Techno Novedades

Repress

The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to create electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre. His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With "9 Is A Classic", "Slaves To The Rave", "Pitch-Hiker", "Stereo Murder" and "We Have Arrived", just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties! The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp. All original tracks have been re-mastered to the highest possible standard of quality.

Halocyan plunge deeper into their 'Originary Technicity' series which has already featured an EP by Hackman backed up by remixers including Timo Maas and KiNK. For their latest offering, the L.A coterie have enlisted the talents of the legendary German duo Extrawelt backed up by championed master of machines Ulrich Schnauss.Having released several EPs through Cocoon as well as 12"s on James Holden's Border Community, Kompass Musik and Traum Schallplatten, Extrawelt have evinced infallible consistency across their back catalogue and have long been regarded an eminent and influential force in the world of experimental Techno.Their contribution to the Originary Technicity series comes in the form of two excursive pieces beginning with 'Breaking Bricks' which sets jutting percussive knocks under a sheet of shimmering hats and pellucid clicks and shuffles. A thick and purposeful bass patterns drives through the mix and propels progress towards a shift into a patch of interwoven melodies that render the sort of saccharine dystopia that fans of Extrawelt will be familiar with.
'Splendid Nausea' then blooms behind nifty sound design and gently flexing pads before a persistent pulse emerges and sets things flickering out of focus. A seasick bass line emerges pushing a dark, plodding mood along until the close before Domino and Pedigree Cuts contributor, Ulrich Schnauss then steps in to bolster the package with his own spectral take on Breaking Bricks. Steadily building a wall of undulating pads propelled by frazzled circuit signals, Schnauss rounds off another addition to the Originary Technicity series which comes as yet another rich and cohesive package from the ever-reliable Halocyan."

First release of 2022 on the label is a solid deep techno split EP by italian artist Hoedus and Japanese Iori.

Repress!

'Marino first got our attention with a tune called ‚Can't feel' a few years back. We played that track for ages, followed him since then and his music always found a way into our sets. Since we started the Siamese label he was always on the wish list to make a record for us and after his successful debut on the latest ‚Siamese Anthology' EP we can finally reveal a full EP from Marino Canal.' Adrian + Adrian.

Oráculo Records joins forces with Wrong Era to release the vinyl debut of the Lithuanian young act Ton Globiter. In between techno, ebm and new beat, his sound is fresh and overwhelming, ready to fire up any dance floor. It includes remixes by Kris Baha and Synths Versus Me to complete a ballistic weapon EP.

Part 5 of the 15 years Series !!

EYA Records is back with a special collaboration between two of the most revered producers in the scene.
For the first time Innershades and Do or Die are joining forces together blending their powerful and distinctive styles to deliver a genre-bending record which ranges between Techno,Rave,Acid and Trance.Killer!

Succession of images, clean memories resurfacing abruptly, not foreseen, not governed by the rational will.

The element of air enlightens fresh harmonies of open spaces, nature in instrumental guise lies down, taking life on irregular, porous rhythmical surfaces.

Old school rave sound from Acid House to UKG and rave sound... Crazy stuff !!

People try to label our music but in the end it's difficult because we look at it from many different angles, we assemble ideas from different musical styles and we open ourselves to extreme levels of each concept, taking it outside the norm, only this way we manage not to be labelled in a specific style of music. We want to take you from starting point A to infinity.

Sweet GOOG bewitchment... Sneaky basslines and little suspense drops... Long side brings more deepness inna furrow... More sound in da ears

The mix features an introduction by Wesley Joseph and exclusive tracks from friends and collaborators Skee Mask, Or:la, Gaunt, Avon Blume and Ehua as well as the playful and energetic new track from Vynehall himself 'Sugar Slip (The Lick)'.

Vynehall effortlessly traverses across genres from spoken word and ambient, to breakbeat, gqom and afro-house.

"The output of fabric's label holds a special place for me. During my teens into early twenties the musical landscape I was exposed to broadened, and my taste diversified greatly; going to shows, making music, and swapping new finds with friends. fabric had a huge part to play in shaping what I heard and was exposed to via their mix & compilation series. The first two I heard were Swayzak's 'fabric 11', and James Murphy & Pat Mahoney's 'FABRICLIVE 36'. Both these CDs helped open the door to a wider palette of sounds. Not only did I delve deeper into the compilations post & prior, but I learned about what I enjoyed when it comes to DJing - dynamics. That was the aim of my entry into the fabric discography. A dynamic mix with a cohesive sonic narrative running through it with the club in mind. I feel incredibly lucky to be putting forward my take on something that helped to shape how I approach what I do when I DJ."

Leon Vynehall will be taking over fabric for a personally curated night of live music and DJs on Friday 8th April 2022.

We are still moving...as well as the music. As we have to deal with new realities in an altered world, the musical expression still has to find a way to the people. That's the mood behind the first Life Recorder ep on Life Notes. Another deep house/techno exploration always connected to the timeless influences through emotive pads, tones and driving rhytmical elements.

Level two of LNS' electroid quest on own imprint. As last 12" there are 6 tracks, generously bridging knocking MPC-style Electro, up-tempo video-worlds and melodic but clubby Techno with blends of dub. A DJ Sotofett remix takes the dubs even further while the bleeped "Lehkist" is an excellently deep manifest of the melodic stance this record carries throughout. To be continued...

Acid techno with 2 long massive cut tracks playing 45 RPM...
Notice the BIG Imperial March ACID interpretation from Lethal One on the flip !

8th from London based “Art Of Dark”. 4 fresh cuts from Jack Keo.

Silvery sharp & bouncy 12". Techno-head E-GZR meets LNS on the A-side for stylistically and precise electro - where a globbing bassline competes with gated snaps, rolling 808-hats and a deep push-and-pull padded lead. B-side solo's E-GZR's perfectly saturated drums & celestial programming of electro-funk melodies and futuristic chords. Unreleased mix & non-album track from LNS & E-GZR's upcomming "Sputters" album on Wania (mid 2019).

One side for ARKVS and one for Thanos Hana.
NP 7683 - 7316 // BLACK AS TAR

Oblivion Dip, a deep-side of the Norwegian techno & experimental corner, outs two versions of dark but fresh tribal-acid-techno cuts on the A-side. The B-side generously presents a very intriguing industrialized metal-saw beauty of an ambient-noise track. Absolutely not obsolete!

We are excited to introduce the Italian new generation DJ and producer Vincenzo Gargiulo aka Lowerzone to Footwork. He created a massive arsenal of outstanding killer tunes all bundled up in “Rave Alert” EP.

Both “Rave Alert” and "Stay Away" are fat kick oriented tracks injected with some acid elements bursting with an insane level of energy. Take just a little breath on “Better Times” and don’t be fooled by the sweet melody as the kick will push you straight ahead again. In addition we’ve invited the talented French Wex 10 to the party who has made a banger remix of “Stay Away”. Let’s Rave!!

Mariiin is a dynamite DJ and obviously has a fantastic ear for groove and what will work on the dance floor but I know from experience that being a great DJ doesn’t always translate into being a great producer. Fortunately, in Mariiin’s case it certainly has and in turn we all get the joy of experiencing these tracks. Wonderful news!

The first remix series on PROLETARIJAT brings together 3 Techno Proletarians! Nihad Tule, Skudge and Stanislav Tolkachev recreated the sound of Sev Dah on this release to push the struggle for resistance further and created the fundament for the future remix series on PROLETARIJAT.
Nihad Tule created a forward-going shaker with the "Marija Bursac" remix while Skugde closed the A side with his dreamy remix of "Lisina" in his style.
On the B side Nihad Tule took again the challenge and reinforced the sounds of "Kozarcanka" into the more mystical vibe. Stanislav Tolkachev rounded up this remix series with a spacey and experimental rework of "Kozarcanka" with new patterns and moods to make this release suitable for every taste! Revolutionary Proletarian working-class stuff!

Established and mysterious producers are forming the North Rhine-Westphalia Trance Alliance to deliver this hot cooked four-course-menu including a Tribal Curry, fine sliced Breakbeats and Acid Dashi. Get ready to press that button on your rice cooker cause those shots need some absorbing garnish. Please note that Warning Ltd. is not responsible for any fire damage in your ear canals. For safer use instructions consult your local shaman or cult leader. Peace! Mastered by Carsten Dämbkes Artwork by Atelier Superplus

Tempered, deep and precise from Norwegian/Danish Oblivion Dip with first cut carrying Danish obscure vocals fitting atmospherically and effortlessly well. The "Skeletonmix" targets the pure, rhythmic and spaceous sides of title the track while DJ Sotofett's remix detours electro, cold balearic and harmonising progressions. Absolute finalum with the almost jazzy acidic and speedy but beautiful lightness of "Panning".

Planetary Assault Systems remix Chris Liebing on CLR.

Chris Liebing’s gritty and dancefloor focussed ‘Mind Bender’ drops on his recently relaunched CLR, featuring a hair-raising remix from Luke Slater’s Planetary Assault Systems alias.

“Luke Slater has always been one of my favourites. From his early work in the ’90s through to his incredible Mote-Evolver label, it’s always great to hear what Luke’s working on and it’s a pleasure to have him remix the release that relaunched my CLR label. I hope you all like it when you hear it!” - Chris Liebing

CLR, now retitled Create Learn Repeat, has released music from Frankie Bromley, Gene Richards Jr, Hertz Collision, and more since its relaunch as Liebing seeks to provide a platform for new and emerging talent alongside his releases.

Sigha returns to his OCS imprint for his first solo ep in over two years. 'Move To Speed' leans on the heady electronics and stylistic freedom of his Faugust project, pushing the approach into more club ready territory. Wrapping shifting sound design around frame works of thrumming rhythm and bass heft, the result is a set of tracks that nod explicitly towards the hardcore continuum as much as they take in the artists' exploration of contemporary Techno.

incl. Codex Empire Rmx + D. Carbone Rmx

Limited Edition Remastered

Those who have been following Laurent Garnier for a long time know how multipurpose this artist is, how his status as "best DJ in the world" is only a shortcut used by default. It must be repeated that this man is gifted with an extraordinary sense of combat, and that he has been fighting for many years to impose good music on the public. Laurent Garnier has always refused chapels and privileged actions; he does not support repetition, even less compromises, and certainly no downtime.

A key proponent of the Korean music scene, Marcus L runs the infamous club Faust in Seoul, pushing forward the local sound and embodying the culture that comes along with it. Evidence of this can be found on the tongue-in-cheek title track Kimchi Slap where Marcus works with Korean rapper Kill.gone for a verse about the local food staple. The EP encapsulates Marcus’ love for techno, industrial & hardcore with a playful attitude sure to make you dance, rounded off nicely with an epically beautiful remix from Hadone.

collecting orders for repress

Pieces of 8’ was one of the tracks played during the duo’s first ever live performance, which was for Boiler Room over five years agoand has been a central part of their live show since.It has been through many iterations since and is now part ofJoy Orbison’s radio station on Grand Theft Auto.‘Pieces of 8’ is a track that sounds as fresh today as if it had been made yesterday.

On the flip side, ‘Echo Rush’ was a track that Ed, in his own words,“Found on ourlaptop one day and had no idea when we wrote it.”It was made on a synthesiser called ‘the virus’ (LOL) and Ed remembers hearing the track for the first time in a long time when he was late for a festival appearance after a delayed flight. While running up to the stage, Tom had started playing ‘Echo Rush’ and the memory was sparked. From there the duo finished the track and have now found a timely release for it, a track so obviously able to stand on its own in the coming mega summer.

(25th Anniversary Edition) Originally released on F Communications 1995. The group was founded in Dijon France in 1993 with three members: Olivier Saint Denis, Olivier Kaiser and Olivier Regis. The name "Square" comes from the initials of each surname. SKR was passionate about "machine music" and more particularly for those who came from Detroit.

Repress

dark red marbled vinyl

The Factory hereby presents to you its first release: The Factory 001.

A compilation album which features the likes of artists such as Legowelt, Kypski, Regularfantasy, Klangstof & many more. The aim of The Factory is to bring new and established electronic artists together by giving them a platform and full creative control. All contributions are one of a kind and genres range from IDM, lo-fi house to techno.

The first 250 vinyls are numbered and will include a zine that features drawings, photography and poetry by art squad Rots, Zefanya Anindjola, Cathelijne van der Korput and Nina de Koning.

Wheez-ie's uncompromising rave anthems get a wild ride of remixes from Tim Reaper, VTSS, DJ Stingray 313, Aura T-09 & Cardopusher

An of-the-moment remix EP full of bold, dark, and relentless warehouse thrillers.

On January 14, L.A.-based producer Matt "Wheez-ie" Mauldin follows up October 2021's Horizons release on Evar Records with an of-the-moment remix EP that's cathartic, riveting, uncompromising and altogether powerful. Wheez-ie gathers together an all-star cast of dancefloor iconoclasts who reinterpret his singular '90s-referential rave visions to thrilling affect – this is all killer, no filler warehouse music for those who are brave enough to take the ride.

London's jungle modernist Tim Reaper reworks "Horizons" – a Summer of Love-ready breakbeat epic with cinematic, near gothic overtones – into an homage of sorts to early LTJ Bukem, cutting up Wheezie's melancholy synths into a twinkling fairyland that dances atop a weighty ton of chopped amens and classic jungle subs.

Detroit icon DJ Stingray 313 trades in the punishing techno vibes of the original "Anon" for something equally fierce – a versatile 139 bpm slab of expertly-machined industrial electro that pairs perfectly with the sample "You think you know me, you don't," which could well be a rallying cry for Wheez-ie's unexpected musical stylings.

The surprises continue on the remix of "Pressure," tackled by Evar Records label head Aura T-09 with the wildly eclectic Barcelona-based Cardopusher. The duo transform Wheez-ie's aggressive free-festival hard trance into a cheeky and modern riff on early Paul Van Dyk/Tiësto/Love Parade anthems. Gossamer layers of Aura T-09's angelic vocals and tunneling Acperience arpeggios are offset by a wildfire of hacked breakbeats and Dominator synth stabs, revealing Cardopusher's rich breakcore past.

Rounding out this fully mental and totally unexpected remix pack is a nasty, naughty fingerblast from the Berghain dark room via Polish-born, Berlin-based VTSS. Where other remixes add the breaks, the fast-techno goddess strips back the early '90s breakbeat hardcore onslaught of the original and replaces it with an equally relentless industrial 4/4 beat – the entire tune is a masterclass in the intensity for which she's known.

Uncompromising and utterly of-the-moment, the Horizons Remix EP explores new shades of the themes that infuse Wheez-ie's original: dystopian futurism, uncertainty, dark beauty and rave catharsis. Don't sleep!

Sam Paganini is back with the brand a new album “Light + Shadow”. The fantastic 12 track concept is his fourth full length after 2020's Reflections and is split into two halves, Light and Shadow, with each showcasing different sides to his sound. This innovative format is a way for the artist to dig even deeper and cook up different moods and grooves for different settings.

Winter thaw marks the return to Furanum of Uncto, the Silesian dyad Domink Muller and Rafal Furst, with their first full release of collaborative material since 2013's seminal FU009. Like its predecessor, Unctuous offers four cuts of viscerally engineered and rhythmically exacting dystopias, each ably situated within a striking 'synth-etic' narrative. It is this latter aspect of each arrangement that perhaps most noticeably demonstrates the pair's singular and evolving approach to composition, born out in the calculated emphasis on hardware-based expressionism.

The opening title track stands as a testament to the above: while deceptively sparse at the outset, its ponderous advance, both heavyset and indomitable as it gathers pace, is framed in the midst of an unfolding panorama of stark analog wails. Further interspersed with resonant timbres more akin to the vocalizations of some hell-beast luring its prey, the eponymous behemoth ingratiates its listener, beckoning submission to its will with the promise of exhilaratory assimilation. Such a hive-mind state attained, exhilaration does follow, yet so does a concomitant loss of agency, leaving one thoroughly subjugated and enslaved to its cadence. Perhaps as a manifestation of dramatic resistance to such a fate, 'Trust No One' daringly defies the impositions of its predecessor. Instead, it animates and emboldens the beholder through its rhythm, ineluctably driven by a sense of accelerating linear intensity. Thus arriving at a climactic percussive build whose isochronal blows shatter any remnants of doubt, angst transforms into raw conviction as one is propelled into a delirious realm of solipsistic certitude.

Situated amidst the foreboding sound of blade clashing with blade, 'Cold Knife', on the other hand, is driven by an entirely disparate off-beat progression. As its anticipatory rhythmic thrusts cut through an advancing fog of shivering drones with frigid precision, one seemingly undergoes a cyclical plunge into a state not unlike one marked by the visceral dopaminergic rush of contact with extreme cold. Finally, 'Metzgers Tochter' ('Butcher's Daughter') closes the EP with a ruthless exploration of the contrast between the gruesome and the feminine. In a similar way to the opener, the track's meter is staggered and undulating, yet also steadily punctuated with breathing room between its crushing blasts. Such scenery thus serves as a canvas for the expression of the titular character's 'beauty and the beast': a paradoxical synthesis of attraction and aural brutality, held in tension by the unceasing throbbing of the composition's beats.

Mastered & cut by CGB at Berlin's Dubplates & Mastering,

Grey Marbled Vinyl in UniCover
Four fresh, effective and spaced out cuts from label-head Black Lotus.
‘Poems Against the Empire’ is a radical statement regarding bizarre times.
Pressed with love! Play it loud!

Scum of the Earth; is a nod to the duo’s Northern roots and a signal to their friends and fam ethos, featuring Watson’s uncle - Mancunian poet Thick Richard. Blending swirling synths with punk energy, on ‘Scum of the Earth’ Thick Richard’s no-frills, spoken word - ”but just remember this planet is made out of dirt, when you call me the scum of the earth” - is peppered with broken beats and distorted vox lines. Originally a track made from a live recording of Thick Richard taken in the wee hours of the morning in the smoking area of Corsica Studios about eight years ago, he managed to re-record during the UK lockdown in 2020, adding verses from another poem, People in Crack Houses Shouldn't Throw Rocks. A duo with strong creative vision, follow Thick Richard cycling around the canals of Manchester, tinnies in hand, in the glitchy, wigged out visuals for Scum of the Earth, directed and edited by Dilesh Patel. The follow up to their sensational 2020 EP Black Dragon Loop which garnered support from Clash, Loud and Quiet, Mixmag, Boiler Room 4:3 and more, FYI Chris return to esteemed Bristol label, Black Acre Records, a fitting home for their debut album Earth Scum. Traversing post-punk, jazz, techno, weirdo house and beyond with a psychedelic spin, across twelve tracks Earth Scum promises insight into the multiverse of FYI Chris. The duo pay homage to their strong sense of community and life as they know it in South London and the North of England, nodding to friends and family along the way. Sonically, the pair showcase their varied palettes and musicality with a darker and more rugged multi-instrumental approach, while shining a light on their gallows sense of humour. Hailing from the North, FYI Chris (Chris Watson and Chris Coupe) met in South London - fast becoming key players in that tight-knit local community as well as the global dance music scene. Regulars at Peckham’s Rye Wax and often at the helm of the Rye Wax radio show; pre-pandemic, the duo could also be found playing gigs in esteemed underground venues across the globe. With their breakthrough release No Hurry / Juliette on esteemed local label Church in 2015, FYI Chris have since released on revered platforms including Rhythm Section, Toy Tonics, Banoffee Pies, remix work for Ninja Tune. The pair also co-run ‘West Friends’, a platform showcasing their own groove-centred repertoire and genre-defying creations by pals. With a friends-and-family ethos and self-effacing humour combined with their raw talent and incredible musicality, FYI Chris are a force to be reckoned with. Limited first pressing of 300 includes perforated ‘Acid Tab’ print by Miles Davies.

Techno Culturae records launches its first EP and debuts in the world of vinyl with a really hard release. Composed of an original mix, by Indeck and three remixes, D. Carbone, Electrorites and Warind. Dark sounds distinguish this output which represents a real introspection of the dark soul of the artists, where the distorted sounds of the drums and the properly saturated lead / pads, emphasize the frequencies, standing out in a basically hard techno mix that is really
interesting. They follow the metrics in a very precise way with different pauses and restarts typical of a sound that is not monotonous, but hard and motivating.

"As the essence of recurence remains."

Limited Edition 200x copies!

The Berlin based record label Triamb presents "Thema" Reworks, with ace reworks for the most representative tracks from Saumeth's album "Thema", which already made some waves in the techno music industry, getting the attention and reviewed by Faze Mag and many other electronic music media, and what better way to celebrate this with a 12" vinyl featuring the amazing reworks produced by Steve Parker, Marco Bruno and Mental Resonance.

Steve Parker reworked "Port", infusing some Acid vibes in the track, creating a groovy mind-washer. "Clinn" was Marco Bruno's business, the Italian producer pushed on the bpm, providing a fast and energetic Techno banger. To complete the ep we'll find Mental Resonance, who crafted two reinterpretations of "Awaking" giving his dark and percussive imprint to Saumeth's track.

Supported by:

DVS1, Skaliger, Relic Radiation, Arweenn, Drafted, Cisco Ferreira, YYYY, Anthony Parasole, Sciahri, Arnaud Le Texier, Raffaele Attanasio, Alfredo Mazzilli, Luigi Madonna, Hemka, SLV, Hd Substance, Dax J, Fragmentor, Slam, Chris Liebing, MTD, Paco Osuna, Secret Cinema, Dimi Angelis, Noir, Ilario Alicante, Angel Molina, Anika Kunst, Anderson Noise, Exilles, Radial, Kontal, Fixon, Juno Kusti, Marco Bailey, Sigha, Techno Cadeau, Takaaki Itoh and Mark August amongst others.

Steve Rachmad, aka Sterac returns to Luke Slater's Mote-Evolver imprint this May to release the 'Numbers' EP.

Since his earliest days in the scene, Amsterdam's Steve Rachmad has created a legion of monikers to cover his compositions' variety and broadness. One of them being Sterac which focuses on the deeper and more obscure end of the techno genre. The Sterac discography consists of signature cuts, spread out over genre-defining labels such as M-Plant, Tresor, Klockworks, Afterlife, Mote-Evolver, Indigo Aera, and Delsin.

His 'Numbers' EP sees Steve drop the first release of 2021 under his Sterac alias as he makes a return to Luke Slater's Mote-Evolver label with four tunnelling techno tracks.

Kicking off the release is 'Ghost 37', which employs vacillating grooves, ominous synths and intricate mechanics before 'Lost Track 22' fuses sizzling 303s, dynamic drums and mammoth, alien-sounding modulations.

On the flip, 'Rey Fur 2.1' keeps the energy flowing with a high-impact clapper featuring bustling fx and expansive tones until 'Tr-15' masterfully rounds off the EP with twisting synth flutters, rattling highs and hypnotic bass grooves intricately unfolding underneath.

Toma Kami returns to Livity Sound for a third EP of provocative, experimental club gear. At the helm of his own Man Band label the French producer continues to explore a hybridised style which favours fractured beats, playful samples and occasional psychedelic flourishes.

Compared to the busier sound of previous releases, minimalism informs Toma’s approach on LIVITY053 as he sits his crunchy drums and weighty low-end in a tangibly spacious mix on ‘Amapicante’. Even within a stripped-down context, his unique approach shines through as ‘Later To The Bone’ progressively ramps up in scratched and scuffed sonic interference and ‘Mzecal’ trips over its own fragmented found-sound drum formations.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

A.MORGAN presents his new work on NEWRHYTHMIC RECS. A 12 “ vinyl work that consists of 5 polyrhythmic, energetic and solid techno tracks. This is a perfect example of A.Morgan’s mastery working with hypnotic rhythms and his meticulously crafted synthesizers. Every detail of these tracks is based on the exploration of still unknown fringes of techno.

The fourth multi-artist EP from blog-turned-record label Innate takes the imprint's inherently warm and far-sighted sound into new intergalactic directions. Offering a quartet of cuts from established producers and rising stars, all inspired by dreams of cross-cosmic travel and the alluring weightlessness of deep space. 004 explores the love of stargazing electronics in much greater deapth.

The A-side is all about melodious and spacey electro with Dutch legend Aroy Dee making a rare appearance away from his acclaimed M>O>S Recordings label. "Leegte" A1 is impressively immersive, cloaking a jaunty bassline and lo-fi beats in sumptuous aural textures and glassy-eyed chords. Accompanied by Innate label regular Gilbert, "Furthest Planet" A2 is a deep roller whose lilting lead lines, shimmering electronics and tumbling acid lines are little less than life-affirming.

On side B, the sound subtly shifts towards the multi-coloured, sci-fi shimmer of techno. Newcomer Jonski, (aka Bristol electro producer Zobol) drops "Venusian Surface" B1 - a classic interstellar jam full of vivid chords, echoing synth squiggles and alluring leads that rise above a classic tech-funk bassline. Last but not least, effervescent Welshman DJ Guy (Unthank/Other World Music) slams down an energetic techno stomper in "Aphelion Orbit": boasting brilliantly breathless drum programming, illuminated by the celestial shimmer of accompanying chords. A perfect conclusion to Innate's most action-packed release to date.

Episode 1 debuts on JAM with a powerful three tracker

Die Berliner Techno-Koryphäe Ellen Allien wendet sich mit diesem Remix-Doppelpack dem romantischen Darkwave-Duo Lebanon Hanover zu. Diese Cuts entstanden als persönliche Bearbeitungen für ihre eigenen DJ-Sets im Jahr 2019 und waren in ihrem letztem Boiler Room und seither in vielen ihrer Shows zu hören. Zuerst nimmt sie sich "Living On The Edge" vor. Larissas Vocals sitzen komfortabel auf dem club-orientierten Instrumental, das dem ursprünglichen Spirit des Songs treu bleibt, ihn aber für den Dancefloor umfunktioniert. Ellens zweiter Remix ist eine Techno-Neuinterpretation von "Invite Me To Your Country". Pulsierende Kick-Drums und ein Hauch von Bedrohung durchdringen den Song.

Repress

Chris Liberator's Maximum Minimum label returns with "PANIC VIRUS RED" EP featuring 2 slamming trax from Valencia's SEON, one classic track from the U.K.'s underground innovator TASSID, and a collaboration between Belgium's rising star JACIDOREX and French DJ supremo DAVID ASKO. Futuristic Acid Techno WITHOUT the 303 action, or simply smash-and-grab dancefloor underground techno? - you decide. Either way this is going to ignite underground parties, streamed, live or otherwise - with or without this fucking virus. DO NOT PANIC!

Zwen makes a strong impression as they circumnavigate the stars to impart their strain of machine music. This first release on Trapid has little to no reference point, placing all the focus on the tunes contained within. "Space Zone" aptly launches this mission in a muscular fashion with a hefty kick and some strafing synth blasts, while "Etching" gets tangled up in a more tightly wound loop with a raw, deliciously early 90s finish. "Restriction" keeps things stripped back, but it's certainly still orbiting the same quadrant as the other tracks. "Trapid" switches focus by embracing a more dub techno-informed approach, and Zwen does a masterful job of capturing that vibe too.

People Plus are CZ Wang and Joli B., signaling from a studio and or Hut in some remote location. Their debut EP consists of three trips into time in just as many styles.

Side A belongs to 'Olympus Mons', a song as big as the mountain its named from. Snake charmer synth lines and vocal roars backed by the baddest rhythm section in a while... wait for the solo! The B side holds 'Work It Out', with broken 4-off-the-floor drumz and revving echo effects. taking the coveted B1 spot is the always dancefloor smashing 'Second Cycle' - A verified banger that opens up with ground shaking acidish filter bubbles, and closes somewhere way up above the clouds.

From 1995 comes Kenny Larkin's staggering long player 'Metaphor'. Larkin's 2nd full length under his own name sees the Detroit firebrand continuing his singular approach to techno and electronic music with this set of futurist leaning jams that still stands head and shoulders above today in 2021. Packed to the brim with soul, emotion and depth 'Metaphor' is the natural successor to 'Azimuth' released only the year before, it's the manifestation of Larkins 'techno soul' agenda laid bare through the fusing motor-city minimalism, driving techno-funk and deep as the ocean ambience and melody to deliver a truly original and awakened collection of timeless tracks. As with his other LPs and projects, this record is a remarkable document and testament to how ahead of the curve Kenny Larkin was / is as a producer and creator. It's quite hard to believe these signals were beamed down to us in the midst of the 1990's. The quality and breadth on display across these discs deftly explains why these records are so coveted and cherished today and why this expanded reissue is such an exciting proposition. File under 'essential Detroit'.

'Metaphor' has been legitimately reissued for 2021 on Kenny’s own Art Of Dance imprint. Remastered from DAT tapes (with the exception of 2 tracks) and original sources by Curve Pusher. Designed by Atelier Superplus.

Hailing from Thessaloniki, Greece, Alpha Sect is a project of George McCall, which is focused breaking electro patterns and pumping body music with serious punk influences. Soil Records presents his new release “Dark Rituals” featuring 4 original tracks and remixes by Trenton Chase, Filmmaker, Sydney Valette.

Back to Life strikes again with another hidden jam from the past. Originally released in 2006 “Going Home” EP was signed by
a side-project of John Beltran called Nostagic.

This new 2021 edition includes: “Placid Angles”, “Detroit Moments” and “Going Home”.

Highly recommended for all 'Detroit Ambient Techno Lovers' !

Marco Faraone re-imagines two Radio Slave classics for ‘The Marco Faraone Remixes’ released on Vinyl this February.

The release sees UNCAGE label founder Faraone follow his ‘True Love EP’ on Rekids with incendiaryversions of two of Matt Edwards’ most iconic cuts, ‘Don’t Stop No Sleep’ and ‘Grindhouse’.

‘Don’t Stop No Sleep’, originally released on Nonplus in 2014, is turned on its head by Faraone who adds huge synth lines and fresh vocals to beefed-up drums, twisting the sparse, minimalist original production into a warehouse bomb.

On the flip ‘Grindhouse’, a track which soundtracked many a party in 2008 in part thanks to a landmark remix from Dubfire, is tweaked into an eerie stomper by the Tuscan producer who centers his version around rattling percussive delays and subtle atmospherics.

By revisiting these productions and adding his own signature flair, Marco Faraone has given a new lease of life to a set of bonafide classics.

The next 2-tracker on NM2 is ready. Check out this incredible release from Raxon. No words necessary, straight to the point, let the music do the talking.

White Marbled Vinyl Repress

Bunzinelli (Cosmic Tone) serves one up for Neubau - heated material!

Banoffee Pies Records release their 10th edition to the Original Series with "Move Tools". One of many channels within the BPR umbrella which dedicates itself more closely to left field dance floor cuts, this time in the form of a solo EP from production master Interplanetary Criminal. The 4 track collection hosts three UKG delights which are bound to disrupt dancefloors all over with their weighty UK feel and extreme sub workouts.

The other tracks come as a tried and tested DJ Tool "Move" on the A2 which comedically slips between a joyous disco sample and a bruising 4x4 laser beat. In nostalgic form the B side closes with a dusty and euphoric, late night garage cut full of emotion.
BP x

Canadian born and Naarm (Melbourne) based Jennifer Loveless returns one year on from her debut releaseHard/Soft(Pure Space Records) withWater, a 12" EP presented by Butter Sessions. Bestowing us with five tracks of dystopian dance-floor thump,Wateris a bustling showcase of Jenn's breadth as an artist. Reflecting on the contrast ofWaterwith her first EP, Loveless comments "I wanted a hard contrast to theHard/Softrelease. I always had a plan to release an energetic frivolous fun type EP afterHard/Soft. I had a feeling people might see me as an ambient producer (although I wouldn't really categoriseHard/Softas that), and I guess this EP,Water, is my response".

At its core,Wateris a hyper-charged cetacean maelstrom of electronic music, sampling weddell seals, humpback whales, pacific walruses and water itself.Waterkicks off with the rumbling patter ofOut/Underbefore moving into the unabatingSyzygy(Scissor Me).Jenn stamps a joyful yet skittish imprint ontoECC,while fly on the wallBackroll Buddysits on a sound bed of audio Jenn recorded at parties, capturing friends chattering and an edit of a Whitney Houston earworm she heard a DJ playing, paying ode to a night out.B L U YOUis a charming endnote; a fusion of fluorescent pop and a catchy bassline. The verdict here is thatWaterallows Jennifer Loveless to prove herself truly as a jack of all trades.Watertakes shape as an engrossing palette of bold dance music.

First vinyl release for SYNTAX Electronix, 4 tracks are by Kör Boira, producer based in Berlin but of Valencian origin. It also includes two remixes, one by Hermeth and one by Detroit In Effect. Hybrid street sounds of electro, the ghetto and the essences of the street.

Welcome to the colorful and loony universe of the new Parisian label: Comics Trip Records. Each episode will highlight a multifaceted protagonist as he breaks free from the existing musical boundaries

Sam KDC presents the first Auxiliary 12" EP of 2022, entitled Shedding Skin, a varied four-track odyssey that goes far and beyond the conventions of techno and 170 bass music. The EP opens up with the ominous underworld tones of Silver Serpent. Menacing snarls of metallic synthesis set against the backdrop of frenetic hi-hats and slow pulsing heavyweight bass make this a surefire way to inject something unique into any DJ set.

False Idols then takes things a step further with its relentless percussive torrent, set against a sea of uneasy undertones that wash in and out of proceedings. Prophecy Unfurling introduces breakbeats to devastating effect, as the journey continues underground. Dystopian pulses of synths interacting with the breaks play off each other in a distinct fashion that has become a trademark of Sam's after 2019's Omen Rising LP on Horo.

Finally, Sam brings it all to a head with the uptempo frenzy of Bloodstone. It's been a while since Sam has toyed with this tempo, but Bloodstone shows just why he's revered as one of the true innovators of 170. An almost playful bouncing ring-modulated bass tone sets the scene for Sam's now trademark ominous dark palette to paint a truly captivating picture for the listener. Shedding Skin shows an artist at the top of his craft truly doing his own thing.

From 0-1 is very proud to issue its 12th overall release- 'Catharsis: The Remixes' a 12' vinyl mini-comp due out Fall of 2011. This record is a follow up to 2010's 'Catharsis: An Outpouring From The Pacific Side of Earth'.

Extra Muros - Italy is the result of the second edition of FLEE's creative residency program which took place in October 2020 in the Castello Normanno-Svevo in Sannicandro di Bari (Puglia). For two weeks, five musicians and producers from Italy and Europe came together to experiment on new sounds, inspired by a large variety of artistic environments and soundscapes. Documenting from various perspectives the music production process, capturing those exchanges, this compilation celebrates a unique form of artistic expression and collaboration.

'Rave Age' is a ballsy firecracker of an album that showcases not
just a passion for big room electro smashers and electronica, but a
broad set of influences that stretch from punk and film soundtracks
to disco and indie dance. Vitalic has done away with the vocoder,
working with a myriad of talent to add diverse and sometimes
surprising influences to his distinctive sound. A body of work that
takes many twists and turns, exploring new directions and
absorbing genres while maintaining Vitalic’s trademark sound and
energy. Repressed on purple opaque vinyl.

X-Coast returns to UTTU with 3 tracks of old school rave revivalism with his trademark hot-haus touch - backed with a remix from Anetha.

Conforce returns to Bright Sounds for this second outing on the label. The ever prolific Boris Bunnik finds on Bright Sounds the perfect homebase for his more drifting dub techno sounds. Four powerful works aimed for the late night floors, atmospheric as ever but this time more energy arises from propelling deep driving grooves with a jacking touch. It's the first outing of his Conforce guise in the year 2022 and it shows an exciting wild side that's ready to dance.

Legendary Swedish outfit Frak for the 20th installment of Libertine Records Traditions series. Extraordinary, classy, and timeless music from recovered 80s tapes. From freaky Acid to New Wave, Electro and Industrial, high-quality standards for a future underground classic release!

Ambient Techno Reissue from 1994. Bomb

From the mists of 1989 comes The Landlord with this monolithic slab of rave history - 'I Like It'. Instantly recognisable, those widely sampled piano stabs, that bassline.... it's all there. Produced by Canadian super-producer and Big Shot Records label owner Nick Fiorucci this much sought after rave anthem was highly prized and coveted by those in the know back in the day, no-one had any idea as to how huge the record would become as it soundtracked every dancefloor, warehouse, field and loft from '89 onwards, this is it, the real deal! Enter: The Maghreban. One of R&S Records contemporary artists and an unashamed Hardcore / Jungle / Breakbeat enthusiast, he seemed like the perfect remixer. Maghreban's mix is respective of the roots and the legacy of 'I Like It', referencing some of it's later sampled incarnations in a clever and knowing way, a true DJ tool that has been road-tested and checked in clubs across Europe and beyond, his epic 'Revenge Remix' shows a deep understanding of the history of these particular records and how they work on the dancefloor. This one will have people crying for more! Also featured on this special RSD 2019 release is the OG 'Blow-Out Dub', the one that started it all. Classic material from end to end right here. Essential business from Above Board distribution and Nick Fiorucci / Big Shot Records.

Few months after an unexpected CD of 90's techno / slow-goa tracks edited and compiled by Alexis Le-Tan, french label Idle Press is back with a 4 tracker from V2A, solo project of Gordon Pohl, known for his involvement into Karamika (Offen) and Musiccargo.

Idle Press is a label run by Parisian curious DJ Sundae, NTS resident and curator of the "Sky Girl" compilation on Efficient Space.

Gordon Pohl is a former DJ in Germany's 90's techno scene. He now spends his time in his studio in Düsseldorf putting together some compositions for his neo-Kraut' band Musiccargo, Karamika (with Black Merlin) and his Kunstkopf label.

He recently did two amazing remixes for Malka Tuti & Offen Music.

V2A is the first solo project in a long time.

After four exciting releases in less than a year, the label is back with an ambitious new EP that brings together some of the biggest names in contemporary techno: Setaoc Mass, Kaiser, Tuber and Kessell.

Coordinate Records is back after a while with a new Ep signed by Alex Dima.

This absolute classic UK Techno milestone was originally released on R&S Records in 1991.

Being a solid favourite of Don’t label boss Jerome Hill, he then reissued and remixed it back in 2009.

Long unavailable with prices fluctuating wildly on Discogs, it has now been repressed and is available once more on a limited press of just 300 copies.

Tred’s bio is a simple one. It reads “high power, deep emotion”, and that about sums up the Tred aesthetic. The Aussie born, Germany based producer has been behind some of contemporary hard dance’s most exciting anthems, and follows up a release on 1Ø Pills Mate with this epic four-tracker for Lobster Theremin.

Capturing all the frantic energy of a Tred set, I’m Not Like Other PPL gets underway with the title track - a punishing cut of stripped back, high velocity techno. Old horror film vocal samples induce an old school, psychedelic experience from within as the track builds and builds towards its imminent climax.

‘Dead Droid’ maintains a spooky feel throughout, it’s off-key atmospherics and marching rhythm channeling that deep emotion that Tred does so well, before ‘Secrets’ strays down a more melodic route with its trancey stabs and hands-in-the-hair energy, unting the worlds of hard and soft.

‘Don’t Need A Thing’ ventures further into this trance-world, with an albeit heavier cut than its predecessor. This is in-your-face hardcore trance - not for the faint hearted, for those that wish to totally immerse themselves in complete rave escapism.

Rounding off the release is a digital only track ‘All Messed Up’, which halts the high-speed onslaught with an emotionally-stirring ambient piece designed to float, captivate and inspire.

Aquaregia mainstays, Troma & PERS1, return for their fourth release on the label. Their Kaede EP exhibits the duo's signature exquisite acid lines though a tracklisting of five dripping dreamscapes.

"Kaede" introduces the release with a bubbling acid line and up-tempo groove. A euphoric journey through a new destination; a mental escapade moving from excitement and anticipation to pure bliss.

"Samara" takes over with a haunting acid line and eerie pads, venturing deeper into the unknown. Atmospheric fog intertwines between the rosy foliage of the Japanese maples; a cool breeze propels the ripened samara, helicoptering from their stems.

"Crimson Breath" relieves the tension with a chilled out and dubby trip. We're taken bankside of a babbling brook, sheltered by an enclosing leafy canopy; comforted in a safe haven.

Next, "Autumn Moon" gently guides us on a psychedelic excursion laced with intricate dribbling acid lines and breaky percussion. A walk through a shadowy limestone cave, water trickling down and plinking from the luminous stalactites.

Repress

AEIT on Sacret Court

After making his debut on the label in 2014, Berlin based Brit BNJMN returns to Delsin to release his latest artist album, Hypnagogia. This album comes after years of experimenting but is the first time since his Black Square album on Rush Hour in 2011 that the artist has felt he has finished a cohesive body of work. Hypnagogia counts ten tracks of atmospheric techno that ranges from deeply comforting to turbulent and edgy. There are moments of beautiful ambient reflection on tracks like 'Glowed' and 'Over White Peaks', plenty of the unique sense of melody BNJMN is known for as well as hypnotic tracks that trap you in a trance. Tracks like 'Theta Wave' show BNJMN is always conjuring up unique patterns and beguiling textures, while 'Hypnagogia Pt 2' is built on the sort of drum programming that will always lock in the floor.

New Furthur Electronix sub label, limited hand stamped copies..

Written & Produced by Karl O'Connor (Regis) & Simon Shreeve (Kryptic Minds). Recorded & Mixed at DNS Essex.

“Rituals”, Flore’s second album is the map of a new continent and worrisome dark lands inhabited by a primal energy. 10 music pieces, 10 clues shaping a musical territory where nothing is given, where everything has to be conquered. From “Aether” to “You were here”, “Rituals” explores multiple facets of an electronic music crafted with meticulosity. It seems here that all of Flore’s path to this second album, every influence, every idea, every reference is digested, understood, reinterpreted and feeds into new shapes, layers of textures, indented rhythmics and menacing bass lines.

An imaginary African continent presides to this exploration, cleansed of clichés and stereotypes, more present in atmospheres than drums. The narration of Rituals is a tortuous promenade starting with “Aether” a mid-tempo introduction to the journey, stumbling on “Coded Language” and its obsessive enigma dressed in lace-like beats, to “Sigui So”, named after the Dogon ritual commemorating Earth regeneration, unfolding its hypnotic percussions evoking an ancient gearing. “Rituals” an uncomfortable and hazy musing and its counterpart “Psykhé part 3” are like each side of the same intoxicated dream. On to “Numen” the almost martial injunction to the dancefloor, “A thousand years”, the electro gem sewn into an insane bass, “Congos” the majestic invitation to a collective exultation rite. It is the nostalgic and atmospheric poetry of “You were here” which closes down this exploration, like a regret.

“Rituals” is a very sharp piece of work by Flore who delivers the result of 20 years of work, experiment, encounters and curiosity, all knitted together in these 10 pieces of music. This album is the outcome of 5 years of work launched with the eponym audio/visual live performance and prolongated by 3 EP’s released on POLAAR. “Rituals”, even if dark in its essence, transpires a savage energy, and open doors to new musical landscapes constantly oscillating between interrupted daydreaming and furious dances. Altogether, “Rituals” draws the portrait of a threatened universe healing in collective sarabands.

"For their fourth release, East London based label want? welcome seminal Frankfurt artist Frost to the fold. It’s a special happening and the first time that label owner Matteo Manzini has invited a guest artist other than his studio partner Fabrizio Maurizi to contribute to the label. The collaboration comes from a place of both personal and professional respect for the Pressure Traxx founder following many meetings in the sacred halls of Robert Johnson. Frost has been an influence on many levels to want? and his spirit of education and music sharing is the backbone of this EP.".

Foul Play is definitely a suitable title for this EP as Kessler has brought the big guns to the tea party for this one. Really getting to the heart of what Holding Hands is all about I love how straight up in the face these bangers are.

Expect a lot of gun fingers and shouts of “this one’s a stinky wiiiiiiinky” when these get dropped in the club. That’s probably the best way of describing the vibe here...

The third release on U-TRAX in 1993 was also a third debut, this time by Natasja Hagemeier and Jeroen Brandjes. Early in their career, they used several artist names, but became most commonly known as The Connection Machine. With their debut mini-album The Dream Tec Album they more or less described their style: dreamy techno. It became an instant Dutch techno classic and U-TRAX is proud and delighted to offer a fully remastered re-release, including three never before released bonus tracks (one of which is digital-only).

Natasja and Jeroen resided in Utrecht back in the 90s. In 1991 they assembled all their ideas and recorded the track "24 Hours" with DJ Paradize. Soon after this experience, they started to buy their own gear, all strictly MIDI (which wasn't too obvious in those days). In their early recording years, they had three producer-names (Syndrome, The Connection Machine and Bitch&Bites), that were all collected under the The Utroid Machine Missions umbrella, which was used for their debut on U-TRAX.

All tracks on The Dream Tec Album are The Connection Machine's earliest works, from the 1991/1992 years.

"An Overflow of the Mind" is a beautiful, dreamy track with almost divine sounds and strange voice-samples that serves perfectly as an introduction to their entire repertoire.

Their first production was "24 Hours", and what a brilliant one it is! A well-known jazz-musician talks about a "24 hour party going on", on top of a sinister and trancey rug, woven of sampled sounds from pioneers in electronic music and nailed down to the floor with a deep pounding bassdrum. At the time they made this track, 141 bpm was unbelievably fast...

"Evilish Cosmos" is all about a very sad and personal emotion, so everything we say about it will be absolutely wrong. Just listen to the meandering piano line, distorted voice samples - and feel it.

The first bonus track on this release is "Recognized Pain", which was intended to be part of the original The Dream Tec Album. It had appeared on the Phuture Classical Section C cassette in 1993, on the famous Drome Tapes label that formed the roots of U-TRAX. It truly is an amazing track: pure sonic terror with haunting rhythms, psychedelic synth lines and shards of voice samples that make the listener feel slightly uncomfortable.

"X_Manray" is many electronic music lover's favorite track. It is sooo deep that it is hard not to get hypnotized by it. Warm strings are coupled with deep beats that show up and disappear every now and then. Could serve perfectly to start off any DJ's set, as long as she or he has the guts.

Though "Braindrain" is probably the most danceable track on this album, it is carefully designed to tease the listener. Everything in this track drops in too late and every tone, melody or loop last exactly a few bars too long. Designed as a DJ-teaser and so it is.

The second bonus track, "Cafe d'Anvers", is another previously unreleased work, of which unfortunately no master recording was saved. All that is left, as far as we know, was an old VHS Hifi tape from the U-TRAX Archives. And that is where this bonus track was taken from. Mastering engineer Thee J Johanz managed to restore the quality of the recording somewhat, while at the same time maintaining its dark, clubby sound, a tribute to the famous club of the track's name in Antwerp, Belgium.

"Dream Affected Dream" is one of the most recent productions on this album. It was recorded with CNN playing live on top of it. At this exact moment, CNN was having an interview with David Koresh, the leader of the infamous Branch Davidians sect from Waco, Texas, while they were under siege by an armed police force. Natasja and Jeroen were just ready to record Dream Affected Dream, and spontaneously decided to mix in the audio from CNN. Not very long after that, the cult members set fire to themselves. A very strange and oddly funky track, that also serves as a time-document.

The final track is another bonus track. Like Cafe d'Anvers, "Voight-Kampff" is taken from on old U-TRAX VHS Hifi tape and masterfully mastered into a lovely relaxed dreamtech piece. Very suitable to start the Sunday after a long night of clubbing. This track is available for free to buyers of the complete digital album only.

Original release date: July 1993.

***
Inevitable,
bloated beyond proportions,
consumed in collapse.
***

Naarm (Melbourne) based collective Butter Sessions celebrate over a decade in business with an extensive glossary of talented friends and affiliates pressed on a three-part compilation series. The label has always held the community closest, as exemplified by the 20+ artists featured over the three releases. Each 12" presents a grand soundscape anchored into the tenebrous energy of the dancefloor, with its inquisitive electronics and fierce pulse. If there was a definition for the Butter Sessions sound of ten years in the making, the answer lies here.

I am very happy that the talented Bulgarian DJ- and producer team Balthazar & JackRock is back on Terminal M with another outstanding ep. (Monika Kruse)

For ANA004 we proudly present one of our favorite producers, Dimi Angelis.
Killer three track EP characterized by Angelis' distinctive & unique style, with the addition of heavy acid elements. A must have.

Dark green vinyl

Fabian Wegmeth delivers the third release on the Vision Ekstase label featuring four hypnotic techno cuts entitled VISION IV – NEVDER ADORE.

Ici Sans Merci releases at his imprint AURA with his debut EP. An original soundscape with a clear signature by the labelboss.

Double Stars; often orbiting in tandem and gravitationally bound together, are usually mistaken as a singular light. An unmistakable parallel to the Space Cadets, Leeds trail blazers Lisene and Adam Pits join in magnetic union for Planet Euphorique’s big 1-5 to showcase their sole vision; superior prog synergy. Warp Drive gets flung into hyperdrive by your local enigma Rudolf C and the B side is a case of nuclear audio fission, splitting the duo so their individual and technical flair can shine. No doubt you’ve crossed paths with something hot on this disc in the encompassing party atmosphere; four straight up essentials for a function of chaos.

The title track breaks in the EP with frisky righteous drums, precision in rhythm; swinging stylishly. Cosmos loom within reach, infinite rolling with baselines built for the long haul; an expertise in tension and release revealed through sonic sweeps and delicate filter explorations. A match made in heaven, Rudolf C has been gliding on similar trajectories; elevating the Warp Drive to a celestial level; the Psychedelic Envisionment accentuating the original's intricacies whilst maintaining the swagged flow and dancefloor steeze. Distorted pulsations and modulations swirl above head to signal the B side split show; driving bass anchoring the higher frequency expeditions, Lisene mastering the spectrum of sounds with Moral Panic and breaking up the 4/4 pursuit. Meanwhile Adam Pits closes things out with an ethereal highway drive; cruising, twinkling and boasting telescopic trance like skills.

A perfectly balanced blend of modern, innovative and familiar, veteran status technological slick hits; you’re in good hands.

Naarm (Melbourne) based collective Butter Sessions celebrate over a decade in business with an extensive glossary of talented friends and affiliates pressed on a three-part compilation series. The label has always held the community closest, as exemplified by the 20+ artists featured over the three releases. Each 12" presents a grand soundscape anchored into the tenebrous energy of the dancefloor, with its inquisitive electronics and fierce pulse. If there was a definition for theButter Sessionssound of ten years in the making, the answer lies here.

4-part various extravaganza with unique graffiti tagged artwork per copy!

Repressed !

This awesome 3rd compilation vinyl contains high energy tracks ! A great colab with Acid Ted & Jack Wax is the 1st track on this release. After this pounding acid trance techno track; System Rejects kicks in with this mindblowing acid techno trip !! Then on the flip a very special acid oldschool goa track from Ajna that brings you back to the 90's ....like we like on Flatlife Records the most !!

Repress

Postdynamic starts its new series with a nice 4 tracker of Cliche Morph with his new project. The first track is -Black opinion-. The rhythm, melody and atmosphere of this track reveal the most mystical and mysterious sides of your subconscious. The next step into the world of the unconscious is -Paranoid effect-. This track enables us to see clearly what may previously have been hidden and gives freedom to your most secret desires. Leave all unnecessary beyond the borders of your inner world. Loose yourself in the most hidden corners of your soul with -Introvert-. And finally, it s time to cool off with -Frozen Frequency-. A cool emptiness covers your mind and helps you to reborn.

clear red vinyl

Warnings to Humanity through the universal Acid 303 signal code.

Oscar Mulero Remix