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Techno Vinyl New Releases - News
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TIME IS A PRESSED CIRCLE
The passage of time is never simply a straight line from "A" to "B". Causal relationships weave themselves through its fabric in ways that can never be fully predicted. Over the course of some four decades, particular threads have been woven together in ways and for reasons which, on the surface, may seem disparate and unconnected, yet in the grand scheme of things, surprising patterns emerge that might never have been previously anticipated. The manifestation of this artifact is one such example, encompassing elements from prior incarnations spanning vast expanses of experience. Somehow, these particular facets have formed this specific crystallization and found their way into the world in an arrangement that was never intended, yet somehow seems destined. Consequently, this entity now embarks on its own journey onwards, towards some unfathomable outcome that shall only be comprehended in the fullness of time, through the piercing of the veil of some unknown tomorrow. ANAZANAUT
All tracks remixed and remastered October 23 to 25, 2024.
VOICE ON THE 14, 2002.
POACHER PATH (EXTENDED MIX): Original audio sources created circa December, 1984. Additional recording and remixing completed February 1 thru 12, 2022.
WHAT HAPPENED: Recorded July 14 thru 19, 2024.
GLAZERS (TRASK TALK MIX): Initial rhythm track created May 7 & 8, 2012. Additional recording completed July 3 & 4, 2016.
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Atom Heart and Pink Elln team up again for what is Volume 12 in their live recordings series. For the first time on Pomelo, this set was recorded on November 14 2009 at Berlin's infamous Berghain and features pure analogue acid techno, applying repetitive tones and baselines over deep 808 beats
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Early support from Luke Slater, Kr!z, Truncate and Rødhåd. After 4 years, Blenk is back on Enemy with another incredible EP. “Breaking the Loop” is 5 tracks of Blenk’s signature hypnogrooves that will easily compliment each part of the night. This EP kicks off the 20th year anniversary of Enemy Records. Over the course of 2025, expect a handful of new releases and represses from our most indemand records!
“Lost” is the EP’s warm, ambient kick off. It perfectly sets the tone for starting up or finishing off a set at any time. We all need intros, so…here ya go.
“Outline” is a monstrous track that has been hammered regularly by a few of our select friends. It’s as funky as it is punchy. We could write more words, but who cares…it’s the big one.
“Silo” is the tracky roller of the EP. This one is for the “Just the grooves please, I’ll take it from here” type of DJs.
“FM9” is for Interstellar travelers, or at least for the people who took enough acid to think they are. If you’re into ‘wormhole techno,’ this is one is right up your quadrant.
“Dissociative” does exactly what the title says. While it has those A side qualities, it’s the perfect introspective wrap up for the infamous B2 spot.
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- A1: Distress (2025 Edit)
- A2: Crossing the Line (2025 Edit)
- A3: The Shaman (2025 Edit)
- B1: Machines are Alive (2025 Edit)
- B2: Frequency Traveler (2025 Edit)
- C1: Origins (2025 Edit)
- C2: Ancient Legacy (2025 Edit)
- D1: Generation Anthems (2025 Edit)
- D2: Dance Move. Repeat (2025 Edit)
- E1: My Game (2025 Edit)
- E2: Rise of the Machines (2025 Edit)
- E3: Breaking the Wall (2025 Edit)
- D1: Fractals (2025 Edit)
- D2: Rising Entropy (2025 Edit)
- D3: Farewell (2025 Edit)
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DETROIT ASSEMBLY LINE
......the dawning of a successive genealogy of Detroit’s underground rhythm science and technology.
Two mainstays in the fabled legacy of Detroit’s authentic electronic music birthright, align to unleash 4 tracks of undeniable pure techno intensity.
This is the first of the Detroit Assembly Line series; a music manifest to the world, calculated and anticipated to affirm the bona fide noise from Detroit.
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Objects is Fandisk’s first EP. The album presents his interpretation of surrounding objects and entities with distinctive sound design and daring rhythmic elements. The core sounds of each track are sonic interpretations, presenting complex sounds and various modulations. Throughout this EP, Fandisk reveals the results of his exploration and subjectivity.
- About Fandisk
Fandisk is an electronic music artist based in Seoul, who builds on diverse rhythmic structures and unique sounds. Utilizing sharp oscillators and anomalous drum patterns, he delivers an immersive musical experience. Unbound by a specific genre, he blends various styles to express his unique identity.
expected to be published on 18.04.2025
BAR Musica Re-Present gets to the third chapter.
After the success of the first and second releases which have been played by many, this is the time to present, with big pleasure, another master of the Riviera Romagnola and house music in general.
The living legend Flavio Vecchi, also called by some The Maestro, is now releasing on BAR Musica Re-Present some gems that never got released before. Hidden in some old DATs we finally found the way to give these incredible three tracks the right light.
A little curious story: one of the tracks is the very first track he completely produced on his Akai MPC 60 when he first bought it in 1995.
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A new type of sound from uhinged live-performer and a one-woman fun tribunal. It's glossy, noisy, raw, futuristic, sensual, frivolous, dark, wonky, slow and fast alike - yet in all those variations, rather suited for bigger PAs. Tracks on Cracked, serving assorted sweets make heaven utilize pummeling yet unequal kickdrums and vary in tempo.
Side A turns risky breaks into an oddly enjoyable experience while the tracks on B flip trance motifs into rather serious, darker futuristic ride.
Isabella's work also happens to be a link between Rhode Island's noise scene & pranksters from Börft Records, Herrensauna's dancefloors and halls of Berklee College of Music where she lectures.
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The Override Switch combines the talent of two Detroit natives: Jeff Mills and Rafael Leafar. The latter is a multi-instrumentalist with a strong affiliation to jazz music. Through Mike Banks, he was introduced to Jeff Mills, where the idea for The Override Switch began to manifest. The album is a homage to artists like John Coltrane, J Dilla, Kraftwerk and those who inspire experimentation with what can be evoked through music.
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Portuguese techno figurehead Lewis Fautzi returns to Soma with the Properties Specifications EP. A mainstay on the Soma roster for 10 years, Fautzi has progressed through the global ranks to become one of techno's most recognisable acts. A consistent and competent producer, Fautzi's sound has evolved through the years yet remains modern and as on point as ever.
Density is a visceral yet hypnotic opener, its subtle drive is pushed via its instantly building, electric synth hook. Severity continues down a dark and hypnotic patch as polyrhythmic percussion guides a pulsating and incessant groove. Malleability once again displays Fautzi's control over specific elements, each grafting over the other to create new depths of rhythm throughout the track. Tension closes out the EP but does so in emphatic form. The most driving track on the release, thumping low end and crisp percussion are backed with twisted synths and dark atmospheres that swell throughout.
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The Signals E.P. is a selection of tracks which blends techno, breaks, and electro, born from a year of creative partnerships among friends. More than just a collaboration, the project opened doors to fresh ideas and production techniques, spawning a new creative process. Signals represents a musical journey that celebrates both artistic growth and human connection.
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WOLFDRIFTA makes it a hat trick of releases of his own Wolves That Drift imprint via the ‘Cybertron Utopia’ EP.
The EP’s influences are transatlantic in nature, fusing core elements of Drexicyan Detroit electro with Sheffield bleep, breakbeat and early techno. The release features three original cuts and a wigged out, brain tickling remix from Fabric resident Anna Wall.
The EP kicks off with the title track ‘Cybertron Utopia’, a track characterised by it’s subtle deepness, driven by breaks and emotive pads. Closing out the A-side Anna Wall provides her take on the track adding the aforementioned wigged out-ness.
The flip opens with ‘Leave Luck To Heaven’ which harkens back to the early (and some one say golden) years of UK club music, dilated pupils at the ready for this subtle banger… ‘Stray Dog In Tokyo’ wraps up an impressive third release for the burgeoning imprint.
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(red transparent vinyl, limited edition of 1000) Age Of Love's 3 most famous remixes on 1 record: the legendary 1992 Jam & Spoon 'Watch Out For Stella' Mix, Charlotte de Witte & Enrico Sangiuliano's 2021 Remix & Solomun's 2017 remix.
Age Of Love wrote and released their most iconic track in 1990. It went on to become a stone-cold dance classic that inspired a whole trance movement that has endured throughout the years.
Now its 3 most famous remixes are available on 1 record: the legendary 1992 Jam & Spoon 'Watch Out For Stella' Mix, Charlotte de Witte & Enrico Sangiuliano's 2021 Remix & Solomun's 2017 remix.
Limited to 1000 copies.
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Step into the unknown as Dawn Razor launches his mind-bending new EP, “From another Galaxy”, on the UK label DEXT Recordings. Blending Electro, Breakbeat, and Techno influences, the EP explores a sonic landscape that's truly out of this world. The release features 4 original tracks alongside a cosmic remix by the renowned Techno artist Shed, sending listeners into uncharted territory with its otherworldly atmospheres and intense energy. We hope you enjoy the release!
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Nadia Struiwigh returns to Blueprint for her second EP "The X1 Shift EP is more than a collection of tracks; it's a story, a refl ection of the shifts I've embraced, and the identity I'm uncovering at my core. I've always felt that music is storytelling, not boxes to be labelled. Whether through ambient textures, techno grooves, or experimental soundscapes, each genre represents a chapter in a bigger story.
The magic lies in weaving them together into something timeless and deeply resonant-much like the origins of electronic music. For me, the essence of being an artist is freedom-creating without limits and exploring the beauty of the unexpected.
This EP represents thatfreedom: the love of pushing boundaries, the courage to evolve, and the joy of stepping into the unknown. Every sound on X1 Shift is intentional, every transition meaningful, yet there's also room for spontaneity.
Technically, the EP features the tools and hardware that inspire me: the Korg Electribe (my heart), Yamaha DX200, NI Maschine+, Arturia Minifreak, and plugins from NI and Plugin Alliance.
These tools became the palette for painting this journey.
Thank you, James, for supporting this music and giving it a second round. Your belief in this, especially something a little out of the box, means the world to me!!
Here's to breaking free, telling stories, and creating from the heart.
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Pedro Bertho, following the positive reception of his debut
album Mêlé, which features notable tracks like "Tigueretá"
and "Jour 4"—both frequently highlighted in Boiler Rooms
and sets around—has launched his own label, Chez Pedro.
Dedicated to consistently releasing new music, the label
plans to unveil monthly tracks, showcasing Bertho's ongoing
creative drive and deep passion for music without
distinctions of genre. His latest offering, Starlit Craves,
compiles tracks curated over the past two years. Previously
unreleased, these tunes have been meticulously crafted for
the dance oor. Each track on this EP reects Pedro Bertho's
distinct style and artistic vision, guiding listeners through an
immersive and exhilarating musical journey. Let Me Tell You:
Infused with electro vibes and inuenced by Detroit’s rich
musical legacy, this track blends intricate rhythms with
soulful melodies, delivering a captivating sonic experience.
Blue Hot Monday: A hypnotic techno odyssey where
pulsating beats merge with deep bass grooves, creating an
enveloping atmosphere that lingers long after the music
ends. Shaved: A dynamic fusion of house and techno,
pulsing with rhythmic intensity and layered textures, inviting
listeners on a groove-driven exploration. Rouya: Radiant
melodies and hypnotic rhythms transport listeners to a sunlit
realm, intertwining uplifting harmonies with intricate sonic
nuances seamlessly. Have You Ever Played in Abidjan:
Exploring percussive intricacies and dub-infused textures,
this track offers a captivating blend of rhythmic diversity andatmospheric depth, evoking vivid imagery and immersive
storytelling.
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Just mention 'Terrace' in a techno environment and soon someone else will shout "pioneer!" As Florence, Terrace and (half of) Acid Junkies, Brabant-based producer Stefan Robbers was at the flying centre of Dutch techno in the early 1990s.
Perks is Robbers' fifth EP for Delsin in a relatively short time. On the one hand, it contains his signature sound: melancholic melodies and complex drum patterns wrapped in outstanding production; on the other, Perks surprises on many fronts. For starters, the overall vibe is a lot more sombre, the chosen route much more experimental. Take 'Model A', a dreamy, 12 minute-long meandering epic that nods to the kraut-infused electronica of Tangerine Dream and Cluster but at the same time proudly carries the techno DNA. A fascinating return of a true pioneer.
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This marks the first of Rhythm Werk's Vinyl releases in the Collaborative Series. A project focused on bringing different artists together in the studio, creating a unique sound pallet by combining their approaches to music production. Ben Reymann, label co-founder, joins forces with Casual Treatment to bring you a release with dreamy and eclectic soundscapes, accompanied by driving percussive grooves.
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The third release on Derek Russo’s own Broad Channel imprint “Special Occasion" EP arrives loaded with a wide palate of club swagger for any hour of the party. “Celestial Machine” is the A1 rough and rumbling trip, steered by a wiggly SH101 bass line and anchored by a thunderous sub bass and tenacious, rattling percussion. A floating pad briefly takes the edge off before lurching back. The sounds here are inspired and shaped by the aching cacophony of city life. “Yearning 4 Love” marries a Detroit inspired motif, with tasteful synth layering and bouncy, off-kilter drum programming. The result is an inquisitive banger, something different for the modern dance floor. On the flip side, the title track ‘Special Occasion’ drops the tempo to a chugging rhythm that swings from a funky break tucked underneath. Deranged piano chords open up to a sinister synth line, jangling guitar and a thick 80s bass line. The final track “Planet Sunset” closes out this EP with a soaring, introspective synth floating on top of a rolling breakbeat groove, disco fed bass work and Juno stabs that resolves into a wave of oozy pad chords - a sure piece for the late night discerning dance floor.
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Chris Liebing remakes Emmanuel Top's iconic 'Turkish Bazar'. A new version of the 1994 acid rave hit lands on Liebing's CLR.
Chris Liebing's long-awaited remake of Emmanuel Top's 1994 classic 'Turkish Bazar' arrives on CLR this December. Initially released via the Le Petit Prince label, 'Turkish Bazar' is an evergreen club hit, now painstakingly rebuilt by Techno powerhouse Chris Liebing, with each musical element reforged to create an essential new version.
Liebing's version of 'Turkish Bazar' features the instantly recognisable spoken word vocal of the original, while he ups its unmistakable 303 with an additional dose of acid. Raw, unfiltered licks are in tandem with pounding drums as airy pads and dainty sequences aim to soothe dancefloor madness. Extensively road-tested by Chris Liebing and blessed by Emmanuel Top for release via CLR, this is a mammoth revisit that lives up to the original's timeless appeal.
Founded by influential techno lynchpin Chris Liebing in 1999 and reemerging in 2021 after a five-year hiatus, Create Learn Repeat (CLR) has hosted a range of artists like Shlomi Aber, Dubfire, Flug, Bjarki, DJ Dextro and more while also focusing on developing newer acts in the scene such as Risa Taniguchi, The Southern, and Klint.
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Iro Aka are back on Hivern Discs with two new EP's showcasing some of the most edgy and fast paced music they've released so far. Aural and Aural II are a deep dive into the Catalan's duo universe, a proper follow up of their album Planet Earth released back in 2023. This time focusing on mental sequences, ethereal pads and acid melodies.
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A natural fit for the Token label and now a regular contributor, Nørbak presents his new release 'Flauta' on the Belgian imprint. Keeping things driving and dense, his productions boast a raw intensity, continuing to describe spacious rooms with roaring atmospheres.
The title track serves as a firm introduction to the project; 'Flauta' is a typical Nørbak A1. Claps on the kick, thick sound design on all levels, and tribal percussion make for an imposing first track. Finding groove in the chaos is never difficult for the Portuguese artist, his seamless blend of functional and mental techno make for quite a recognizable sound with reliable effect. On the other hand, his followup 'Despida' sharpens the tone and focuses its elements. Proving he can do just as much damage with a more minimal approach, Nørbak drops the claps for shakers and whips up a distorted stab as the main driver of the track. Despite the versatility of his records, there is something very homogenous about the tonality of his drums and synths - they seem electric, and 'Despida' truly nails that aesthetic. Moving on to the B side, we have yet another facade of the project. While 'Golpe' has a classic foundation, Nørbak's flamboyant sound design guides the track's arrangement, making anything but a loop. The record's structure makes for clear accents that insist on a pulsating atmosphere. This moves perfectly into the EP's conclusion. 'Camarada' resembles more 'Despida' in the minimal construction, retaining a lot of the squelching lead textures. Mastering the question/answer style of techno, Nørbak is able to capitalize on the tonality of his sonic experiments to create swing on the dance floor. Obscure, quick, and elusive, Nørbak wraps up 'Flauta' with restraint and efficiency.
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- A1: Michael Forzza - Let The Night Roar
- A2: Albert Chiovenda - The Affected One
- A3: Fran Hartnett - Incisions, Decisions (Joe Farr remix)
- B1: Planetary Assault Systems - Function 2
- B2: Blawan - Tuesday's March
- B3: Divde - Mesosfera
- C1: Jochen Robberecht - Medusa Maze
- C2: Roberto - Congo
- C3: Möd3rn - Identity
- D1: Spiros Kaloumenos - Angular Momentum
- D2: Childov - Lost
- D3: Lowerzone - XTC
Medusa Outdoor's first double-vinyl album consisting of 2 vinyls and 12 quality techno-tracks selected with passion by Medusa Outdoor residents Michael Forzza and Jochen Robberecht.
It's a limited and hand-numbered gatefold double vinyl-album with tracks from Blawan, Planetary Assault Systems, Spiros Kaloumenos, Roberto and many others. Michael Forzza and Jochen Robberecht both dedicated one new track exclusively for this vinyl-album.
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Info on the Russian producer Curity is shrouded in mystery but this EP on Acquit is enough to suggest whoever they are, they know how to craft seriously sophisticated techno. 'Synthetic Mind' is deep and cavernous with deft pads and beautiful chords swirling over the dusty drum work. 'Standart Routine' picks up the pace with bumpier drums but still warm atmospheres and 'Ephemeral' is another inviting, immersive deep techno sound with gorgeous synth work. '(D)lirium' shuts down with a classy touch of Motor City steel.
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Vargmal Records is an independent record label and multidisciplinary platform founded by Gent Gjonbalaj. Operating from Prishtina, Kosovo, the imprint publishes hypnotic compositions of various forms, exploring the realms of electronic music and beyond. The label's debut release marks the birth of an initiative started several years ago, reflecting on a process of growth, research and refinement.
Conceived as a foundation record, the 'Classics' EP demonstrates Vargmal's concept and overall spirit. The Italian pioneer Leo Anibaldi inaugurates the label featuring two cuts on the A-side, originally produced in the early 1990s--'Muta 5' and an as yet unheard version of 'Endurance 4'--replete with Anibaldi's signature sound programming and high-octane output. On the flip, the torch is passed to another Italian master, Donato Dozzy, who takes them to another level with his peculiar and precise remix treatment. Where Anibaldi paves the way for a possible future, Dozzy applies a modern touch to the same fundamental approach--a balancing act that shows a spectrum within the conceptual framework from two different points in the continuum, transcending any individual style or place in time.
Selected by their ability to extract the full potentiality of the sound, the tracks on this release reflect a minimalist approach that is inherently resourceful and discerning, whilst maximizing effect and impact. The efficiency of the sound can be heard in the stripped-back elements, practical arrangement and execution of the creative idea. 'Muta 5' opens the EP, a throbbing mass of pressure cooker action, continuously building tension with rippling percussion lines and syncopated beats. Ahead of its time in 1993, 'Muta 5' has a raw, driving energy and commanding authority. Dozzy reworks it into a tighter, linear forma--whilst retaining the angst of the original, he applies new synth motifs and notches the speed down for extra poise. 'Endurance 4' (Version II) is a tribal workout with hallmarks of the classic Italian deep techno sound. With arching drones, chugging rhythms and dramatic narratives, 'Endurance 4' presents an idiosyncratic style and emotive character which later became the model for this sound. Dozzy's hypnotic faculty shines through on the remix, a polished re-run that elaborates on the ominous melodic theme, and lifts the sound majestically to a gliding altitude--marking the end of this record and the beginning of Vargmal's journey.
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