Techno Vinyl New Releases - News

marbled vinyl

We are very excited to announce the first of four releases of the Stone Techno series, which is a collaboration between the world-famous Ruhr Museum and The Third Room collective. This might sound at first sight a bit confusing. What do have stones and techno music in common? Well, the answer is very simple and yet fascinating.

Our home base, the Mischanlage (mixing plant) located at UNESCO World Heritage's Zollverein in Essen, was built from raw materials that originate from the Ruhr Area: stones and minerals. Its irresistible atmosphere and aura are radiating such an undeniable attraction for all visitors around the world. In exactly this mixing plant, different types of coal from the mines of the Ruhr area were mixed to a maximum quality by means of a huge hopper system.

Alongside with Dr. Achim Reisdorf (Geologist at the Ruhr Museum Foundation) and Kurt Gluck (Ohm Resistance) we came up with the idea to sample the sounds of those natural raw materials and creating a huge sample bank. All the sounds were processed by The Third Room Studios with high end analog gear to create the best sound quality possible.

This sample bank was made available to a fine selection of artists such as Dax J, Efdemin, FJAAK, Hadone, Inhalt der Nacht, Jamaica Suk, Matrixxman, Nene H, Oscar Mulero, RODHAD and many more so that they can crave inspiration from these sounds gathered hundreds of meters from the ground and marking an historical era of the modern industrialized society. We wanted to bring these different aspects together and creating an interdisciplinary music project resulting in several releases with unique soundscapes, atmospheres and rhythms. Enjoy the journey!

Each release is limited to 300 copies (180gr marbled 12" Vinyl, Full Cover Print). As part of the Stone Techno release series there will be also a collaboration with Arte Concert and the Mutek Festival.

Etheral acid trippin sounds... Epic tunes with a very 90's psychedelic influence ! Great ambiance in a pure style

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Hailing from the ancient Russian city of Tambov, on the banks of the Tsna River, the youngest member of the Trip family Vladimir Dubyshkin emerges for a potent debut solo EP. cheerful pessimist is an engaging package of highly anticipated deep, swirling techno tracks that many will recognise from label head Nina Kraviz's DJ sets. Diving straight into the core of a peak time set, Vladimir unleashes five formidable doses of unrestrained energy. Swollen sub bass and thumping percussion forge an unmistakable sense of physicality, whilst spiralling, a melodic leads run circles around the listener. Cheerful pessimist wastes no time warming up, plunging head first into the belly of the beast. A thrilling debut and an essential release for lovers of vibrant techno.

Victory Over The Sun reinterpreted by Wanderwelle, Anthony Linell, Grand River, E-Saggila, Ptwiggs, and Svreca.

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Finnish sound scientist Aleksi Perälä presents 'Paradox', a double EP landing 15 th of December on . Using a microtonal tuning method known as Colundi - with which his work is now synonymous - he guides us through a ritualistic journey of ten formidable tracks.
Glistening scales cascade over peculiar tones. Aleksi Perälä explores the powers of an alternative tuning system in dance-floor structures, tapping into the veiled potential of his sound palette with stunning physical consequences.
Saccharine and mysterious, 'Paradox' channels elements of Electro, Techno and Italo, ultimately achieving a transcendental form of its own.

New Dollkraut 4-tracker on The Hague's mighty Viewlexx. This is galactic sleaze at it's finest! ''Zijn jullie klaar..?!''

Total pityless hardfloor ! Restless banger of a kind. Full of psychedelism and surprises through. Just in between the progressive and the A2 from Dave LXR and the B1 from EkeAze... they are absolute killerz !!!

Italian Label Based In Florence, Born With The Task Of Exploring Every Remote Corner Of The Universe, Trying To Give A Personal Artistic Vision Of This Infinite Cosmos That Hosts Us. This First Ep Carries The Signature Of The Project's Owner, Grooveguy Aka Lorenzo Mossuto, Includes Lapucci Rmx

First album for Pærer records signed by his owner Jiman. Pærer
confirms his desire to touch many styles of electronic music. This
album is a mix of idm, ambient, futuristic pop, electronica and of
course techno music. Composed during the containment 2020 the
atmosphere is really very special and singular. It traces Jiman's
production years well and takes him to other horizons for the
future.
Vinyl Lp - Mastering By Scan X

'Forever' is a dark epic hardtechno anthem with a melodic and deep string break. limted red vinyl!

Nastia Reigel’s long-awaited sophomore EP on Dustin Zahn’s ‘Enemy Records’ has finally arrived! Disarm to Surrender demonstrates a perfect balance of artistic taste and technical ability.

The EP starts off with the heaviest track "Horses".

Backed by hypnotizing chopped-up vocals, the track hammers through steadily with no compromises. Trace follows in a more restrained and minimalistic fashion but manages to retain perfect tension. The B-side starts off with Natural Desires. It’s equally as hypnotic as the A side but more spatial and groove-focused,
making it an ideal candidate for warming up or winding down.

The titular track Disarm to Surrender completes the EP in a more abstract way. The track hints at the noise and post-punk leaning influence found in her alternative project, Rosa Damask.

Support from Marcel Dettmann, Luke Slater, DVS1, Truncate,
James Ruskin, Dustin Zahn, Perc, etc.

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Nina Kraviz launches her (pronounced 'trip') label with a double-EP compilation entitled 'The Deviant Octopus', featuring a pair of brand new productions from Kraviz alongside material from Terrence Dixon, emerging talent Parrish Smith & Bjarki, and veteran producers Exos & Steve Stoll.

The idea for has been gestating for some time with Nina Kraviz, an avid crate-digger and frequenter of numerous second-hand record stores, who has long wanted to begin a label of her own which would build on some of the principles of her beloved 90s techno labels in terms of attitude and aesthetics, whilst looking for forward-thinking modern productions that reflect her core tastes for idiosyncratic electronic music.

The art and title of 'The Deviant Octopus' comes from a single-sentence scenario dreamt up by Kraviz: 'Without a moment's notice an Octopus appeared and devoured everyone in sight'. Supplied with this scenario, artist Tombo rendered his own unique visualization for the artwork that adorns the release sleeve. It's Kraviz's own nod to the labels that inspire her and grab her attention while digging through second hand records, the best of which were imbued with the unique personality of the people behind them. This extends to the sound Kraviz intends for : dusky, divergent and trippy music to stimulate brains, dreams and fantasies.

In this respect 'The Deviant Octopus' is a perfect introduction: Kraviz herself is represented on the tracklist by two new tracks that take up the mantle of last year's Mr Jones EP by returning to the vocal-flecked hypnotic techno that marked out that release. Complimenting those are two new cuts from a true master of hallucinatory off-kilter techno, Terrence Dixon in his Population One guise.

Joining them will be a pair of names from the techno pantheon who have been huge influences on Kraviz: with a career that's taken in releases on Synewave, Trax, Novamute and Richie Hawtin's early-90s Probe Records, Steve Stoll has been mining his own variant on techno and acid minimalism for over twenty years, heading up the Proper NYC label and releasing under various pseudonyms, such as Cobalt, of which Kraviz has been a long-term fan. His counterintuitively titled 'Pop Song' sits alongside a 13-minute 90s techno excursion from Reykjavik's Exos - the only previously-released cut (originally appearing on Thule Records sub-label Plast Trax in 1998) - together illustrating that will also live up to its name in the geographical sense: showcasing great music from historically vibrant electronic music scenes outside of the usual Detroit-Berlin axis.

With Kraviz looking to build a small repertory of talent around , this first release also makes room for two newer names: Bjarki is an Icelandic talent to keep a firm eye on, who drew Kraviz's attention in a chance meeting after a gig at Copenhagen's Culturebox club, after which he passed her a collection of mind-bendingly odd demos; while Parrish Smith is a talented Netherlands-based producer whose short yet impactful sketch '1.0 / 8.0 Afrika Genocide' brings the second 12' to a bewitching close.

"A Broken Clock Is Right Twice A Day" EP is comprised of 7 tracks recorded in Kazan and Moscow during various sessions. Some of them go back as early as 2014 and everything is composed on two 8-track samplers.
Alina Izolenta and Kamil Ea were born in the USSR, so the origin of the acronym PTU is embedded in everyday life of a country, which no longer exists. The duo spent their childhood in Siberia and on Volga, and their salad days in music schools and early clubs of their respective home cities.

Back then accessing the Internet was only possible via pre-paid cards that came in envelopes. Music — via pirate CDs and endlessly slow mp3 downloads. Friendships would stem from copying music from hard drive to hard drive. The name PTU came to life in the middle of 00s, in a rented apartment, literally the last building in some street on the outskirts, over impromptu synth sessions with friends.

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Shadowax's debut EP on TRIP Nikolai Reptile is a fun-filled package of effervescent techno and mutant bass jams.

"Colours is the new imprint of Dutch producer and DJ Taupe. Having released on labels such as Indigo Aera's much celebrated AE-X and the newly formed Impress Berlin, the time feels right for Taupe to start his own outlet. Premiering with 4 cuts of his own, Taupe sets the tone with 4 club-ready tracks, which vary from subtle & mystic groovers to primetime screamers. Paying homage to the Detroit would be an understatement, but Taupe's colourful representation is much more than a shade; it's an elegant palette of its own."

THROB was a famous 80's tune from Tim Baker. Here comes some remixes special from Mid Wooder and David Meiser... While Tim Baker himself, back in the game did his own remix ! BIG ! This EP is color/Black label

The System 108 anniversary record sums up the label's five-year work without words. The new collection is an impression of everything that the team has become during its existence. System 108 has matured nominally and stylistically, defining for itself three main directions: post-industrial, techno and break-beat, disco and house. Each of the three parts of the new collection reveals one of the musical trajectories of System 108 development: (Part 2) -- techno, breakbeat, old school trance by friends and residents of the label.

We are happy to offer you this great compilation representing the sound of Dublab Radio. Includes artists we are very fond of, such as Gifted & Blessed, Benedek and Suzanne Kraft. Shipping in two weeks. Pre-order or miss out!

Vitalic returns with a fifth album, which will be released in two volumes. "DISSIDÆNCE", the title of which is a whole story in itself – is an album that the producer describes as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums.

The first volume of “DISSIDÆNCE” is a sort of concentrated resume of his strengths from the past twenty years, whether it's filthy, head-spinning tornado tracks or synth-laden love songs for a summer's day. With "DISSIDÆNCE" Episode 1, whose powerful beats and galloping sequencers translate the social and political anger of the global pandemic, Vitalic looks into his past and channels his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats dripping with sex and sweat, but above all his obsessional passion for dance music.

"DISSIDÆNCE" should be taken as a celebration of celebration, time-travel to an era that may not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, in all its raging glory.

180grs white vinyl, download card included.

Repress!

Continuing the 20th anniversary celebrations of Robert Hood's M-Plant label which began with Mark Broom's edits of 'Untitled 1' and 'One Touch' in March, Hood now delivers remixes of two of his defining Floorplan tracks. 'Paradise', Robert's first full-length Floorplan album took the world by storm last year, crossing genres and making Floorplan Resident Advisor's no.1 most charted artist on its release in July as well as heavily featuring in the press round-ups of best albums of 2013. The original version of 'Never Grow Old' was one of its many highlights, gaining massive support from the Techno and House elite with multiple plays on BBC Radio 1. Just four months after the 'Paradise' album was released, Robert was back with a new three-track Floorplan EP, which opened with 'Phobia'. Once again it delivered the goods, gaining exceptional accolades across DJs, radio and the world's media. Now fresh for 2014, we have two brand new Robert Hood mixes that are set to re-ignite the passion for his Floorplan moniker, while introducing Robert's tougher take on these

already classic tracks.

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No one hears any sound the same way. Every emotional and intellectual response to a song is a tangled network of deep-seated memories and social pressures. The most banal hook can inexplicably reduce someone to tears, while a passionate crescendo might be deflected off an impenetrable shield of self-seriousness. A pealing lead atop a thunderous kick might be instantly triggering for one dancer, while another is having their future emotional response to music shaped in that very moment.

With the first release on his new, pointedly titled label Disco Inferno, I Hate Models teases the possibility of inspiring moments of intense, soul-wrenching nostalgia in one listener, and blasting open new neural pathways to profound sentiment in another.

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Disco Inferno - Label Info:

We are but vessels for a complex system
Impressions patched into emotions
Memories modulating perceptions
Sensations ensnared by passions.
From the intellectual centre our spirit flirts with heaven,
But in our instinctive body, we're forever skirting hell,
This must mean something to someone else.
What lies, outside the subjective self?

Licks From The Grotto came to life during two sessions in the summer of 2020. “I was swimming. I was jamming.” Rubio recalls. His studio resides in an 18th-century sea fortress accessible only by water. It’s a suited environment for capturing raw emotive moments. Rubio’s encounters with machines create a pleasant amount of unconventional truthfulness as well as an exhilarating atmosphere. Though enigma hangs 'round his shoulders like a heavy cloak his music is very warm and inviting, like a big wave lifting your feet off the ground.

Minimal Detroit has deep roots in the city where techno was born, but the spirit of this music is intergalactic. This inaugural EP celebrates “The Bridge” established in Techno between Detroit and Berlin, which resonates around the world.

Side A features two Detroit legends, Terrence Dixon aka Population One and Rod Modell (Deepchord, Echospace), while Side B features two Berlin based artists: the inimitable Thomas Fehlmann (3MB, The Orb, Kompakt, Tresor) and Domenique Xander (Moods & Grooves Records).

The record itself is also a bridge, mastered in Berlin by Mandmade Mastering, and pressed by Archer Record Pressing, who have been pressing records in Detroit since 1965. This limited release is the first chapter of what will certainly be a long and beautiful musical story.

Techno at its best.

Originally released in the year 2000, the album represents a pivotal moment in the emergence of the “Birmingham Sound”; a stripped-back sub-genre of Techno, pioneered around this time in the English hub by artists such as Regis, Female, and Surgeon.

Influenced more by Industrial, Music Concrete, and EBM than from the melodic sounds of its Detroit predecessor, Regis later described the music as being made with a fractured pop sensibility which created a sound that may be faceless but by design loses none of the soul of its American counterpart.

Nowhere is this sonic changing of the guard more apparent than in opening track, Washing My Hands, which sets the stage with a vignette of field recordings: arc welders, water boilers and other sounds reminiscent of industrial workshops reframe your senses, placing your mind into a familiar yet unsettling dreamlike space. From this sound- scape emerges a high-pitched, vitreous noise heralding the jarring introduction of Let Them Bleed, the first of several trance-inducing tracks on the album such as Join Us In Paradise, and Guiltless, which layer percussive and sampled loops creating what Peter Sutton (aka Female) described as exotic hypnotics.

This remastered edition of Againstnature also features the additional track, Theme From Streetwalker, previously only available on Volume 6 of the Tresor Compilation series.

Terrence Dixon and M.R.E.U.X are back in business!

A stylish return on the stage with 4 tracks of pure Detroit style techno. Psychedelic sounds demorstate, again, the great mentality of these two artists, loyal to old school underground techno. Terrence presents two minimalist tracks which will capture attention from everybody on the dancefloor; M.R.E.U.X insists with his unique style, distinguished by dizzying rithms and pure energy.

Big return for this duo, you must better move your ass!

Terminal M is back with a new Bangers compilation! Four rocking tracks completely different in their style but definitely something for the peaktime sets.

Balthazar & JackRock give us some 90ies feeling combined with their unique style of techno.

Kaspar & Akki provide some slamming big room techno with warm and melodic sounds.

Beck And Rius like it fast but funky and surpise us with a hypnotic melodic twist!

Bruce Zalcer combines a nice way warm basslines with a darker atmosphere. I hope you enjoy!

(Monika Kruse)

H- side is etched
The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast a iliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions.
Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to the late Judy Russell and Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.
Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills.
For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions.
Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, e ecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.
With Existenz, Function reveals an essential body of work, spread over 4LP - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma. Leading up until the release date, Function will undertake an album promo tour with select dates - A/V shows at Berlin Atonal and Rural festival in Japan, and three dates as part of his Bassiani residency.

One of the most promising techno producers around right now - Vil presents his '50 Shades Of Grain EP' for the Self Reflektion imprint. The 'Groove Dealer' from Portugal, member of the HAYES collective and known for his recent work on Klockworks (together with Cravo) and Be As One delivers a selection of sexy, groovy yet pounding tracks for our label. Highly essential!

Superb 135/140 BPM techno shooter.
Thin and sweet, creative sounds and ambiances.
Something fresh and different.

Notice the supber Numéro Bleu tune carrying a crazy travel in Los Angeles 2034...

Techno Sexual by DJ Body Mechanic is the first release from London's GASS Records.

Having been involved in a number of creative collectives within Detroit including H30 and Detroit Techno Militia, Body Mechanic has been a central force in the history of Ghettotech.

On the A side, Dick Whyte boasts about what he's been doing to your girlfriend over huge toms and pounding claps, with a synth riff that gets wetter and wetter - just like your girlfriend's pussy when she's "at the bar". Geared for a sweaty club, the mechanical funky synths and jittery hats on 'Intercourse' compliment an obscene robotic vocal that invites you out for dinner, followed by some fucking.

The flip is a question and an answer, 'Can I Eat Your Pussy' is a droning slow jam where Dick Whyte whispers the many ways he wants to touch you, receiving a lusty female response over a hypnotic bass riff and punch snare on "Eat My Pussy Baby".

This one is for the back seat where the freaks meet!

A special 5 year Anniversary project by Modularz Label
head Developer. The project was recorded in his Berlin studio over the final months of 2015 using Synthesizers - Oberhiem two voice & Moog Sub 32 along with an Analog sequencer, effects and a computer. This is straight up techno.

Repress

Last year Robert Hood revisited his Floorplan pseudonym, the more disco-tinged, soulful, house aspect of his talents, taking the Floorplan concept to various DJ dates around the globe and releasing the 'Sanctified EP' on M-Plant.

Repress of this peaktime techno destroyer from 2004!

- 2021 repress / white vinyl / comes in stickered sleeve / incl. dl code -

Ghost in the Machine returns to continue their adventures in the world of acidfueled industrial techno. This shiny white 12" sees them further exploring, stretching, establishing and reestablishing the boundaries of their own sound. Dirtier kicks, cleaner kicks, deeper kicks, techier techno and even more acidic acid. They actually managed to sneak a track on here that doesn't use a 303. A very bold move which will undoubtedly have farreaching consequences for the future of future dance music. Recommended if you like buying records.

- 2021 repress / red vinyl / comes in stickered sleeve / incl. dl code -

Ghost in the Machine is back with a record that's even newer than their previous one! Three extremely detailed and hard-hitting percussion-heavy techno workouts are rounded out by an extremely detailed and slightly less hard-hitting percussion-heavy techno workout that goes straight for the grundle. Also recommended for women and children.
Order GBASIC004RP now
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Jerome Sydenham, Fatima Njai and Mario Punchard channel Kraftwerk with ‘Trans Afro Express’ on Rekids.

Much of Ibadan label-boss Sydenham’s career has been defined by his infusion of pan-African sounds into electro, house and techno. Teaming up with frequent collaborator Fatima Njai and percussionist Mario Punchard, the Nigerian-born, NY-honed artist continues his mission with a brilliant interpretation of one of Kraftwerk’s most influential tracks, ‘Trans Europe Express’. Evocative of the organic, drum-led and hypnotic grooves that run through Sydenham and Njai’s output, ‘Trans Afro Express’ is a compelling update of a classic.

LOST SOULS OF SATURN (SETH TROXLER AND PHIL MOFFA) PRESENT THE SECOND RELEASE ON THEIR NEW LABEL ‘HOLOVERSE RESEARCH LABS’- A FUTHER INSTALMENT OF REMIXES FROM THE FIRST LSOS ALBUM (ORIGINALLY RELEASED ON R&S RECORDS. LAST MONTH PEPE BRADOCK UNLEASHED HIS COSMIC INTERPRETATIONS, NOW CARL CRAIG AND MATHEW JONSON, BOTH SOLO AND IN HIS FREEDOM ENGINE ALIAS, JOIN THE ACTION.

JONSON UNLEASHES ONE OF HIS CLASSIC INTERPRETATIONS, DIVING INTO THE DEEP END OF THE DANCEFLOOR WITH APLOMB, WHILE WITH CRAIG IT’S HOLD-THEN- RELEASE, EXPERTLY EXECUTED BY ONE OF THE LEGENDS OF ELECTRONIC MUSIC. FREEDOM ENGINE’S REMIX PUSHES THE DREAM STATE TONALITIES TO THE MAXIMUM, AND COMPLETES THE PACKAGE IN FINE STYLE