Techno Новости

Continuing in the tradition of offering up sounds a little less accessible than its older Hypercolour b
HypeLTD seems to have once again unearthed a producer more than worthy of popular attention

200 copies. no digital. no repress.

RV800 - "Equanimity", with Higher Intelligence Agency remix

Orange colour 12" vinyl mastered by helmut erler @ dubplates & mastering berlin

This well established label of dub-techno comes with the fifth release after a short break. The original track is signed by the label owners Alessandro Verrina & Ander Plau, it is beautiful and deep, as usual. The experience of Marco Zenker (Ilian Tape,etc) creates a rhythmic and lovely remix. The last track on this EP is a more dub and chill-out version of Youandewan, who is always in good shape. For Pleasure is back.

Marko Fürstenberg - 'Ghosts From The Past' In certain ever present moments, the ghosts from the past are following us. And sometimes they do so in order to gently help us on our way. We can find this theme on Marko Fürstenberg's latest release 'Ghosts From The Past'. Marko, currently living in Leipzig, has been experimenting with sound since 1999. Rooted in classical Dubtechno, he not only knows how to interpret it, he's extending it further with his own personal aesthetic. In 2001, his first releases on a number of netlabels gained him a broad listenership. Then in 2003, his first album 'Gesamtlaufzeit' was born. (Then years later, a son was born as well, but we'll get back to that.) Since 2005, Marko has been constantly releasing Vinyl on labels like Ornaments, A.r.t.less, Echocord Colour and Rotary Cocktail. And also remixes for labels such as Resopal, Telrae, Freund der Familie, and many more, which all demonstrates the quality and sheer competence of his work. With his new album 'Ghosts From The Past', Mr. Fürstenberg doesn't say goodbye to an old chapter, but he's rather building a bridge to a new one. Familiar elements are the mortar to a complete musical piece, with an extended foundation, new accents, and a fresh face. GFTP is a musical retrospective of a new way of life - with a child - that was born in November 2010. The conception and creation of this album began to take form in parallel to that of his unborn son, as an almost aural twin. Marko's wife helped with the album artwork while also carrying a little Marko inside her. So again the past was knocking on the door. Good morning! Meanwhile, over the three and a half years in production, Marko was also actively involving his now toddler child in the sound research for his new album. 'Stolbenkraft' includes made-up vocalizations from his son, mixed with a sneeze to an euphony. In 'Woahhh', he's exploring the playful dispute of his offspring with several toys, e.g. a Thai wooden frog, amongst others. His tendency for his style of pleasant interweaving sound experimentation is shown on the track 'Piano', which reconstitutes moments of a piano concert, while putting them into new structures. Quite some time has passed in between each production, and the diverse accents of time in which this came together, can be heard. Everything on this album melds together organically. On 'GFTP', the Zeitgeist is touched, an Arabic singer can find her spotlight in a colourful soundscape, which alternately holds and catches us, and then ultimately let's us go again.

Workbench // Part 12!
incl Sven Weisemann REMIX !!!!
Linus Quick teamed up with Vocalist Mike Jones and delivers the Deep-House
Tune Chillaxing. A really warm and deep Track.
Deeper as Deep is the B-Side with a Sven Weisemann Remix! Well known from
his releases on Labels like Mojuba, Liebe Detail, Artless and many more

After the highly anticipated release of his third studio album DECAY, Efdemin presents the first part of a remix series featuring his favourite producers.
Bristol's underground hero Asusu inflates the reduced album opener "Some Kind Of Up And Down Yes" with deepest bass and beautiful scapes to the max in a true Photek-Style. Last year's "Control" by Staffan Linzatti was one of the favourite constants to be played in every Efdemin or Lawrence set. Luckily his version of "Solaris" is another epic hymn here with futuristic enhancements of the third kind.The most extraordinary piece on "Decay Version's Part" 1 is The Borderland State's rework of "Parallaxis". Efdemin's studio-mate John Gürtler recorded that beauty with adding acoustic instruments only and sounds like a meeting of Moondog with Wim Mertens. 
Space is the place!

A bad ass behind the decks, and in the studio since 1998...his productions ended up on some bigger techno labels as well as more obscure imprints. Along with Ian Lehman, he forged the well-received 'Attack People' live performance...bringing his show across the US, to South America, and Europe as well. When he's not on tour with his DJ sets or supercharged live pa sessions, he co-promotes some of Minneapolis's biggest techno parties. In addition, he also manages his labels Abiotic Recordings and Enemy Records, which both receive wide support from the techno community.

Producer CRISTIAN VOGEL, born in Chile and in raised in Bristol, England, represents an inner turmoil within the history of electronic music and techno. Like only a few other artists such as Aphex Twin, he personifies the second wave of techno during which authorship, previously pronounced dead, returned in full force. The former punk, who had completed studies in composition (20th century classical music in Sussex) conveyed a powerful force in his music, which now finds its place very naturally as electronic music; back then, it did more than just shake up the concepts of techno. Complex and intricate rhythms (Süddeutsche Zeitung) dig deep chasms in dark (listening) spaces.

In 1996, together with JAMIE LIDELL as SUPER_COLLIDER, he made a final attempt to breathe life into electronic music, which was still primarily seen as dance/rave/club music, and produced clustered break funk music that was so relevant to its time that many considered it more a music of the future: science fiction for the dance floor. Although the project was not a failure, it did not succeed even halfway in meeting the expectations of an artist who was rather perplexed by the lack of interest he perceived in others in music as art and research. Vogel believes that music has a will to unfold, like a jungle from the undergrowth of industrial cities where music is thought of as an attack and a defense.
Seemingly out of disappointment in the predictably declining hedonism of the scene, he moved to Barcelona and bound his explosive ideas to more accessible formats, founded labels, created networks (No Future, Sleep Debt) and, at the same time, revisited his early days by working more and more on formats such as music for ballet and similar concepts. He also sought freedom precisely in what was referred to as functional electronic music through conceptual and serious endeavors in the artistic sense.
Vogel went under for a time and lived in Vienna before arriving in Berlin nearly two years ago, where he made his first new and daring attempt to assimilate everything that electronic music represented to him on one album: 'The Inertials' on SHITKATAPULT. Shortly after that, his mystical, floating ambient work 'Eselsbrücke' was released, which already spoke the language of the new city.

He now presents a new album on SHITKATAPULT entitled 'POLYPHONIC BEINGS' - a true masterpiece in the inimitable Vogel style, as his fans will no doubt claim. 'POLYPHONIC BEINGS' begins, after two minutes of an irritating noise wave, with a surprisingly classic dub track and grows darker and more abstract from track to track, minute by minute. An eerie and unbelievable sound, with all as it should be: every reverb tail, every movement of the fader, every composed note takes the listener piece by piece into Vogel's own cosmos.
He foregoes interwoven elements for swaying towers of rhythm, powerful sound passages, spaces, roads, mirrors and pathways, leading to a stream of ideas that never wants to end. He aptly quotes Karl-Heinz Stockhausen in the liner notes: These are the "atomic layers of ourselves." And so it is. We are what we hear. This is the definitive CRISTIAN VOGEL.

superdisko recordings was founded by tobias oliver, starting up in 2008 with the "sender/receiver" release from viennese underground stars smacs and patrick kong. we are proud and happy to bring fresh and fine techno tunes from austria into the world. superdisko means super sounds for the disko !

Audio Plants proudly presents the extraordinary 2 x 12inch compilation of best tunes for home listening and sofa dancing, containing warm electronica, deep drum'n'bass, ethereal art-core and hypnotic broken beats with out-of-this-world vocals. It represents the combined forces of artists without boundaries and borders, connecting together Russia, Ukraine, Poland, Belarus and Estonia. Like every Audio Plants release this beautiful crystal clear vinyl was thoroughly mastered by well-known artist and sound-engineering wizard ENEI.

In the beginning of the 80's reggae music became increasingly in tune with what was happening in Kingston's dancehalls....probably more so than at any time since the sound system operators had started to make their own shuffle and boogie in the late 50's..
The international audience and the critics were too busy looking for a new Bob Marley to appreciate what was happening downtown and failed to acknowledge that this was a return to the real,raw roots of the music...brash,confidient,young record producers who were totally in tune with the youth audience stepped forward and seized the moment...
Oswald'Ossie'Thomas began his apprenticeship in the music business at the age of fourteen and served his time as a record salesman for Bunny 'Striker 'Lee and Winston 'Niney the Observer' Holness before moving on to Miss Sonia Pottingers Tip Top Records...
'I ended up working in three record stores on Orange Street from 1976 to 1981...Yeah man,Me deh 'pon me bicycle till I buy my motorcycle..Them days records were coming out left right and centre..everyday'
Ossie Thomas...
It was during his time with Miss Pottinger that Ossie began to produce records for himself and in 1979 Ossie and Phillip Morgan began The Black Solidarity label based deep in the Kingston ghetto on Delamere Avenue.
And the man who had made his name in the business selling other people's records now became one of the most important and influential record producers of the era..

01 BAD BOY-Triston Palma
02 NEVER TROUBLE TROUBLE-Tony Tuff
03 SINGLE LIFE-Robert Ffrench
04 STRING UP THE SOUND SYSTEM-Michael Palmer
05 CHAMPION BUBBLER-Puddy Roots
06 POLICE POLICE-Ashanti Waugh
07 FANCYNESS-Triston Palma
08 A LITTLE BIT OF LOVE-Phillip Frazer
09 BARREL MENTALITY-Bill Blast
10 INNER CITY BLUES-Cutty Ranks
11 REGGAE FEVER-Michael Forbes
12 ETHIOPIA-Tony Carver
13 STRAWBERRY-Eddie Constantine
14 THE LORD IS MY LIGHT-Rod Taylor
15 STOP IT-The Bibles
16 MOTHER IN LAW-Robert Ffrench
17 STEADY SKANKING-Frankie Paul

DimbiDeep Music is the Imprint of Dimbidub born in 2010 and related to the real dub techno or dubtronica, which consists of electronic beats played in
a downbeat manner. It can be much lower in speed than techno and is generally warmer than dance-oriented electronica. The labels sound is
repetitive but rewards careful listener attention. Bulding soundscapeswith a lot of delays, reverbs and very different, experimental created elements.
May the Dub be with you!
DimbiDeep Music is a special imprint based on electronic music by focusing on dub sounds combined with experimental elements of techno and
house, but also some kind of ambient and dubtronice maybe possible if its fit to the philosophy!

Richie Hawtin (M-nus)
"Support on Iration Original"

Martin Landsky
"the dub mix is awesome...."

Patrick DSP (Kne'Deep)
"digging the original mix."

Noah Pred (Thoughtless Music)
"Really cool vibes on the original and dub mix"

Jasper Gape (NerdyFrames.org)
"Man this is really really good! We will support!"

Takashi Watanabe (Hypnotic Room)
"deeeep tracks !!! nice EP!"

Audio Injection
"cool original and dub mix!"

Forest People (Brood Audio / Driving Forces)
"Smooth and sexy!"

Allan Blomquist (Logism / Toffler)
"cool stuff again on DimbiDeep , on of my fav dublabel at the moment!"

In March 2007, Inigo Kennedy put Token on the map with our first release 'Identify Yourself'.
7 years & 10 releases later, he now releases his first full length on Token: 'Vaudeville', a project that feels like the culmination of all those years and all those records.
In true, theatrical manner, Vaudeville is a collection of differing themes - from the abstract and freakishly odd to the direct and resonant. And just as the Vaudevillian shares a common purpose with his co-stars as the 'voice of the city'('voix de ville'), there runs through the centre of this record a clear narrative for urban experience.

On 14 April we are releasing a single to portend the full show: 'Lullaby'/'Petrichor'. These two tracks will stand alone on a 12'' vinyl, with the rest of Vaudeville released as a 2xLP & CD on the 2nd June.

This was worth the wait, we promise.

ALRLV 001 is techno-centric and features three late-night club cuts of pure, padded brilliance. "Feel To Learn" is meditative, as it blissfully sways between softly thumping bass and euphoric synth snippets. Next track "Flora" is a freewheeling delight, l

Atmospheric, darkness, emotional, deep and organic, Architectural returns with a very special album. A musical piece with a soundtrack essence that transport to the darker and disturbing forests. The cd edition has a second cd with a previous tracks compilation released on Architectural recs.