Techno Новости

Four intense and explicit tracks from the darkest vaults of oblivion. Made to meet your higher self in a spiritual surrounding of non physical yet illusional vibrations.
lol just kidding - but still, some serious low end hammering going on here.

Following up on Alexkid's first release on his own Wu-DubsImprint, talented and uprising Irish producer Maksy is on dutyand delivers two inspired cuts with a timeless touch. Perfectdancefloor grooves for the Dub Techno connoisseurs.Early support by Bella Sarris, Enzo Siragusa, Radio Slave,Archie Hamilton, Molly, Rainer, Randall M...

Lespalmes Discs, it's a new only vinyl label. Pizzicatto presents U and Howl Ensemble signs bomb remix!

Iron Blu with his next release on the label, Truth and Soul I (yes there will be II & III later) serves up four tracks of tough, dub-tinged techno inspired by and a logical progression from his postpunk roots.
Vinyl only, no repress, limited to 200 copies.....you know the score!

Following Merv's EP, Taped Artifact now presents a new outing by the label co-founder Kevin Arnemann. With three original cuts, showcasing the labels characteristic dub-influenced techno sound, the EP is complemented with two remixes by Jonas Kopp. Arnemann's 'Trash Polka EP' kicks off with saturated 808-grooves, driven by steady dub-chords and hard hitting claps. Next, the original track sees a special dub influenced treatment by Jonas Kopp. The in Spain residing Argentinian delivers a stripped down, yet high energized techno version. As a digital exclusive, Kopp prepares a second interpretation, following the tradition of a classic rooted dub sound. On the flipside, 'Revertigo' sees Arnemann utilise a rumbling break beat, topped with icy rides, blissful dub chords and cinematic pads, taking you on an energetic trip. 'Ideology' is bringing the EP to a closing. With heavily processed chords and hard hitting drums, Kevin Arnemann creates a suspense that leave you wanting for more. Vital Sales Points: - 3rd solo EP by Kevin Arnemann on Taped Artifact - Two remixes by Jonas Kopp - EP comes with download code for full EP + digital exclusive bonus remix by Jonas Kopp

Ophir Kutiel AKA Kutiman is a multi-instrumentalist from Tel Aviv, a “psychedelic space funk architect” to quote Straight No Chaser. When we were approached by his label Siyal about recruiting ZamZam/Khaliphonic artists for a remix project, we loved the idea right away - dub without borders or boundaries is our passion, and getting our hands on Kutiman’s freeform analog explorations felt like an amazing opportunity to push that passion further. All four remixes revel in the freedom of the original tunes, and each, while anchored in dubwise techniques, are totally unhindered by tempo or other genre constraints.

Alter Echo & E3 open with a remix of “Unknown,” the set’s only 140 tune, full up with a bubbling cauldron of bassline and flutes, esoteric vinyl archaeology, spring reverb shocks, and swung percussion.

J:Kenzo, known for 140 and 160 bpm sound system bangers, here takes the chance to stay deep - but in a chill mode - unfurling a beautiful journey of syncopated drum work and slapping percussion framing the lush, meandering melodies of the original “Behind The Noise."

Gulls’ rework of “Mineral” rocks with an offbeat feel, technically in four, but swaying like it’s in three. Plucked guitar figures recall the African roots of contemporary bass music, and tape hiss buffets the listener back and forth through a sonic hall of portals and passages.

Perhaps the most surprising of all four four versions is Headland’s closing “Lucid Dream” remix, which sets course for dub techno country and never looks back. Combining the best of the producer’s masterful sound design and sense of build-and-drop dynamics with the idiom’s 4/4 pulse and focus on immersive space, Headland closes a set as inspired as the album it was based on.

Vinyl Only.

A collection of favourites, including limited and some
previously unreleased Dubs by veteran House producer Alexkid. Already supported by Dyed Soundorom, Enzo Siragusa, Josh Wink, Radio Slave, tINI, Luciano, Archie Hamilton

Concerns Music returns with the fourth edition LTD. An ep that has the tracks of Kalter Ende & Sarf and Edit Select remake.
Classy, stomping, reduced Dj tool techno!!!

* Mysterious cult figure, Leonel Castillo is the best-kept secret the Argentine electronic music scene has brought forward so far. An icon and at the same time virtually unknown, Leonel is one of the most prominent Latin American talents. A stylistic chameleon and an ultra talented jack of all trades, he is hard to pinpoint, and even harder to categorize. Surfacing wherever it takes the vanguard talent, he's been releasing music as Leonel Castillo and under various monikers - Arnold Slab, Boeing or Unknown Artista are some of his aliases - on labels as diverse as the legendary Estatus Discos, or Telegraph, Ilian Tape, Airdrop, Greener, Sushitech and of course on his own imprint, Groovear.

* Constantly reinventing himself, Leonel Castillo manages to present his musical talent in an even more refined context every time one of his sought-after releases comes out, it ´s impossible to predict his next steps. From remixing rock and pop giants such as Miranda! and the Babasonicos, to getting commissioned to remix Brandt Brauer Frick on !K7 Records and JT Donaldson on Classic, touring the States, to djing at underground club nights in his local 'barrio' while finishing off his new releases, the Argentine artist has neither limits nor criteria which makes him so uttermost interesting and universal. Ranging from deep dub sounds to futuristic funk reminiscent of the earliest days, his music radiates acid and old school house of the boogiesque kind, paired with rock-bottom grooves which resonate the ancient spirit of early day techno while remaining absolutely timeless.

* Called into existence in 2005 by Leonel Castillo, Groovear was conceived as an outlet for his countless monikers and projects. Groovear was initally designed as a netlabel in order to share the immense amounts of music produced by Leonel. The idea of endless sharing and downloading is something intrinsically connected to Argentinean history. No traditional record labels were able to operate after the introduction of the compact disc in the '80s. Leonel Castillo put out a few releases between '05 and '07 under his different monikers - Boeing, Dubjack or Unknown Artista. 5 years later, the label has finally prepared its vinyl moment, presenting all aspects and dimensions of Castillo's ideas.
The first vinyl editions of his own Groovear label will cut those facts into deep wax - starting with "1974" and "Corriendo Al Cometa", two original unreleased numbers, on which Leonel develops his deep, hypnotic, techier and sometimes dubby sound.

Estetika Steps Up With It's Second Release Estetika002 To Bring You A Various Artists Ep Featuring Tracks From Pat King, Jason Patrick, Mattias Fridell, And Francesco De Luca.

Pat King Kicks Off The Ep With misery Loves Company' A Swinging Deep Techno Piece Laced With Emotive Atmospheres, Subtle Dubbed Out Vocals, And Rhythm Elements.

contour Subtracts' A Driving Techno Track Comes By Way Of Jason Patrick Bringing Ominous Pads, Dark Synth Elements, And A Jacking Modulating Clap.

Francesco De Luca Contributes The Third Track Of The Release With twisted' A Stripped Down Deep Moody Techno Number Laced With Polyrhythmic Synth Grooves.

Mattias Fridell Closes Out The Ep With semeldagen' Delivering A Dose Of His Signature Machine Funk Techno And Hypnotic Synth Riff Pivots In Conjunction With Rhythm Elements.

Man Band delivers its first Various release with a stunning downtempo opener by the enigmatic DJ Sacom and an ever mind-bending trip by Forest Drive West, with his second hypnotic remix of Elise. More newcomers on the flip include Bristol based Patrick Flint with a celestial workout of swirling percussions, and a massive, dub inspired cut by Paris local figure HANAH.

Amsterdam label Taped Artifact has lined up an EP from Merv aka Brian Oldenborg and Jan Christiansen. After the Re-Melted reissue on Styrax in 2015, this is the pair's third new EP in three years since coming back after first making music back in the mid nineties. Their warm dub and techno style is still very much fresh and arresting. Blueprint opens the EP with eight enthralling minutes of percolating drums and shuffling hi hats. Frosty yet warm, it's a cavernous affair with a hypnotic riffs sucking you in over and over. Shine is more upright techno, but the rock solid kicks are still draped with rippling, static coated chords that ripple out in all directions. Rotundum closes things out with synth waves gently breaking over hunched drums that build the pressure. It's tense and engaging while remaining thoroughly atmospheric.

The new bomb on Echocord Colour comes from Mike
Dehnert.
Mike already released several eps on Echocord Colour, and
we are happy and proud to have him back.
This ep contains 3 powerfull Techno-Tracks with dubby
elements, typical stripped down Mike Dehnert sound,
perfect for the peak time danceoor.
Mike Dehnert is mostly known from his own Imprint, the raw
techno label Fachwerk which he has been running since
2007.
He is also releasing on other respected labels like Delsin,
Clone Basement Series and Deeply Rooted House.

We welcome one of Ukraine's most talented underground techno artists Oleg Mass delivering two dynamic gems stamped with his instantly recognizable and edgy production style.

On the remix, Andre Kronert creates a deep and driving mutation of 'Beyond That' and Calculus strips 'Arrival of His' back to a gritty drum tool.

incl. IDEALIST / ANDRE KRONERT REMIXES

Limited vinyl only release coming from Tel Aviv with minimalistic dubby mood on A side with remix from Idealist. B side will immerse you in a dub techno journey with remix from Andre Kronert.

Aleksi Perala with the last installment of the Sunshine series! Beautiful and bright modern electronix based on the Colundi musical tuning system. (quote Dj Rephlex; ''the frequencies were chosen via experimentation and philosophy, each relating to a specific human bio-resonance, or psychology, traditional mysticism or belief, physics, astronomy, maths, chemistry.'') Smooth and fluttering melodies layered over crispy rolling beats transmitting lovely vibrant sunny upbeat vibes. Braindance with high serotonin and dopamine levels.

repressed !

This is the Phase II Ep of Leo Anibaldi variations . After Evocation ep with Sebastian Mullaert (Minilogue) realized on cannibald records , for the A side Leo has proposed Markus Henriksson (Minilogue) to create a new version of (Always From Reality) a track coming from the album Cannibald realized in 1992 . For the B side Leo has involved Donato Dozzy to create a new version of Aeon Fusion 1 (1994) wich is a very particular tracks for thoose years considered by the statistics as one of the key tracks before the 'advent of dub dark techno music .
The project will be out 1 th july on Cannibald Records strictly on vinyl .

After a succesful first release of the mysterious Label Disjoint

The Artist Yakine returns with 3 amazing tracks on his part 2.

Vinyl Only!

ZamZam 72 comes from one of our favorite producers for the last few years, the elusive Andy Mac. Known in particular for his “Diving Bird” series, a buy-on-sight trilogy of 12”s on Bristol’s Idle Hands, the idiosyncratic producer also has releases on No Corner (in collaboration with Ossia), and the seminal Punch Drunk label. His unique style of chopped, techy, warm, pastoralist dubwise had us from the first, and the tunes he sent us flew through our A&R gauntlet with ease. His are records we return to again and again, revealing more subtlety with each listen, free from genre or tempo constraints.

“Dawner,” the first of two transmissions from Lands End, Cornwall, is a perfect encapsulation of the Andy Mac sound: melancholy yet uplifting, rooted in techno-steppers yet rough-hewn and organic, breezy yet piercingly introspective. Led by a staccato kick and insistent metallic snare, featuring a bubbling Hammond organ lead by Richard Blackbarrow of cult UK Rough Trade band “Bob,” this one shimmers with summer warmth, lens-flare refracting saturated side-light, made for dusk sessions and sunrise sets, preferably out of doors, far from any city.

Layered with field recordings of streams and sea, “Tawny Grammar” is an altogether deeper affair, a dark, hallucinatory journey into the power of repetition in a 140-ish style. Shaker, kick, and hi hat lay the foundation for a looping and loping Binghi drum and guitar chop that begin their journey hacking through a dense undergrowth of sound, only to find themselves ensnared in a web of backwards delays and psychotropic effects that suspend the unwary in a strange tension between minimal and claustrophobic… the dance’s dark beating heart.

Dub techno, stepper to death... once again a big Tetra Hydro release !! Don't miss !! before it's too late !!

finally repressed

Blankstairs is pleased to announce the imminent release of 'Pathfinder', the latest record from Washington State resident Archivist. 'Pathfinder' is Archivist's second release on Blankstairs, following 2015's 'Migration', which Impose Magazine celebrated as offering listeners "the possibility of transcendence." Archivist's new record is no different, featuring three original deep techno tracks along with a remix by The Bunker New York resident Eric Cloutier. With 'Pathfinder', Archivist shows himself to be one of the West Coast's most intense and interesting techno producers.

Peverelist does Peverelist on his 3rd album of Bristolian bass techno prisms, Tessellations, his first for the Livity Sound label, forming a typically stripped, acute treatise on the flux of dub, techno, D&B and ambient electronics that make up his soundsystem DNA.

Rooted in the '90s but curved and toned for 2017, Pev's sound is economically functional but not without a crucial sliver of emotive, sensual/textural pressure that bleeds thru in each cut. It's hardly hands-in-the-air material, yet his slow-burning vibes are arguably more satisfying and subtly impressive in the immediacy of the dance and for the long run.

Across a neatly plotted 48 minutes he systematically investigates and consolidates all stripes of the Peverelist sound in a way that builds on the experiments of 12000 Seconds (2014) whilst reprising and refining the heft of Jarvik Mindstate (2009).

The roiling modular tones of opener Burning Seas offers a rare, beat-less iteration of his sound before the session properly gets under way, vacillating the pressure between Under Clearing Skies dense electro-bass pulses and strobing dub chords, and the wide open lushness of Still Early, then twisting into the latinate shimmy of Sheer Chance Matters and the spiralling trills of Wireframes, which sounds almost like Plastikman meets Unique 3.

Further Inland brings a lot of originality and feeling with a misty-eyed mesh of airy Detroit/Berlin arpeggios and serpentine house swang, cooling down into the tribalism patterns of Brinks and Limits and closing on another rare, beat-less vision, Plateau from which to survey his rolling topography and then dive back in again.

Good stuff.

Next up for Rhythm Section's club focused sub-label - 'International Black' 004 is here and it is bringing the heat - this time from Tennessee, USA. Mister Saturday Night and CGI affiliate Alex Falk delivers a 4 track EP made with one thing in mind - the dancefloor. Taking influence from the likes Chevel, Levon, Redshape and Phase; Alex Falk achieves a singular vision merging American and European styles of Techno.

Opening with UPP, an effortless techno groove with a tight rolling bass line, classic lead stabs that pulsate, twist and turn as the heavy kick punishes the subs. BETA comes in next with a serious low end bounce - a distorted bass bump pushes the system to the max before being followed up by lower sub all swinging around a fat house kick and tight percussion - another club stomper for the serious rigs only.

The B side is a proper dub techno workout. Beginning with DAB a focused club tool whereupon sharp stabs progress and modulate throughout the track as tight kicks and hats hold down the groove. Its a serious wristbreaker that will cut through any mix. Closing the EP is GATES13, a more downtempo affair. Atmospheric chord stabs dub upon an 808 kick, a must for the warm up or warm down.

ZamZam 71 is the welcome return of D-Operation Drop, the multi-man crew from Cesena, Italy with a well-earned rep that continues to grow. Everything they touch becomes a bona fide killer, from traditional steppers to 140 abstractions, to full on clash material. Last year alone saw powerful releases on Scrub A Dub, Lion Charge, Green King Cuts, and Subaltern. Their second chapter on ZamZam marks yet another high point, an absolutely storming release that won’t leave any box it makes it into.

The reverb drenched melody that opens “Bronco” throws open the gate for a brutalist kick-snare riddim with one single purpose - to absolutely crush the dance. A throbbing two note sub and swinging chains sweep aside any and all challengers, leaving pure devastation in their wake. Mesmerizing in its simplicity and absolutely devasting in its efficiency, this weapon has been deployed on dubplate from the likes of J:Kenzo & The Bug - now the beast is released to wreak havoc on Sounds far & wide.

“Coldset” is the healing salve after the bruising of the A side, equally captivating and functional in the dance, swaggering at a cooler temperature with metallic rockers hi hats in the drivers’ seat and ethereal pads hovering above another signature D-Op Drop 140 scorcher. Reminding us of the roots of this music, “Dubwise” is the refrain that echoes and trail-tangles deep down the side chain into lusciously distorted sheets of sound that will have hands in the air for multiple rewinds.

ZamZam 70 is our first team-up with the man of mystery known as Marcus Anbessa. An enigmatic figure whose identity must remain secret for the time being, his infrequent releases on labels such as Lion Charge, Tribe 12, and The Most High (as “Unknown Artist”) are eagerly awaited by those who know, charting an uncompromising vision down a path untrod by the weakheart or the follow-fashion. We love music that builds its own sound world with only passing reference to familiar genres or signposts, music that believes in itself utterly - for this reason we feel genuinely blessed to present these two sides.

“March of The Falasha” is pure roots music that, firmly planted in the soil of dub and sound system, reaches back even further into the mists of time through technological means. Downbeat steppers is the idiom, pure heartbeat is the pulse. Like an old soul young in years but full of wisdom, a distorted flute melody wanders ahead through the undergrowth of bass, light filtering through the ancient canopy above in the form of swung percussion and flickering echoes overlapping and intertwining like vines and creepers weaving on temple walls. Ancient-to-the-future.

“Creator” strikes a different yet equally dread chord, 140-ish post-apocalyptic Rasta business focused squarely on bass and space, hard, insistent drums and infinite echo trails flinging from the snares and percussion, creating hypnotic tracers like sparks swirling heavenward from a well-tended fire in blackest night.

Imagine African Headcharge on Jah Tubbys, or a rootsman groundation resuscitating ancient machines in the crumbling ruins of a near-future world and you begin to see what Marcus Anbessa brings. This music reminds us that nature herself will some day claim Babylon and grind it to dust, regardless of our efforts to save it or hasten its fall.

This is the first release of ODDiscos, the newborn label representing Sao Paulos' infamous ODD event series! The various arists release showcases the who is who of the Brazilian electronic music scene.

After bursting on to the scene in 2017 with the dub techno stomper ‘Zulu Blues’ on Navy Cut records, Melbourne based producers Pugilist and Mystik collaborate once again, this time around with 3 tracks on Modern Hypnosis.

The A side ‘Sabu’; a unique blend of polyrhythmic Latin inspired percussion and chanting, complemented with a rolling bass line and dreamy synthesised chord progression; is a genre blending trip, sitting at 135bpm, capable of taking a set in many directions.

On the flip side, two sophistically crafted Dub-Step pieces. 'Misty in Roots’, taken from the vaults after hypnotising dances in Melbourne on dub plate for the last 3 years. Minimal, meditative, eyes down music.

'2 Steps Backwards’ (available vinyl only) is an energetic 140bpm piece. Nostalgic roots inspired 'Dub-step of old’ is infused with creative oscillating synthesis, musicality, and post modern dubbing techniques. A subtle bass line switch up on the second drop guarantees satisfaction.

Silent Season welcomes Russian producer Toki Fuko to the roster for this special versions edition double 12"" of deeper soundscapes. Toki Fuko's music can be described as mechanical signals structured in a hypnotic substance with a dub techno groove and rhythm sequences. The Spring Ray vinyl edition features 4 versions of Spring Ray, each unique in their own sense. The versions were specially mastered and cut by Stefan Betke of Scape Mastering. Deep hypnotic dub techno.

The ever productive Conforce returns to one of his key home labels for another exploration of his prolific deep sea techno sound. His Haedron EP has a firm dance floor focus, designed to propel you ever further forwards. Hi hats glisten like light beams penetrating the deep ocean, topped off with some timeless dub techno vibes that mixes Basic Channel with Planet E to mesmeric effect.

“Introducing COSMIC RESIDENTS v. 1, the first in an ongoing compilation series from Cosmic Resonance Records. This series will showcase emerging talent from Toronto’s underground creative electronic music scene.

This first edition features local favourites and Cosmic Resonance residents Radiant Aura Faculty (aka Raf Reza), KOREA TOWN ACID and Hemingway along with (and making their vinyl and Cosmic Resonance debut) Body Butter, WeTurnToRed and Smoke & Shadows.

On the A-side, Hemingway kicks things off with Astralnauts, a deep, dubbed out boogie breakbeat burner dedicated to explorers of the astral plane featuring fellow label don Chris Evans on rhythm guitar. Radiant Aura Faculty (aka Raf Reza) takes us even deeper with the mystical 'Cid Pit Riddim', a slamming 707 acid bender sure to melt any dance floor. Things get slippery with Body Butter’s debut single ‘Lights In The Hallway’, a timeless operatic pop opus featuring Neil Rankin (aka Burt Sugar), Chris Evans (aka Mr. Bliss) and Hemingway behind the board.

On the flip side, things heat up with Shamanta Chandran’s project WeTurnToRed (recently releasing their debut EP on ORO Records), featuring the progressive modular techno odyssey 'Warm Winter', an escape from Toronto’s long and tumultuous blizzards. Emerging from the Mahogani Forest, Korea Town Acid reinterprets Hemingway’s emotional ode to the jazz aesthetic 'Blue Notes' with her trademark cerebral rhythms and a masterful bassline that elevates the original to new heights. Closing it off, we have an amazing collaboration between Curtis Clark (aka Smoke of Lab.our Music) & Em Zy (member of Nikki Fierce) called Smoke & Shadows with their stellar debut single Convincing Thoughts that features Em Zy’s hazy vocal emanations amidst a backdrop of mystical reverberations and a dark, powerful groove.”

Swedish electro-dubstar Andreas Tilliander does a mean pair of acid dubs for Dub On Arrival, a new wing of Joachim Nordwall’s iDEAL Recordings institution

A longtime affiliate of the label, both under his own name and also as Mokira, Andreas Tilliander is a prime candidate to kick off their 7” dub series, bringing decades of echo chamber experience to a brilliant pair of sloshing acid dubs.

In signature style on the A-side’s ‘Expect Resistance’, Tilliander smudges the contours of a 303 and chirruping melodica until they resemble a curdled, lysergic reflection of Jamaican dub proper, highlighting its inherent links to house and techno.

On the B-side ‘Respect Existence’ he goes slower, more spacious and plasmic, like one of Rhythm & Sound’s drowsiest, a la ‘Roll Off’, but merged with early Plastikman-esque acid for a tactfully trippy, psychedelic effect Tilliander can safely call his own.

Alexi Delano and Jesper Dahlbäck is back together. It has gone 7 years since their latest release Guts To Move on ISL.

This brand new release on Kalvaberget is a deep and dubby techno EP. The first track burst out with the classic Delano-Dahlbäck sound. Raw 909 HH Fetish Dub.

The second track is a more straightforward dirty gentle-pumping-big-industrial-room 4/4 banger.

The EP wraps up with Dub Techno deluxe. Trapezium Cluster. We find a hint of Basic Channel and Maurizio seasoning here. Tasty!

Last but not least you'll find a bonus dub tool.

The legendary Moscow club Propaganda celebrates its 20th Anniversary in April 2017 and launches a brand new record label. The label will cover different styles of intelligent electronic music, focusing on techno in the first year. At the beginning there will be released music by great artists who had performances at Propaganda club in past. More artists will be involved and more excellent music will be released over time.

Fresh from her last release which featured an essential remix from Ricardo Villolobos,
Russian artist Julia Govor is back with three more great tracks on the ever excellent
Rhythm Cult.

Julia has come a long way since playing in a military band and is now a foremost house
and techno name who has released on labels like Cocoon, Hypertone and Second
State. She can also be found rocking crowds at the likes of Awakenings, Time Warp,
ADE & Sonar often alongside Richie Hawtin, with the core of her sound built around
an emotional truth, depth and devotion to seductive rhythms.

Opening the EP is the immediately absorbing 'United', a deep electronic house tune
with a warm bed of crisp, driving beats overlaid with acid twitches and dry claps. It
really locks you in and some female musings add a pensive air.

Next is the equally excellent 'Morse Code,', an airy and cerebral, super deep roller that
is quick and slick and filled with eerie atmospheres. Razor sharp hi-hats cut up the
groove, ponderous and hollow bass synths add depth and the whole thing is made for
heady backrooms at 4am.

Last of all is the seductive 'Parallelepiped', a quick and clipped deep techno cut that
will get you on your toes. Distant synth patters and perfectly programmed, frictionless
drums all add up to a steamy and seductive sound.

This is a high class EP of heady house and techno that will find favour with
connoisseurs all over.

Agonis Remixed By Friends

WHITE 12" IN SCREEN-PRINTED PVC SLEEVE

Imited To 100 Copies Numbered With A Military Tag And An
Printed Cardboard Poster -- Angelo Sindaco (oto Boss) And Dj
Uovo Come Together With A Brand New Project. The Duo Bring
Their Own Musical Influences And Blend 'em With A Futuristic Hint On This Hyper Funky Tech Twelve. Last But Not Least Nick AnthonySimoncino (l.i.e.s. Records) Remixes "visual" Adding A Dubby Techno Groove Feel.

Following on from 'Dimensional Space' on Echospace (Detroit), dub techno legend CV313, aka Stephen Hitchell offers up his second album, 'Glass City Sessions' on Minimood, featuring five profoundly immersive tracks that come as a double vinyl release only. CV313's signature dub techno sound has been a blueprint for the genre and is created on vintage hardware, all sounds, static, tones and paranormal occurrences are left in to render it as atmospheric as it is.

The five expansive recordings that make up the abum are actually based on live recordings from a DEMF aftershow night back in 2000 in Detroit. The music is a bit creepy and so was the experience of this live show' says Stephen Hitchell, It was an old dingy warehouse about 10 miles out of downtown Detroit, right next to the now abandoned Eloise asylum, but there are many stories of it still being haunted'. Indeed, that theme of haunted locations around Detroit echoes through the five tracks and makes them a truly cinematic experience.

Opening things up on the first record is the brilliantly dark 'Belle Isle Symphonics,' twelve frosty minutes of hunched-over drums and rattling metal sounds that place you in the centre of a large abandoned building. 'Masonic Mystic' is much sparser and more eerie, with watery chords and warm static suspending you in an unsettling calm atmosphere, but one that always feel like something strange is around the corner.

On the second record the superb 'Stars Above Elmwood' lifts the shadowy mood somewhat with more airy dub techno drums and pensive chords rippling out in all directions. It's warm, expansive, and utterly absorbing for more than 13 minutes. 'Two Way Inn' continues the trip in fine style with gentle chords and barely there drums, comforting white noise and distant pads all sinking you into a state of meditation before the masterful 'Eloise's Theme' arrives, an ambient-ish masterpiece with horizontal chords gently moving up and down the scales to trap you in a soothing state, but always with an undercurrent of foreboding.

This new album by CV313 is deep story telling dub techno of the highest order.

Ultra-limited to 200 copies worldwide. Exclusively distributed by One Nation

A very special 4-track limited EP from Marked Vinyl, we begin with 'Foundation', a subtle, deep, hypnotic groover with enough sub-movement you know it works as soon as it starts. Next up is 'Greenfield Funk', a late-night trip where varied synths and melodic keys decorate an unassuming unmissable bassline. The third track here is 'Gaiahuasca', where pumping synths break into an all-encompassing acid bassline, as the shamans of the Amazon don the caps and sneakers of the City. Lastly, we have 'Slime', a slice of freshest dub-techno in which spaced out analogue synths and rhythms meet the mother of all basslines before erupting into spine-tingling percussion. Packaged in original artwork, and limited to 200 pieces worldwide, 'Stargates EP' excels in quality content and variety, and signals the return with audio and visual treat from Marked Vinyl.

It's time for LET Recordings founder JP Enfant to make a mark on his own label again, and he does so across four fantastic tracks of absorbing and moving techno. As a resident at De School Amsterdam he is a pivotal part of the scene and this is his fourth EP on the label since its inception in 2015. His sound is rooted in techno but always comes detailed with elements of breakbeat, ambient, house and dub. This is another EP of innovative music for the body and mind in equal measure.

Schlachthofbronx Celebrate 10 Years Of Their Existence With A New Record On Their Rave And Romance Imprint. On This Double Single, The Munich Based Duo Dives Into All That Interesting Vibes, Rhythms And Sounds They Have Come To Be Known For Over The Last Decade, Exploring The Hybrid Fields Between All Kinds Of Dub, Club And Soundsystem Music. And: They Even Allow Themselves To Get A Bit More Emotional To Fit The Special Occasion.

The A Side Ten Starts With A Bittersweet Synth Intro That Can Only Be Described As Epic Before Immersing In A Dubby Bassline World Full Of Layered Melodies Reminiscing About Club-romantic Stories Of Raves & Sunrises From The Past - While Always Keeping You Dancing To Waves Of Bass Tailored To Big Soundsystems, You Know The Drill.

The B Side Orion Takes You Far Away Into An Out-of-space Dub Universe Equal Parts Sultry & Fragile And Full Of The Highest Highs And The Lowest Lows. It's Deep.

It Will Be Available Digitally And On A Limited Edition Run Of 10" Vinyl (full Artwork Disco Sleeve) Via Rave And Romance Records. Distribution Via Unearthed Sounds (vinyl) And The Orchard (digital).

With This, Schlachthofbronx Will Follow Up Their 4 Previous Original Albums (2009s Schlachthofbronx, 2012s Dirty Dancing, 2014s Rave And Romance And 2017s Haul & Pull Up), Completed By Eps And Singles For Labels Like Zam Zam, Mixpak, Monkeytown, Mad Decent, Disko B And Man Recordings As Well As Production Work For Artists Like M.i.a., Snoop Dogg Or Bonde Do Role.

Mathimidori from Mule Musiq shows us his dub inspired roots incl. a fine balanced remix by Rhauder.

De:tuned continue to celebrate their 10th anniversary with this second EP of the series and dive deep down into the ambient techno world. The A side makes you drift away on a rare Sun Electric get together, followed by a Higher Intelligence Agency piece of beauty. DeepChord's dubbed lushness completes this highly intense journey.
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Pressed on 180 gr vinyl and a separate digital version will be available from the usual digital shops. Stay tuned!

Khaliphonic 11 Is A Truly Epic Release From One Of Our Most Prolific Artists, Brendon Moeller Aka Echologist, Aka Beat Pharmacy. In Just The Last Two Years, Moeller Has Released On Labels As Varied As Echocord, Silent Season, Kynant, And Rohs!, To Name Only The Most Well-known. Recognized Globally For A Singularly Organic And Dubwise Approach To Techno, We Are Proud To Have A Close Working Relationship With An Artist Who Coaxes Humanity And Warmth From Machines Like Few Others. The Dub Purpose Ep Is One Of His Finest Achievements.

As We Planned A Third Zamzam Release From Our Favorite Well Of Hardware Sonics, Four Tracks Emerged As Comprising A Set That Simply Did Not Want To Be Separated. The Four Tunes That Make Up This Ep Felt Like Chapters In A Single Gorgeous Narrative, And So A 12' Was Born.

We Asked Brendon How Dub Influences His Process, And What This Ep Specifically Is About. He Replied:

"dub Facilitates Whatever Vision I Have With Music, Which Is One Of The Reasons I Incorporate A Dub Approach In Everything I Do. Whether Infusing Nyabinghi Rhythms With Epic Strings, Roots Dub With Industrial Dread Or Grungy Modular Antics With Stepping Vibes, Dub Is The Glue That Keeps It Together. The Inspiration Behind These Tracks Are On-u Sound, Wordsound And Bill Laswell, Travellers Who Understood The Possibilities Of Dub."

The Dub Purpose Ep Does In Four Tunes What Many Lps Struggle To Do In Eight - It Builds A Cohesive Narrative Arc That Moves From Menace, To Exploration, Through Mystery, Closing With Beauty. And Just Wait Til You Hear It On A Proper Sound...

Mastered By Sam Precise.

It has been few years since MD2.6, but after a long hiatus techno dj and producer Mike Dehnert continues his exploration on MD2 with a new EP filled with straight and destructive techno tracks!

Everybody knows Umek as the Techno legend from Slovenia but having reprised his Zeta Reticula moniker in 2015 (after a hiatus of more than a decade) on his own 1605, Electrix and more recently Berlin label, Mechatronica, it's fast become apparent that he's also a major force to be reckoned with in the Electro universe.

Returning to Billy Nasty's Electrix with his seventh Zeta Reticula instalment for the label we get four new tracks this autumn that prove his credentials even further.

Whether he's laying down the future funk sounds of opener '13000 AU From Our Sun', the robotic melodics of 'A Common Motion Through Space', the retro drive of 'Chromospheric Activity' or the twanging groove of 'Southern Skies', his razor sharp production, creative synth work and deep basslines shine through on this essential release.

Louis captures the secret life of techno in all his compositions. On Metronomik, his stripped 808 grooves emulate the harsh time keeping of life',s metronome. Warm, gentle washes and
thoughtful melodies remind us of who we are in this time/space. Ideal for home listening or inspired movement.

Roots In Heaven is a Berlin-based act that could very easily capitalize on his past accomplishments within the world of intrepid electronic music. As a label owner, resident DJ at cutting-edge clubs, and accomplished solo artist behind a number of conceptually unique full-length albums, the conceiver of this project won't likely need any introduction to the intrepid fans of electronic music. As an extension of this artist's already solid commitment to deep sound, Roots in Heaven represents a new voyage without the help of biographical cues to his listeners: hidden behind an evocative mesh mask lined with obsidian feathers, Roots in Heaven ignores the need to provide 'social proof' or self-justification. He communicates purely through the language of concentrated sensory impression, for which reason he has titled his debut, 'Petites Madeleines,' after one of the most memorable descriptive sequences in literary history (the famous meditation on the madeleine from Proust's À la recherche du temps perdu). As a prelude to the first full-length, Roots In Heaven has issued an untitled EP as a resounding 'shot across the bow'. However, this record is no half-conceived experiment to see what works and what doesn't, nor does it even feel like an 'EP' (in the traditional meaning of being a précis whose full report is available elsewhere). Attentive listening to its contents can cause a kind of time dilation, and a mysterious feeling of entering a world where familiar dualities (nature vs. technology, action vs. contemplation) are replaced by a feeling of total immanence. The A-side, 'Sang des Betes", accomplishes this with cascading, viscous layers of electronic tones that narrow and widen, rise and fall like the breath of some ancient entity. Periodically, bright flashes of tone arc across the horizon of the sound space, emphatically present but also elusive.

A new chapter for CREDO begins with Stefan Weise`s eight track album "The Tales We Tell Our Children" on its new sublabel CREDO.WHITE. Following the classic longplayer tradition of vinyl records these eight tracks on pure white vinyl deliver a facette of the CREDO sound being indicated by some single EP or album contributions already in the past, but now coming into full effect by this outstanding work of italy-born, germany-raised and meanwhile U.S. based Stefan Weise who made his name in the Dubtechno cosmos with his definition of deep, chordish and atmospheric technomusic. the rough playtime of around 20 minutes per side guarantees club-compatibility going hand in hand with extended listening pleasure for the living-room based turntable- and vinyl lovers.

The Idealist has a lifelong background in out there electronic music and has been suffering just as long from a deep dub passion, which has been present in his works with outfits as Saturn and the Sun, The Skull Defekts, Orchestra of Constant Distress, and numerous collabs. But the dub has never been in full focus. Not until now. Two cuts recorded at the Gothenburg Sound Experiment; "Inner Space Dub" which is a sick, capturing thing and the flipside, "The Fire of Moses Dub" which features vocal by the legendary Genesis Breyer P-Orridge of Psychic TV and Throbbing Gristle. Dub music as close to the late 70's industrial music scene as classic Jamaican stuff which the Idealist loves to the bone. Passionate, honest music which pays tribute to its influences but also succeeds to look forward into the eternal future.

Tucked away in a shed in Portland, Best Available Technology continues to cultivate an unmistakable sound grown around a seemingly untiring exploration of the machines that he works with. Across 'Enginetics & Plasmalterations' his densely layered sonic design agglutinates with a healthy appreciation for the unplanned or unexpected, forming a polymorphic collection of tracks for the 6th release from 12th Isle. While more traditional means of classification have become increasingly insufficient, it wouldn't be unfair to suggest that the music on this record bears a mutated resemblance to stuttered Downtempo or the dubbier side of Techno and Bass, connected by way of tonal plasticity through drone-jams and intermittently skewed synth loops.

Despite the frustrating limits of language surrounding music, we're incredibly happy to welcome B.A.T. to the label with this release and would be well enough compacting the overview of it to the near molecular level by borrowing a phrase from the artist himself - Sonics Proper!

On A side, electronic music wizards Kompozyt team up with a Dub Legend Lee 'Scratch' Perry to bring you a heavy-hitting and instant bounce-inducing Dub Techno track 'Hidden Force'. Lee Scratch Perry's amazing and charismatic Dub poetry blends superbly with the neat fusion of spacey and subterranean sounds of Kompozyt productions. The single is not to be missed this summer.

On B side, Kompozyt brings you a 7' version of 'Homesick' - Dub and Trip-hop inspired Experimental Electronica with Olgierd Dokalski on the trumpet. Olgierd's incredible performances of real haunting beauty further reinforce the analog, live and improvisational aspect of Kompozyt's music.

Both tracks come from Kompozyt's debut album: 'Synchronicity' - out everywhere now on CD and DL.


Selected Reviews of Kompozyt's Debut Album and the Single

5/5 Decoded Magazine: 'Incredible album 10/10'

4/5 Lars Berhenrot (Deepershades): 'LOVE THIS .. never-ending deepness ..'

5/5 Pierre Ravan: 'Amazing work from the heart'

5/5 Queensradio.org: 'I'll definitely be playing these guys on air'

4/5 Garth Trinidad (KSRW Radio) 'Exquisite score without a film'

5/5 Hoxton FM (London): 'Incredible release!'

4/5 Stereo MCs: 'Nice vibes refreshing'

4/5 Robert Babicz: 'I love dub. in all forms'
5/5 Adam Hannibal (Balanced) : 'Neat fusion of spacey and subterranean sounds. Reminiscent of the Beyond Recs Ambient Dub compilations with some freshness... Well done'
5/5 Al Bradley (3amrecordings): 'This needs full love because it's excellent :) I can really picture myself just letting this play from the first sound to the last & becoming utterly immersed as it flows through! Gorgeous.'
5/5 Bartlomiej Blesznowski- 'One of the best electronic music albums this year'
4/5 Neil Brown (RMFM; Pro Mobile Magazine): 'Some nice tunes to get your head in gear to.'

5/5 Jorn Kirk (DJ Jay Kay) (Faith Sundays): 'very nice album !!! a joy to listen to'

Welcome to Another Picture. After two decades of releasing music and much longer time being involved with music and production Losoul introduces a series of fine yet outstanding pieces of music. Being based on classic sound production this release opens a space for a wide range of musical exposure. You know the high times - you know low life. You can't deny both ways can't really exist without each other. There is the raw energy of 'BZA' consisting of rolling beats and basslines with sounds from the acidic realm being presented to the restless dancefloors by true originators' poetry. Believe that. This is counterparted by 'Sediments', a jam from nowhere else but the deep. Down here many things you might have taken for being lost remain in the abstract vibe and the groove. It's all in there. Let's go full circle.

Limited-edition, hand-stamped, white label. ÆX006 is kicking off strong and counts five tracks. On the a-side it's the debut by Selfsoul and ESHU member Tetelepta. Followed on the bside by Taupe and D&S, known for their vision on warm Detroitesque techno and Russian producer Ivan Erofeev with a punchy dubtechno roller.

Following a seventeen year hiatus since the release of Symbiotics on Mille Plateaux in 1999, Porter Ricks returns with a new EP on Tresor with plans for another release this coming year. The duo comprises of sound artist Thomas Köner and music producer Andy Mellwig.

During the duo's silence, Köner has been working extensively as a sound designer and artist - exhibiting at among other places the Centre Georges Pompidou and The Louvre. Mellwig's other projects include collaborations with Kevin Shields of My Bloody Valentine, Pete Kember of Spacemen 3 and former Monolake member Gehrard Behles. Porter Ricks is undoubtedly the central item in their musical careers, setting a high-water mark for experimentally tinged pulsating techno.

Shadow Boat is deeply nuanced in its perception of space, using complex layers to add depth, detail, and density to non-formulaic techno compositions: buoyant dub, hazy ambience, and colorful sound design renders the project a diving platform at the intersection of club music and art. Though perhaps more focused on rhythm and melody than their experimental touchstone Biokinetics released 20 years ago on Chain Reaction in 1996, this most recent installment employs equally subtle artistic sensibilities that transcend the styles that typify contemporary electronic music.

Köner and Mellwig reveal the EP on the heels of a recent performance at Berlin Atonal festival, marking a new tide in their pace of output. The gap between Porter Ricks' releases, however, has proven that extended periods in the studio devoid of the pressure for consistent delivery permit the time to craft a very sophisticated sonic fabric. Shadow Boat, as if carried by a current, drifts in cadence with Porter Ricks' earlier releases as though pulled by a gravitational force spanning the stroke of time.

This marks the first new vinyl release from Echospace (Detroit) this year with all the content lovingly re-mastered in Echospace, Detroit, USA & cut @ Deepgrooves. An unreleased classic from the vaults emerges with newly remastered content from Radius's celebrated "Obsolete Machines" double album & two of the most epic creations featured on the "Interpolation Tapes" CD series, available for the first time ever on vinyl format. Many of the songs featured in this project were initially sent to Rod Modell & Mike Schommer shortly after they launched their brilliant deepchord label in 2001. (Recorded from 1993-2000) They were incredibly kind in saying it was the best demo they had ever heard and passed it on to Octal records for release, sadly, that didn't materialize and since then these masters have been collecting dust in our cassette rack for nearly 20 years now. We've spent months doing our best to restore the old tapes from our Tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. We've had nearly every component replaced and re-calibrated to bring this obsolete machine back to life, it's been a truly nostalgic experience re-visiting and redesigning these masters.

We truly hope you enjoy reliving these magical times of music, very inspired by all that was happening in those years, there was just something in the air, an undeniable energy, long may it live on...

On the second TRULE release Al Wootton (AKA Deadboy) drops his first ever record under his own name. Traces of dub, UK garage and techno inform the forward leaning, club-focused sound.
On SELAH, Al creates a driving steppers rhythm shot through with dub manipulations and UK swing.
OMEGA and UNTITLED on the B side continue in the percussive, tracky, swung techno vein of the first TRULE record.

The following electronic soundscape features music from Eduardo De La Calle, Brendon Moeller, Tobias. and Mike Dehnert. All profits generated from this record will be donated to the Oceanic Preservation Society.

Eva Be has been a key figure on the development of Berlin underground club culture, going back to the 90s and her involvement with the Sonar Kollektiv crew that included the likes of Dixon, Ame and Jazzanova, to name a few. A highly talented producer and DJ, this EP on Poker Flat Wax showcases her skillful mastery of house music.

'Delight' kicks things off on the A side, a low slung groove wirth Chicago-esque percussion that pops out of the speakers. Some of Eva's love for dub and reggae is also present - vocals and chord stabs echo and shimmer across the track.

'Breathe' is a little more floor focussed - a hard knocking kick starts this off and the track develops into one of those deep, emotional and driving tracks that get dancefloors into a serious states of ecstasy.

Flip the wax and 'Pills' is the third offering for this release - precise-yet-wonky drums, breakbeats, deep pads and synth lines that gel together into a perfect, hedonistic whole.

It's 1977. There's A Chill In The Air, Like On A Usual December Evening. It's Cold, But The Night Is Fraught With A Strange Ferment, A Mysterious Energy That Seems To Announce A Revolution.

Myles Sergé aka TRANSLATE's Calder City Development Corp. is back with its 4th release from the legendary FEROX records owner Russ Gabriel. The Relief Ep' is a 3 track exploration into the mind and soul of Mr. Gabriel. Deep cords and driving melodies guide the listener along the way... This one is not to be missed!

Born Marian Himburg, Causa has been on the rise for several years now, with a tight and impressive discography on labels including Crucial Recordings, Infernal Sounds, and J:Kenzo's Artikal Music UK. Known for carefully focused cuts that marry dub sensibilities with dubstep weight, his debut for ZamZam is exactly what you'd hope: heavy 140 wares for deep dances.

'Space Dub' is an orbiting station of decaying delays and insistent bleeps that resolve into an absolutely massive riddim that causes pure murderation on the floor. Machine sounds and lasers spar over dread, lurching bass, while thick snares cut through the reverb haze to reveal the cold, starry cosmos beyond.
'Concrete Dub' works with a similarly industrial sound palette in the service of a minimalist, skanking steppers that drives hard into the heart of sound system. Disembodied voices, growling-deep horn stabs, a single piercing flute note, and a myriad of other sonic signifiers emerge and retreat, as if being pulled under by the unrelenting force of the primordial sub & kick attack. You've been warned!

Informa Records comes with the 8th release of the series, Symbiosis EP by Deepbass (Edit Select, Dynamic Reflection) and Reggy Van Oers (Af fin, Several Reasons).
The release consists of two original tracks, A side 'Deepbass - Symbiont' is an ever evolving progression that lures you from the outset growing continuously before reaching a climatic peak staying within the hypnosis
throughout.
B side 'Reggy Van Oers - Tunnel Dweller' is a darker affair which focuses on the purity of each individual element within the track. With a sinister constant flow, seductive escalating atmosphere and subtle creative effects.
The tracks complement each other nicely while showcasing the signature sounds of each artist.

Mastered by Artefacts Mastering

J:kenzo Is A Certified Don Of Contemporary Sound System Music, Whether Dubwise Or Otherwise, 140 To 160 And Beyond. Kenzo Is A Highly Respected Label Head (artikal Music Uk & Lion Charge Records), Heavyweight Producer, Master Disc Jockey And Host Of One Of The Most Passionately-followed Radio Shows In All Of Dubstep On Rinse.fm. Needless To Say We Are Thrilled To Build With Him Once Again. Absolute Control Over Sound Design, Timing, Tension And Dynamics Mark All Of Kenzo's Productions, And The Pair He Delivered For His Second Zamzam Are No Exception. Where His First Release Was A More Meditative Affair, kingston Hot' And concrete Jungle' Both Revel In A Harder, Darker Vibe.

"kingston Hot' Enters Rocking A Sleigh Bell Riddim And Builds Quickly Into A Stormer That Has Been Pummeling Crowds Worldwide On Dubplate With Support From The Likes Of J.sparrow, Mala, And Headland To Name Just A Few. At Once Spacey, Sultry, Heady, And Menacing It's Both Eyes-down And Hands-in-the-air Material, All Bass Weight And Reverb Space, With Every Flick Of The Wrist In The Mix Another Reason To Recognize That The Man's Stature In The World Of Bass Music Is Well-earned.

Concrete Jungle's Thinned Intro Kick, Spare Hand Drums, And Paranoid Minimalist Melody Set The Stage For A Hard 140 Stepper Composed Of A Sidewinding, Distorted Bassline, Smeared Snares And Panned Percussion That Drives Deep Into Primal Sound System Territory. Frequent Sparring Partner In The Live Arena Sun Of Selah Makes A Guest Appearance On The Mic With A Single Dread Declamation That Perfectly Captures The Tone Of The Tune, A Gritty Vibe That Feels Like Swaggering Through A Near-future Urban Wasteland On The Way To A Dance That May Not Be Much Safer Than The Streets.

vinyl only!

Echocord sub-label Echo Echo continues this July with Orbite's 'Interstellar' EP, a threetracker from the Berlin- based producer. Orbite is a brand new project founded in Berlin, Germany with a nod towards the raw, dubby sounds often heard across the clubs in the city, and where better to inaugurate things than the recently launched sub-label of Copenhagen's Echocord, one of the leading imprints in the realms of Dub Techno, home to pioneering acts like Rod Modell/Deepchord, Pole and Fluxion who have paved the way for Orbite's own twist on the genre. The ethereal pad textures of 'Skylar' lead on the package, deftly evolving alongside bubbling synth tones, swelling chords and shuffled percussion to create a create dynamically unfolding six and a half minute cut. 'Moment' follows, edging things further into dubbed-out territories with heavily delayed dub echoes and mesmeric spoken word poetry intertwining to create a, hypnotic beatless soundscape. 'Organi' closes the record with emotive, billowing pads, warm bell like tones and vocal murmurs running alongside swinging shakers and stripped-back micro-house percussion.

All things come from and return to the same source - such is the theory of Monism; an ancient philosophy, but also accounting for the music of Jeroen Search. Dictated by an ethos of exclusively recording live takes and the only ever editing happening while a tune is being created, each finished track is imbued with that unique magic of the moment. Such too is the nature of Monism, Search's first LP in over two decades of electronic explorations and personal as well as artistic growth. As with any of his music that has been released so far, the tracks on here hold a timeless quality, existing within their own frame of reference than - that is their immediate experience. Across a carefully arranged course, the album naturally unravels its many ideas, ranging from moments of pensive ambient pieces to thick washes of dub echo and layers of modulated synths, all while providing an endless array of hypnotizing bare-bone grooves in the process. A true Figure mainstay, Jeroen Search upholds his artistic relevancy without any reinventing or switching up the formula - rather by simply keeping true to his accomplished craft.

A real Techno / House / Electrosynth Stomper!! "Patrik Book has being in our knowledge since we were kids and listening to his early project AUSGANG VERBOTEN "Entertainment", a real underground synth tape released back in 84 and later re-released as LP by Genetic Music 2004." Enough said, 100% POWER! This wont slip!

Abdulla all of a sudden appeared on the scene with his label... and a couple months later he pops by again with this 2nd twelve. Trippy deep gritty techno tracks from this guy thats clearly not aiming to be the next most popular producer in the Resident Advisor poll.

Sven Weisemann is set to release his 'Bilateral Relations' EP via Copenhagen's Echocord this September, comprising four originals from the German producer.
Sven Weisemann has been immersed in the underground House and Techno scene for quite some time now having started DJing in 1997 during the rise of the scene on his home turf of Berlin and going on to release material via the likes of Amsterdam's Delsin, Mojuba, Telrae and liebe.detail amongst many more.
Here though we see Sven joining the roster of Echocord, a perfect fit for his more dubbed out compositions with artists like Fluxion, Rod Modell and STL on the roster.
'Lunation' opens the release and sees Weisemann fuse emotive string melodies and cavernous vocal echoes with off- kilter rhythms and rounded sub hits before title-track 'Bilateral Relations' embraces a more direct four-four approach via sparse percussion and tumbling toms alongside choppy bass stabs and ever-unfolding, echoing dub chords.
Opening the flip is 'Monistic', an airy ethereal number employing billowing pads, bright synth chimes and a dropped tempo dubbed out feel to create something truly stunning and thought provoking before the 'Decimation (Valvle tR9 Mix) closes things on a darker tip with looming stab swells, heavily swung drums and sporadic growling bass drones.
Sven Weisemann's 'Bilateral Relations' EP is out on Echocord 8th September 2017.

Nomo 005 With Four More Analog Sessions Straight From The Ocean Floor ! Blue marbled vinyl with handmade stamps and free sticker, inspired by Jules Verne's '20.000 leagues under the sea' ... deap-sea monsters and fear of the dark side ! vinyl only - no digital release or promo !no-mo