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Techno News
not released on vinyl! It's been almost a year since Demdike Stare finished their "Tryptych" of releases, and in the intervening months Miles Whittaker and Sean Canty have been busy touring and gradually piecing together sounds for this newseries: Elemental.
Part 1: Chrysanthe
A1/. Mephisto's Lament
B1/. Kommunion
B2/. Unction
Part 2: Violetta
A1/. Mnemosyne
B1/. In The Wake of Chronos
B2/. Violetta
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Second release in a series of four of this Ann Aimee compilation series, featuring a diverse selection of techno tracks.
Part two of the four-part Inertia sampler again serves up four heavy-hitting techno bangers from different artists of the new-school techno generation. Again, each of the tracks is previously unreleased.
First up is Frenchman Marcelus who offers a heavy house and techno fusion, before London's Sigha goes deep and ominous with 'Finding Myself.' Redshape and Area Forty_One close out the package with frozen, static coated sounds and textured techno respectively.
Reading like a who's who of the day's most pioneering techno producers, Inertia #2 is another connoisseur selection.
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Four modern techno tracks on this first release of an Ann Aimee compliation series.
The first of 4x4 vinyl releases from the Ann Aimee compilation, Inertia, this opening volume includes cuts from Time to Express Chief Peter Van Hoesen and Fachwerk's Roman Lindau as well as fellow label recruits Delta Funktionen and Sawlin.
All four new and exclusive tracks deal in techno urgency. Delta Funktionen goes deep and dramatic, Peter Van Hoesen offers up his usual dub-wise textures, whilst Lindau pairs icy hi-hats with a heavy stomping beat. Sawlin offers the trippiest techno with his delightfully dishevelled 'Excipidial' and closes out what is an essential piece of vinyl.
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Lowtec returns to Nonplus with his second release on the label and smothers us with his sonic art yet again.a) Lowtec 'Coldred' This piece of steel strong Berlin edged Tech house pumps along from the outset, leaving no doubt that this is one to get on and enjoy. As the title suggests, the cold dark eerie sound is built for warehouses and masterfully grows into a 'Lost for words' type tune.b1) Lowtec 'Darrynane' 'Darrynane' is the first on the flip. Uncomfortable jittering beat compression is sketched into a subtle shift of swirling synths and vocal samples that drive this tune along on a hypnotic groove.b2) Lowtec 'Twizel' 'Twizel' is an attention grabber from the outset. The woodblock sounds and the evening session is in progress...then the synths lead and drift into a massive sound bomb of uber lusciousness, leaving the beat behind temporarily. Upon its return, the tune lifts into a late night heads down shoulder twisting groove monster...and when the Harpsichord drops, say 'hi' to the hairs on the back of your neck.
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Pal SL returns with another highly playable yet artist orientated 12" from L.D.Nero (aka Alex Cortex) who returns to the label after a nine year hiatus. His fantastically received Nite Out 12" for sister label Trelik showcased the more subtle depths of his production style whereas "Washback" grabs the bull buy the horns with an infectious analogue bassline, bold upfront percussion patterns alongside Perlon-esque guitars and organic synth washes. "Simple" picks up the pace with a more mathematical soundscape, driving the speakers whilst teasing with intermittent vocals. "Give Credit" completes the package tipping its hat to the early UK acid sound showcasing retro sound design, lo-fi vocals and historic drum loops against a deep synth and bass back-drop. Mastered By Lopazz.
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TOP NOTCH ELECTRO BOOTY ACTION FROM A WELL KNOWN SOURCE.
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Enter the purple maze again with three subtle techno tracks from Yør.
After some challenging an experimental offerings last time out, secretive musicos Purple Maze are to release their second offering, the Rave EP, in December 2011. It comes from equally low-key producer Yør, and is a release that operates a little closer to the dancefloor than maze 001...
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Oxford/London/Leeds based newcomer Graphics is responsible for the first release on the long gestated Granholme label. Brian Eno was once quoted as 'not wanting to contribute to the glut of CD's' in the world. Granholme's ambitions as a label are modest, but if we can do anything to detract from the glut of painfully beige electronic music available in 2011 then that will be considered a small victory. The title track crossed our path in February of this year and was the catalyst for finally making the label a reality. It's blend of intricate percussion, pounding kicks and swamp voodoo atmospherics are bound together by a relentless forward momentum rarely heard. Were we not embarrassed by such brazen hype building we'd say it fuses classic techno to the jungle derived energy of early Big Apple releases. Shit, it's happened again. 'Name This' reigns in the most unhinged flailing of it's predecessor and revels in a focussed chain gang swing. Heavy on Dub'ish atmospherics and sweeping chords it's a more discrete animal than it's other half with methodically intensified tension threatening to swallow the arrangement whole. Exclusive to the digital version is 'D-Transition'. A listless voice unsuccessfully self interrogates as decaying minor chords mount a further assault on the listeners good humour. As things threaten to get overly oppressive a heavily dampened 4/4 kick leads into a rhythm section that gradually comes to the boil before locking into a series of percussion and bass led drops. Finally we have the Zoltan remix of D-Transition. Due to be used as a promotional tool in 1 the weeks leading up to release, it takes the original and adds some hefty drum programming along with a gloriously queasy new melody for the 4am push towards daylight.
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Hugo Barritt was a promoter at London's infamous 'Egg' venue, during which time he focused his attention on Robert Owen's residency at the club. A friendship was struck up and when Hugo finally decided to leave to concentrate on production he could think of no-one better to provide the vocal's to 'You Are' than the most recognisable voice in dance music, Mr Owens himself. Befitting such a wonderful coupling, Efdemin heard the track and agreed immediately to provide the remix, and a splendidly slick ride it is too, taking the merest hints of Roberts vocal whilst injecting a melodic feel for a blissed out ride through the early hours. Contrast that with high octane thrill's of murmur regular Tom Demac's remix - dispensing with the subtleties of the original in favour of a power house ride of beats and bass, warping Robert's vocal into something altogether sleazier.
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Shameless Toady are delighted to announce their latest release from London-based rising star Pip Williams. "Analog Sequences" is a limited 4 track EP on heavyweight 12" vinyl.
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