Mind Records is a Finnish record label and a record store in
Finland owned by Marko Laine (also known of his works on
Djax-Up-Beats, Drop Bass Network and Planet Rhythm). Now after 18 years since last release there's a new 12" offering some serious dark, hypnotic minimal techno by a new Finnish talent J. Lyden.
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This is the first album Oscar Mulero has released under his own name, after two acclaimed LPs under the moniker Trolley Route. Well known for his skills as a hard-edged, raw and floor-orientated techno dj, his productions go far beyond, digging deep into the intricate landscape of intelligent techno, floating moods, reminiscent atmospheres, harmony and detail.
Grey Fades To Green is the affirmation of his maturity as a producer, using both hardware and software in the pursuit of a highly coherent and diverse album.
The concept is split into two parts: The Grey and The Green, each one with its own character. The first part is rougher and meant for the dance floor, although pays full attention to detail and complexity. The second part is quieter, has a slower pace and is best enjoyed at home.
In The Green Oscar goes deep into the intellectual side of techno music and is heavily influenced by the post rave sound emerging from the UK in the nineties: Aphex Twin, Gescom, B12, Plaid, Autechre.. but with a contemporary approach.
This part of the album brings you melodies, harmonies, endless atmospheres, and hours of studio work. Each sound has been carefully constructed, nothing is left to chance: Every stereo panning, every change to the synth's parameters has been meticulously designed for your listening pleasure; just what you want when you listen to techno on headphones. Futuristic music made with the utmost care.
The Green starts with 'Letters From Madrid', a dreamy and melancholy track, where an introspective melody leads to a slow-building drumbeat. Broken rhythms and distorted drums go side by side with the piano riffs and analogue bleeps: intelligent techno by definition.
'Dreams of Happiness' is a sci-fi soundtrack where pads and the different atmospheres are the main stars, and where subliminal drums add flow to this tune from outer space.
'After All' departs from calm dreamy territories with its grounded beat, complex 303 programming and micro synth sounds. A track which is as good for listening at home as it is for the dance floor.
'The Darker Days' uses a similar formula. Slow bpm, fat drums and weird 303 lines that make infinite layers of sound.
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And now for something completely different...CGI is extremely excited to present the Proof Of Concept EP from Shanghai-via-
Chicago's OSHEYACK. These are productions with a weight and freshness that we at CGI have not previously encountered. While on
a small US tour in June 2016, Osheyack played a set in Atlanta and thoroughly blew everyone in the room away with a mastery of
rhythm, sound, and arrangement that is uncanny.
We approached Osheyack after the gig for demos and what we received was as dense and inspiring as the live set. Words don't do this sound justice but it's perhaps most fun to close your eyes and imagine a demonic cirque-du-soleil-esque techno marching band stomping through the graveyard of your dreams and resurrecting all of the wasted souls to stomp on their
graves in a frenzied trance...
Hot on the heels of Len Faki's rapturous remixes on Part 3 we welcome a host of international techno talent for Reverse Proceed Interpretations Part 4.
Argentinian Pfirter steps up first with 2 versions of the sublime Irritant. He delivers 2 strong versions, one of which delves into a deeper side of things and another more club orientated weapon. New French boy on the block, Roman Poncet, fires things up with his version of Rotary. A pounding, relentless take on Slam's original awaits. Closing off this stellar group is Etapp Kyle. His 'Gamma Mix' of Convolute goes into almost ambient territory but remain one for those early mornings as he keeps things deep and trippy.
Haiku's Raw Waxes label is delighted to welcome the famously unconventional Stanislav Tolkachev with a new track EP of experimental techno and IDM sounds. Entitled Champions' Breakfast and with brilliant artwork from German Benedikt Rugar, the releases features six cuts, one of which is a previously digital-only track landing here on vinyl for the very first time.
Haiku has long been a fan of Ukrainian Tolkachev having previously collaborated on a remix for the label, while Tolkachev has also released on Haiku's other label Inkblots. This new EP is one that not only shows off the label's willingness to take risks and put out diverse and interesting electronic music, but also one that proves Tolkachev is a truly unique artist with his own musical voice. He has been that way for more than a decade now, and has put out three long players as well as countless EPs that get heavy support from the tastemakers of the day. This latest offering contains his take on the essentialness of groove, enriched by his use of atonality, dissonance and acid-not-acid textures, all in a minimal style.
The deep 'Shady' kicks things off with spangled synth lines and eerie pads off in the distance. It's a lonely and insular piece with kinked rhythms that keep you locked. The excellent 'The Main Thing Is To Survive' is then less constrained, with kicks that rock back and forth as off kilter synth lines warp and wrap around each other in mind melting and tripped out fashion. Switching up the mood with ease, 'Fuck This Guy' is a dark and musty passage of humid ambient techno with static electricity buzzing about over smeared pads that are filled with menace, then the curious 'Hair In My Mouth' is about blurting, busted frequencies, loose and scattered drums and glassy melodies. It's a mangled and mashed up track that sounds like little else. 'Negative Space' is horror soundtrack techno with urgent, driving drums and nervy sound design that keeps you on edge, and closer 'Self Destruction' is built on broken, bristling beats. A rhythm slowly emerges from the haze and it is one that is physical and restless and sure to make a big impact in the club.
This is a varied and vital EP that oozes essential electronic invention.
Estetika Steps Up With It's Second Release Estetika002 To Bring You A Various Artists Ep Featuring Tracks From Pat King, Jason Patrick, Mattias Fridell, And Francesco De Luca.
Pat King Kicks Off The Ep With misery Loves Company' A Swinging Deep Techno Piece Laced With Emotive Atmospheres, Subtle Dubbed Out Vocals, And Rhythm Elements.
contour Subtracts' A Driving Techno Track Comes By Way Of Jason Patrick Bringing Ominous Pads, Dark Synth Elements, And A Jacking Modulating Clap.
Francesco De Luca Contributes The Third Track Of The Release With twisted' A Stripped Down Deep Moody Techno Number Laced With Polyrhythmic Synth Grooves.
Mattias Fridell Closes Out The Ep With semeldagen' Delivering A Dose Of His Signature Machine Funk Techno And Hypnotic Synth Riff Pivots In Conjunction With Rhythm Elements.
Claro Intelecto returns to Delsin for the first time in two years with an EP that was inspired by the producer's formative experiences of techno and his journey through three decades of electronic music. Across four heavy and otherworldly tracks, Claro Intelecto reflects on the impact of forgotten Manchester club the Thunderdome via industrial-strength beats, bleeps and bass-weight; joins the dots between Skam style experimental hip-hop and glassy-eyed techno futurism ("Sniffer Dogs"); immerses us in heavy electro/techno fusion ("Messages") and offers up some intense, mid-tempo dance floor bliss ("Sirens"). It's another standout outing from one of techno's true cult heroes.
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"Veil Of Flames" is the second solo EP by label head Kastil in 2017 after the successful " The Sadistic Abbess" earlier this year.
Threading through the corn fields, wearing nothing but a cotton scarf, her body is like an abstract painting. He who beholds her with unpure sentiments, sees not what she is made of.
Her fierce complexion radiates briefly before she speeds up her motions. Out of breath she arrives at the altar of affection. She won't sacrifice her decency for a
chance to be with god.
Marking its ten-year anniversary Dynamic Reflection is set to release Continuum, a collection of five uniquely intertwined EP's. The special series commemorates the label's roots, evolution and establishment and honors its residents and friends. The Continuum-series will feature twenty exclusive tracks. The EP's Sonos, Magno Hyacinthum, Fluctus, Luna Frigus and Terra Nova are planned as part of Continuum. Individually each will pay tribute to four distinct artists that have inspired and shaped the sound of Dynamic Reflection. Collectively they become the articulation of a decade of techno.
Featuring tracks from Donato Dozzy & Mike Parker, Abstract Division, Deepbass & Ness and Ben Buitendijk, Fluctus represents the third planet in the Continuum-constellation, consisting of five exclusive releases in celebration on the 10th anniversary of Dynamic Reflection.
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The definitive Cuttin Headz label welcomes global house icon Jonny White aka Art Department for a new EP that boasts two vital house cuts.
Art Department is one of the most recognisable names in the underground scene. The solo project of No.19 Music label boss and Canadian Jonny White has graced high profile magazine front covers, headlined all the key festivals and events, and turned out some of house and techno’s most essential cuts in the last few years. These two new missiles show yet another sound and style to White’s arsenal, and are destined to make a huge impact in the club.
First out of the blocks is the rock solid ‘Shame’ with razor sharp hi hats and tough, punchy drums. The excellent physicality of the groove is off set by a super soulful vocal sample up top, and as the track barrels along smart filters and a hypnotic lead are sure to get the whole club under a spell. Then comes the superb ‘Fixation’, a totally different but equally original proposition that is built on restless drum programming and twitchy synths. It’s a freaky late night cut that brings muscular grooves and absorbing bass to the floor for maximum destruction.
This is a powerful new EP from Cuttin’ Headz and Art Department, two giants in the scene.
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After his acclaimed debut album in late 2017 and his explosive live set in Sonar festival this summer, Red Bull Music Academy discipule Clip debuts in Stale with a journey of powerful analogue textures straight from his modular. Clip offers uncompromising techno club weapons on Grip and Sand, while Detail focus his darkest and deep nightmarish trips. Falling Ethics boss P.E.A.R.L. completes the record with a brute and super effective rework for Grip, ready for shake the most vigorous club walls.
***
beatings against the wire fence
down in the sand and the alleys
sinners watched the evening news
confessions punched-in
cuffed-out and divided
held like a crucifix in a deathhand
***
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After a sabbatical period, Roberto Auser makes a comeback with his analogical machinery with the exquisite mini-album called “Chaos Never Dies”. In this record he explores a broad range of sounds from minimal-electro to acid with a touch of improvisation from his particular perspective based in roughness, rhythm and immediacy. Limited to 300 copies.
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Limited to 200 copies wordwide. Early support from Rolando, Garnier, Josh Wink, Mano le Tough, Truncate, Zadig, Slam, Shinedoe etc.
The eighth disc in Indigo area’s ÆX series is another excellent showcase of diverse techno flavours combined in one disc. Familiar faces to the series Bas Amro, Tetelepta and Taupe return with their very own signature techno sound, from minimal stripped down hypnotizations to the deeper and warm dub grooves. Label curators Jasper Wolff and Maarten Mittendorff, who recently launched their new Indigo aera production alias, jump in with a true ‘90 inspired floor track where the new mysterious Anton Biotica completes the package with a tribally fun and playful tool.
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Wrong Assessment has turned some heads in recent times. Shortly after the launch of his AWRY imprint he debuts on Planet Rhythm with a full EP. Close To Red EP is a four track spanning journey through sophisticated techno. WA's range is very wide. He goes from beautifully orchestrated tracks such as Weight of Truth to the neurotic sounds displayed on Close To Red and Bologna. A very diverse debut from a producer whom we expect to hear more often on Planet Rhythm.
"Tender Trance" is the long-anticipated debut EP of the production collaboration between DJ Gigola and Kev Koko, and marks the 5th installment of the Live From Earth Klub imprint (LFEK005). Blending heavy trance synthesizers with broken beats and driving drums, the 3-track-release focuses on different shades of modern trance sound. The EP’s leading track "Papi", adds a layer of DJ Gigola‘s own hazy vocals. "Tender Trance" will be released June 14th 2019 in digital form as well as limited edition of 300 vinyl copies.
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Following the success of the their debut double 12" release, SHELVED RECORDINGS return with part one of a two part set.
2.2 will follow (the sleeve will ship with Part 1)
Returning to a brief but very fruitful period in electronic music production, Shelved Recordings exists to look back to the golden age of the remix, with a clear view of the future it imagined.
Artists who were steered towards maverick producers, with a view to changing the rules, to re-defining the terms of what modern music should and could be.
Pioneering techniques, over-dubs and an exploratory period of pop production, resulted in many lost dub versions and mixes. Mixes, which invariably were left on the shelf, deemed too 'out there' by the bosses of the the hedonistic label managers who commissioned them.
Carefully reconstructed and rebuilt lost classics from someone who was there the first time around !
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For the third vinyl release on his label NORD LTD, Shkedul welcomes on board on his label three young artists. Keikari from France, Temudo & Norbak from Portugal. The result is a club-friendly release, composed by peak time bangers.
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Trus'me gets the remix treatment from Answer Code Request, Ben Sims & Pangaea. This is the first of two EPs featuring remixes of tracks from the Trus'me Planet 4 album. Answer Code Request takes Our Future into new territory with two outstanding mixes. Remix 1 moves things to a much more sinister & foreboding place. Tightening the feel & tension of the original with all the hallmarks of classic Berlin techno. Remix 2 winds up & coils the track into a searing workout of early 90's hardcore breakbeat. Ben Sims takes control of Ring Round Heart, pushing the tempo & creating a whole new urgency in the track. This is proper no nonsense heads down business & tight as you like. The mix builds excellently well & manages to produce an epic amount of feel and emotion, dropping in & out of the groove with a sneaky breakbeat & vocal dubs. Pangaea tackles one of the albums more esoteric tracks in The Unexplained. He manages to work a wonderfully intriguing steppers beat which drops from nowhere after the highly beguiling metronomic extended opening. The tracks are getting plenty of play & plaudits from likes of Ben UFO, DJ Deep, Bicep & Anthony Parasole.
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More leftfield techno sounds from one of the scene's more unassuming producers, A Sagittariun delivers a new single stamped with his trademark sound aesthetic. The 'Fahrenheit 451' EP brings together three new productions in lieu of a new album coming later in the year.
'The Golden Apple' brings together brain scrambling drums, a heavy hoover bassline, and a typically Sagi style wormhole riff, whilst 'Blue Lotus' throws tropical shapes around the broken beats that flourish into a rapid 4/4 stomper, with scattering hats and equatorial ambience giving a unique vibe. A Sagittariun strays into disco territory on 'Liebe Tanzen', flitting between modern intergalactic synth riffs & basslines, and sampled disco drums.
Adam X returns to his imprint Sonic Groove with his first album in four years, a 56 minute excursion into EBM and Cyberdelic Industrial Techno titled RECON MISSION. The mission begins with beat driven hypnotic electronics that invoke paranormal illusions of Easter island mythology and Bermuda Triangle disappearances. Climbing forward the album crosses the line into harder industrial territories, conjuring visions of New York City's dystopian past and CIA shadow government experiments.
Adam's own voice adorns tracks such as "Never Ending Quest", "Modular Bodies" and the title track "Recon Mission", while manipulated dialogue samples take the stage on "Tales Of Mystery', 'Search & Retrieval' & 'Delusions Of Paranoia'. Subtle, whispered statements creep in and infect the listener's ear, guiding them deeper into mental oppression. This album is not for the faint of heart, and its meticulously detailed production stands as a testament to Adam X's enduring career in techno. Adam has survived the ups and downs of the industry while continually raising the bar for production value and sound design. RECON MISSION is a triumph, ahead of the curve of modern industrial techno. This is not a throwback, this is Future EBM.
While it's freezing winter in Germany, Monika Kruse found a great way to change the subject and think about sunny times: Releasing warm grooves from THE italian breakthrough dj/producer 2012: Alex Costa from Torino. Since his releases on Shinedoe's Intacto and Kaiserdisco's KD Music he is taking record cases by storm and certainly won't change with his 'Moove EP'. Plus Aldo Cadiz from Santiago De Chile is adding a sophisticated remix which makes it even more a standout release for Terminal M.
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Techno Album of the month March 2018 in Mixmag UK!
Central to the Israeli club scene, Deep'a & Biri have long been defying expectations even within a community they helped construct. Serving as resident DJs, activists and bookers for Tel Aviv's legendary Barzilay Club, the pair helped build a transcendent club scene. Hugely influential artists such as Robert Hood, Derrick May, Rødhad, Ben Klock and Moritz Von Oswald passed through the club, enjoying legendary crowds and what they could surely sense was a genuine air of anarchy, rebellion and unadulterated rave pleasure.
As the duo held down dozens of parties with dozens of DJs, there was no 'eureka' moment for their emerging sound; just a steady stream of brilliant, inspiring electronic music, much of which left an indelible imprint on the pair. Now based in Berlin, for Deep'a & Biri, things are much the same, even if the landscape and the city is different. Always rooted in the fertile ground between machines and emotion, on their second full-length LP, 'Dominance', the duo demonstrate their unique grasp of the sensitive, unfolding relationship between man and machine. Steadfast in their insistence never to remain in one lane in terms of their sound, 'Dominance' flawlessly segues between forcefulness and weightlessness. From beginning to end, this is not a record afraid to show its teeth with an uncompromising, instantly recognisable techno palette that kicks the foundations of any sound system with menace, anger and determination, particularly on tracks such as the dense 'Voltage' and pulsing throughout the more industrial flourishes of 'Ecole De Nancy' and 'Seeking Solace'.
Beyond these grittier, although never mindless, moments of authority, a sense of escapism and curiosity imbues the album. 'Alpha Cephei' offers the first hint of Deep'a & Biri's more wistful concepts, producing a smoke trail of twinkling electronics out of a smudged but distinctive bassline. That understated sense of emotional catharsis carries throughout, to be found between the complex-yet-familiar bells that drive 'Flow Diverter's' rhythm to a Detroit-indebted landscape that will surely instantly elasticate any keen dancers, while 'False Memories' offers big-room techno fulfillment with none of the character or sincerity removed for cheap thrills. Saving the most remarkable moments for last, the pair sign off 'Dominance' with the poignant and purifying 'Astral Trails', fusing an ethereal, ambient landscape with the more pronounced rhythms of their hardware.
The album's distinctive artwork comes from the studio of Jewish orthodox artist Avraham Guy Barchil, who forged a powerful connection with Deep'a, both was immediately drawn to 'weird atmosphere, amazing technique and emotions involved with his work'. Perhaps one of the most interesting painters from Israel, Avraham is known for his unique perspective, taking his inspiration from the Zohar - the foundational work in the literature of Jewish mystical thought known as Kabbalah. The ambiguous figures represent mystical aspects of the Torah (the five books of Moses), as well as material on mysticism and mythical cosmogony.
Ensuring their natural, conscious touch always remains at the forefront of this unapologetically machine-driven music, Deep'a & Biri have produced an album in the lineage of their heroes and greatest influences. Cerebral yet satisfying, deep yet always engaging, 'Dominance' both reasserts and evolves Deep'a & Biri's forward facing and singular sound.
The third release is a special collab between Elad Magdasi & Mathias Weber.
Mathias is a devoted raver & music lover. His influences run deep into the techno & acid culture and he is addicted to groove & rhythm.
Together with Elad, who is returning the 3rd time to FLR, they present two main tracks with remixes from Hector Oaks & Blind Observatory.
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What is Infoline Infoline indicates new content components via an intuitive union of several media forms. We see the medium record/cover as a placeholder that does not contain enough information or limits itself only to the audio (music). The goal is to break open that standard by collaborating with designers, artists and musicians to find the improbable (formula) within the limit (format). The label Infoline is built on that collaboration because via that connection the network of possibilities grows and the intensification becomes more complex. POSTER & BLOTTER ART BY MARC JAUSLIN A SIDE PROVIDED BY LUCA DIGILIO AS AUDIOGUIDE AND B SIDE BY FLAVIO AUDINO & WALID EL BARBIR AS MEMBERS OF INFOLINE
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Three years after presenting an original idea of arranging his own music live by using a standard DJ setup and a drum machine, Strahil Velchev alias KiNK is ready to premiere the very first EP-outing of his new project entitled kirilik.
Created with obscure studio equipment and backed by an array of sonics out of his extensive line-up of machinery, Kirilik successfully transfers to the record that unique level of levity and immediacy that his live act has already become renowned for.
Loopy and thus infinite in nature, sometimes seemingly spiraling themselves out of control even, these tracks are as versatile as they are just fun to play around with! Fittingly enough, Infinity Is Not A Number comes complete with an added bonus of four additional endless loops, edged into the final grooves of each side...
Next stunning Terminal M release from the Italian born top producer Luca Morris.
With "Party Tradition" he presents 4 more strong tracks which are used to be played from
top Dj's like Marco Carola, Dubfire, Loco Dice, Monika Kruse and many more...
First track "party tradition" is a stomping dark party anthem to the clubs. On AA with a
mysterious voice and a wiring sound comes "Small Planet". Third track
"Isabella" continues with his dark flow and basslines. last but not least "Arrange" comes
with a bit more brighter melody, but still not losing his touch of great groove and
deepness...
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Vozduh (air) marks the first in a series of EPs by Nocow for Figure, showcasing his emerging signature-style of Electronica-tinged techno. Drawing inspiration from the sheer endless winters of St. Petersburg, his series builds on classic IDM tropes, imbuing them with a noticably Russian and deeply personal sensitivity. As each part of the trilogy is represented by an element, the tracks on Vozduh are vaporous by nature: from the crackling ambiance of opener Bouis to the weightless vocals on stoic Forgiven, as well as a surprisingly introspec-tive take on ghetto-house or the wafting melodies closing out the record's B-side - all forms seem to be in con-stant shift, casting a dense yet permeable body of sound. With two more releases on the way, which will be exploring the themes of voda (water) and zemlya (earth) within this artist's singular spectrum, the outlook (which also includes a full- volume edition) on this approaching season is anything but gloomy.
LF RMX is a new series, exclusively featuring edits and remixes originally made by Len Faki for use in his own DJ sets. Now releasing them to a wider audience, the second edition presents two complementary contrasting versions of 'Deep In' by Stephen Brown. Sticking to the strengths of the source material, Faki's sleek polish makes the centerpiece acid bassline and playful cut-up vocal stand out from the mix even more. Already quite a force to begin with, the momentum only keeps growing as oldschool drum breaks and additional percussion roll in. The original's linear progression is traded for murky, modulating analog squelches on the Deepspace Mix, turning the tune into a dubby late-night groover, which still holds some surpises in store. As with all releases of the non-profit platform that is LF RMX, the proceeds of this record will be forwarded to the Berlin organization Straßenkinder e.V. to be used in actions against child poverty.
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Amaranth EP is the latest Various Artists effort through the Planet Rhythm label. This compilation features sounds by Dubiosity, Alfredo Mazzilli, Space Above and Exilles. Also this package contains a mesmerizing remix by Glaswegian artist Edit Select which we are proud to add to the label roster. Soundwise, Amaranth EP is covering a lot ground within modern day Techno. Surely a package that will appear to lovers of multiple modes within the genre.
FIGURE JAMS enters the next round, setting up a pairing between two hardware-loving, no-frills techno-purists. Both artists build on vibrant, machine-made roughness, yet each leaving their uniquely flavored footprint. Kicking things off is Eindhoven's Albert Van Abbe, whose wide-open soundscapes and searching synths evoke an emotional impact that goes far beyond mere tools, able to equally move and sooth even the fiercest of late-night lovers. Low-key producer SP-X appears on the flipside, ready to get lost deep within layers of hypnotic loops. Searing percussion, rumbling bass and dubby synths engage in complex conversation, subtly swelling and swaying but always keeping the groove ever so tight.
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SUMMA CUM LAUDE is pleased to announce the new release from cult Seattle based underground techno producer Collin Strange - Acid Non Musica.
Collin Strange has a long and storied history in the New York City underground music scene of the nineties. From owning a record shop in the East Village, to working at the largest Record distributors, Dj'ing anywhere from the dirtiest lower east side squats to the famed Limelight, from playing in hardcore punk and noise bands, to producing music alone, Strange was around at one of the most vibrant (and transitional) times in New York history.
Following on the success of his highly regarded releases for L.I.E.S., Strange delivers four tracks unrelenting industrial acid. Creepy and unnerving, the tracks are built on a simple formula of pummeling 909 kicks, distorted 303's, and walls of noise. Grim, cold, hopeless acid with no funk, no soul, just pure unchecked aggression for only the hardest dj's. Drawing upon equal parts 80's industrial noise, 90's hard acid techno, and contemporary hardcore punk, Strange's latest release Acid Non Musica makes the current crop of 'dark' techno artists look pale in comparison.
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Lowercase Life returns with more melancholia out of machines made in the past. Detroit and 90's UK vibes brought to present time in three originals and a killer electro remix by Orson Wells (777 Recordings). Limited vinyl with hand made iris printed silkscreen covers.
Coyu is working on his highly anticipated debut album; it will explain a story, my story attests the Big Cat. It's the first chapter of this story and the debut single of the album is 1+1, a track made in collaborating with Thomas Gandey A perfect summer track, powerful but addictive and catchy. In Coyu's own words 1+1 it's me and my girlfriend, me and my mother, me and my team, Suara and me, my music and me, the world and me. Because without the people you love and all that you love you are nothing. 1 + 1 is a claim to love and be loved, to embrace sensibilities, to create synergies and teamwork. But also, it is the communion of my two great passions: techno and house music. Nine minutes of linear and heavy groove that melts with the notes of an emotional piano. It's a track that I'm deeply proud of, I am pretty sure that in 10 years from now I will continue to enjoy it like I did the first day it was finished and after a year and a half I can now say that it is just as much mine as it is yours. Because you and me are also 1+1. For the remixes probably we have the greatest pack ever on the label: Gerd Janson delivered an amazing interpretation of the track: Truncate takes the track down to raw techno, less is more. Last but not least we have the introspective trip of Cosmin TRG which completes one of the releases of the year on the kitties label.
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What happens when Scottish maestro Gary Beck and German PTT label head joins for a release together Exactly, 4 powerful proper techno cut edits for every peaktime set.
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Following up his appearance on Part 4 of our Strength In Numbers compilation, we are ecstatic to present some fresh material from no other than DJ Slip. A name that has been on the tongue of anyone entrenched in the US techno scene since the early 90's, DJ Slip has entranced audiences for years with his brilliantly bizarre take on sonics. Remix duties this time around come from Berghain resident DJ and all around musical powerhouse, Answer Code Request.
Planting the listener on some foreign stratospheres has always been DJ Slip's expertise, and 'Highland' comes as no exception. Echoed synth stabs detune into the dark while a barrage of claps and clangs provide an onslaught of percussive cleverness that is a signature of the Slip sound. 'Aerial' comes at you like a plane colliding with the earth, a kamikaze of dissonance spiraling downwards and then
in reverse. It's driving tempo, surreal drones, and thudding toms cascade into an intense peak time experience. Answer Code Request provides the perfect counter as a remix, smoothing out the edges into a refined, psychedelic expedition that breathes and shifts as it tunnels deeper. All three tracks together create a diverse and gripping package with something suitable for all times of the night.
Cambridge-based beat-scientist Filter Dread presents the third release on the Tech Startup catalog, TS000003. Inspired by laboratories across the street from his studio, the four tracks take motifs from the genres of jungle, hardcore, and grime, and teleport them to alien dimensions.
The record kicks off with Rainforest, a track which mutates grime hammer kicks and classic jungle drum-rolls. The following track, Blizzard, flows like metallic ooze with its cold, cybernetic percussion and liquified pads. Tripping Up dishes a devastating jungle-tekno sequence with crushing snares and a sinister bassline. RX-4 Real brings the release to a close, bubbling and percolating with its reverb-soaked stabs and glitched out beats.
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