Techno Vinyl New Releases - News

Mental Acid tribe music... Deep and melodious. sugar kiss !

A very good meeting point between Hardcore and tribe, avoiding to be Frenchcore, and doin' a traditional Tribecore sound before it turned too mutch commercial... Actually full of good ideas and defenitly party time weapon ! Oh Yeah ! Rockn'roll baby !

Trying to build cultural bridges across the world, powering connection between dancefloor activists, Hard Fist thinks Princes Of Abzu not only as a compilation but as a tool to give space for expression to local legends like Kaan Duzarat in Istanbul or to upcoming artist such as Linja or Feller who are doing here their debut on wax. A tool to promote another vision of dance music, obviously produced to dance, but also to think, to raise curiosity, to keep a daring spirit and an open mind.

The first track brings a superb Indian's invocation tune! Brilliant!
Second track is more kind of aggressive dancefloor attack. 'Matando' opens the flip with another solid hardfloor acid assault... 'Yavo' defenitly flirt with the hardcore indus on the last one.
Blaster of an EP with a superb printed sleeve! BIG!

... 2 Tribes tunes of a classic batch and one delicious Hardcore on the A2! Note : A1 and B1 from Bass Addict 01.

Superb mental tribe irridance ... Pumpin and acid. Great release on one of my favorite label!

... Superb Pumpin - sweet tribe sound. 'RSF' back to the roots!

3 tribe bangers and one ZMK Hardcore tune. Pink plates from Records Industry. Pink for Punk!

Raggatek sound with a masterpiece from Manidextrous and Vandal alltogether in disarmony ! Then newxt comes a thrumpet abuse from E-Coli :) The Flip offers a Guigoo banging tribe dub progressor... The EP finishes

Up steps Slovenia’s Alleged Witches with a trippy, hypnotic four tracker - Initiation Rituals.

A hand stamped, limited vinyl pressing which demonstrates the artist’s ability to create intricate, subtle music that intrigues whilst still moving dance floors.

Over just a couple of releases Kristjan Kroupa has developed a sound which is both singular and versatile, taking in elements on house, techno and minimal without ever really being any one alone. Initiation Rituals sees him take his deepest exploration into the deep, dark, club music which he is becoming recognised for.

A record of detailed, percussive sounds, the release sees Alleged Witches present a package of sounds which is clearly inspired by his fascination with the occult, the strange and the sinister as his name might suggest.

DJ Feedback:

Andrew Weatherall - A truly astounding piece of work.

Hunee - I am obvs into this. where do i sign up for this tribe?

rRoxymore (Don't Be Afraid / Rinse FM) - Really like Alleged Witches releases , and this one is down my alley !

Man Power (Me Me Me) - This is fucking ace! Swings between world music and Danny Tenaglia

Red Axes - Sounding good

Ame (Innervisions) – great

Minor Science (Whities, Trilogy Tapes) - cool stuff!

JASSS - nice

Eliphino ((Brownswood / Somethinksounds)) - I always enjoy Alleged Witches immersive productions!

General Ludd (Ten Thousand Yen, Mister Saturday Night, Rubadub) - sounding really great. more of this...

Kasper Bjorke (HFN) - This is great! Dukun and Salu are my faves!

Alex Pletnev (Sinchi Collective) - i was a fan of Meda Fury EP. And now this - an atomic bomb! Cant wait to melt some clubs with this.

Sapphire Slows (Kaleidoscope, Nous Disques, Not Not Fun) - Very nice! I'm also RBMA alumni but didn't know about them. I'll check more releases.

Korea Town Acid (Cosmic Resonance) - hypnotic sweating dance floor, thumbs up

Oxyd (Intramuros) - My new fav ep for summer 2019, love it ! Dukun & Spirit Caller for me!

P.Leone (Work Them Records, Rekids, E-MISSIONS) - B1. for me

Chekov (Peach Discs/Cong Burn) - love it!!

OUFOUFOF represents the beginning of a new turn for SHXCXCHCXSH, one born out of a fresh conceptual approach to rhythm. Having concentrated in recent years on music for more experimental scenes, SHXCXCHCXSH wanted to create music for the club, but not with the usual 4/4 approach. "...the main focus being our relationship with the dancers' minds and how we do our best to fuck with them". Stylistically, the project began with a discussion about rhythm, about what is interesting and what is not. The result is a conceptualized approach, one in which multiple sounds in each track are based around a single rhythmic pattern. This concept has been extended holistically, to track names and artwork. Ultimately, what began life as a series of records has evolved into an eight-track LP of twisted, polyrhythmic studies in pattern and texture. Fresh off the back of SHULULULU EP for Avian, OUFOUFOF, is the fourth studio long-player from the Swedish duo

Pre-Order. Releases June 21.

Unsurprisingly for a creator as prolific as Muslimgauze’s Bryn Jones was, when he was asked for a contribution for any sort of group project, he would tend to provide more options than necessary. In the case of longtime label Staalplaat’s 1996 compilation Sonderangebot, where Jones would find himself in the company of everyone from Charlemagne Palestine to Reptilicus, the selected track was the characteristically headspinning “Kaliskinazure”, nine minutes of insistent digital percussion bouncing the listener back and forth between samples of wailing women’s voices and a trebly, blurry little whirr that traces the percussion. It’s distinctive enough even among the vast Muslimgauze corpus, but as the continued excavation of DATs Jones submitted to his labels continues, sure enough there’s more to that track’s story, too.

An extended “Kaliskinazure” makes up the second of four tracks on Babylon Is Iraq, although it’s been lost to the mists of time whether an outside editor excised the more drifting, less needling coda that makes up the extra six minutes found here, or whether Jones simply submitted both versions of the track at different times. This more complete version of “Kaliskinazure” is surrounded by shorter tracks, with the opening “Kaliskinazure — Momada” sounding not very much like either track it references (instead being a barely-there wisp of far-away sampled wind instruments and what sounds like treated cymbal sounds) and the title track constantly coming to a full, roiling digital boil. The lengthy “Momada” closes out the album with a different, more tersely internal arrangement surrounding the same percussion pattern that will be familiar to any Sonderangebot fans, although the way the quieter atmosphere transforms the feeling of that rhythm indicates once more than Jones’ way of reconfiguring his pieces over and over was perhaps more purposive and even more effective than he’s sometimes given credit for. The result is a fascinating expansion on one of Muslimgauze’s strongest stand-alone moments.

The must have DJ tool is back for a third chapter

Label boss Pete OntheCorner has dipped into his secret stash of firelighters from around the globe.

On the Corner’s backroom and basement workout ‘Versus’ is brimming with heat and is once again the essential tool for discerning DJs.

The very latest productions, new signees, dubs and remixes bring a future taste of the action On the Corner. This uncompromising and unrivalled collection brings the label’s global family together on wax.

Versus III features tracks from Dengue Dengue Dengue, Khalab, Penya, Planet Battagon, Blood, Wine or Honey, James Stewart and the uncompromising street sounds of Mnanda from Dar es Salaam. Flexing their remix might for this 12”: Nicola Cruz, Mahgreban, Hieroglyphic Being and Sarathy Korwar goin’ in live.

There are some familiar faces occupying this tasty wax and some new comers.
Get your atlases out again as OtC criss-crosses the globe introducing you to artists from afar-afield as Dar es Saalam, Chicago, Hong Kong, Lyon, South London, Peru and Rome.

Don't DJ
Laniakea

First release of lost tapes series coming from Italian Rave 90's scene produced by Filippo "Pippo" Ranzani, one of the historical djs of the infamous Acid Drop Department Sound System. Rave on! Comes with original shooting and flyers of the era!

Pigmalião is moving forward in his musical direction and sound, this release really shows where he is and is going. The tracks Aurora and Baskéda are ever moving sounds of energy sure to a dark basement but keeping the originality Pigmalião always has making his tracks stand out in the constant traffic of electronic music being released. Zingili is another great example of his always great sample selection taking you on a Fifth Element style mechanical beats journey to a distant planet's civilisation and the final track Bahiafro takes the album down in energy to a slower tempo but hauntingly beautiful, like that long slow journey back to Earth with the memories of the amazing adventure you have just been on.

Welcome to the richly rhythmic and deeply esoteric world of Zaliva-D. Based in the Chinese capital of Beijing, they've been circling the country's borders for more than a decade due to the extreme difficulty of streaming music there. Zaliva-D consists of musician Li Chao and Aisin-Gioro Yuanjin, who's responsible for their stunning live visuals. We're very proud to present Forsaken, their 4th album, but first ever vinyl release. Wrapped around a core of gut wrenchingly ferocious kicks and haunting vocals, these tracks possess a mantra-like quality and drown the listener into a world of Chinese and South East Asian textures. Forsaken, mastered by Wouter Brandenburg, is their most well-written, organic and esoteric record to date, showing a more fragile, sensitive side. Soon Zaliva-D will perform on European soil, accompanied by this Knekelhuis debut.

Massive techno sound coming from Mik Izif. Banging bass, melodious lowfreq bassline and slamming charleys will drive the dancefloor up to madness... Even when you believe the kick is there, it is not... the kick grows and grows and grows... Screaminfg crowd passport style !

First production of the label Sound Crack Records, 'Organic Feeling (Tool
Mix)' is a run through the jungle, savage, tribal, the raw nature animals of
Mama earth bring the feeling of being in the middle of them, the TR08 add a
kick to the efficient duo live drum Fleury Saint Denis. A real tool for house
and techno DJ's to pump the energy to the top.
On the B side comes 'Before Midnight (Evolution Mix)'. This techno track is a
trip in the urban jungle, when the city sounds are coming out of nowhere, the
melody of the steel tongue drum live played by DJ GSD is bringing the human
vibration to heal the soul. An old school touch of Detroit techno, mix with a
meaningful speech of Kennedy will take you travelling through the evolution of
mankind.

"KUMP is delighted to release the first EP by HLM38 (ou HLM38's first EP), the naughty half of duo Ricco and member of the Notte Brigante crew from Lyon. The three original tracks, a mix of ethnic looting and industrial racket in slow motion, feel like steel wrapped in Turkish delight. Front de cadeaux's take on Illicite Cong' is reminiscent of an erotic rave flavoured with Oriental spices. Last but not least, Kris Baha slices up Exit' like a tablier de sapeur (local Lyonnais dish) served on a julienne of syncopated samples and noisy beats.'

Ooh-sounds Inaugurates A Series Of Splits On The Topics Of Increasing Complexity, Dependencies And Miscommunication In A Media-saturated Digital Era. Georgia / Bellows Open The Series Shaping The Two Vinyl Surfaces Between Futuristic Eclecticism And Avant-garde Pan- Aesthetics.

"in Software Engineering D E C O U P L I N G Is Generally All About Discerning Whether Or Not Two Components Need To Closely Work Together Or Can Be Further Made Independent. Independence Is Great Because It Makes Those Things Easy To Change Or Use Somewhere Else. Usually, You Can't Remove Coupling Between Components Completely. D E C O U P L I N G In That Context Normally Means Loosening The Existing Coupling, Making Sure Each Component Knows As Little As Possible About The Other Components Around It'.

The First In A Series Of Split Vinyls Concerning Dependencies, Miscommunication And Increasing Complexity In Our Media- Saturated Digital Era. Georgia And Bellows Inaugurate The Decouple )( Series With Works Between Futuristic Eclecticism And Avant-garde Pan-aesthetics, Where Musical Themes Flow Tangentially. Similar, But Without Effectively Engaging One Another. A Metaphor For A World Of Surfaces.

Recorded In Georgia's Chinatown Nyc Studio, 'tiwala Sa Buani' Abruptly Throws Us Into Freaky Percussion Clusters Constructed From Heavily Processed Sounds Which Seem To Keep In Balance Just By The Magic Of Repetitions. Justin Tripp And Brian Close's Stylistic Fusion Acts Like An Antidote Against Gps Localization, With Sounds And Voices More Reminiscent Of Data Flowing Through A Proxy Server Than An Acoustic Performance - A Myriad Of Tiny Elements Resonates With The Multi-cultural A-geographic Perception Of A Contemporary Metropolis. 'a Habitual Sway' (an Anagram Of The First Title) Flows More Slowly, Mixing Hypnotic Rhythmic Percussions Loops, Melodic Sketches And Controlled Distortions Into Sophisticated Layers. Nai¨ve Digital Strings Pads Incursions Widen The Picture Further. Georgia Run An Nts Monthly Residency Of Oddball Electronics.

Digging Into Their Sound Archive, Bellows Build An Immersive Konrad-esque 19 Mins Of Humid And Winding Electronics With'untitled'. Drawing On Years Of Improvising Experience, Nicola Ratti And Giuseppe Ielasi Take A Puristic Avant-garde Approach, Using Tape Loops, Static, Modular Synths And Field Recordings. A Subtle Nostalgia Pervades The Whole Work - The Music Sneaks Through Lush, Decadent Dystopian Visions Like In A Travelogue. Mallets, Statics, Cut-up White Noise, Synthetic Kiks And Uncannily Pitched Voices Branch Out Like Roots, While Digital Birds Whistle All Around In An Aquatic Atmosphere, Perhaps Suggesting An Ironic Take On 'orientalism' - Down To The River's Delta.

A double pack with one track per side, playing 45 RPM. 4 tunes from 4 different musicians, a new generation of mental and acid crazyness.. Offering a pure pleasure for listeners and Deejays... the last tune, from DJI shall surprise some. But yeah. Life-chance deserve some (good) urprises.

Mental acid and minimal textures of potential Dancefloormusical mental douns... Thinlaces of neuronal connections.

Limited To 300 Copies.

Handmade Screen-printed Sleeves

The Hard Fist Imprint Comes Back Harder With A Fourth 12-inch Ep, A Global Beat Inspired Work Mixed With Cosmic Synths And Acid Lines. The Two Minds Of The Label, Tushen Raï & Cornelius Doctor Joined Their Forces To Release The Striking « Lights Of Khonvoum », Trippy And Definitely Made For The Dancefloor.

Back To The Roots Of Their African Influences, They Produced 4 Tracks Inspired By Primitive Ritual Music From The « Cradle Of Mankind », Going Far Away From The Hype Of Highlife, Afrobeat And Afrofunk Groove.-

Many Mythological References Are Hidden In The Project And Most Of Its Samples Are Borrowed To Traditional Pygmies Music From Central Africa And Congo. As A Matter Of Fact, Khonvoum Is A Pygmy God Who Created Mankind With Clay: Black Clay For Back People, White Clay For Their White Brothers And Red One For... Pygmies.

When asked about the story behind the tracks of 'Journey Through The Outer Darkness from the Inner Light', Jamal Moss answered with a laconic "No story. No dogma. No Hype". After all, his despise of extra-musical paraphernalia is proportional to his productiveness in the studio. But there's always a story. On April 9, 2016, Hieroglyphic Being played a live show in La Casa Encendida of Madrid within the festival Electronica en Abril. Some days later, the recording of the full set was uploaded to YouTube. When we watched it, we were totally captivated. Those eighty minutes of music had the raw power of all of Jamal's body of work, but with a heightened sense of transcendence. Cosmic, spiritual and intensely beautiful, it sounded like a lysergic reinterpretation of Detroit techno transmitted from a galaxy yet to be discovered. As most of the material was unreleased, we reached Jamal in order to try to press it into vinyl. The result is 'Journey Through The Outer Darkness from the Inner Light', a 12" that reunites eight of the individual tracks that conformed that Madrid performance. When inquired about AUM, the sacred sound all the tracks are labeled after, Jamal referred us to a book by author and naturalist Joseph Bharat Cornell. A book that the author himself presents with these words: 'The sound of the Cosmic Vibration is AUM, and listening to it brings the greatest bliss imaginable. AUM is the Omnipotent Force that propels each soul toward Spirit. It's the sacred, inner fire. As you approach the cosmic blaze, you feel at first its radiant, soothing comfort; then, as you come closer - AUM's liberating flames consume you - and bring you to God". There might be "no story and no dogma", but, suddenly, it all makes sense.

Harfloor killer tunes... Alien Cheerio's is a crazy Tribecore 190 bpm tune, no vocal samples... just a bloody godd evolution full of kick changes and a great sense of the dancefloor ! Drimkitchen then comes, a good littkle surprise as well, with Kick changes and ambience droppers... Just as ifd there were 2 tuens already mixed together. Oldschool sound, very Peur Bleue early style here... B-side open with F33L The F3ver... a king remix of the track of the same name. DJ stuff, defenitly, easy in da mix... End of the EP is Acid Pump02, one of Tekno's23 oldest tunes, a mental acidcore track in the pure tradition of the Open-air liveset sound :twirling music ! Peur Bleue 12 is back to the oldstyle

Abstract Reality is happy to present you this LP produced by Kondaktor the co-owner of the record label Modal Analysis in Athens, all tracks mastered and artwork made by his brother in arms and talented multi-disciplinary artist ANFS who is running the label with him.
This album consist of a collection of tracks inspired by various African music cultures constituting in the head of the artist a backbone for electronic music over the years.

Since 2008 Düsseldorf based producer and live wizard Stefan Schwander deeply concentrates on his always evolving electronic venture named Harmonious Thelonious. It besprinkles the world with fractional musical structures in the spirits of American minimal music, in order to immingle them with African rhythm patterns. Exceptional hypnotic opiates, enlarged with twisted harmonies and tricky rhythm archetypes. All heavy danceable!

After five magnetic albums for labels like Emotional Response and his old home base Italic as well as a highly acclaimed string of EPs for in-demand platforms like Asafa, Diskant, Disk, Kontra-Muzik, Meakusma, The Trilogy Tapes or Versatile Records, he now produced a heavy arresting 'Petrolia' LP for Marmo Music - a label that is not new to Harmonious Thelonious. Already on the label's second release Tru West: 'The DOWC part 2' his 'Sunset Liturgy' fingerprints are audible with a moving remix. Now he delivers six epic tunes that only partly dance the familiar Harmonious Thelonious dance. There are deeply traces from Africa and Arabia. There is the polyrhythmic witchery that makes his music special. But in contrast his new tunes are more mental then his former ones. They have a menacing industrial feel but yet continue to be enlarged with the enchanting spirits of the land of the Sahara. Furthermore, there is a slight manic touch arising from nervous electronic and foremost organic melodies. The live played jittery is coming from the Berlin based experimental musician Ghazi Barakat, also known under monikers like Pharoah Chromium or Crème de Hassan for mind shredding ambient, drone, experimental, noise, industrial, free jazz and free improvisation music from beyond. For Harmonious Thelonious Barakat, who also produced together with Marmo Music artist Günther Schickert the collaboration album 'OXTLR' in 2014, tuned his wind instruments Rauschpfeife and Kangling elflock-stricken the Master Musicians of Jajouka way. And instead of giving them a prominent lead position, Schwander deeply implements his tones into his propulsive creations to evoke a modern rhythmic meltdown of Occident versus Orient spheres that exhale a deeply absorbing soul.

A record, who's psychedelic energy fits perfect into the Marmo Music cosmos - a world where the progressiveness of the 70ties continues to live in the current to disband all white bread musical norms for the energy of music without classes. Dancers of the world, unite!

Dj Bebedera Is A Young Producer Who Hails From Lisbon And One Of The Pioneers Of The Tarraxo Do Gueto / Fodência Style, Which Is The Lisboan Sub-genre Of The Angolan Tarraxinha.

The Tarraxo Do Gueto Is Characterised By Its Languid 90bpm Beats Highlighting The Erotic Side Of Kuduro Music Which Is Surprisingly Known To Few Audiences.

The 2 Labels Bazzerk And Promesses Have Collaborated On A Series Of Two 7" Singles With The Lisboan Producer Which Groups Together 4 Iconic Tracks From The Genre.

Here comes a magestic repress from Spud tunes released originaly on Bassquick 05, Underground Techno Movement 01, Ummologik 03

tribecore perfect item. Dj tool bllody killerz

Russian tribecore banging tunes, quiet evolutive and hardfloor...

Raving Collision 's sound ! First track is a pure Hangar raver masterpiece, in the dark old school way.. And B-side is a stable groover opening on some acid percussive high time after a while... both tunes are totally big efficient DJ Tools, cut 45 RPM for a loud sound !

Modern Frenchcore sound melted with a bit of that Raw kick. Dancefloor !

tribecore perfect item. Dj tool bllody killerz