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Dancefloor banger from Guigoo, Floxy and Sasio. Dfefenitly between hardfoor and tribecore... The Narkotek sound !

Acid melodious first tune is a bloody pearl... Superb collab ! The other tunes are pure discoveries with some rare artists on vinyl... Masterpiece !

There are some tunes that rock around so hard... like Ascender did, or like Popof And Noisebuilder did ... A long time ago CYB-X Sound system did a pure jewel of a tune... but this one, from another member of the sound is just a blaster... At a even higher level ! This EP also offers 2 remixes from Brent Brain and FML 010 : one in a tribe hardfloor acid way and one in a Hackney Hardest way... 165 to 175 BPM fiull-on record ! MUST HAVE !

First side brings 2 superb Hard Techno fat kickers. The flip goes Tribe in a more evident way, to the Hardfloor !

First track from Rhythm Storm brings some old school tribe techno, dry kick and some italians samples...

Second track goes more energik, with some electro background and a Pumpin nervous kick "à la LSDF" from Trashwasher.

Third tune is cool Joke of tribecore sampling an old tune from Pierre Bachelet ^^

Last track brings a cool dancefloor tribe sober track... Easy baby !

Classic over the classic.. Not that easy to define : is this Frenchcore No certainly not ... is this Tribecore Nope... Is this Hardcore , YESSSSS !!!!!!!!!!!

Fatal Number 7 ! Dancefloor and round kicks, Sweet and progressives... Old school never die !

RSF invites MELLY for an harfloor acid music ! BANGING !

The turning point between Pumpin tribe and « back to techno »... X-tech have always been a bit electro and on this EP he defently goes for it... This is the successfull turning point for his artistic choice. Even if you can still feel the acid, and the pumpin and the breakbeat of a classic tribe tune, there is here already the elcrto (this is a Marseille thing), the down pitch to more reasonable speeds, and aslo the variety of style into a single, witch was kind of a revolution and will always be ! A breilliant record that deserved a descent repress ! Was mastered and cut at DK Mastering, near toolbox. Brightening old this old DAT before it's too late !

Quiet rare sound here with a banging oldschool reverless kicks full EP (exept for the Sloogy tune witch is more/less Pumpion). A sound that really goes crazy when played on sound systems : super dynamic !!! MUST HAVE : ) once again !!!

Collision album on Obs:Cur ! Be sure he did put his best skillz to make it happens hard and inexcusable... A bloody collection of dancefloor tunes, serious beats and acid melodies. Splendid printed sleeve and a mystical dark ambiance. NEED !

Superb mentalcore realese :)

"After almost 20 years of making tracks with blaringly loud kicks, you tend to start producing with the other elements first to give yourself a break from the constant pounding of monitors at point blank range. Following an analog filter shopping spree, I began working on a group of tracks where the low end was satisfied by the filtering, and realized these songs worked just fine without a bass drum. Therefore this record is called "Rareforms" since most of my other work consists of a kick drum and lots of loud effects. This record is dedicated to the brilliant synthesist and interpreter Isao Tomita, whose records always provide inspiration in the lab. Also to master storyteller Rod Serling and his frequent collaborator Bernard Hermann, whose score for the Hitchcock film Vertigo I adapted through some MIDI processes and wavetable synthesis, then sent it through a 4-foot spring reverb." - Phil Moffa

Without doubt one of the names of 2012 and a regular name amongst the listings for Adam Beyer's Drumcode Radio show; Mark Reeve makes a debut on Drumcode with his Drumatic EP. Comprising four tracks, the release brings a familiar heavy-weight percussive sound to Drumcode, starting with The Beat and its marching rhythm powered along by a distinctive growling stab; before moving on to Drumatic with its snare-loop driven wall of sound; and on to Industrial, which comes in two versions - the original with a thumping kick and old-school pads and the Tool Mix which strips the track back to a rolling groove punctuated with an array of sonically interesting details and effects.

Repress on da way !
This is old school Pumpin tribe. A dancefloor masterpiece... Opening with a simple little classic sound... Then comes a more modern twirling acid spicy one... Highway is the good name for it : a nonstop growing mentaml acid pumper. B side is a preper tribe side, FKY spirit sound. It's pretty rare that after sutch a long silence a label assume its contunity into a style. Here it is well done and really upgraded. A perfect ! Must have.

Repress ! Pumpin tribe in the vein of Interface 68 and FKY. Oldschool.

160 BPM hardtechno killerz... With an A-side into Acid Glass effect, crazy ambiance and so good to mix : 1 long track a side, running 45 (and playable 33... what's a deejay if you don't change the speed ^^) ... B side same speed with a masterpiece of kick-caller... and a superb tune to mix. Punk beat rules ! Precious style... very rare, not acid and exploring that inbetween Techno and tribe sound ! Must have !

Grandiloquent Tribecore melodious sound... Dancefloor caller:)

Mental Banging acid tribe ! Featuring a kilelr tune from IND !

4 remixes of the TUBE originaly produced by Jaquarius & Neko Majin Most of them here are acid to acidcore, with a few of hard techno feeling... Notice the Joe I.N.D. Version, a very industrial downtemppo hard techno kicker !

Old school tribe and hardtek, with some great underground dancefloor

1x Red Vinyl / 1 Black Vinyl

A collection of mental tribe tunes in the oldschool spiraly state of mind. Kicking progressive music. From 170 to 190 BPM.

finally re-pressed !!!

the remixes by eric sneo inkl. the original & voodooamt remix !!!!

Cool South vibe tribe, dancefloor

A side, from SagSag brings a long mental banging bumper tribe sound... Excellent Dj tool... Positive vibes !

B side is a superb Sparks tune, dancefloor and full of energy... A bloody dynamic and, almost, a great swing. Pure tribe music

Superb versus between one Acid Doom sound and one acidcore mental tribe artist... Once again Obscur brings a high quality production with a superb and generous 4 track full of ideas, creation... and all this in a Dancefloor shape ! ENJOY !

Acidcore killer... once again Obscur brings a superb Nederlandish style dark acid EP. BIG UP !

First press of this jewel from Systematek producer Falcom. Original ypressed on a Handmade ltd 10 and 10 more afterwards... Nice Banging pumpin tribe oldschool stuff ! Enjoy !

Dancefloor Grinding acid pumping tribe.

4 efficient dancefloor tunes. The hardfluff style.

Excellent mental techno-tribe, solid little perl !

Dark Acid techno, from 140 to 170 BPM.

comment to come..

Vulgarity, Powerfull bass... or stupid lyriccs, Loud sound.

Funky Baszsline tribe sound in da Maskkk style... with the support of Ixindamix !!! Funky south shut your mouth ... and dance !

The new Complexx Music Label is founded by Good Vibes Club - Head Alex Dior and Techno-Legend André Walter (Stigmata) and comes up with a massive Techno-House Trilogy from the production duo. Japanese Afternoonm is a 3 track EP could very well form a genre of their own. "Disco Geisha" and "Atomic Dance", combined with a special form of modern house & oldskool disco elements , are their special form of massive dancefloor anthems. "Japanese Afternoon" is dark, atmospheric and a rolling dancefloor killer !!

Nico Vascellari and Nicolò Fortuni come out to play in the dark on their 3rd and deadliest LP as Ninos Du Brasil, taking their fascinations with ritual musics - from Brazilian Afro-Latin tribal rhythms to library music and freezing Scandinavian BM - deep into the festering undergrowth of their shared, exotic aesthetic.
Where the cover of their first LP for Hospital Productions, Novos Mistérios (2014), depicted a naked man covered by a leopard pelt, Marvin Gaye Chatwynd's oil painting of a screeching Chiroptera in flight on the Vida Eterna jacket makes a strong visual allegory for NDB's finer tuned spatial sensitivities inside, with their churning rhythms now embedded in fathoms of dread space and father shaded in layers of processed vocal chants, both punk, metal, and tribalistic.
The big highlight is no doubt the closing cut, Vagalumes Piralampos, where Arto Lindsay, the legendary founder of DNA, chimes in on a stygian, moonlit jag between the eyes of bossa nova, batacuda and the sort of esoteric electronics also charted by Rainforest Spiritual Enslavement or Cienfuegos.
But it only really makes sense after you've expended your energies along with the band thru monstrous techno shakedowns such as O veto Chama Seu Nome, the soca-like rush of Condenado Por Un Idioma Desconhecido, or found yourself lost, without coordinates, in the pitch black breakdown of No Meio Da Noite and have been hypnotised by the stalking rhythms and atmospheres of Em Que O Rio Do Mar Se Toma.
The creation of this album, inspired by vampirism, was born from a collaboration between Vascellari and Fortuni with producer Rocco Rampino., whose love of dense textures and low-end bombast masterfully and cleverly couples with the bands explosive percussive charge, resulting in eight tracks that mimic sharp blades scything through a nocturnal jungle.