juan A. Arteche own label) and Cicón ediciones (a small Extremaduran editorial) that, when released in book format, went unnoticed. Abstrakce records aims to recover this masterpiece of experimental Spanish music, contributing its bit to place the album where it deserves. Therefore, a very careful edition is presented, with a folder printed in letterpress with lead types, accompanied by an extensive booklet in both English and Spanish containing liner notes, lyrics, an interview with Juan F. Puerta and a text by Juan A. Arteche about of the recording of the record.

Pablo Guerrero: Recitation, gong, seeds, guitar, choirs, synthesizer and wind claimer.

Juan Alberto Arteche Gual: Marine Saxos, corrugated pvc pipes, jellyfish keys, carillon, tambourines, tar drums, zithers, tanpura, recited, choirs, accordion, tapes, computer composition, shortwave radio, legüero drum, hindu harmonium, Tibetan bells and sharpener pan flutes .

Juan Carlos Fdez. Puerta: Samplers, cowbells, autoharp, bells, guitar and keyboards.

Remastered at Sountess Studio in 2018 by Pablo Peiró

About the authors:

José Pablo Guerrero Cabanillas was born in Esparragosa de Lares in 1946. During the 60s he was a well-known singer who already used a poetic and sober style in his lyrics but also involved in political protest. Initially influenced by American folk, over the years he became more interested in African rhythms and other cultures, as well as more avant-garde sounds such as minimalism, ambient and experimental electronic music. He collaborated with musicians and basic groups of Spanish experimentation such as Juan Alberto Arteche, Luis Delgado (Mecánica Popular), Orquesta de las nubes, Suso Saiz… of all these collaborations in experimental key perhaps the best known is “Un hombre oscuro “with Suso Saiz, theme that opens the Music From Memory compilation by the Spanish guitarist edited in 2016.

Finis Africae was a Spanish band of avantgarde ambient music, formed in 1982. Captained by Juan Alberto Arteche, various musicians linked to folk, new age and experimental music as Luis Delgado, Javier Bergia, Javier Paxariño, Markus Breuss and Juan Carlos Fernández Puerta where involved. The group takes its name from Umberto Eco’s novel The Name of the Rose, in which Finis Africae is a secret area in the library of a monastery, in which books are hidden that the librarian considers dangerous for the Christian faith. It has recently been the subject of several reissues by the Japanese label EM records.

Mental Acid tribe music... Deep and melodious. sugar kiss !

A very good meeting point between Hardcore and tribe, avoiding to be Frenchcore, and doin' a traditional Tribecore sound before it turned too mutch commercial... Actually full of good ideas and defenitly party time weapon ! Oh Yeah ! Rockn'roll baby !

Trying to build cultural bridges across the world, powering connection between dancefloor activists, Hard Fist thinks Princes Of Abzu not only as a compilation but as a tool to give space for expression to local legends like Kaan Duzarat in Istanbul or to upcoming artist such as Linja or Feller who are doing here their debut on wax. A tool to promote another vision of dance music, obviously produced to dance, but also to think, to raise curiosity, to keep a daring spirit and an open mind.

The first track brings a superb Indian's invocation tune! Brilliant!
Second track is more kind of aggressive dancefloor attack. 'Matando' opens the flip with another solid hardfloor acid assault... 'Yavo' defenitly flirt with the hardcore indus on the last one.
Blaster of an EP with a superb printed sleeve! BIG!

... 2 Tribes tunes of a classic batch and one delicious Hardcore on the A2! Note : A1 and B1 from Bass Addict 01.

Superb mental tribe irridance ... Pumpin and acid. Great release on one of my favorite label!

... Superb Pumpin - sweet tribe sound. 'RSF' back to the roots!

3 tribe bangers and one ZMK Hardcore tune. Pink plates from Records Industry. Pink for Punk!

Raggatek sound with a masterpiece from Manidextrous and Vandal alltogether in disarmony ! Then newxt comes a thrumpet abuse from E-Coli :) The Flip offers a Guigoo banging tribe dub progressor... The EP finishes

Up steps Slovenia’s Alleged Witches with a trippy, hypnotic four tracker - Initiation Rituals.

A hand stamped, limited vinyl pressing which demonstrates the artist’s ability to create intricate, subtle music that intrigues whilst still moving dance floors.

Over just a couple of releases Kristjan Kroupa has developed a sound which is both singular and versatile, taking in elements on house, techno and minimal without ever really being any one alone. Initiation Rituals sees him take his deepest exploration into the deep, dark, club music which he is becoming recognised for.

A record of detailed, percussive sounds, the release sees Alleged Witches present a package of sounds which is clearly inspired by his fascination with the occult, the strange and the sinister as his name might suggest.

DJ Feedback:

Andrew Weatherall - A truly astounding piece of work.

Hunee - I am obvs into this. where do i sign up for this tribe?

rRoxymore (Don't Be Afraid / Rinse FM) - Really like Alleged Witches releases , and this one is down my alley !

Man Power (Me Me Me) - This is fucking ace! Swings between world music and Danny Tenaglia

Red Axes - Sounding good

Ame (Innervisions) – great

Minor Science (Whities, Trilogy Tapes) - cool stuff!

JASSS - nice

Eliphino ((Brownswood / Somethinksounds)) - I always enjoy Alleged Witches immersive productions!

General Ludd (Ten Thousand Yen, Mister Saturday Night, Rubadub) - sounding really great. more of this...

Kasper Bjorke (HFN) - This is great! Dukun and Salu are my faves!

Alex Pletnev (Sinchi Collective) - i was a fan of Meda Fury EP. And now this - an atomic bomb! Cant wait to melt some clubs with this.

Sapphire Slows (Kaleidoscope, Nous Disques, Not Not Fun) - Very nice! I'm also RBMA alumni but didn't know about them. I'll check more releases.

Korea Town Acid (Cosmic Resonance) - hypnotic sweating dance floor, thumbs up

Oxyd (Intramuros) - My new fav ep for summer 2019, love it ! Dukun & Spirit Caller for me!

P.Leone (Work Them Records, Rekids, E-MISSIONS) - B1. for me

Chekov (Peach Discs/Cong Burn) - love it!!

OUFOUFOF represents the beginning of a new turn for SHXCXCHCXSH, one born out of a fresh conceptual approach to rhythm. Having concentrated in recent years on music for more experimental scenes, SHXCXCHCXSH wanted to create music for the club, but not with the usual 4/4 approach. "...the main focus being our relationship with the dancers' minds and how we do our best to fuck with them". Stylistically, the project began with a discussion about rhythm, about what is interesting and what is not. The result is a conceptualized approach, one in which multiple sounds in each track are based around a single rhythmic pattern. This concept has been extended holistically, to track names and artwork. Ultimately, what began life as a series of records has evolved into an eight-track LP of twisted, polyrhythmic studies in pattern and texture. Fresh off the back of SHULULULU EP for Avian, OUFOUFOF, is the fourth studio long-player from the Swedish duo

Pre-Order. Releases June 21.

Unsurprisingly for a creator as prolific as Muslimgauze’s Bryn Jones was, when he was asked for a contribution for any sort of group project, he would tend to provide more options than necessary. In the case of longtime label Staalplaat’s 1996 compilation Sonderangebot, where Jones would find himself in the company of everyone from Charlemagne Palestine to Reptilicus, the selected track was the characteristically headspinning “Kaliskinazure”, nine minutes of insistent digital percussion bouncing the listener back and forth between samples of wailing women’s voices and a trebly, blurry little whirr that traces the percussion. It’s distinctive enough even among the vast Muslimgauze corpus, but as the continued excavation of DATs Jones submitted to his labels continues, sure enough there’s more to that track’s story, too.

An extended “Kaliskinazure” makes up the second of four tracks on Babylon Is Iraq, although it’s been lost to the mists of time whether an outside editor excised the more drifting, less needling coda that makes up the extra six minutes found here, or whether Jones simply submitted both versions of the track at different times. This more complete version of “Kaliskinazure” is surrounded by shorter tracks, with the opening “Kaliskinazure — Momada” sounding not very much like either track it references (instead being a barely-there wisp of far-away sampled wind instruments and what sounds like treated cymbal sounds) and the title track constantly coming to a full, roiling digital boil. The lengthy “Momada” closes out the album with a different, more tersely internal arrangement surrounding the same percussion pattern that will be familiar to any Sonderangebot fans, although the way the quieter atmosphere transforms the feeling of that rhythm indicates once more than Jones’ way of reconfiguring his pieces over and over was perhaps more purposive and even more effective than he’s sometimes given credit for. The result is a fascinating expansion on one of Muslimgauze’s strongest stand-alone moments.

The must have DJ tool is back for a third chapter

Label boss Pete OntheCorner has dipped into his secret stash of firelighters from around the globe.

On the Corner’s backroom and basement workout ‘Versus’ is brimming with heat and is once again the essential tool for discerning DJs.

The very latest productions, new signees, dubs and remixes bring a future taste of the action On the Corner. This uncompromising and unrivalled collection brings the label’s global family together on wax.

Versus III features tracks from Dengue Dengue Dengue, Khalab, Penya, Planet Battagon, Blood, Wine or Honey, James Stewart and the uncompromising street sounds of Mnanda from Dar es Salaam. Flexing their remix might for this 12”: Nicola Cruz, Mahgreban, Hieroglyphic Being and Sarathy Korwar goin’ in live.

There are some familiar faces occupying this tasty wax and some new comers.
Get your atlases out again as OtC criss-crosses the globe introducing you to artists from afar-afield as Dar es Saalam, Chicago, Hong Kong, Lyon, South London, Peru and Rome.

Don't DJ
Laniakea

First release of lost tapes series coming from Italian Rave 90's scene produced by Filippo "Pippo" Ranzani, one of the historical djs of the infamous Acid Drop Department Sound System. Rave on! Comes with original shooting and flyers of the era!

Pigmalião is moving forward in his musical direction and sound, this release really shows where he is and is going. The tracks Aurora and Baskéda are ever moving sounds of energy sure to a dark basement but keeping the originality Pigmalião always has making his tracks stand out in the constant traffic of electronic music being released. Zingili is another great example of his always great sample selection taking you on a Fifth Element style mechanical beats journey to a distant planet's civilisation and the final track Bahiafro takes the album down in energy to a slower tempo but hauntingly beautiful, like that long slow journey back to Earth with the memories of the amazing adventure you have just been on.

Welcome to the richly rhythmic and deeply esoteric world of Zaliva-D. Based in the Chinese capital of Beijing, they've been circling the country's borders for more than a decade due to the extreme difficulty of streaming music there. Zaliva-D consists of musician Li Chao and Aisin-Gioro Yuanjin, who's responsible for their stunning live visuals. We're very proud to present Forsaken, their 4th album, but first ever vinyl release. Wrapped around a core of gut wrenchingly ferocious kicks and haunting vocals, these tracks possess a mantra-like quality and drown the listener into a world of Chinese and South East Asian textures. Forsaken, mastered by Wouter Brandenburg, is their most well-written, organic and esoteric record to date, showing a more fragile, sensitive side. Soon Zaliva-D will perform on European soil, accompanied by this Knekelhuis debut.

Massive techno sound coming from Mik Izif. Banging bass, melodious lowfreq bassline and slamming charleys will drive the dancefloor up to madness... Even when you believe the kick is there, it is not... the kick grows and grows and grows... Screaminfg crowd passport style !

First production of the label Sound Crack Records, 'Organic Feeling (Tool
Mix)' is a run through the jungle, savage, tribal, the raw nature animals of
Mama earth bring the feeling of being in the middle of them, the TR08 add a
kick to the efficient duo live drum Fleury Saint Denis. A real tool for house
and techno DJ's to pump the energy to the top.
On the B side comes 'Before Midnight (Evolution Mix)'. This techno track is a
trip in the urban jungle, when the city sounds are coming out of nowhere, the
melody of the steel tongue drum live played by DJ GSD is bringing the human
vibration to heal the soul. An old school touch of Detroit techno, mix with a
meaningful speech of Kennedy will take you travelling through the evolution of
mankind.

"KUMP is delighted to release the first EP by HLM38 (ou HLM38's first EP), the naughty half of duo Ricco and member of the Notte Brigante crew from Lyon. The three original tracks, a mix of ethnic looting and industrial racket in slow motion, feel like steel wrapped in Turkish delight. Front de cadeaux's take on Illicite Cong' is reminiscent of an erotic rave flavoured with Oriental spices. Last but not least, Kris Baha slices up Exit' like a tablier de sapeur (local Lyonnais dish) served on a julienne of syncopated samples and noisy beats.'

Ooh-sounds Inaugurates A Series Of Splits On The Topics Of Increasing Complexity, Dependencies And Miscommunication In A Media-saturated Digital Era. Georgia / Bellows Open The Series Shaping The Two Vinyl Surfaces Between Futuristic Eclecticism And Avant-garde Pan- Aesthetics.

"in Software Engineering D E C O U P L I N G Is Generally All About Discerning Whether Or Not Two Components Need To Closely Work Together Or Can Be Further Made Independent. Independence Is Great Because It Makes Those Things Easy To Change Or Use Somewhere Else. Usually, You Can't Remove Coupling Between Components Completely. D E C O U P L I N G In That Context Normally Means Loosening The Existing Coupling, Making Sure Each Component Knows As Little As Possible About The Other Components Around It'.

The First In A Series Of Split Vinyls Concerning Dependencies, Miscommunication And Increasing Complexity In Our Media- Saturated Digital Era. Georgia And Bellows Inaugurate The Decouple )( Series With Works Between Futuristic Eclecticism And Avant-garde Pan-aesthetics, Where Musical Themes Flow Tangentially. Similar, But Without Effectively Engaging One Another. A Metaphor For A World Of Surfaces.

Recorded In Georgia's Chinatown Nyc Studio, 'tiwala Sa Buani' Abruptly Throws Us Into Freaky Percussion Clusters Constructed From Heavily Processed Sounds Which Seem To Keep In Balance Just By The Magic Of Repetitions. Justin Tripp And Brian Close's Stylistic Fusion Acts Like An Antidote Against Gps Localization, With Sounds And Voices More Reminiscent Of Data Flowing Through A Proxy Server Than An Acoustic Performance - A Myriad Of Tiny Elements Resonates With The Multi-cultural A-geographic Perception Of A Contemporary Metropolis. 'a Habitual Sway' (an Anagram Of The First Title) Flows More Slowly, Mixing Hypnotic Rhythmic Percussions Loops, Melodic Sketches And Controlled Distortions Into Sophisticated Layers. Nai¨ve Digital Strings Pads Incursions Widen The Picture Further. Georgia Run An Nts Monthly Residency Of Oddball Electronics.

Digging Into Their Sound Archive, Bellows Build An Immersive Konrad-esque 19 Mins Of Humid And Winding Electronics With'untitled'. Drawing On Years Of Improvising Experience, Nicola Ratti And Giuseppe Ielasi Take A Puristic Avant-garde Approach, Using Tape Loops, Static, Modular Synths And Field Recordings. A Subtle Nostalgia Pervades The Whole Work - The Music Sneaks Through Lush, Decadent Dystopian Visions Like In A Travelogue. Mallets, Statics, Cut-up White Noise, Synthetic Kiks And Uncannily Pitched Voices Branch Out Like Roots, While Digital Birds Whistle All Around In An Aquatic Atmosphere, Perhaps Suggesting An Ironic Take On 'orientalism' - Down To The River's Delta.

A double pack with one track per side, playing 45 RPM. 4 tunes from 4 different musicians, a new generation of mental and acid crazyness.. Offering a pure pleasure for listeners and Deejays... the last tune, from DJI shall surprise some. But yeah. Life-chance deserve some (good) urprises.

Mental acid and minimal textures of potential Dancefloormusical mental douns... Thinlaces of neuronal connections.

Limited To 300 Copies.

Handmade Screen-printed Sleeves

The Hard Fist Imprint Comes Back Harder With A Fourth 12-inch Ep, A Global Beat Inspired Work Mixed With Cosmic Synths And Acid Lines. The Two Minds Of The Label, Tushen Raï & Cornelius Doctor Joined Their Forces To Release The Striking « Lights Of Khonvoum », Trippy And Definitely Made For The Dancefloor.

Back To The Roots Of Their African Influences, They Produced 4 Tracks Inspired By Primitive Ritual Music From The « Cradle Of Mankind », Going Far Away From The Hype Of Highlife, Afrobeat And Afrofunk Groove.-

Many Mythological References Are Hidden In The Project And Most Of Its Samples Are Borrowed To Traditional Pygmies Music From Central Africa And Congo. As A Matter Of Fact, Khonvoum Is A Pygmy God Who Created Mankind With Clay: Black Clay For Back People, White Clay For Their White Brothers And Red One For... Pygmies.

When asked about the story behind the tracks of 'Journey Through The Outer Darkness from the Inner Light', Jamal Moss answered with a laconic "No story. No dogma. No Hype". After all, his despise of extra-musical paraphernalia is proportional to his productiveness in the studio. But there's always a story. On April 9, 2016, Hieroglyphic Being played a live show in La Casa Encendida of Madrid within the festival Electronica en Abril. Some days later, the recording of the full set was uploaded to YouTube. When we watched it, we were totally captivated. Those eighty minutes of music had the raw power of all of Jamal's body of work, but with a heightened sense of transcendence. Cosmic, spiritual and intensely beautiful, it sounded like a lysergic reinterpretation of Detroit techno transmitted from a galaxy yet to be discovered. As most of the material was unreleased, we reached Jamal in order to try to press it into vinyl. The result is 'Journey Through The Outer Darkness from the Inner Light', a 12" that reunites eight of the individual tracks that conformed that Madrid performance. When inquired about AUM, the sacred sound all the tracks are labeled after, Jamal referred us to a book by author and naturalist Joseph Bharat Cornell. A book that the author himself presents with these words: 'The sound of the Cosmic Vibration is AUM, and listening to it brings the greatest bliss imaginable. AUM is the Omnipotent Force that propels each soul toward Spirit. It's the sacred, inner fire. As you approach the cosmic blaze, you feel at first its radiant, soothing comfort; then, as you come closer - AUM's liberating flames consume you - and bring you to God". There might be "no story and no dogma", but, suddenly, it all makes sense.

Harfloor killer tunes... Alien Cheerio's is a crazy Tribecore 190 bpm tune, no vocal samples... just a bloody godd evolution full of kick changes and a great sense of the dancefloor ! Drimkitchen then comes, a good littkle surprise as well, with Kick changes and ambience droppers... Just as ifd there were 2 tuens already mixed together. Oldschool sound, very Peur Bleue early style here... B-side open with F33L The F3ver... a king remix of the track of the same name. DJ stuff, defenitly, easy in da mix... End of the EP is Acid Pump02, one of Tekno's23 oldest tunes, a mental acidcore track in the pure tradition of the Open-air liveset sound :twirling music ! Peur Bleue 12 is back to the oldstyle

Abstract Reality is happy to present you this LP produced by Kondaktor the co-owner of the record label Modal Analysis in Athens, all tracks mastered and artwork made by his brother in arms and talented multi-disciplinary artist ANFS who is running the label with him.
This album consist of a collection of tracks inspired by various African music cultures constituting in the head of the artist a backbone for electronic music over the years.

Since 2008 Düsseldorf based producer and live wizard Stefan Schwander deeply concentrates on his always evolving electronic venture named Harmonious Thelonious. It besprinkles the world with fractional musical structures in the spirits of American minimal music, in order to immingle them with African rhythm patterns. Exceptional hypnotic opiates, enlarged with twisted harmonies and tricky rhythm archetypes. All heavy danceable!

After five magnetic albums for labels like Emotional Response and his old home base Italic as well as a highly acclaimed string of EPs for in-demand platforms like Asafa, Diskant, Disk, Kontra-Muzik, Meakusma, The Trilogy Tapes or Versatile Records, he now produced a heavy arresting 'Petrolia' LP for Marmo Music - a label that is not new to Harmonious Thelonious. Already on the label's second release Tru West: 'The DOWC part 2' his 'Sunset Liturgy' fingerprints are audible with a moving remix. Now he delivers six epic tunes that only partly dance the familiar Harmonious Thelonious dance. There are deeply traces from Africa and Arabia. There is the polyrhythmic witchery that makes his music special. But in contrast his new tunes are more mental then his former ones. They have a menacing industrial feel but yet continue to be enlarged with the enchanting spirits of the land of the Sahara. Furthermore, there is a slight manic touch arising from nervous electronic and foremost organic melodies. The live played jittery is coming from the Berlin based experimental musician Ghazi Barakat, also known under monikers like Pharoah Chromium or Crème de Hassan for mind shredding ambient, drone, experimental, noise, industrial, free jazz and free improvisation music from beyond. For Harmonious Thelonious Barakat, who also produced together with Marmo Music artist Günther Schickert the collaboration album 'OXTLR' in 2014, tuned his wind instruments Rauschpfeife and Kangling elflock-stricken the Master Musicians of Jajouka way. And instead of giving them a prominent lead position, Schwander deeply implements his tones into his propulsive creations to evoke a modern rhythmic meltdown of Occident versus Orient spheres that exhale a deeply absorbing soul.

A record, who's psychedelic energy fits perfect into the Marmo Music cosmos - a world where the progressiveness of the 70ties continues to live in the current to disband all white bread musical norms for the energy of music without classes. Dancers of the world, unite!

Dj Bebedera Is A Young Producer Who Hails From Lisbon And One Of The Pioneers Of The Tarraxo Do Gueto / Fodência Style, Which Is The Lisboan Sub-genre Of The Angolan Tarraxinha.

The Tarraxo Do Gueto Is Characterised By Its Languid 90bpm Beats Highlighting The Erotic Side Of Kuduro Music Which Is Surprisingly Known To Few Audiences.

The 2 Labels Bazzerk And Promesses Have Collaborated On A Series Of Two 7" Singles With The Lisboan Producer Which Groups Together 4 Iconic Tracks From The Genre.

Here comes a magestic repress from Spud tunes released originaly on Bassquick 05, Underground Techno Movement 01, Ummologik 03

tribecore perfect item. Dj tool bllody killerz

Russian tribecore banging tunes, quiet evolutive and hardfloor...

Raving Collision 's sound ! First track is a pure Hangar raver masterpiece, in the dark old school way.. And B-side is a stable groover opening on some acid percussive high time after a while... both tunes are totally big efficient DJ Tools, cut 45 RPM for a loud sound !

Modern Frenchcore sound melted with a bit of that Raw kick. Dancefloor !