Techno News
4 Pure Jungle Techno tracks from the mind of Dan Silk (New Zealand)
"Peer Pressure" is dark stomper full of Intricate beats and twisted pads. "Ravenous" is pure Sound Entity style, Dan doffing his cap to the Jack Smooth productions of the early 90's but bringing a groovin' baseline to the party too. "Pulse" gets serious with a heavy vibe and Synth line that wouldn't be out of place at Helter Skelter in 93.
"Q.I" treats us to lush pads before returning to the rolling heavy baseline driven Techno that typifies this EP.
4 quality examples of modern Hardcore Underground Music.
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DABJ have taken flight with their first drop of 2019. And it's another fine selection of sonic warheads from Advanced Helicopter Commander Fear-E.
Anyone who has heard the DABJ crew play out over the last year will bound to have heard some of the fire from this. "Jump On The House Train" has been a staple in our club sets and mixes, and has to be one of the most asked about tracks we've had on rotation. All four tracks encapsulate the vibe of late night / early morn' Glasgow warehouse parties perfectly. Highly limited vinyl (with hand stamped labels and cool insert) release plus digital release.
Don't let this one evade your capture...
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If you want to join the London Funk Collective the only caveat is that you play no original vinyl - only compilations or Cd's or downloads of the most well known funk tunes. Any diversions from these rules and you will be expelled from the London Funk Collective.
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Zexy the second! Belgrade producer lady Zellyana takes us on a journey from Belgrade to Berlin. Together with her producer colleague Patrick Arbez (Ton liebt Klang) she created four tracks with dark and driving sounds. but above all full of power!
supported by Fallhead, Taster Peter, Yuri Alexeev, Sandro Beninati (Fely B), K.Larm & J.Raninen, Nikkolas Research, Antrax, Chernozem, Chris Blum, Even Effect, StadtMusikant, ...
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A fireball to accelerate our post-winter thawing.
Spanish producer Pe´pe's first foray on LPH.
It starts off unassumingly, with a bright, airy beach boogie that's all gentle drums and trebly synth figurations, but it quickly turns its eye to the strobe-lit nightclub, first with 'Delusions of Grandeur,' an angular hypnosis of syncopated rhythms, then with 'Aerial,' a 130 BPM blitz with an epic build and an equally dramatic breakdown. Capping it off is '50 AM,' which, as the name indicates, is a woozy shuffle that'll help you land the plane nice and easy.
With a career spanning over 20 years worth of Djing, production and label work, Shlomi Aber has gradually cemented his position as one of the scene's cornerstones. His first outing for Figure sees the now Barcelona-based artist drawing on his many influences to deliver a tastefully rounded three- tracker. ‚Under two Worlds' grooves sublty aong a funky acid riff, while anthemic synths longilgy recall bygone moments of grandeur. This unique Aber-ability, creating a composition that is as elegantly understated as it is undoubtedly epic, also comes through on the record's B-side. Paced only at half-time and drenched in dubby reverb, the weighing beats of ‚Rumbles' engage with delicately shapedhead sounds for some seriously spaced-out head nods. ‚Matrix' is an tightly woven mesh of machinery insides, which Aber nevertheless manages to channel into a fairly straight- forward kinetic energy.
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'Some resurrect themselves after near-death experiences in politics,
while others continue to appear politically alive even when they have actually died.'
In time for the 20th anniversary of his label Hospital Productions, Dominick Fernow offers the first release of his Techno-focused moniker Vatican Shadow on Ostgut Ton, following up on his Berghain residency and joining Ostgut Booking in 2016 with his Vatican and Prurient projects.
The Cocteau Twins/This Mortal Coil-channelling, beatless widescreen opener 'They Deserve Death' and the two collateral club/dancefloor tracks 'Rubbish Of The Floodwaters' and 'Weapons Inspection' offset each other by reincarnating the tape manipulation that laid the foundation of Vatican's first
performances with analog hardware and minimalist midi-dissection. Produced in Los Angeles with Josh Eustis, Vatican Shadow's Rubbish Of The Floodwaters EP casts a full spectrum picture of where the project was born and where it headed.
Special focus was put on this EP's artwork, contributed by Berlin-based photographer Christian Vagt, taken from his Softex series. With Softex Vagt documents the military and police-run refugee camp located on the industrial diaspora near Thessaloniki. Vagt's photograph of Softex' concealing but sheer fence extends Vatican Shadow's recontextualisation of newspaper, military and religious quotes, cementing the sound storage medium of vinyl as a mixed media art object, colligating Vagt's motif from Softex with Vatican Shadow's 'media blackout/silence'.
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Limited White Vinyl Pressing!
While some of you might think of Planet Rhythm as one of those old labels from back in the day, it may not necessarily be the correct judgement. Not only is it a product of its past achievements, but it's also pushing things forward in the present time, with Woo York being one of a few new artists emerging from the imprint's recent catalogue. That said, 2014 starts with Ukrainian duo taking over Planet Rhythm headquarters as the label's proprietors and getting in charge of all of its future development.
First out of press is the duo's own EP highlighting their shift towards brand new, hardware-driven studio setup. From abstract TB-303-ish structures of Acid Rain, through the building peaks of Analogue Swamp, a perfect example of stripping functional techno, to Come Closer's uplifting trance-y melodies and the closing sequence of Strobe 1, this record is shaping up to be Woo York's strongest release to date.
"I'm Elephant"... Yuri Alexeev, Our New Face From Ukraine "Talking" About A New Minimal Story About An "Elephant With Chainsaw". And Here Vi Tva Musicgroup Presents The 8th Strike Of Enter Music. Includes Remixes By Our Enter Guy Fallhead (10 Inch, Diametral, Thokadee) And BiohazArt (Ukraine).
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An expressive electronic album filled with sadness, yet one with the sort of positive, stirring resolve that leaves you feeling utterly comforted, Bjarki's new album 'Happy Earthday' is influenced by his home country Iceland as well as environmental issues. Having released bodies of work on Nina Kraviz's label and his own label bbbbbb, Bjarki views 'Happy Earthday' as his proper debut album; he feels it's a more coherent and conceptual body of work that finds him offering up music he never thought he would release. 'You can consider this album a window into my head and even my soul,' says Bjarki. 'For me it is a bit odd, sharing like this to the world. As a very private person I am not used to opening my door so completely. It's a little scary for me. 'What if ...' I wonder, expecting all kinds of everything.'
There are skeletal rhythms with sombre chords lingering in the air, downbeat drums with heavy moods, and moments of more uplifting optimism along the way. Throughout the album - made up of comparatively short tracks that help the whole thing move at an engaging pace - Bjarki always manages to make his machines sing with real resonance; they ooze genuine pain and a stunning sense of melancholy that is comforting even when the tempo is raised and drums come to the fore
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After releasing HVL's Away From Everything We Know 12" back in 2015, Organic Analogue welcome the Georgian producer back to present his long-awaited debut album. As a resident of the much-vaunted club BASSIANI, HVL conceived Ostati as a document of the sound of Tbilisi - centred on warm, outboard house and techno but with a noticeably understated mood.
The club tracks take a pared down approach that favours space and meditation over bold brush strokes, but between the teeth-gnashing bite of "Askinkila" or the rough and ready acid workout "Continuum," the sound is gutsy and dripping with character. Ostati spells out a space where dim lights and mysterious corners provide a playground for wild ideas to dart around in the dark. The overall atmosphere may appear subdued, but it's merely a cover for the fiery spirit lurking underneath.
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Ekman returns to Bedouin Records with Tangent, a 4 track episode of grungy club-shaking Electro experiments. Conjuring up images of run down 20XX cityscapes, gloomy and rained-in. Ekman is the lightning in the rain, bringing in kick drums like thunder amid brazen and dizzying metallic synth lines fused to confrontational lo-fi hi-hats. Recommended for the nighttime urban explorer.
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Erol Alkan returns to Phantasy with 'Spectrum' and 'Silver Echoes', his first original solo material in five years; two pure dancefloor cuts which perfectly embody Alkan's charismatic, psychedelia tinged and singular approach to DJing and production.
'Spectrum' opens with shattering live drums in the spirit of his celebrated band production work and culture as founder and resident of seminal London club, Trash, before his equally striking synthesis rises into the mix, building towards a pulsing, blissful acid house reveal. Maintaining an irresistible rhythm, Alkan interweaves between tension and release, physical raw percussion and driving analogue modulation.
On 'Silver Echoes', Alkan bridges melancholia with the natural euphoria at the heart of some of his finest reworks and productions to stunning effect. Diving immediately into the heart of a powerful melody that gradually flourishes, the track unfolds waves of blissful electro, each revealing subtle details.
A perfect summation of both past and contemporary influences, as well as a lifelong open-minded stance, 'Spectrum' and 'Silver Echoes', each capture a side of Alkan's always-evolving energy and technique, mixing his studio prowess with a timeless instinct rooted within the communal potential of the dance floor.
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Prolific Manchester producer, Jozef K's forthcoming release, Dawn Of A New Era, showcases Afro Acid's introspective side, with a series of post-apocalyptic, shimmering acid landscapes - which are sequenced, notably, as a complete work.
After a slew of signings to some of the biggest labels in house and techno we are proud to present this ethereal record from Jozef.
The EP begins with 'I Felt A Presence', a both heartfelt & dystopian 303 cut containing an atmospheric vocal that alternates between undefined parameters.
'Between Two Worlds', Jozef's acidic ode to Twin Peaks/David Lynch, portrays an intricate interplay between dark and light, (which is an underlying theme of the show for non-TP fans).
There are also further meanings Mr. K wanted the listener to discover for themselves, a very Lynchian concept indeed.
Track 3 is the dreamy and pensive 'Agkistrodon Contortix'. Another shimmering sci-fi 303 cut.
The EP's title track would seem to be the EP's euphoric peak. A continuation of the isolated, sci-fi-esque 303 based introspection here.
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New York's P.Leone debuts on Rekids Special Projects with four vinyl-only techno cuts this February. Debuting on Spencer Parker's Work Them Records in 2016, P.Leone has since launched his own imprint entitled E-Missions alongside label partner Caiazzo. Moving to Berlin last year, the American producer has quickly earned himself a name within the German capital, making regular appearances at the likes of Tresor and ://about blank, and now joining respected Berlin-based label Rekids as part of their vinyl-only series. Metallic echoes, robust kicks and breakbeat percussion lay the foundation for 'Rose Petal Breaks', before 'Noon Service' demonstrates crystalline synths and futuristic effects. On the flip, thudding drums and energetic claps form 'Hold Me Down' until the ominous 'Sometimes I Feel Strong' concludes the package with rattling components and a cacophony of intricacies.
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X/OZ is proud to announce our newest addition to the family: Waage. Waage exploded onto the scene in 2017 with his debut release W which was critically acclaimed and sat on top of the Juno techno charts for two months before selling out. The EP was also selected as one of Juno's techno releases of the year. Now he's back with W2, a continuation of the W series. A rhythmic, haunting, yet danceable piece and a worthy continuation to his celebrated debut.
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One of Jensen Interceptor's strongest releases to date, and no wonder, it's on Craigie Knowes! Everything that Jensen's followers enjoy in terms of his electro master-class is included here, and much more too. On this record his gaze occassionally drifts from his hard-hitting electro sound to land on 4x4 beats and acid flavours, in true Craigie Knowes fashion.
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Amandra + Ovend = Ovandra. The two French artists team up for an LP on their joint label Ahrpe. "Retrofuture" is out on March 15th.
Since the beginning of the label, the two minds behind Ahrpe Records knew they would work together at some point, but things often take time. Away from Ahrpe, Ovend's productions so far have found a home on Tale Of Us' label Afterlife, whilst Amandra has appeared on the likes of Semantica and Tikita. Now, following two weeks spent in Amandra's studio in Warsaw, the pair's styles merge seamlessly into a well-balanced, stirring sound that blurs the lines between techno and trance.
The opener "Dolphin" sets the tone. Amandra"s infinitely-evolving grooves roll with restrained percussion and subtle developments, Ovend's trancey synth lines snake in-and-out. The tracks that follow offer variations on a focused theme; there's acid murmurs and driving beats in the more introspective, voodoo techno cuts "Souvenir Souvenir" or "Wet Sahara", and dreamy melodies on the title track.
Without ever leaning too heavily on nostalgia, the record's bright harmonics evoke the euphoria of the European clubbing heyday. "Retrofuture" emits an energy that exceeds its measured tempo, a blend of modern and vintage ideas. "Golden Vanilla" provides an epic high towards the end, where a synth lead glows like a ray of light through the hazy atmosphere. A pair of breathtaking beatless pieces complete a coherent and fresh LP which looks to stand the test of time and offer DJs something different.
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The Second 2019 Release On Seilscheibenpfeiler Is Reserved For One Of The Most Unique Producers Of Our Times And Marks The Label's Most Experimental Moment Yet. Peder Mannerfelt's Discography Stretches Back More Than Ten Years To When He First Started Putting Out Techno Records As The Subliminal Kid. Amongst Other Things He Helped Producing Two Acclaimed Albums By Fellow Swedish Artists Fever Ray And Gained Recognition Under His Real Name, Especially In Recent Years With Releases For Numbers. Or Hinge Finger And Critically Acclaimed Albums Like - controlling Body (2016) Or - daily Routine (2018) On His Own Imprint.
Last Year Mannerfelt Contributed To Modeselektion Vol. 4, Now He's Back With A Set Of Four Tracks Following His Unique Strain Of Abstract Techno. - life Without Friction Is About Disruption As Well As Peculiar Moods And Rhythms, And Other Than Its Title May Suggest, There's A Lot Of Friction And Tenseness In These Tracks. The Title Cut And - un - Air Show Mannerfelt In Almost Straightforward Mode, Always Ensuring It Never Gets Boring Or Too Comfortable. - lucid In The Sky And - hold The Line Combine Mellow Sounds With Stabs Of Noise And Twisted Percussion. As Always, Peder Mannerfelt's Productions Remain Unpredictable, But Predictably Great.
For the third release 'Purify Records' presents the first solo EP of the cologne based label co-founder 'Tangram'. Having refined his craft for many years 'Circadian Rhythms' showcases his unique ability to create immersive and hypnotic soundtrips tailored for dancefloor usage and home listening pleasure alike. Deep electronic excursions in their purest form.
- A1: Dubiosity Pjotr G - A Man Is No Island
- A2: Dubiosity & Pjotr G - Die In A Forest
- B1: Dubiosity & Pjotr G - Poisoning The Well
- B2: Dubiosity & Pjotr G - Tears In A Rain
- C1: Dubiosity - Subornation Of Perjury
- C2: Dubiosity - War Of The Usurper
- D1: Dubiosity - Elysian Fields
- D2: Dubiosity - Ho Chi Minh
- E1: Dubiosity & Pjotr G - Savant
- E2: Dubiosity & Pjotr G - Tired Starlings
- F1: Dubiosity & Pjotr G - Deception
- F2: Dubiosity & Pjotr G - Dying Message
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The Connection Machine is Natasja Hagemeier and Jeroen Brandjes. The CD-only original release from 2004 has been re-mastered and features nine tracks for this first-time vinyl version of the album. The Down Low label is a vital US resource for deeply personal electronic music that works both in bedrooms and DJ booths. It's a label that put out celebrated albums and EPs by the likes of Convexion, E.R.P and Dan Curtin, and played a key role during its first lifetime. Ten years after their last release they return with this double 180g vinyl version of the Painless album by The Connection Machine. It is an album made up of material made in the nineties that never saw the light of day and is full of achingly deep moods, dreamy acid house, down tempo electronics, ambient, and Detroit techno, all of which make it a lost classic from the Dutch techno scene. This is a vital reissue that not only re-introduces this forgotten classic to a whole new audience, but also the Down Low Music label itself.
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Following the first of the 'SHIFT LTD' capsule collection by Xhin is an EP by Kirk Degiorgio with a remix from John Beltran. Full-bodied tracks fill in every frequency corner - 'The Nearness of Flames' as a headspin stomper, while 'Acid Symphony' weaves an acid line into a rich tapestry. Ambient producer John Beltran reimagines the original with a sunrise touch.
Related items
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Auf Michael Kleins Beeindruckendem Debütalbum "snapshot" Folgt Eine Facettenreiche Remix-ep Mit Exzellenten Neubearbeitungen Von Vier Renommierten Künstlern: Der Grossartige Dubfire (deep Dish), Der Eine Ganz Neue Seite Von Sich Zeigt, Der Megafleissige Markus Suckut, Der Us-amerikaner Und Regelmässige Berghain/panorama-bar-gast-dj Developer Sowie Der Osloer Produzent +platfform.
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Paul Woolford returns to Hotflush with 'Mother & Child', his third solo outing on the label following the inescapable anthems, 'Untitled' and 'MDMA'.
'Mother & Child' sees Woolford explore a different style and more cultivated mood. Comprised of two variations on a theme, the lead cut combines both sostenuto and clipped strings in an overarching and evolving melody. There's a sense of menace and foreboding, yet the record's heart belongs, as ever, strongly to Woolford's home
turf - the dance floor. This newfound contemplative air is brought to the fore on 'Mother & Child Divided' as he strips back all rhythmic elements to leave a beautifully sprawling tapestry of strings and synths; alluring, dramatic and cinematic in scope. One hopes this mother and child find each other again...
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Peter Van Hoesen launches his new Center 91 imprint with a four-track EP. Opal Balance is the inaugural EP on Peter Van Hoesen's new Center 91 imprint, which will host a series of releases in 2019. Via this newly launched platform, Peter Van Hoesen looks back towards his own experiences of the late 90s Belgian underground, extrapolating references from the intensity of the Brussels warehouse raves which continue to influence his practice as a producer, DJ and live performer. The Opal Balance EP features four hypnotic, disorienting techno cuts with a subtle nod to Belgium's classic rave tradition. Rapidly mutating sonic disturbances and frantic leads are driven forwards by angular percussion and sweltering sub bass. Whilst there are elements of nostalgia here, Peter keeps his aesthetic firmly grounded in the contemporary, applying his trademark high-end sound design to the microscopic details of each production. Opal Balance re-examines fragments of the late 90s techno scene, distorting their characteristics in expertly carved acoustic spaces to forge a highly effective package.
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53 Degrees North marks SK_eleven s seventh release, as Setaoc Mass continues to add to his flourishing imprint; this time with a two-part EP release. 53 Degrees North Part One focuses its efforts on four-to-the-floor club-centric music the label head is renowned for. All four tracks are emblazoned with his signature, disparate pairing of light and dark sound palettes glued beneath rich, atmospheric textures and hypnotism - all the while keeping its muscular club chassis gleaming beneath. Part Two of the double release sees Coates revealing more of his experimental side. The second cut pays homage to past influences of the producer as he floats between ambient, IDM and electro cuts with ease, all rife with emotion and passion.
Shxcxchcxsh's Rosten label welcomes fellow Swedish producer Sissel Wincent for a smashing vinyl EP, 'Assorted Lights'. 2018 was indeed a busy year for Sissel, having released her second EP on Peder Mannerfelt's imprint as well as collaborating on his new LP. She also made a remix for Fever Ray and took part of the infamous Shape platform roster. With 'Assorted Lights', she pursues her unique blend of minimalism, gabber and experimental sounds to greatest effect. Machines squeal, squeak and hiss in the most natural way conveying passion and emotions with energy from start to finish. Four dancefloor bangers that showcases Sissel Wincent's talent to create dark, odd, yet cosy atmospheres of her own and some of the freshest dance music around.
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finally repressed !
Trail blazing music producer and deejay THOMAS SCHUMACHER returns to the helm of his own label: ELECTRIC BALLROOM.
The Berlin based label will now be the primary channel for Thomas Schumacher's releases but will also feature selected artists from around the globe.
Electric Ballroom kicks off with the VORFREUDE EP, featuring 2 singles - VORFREUDE & FANGBANGER - lifted from Thomas Schumacher's upcoming album ROOMS. The release also features remixes from Clio and AKA AKA feat. Thalstroem.
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Khaliphonic 11 Is A Truly Epic Release From One Of Our Most Prolific Artists, Brendon Moeller Aka Echologist, Aka Beat Pharmacy. In Just The Last Two Years, Moeller Has Released On Labels As Varied As Echocord, Silent Season, Kynant, And Rohs!, To Name Only The Most Well-known. Recognized Globally For A Singularly Organic And Dubwise Approach To Techno, We Are Proud To Have A Close Working Relationship With An Artist Who Coaxes Humanity And Warmth From Machines Like Few Others. The Dub Purpose Ep Is One Of His Finest Achievements.
As We Planned A Third Zamzam Release From Our Favorite Well Of Hardware Sonics, Four Tracks Emerged As Comprising A Set That Simply Did Not Want To Be Separated. The Four Tunes That Make Up This Ep Felt Like Chapters In A Single Gorgeous Narrative, And So A 12' Was Born.
We Asked Brendon How Dub Influences His Process, And What This Ep Specifically Is About. He Replied:
"dub Facilitates Whatever Vision I Have With Music, Which Is One Of The Reasons I Incorporate A Dub Approach In Everything I Do. Whether Infusing Nyabinghi Rhythms With Epic Strings, Roots Dub With Industrial Dread Or Grungy Modular Antics With Stepping Vibes, Dub Is The Glue That Keeps It Together. The Inspiration Behind These Tracks Are On-u Sound, Wordsound And Bill Laswell, Travellers Who Understood The Possibilities Of Dub."
The Dub Purpose Ep Does In Four Tunes What Many Lps Struggle To Do In Eight - It Builds A Cohesive Narrative Arc That Moves From Menace, To Exploration, Through Mystery, Closing With Beauty. And Just Wait Til You Hear It On A Proper Sound...
Mastered By Sam Precise.
Desperate music for desperate times, Collin Strange returns to the label with a hard hitting ep of 90s style warehouse acid. TIP!
This is remorseless, zero compromise, full fledged acid mayhem start to finish in the truest sense of the word, coming direct from the source. Strange does what he does best pushing his 303, 101 and 909 to their limits with extreme intensity and abandon. If Siege made electronic music this is what it would sound like. Punk electronics for those who thrive on everyday chaos of the new world disorder. No trance to be found here.
Put on your longsleeve neon tee and step into a timemachine to the good old/new Rave days with Daniel Araya. Single ticket to dystopia included. This record contains 5 brutal oldschool acid-laced psychotic dancefloorknllers that will slap posy millenials into awe and have older heads go "fuck yeah, thats the real shit! -DJ Joakim Cosmo
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Alexander Kowalski is someone you should know. Not only is he a resident artist at our club, but with uncountable EPs and several albums on Heiko Laux' label Kanzleramt and others, he has contributed more to electronic music than many others. To have a separate platform for the darker and harder productions of his, he created the alias D_FUNC. a while ago. When he approached us with the tracks that are now on the record in hand, we immediately fell in love with the Mills-like energy of them. Perfect drum programming, driving synth lines two perfect tools for any proper techno set. The Dirt Mix of Revalism which is included in the digital release package puts the original in a more modern jacket with its stompy beat - another proof of how well Alexander knows what the djs need to please their crowd.
Let the dancefloors burn!
With his new four-track EP, Gardens of God takes you in and keeps your body and mind in motion alongside its somber, yet fast-paced rhythmic flow. 'Blut' comes in with a feeling of impending danger which lingers throughout the higher-pitched title-track 'Rau', never cutting down the established tension. As the anticipation grows and the dark and steady 'Trys' lets you revel in its consistent beats, 'Red Is The Colour' takes in on the challenge to bewilder, remaining sharp and compelling before leaving the listener lingering on the ominous dreamscape of 'Rau EP'.
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Inspired by the resounding contrast, the one that maintains the balance in between two concepts. It doesn't matter how distant they are.
Leiras delivers a new excursion on this new 12", exploring the wasteland and the hostile terrains, but somehow luminous, sometimes even pleasing. Under this apparent antithesis, the first part of "Turquoise Tundra" starts in a tipping point.
"Body Language" offers a mixture of the layers with arid and resonant sounds combined, in which atmospheres have also an important role, melting everything in a solid result.
Direct, dry, evolutive. Convincingly basic. This is "Atalaya". A tool necessary in case you get lost in the middle of nowhere. Pure muscle definition.
Continuing in the other side of the record, we discover one of the most visceral and raw exercises from Ownlife's boss. In "The Rebis", the bubbly sound of the bass, and the driving kick, make this track a defensive wall, like a scar on the terrain. A place where you can take refuge when it's necessary.
In the other extreme, the pure turquoise tone gives way to the breaks and more complex structures. "North State" resumes the sings of identity that define this artist. A narrative touch that builds the bridge to the second and last part of this project... TO BE CONTINUED.
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A1 is 'On You', Loyal Hardware's minimal, moody, breakbeat tune that caught the attention of EDiT
(GlitchMob); Perera Elsewhere (FoF) and Luckyme's Jacques Greene who played the single across NTS, The Lot Radio and in his BBC Radio 1 'After Party playlist' with Monki; describing that 'it touches on the DNA of club music' with 'all these moments of beauty... it's got this mix of sorta' heavy drums but it's more vibey than it is a hard hard track'.
'Dust' and 'Round Here' accompany on the B-Side of Loyal Hardware's debut EP, confirming that the
producer who has supported the likes of Lapalux, Rival Consoles, Aisha Devi, Jacques Greene and DJRUM, is one to watch.
'Loyal Hardware EP' is released 17th April via new imprint BRIEF, distributed by ABOVE BOARD. Available to pre-order now, digitally and on limited 12' vinyl.
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Sam's EP boot's off with 'Chocolate', a track that builds and builds using detuned synths, stabs and funky drums to make any dance floor erupt. On the flip 'Daegon' uses dubbed out drums to incorporate a synth melody line that will blow your socks off and rounds off this well shaped EP.
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There are some elements in electronic music that make them timeless, elements that if melted together they can give an impressive result, to the mind and to the body. Sawlin - Ursprung is the first album of the career of Sawlin, after his debut in 2010 he evolved like a wonderful orchid, an orchid that never followed the flow of the other flowers around him, but found his own way to the music. Ursprung is the result of an interminable evolution in the mind of the artist, 8 elements that complete a circle built on a very mysterious atmosphere, like a film that you never saw, but you always had in your head, something more bigger then a memory, and something more deep then a picture. This 8 elements are the blueprint of the work that comes from the background of the artist, Deep raw imaginary pictures, mixed with oldschool wallpapers of a new wall based on an old concrete. Sawlin Mix the new to the old in a way that no-one can do, and probably no-one risked to do. This is the power of an artist that needs more attention and more time, you can feel at the first listening that there is something really big going on, but you need time to understand what he wanted to create, meticulous details that he wanted to paint, in a way that we cannot see them at first, but we find them quite impressive after. Sawlin present himself in the most modern way he can, no compromises, he don't want to please you, he want to paint the future. in the most Artistic way possible.
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A very significant release for one records this time round, with the label going in to its tenth year the first record of 2019 comes from Subb-an and Adam Shelton and features music made at a very important time for them. It was the last session done in the Berlin studio before Subb-an made is move back to the Uk. The Twilight EP will be one records 045 and remixing the A1 track titled Twilight is a personal favourite of the Label Metrolux's XDB, a dj and producer that comes with a firm stamp of quality, playing at one records parties of late around Europe and delivering the perfect remix it is a real honour for the label to have XDB on board.
045 also features a space dub of Twilight and a third track titled Mirage, a 90's house work out aimed purely for the dance floor.
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Andu Simion delivering 4 fresh cuts for the Cakeman.
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Repress
Blocaus series is a French techno label created in 2016, as the next stage in our evolution after four successful years of hosting parties at various venues in Paris. By, among other things, showcasing label nights and giving a number of international artists their Paris debut performance, Blocaus has achieved a reputation as a highly acclaimed event with an incredible vision and focus to support the techno scene in France.
Blocaus series as a record label is a logical extension of the ideology of the party series and through this can clearly reflect the main aim of pushing the highest quality of techno. Our label is not intended to show a certain vision of techno, but similarly to our parties, is bringing a holistic view of all different trends and influences. Blocaus series constitutes a platform for talented producers to express their own style and operating within the broad spectrum of techno.
BLCS001 : ANETHA - LEFTOVER LOVE EP
The French techno party thrower is proud to present its new label called Blocaus Series. The first release is produced by their talented resident Anetha, real icon of the Blocaus crew. The EP consists of three driving, hypnotic and banging tracks inspired by 90s rave cuts. The Dutch artist Stranger contributes a massive remix, making the whole EP hyper effective and catchy. From the trippy and hypnotic Interstellar and Towards Infinity on the A-side, to the straight banging up Leftlover Love and Stranger's remix on the B-side, this debut release is just an incipient illustration of what can be expected from this young and promising label.
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Three superbly crafted techno tools from Nihad Tule, with plenty of energy and impeccable attention to detail. Resurface offers trippy chords and ever changing patterns on top of a driving beat. On the flip, Passing is built on a deceivingly simple hook, sparkled with drones over a pounding 909. Ascend brings it all home with a gradually evolving hook, stripped down to the bare bones yet still offering a powerful crescendo.
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Dark industrial edged techno. Heavy industrial rollidge on the freshly minted Black Carpet label from the Netherlands. Bringing the first release as an V/A of Four artists not shy of letting it rip for the 5am raving posse.
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After the first Pajaro Dune's release, the nex one is coming from Belgium.
Seraphim Rytym, is the responsible for Mount Sinai, 4 long ambient techno tracks built by repetition and layers overlap which are slowly creating a mantric effect.
The label explores the thin line between darkness and light but this time, the bright side appears to have won the battle.
300 copies pressed. One-third of them are coming with a special gift.
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A third of Italian production act Agents Of Time, Sharp Felon loops out of the trio's orbit to land his debut solo EP on Maceo Plex's Lone Romantic, 'Let The Game Begin' - featuring three stunt-driving cosmonautical bangers that aim to abolish all sense of gravity in the club and beyond. Breaking in at fierce speed, 'Devil Trail' attacks pedal to the metal and leaves prismatic wisps of vapor in its wake. A proper electro-magnetic dasher, the track alternates steady shooting sequences of 303-marinated bass with eloquent kosmische-indebted synth maneuvers and laser-precise breaks, all joining forces to have your feet shuffling and mind drifting up into higher spheres of consciousness in one potent backhanded caress.
A more straightforward affair, B-side opener 'Telework Titan' lifts its listener off to a further compelling state of meditative balance through a nonetheless muscular groove and epic-sized sub-bass moves. Cruising in the upper layers of the stratosphere, Sharp Felon's stamps on the accelerator of his shark-mouthed spaceship and hedgehops across craggy alien reliefs with personal hands-on skills. Intergalactic transmissions announce an imminent extra-terrestrial invasion, it's time to tune out and enter the melee. Laser guns blazing and acid stabs smoking, 'Cyber Fex' nose-dives in an enemy-occupied territory and washes over the ground brawl like a hi-tech tsunami. Purebred Donald-ian face-melter in sheer Dopplereffekt meets Arpanet fashion, this one lacks no oomph.
Amsterdam-based duo Wanderwelle return to Silent Season for their debut album which is inspired by the mysterious pagan tribes that once roamed across the European woodlands. Lost in a Sea of Trees tells the tale of a lone traveller who enters a dark, ancient forest. Lured deep into the woods by something not of this world as he enters uncharted grounds. Step by step his journey is getting darker as he encounters strange phenomena and beings among the trees.
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Mint Condition - A reissue label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....
Detroit bred / LA based producer Kenny Larkin has long been a force to be reckoned with, both in the studio and in the DJ booth. Under his 'Dark Comedy' alias Larkin crafted some of the deepest and most soul-searching Detroit Techno sounds to grace human ears. 'Corbomite Manuever' was originally released in 1992 and is the complete epitome of a game changer, this was Techno at it's most sensual, intelligent and human, the antithesis of a lot of what was masquerading as the real-deal at the time. These qualities are what have stood this record in it's evergreen good stead for all these years - decades, in fact. Truly genius music made by someone who lives and breathes Techno. A truly staggering collection of music that still dumbfounds today and inspires generations of producers and DJ's to this very day. The most essential of the essential, classic material from front to back. Reissued for the first time across 2 x 12"s for pure sonic superiority.
The 'Corbomite Manuever EP' has been legitimately released with the full involvement of Kenny Larkin and remastered from the source materials by Curve Pusher from the original sources especially for this release. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at Mint Condition!
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Egopool gets back on Subdimension with a new single titled "Control". This time the German based producer used are a lot of analog gears, like Analog Rhythm, Prophet 8, Moog Voyager, Dominian and System 8 to craft a melodic techno track with enchanting arpeggios and warm basses.
The original mix is accompanied with two remixes signed by Kiko (already known for his releases on Get Physical / Noir / Suara) and Cumhur Jay, who provided their personal reinterpretation of the main theme. The first offers a drier version with huge percussions, the second gets in with a darker mood and a twisted bass arpeggio. Pick your favorite, and take control!
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While carefully handling their respective careers, postponing then their obvious collaboration, Möd3rn trio's members have capitalized its desire and now deliver its mere substance, in the
rightest moment, where, simply, all the distant forces converge.
The six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. The formula is elaborated freely: each one's adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing Detroit's grieving sensibilities as well as last decade's bewildering cacophonies.
Chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label's releases.
This first album delivers us a raw & emotional techno. Through this long format, the 3 producers indulge more and expand the scope of their musical playground. Less condensed than an EP this album is a contemplative musical journey that awakens all the senses while remaining dedicated to the dancefloor. This album appears as an obvious decision, logical continuation of the story,
because Möd3rn was born from live. Today, Möd3rn shows us a varied panel of his efficient work, sensitive and powerful, combining strong feelings and dynamic energies.
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Legendary producers and early acid house forefathers Phuture are welcomed to the AVOTRE imprint with a huge remix package of their seminal 1988 hit, We Are Phuture.
By enlisting the production talents of three of the biggest names in contemporary electronic music, Phuture have rejuvenated the classic track with an up to date sound, 30 years on from its original release.
Kicking off the release, techno don, Ricardo Villalobos, adds his unique flair, creating a much deeper alternative to the original, dripping with weighty tones and dense synth interchanges.
AVOTRE label owner Santé also lays his hand to the release with his own take on the Phuture classic. With a slightly lighter feel than Ricardo's efforts, Santé harnesses his exceptional production capabilities to produce another massive remix of the track.
Starting relatively heavy, Santé embraces the original's now legendary vocal, gradually building before eventually dropping back into its heavy foundations.
Finally, Marco Faraone rounds off the remix package with a true to style club weapon.
With each of these renowned producers adding their own unique style to this classic track, 'We Are Phuture (Remixes Part I)' provides a selection of modern interpretations that will appeal to dancefloors across clubland.
Also on the package is German producer and Watergate resident, Sebo K, with a smooth remix.
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Ron Wells J-Tek EP for 2017. Four different tracks in Ron's trademark style. An essential for all Jungle Techno fans.
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These 2 tracks are unreleased, produced in 92-93 Spencer found them on a DAT that he thought he had lost, in a metal box in his loft ... "I used to play it out on 10" dub-plate back in the day when I used to DJ at Sterns"
Remastered and recut by MUSIC PRESERVATION SOCIETY
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TV Victor was one of the first artists of Tresor Records where he became legendary with several of his ambient and trance productions including Trance Garden 1-3 and Trancecology Chapter 1. In 1989, he launched his first solo project: Moondance - The Magic Sound of the Moon, where he lay foundations for later explorations with experimental sounds fused with pop elements and anticipated an ambient excursion to be had in the future.
In the following decades TV Victor created impressive solo works that traversed between ambient and trance, he collaborated with artists like Moritz v. Oswald, Max Loderbauer, Ari Benjamin Meyers, Paul Browse and Tobias Freud. Contrary to common mainstream tendencies he created a very unique interpretation of both genres. In recent years Victor has concentrated on creating experimental and abstract sonic spaces for escaping reality, spaces that live through the imagination of the listener. Each piece, a segment of a larger musical movement; stands alone to create new sonic continuums. Otherworldy music that is in its own sphere.
30 years after the release of Moondance and 50 years after the first landing, Lullabies For Insomniacs revisit TV Victor's musical roots with 'Back To The Moon'. The previously unreleased works were carefully selected from his vaults and restored by Berlin based engineer Brett Olke (B Ashra), the album offers a glimpse into the future by creating a soundtrack for mankind's settlement of beyond in a conceivable hereafter.
RUNES #2 compilation comes back with a heavy pack of four compositions from different artists and each of them brings a unique colour to the whole release. We proudly present the fantastic four creative minds: Idriss D, Red Pig Flower, Orbe and Kristina. Runemark Records welcomes new artists to the family and delivers already ninth release in the label catalogue and second in the RUNES compilation series. RUNES #2 is available in both physical vinyl and digital file formats as well the first compilation in the series.
Algerian Idriss D's masterpiece Fuerza Barcelona' perfectly enters the compilation and sets the mood for further coming compositions. It's full of unexpected teasing moments, energy build-ups and Detroit-ish sounds, strongly creates a feeling of togetherness.
The second tight and trippy track in the pack comes from Red Pig Flower and is called The Risers'. It's ritualistic grooves are followed by deep and dark atmospheric synths and dreamy vocal cuts.
The B-side belongs to the Spanish sound and opens with a purified Techno piece of art - Delirium' by Orbe. An analogue-driven composition holds raw power from the very start till the last seconds.
The compilation closes with Kristina's absolutely ideal Secrets From Utah'. Composition reveals a trip thru technological sounds that lift the atmosphere and construct a beautiful work of outstanding artistry.
All four compositions brings highly energetic sounds to rock any dancefloor. Enjoy the music!
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- Jonas Saalbach Sapphire
- Dchai Tayoe
- Cybordelics Feat James_Davis Adventures Of Dama Chris Maico Schmidt Mix
- Cybordelics Feat James Davis Adventures Of Dama Bodo Felusch Mix
- Bodo Felusch Spacefunk Barbaros Remix
- Max Cavalerra Eternity Axel Bartsch Remix
- Ramon Zenker Harada Xylopia Pierre Deutschmann Remix
- Mikerobenics Julika The_Electronic Advance Remix
- Bassface Sascha Its Killing_Me
- Hans Solo Xpq21 Monolog
- Sam Junk Lost Heinrich Heine Remix
- Kindred Spirits Ger Antarctica Peer Kusiv Remix
Assorted Music Collection 01 - streng limitierte Vinylbox
Assorted Music Records veröffentlicht zu Jahresbeginn 2019 die Assorted Music Collection 01. Nur 250 Exemplare der streng limitierten Premium- Edition werden käuflich erhältlich sein. Zusätzlich zu der 6 x 180 Gramm 12" Vinyl-Edition enthält jede Vinylbox zwei hochwertige Slipmats von unserem Partner Varyturn. Außerdem werden unter den Käufern exklusive Gutscheine für Technics- Generalüberholungen verlost. Genau das richtige Geschenk für alle Freunde elektronischer Musik und Liebhaber aufwendig gestalteter Vinyl-Boxen. Assorted Music Records bietet mit der Veröffentlichung die passende Antwort auf die stetig wachsende Nachfrage nach besonderen individuellen Sammler- & Dj- Vinyl- Editionen.
Auf der Compilation geben sich bekannte Größen wie z.B. Jonas Saalbach, Ramon Zenker & Harada sowie D-Chai und Max Cavalerra die Ehre. Als Highlight haben Hans-Solo und Bassface Sascha jeweils einen besonderen Track aus der Abteilung Drum & Bass beigesteuert. Die Remixe stammen unter anderem von Bodo Felusch, Pierre Deutschmann und Axel Bartsch und natürlich von Chris Maico Schmidt aka Cybordelics aka Mikerobenics - himself'. Künstler wie Barbaros, Heinrich & Heine und Peer Kusiv haben sich an den Reglern ebenfalls wie gewohnt ausgetobt und runden jeweils mit einem Remix den hohen musikalischen Anspruch der Vinylbox gekonnt ab.
Assorted Music Collection 01 - strictly limited vinyl box set
Assorted Music Records releasing the Assorted Music Collection 01, a high quality album by the beginning of 2019. Only 250 copies of the strictly limited premium edition will be available. In addition to the 6 x 180 Gram 12" vinyl edition, each box contains two high-quality slipmats from our partner varyturn and each buyer will also get an exclusive prize draw coupon for a Technics Turntable maintenance-voucher from varyturn. This really is the perfect gift for all fans of electronic music and lovers/collectors of elaborately crafted vinyl boxes. With its release, Assorted Music Records offers the ideal answer to the ever-growing demand for special individual collector ´s & DJ vinyl editions.
Well known artists such as Jonas Saalbach, Ramon Zenker & Harada and D-Chai and Max Cavalerra took part in the making of the compilation and as a highlight, Hans-Solo and Bassface Sascha each contributed a special track from the Drum & Bass section. The remixes are done by Bodo Felusch, Pierre Deutschmann and Axel Bartsch and of course Chris Maico Schmidt aka Cybordelics aka Mikerobenics "Himself". Artists such as Barbaros, Heinrich & Heine and Peer Kusiv have also put their talents into the mixer controls and round off the high musical standards of the vinyl box with a remix each.
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Everybody knows Umek as the Techno legend from Slovenia but having reprised his Zeta Reticula moniker in 2015 (after a hiatus of more than a decade) on his own 1605, Electrix and more recently Berlin label, Mechatronica, it's fast become apparent that he's also a major force to be reckoned with in the Electro universe.
Returning to Billy Nasty's Electrix with his seventh Zeta Reticula instalment for the label we get four new tracks this autumn that prove his credentials even further.
Whether he's laying down the future funk sounds of opener '13000 AU From Our Sun', the robotic melodics of 'A Common Motion Through Space', the retro drive of 'Chromospheric Activity' or the twanging groove of 'Southern Skies', his razor sharp production, creative synth work and deep basslines shine through on this essential release.
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Earthscape is organic and soulful sound, they are creators of music that traps us through a demonstration of mental power around techno beats.
Earthscape is in charge of starting a new, limited, exclusive series of 12-in. Four cuts in which the landscape changes, sliding between cool and warm tones. Inspiration in the form of infinite and timeless dance.
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A deep and romantic side B and an energetic and fresh side A, are the main features that stand out on this release signed by Riccardo!
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The Indigo aera collective comes with their second ÆX disc of 2019. Five fresh EPs will be released in 2019, following up number 001-005 that have been released in 2017. Once again it comes on handstamped whitelabels, compiled by label owners Jasper Wolff & Maarten Mittendorff where they invite a mixture of befriended and likeminded local artists who are considered all inner family members of the label.
ÆX007 welcomes three new faces to the series. A fierce collection of Dutch techno featuring JSSL, Bas Amro and Taupe tropped with a gritty acid workout by Struikrover.
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Raw District Return To Crosstown Rebels With Their Fifth Offering On The Label Teaming Up With Fabrice Lig. The Package Features The Sublime Vocal Talent Of Just Her And A Remix From The Irrepressible Alex Kennon
Speaking Of The Collaboration, Raw District Explain That Making Music Has Always Been 'an Artistic Process To Connect People Involving The Feelings, Ideas And Talents From Each One'. On The Release They Connected With Vocalist Just Her And Co-produced With Fabrice Lig. Combining An Industrial Beat And The Melodic Vocals Of Just Her, Lay Your Weapons Down Provides A Captivating A Side. Alex Kennon Quickens The Pace Adding A Harder, Techno Aesthetic - Chopping The Vocal Hook And Adding An Element Of Distortion. Exclusive Digital Track With Dka, Dans Tes Bras, Is Suspenseful And Minimal With An Immense Percussive Section And An Enthralling Wind Instrument Sample.
Raw District Have Had Releases On Respected Imprints Including Innervisions, Moon Harbour And Defected, As Well As Heading Up Their Own Label, Homecoming. Fabrice Lig Has A Vast Discography Under His Belt, With Tracks Signed To Kms, R&s, Classic And Clone Amongst Others. Lig Has Collaborated And Remixed With Some Of The Industry's Top Names From Laurent Garnier To Kevin Saunderson And Dj Hell To Kenny Hawkes. As One Half Of Him_self_her And The Mastermind Behind Constant Circles, Just Her's Talent Knows No Bounds. Her Tracks Have Been Supported By Maya Jane Coles, Sasha And Joyce Muniz. Alex Kennon Has Had Music Signed To Respected Labels Including Saved, Bedrock And Get Physical.
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- A1: Isn't It Funny How Your Body Works
- A2: Warsaw Ghetto
- A3: Murderous
- A4: Let Your Body Learn
- A5: Join In The Chant
- B1: Control I'm Here
- B2: Hearts And Minds
- B3: Captivate
- B4: Shame
- B5: Lightning Man
- C1: Fun To Be Had
- C2: Getting Closer
- C3: Family Man
- C4: Come Alive
- D1: I Give To You
- D2: Godhead
- D3: Ascend
- D4: Kick It
- D5: I Thought
- E1: Get Clean
- E2: Join In The Chant (Gold!)
- E3: Control I'm Here (Strategic Dancefloor Initiative Mix)
- F1: Hearts And Minds (Mix Hypersonic)
- F2: Shame (Mix Two)
- F3: Captivate (William Orbit Mix)
- G1: Backlash (William Orbit Mix)
- G2: Fun To Be Had (Long Mix)
- G3: Ascend (Remix)
- H1: Out Of Mind (Maitresse Mix)
- H2: Lakeside Drive (Remix)
- H3: Kick It (Popular Music Mix)
- H4: I Thought (Final Sin)
"Once overlooked, recent years have seen dancefloors from Hull to Berlin's Berghain shake to 'Join in the Chant' and 'Murderous' as the likes of Helena Hauff, Objekt, Perc and Optimo's JD Twitch have used the brutal functionality of the Essex group's pop to juddering effect." - Luke Turner, The Guardian
NITZER EBB and Mute have announced details of the first in a re-release campaign of the band's catalogue on vinyl and CD that will cover the world outside North America. Body of Work, a compilation originally released in 2006, will be available for the first time on vinyl on 8 March 2019, as a limited edition 4-piece set on red and white vinyl.
Recently named one of the 'most influential artists in music today' by the Guardian in 2018, the recently made a return to live performance with the original line up of Bon Harris, Douglas McCarthy, David Gooday and Simon Granger, performing to sold out shows in London and Berlin at the end of last year. The band have announced several dates for 2019, in Germany, Belgium and at the Infest festival in the UK in August - with more dates to be announced.
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The debut release from Mont Lake Records is nally on its way to shake up the scene and rattle dance oors around the globe. The Portuguese duo Retro Spectrum have provided
a stellar two-track EP titled Under LX with a remix from Swedish house and techno veteran Jor-El. Already having previous releases on Monog Records, the production duo
will take you on an interstellar journey through deep and wise techno with splashes of acid to keep you moving until dawn.
Starting the journey o with He Said' they present a deep and dubby techno banger that is perfectly tailored to the modern techno junkie with haunting pads and playful acid stabs
to keep things all tied together. A1 is followed by Jor-El's remix of He Said' taking a more minimalistc approach compared to the original. Jor-El still adds just the right amount of acid that is perfectly tailored for the right moments during the night.
Rounding o the package on the B-side is Late' where Retro Spectrum plays around with their acid sound to create something fresh. The duo adds some interesting ideas by
adding some tastefully placed strings to add tension and a little drama to the track that is bound to pleasantly surprise the listener with something unexpectedly refreshing.
This well-rounded package presents a very intriguing set of club ready tracks that can be used for various moods throughout a night. Don't miss your chance to add this beauty to
your collection, as the pressing is strictly limited to 200 copies.
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Dj Bambooh:Beatmaker halfway through Barcelona and Brussels. Always with a magical, sensual sound, an artist that shows excellent environments of the real life and the world in which we live.He makes us travel by the places of the electronica, the hip-hop, trip hop and house. A excellent musician and DJ without limits.
Moralez: Here we are accompanied by this formidable artist, always with its sound that characterizes it, strong, marked. This excellent producer and deejay fromaint-Petersburg, Russia. Their styles capture the acid, electro, jakk.
Working for excellent record labels: International Deejay Gigolo Records, Mosaique, Clouded Visions, Snuff Trax / Snuff Cuts
Amp Envelope: Is the stage name of Leo JM, Argentine producer of electronic music underground spirit. Their mixtures,tracks and musical tastes run through different styles among which stand out techno, acid, electro and old school
experimental elements. Use only hardware synthesizers to produce and recorded using a DAW that runs under the Linux operating system.
Sintex Bortexx: Producer and dj in the world of underground, works with the styles of house, acid, techno.
A addict of the programming synthesizer, incorporates the classic hypnotic bass line with old school style.
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Collecting orders for repress
SK_eleven is a new imprint focused on releasing original tracks from Setaoc Mass, UK.
This venture will showcase old and new material with a view for quality, classy dance floor techno in its purest form.
Setaoc Mass - 'CODES EP' derives from where he spent most of his life; in and around Manchester.
The first release on SK_eleven showcases his style and love for tripped out melodies and driving low end. Always adding the light to the dark in his productions
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In 1997 legendary producer Orlando Voorn delivered two tracks for the Get Lost and Past-Present+Future compilations, as well as the idea of a full length album for his Ultra moniker. This was completed in 1998 shortly before the initial shutdown of Multiplex. Some tracks were scattered onto other releases, but this Planet Ultra EP is compiled of five previously unreleased compositions from the Multiplex album of the same name, plus the Barwork track - finally on vinyl after more than twenty years.
DJing since at the age of 12, he won the Dutch DMC championships in '86. Going on to produce a multitude of club bangers since the early 90's. Spanning many genres, his short lived Ultra alias was reserved for a deep electro vibe.
On ice for two decade these classic electro tracks reference the early UK breakbeat of the 90's as well as the obvious sci-fi connection. To that effect we kick off with "Teflon" and "Plasma", followed by the funky "In The Galaxy" which adds a touch of Herbie Hancock. On the flip side "Ultra Light" evolves to an all-encompassing, atmospheric trip, before the deep "Barwork" and finally "Open".
A Detroit ghettotech style of dancing is called the jit, which relies heavily on fast footwork combinations, drops, spins and improvisations. It originated from 'the Jitterbug,' a stateside dance style from the 40's that became a worldwide sensation by way of US soldiers spreading it during WW2, quickly getting banned by authorities on account of being rude, vulgar and against the interests of the war effort. The movements are characterized by a highly energetic and ecstatic movements, and the frenetic mixing style reflects the highly improvisational nature of the dance, and the DJ's who spin ghettotech wildly blend together chicago juke and footwork, jungle, miami bass, electro, hard techno. This is the first in a series of Jit compilations transmitted from planet Detroit and beamed directly into the ghetto of your mind. Elevated Jit is dedicated to the jitters and and to the loving memory of Andre 'Erotek' Brown. Jit the Planet !
Look out for volume 2, coming soon.
Distributed by Rubadub
Mastered by Will Web and Brendan Zacharias
Pressed at Intakt! Berlin
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Boston 168 Melden Sich Mit Einer Drei-track-ep Auf Bpitch Berlin Zurück, Die Nichts Weniger Als Eine Gründliche »909 Therapy« Verspricht. Auf Ihrem Zweiten Release Für Ellen Alliens Label Arbeiten Die Zwei Italiener Aus Der Legendären Drummachine Ein Triptychon Heraus, Das Von Rohen Sounds Über Melodische Töne Hin Zu Kosmischem Techno Reicht. Eine Therapie Für Leib Und Seele, Bei Der Zweifellos Fest Zugepackt Wird.
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- A1: Jesse Osborne-Lanthier - Flambe- Traffic Corridors Weep Corrosion Down Their Flaked And Crumbling Concrete Exteriors! Lattices Of Rusted Rebar Pop! Everywhere! Bridges Wrapped In Unreassuring Bandages Of Reinforced Material!
- A2: Death Qualia - Affordable Kill
- A3: Cvn - Bnc B0Ys
- B1: Gaul Plus - Pipesucker Clip Edit For Torey Thornton's Grace/Graze(D)/Grief
- B2: Greg Z - Soap Film
- B3: Via App - Communicating Through Opaque Glass
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- A1: Busz - Dubai
- A2: Busz - Dubai (Dj Schwa Remix)
- B1: Busz - Dubai (Rommek Remix)
- B2: Busz - Dubai (Kuba Sojka Remix)
- A1: Rico Casazza - Yurican
- A2: Rico Casazza - Argue
- B1: Rico Casazza - Macabre
- B2: Rico Casazza - End 2016 (Dircsen Remix)
- A1: Dircsen - Beyond Collapsing Silence
- B1: Dircsen - Depth Scan (Florian Kupfer Remix)
- B2: Dircsen - Depth Scan
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Line Explorations present its first release - a compilation consisting of six tracks by six national artists, producing under the names of T'iwu, HTL, PX, emme, AMSH and Mensaje Sanador, serving as a sampler for what's to come in the future on the label and the sounds the label will evoke such as techno, IDM, ambient, noise, drone and experimental vibrations from the further avant-garde,
The first track focuses on growing an organic and everyday sonic scape with the use of chords and melodies filled with light touch - reminiscent of clear skies and sunshine - which creates an ambient feel similar to that of daily vibrations of life as presented and explored by T'iwu.
HTL enhances the depth of the reflections of today's emotions one can feel by delving deeper into everyday surroundings and exploring the noise/drone side of the ambient musical styles by mixing melodic elements with the out of the ordinary effects which shock and ululate while shaping the musical texture into a darker and deeper atmosphere.
The following track, by PX, elevates the atmosphere into a more jovial soundscape full of '80's inspired electronica and sci-fi soundtracks. The beat rolls off and twists in a funky groove helping develop a danceable pace for the release.
On top of that, emme presents the fourth track - in the shape of techno meets breaks - where more classical elements of industrially influenced electronic music can be traced from yesteryears. The sounds engulf in warmly distorted melodic strings while flowing over and under the rhythmic structure.
In contrast, AMSH's ''Subway'' presents a downpour of heavy sounds, such as noise influenced synths and delayed infected percussion, along with field recording of trains help envision the movement of a manmade machine and its flow through the undergrounds of today's world.
The final piece, of the label's initial release, comes in the shape of a Mensaje Sanador or healing message. The track takes on the elements of the three titles that have preceded it and explores further the dynamics between current and classical sounds of the electronic dance music genres by delving deeper into sound synthesis, melodies and rhythm as to help one submerge further into exploring such sounds, their history and the future to come.
Rising star Ben Sterling has already garnered huge support from label co-founder Jamie Jones. Moving into 2019, the talented youngster makes his debut on Hot Creations, delivering three punchy, high-octane tracks this February.
The EP kicks of with Surrender - a track that shows no mercy with its heavy drums, hedonistic vocal hooks and a rolling groove. On title track The Energy, Sterling layers breathy vocals over a driving bass, perfect for those 3am losing your mind moments. EP closer, Apathetic Behaviour, is pure unadulterated after-hours fodder.
One of the original residents of Josh Butler's Origins series, Ben Sterling has had tracks signed to Butler's label of the same name where he joined greats such as Kerri Chandler, Groove Armada and Huxley. Last year saw the young DJ play at the infamous Warehouse Project alongside KiNK, Dennis Cruz, Patrick Topping, Richy Ahmed and Marquis Hawkes. He's performed at some of dance music's leading events including Paradise, Elrow and Kaluki. In 2019, Sterling shows no sign of slowing down with events already locked in for Printworks, Hideout and Snowbombing.
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Third LP of Cabaret Contemporain, French band (featuring Fabrizio Rat on keys) who use acoustic instruments (piano, guitar, bass, drums, contrabass) to produce a « hand-crafted » club music infused with techno. Inspired by Jeff Mills, Robert Hood or Drexciya, the five members already had a career on classical scene; their idea is not to replay classical techno tunes but to create a new path for the electronic music. 2 tracks featuring with the label boss, Arnaud Rebotini.
« Ballaro », which opens Cabaret Contemporain's third album, begins with light percussions, which seem to turn on themselves, while being conveyed by reverberations close to dub. After a few minutes of convolutions, the piece gets out of hand, transporting the listener into a rich form of pulsating trance, irrigated by a soaring melody and punctuated by persistent piano tones. « La selva »; more subdued, has the same energy, the track ending in an even more powerful way, a kind of paroxysm.
Finally, the strangest and most minimal « Cactus », features a singular groove, which evokes the most brutal house from Chicago, or the sometimes obsessive techno from Detroit. Just like other tracks such as « Transistor » or « TGV », fuelled by sweat and trance, Séquence Collective bears all the intensity of a techno cut for clubs' dancefloors. The only difference being that their music is not played with synths, drum machines or software, but with acoustic instruments. Dual curriculum The band is composed of five musicians and a sound engineer: Fabrizio Rat on piano, Giani Caserotto on guitar, Julien Loutelier on drums, Ronan Courty and Simon Drappier on double bass and of course Pierre Favrez on console. They are all in their thirties and met at the prestigious Paris Conservatoire in the late 2000s. However, all the musicians in the band have a double curriculum and navigate freely between the institutional realm and the underground or pop music scenes. Through classical or contemporary music, jazz and improvisation, rock and experimentation, they share a common passion for the original and futuristic techno of the 1990s, that of Jeff Mills, Robert Hood or Drexciya, which they have decided to reinvent and further in their own way. Not as a simple stylistic exercise practiced by virtuoso musicians, but rather as a new path for modern music, and for their generation. « The original idea » they say, « was to make club music by hand, like craftsmen. Like in the early days of jazz, our band managed to transform itself into a kind of dancing machine. Our music is therefore functional because it is danceable, but also mental and abstract, while offering several layers of listening. You can dance and play, have a purely physical and sensory connection to the music. But you can also immerse yourself in its listening, perceive refined harmonies or more complex rhythmic superpositions »
If the tones of Cabaret Contemporain are truly unique it is because each member of the band has developed a very personal approach through the use ''prepared'' instruments. The strings of their piano, guitar or double bass may recall strange machines with literally incredible sounds, obtained using objects such as chopsticks, clothes pegs, foil, hangers, a tiny pie mould or many other utensils from a DIY store. A collective energy
Cabaret Contemporain is first and foremost a live band that has been performing in venues and festivals since its inception in 2012 (Nuits Sonores, Siestes Electroniques, L'Aéronef, Le Trabendo, Philharmonie de Paris, Gaîté Lyrique, Rewire, Dancity, Barcelona Accio Musical...), both at traditional jazz and contemporary music venues, and more often at electro music hubs. When facing the audience, the band, which plays each of its sets in one go, without a break, shows an intense physical presence, which competes with the musical power of DJs who share the stage with them. Their performance, full of tension and repetition, which requires maximum concentration and a state close to trance from the musicians, is sometimes, according to them, « a mental journey and a mystic experience ». A dimension that brings to mind the historical techno culture and its dancers who, communicating on the dancefloor, were carried until the early hours of the morning by the power of the beat. An album inspired by the stage Since their beginnings, their compositions on record have drawn their energy directly from the practice of their concerts, whether referring to Terry Riley (2014) or Moondog (2015), an EP and an album dedicated to the repertoire of the two American artists, the original compositions of Cabaret Contemporain (2016) and Satellite EP (2017), as well as this new album. Séquence collective can be listened to as a condensed transcription of their inventions and their live experiments. The tracks, more than half of which were improvised during sessions held in the former Vogue studios near Paris, were recorded in live conditions, « like an old school rock band » they say. As usual, they invited a new musician to join them in the studio. After collaborating with Étienne Jaumet or Château-Flight, Arnaud Rebotini, César winner for best film music, added a welcome synth touch on two tracks (Pro- One, Prophet 600), which boosted the group's formidable collective energy. The album ends with « October Glide », again performed with Rebotini, a lyrical and lively track, built on a powerful and slow progression of timbres and percussions, which would ideally find its place at the core of a techno party « peak time »
- Coming off Transmission, Death in Vegas's critically acclaimed 6th album which saw the band collaborating with Sasha Grey, are three unique remixes by Silent Servant and Rudolf Klorzeiger.
- Silent Servant delivers two stunning mixes of You Disco I Freak. In his first remix he elevates the discordant melody in You Disco I Freak and adds a sense of menace with a new sequence, taking the track in a more sinister direction. With his second version, he takes the heat up a notch with a brutal workout synonymous with his signature abrasive sound.
- Dopplereffekt, Drexciya, Arpanet, Der Zyklus, Japanese Telecom, Heinrich Mueller, Rudolf Klorzeiger: Death in Vegas are huge fans of Gerald Donald in all his forms. He choose to 'reproduce' Metal Box, keeping certain elements of the original field recordings, the sounds of the Steel Factory opposite Drone's studio, the incessant drones from the planes landing at City Airport and the dial tones of the studio's VHF radio and layered over these with his own sonic tapestry.
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Repress
Genosha Basic artists, Ghost In The Machine make their Perc Trax debut !
- Full picture sleeve
Perc Trax returns to the dance floor after the political firestorm that was Perc's 'Bitter Music' with the debut release on the label from the Netherland's Ghost In The Machine. The Perc and therefore Perc Trax name stems from the word 'percussion' and these three drum-focused tracks sum up the label's name perfectly.
Rarely appearing away from their own Genosha Basic imprint this EP hits as hard as anything on Perc Trax in recent years and along with recent releases from Ansome and Scalameriya ushers in a new wave of artists and a distinct new chapter in the Perc Trax story.
'The Holy Grill' commands the whole of the A-side and charges forward until a Reese led breakdown gives you a moment to pause for breath. The B-side contains two percussive workouts that have enough movement and development to them to elevate them above simple drum tools. As B2 track 'PSKDT's locked groove loops endlessly (a first for Perc Trax), it is clear this EP is a hard-hitting statement of intent from a duo you should be hearing a lot more on Perc Trax in the near future.
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Chemistry between individuals is an amorphous and elusive notion. It is usually seen as something that occurs between two people who are sharing a physical space, with access to each other's body language and energy. However, modern technology has provided many other opportunities for chemistry to blossom and be explored and this record is just one example of that: Vent is proud to present Kina, a double LP of musical collaborations between MAYa and Tolga Baklacioglu.
Tolga Baklacioglu is an associate professor in aeronautical engineering. He is also a musician. For several years, he has been steadily building a body of work that explores the outer boundaries where techno and abstract textures merge and blur. In 2014, Tolga created a label, VENT, as a platform for his explorations and those of likeminded travelers within this sonic realm.
MAYa Hardinge works in film. She is also a musician. She has collaborated with numerous artists. Beginning in 2008, She released 4 EPs under her solo guise MAYa. Considering her background in film, it comes as no surprise that her work has a strong visual element. Pre- dating Beyonce´'s Lemonade by many years, her last two EPs were visual albums made in
collaboration with various directors.
It makes total sense that MAYa and Tolga should have made an album together. Their interests and backgrounds overlap and diverge meaningfully in a way that has all the hallmarks of good musical chemistry. There is however one unusual element to their collaboration: they have never met. Tolga lives in Eskisehir (Turkey) and MAYa lives in New York City.
Always on the look out for inspiration and new collaborators, Tolga stumbled across MAYa's videos online. What he saw and heard inspired him to reach out and contact her. After some correspondence they decided to experiment with the prospect of making music together. Perhaps deprived of the traditional notions of chemistry defined by proximity, they found inspiration across time and space in the name of exploration and discovery. Tolga began by sending MAYa files of beats and ambiance. Upon finding the ones that spoke to her, MAYa went to work disassembling, adding, subtracting and rearranging. MAYa's work would then go back to Tolga, a world away, for further input and then back again. In this way each track was painstakingly constructed and a true chemistry was born. One built on sensitivity, support and honest artistic communication. In a word: LISTENING.
The songs cover a broad spectrum of topics, from the deeply personal feelings and experiences, to world events, and the fundamental aspects of life and death. Kina is a document of two artists from different backgrounds and their shared visions of the interplay
between one's private microcosm and the global macrocosm of our time; a testament to the fact that, for all its vastness and diversity, this world offers inspiration and potential collaboration around every corner. The music contained within has traveled around the world many times before reaching your ears. As MAYa and Tolga have done before, it is now your turn to LISTEN.
Tachyon Audio 003 is the first release by label boss, Nick Payne. Spurn (A1) leads off the E.P. with hypnotic minimalist drums playfully twitching with a roaming bass-line in a sci-fi electro sound soup. Definitely a 3:00 a.m. melter.
The second track, xYyX (A2), offers classic drum kit sounds pounding down through ethereal fading pads. This muscular groove is sure to warm up any room.
Side B starts with a remix of xYyX (B1) by profound artist, Doubt, who brings his own distinct nature to the E.P. This mutation takes the original elements and brings them into a similar but all new realm, taking the listener down a driven, but esoteric path towards feet moving.
The second remix of XyyX (B2), by well-known Denver, CO, USA sound engineer and musician, Soundguy Josh, is a short broken- beat experimentation with strong drums leading the way to a dramatic climactic crescendo.
The last two audio offerings are open-source locked-groove National Aeronautics and Space Administration (NASA) samples. The first, Kepler Star KIC7671081B (B3), is described by NASA as 'light curve waves to sound.' The second locked groove, Stardust Passing Comet Tempel 1 (B4), is an audio recording of a satellite passing through the tail of comet Tempel 1.
Amsterdam imprint Indigo Aera is very excited to welcome Private Press to the label family. The talented duo from Warsaw made a really strong impression with their debut release on Technosoul in 2016. The four untitled jams released on that debut EP found their way into many DJ sets across Europe and its techno dancefloors.In 2018, Private Press will release three EPs on Indigo Aera. On this first EP the duo from Poland mixes a strong blend of 90's sounding techno with dub and breakbeats into two original tracks. To give them a warm welcome, label owners Jasper Wolff & Maarten Mittendorff took care of the B-side for two reworks making it a proper Warsaw-Amsterdam affair.
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Indigenous Electronic is proud to present for its third release: 'THIXOTROPY EP', produced and recorded by 'Quan'.
Starting out from more of a conventional musical platform; Quan in recent years turned his attention to live performance, and by 2018 had already played two Boiler Rooms in his native Vietnam. In addition to recording and performing live, Quan has begun a parallel journey in building his own eurorack modules some of which were used on this debut vinyl release of his. The EP which flies in the face of traditional loop structured song formats, present the hard to find confluence of musicality with technical knowledge.
With early support from XDB, and produced and recorded entirely out the box this is one not to be missed.
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Italian sound designer and Soma alum Roberto Clementi steps up with a MOC-worthy release comprised of three original tracks with BNJMN on remix duties.
Standout track ' Plebiscite' makes a statement from the first bar with a pounding bassline. It's a clae peak time heavy-hitter that energizes with its shriek, alarm-like highs and understated yet powerful percussion.
Just off the stride of releasing his third studio album, BNJMN puts on his remixer hat to take on the leading track, adding an ethereal dimension through evocative pads and percussive rattles.
On the flipside, ' Evocate' skewes dark and minimalist with a simple lead and eerie-laden somber sequences. Simplicity proves itself just as compelling as more complex layering, rendering an overall dance-inducing atmosphere.
Acid-laced ' Cription' spells techno in a more experimental, non-kickdrum reliant manner. It's a refreshing take on the genre in a piece that is reminiscent of early rave days.
Len Faki is sharing his newest edits, which this time are tackling classic minimalist techno from Luke Slater under his Planetary Assault Systems moniker, some technoid funk from Cristian Vogel and fresh fodder off Marcelus' recent LP. Twelve takes the A-side for six-minutes of run and gun, vocal playing center sticking to you long after coming home. Bouncy Xpute The Whoop Whoop already was a lot of fun when it first came out ten years ago! But now the LF-Hardspace Edit brings it back in a way which can be easily thrown together with today's more linear techno productions. Working as a breath of fresh air, Multiply breaks up the streamlined grid in favor of introducing a softer and more intricately woven and set of Deepspace-grooves. As with all releases of LF RMX, the proceeds of this record will be forwarded to the Berlin organization Straßenkinder e.V. to be used in actions against child poverty.
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Zehn / Eins[11,72 €]
Ostgut Ton reissues Fünf of Zehn with original tracks by Answer Code Request, Doms & Deykers and DVS1.
2015 marked Ostgut Ton's ten-year anniversary, celebrated with an extensive 30 track compilation release, titled Ostgut Ton-Zehn, spread out over ten 12' vinyl records housed inside a limited box set. This sampler sold out in no time, which is why Ostgut Ton is re-issuing these ten 12"es individually in 2016.
If there's one thing Kurt von Bley's artwork for Zehn-Fünf is reflecting, then it's probably 'drive': all three tracks on this 12" share an idea of continuity, movement and steady pace. DVS1's '(Ecks)' is a deep and hypnotic Techno cut with meandering bleeps, well-suited for and paying homage to the early hours and calmer moments of Berghain's cavernous main room. On A2. Answer Code Request offers fluttering percussion on top of the kick drum, until - one after the other - adding more break-heavy rhythmic elements, luscious synth pads and spiralling melodies to his 'Zeitspielraum'.
Steffi and Martyn guest as Doms & Deykers with the 8-minute 'Whirling' on B. What starts off as an Amen break-inspired rhythm section with a heavy kick soon evolves into something different, now bordering to Electro and Acid House, while constantly building upon it's original, underlying breaky and epic vibe.
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(Vinyl Only) VIL is on the lead for the second release on Shlomi Aber's limited vinyl only "Lost Episodes" series.
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One of the most diverse artists in contemporary electronic music is back on Pinkman, with more than just another 12". To give him the freedom to experiment and roam between different sounds, textures and influences, Black Merlin will be doing a trilogy of releases for Broken Dreams. The first one - Sformator1, is a ghastly and infuriating techno EP. Dance floor obliteration assured and more is to follow.
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For the next installation of the Wolfskuil Records series, the Dutch producer Cadans aka Jeroen Snik returns to Darko Esser's imprint and presents three dancefloor monsters. The EP opens with 'Slit', kicking off with shaky rhythms and pounding drum patterns while entrancing vocals play in the background. On the flip side, 'Dof' serves up big room techno with a perfect tunneling frenetic groove and the EP's final track 'Plinky' is yet again a heavyweight tool, with clever percussion, deep vocals and funky hi-hats
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Dawl debut on Libertine Records with 4 killer ravey cuts... no to be missed!
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Before the explosion of the Poney EP - including the hit 'La Rock 01 - in 2001 on International Deejay Gigolo Records, Vitalic had a previous artistic life under the alias of Dima. Today, Pascal Arbez-Nicolas is reactivating the Dima on his own label, Citizen Records. Flashback. The Dima project blossomed in the thick of the 1990s rave scene in France. 'Dima was a techno project based on energy, kind of a crazy project with dark, cerebral music,' explains Pascal. 'In the beginning, in 1996, Dima's sound was almost hard techno during my live shows, close to the martial German sound of the era.' For the four tracks on this first 12, dubbed 'Sounds Of Life", Dima employs the powerful sounds and thick textures of Modal 008 and Arturia MatrixBrute synths. Using these modern machines gives the tracks a contemporary sound, while the structures of the compositions take us back twenty years into the past.
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Disordered Kind is a common project of two DJs and techno producers - Leia Drex from
Bratislava, Slovakia and FNX from Kittsee, Austria.
Their debut EP "Fatum" is the first release for the small Austrian label Mai Lei Bel and consists
of 4 tracks full of an unsettling, oppressive and tense atmosphere.
From the introductory scary number "Awaken" through the nervous "Inkin", unfathomable
"Khorin" up to the destruction of "Eiron", "Fatum" gets under your skin on each listen and is
guaranteed to make an impression on every DJ or home listener.
Pure, real, genuine techno for courageous ones, put together without any pretension or
compromises. Interested in giving it a try
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Recorded a decade ago in a former sauna room over the infamous and ill fated Stattbad club in Berlin with the genius of Satch Hoyt on all kind of percussions and the perfect no wave touch of James Ausfahrt on sax, this Oklo Gabon & Capablanca production was originally submitted then to certain label which rejected it for being "not catchy enough". The track was dismissed and forgotten until recently, when Capablanca re-found it on his drive looking for unreleased material, played it to Marc PiNol who instantly loved it and offered himself to remix it, resulting in perhaps his most sophisticated remix to date (it does still rips dancefloors). On the AA side, the original jam proves the initial rejection a foul mistake, and stands the test of time as a clear winner with an irresistible dislocated groove, not so veiled but freshly reinterpreted NY Noise references and its urgency and raw appeal, exuding charisma and originality. A one day band crafting a forgotten post punk hit you can dance to. Sleeve art originally RISO printed and scanned by Dominic Brucia.
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Jujuka is a multidisciplinary art project and record label that involves rhythm composer and DJ Julia Govor and London-based Illustration duo Le.BLUE. The project is about music, short narratives, true stories, comics and illustration, where the artists behind the project want to go beyond what the conventional
record label offers.
Every piece will be unique, told through music and stories composed and written by Julia, accompanied by artwork and comics illustrated by Le.BLUE
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Kay Barton's second techno release MacroGod , this time published on Emerald &, Doreen Records.
Rough sawtooth sounds and TB303 waves meet underground techno beats. Besides the two original mixes of Oh God and Macrowave the 2-track EP is additionally featured by a remix each from Berlin's techno godfathers Dr. Motte and Mijk van Dijk.
Early support by: Rory Hoy, Colin Dale, Lönya, Projekt Gestalten, Satoshi Fumi, Yourhighness, and many more
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Taking charge of the first release is Lucy, who has evolved his distinct sound signature by reconciling the deeply personal with the esoteric, and by harmonizing the spheres of technology and biology. Whether he is acting in the role of producer, DJ, performer, or Stroboscopic Artefacts' curator, Lucy's clear passion for creative evolution and mutation is something that continues to attract new listeners, and keeps giving his current supporters new reasons to continue tuning in. EP opener 'The Hermit' is eight minutes of spacious and cerebral techno. Rolling drums are buried deep as little flecks of sound design peel off the groove. Occasional bell hits bring a sombre and languid feel despite the drive of the drums, and it is the sort of perfectly absorbing track that will suck you down a 5am rabbit hole. On the flip, 'The High Priestess' is a similarly mental work out that is empty and eerie, with distant drones and yawning pads outlining a vast underground space. The drums here are again rubbery and rolling, but a little more prominent, and the whole thing manages to be both soothing and unsettling. After this fine EP starts the label in style, a remix EP from Blawan will follow.
Matt Edwards' R-Time Records welcomes back Sir Lord Commix with five silky cuts for the fourth 'Retroactive' release.
Amoon Andrews' outfit Sir Lord Commix returns with the fourth instalment of re-released gems that have been in high demand on the vinyl market. Born out of Rekids, R-Time Records has previously released twelve of Commix's cuts, yet his treasure trove discography keeps on giving, spanning two decades.
Released on Ugly Music in '96, 'World Of Groove' is a smooth house cuts with an abundance of soulful stabs and driving percussion whilst hypnotic melodies and sweeping cosmic strings envelope 'Life Cycle', which first appeared on Cynic in '05. 'Cosmic Jive' - from the highly sought after 'Evidence' vinyl of '97 - pumps a reverberated kick amongst shimming chords and rising bleeps.
Appearing on an extremely rare release on Hard Up, 'Under Seige' has an off-kilter rhythm and erratic yet funky slapping bass melody. Finally, the release concludes with an ethereal cut titled 'Beyond Reach' complete with liquid breaks, floating arps and shining melody (originally from a Talahachi VA in 2014).
Groovepressure is back by popular demand after a 13 year hiatus and kicking things off with re-releases and new productions from the original Groovepressure artists. Taking influence from original UK techouse and techbreaks, Detroit techno, Chicago House, electro, deep house and 90's electronica, Groovepressure is about keeping these influences fresh whilst looking towards the future. Releases will include new music plus re-masters and remixes of sought-after Groove Pressure classics.
Groovepressure came from the underground and had support from legends like Laurent Garnier and Andrew Weatherall with recent support from the newer school including Onur Ozer and Raresh. A² (aka Andy Panayi and Alec Stone) are London bred artists who originally appeared on Groovepressure in 2001. Their tracks will form the first comeback release on Groovepressure. "No Mistake" and "Rebirth" are both re-mastered Groovepressure classics in their own unique tech-breaks style whilst "A² Groove" and "Real Thing" are new releases taken from the vaults and keeping the same vibe.
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For our 103RD vinyl strike we're honoured to welcome Flug to 100% Pure.
Flug, as his name suggests, allows his audience to take a trip back to their roots, back to their inner self and what it is to really feel techno. The Argentinian´s definition of techno has been clearly demonstrated not only through his DJ sets in clubs and festivals all around the globe that are as devastating as they are uplifting with his serious kick drums, use of hi-hats and reverberating bass lines, but also through driving his own organically produced techno forward through his releases and remixes. His music is now recognized and played worldwide due to his unrivalled and brutal self-discipline in the studio, his humbleness in approach, his fierce passion and overall dedication.
For 100% Pure, Flug has produced 'I Like Stress' EP comprising 2 remixes by label head 2000 and One and artistic duo Atoll.
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repressed !
With his new artist album Quiet Distortion ready for
release this summer, Gregor Tresher once again sets
sail to break new soil, proving why he is considered to
be one of the most consistent artists in the universe of
Techno music. About A Good Place, Neon, A Thousand Nights, Full Range Madness or his recent Goliath amongst many others - the list of Tresher's tracks that have turned into modern classics is more than impressive. Now, with this new installment of 12 tracks and once again accompanied by orward-thinking artwork by long-time collaborating 3D-artist Dennis Richter, it seems that Gregor managed to bridge the gap to his early releases by transforming their original, uncompromising sound into the
here and now. Gregor puts it this way: I am aiming to and the right balance in-between the vibe of some of my early music and the kind of modern Techno I like to play as a DJ, but at the same time
I do not want to stand still but evolve as a musician. The goal I try to reach is to create something that will hopefully stand the test of time. After the haunting opening piece Numb, it´s Surrender and Tyrant that instantly set the tone for what we consider to be Tresher´s most complete piece of work to date. And when the title track Quiet Distortion kicks off, people will instantly recognize that Midas-touch that made Gregor´s sound a quality trademark in the world of electronic music.There are of course tracks that will nd their place in playlists by Gregor´s DJ-colleagues: The rumbling Depend that´s also been a staple in Gregor´s own sets over the past months, Consistency , which nds its niche n-between the melodic openers and a more tough Danceoor-
approach or the menacing The Kraken , that reminds of Gregor´s work on Adam Beyer´s seminal Drumcode label. With Decades, we get a glimpse of Gregor´s Sniper Mode project, which he
buried at a time when real Electro lost its name to a different genre of music. And then of course there´s the mighty Goliath - the only previously released track on the album: Pretty much
everyone who has spent a night on a dance oor of a Techno club in the past year will recognize it, as it has been championed by so many. Accompanying the release, Gregor embarks on another extensive album tour from May on spanning over six months. It will include a mixture of exclusive live performances as well as DJ-gigs kicking off at the end of May and touching down on some of the most prolic music festivals and clubs around the world.
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Keepsakes, Charlton and Myler join 138 in 'CVLT' as the third installment to their TXTRL imprint. Aukland based producer Keepsakes opens up the record with 'Bricks of Joy' a soothing yet crunchy tune with an undisputed bounce while Dutch producer Charlton heads into quick hypnosis with 'Reggie Smoker' - On the B side Irish mad man Myler delivers a relentless jungle belter 'Opulence' 138 closes the record with 'I just called to c if u care'
End Of Dayz presents its tenth release with All Stars Vol 1., some old friends and a new face on the label. Ness, who made a remix on the 002 brings us his original track "Semblance". NX1, who remixed the first reference and did the 003, brings us a mysterious "EOD4". On the B side we have Nehuen, who has already published as CWS (with Cardopusher) the reference 006. This time brings us his track "Fight Or Flight Response". Finally, we welcome to End Of Dayz the German Sebastian Habben and his track "BDT"
For its fifth release Planet Euphorique puts forward Australian-born, London-based Nite Fleit's latest release, Overcast. Her second record, Overcast is a teeth-baring soundscape guided by commanding, rhythmic spells. The record's acidic slaps and punishing bass lines are uncompromising, recalling her darkly transcendental DJ sets. Overcast's masterful doom is punctuated with enigmatic sparks throughout-the light beckoning listeners into the darkness and onto the dance floor.
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Collecting orders for repress
Reeko comes home again with his brand new EP, one step more in his tremendous discography and again a
statement of modernism, soul and anger, all in one. Four different flavoured cuts of meticulously crafted club tracks, dense, obscure, liquid, sometimes harsh and incredibly sounding.
First cut is TZXX-1, mad FM sequenced lines, grainy textures, subtle kicks and sharped hats are the main components in this tune, until a second row of sequences shots in the middle among more percussive layers. Speed, adrenaline and mental illness all in one.
Following on A side, Dusty Humans, filtered synth lines, sonic dust below, digital rain and cutting hats set the pace while every frequency is twisted in the stereo field to create a harsh and rude dance exercise.
Dog Bite opens B side, crispy, rough, twisted, based on a phased sequence, filtered, altered and mangled on behalf of hypnosis. While drones come and go creating a sense of agony.
Release closes with Animals Fight Back, almost industrial, distorted, forced to the maximum stress, gothic in a sense. Repetition as a rule to understand the cosmos out there, no prisioners this time.
Another solid step in this producer's career and once again a Futuristic manifesto.
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Tresor Records is proud to present club resident Claudia Anderson's new work 'Synthesis', as the first EP to be charted into its fabled catalog in 2019.
Claudia Anderson lives in Vienna where she gained experience at local raves and underground clubs, before becoming a Tresor resident in 2017.
In 2012, Anderson joined Singular, the Paris label headed by Tresor resident and recording artist Marcelus. 'Hysteria' was celebrated as one of the most subtly produced records that year. Three years later, she followed with on Singular with 'Liquid Forms', pushing the definition of the deep forms of Techno which have become integrant part of her signature.
Since then, Tresor has worked closely with Claudia Anderson to develop her first treads on the label. The label's 2017 'Dreamy Harbor' compilation featured Anderson's track 'Phase' next to luminaries such as Jon Hassell, Moritz von Oswald or Donato Dozzy, revealing an ever more hypnotic side of her work.
In a new step, and through the five tracks that build 'Synthesis', Claudia Anderson shows a sense of aplomb that stands in balance with her natural and subtle sense of restraint.
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'Best electronic live set i've seen in two years!' CHRIS CUSACK (BOOKER, BLOC GLASGOW)
Fresh and heady slice of cerebral techno and out-there electro flavours.
EXTERIOR is the artist moniker of Edinburgh producer Doug MacDonald. Exterior represents his transition to electronic music and an embrace of the dancefloor. Doug played hardcore and noise-rock for a long time before eventually abandoning collaboration, nostalgia and formulaic rebellion in favour of synthesis. What he gained on the way was an understanding of the power of live drumming and years of finely honed performance-skills, something of an aberration in dance music.
Exterior thus represents a convergence of disparate personal and musical pleasures. Accordingly Exterior draws on rhythmic mavericks as divergent as Fugazi//Battles//Swans as well as DJ Spoko//Clark//Hieroglyphic Being. In addition, there is a deep undercurrent of melody and texture, drawing on the likes of Burial//Miles Davis//Bjork. Eschewing the modern home computer in favour of an exclusively hardware based approach, Exterior espouses a physical relationship to what is at heart an abstract practice, composing electronic dance music.
Perhaps it's unsurprising, then, that one of the things which really sets Exterior apart is his intoxicating live show. He gets the crowd going every single time he performs, so infectious is his energy, as he throws shapes and struts his stuff behind the gear, clearly 100% in the moment and his element.
His debut EP 'Public Transport' was released on London/Barcelona-based Land Recordings earlier in 2018. Having made his international headlining debut in Berlin in September, more continental sorties are currently being arranged (see below).
This record represents a significant move forward in sophistication and club-readiness.
On remix duties, anonymous analogue techno lover DALI returns on the back of four slices of extended club gear released via two Hobbes Music 12"s (2017-18), boasting colour-themed, screen-printed sleeves and an uber-simple design for that evergreen minimal aesthetic with a hint of mystique. These gained excited support/plays from the likes of Ben UFO, Nina Kraviz, Daniel Avery, DJ Deep, Laurent Garnier, Avalon Emerson, Twitch, XDB, Bill Brewster, Bawrut, Tom Findlay (Groove Armada) and many more... Clocking in (again) at just over 9 minutes, her 'Collapsing Star' remix is another marathon-length effort and does exactly what it says on the tin. Setting the beats to classic electro, everything's pushed hard until it all seems ready to fall rapidly apart (and it very nearly does), before dissolving in a fiery sizzle: a more visceral, dance floor accompaniment to Exterior's heady affair.
After grinding his teeth with a solid 20-ish EPs on labels as diverse as Boysnoize Records, CPU, Private Persons, E-Beamz, Power Station, Cultivated Electronics and his own International Chrome imprint, Sydney-based producer Mikey Melas aka Jensen Interceptor clocks in on Lone Romantic with his debut full-length delivery, 'Mother' - a ten-track album featuring collabs alongside Defekt, Assembler Code and The Hacker.
A pulsating ode to the woman who brought him into the world, Melas' first album doesn't only function as an existential mirror, as you'll find him swimming upstream literally - wisely colliding techno, electro, breakbeat and acid while he reaches for the very heart of his artistic matrix: Detroit. 'Mother' is a journey back into the womb of things for Melas, seamlessly weaving the original chaos preceding composition with the impact the finished product will have at the tail gate, when the sound-system gets all wiggly blasting his finely honed, dancefloor-deadly missiles into the busy ears of some frantic crowd pouring sweat like weightwatchers' aficionadas at a robot-ruled fitness class.
Not just a string of club bangers accidentally brought together by a stranger's hungry will to draw out the pleasure, 'Mother' aims at telling a story within its breaks and rest moments as much as it clearly devotes itself to making people get into the zone on a liminal level with its heavy compound of aggro 303 drives, convulsive breaks and bleepy motifs. Triggering the wild dancing beast sleeping deep inside yourself as much as its emotive subconscious, Jensen Interceptor's debut plain format offering will undoubtedly set off heavy adrenaline rushes and unsuspected body response, as well as deliver quite a few emotional sequences that all very much feel like opening a capsule of earthly souvenirs after landing on a distant planet.
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After grinding his teeth with a solid 20-ish EPs on labels as diverse as Boysnoize Records, CPU, Private Persons, E-Beamz, Power Station, Cultivated Electronics and his own International Chrome imprint, Sydney-based producer Mikey Melas aka Jensen Interceptor clocks in on Lone Romantic with his debut full-length delivery, 'Mother' - a ten-track album featuring collabs alongside Defekt, Assembler Code and The Hacker.
A pulsating ode to the woman who brought him into the world, Melas' first album doesn't only function as an existential mirror, as you'll find him swimming upstream literally - wisely colliding techno, electro, breakbeat and acid while he reaches for the very heart of his artistic matrix: Detroit. 'Mother' is a journey back into the womb of things for Melas, seamlessly weaving the original chaos preceding composition with the impact the finished product will have at the tail gate, when the sound-system gets all wiggly blasting his finely honed, dancefloor-deadly missiles into the busy ears of some frantic crowd pouring sweat like weightwatchers' aficionadas at a robot-ruled fitness class.
Not just a string of club bangers accidentally brought together by a stranger's hungry will to draw out the pleasure, 'Mother' aims at telling a story within its breaks and rest moments as much as it clearly devotes itself to making people get into the zone on a liminal level with its heavy compound of aggro 303 drives, convulsive breaks and bleepy motifs. Triggering the wild dancing beast sleeping deep inside yourself as much as its emotive subconscious, Jensen Interceptor's debut plain format offering will undoubtedly set off heavy adrenaline rushes and unsuspected body response, as well as deliver quite a few emotional sequences that all very much feel like opening a capsule of earthly souvenirs after landing on a distant planet.
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Recondite returns to Hotflush for his fourth release on the label, and his first since 2016.
The signature sound of this singular artist is in full effect across this EP, as melancholic melodies intertwine with rough textures and direct percussion. Moods and styles are similarly varied, as the spaced out atmospheres of Pour contrast with the glistening sheen of title track Silk. Channel, meanwhile, represents the harder edge of the Recondite aesthetic, combining trademark atmosphere with an unambiguously dancefloor dynamic.
The vinyl release of 'Silk' will also include an exclusive track, 'Skeletal'.
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South London's TROY TOWN once again draws from the local talent pool to follow the Wbeeza EP. This release opens up the detailed percussive and wide-eyed, rave-influenced productions of Copper Green Sedan.
The multi-instrumentalist was living a nomadic life through northern Europe formulating the key ideas of the EP from the back of a campervan before rounding them off back in the studio. The resulting three track EP that was delivered to us conveys a hectic melancholy.
'Pedestrian' is a driving, breaksy opener. It's sympathetic to the groovers on the dance floor and the thick chords balance the snappy percussion. 'Rolling in the Long Grass' is a glitchy trip through a meadow. Finally, 'Gene' is a dusty, hands-in-the-air banger destined to reignite a jaded dance floor as the sun comes up. Man of the moment Desert Sound Colony (Holding Hands/Touch From a Distance) lays down a beautifully bionic 'Pedestrian' edit to round off the EP.
Leftroom continue their rejuvenated, rich vein of subversive form with this dynamite 12' from a man who needs no introduction whatsoever: Alex Arnout.
Long time Leftroom kindred spirit and close friend, first time label artist, here we find the Dogmatik bossman in stone cold groove mode with three crystalline originals and a powerful remix from fellow London-based craftsmasn Voigtmann.
'Phantom Power' ignites the EP with pure signal energy. Unhurried in its gradually twinkling charm, what begins as a dark dubby sound soon flips into a timeless rising harmonic hook that's unabashed in its strong themes of uplift and positivity. Watch as you floor turns to jelly when those chords sweep in. Then drop the Voigtmann remix and watch as every single limb loosens up to that distinctive, fluid dark late nightLondon funk that the Toi Toi Musik founder has made his own.
'Distorted Lens' brings up the rear, leading the B-side with bubbly jacking charm. Molten in its groove shape and flow, it's peppered with vast emotional washes that sweep in and arrest the senses when you least expect it.
Last but not least, 'Ssub Space' closes the show with a crafty flip from bubbling to wriggling. Here we find Alex fixes our focus on the dirtier bottom end of the track. Shifty, switchyand just on the right side of tippy, if this isn't moving your lower lumber, you need to reconnect with a dancefloor very very soon.
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Soon after releasing their debut albums - Baltic Beat' and 'Music For Candy Shops' - and realizing similar interests and traits in their solo music, Zakrevska and KruczyÅ- ski sketched out a plan for an album and live performance. The record is to a large extent fashioned after the show, with most of the tracks performed live and edited down. 'Pulses' is a result of hours spent in studio with a minimal set-up of Prophet '08, Moog Sub 37 and Korg Minilogue; The work present their mutual attraction to minimal synth, repetitive arpeggios and drone music. A perfect blend of poly-rhythmic patterns, ambient textures and beat-less acid moments by one of the most fresh and unique collaborations!
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'As an artist it's essential to be connected to your heart, to feel what it has to say. I felt my heart telling me in the past two years to connect to the roots of trance of which I grew up on. This path has led me to find my inner child - his passion for music before he became a DJ producer, his desire to consume pure music without fear or expectation of what people are expecting him to create. I've walked with this child together day after day into the studio, listening to his ideas, translating them into music created by a 35-year-old man. This was the creation process of my 3rd studio album (2nd as Captain Hook) 'Origin'.
Although I grew up in the psytrance culture and genre, influences from techno and bass music played a big role in the formation of my sound. The synthesis of these styles marked the beginning of something new, and the origin of the deep hypnotic progressive sound that is now at the core of my creation. Following my heart to where it was leading me was not always easy, since modern psytrance seems to be pointing producers towards very different soundscape directions. But believing in the path helped me to stay on it despite any doubts - and staying true to my sound allowed me to create my music with sincerity, serenity, and bliss. This internal journey has made it possible to reconnect with this genre all over again, adding a new perspective to its beautiful spectrum, and to myself.
I am very happy to present to you my upcoming album 'Origin', which you can now order as a truly unique 180g, 33RPM triple gatefold vinyl. The album presents 9 new tracks (track 1 has an added intro to welcome you into the Origin sound).' Captain Hook
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A new year, a new VisionQuest excursion: rising Romanian Floog is our navigator for this mission and he's coordinated a precision interstellar trip to ease us into a new season.
The timing couldn't be better. Momentum made via his debuts on the likes of Crossed Grooves and Atipic, 'Suprapus' is Floog's boldest, furthest reaching EP to date as he continues to map his own name around the cosmos.
'Suprapus' takes the lead. Romanian for superimpose, it lives up to its title as layers weave with natural ebb and flow. The sense of timelessness is another strong superimposed weave as we're immersed in a haze of foundation elements and a strong rolling funk while driven by future focused beatcraft and production.
This theme is continued on 'Staring At The Sun'. Another wistful piece that stares up with hope but runs with such groove hypnosis you lose any temporal senses, it's both heads-down and shades-down as Floog rolls out into the centre of solar system.
Finally 'Premiza' brings us back home. Darker, gruffer, trippier and relentlessly driving. There's some serious noir magic at play on the tweaked drums, creepy arpeggios and overall sense of tension. Transition in 2019 complete, but don't get too comfortable... Another VisionQuest excursion is awaiting imminently.
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Headz up! Guti's current club cutter 'Red Eye' continues to wriggle and writhe its way hypnotically into our sets and psyches with these two crucial versions from one of house and techno's most respected gentlemen... The one and only Kenny Larkin.
Weighing in at a combined length of 20+ minutes, both remixes capture the Detroit legend at his deepest and most cosmic with his hands glued to the dials. Not just part of the biggest single from Guti's 'Year Of The Conga' album so far, they also tell a unique tale of their own...
These mixes were originally meant for the full release earlier this year, alongside killer mixes from Loco Dice and Priku. But when Larkin received a shiny new Moog One he rang Guti and label bosses the Martinez Brother and told them that they'd have to wait... He was about go back in with a whole new modular perspective.
You can feel it, too; that deep throb on the subs and trippy psychedelic swirls of his 'Black Eye' mix and that wobbling voluptuous bassline in his 'Pink Eye' mix are just two examples of Kenny's attention to sonic detail and pure analogweight on these two immersive, alluring remixes.
Well worth the wait, and another precision chapter to the beautiful back-to-roots adventure that is Guti's third artist album 'Year Of The Conga', don't sleep on these... They're going out strictly as Record Store Day specials. Vinyl crew, this one's for you.
Banoffee Pies drop their annual Record Store Day insert with BPRSD004. 'Hello from the children of Planet Earth.' The A side sees a waterslide of sounds with break beat infused minimal techno track from KOKO. For the dance with drums. The B side comes with a somber serving of UK feelings from Embezzlement Society. With 'Sobriety' A slow motion reflection with emotive speech. For the lounge. Give love, make dance, be peace like Starfish. Kiss, Banoffee xx
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The masters for these recordings were lost long ago so we have restored from mint vinyl and had remastered at Subvert Central Mastering.
The DJ Seduction remix is rare as hens teeth. The record has been cut at 45 RPM for the DJ's.
First Edition Of 300, In Printed Sleeve And Hand-stamped Inner. "murderous Debut Disc On This Label, Combining The Fierceness Of Grime With The Bassbin Pressure Of Uk Techno, And Setting It Off With Cutting Edge Rhythm Workouts To Devastating Effect." Mastered And Cut By Lewis At Stardelta. Design By Studio Tape-echo.
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