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Zeta Reticula - Ep5

Zeta Reticula

Ep5

12inchELECTRIX008
ELECTRIX
19.10.2016

Umek reprises his Zeta Reticula moniker for a welcome return to Billy Nasty's Electrix label with an innovative EP comprised of 4 new tracks, split between the two spheres of Electro and Techno.

The Slovenian-born DJ and producer should need no introduction, boasting more than two decades of experience, playing the world over, producing music for labels like Toolroom, Spinnin', Great Stuff, Intec or his own imprint, 1605 to name just a few, or presenting his hugely popular weekly radio show, Behind the Iron Curtain.

It's been some time since a Zeta Reticula release on Electrix, with 'EP 1' to 'EP 4' surfacing on the label between 2000 and 2003, although Umek has continued the project more recently with tracks on 1605.

The A-Side of 'EP 5' delivers some Electro flavour, opening with the serious Electro-funk of 'Electric Blood Complete', before the vintage sci-fi electronics and playful rave stabs of 'Euphonious'.

Over on the B-Side the Techno takes over with the deep and dub-drenched 'Encroach' followed by the tough Housey grooves of 'Radiate' to complete this bold package.

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Jose Rico - Déjà Vu

Jose Rico

Déjà Vu

12inchDOWNBEAT011
Downbeat
24.07.2017

Since the beginning we can see an evolution in Jose Rico ´s music. His sound is now more powerful than ever and the structure of his tracks have gained in complexity. The rhythms of his tracks, highly influenced by Chicago House and Detroit in his earlier releases, now are looking at the European 90 ´s electro´nica and dub music, slowing down (even more) the tempo.

We can say that the his last releases on Into the the Deep and Off Minor are probably his best works and most mature, so far.

De´ja` Vu', the 11th Downbeat installment, continues to explore this route. Here we find four emotional and spacey tracks, made by old synths and samplers which takes us back to the early 90 ´s.

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Tilliander - Compuriddim

Tilliander

Compuriddim

12inchIDEAL154
Ideal Recordings
18.05.2017

Andreas Tilliander (Mokira, TM404) returns with a plunging set of skewed techno dubs for the mightily on-form Ideal label, his first new release for the label since the Bias Line 7' in 2010, and the
Hateless album released a decade ago.
Andreas Tilliander has gone some way to making his studio a bastion of dub music within his home city, Stockholm ever since emerging with the Cliphop for Raster-Noton in 2000 and
subsequently releasing a whole slew of influential releases for labels including Mille Plateaux, Type, Kontra and Skudge. With the heady churn of Compuriddim dispensed under his own name, Tilliander returns to the site of some of his earliest outings, Joachim Nordwall's iDEAL with a clutch of warped and murky
dub ecologies firming up as some of the most absorbing iterations of his adroitly smoked-out sound.
iDEAL were first turned on to Tilliander's music via his Ljud (2001) LP for Mille Plateaux, and have established an occasional yet crucial relationship ever since, resulting in highlights such as the
Dutty & Digital (2004) 12' and the Bias Line (2010) 7'. The Compuriddim set is the newest and most intoxicatingly textured addition to that collection; six tracks strong in pursuit of a elusive electro-acoustic geist that lives between the wires of his classic hardware, in the late night air of his studio.
In keeping with the classic tenets of dub production - less-is-more efficiency, constant movement within space - he executes a sort of psychoacoustic telekinesis with the 6 parts of Compuriddim,
skanking from the spiralling loops of drip bass and drums overlaid with windswept melodica in Twilight Circuit, to a grumbling but charming dub techno stepper on Mokirian Tekno Trak, then
letting it all go loose and floppy with the sloshing Afracid deviation of FR777 Skank.
Open Up The CV/Gate meanwhile kicks off the B-side at a bendy slow/fast bent lodged somewhere between Tin Man and AFX's slow mo Analords or Cheetah tracks, followed up by the ragged dub chord stagger of Return Of The Super Tape, and the EP's sweetest number, a bottom-heavy but dainty whorl of 303 dialogue seemingly detained for the most squashed and strange corners of the night or morning after.

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Ancestral Voices - Divination (3x12")

'Divination' is the second LP to come from Liam Blackburn's Ancestral Voices project. Where his debut LP 'Night of Visions', reconstructed his rhythmic approach into a primal framework, 'Divination' sheds the beats almost entirely and focuses on soaring drones and Liam's refined approach to ambience. There is moments of tempered elation (Revelation, Inscriptions, Cleromancy), contrasted with black hole soundtracks (Geomancy, Hieratic) with the overall feel of 'Divination' becoming a gently traversing voyage through a revolving mood-scape. With 'Divination' following more beat oriented EP's for Samurai Music and Horo, Liam redefines the sound of Ancestral Voices with every release. 'Divination' is a glistening example of the singular voice he provides to electronic music.
'Divination' is pressed on crisp white vinyl 3x12" housed in a deluxe full artwork sleeve with spot varnished runes exclusive to the LP version.

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Rene Audiard - Sakhalin

Rene Audiard

Sakhalin

12inchYGROK004
YGROK
31.05.2023

Ygrok brings a long-awaited fourth release to its catalog. René Audiard's Sakhalin' takes things a step away from traditional club music.
The A side, Vox Out' opens with the skeleton of a rhythm. Scattered tom drums and barely detectable whirs, fading and reeling in the background. When the distorted voices begin their story behind a hissing, grinding off-shaker, you know this will not be your traditional club track. A story develops. The barest hint of a shuffling beat, a subtle reminder of Soren's previous work, pins down the journey into the darkest psychic territory. The title track Sakhalin steps even further into darkness. Crackling electrics and disjointed atmospheres change at a glacial pace over a submerged hydraulic beat. Sakhalin Audiard experimental territory.

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Surgeon - Breaking The Frame 2x12"

This album isn't about "entertainment," it's about transformation, and transformation requires effort on behalf of the aspirant.

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Icore - Substance From Shadow Ep

Icore

Substance From Shadow Ep

12inchOSMUK048EP
OSIRIS
02.06.2017

Emerging from what sounds like the unknown depths of outer space, new artist Icore drops a debut EP on Osiris Music uk lled with ve exercises in hypnotic, polyrhythmic tension. The A-side's two tracks 'Sigil' and 'Status Field' feel like two parts of a whole, each establishing a minimal, kick-heavy march in 6/8 that would perfectly ll the cavernous hull of an abandoned mining vessel, lurching through empty parts of the galaxy to the sound of ominous drones and malfunctioning, high-end bleeps. The B-side is more cinematic in its scope, with opener 'Substance From Shadow' summoning a distinctly b-movie vibe in its melody, before both 'Claimed By Night' and 'Axiom' retreat into darker, more ambient territory, the former thick in sub- bass kicks, the latter ramping up the dread with unnerving repetition.

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Plural - Inversions

SSPT005 / INVERSIONS is the second outcome by PLURAL on Separate Skills Recordings. The new release by Dayton's mastermind James Johnson is a clear statement to follow up with four powerful dance-floor oriented tracks. Again made up of driven metallic chords, Dub and Detroit Techno elements in the vein of the last release, this 300 copies limited 12inch vinyl record is refined to be a killer!
All Tracks written and produced by James 'PLURAL' Johnson, Dayton Ohio USA. Masterings by Christoph Grote-Beverborg at Dubplates & Masterings Studios Berlin.

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Eraldo Bernocchi & Netherworld - Himuro

An Iceberg is a large mass of ice detached from a glacier or from a floating platform of glaciers that drifst in the sea. It is in constant motion and most of its mass remains submerged under surface of the water. The goal of this new Iceberg series of releases on Glacial Movements is to describe through techno / dub music this huge mass of ice."Himuro" is the debut album of ambient duo Eraldo Bernocchi/Netherworld. Composed and produced in two years of exchanging material and sound inputs coming both from electronic treated guitars and organic sources. The album lies its foundation on ambient, dub, space and distance."Himuro" was an "ice cellar", a "'cold room" during the Edo period in Japan. The Kanazawa castle had one and after, during the Meiji period, these rooms were part of palaces. Often used for storing snow and keeping it during summer they had medical, food or ceremonial importance. During summer snow or ice kept in the himuro were sometimes sent from one castle to the other travelling as far as 500 km, relocating the "coldness".For months Netherworld supplied Bernocchi with a vast array of soundscapes and textures, an endless stream of feelings and emotions that the latter used to create the foundations of the album tracks on which constructed guitar scapes (often not recognisable), bass lines, harmonies and grooves. After month of collecting and creating sound inputs, Bernocchi started to carefully assemble what we now can listen on Himuro. A velvety sound creation constantly balancing between a rhythm approach and pure drifting scapes. Perhaps the best description of this works lays in the words of philosopher Emil Cioran from his 1936 The Book Of Delusions:
"To detach yourself elegantly from the world, to give contour and grace to sadness, a solitude in style, a walk that gives cadence to memories, stepping towards the intangible, with the breath in the trembling margins of things, the past reborn in the overflow of fragrances, the smell, through which we conquer time, the contour of the invisible things, the forms of the immaterial, to deepen yourself in the intangible, to touch the world airborne by smell, aerial dialogue and gliding dissolution, to bathe in your own reflecting fragmentation..."Eraldo Bernocchi is an Italian composer, arranger, producer and guitarist with a solid reputation as an all round sonic sculptor. Starting his career in the late 70's as a guitarist in independent punk bands, in the mid'80's Eraldo co-founded the conceptual audio project Sigillum-S, which grew into a highly acclaimed international cult act.In the 90's, together with his wife Petulia Mattioli, Eraldo established Verba Corrige Productions, which became the base for a raft of notable audio visual projects and co-operations. A relentless sound explorer, Eraldo Bernocchi has collaborated with numerous artists including Mick Harris (SIMM, Black Engine), Bill Laswell (Somma, Charged, Ashes and numerous others), Nils Petter Molvaer, Harold Budd , Russell Mills, Toshinori Kondo (Charged), Raiz, Almamegretta, Spectre, Sensational, DJ Disk, Professor Shebab, Thomas Fehlmann, Zu (as Black Engine), DJ Olive, Markus Stockhausen, Giovanni Lindo Ferretti (as producer and author), Robin Guthrie, Colin Edwin and Balazs Pandi among many others. " Himuro " is Bernocchi's 100th album.In addition to regular work scoring music for adverts and other multimedia projects, Eraldo has composed film music for Academy Award winner Gabriele Salvatores and produced numerous art installations with Petulia Mattioli, as well as other artists including Russell Mills and Harold Budd.Uniquely, Eraldo is also known for being invited to play and organize several special events for H.H. The Dalai Lama in Italy and be the founder of the record labels RareNoise Records with music addict Giacomo Bruzzo and Transmutation Ltd, his new media company. Netherworld is the moniker of Alessandro Tedeschi, the creator and owner of Glacial Movements Records in Italy. Over the last few years, the label has received much appreciation and critical acclaim from both the national and international music press. Coming originally from Rome, Netherworld published several works on various labels such as Fario, Angle Rec, Umbra, The Wire Tapper. He then decided to focus on his visions for his own record label - Glacial Movements with releases like "Morketid" (2007), "Over the Summit" (2011), " Alchemy of Ice" (2013), "Zastrugi" (2015). These were again critically acclaimed gems of ambient music. Netherworld performed at electronic music festivals such as Störung, Up to Date, Flussi and many more. " It's a beautiful and hallowed sound that Tedeschi generates, shifting from the grim black of the Isolationist to a chroma of snowblind blues, pinks and whites" THE WIRE

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Grebenstein - Gloss

Grebenstein is a producer, DJ and visual artist living in Kassel, Germany. After playing in several bands as a drummer and guitarist he made his solo-debut with a 4-track EP on the Regis helmed label - Downwards Records in November 2014.

The 'Gloss' 4 track EP for Horo comes after his Downwards Records follow up 'Strong, Proud, Stupid, & Superior' with Seefried was released in October 2016.

Title track 'Gloss' centres on percussive crescendos and pensive guitar layers, while 'Self' and it's 'Version' stretch this effect out into a grinding, slow motion introspection. 'Loss' closes the EP with serrated drum machine blasts punctuating feedback contortions. The tension throughout the EP is palpable, with the shaping of the tension providing the substance of his signature style.

Non club tracks for open minded clubs.

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D104 - Dope

D104

Dope

12inchPALQST001
Palma Music
12.05.2017

First release for duo D104, including 3 tracks influenced by 90's electro, broken house and dub. Dope launching new PALQUEST Series catalog on the label, as a smoky adventure mode.

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Greg Gow - Greg Gow

Greg Gow

Greg Gow

2x12inchSE008
Social Experiment
11.04.2017

Social Experiment Records teams up with one of Toronto's true old school techno legends, Greg Gow for the artist's stunning debut LP, 'Lost Days'... Greg Gow has been a respected ambassador of Toronto's electronic music scene for nearly threedecades, championing his long running Restructured label since 2001, DJ'ing in the cities keyclubs since the 90s and bringing the fruits of his relationship with neighbouring Detroit back to his hometown. It is his connection to the Motor City that has brought him attention over recent years,spurred on in large part by his signing to Derrick May's legendary Transmat imprint in 2009 with the techno anthem 'The Bridge'. This was to play a pivotal role in the regeneration of Transmat at the time and lead to further releases for Gow on the imprint, a record on Kevin Saunderson's KMS label and appearances at the Movement festival. Gow's sound speaks of this close affinity between these two great cities with a smoky, gritty dub inflection that permeates every bar of this his stunning debut album. He has long been a local legend in Toronto's scene but now there is a real sense that this LP is set to propel this unsung hero on to techno's global stage. The 'Lost Days' LP kicks off with 'Inception', a late night ambient soundtrack that conjures up a sleeping urban metropolis, before 'Fly Tipping' slides into a soul infused Detroit groove that is slow and sensuous, spaced out and smooth. Cleverly upping the ante, 'Curl De Sac' takes a dubby, deep rolling house direction with well crafted synths extending in all directions before 'Refractions' re-sets the mood with brooding and beatless chords, found sound details and gentle breaking waves. The latter half of this most coherent journey starts with a classic dub techno cut in 'Lost Days', rippled with electric static and underpinned by firm rubber kicks, before 'Still Life' shows off Gow's mastery of his synths: they ripple into the distance and bring a sense of serenity as they build to a peak then dissipate once more. It's a faultless demonstration of tension and energy as 'Too Late' gets more forceful and driven but no less deep and cerebral with its hypnotic stabs and subtle rhythms. Closing opus 'Beyond Time' is a blissful final interlude that sounds like a spaceship drifting through the cosmos as the captain mutters into his PA. That final track rounds out a truly outstanding collection of electronic music that is imbued with warm techno soul and makes sense both on intimate dancefloors as well as up close in headphones. The album itself was mixed down at Toronto's go-to facility, Treatment Centre Studios, and it's clear that every sonic detail has been treated with the respect it deserves. Greg Cow's debut album has been a long time coming but it has certainly been worth the wait. It is a testament to his true talents as a producer and is another milestone marker for the ever impressive Social Experiment Records.

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Shinichi Atobe - From The Heart, Its A Start, A Work Of Art

This album has its origins 17 yeas ago in early 2000, before Chain Reaction released the legendary Ship-Scope 12'. Three of the tracks here are taken from an acetate cut at Dubplates & Mastering at that time but which wouldn't see the light of day until now, including another batch of tracks taken from original masters. Only 5 copies of that acetate were ever made so this is the first time any of these tracks are available for public consumption and, for our money, rank among the finest and
most distinctive in either the Chain Reaction or Shinichi Atobe's vaults.

The material is effectively some of the Japanese producer's earliest work, showcasing the sort of tender, feminine pressure that would bubble up on the Ship-Scope EP and later be revealed in his new productions, Butterfly Effect and World yet, for many reasons, they would lay sunk in his archive for the next 17 years.
The tracks taken from that acetate are labelled First Plate 1-3 and really are quite remarkable, having taken on so much character and added weight over the years that the incidental crackle
of surface noise imbues proceedings with an added dimension that's hard to fathom. It basically sounds like a lost transmission making its way from Paul-Lincke-Ufer at the turn of the millennium
to a new, completely changed world all these years later.
The patina of crackle lends a mist-on-bare skin feeling akin to summer garden parties at Berghain in the stepping First Plate 1, and gives a foggier sort of depth perception to the hydraulic,
Maurizian heft of First Plate 2, but it's the submerged euphoria of First Plate 3 that hits the hardest; a heady, bittersweet reminder of days gone by.The other four tracks are crisply transferred from master tapes, relinquishing a sublime, impossible to categorise House variant that recalls everything from DJ Sprinkles to Ron Trent, yet with that weird, timeless production tick that by now has become something of a signature for this most distinctive and hard to categorise producer.

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Various - 15 Years With Echocord

Various

15 Years With Echocord

2x12inchECHOCORD071
Echocord
14.10.2016

The danish label Echocord Records was formed 15 years ago this year by Kenneth Christiansen. It will now be celebrated with a compilation plus a big tour around it. We are super happy and proud that we can still continue releasing quality electronic music.
The compilation contains 10 tracks from 10 artists that all have been releasing on Echocord and Echocord Colour before from veterans Mikkel Metal, Deadbeat, Fluxion to newer signed artist Arovane.
All tracks are new and unreleased.
"15 Years With Echocord" covers the typical Echocord sound. From ambinet/chillout by STL, stoned dub by Beat Pharmacy, to typical Dub-Techno and House from Fluxion, Resoe and XDB, to the more dancefloor peak tracks by Mike Dehnert and Deadbeat.
Lets do another 15 years .

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Peverelist - Tessellations

Peverelist does Peverelist on his 3rd album of Bristolian bass techno prisms, Tessellations; his first for the Livity Sound label, forming a typically stripped, acute treatise on the flux of dub, techno, D&B and ambient electronics that make up his soundsystem DNA.

Rooted in the '90s but curved and toned for 2017, Pev's sound is economically functional but not without a crucial sliver of emotive, sensual/textural pressure that bleeds thru in each cut. It's hardly hands-in-the-air material, yet his slow-burning vibes are arguably more satisfying and subtly impressive in the immediacy of the dance and for the long run.

Across a neatly plotted 48 minutes he systematically investigates and consolidates all stripes of the Peverelist sound in a way that builds on the experiments of 12000 Seconds [2014] whilst reprising and refining the heft of Jarvik Mindstate [2009].

The roiling modular tones of opener Burning Seas offers a rare, beat-less iteration of his sound before the session properly gets under way, vacillating the pressure between Under Clearing Skies dense electro-bass pulses and strobing dub chords, and the wide open lushness of Still Early, then twisting into the latinate shimmy of Sheer Chance Matters and the spiralling trills of Wireframes, which sounds almost like Plastikman meets Unique 3.

Further Inland brings a lot of originality and feeling with a misty-eyed mesh of airy Detroit/Berlin arpeggios and serpentine house swang, cooling down into the tribalism patterns of Brinks and Limits and closing on another rare, beat-less vision, Plateau from which to survey his rolling topography and then dive back in again.

Good stuff.

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Basic Channel - Basic Reshape

Re-enlisting from Planet E the duo's two unmissable re-works of Carl Craig: The Climax turned into a driving, hypnotic pounder, originally out in 2001 and utterly killer, and their stunning, slo-mo re-imagination of his take on E2-E4, from 1994.

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