Pyramid of Knowledge presents K.O.P. 32 “Broken Bridges”
Pyramid of knowledge is back on his own Beyond the Bridge imprint with a new project as K.O.P. 32.
Broken Bridges is a haunted listening trip, a crossover between hypnotic Italian deep techno and tribal frenchcore, bringing you in a dark hole of synthetic atmosphere, acid motifs and twisted drums.
Additional to the single tracks available digitally, the 6 track mixtape will accompany your car journey to the next warehouse or forest party.
Limited edition of 100.
The audio cassette is coming with Bandcamp download code.
Techno Novedades
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Astray is the Sublabel of Away, Berlin. Tracklist A Wild Hunt AA Sahara Pump Theory B Wild Hunt (Mark Broom Remix) BB Hell For Leather INFO H4L After Discrete Circuit kicked off ASTRAY, another offshoot of the Berlin party series AWAY, the other half of their joint venture AWAY Soundsystem is in charge for ASTRAY's third installment. H4L, the Berlin-based live studio project, explores some tougher, jam-driven experiments resonating from two decades of warehouse reverberation experience. INFO Wild Hunt EP The title track starts off the release with a dusty, stripped-down pursuit. Marching forward with impelling kick drums, H4L creates an overall organic groove incorporating percussive, distorted sound particles, glancing up in and out of the mix like misty voices. 'Sahara Pump Theory' follows a more robust approach driven by vivid stab sequences and gnarly acidic bass elaborating a vibrant exchange of flow and energy. One of these unfolding weapons that know how to tickle that genuine peak-time madness. Speaking of weapons, UK producer Mark Broom is no stranger to that discipline after hitting dance floors with his ensouled workouts for more than two decades now. Following his old-school compass by calibrating the essentials of groove and melody, Broom's remix of 'Wild Hunt' throws the originals' core parts overboard to empower his highly effective hi-hats as the driving force rocketing into a distant atmosphere. 'Hell For Leather' tops off H4L's package with an unexpected hit-and-run sonic attack. Whether the competing broken and off beats, the IDM rooted drum patterns or the leftfield yet industrial jazz design - this reckless trip is by no means an easy finish, more like a feral crash course about an (almost) forgotten principle: electronic music is either an adventure or nothing at all.
This is Freestyle free from any style.
There is no need for the disembodied voice telling you THIS IS HOUSE.
It is simply felt and known.
Every kick.
Every arpeggio.
Every bass note.
Experienced through the prism of now.
Ribs rattle from the heart center to the endless reaches of consciousness.
The racks are stacked high beyond the heavens as the Filter Queen speaks of love without words.
Bound to no earthly constructs, beholden to no laws.
This is the joyous sound of overground resistance.
Firecracker’s dwarf constellation Unthank thaws down from a small cryogenic suspension and delivers it’s first 12”!
Tracks from the vault from Cardiff’s DJ Guy (Other World Music/Cejero/All Caps) who’s been busy since 1992. All tracks designed to be played loud and with the dance in mind whilst taking in all sorts of melancholy, euphoria and pastoral, acid soundscapes.
RIYL Dream 2 Science, Autechre, Unit Moebius, μ-Ziq etc
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Crazy superb romantik Speedcore... Here you can listen MP3 as 33 rpm AND 45 RPM (its original speed, of course). But as 33 RPM it's not that bad as well as we say ^^ ahahah
A superb 13th OPUS in the vein of some XMF or INGLER oldskool tunes
A wide open range of industrial techno ways... but none are EBM. It's more like Reload style if we talk about the kicks... somehow space DJ's to Atom-X or Accelerator.
About the ambiances we defenitly are into news/Wave, Dark electro sounds...
the melt of both brings a fresh thrid rway... surprising record !
ENJOY !
180g Vinyl/ White Color
Vinyl Only
770-Output is a completely new Label which release Vinyl only. The Label run by Sebastian Krenzlin and Henrik Müller both based in Brandenburg City near Berlin Germany. Slight Function is a Collab between Krenzlin and the Argentinian Artist Rhombic. All Tracks are straight and hypnotic influenced they give a perfect note to play.The Belgian Artist Absent worked with classic elements and gave us a very punchy Remix with rolling drums absolute a perfect groove.
Supported by Pfirter,Ben Sims,The Advent,Slam,Gaetano Parisio,Luke Slater,SLV,Fernanda Martins,Dustin Zahn,Mark Broom,Amelie Lens,Alexander Kowalski,Nicole Moudaber,B.Traits,Shlomi Aber,Johannes Volk,Arnaud Le Texier,Tensal,Wht Moth,Subradeon,Kaiser,Freddy K,Joton,30drop,Frank Maurel,Raphael Dincsoy,Dold,Keith Carnal,Bleak,Abstract Division,Luca Agnelli,Dj Rolando,Fundamental Interaction,Stephanie Sykes,The Lady Machine,Decka,PTTRN,Hiroakia Iizuka,Jamaica Suk,Wehbba,A.Paul,Setaoc Mass and many more
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Quiet Music is a collection of pieces created by Steve Roach between 1983 and 1986 in respect for silence. The gentle electronics of Roach's synthesizers mix with flute, electric piano and nature sounds flow like breath, enveloping the listener in a sustained, delicate and translucent atmosphere. Quiet Music was originally released as a three tape cassette series in 1986 on Fortuna Records and is now being issued as a complete series on vinyl for the first time ever.
After Structures From Silence was released, Steve was receiving invitations to create music for the emerging meditation yoga and healing arts community in Los Angeles. Quiet Music 1 was originally commissioned for a meditation video, which featured a collection of video images of lush forested areas, wild flowers and natural serenity. But by the time the piece was completed the producer passed away and the project was never completed.
Quiet Music 1’s direct connection to a distinct environment set the tone for the trilogy of albums. Quiet Music 2 was inspired by Steve spending a lot of time in deserts and was created as a natural progression from Structures From Silence, and the more nocturnal feeling of Quiet Music 3 were pieces designed for Steve’s personal healing practices.
The Quiet Music series was released in a timeline that is often seen as linear but this music was created directly along side the dynamic fully electronic albums like Now, Traveler, and Empetus. In the early 80’s Steve would be shifting between the invigorating sequencer-percussive driven music and then move directly into weightless drifts and contemplative spaces.
This way of creating grew naturally out of a desire to not settle into one place sonically and to nourish himself with a space that could be creative and fine tuned, creating a calm and renewing zone while living within the hectic pace of urban life in Los Angeles.
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Trauma Collective returns with four cuts of decidedly hypnotic and abstract techno from ever-prolific ASC. Rounding out the last decade with a string of stand-out releases on his own imprint, Auxiliary, the San Diego producer brings his cerebral sonic aesthetic to the fledgling Madrid label. "Loop Research" showcases a singular artist unbound by tempo and at the top of their game.
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coloured vinyl
One of the biggest trance hits of the new millennium gets a 2020 makeover and a fresh squeeze on hot wax. Push – Strange World is given the remix treatment by Belgian dynamic techno duo Joyhauser, alongside the anthemic 2000 Remake. What can you say about M.I.K.E. / Push, the guy is a legend, a musical genius having crafted countless tracks under several guises, and he is still going as strong as ever today. Taken from the album, From Beyond, Strange World really hit the big time in clubs and festivals thanks to its soaring melodies and euphoric climax. It spawned a swathe of remixes and reissues over the years and no wonder it raises its head once again. Joyhauser are Joris Cielen and Stijn Vanspauwen, a techno outfit from Bilzen BE. They share a deep passion for electronic music and have been smashing dancefloors since 2017. Their sound is a hybrid collection of genres, creating unique flavours which grabs attention from all quarters. They’ve played all over the world and to date they continue to perfect their sound, releasing quality music with devastating effect.
The Joyhauser Remix adds a thundering techno vibe to the original sound. Huge, powerful, arena style kick drums lead the way alongside crispy hi hats that slice through the murky basses. That distinctive, highly infectious melody seeps through, building us up the break where the main hook comes to life before climaxing back to thundering techno mode. Twisting synths and gritty basses greet us on the drop, locking us in for the duration. An absolute stormer of remix that is not to be missed.
Who could forget that legendary riff on the 2000 Remake? A track that captured the imagination of the dance music world, becoming a go to track for many jocks. A hybrid groove that dished out an energy laden vibe with a tech edge on top of an uplifting synth riff that gets the hands in the air. An absolute classic and always a must have in any collection.
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UK techno legend Mark Broom returns to Rekids Special Projects with Vol. 2 of his ‘Mutated Battle Breaks’ series.
Following the acclaimed ‘Funfzig LP’ on Rekids earlier this year, as well as the first volume of ‘Mutated Battle Breaks’, UK stalwart Mark Broom returns to the Rekids universe with another set of eight fully charged techno bombs for Radio Slave’s techno-focussed imprint in ‘Mutated Battle Breaks Vol. 2’.
From the punchy stabs of opener ‘Recessive’ through to the deep and bumping ‘Pump’, Broom turns in masterclass in high-energy techno tools. With the quality remaining as consistent as the 4/4 kicks across both sides of the record, ‘Mutated Battle Breaks Vol. 2’ is set to make an appearance in the record bags and USBs of any techno DJs worth their salt worldwide.
Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently been at the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.
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Peach Discs is delighted to kick-off a busy 2022 with a five-track EP from one of our favourite new artists. buen clima’s Transferencia Electrónica is an exploration into pared-down dance music, where interlocking rhythms, percussive synthesis and quasi-looping delays meet to form smooth, efficient and pointed club tracks.
In his own words:
“Stylistically the tracks on this EP owe a lot to the great Black musicians from Chicago and Detroit, namely Herbie Hancock, Mr. De', DJ Rashad, Lil' Louis, Frankie Knuckles, James Stinson and Gerald Donald. I feel like the EP is kind of a love letter to the styles they pioneered, done in my own way, which in turn has been influenced by my background in classical music and improvised music but also so, so heavily by my friends and teachers: I've learned so much just from interacting, working and just plain witnessing eggglub, Lorelei, Maxi Cat, il sentimento, Hola Papá/Annunaki, Lavina Yelb, Jorge Pepi, and the whole music scene I belong to in Santiago.”
- A1: Ectomorph - Satori
- A2: Rhythim Is Rhythim - It Is What It Is
- B1: Green Velvet & Carl Craig - Rosalie
- B2: Dj Minx - Do It All Night (C2 Edit)
- C1: Bmg & Sal P - Credit Card (Gay Marvine Remix)
- C2: Claude Von Stroke - My Love Check
- D1: Mirko Loko & Stacey Pullen - Formulaic Mode
- D2: The Dirtbombs - Alleys Of Your Mind
Detroit Love present the second release on their eponymous imprint - a collaborative venture from Planet E and !K7 which aims to capture the essence of Carl Craig's beloved event series. Following last year's inaugural mix from Stacey Pullen, the second entry comes from none other than Carl Craig himself. Across a hazy, funk-driven voyage, he delves into the spirit of his hometown, championing the past and future of the motor city into an expertly curated mix. With a blend of 90s gems and
brand new exclusives, Carl's track selections forge an atemporal vision of quintessential Detroit music. Opening up the mix are two rare, early 90s classics from Ectomorph and Rhythm Is Rhythm, neither of which have been reissued on vinyl for decades, followed swiftly by a 2015 collaboration from Carl Craig and Green Velvet, never before released on vinyl. New material comes in the form of an exclusive C2 edit of DJ Minx,
another exclusive from Claude Von Stroke, tracks from TV Lounge
affiliates Ataxia and Mister Joshooa and unheard music from Matthew Dear under his new Brain alias, to name a few
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Cromby debuts on Radio Slave’s Rekids with ‘Twisted Future’ EP, showcasing his talent for tweaked out techno.
Following standout appearances on Feel My Bicep, Unknown To The Unknown, and E-MISSIONS, Irish-born DJ/producer Cromby hits Rekids with a four-track EP of crisp techno cuts. Heavily utilising the sound of hardware across the release, ‘Twisted Future EP’ sees Cromby explore the depths of these classic sound palettes over robust techno frameworks.
‘IXP-42’ brings crunching drums and wiggling synths together for over two minutes, building tension before eventually, the much-awaited bassline comes in thick and fast. ‘Follow The Bass’ brings a dose of the unusual to proceedings, with snaking FM leads modulating throughout a maze of sizzling percussion.
On the flip, Bleep meets Baltimore on ‘Relief’, with meaty acid lines, vocals and clattering drums sparring with each other across the track, while ‘Vortex’ rounds off the release, with bright shimmering stabs peppering the stomping drums and distinct squelch of the 303.
- A1: Black Hot Soup (Dj Shadow Remix)
- A2: Shanghai (The Scientist Remix)
- A3: Shanghai (Deaton Chris Anthony Remix)
- A4: Dreams (Yu Su Remix)
- A5: Blue Morpho (Donato Dozzy Remix)
- B1: Blue Morpho (Vril Remix)
- B2: Blue Morpho (Ciel Remix)
- B3: Blue Morpho (Zandoli Ii Remix)
- B4: Catching Smoke (Dām-Funk Remix)
- C1: Ya Love (The Flaming Lips Remix)
- C2: Ya Love (Geneva Jacuzzi Remix)
- C3: Ya Love (Héctor Oaks Remix)
- C4: 2.02 Killer Year (Bullant Remix)
- D1: Yours (Fred P Remix)
- D2: Butterfly 3000 (Terry Tracksuit Remix)
- D3: Neu Butterfly 3000 (Peaches Remix)
King Gizzard & The Lizard Wizard announce an album of remixes of tracks from ‘Butterfly 3000’, their second studio LP of 2021 alone. ‘Butterfly 3001’ features reworks courtesy of (among others) DJ Shadow, Donato Dozzy, The Scientist, DāM-FunK and The Flaming Lips!
"We’ve put off doing a remix album for a long time. Maybe it was conscious, maybe it wasn’t. But it’s happening now. That’s not to say that Butterfly 3000 makes the most sense to remix. It might seem like the obvious one, but it’s not. Yes it’s electronic. But so is a fridge. Have you tried to dance to Butterfly? It’s hard. It ties your shoelaces together. It’s duplicitous in it’s simplicity. But Butterfly 3001 expands on this. It also deviates and obliterates. We’re honoured to have such esteemed people go to work on these songs. We hope you love this album as much as we do. See you in Da Club!!!" - Joey Walke
Frankfurt based duo not even noticed is up next on Chat Noir Rec !
not even noticed is a project dedicated to broken beats, dreamy pads and ravy sounds, founded in early 2020 while the world was going crazy due to the corona virus. The Persistent Textures EP catches several vibes that not even noticed stands for with liquid acid lines in Quaisen and Backyard Dreams, dreamy pads in Backyard Dreams and a rave feel in Access Mode.
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Muscle and Mind is the return of Oscar Mulero to long plays, after Grey fades to Green and Black Propaganda. 'Muscle' and 'mind' may seem antagonistic terms in real life, but in terms of music they make sense together, especially when talking about techno.
The coalition of introspection and abstraction is not incompatible with the rough and the percussive, and this
album is a good example of this. The underlying message behind the title refers to the reflection of mental states in the body, the genesis of emotions where body and mind are managed by the sense of hearing.
Throughout these twelve tracks, one can dive into the musical world of this producer whose discourse mutates in every album, always intricate, always meticulous. Darkness acts as a thread and repetition as hypnotic therapy. But now, he sets his usual hard sound aside and looks for a much more cared for and precise sound , where there is room even for a harmony and musicality that go hand in hand with danceability.
The combination of atmospheres and rhythms is constant throughout the album. Each of the cuts has been prepared with few sonic elements. He takes elements away one by one, and keeps exclusively the necessary.
A record that has been developed during endless hours in airports and travelling, absorbing influences from all over the planet. Made in solitude but surrounded by people who don't know what you are really doing on that computer. To close the circle, the album was mixed in professional studio using solid state technology, which gives this work a unique warmth that cannot be achieved in a domestic environment.
Muscle and Mind will be released on vinyl and CD. The digital version will include extra tracks which will also be published in an EP. This will precede the album with edited tracks from the album and remixes by Stanislav Tolkachev and SHXCXCHCXSH.
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Paris' Bambounou cracks down on Climate of Fear's sixth edition of its tape series. Recorded at Climate's final Berlin party before lockdown, Bambounou grips turns and swerves across lanes in this high tension neo-rave workout; cutting edge technoid tracks move with a hard hitting bounce and zero body fat weightlessness. Lithe & deadly, "Guts" spills with venomous glee, tempered with expert finesse.
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The release consists of dense floor slammers from Bionoid, modular synths enthusiasts based in Saint-Petersburg, Russia. Every track is recorded at once during a jam session on analogue setup. They do not bear any signs of 'rave' or 'trance', but the cyclic and raw sound with minimalistic groove typical for Detroit techno.
All these pressed onto a thick 180gm crystal clear tasty piece.
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Orion Records is all about freedom. Techno freedom. The Milan based label is an open space for club and non-club music.
SPECIALE_01 is the first chapter of a new series of featuring between Orion and various artists close to their circle.
For the opening record the guest is Skyra, regular dj and sound engineer of the infamous Bassiani club in Tbilisi.
“New Beginnings” and “Unite” are two live jams recorded last year in his own studio. Floating pads, repetitive percussions and straight kick drums will take you into a deep and endless techno journey.
At the same time the Italian duo present their softer and deeper side with two new original tracks.
Strong and melodic basslines are the main elements inside OP 07 and OP 04, together with timeless acoustic drums and layered pads.
Welcome to Orion’s special place.
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repressed !
Lakota Fox' EP now sees Rene Wise return to Mote-Evolver as he displays his flair for producing dynamic techno rollers and spectral soundscapes. A digital EP on Mark Broom's Beardman imprint and a debut 12" release on Mote-Evolver imprint laid the foundations for his musical journey. Wise has continued to showcase his artistic abilities with a consistent run of releases in 2021, including a split EP with techno heavyweight Rodhad on WSNWG and a solo EP on Setaoc Mass' imprint SK_eleven.
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UK veteran The Dexorcist debuts on Traditions with his trademark hardcore & rave infused electro , 5 killer cuts for quirky dancefloors ...
It all began with a demo from Siberia in 2011...the rest is history..
With his fulminant debut ep "Untitled Dubs", RAWAX became over
night an incredible focus in the techno scene worldwide. Unbroken Dub aka Denis Safiullin was let's say the co-founder of it and still a very close friend of the label. No wonder that we're happy to present you Denis' 7th release and follow up to the first one called "Untitled Dubs 2"!
Tapage Nocturne Itinérant has launched their first release TNI-001. Together with top notch artists coming from the Acid and Techno scene this is a splendid kick off of this new label.
1NC1N produced the main track of the release with a solid statement vocalized by Melisa. Pure dancefloor bomb!
Pozek and Ling Ling did a great job building a funky, deep and Acid rave song.
D.A.V.E. The Drummer and Chris Liberator are representing their own UK Acid Techno to you alongside with Phil Kershaw and SamDFL.
All tracks are high energetic tunes, ready to be played by you!
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- A1: Ubx127 – Beacon
- A2: Vinicius Honorio, Orion – Pandi V3
- A3: Dig-It – Averted Vision
- A4: Alarico – 50 Reasons To Cheat
- A5: Fixon – Plumas De Cuervo
- B1: Jorg Rodriguez – Reset Patch
- B2: Ricardo Garduno – Cybernetic
- B3: Mattias Fridell, Alexander Johansson – Rumsmutsig 107
- B4: Twr72 – Filet
- B5: Quelza – A Lonely Moment
After a year, we are back with our annual compilation series Hate And Tenderness.
Now in our volume IV we continue looking for the congruence between our sound and our philosophy, based on the contrasts such as those found between art and nature.
We have invited 10 artists who add their work and talent to this project built with love and effort.
We appreciate one more year of support and love.
·
HATE:
The most treacherous you may have in front
Sipping your beers or sharing your hot dinner
I hope those who always lie will drown
And once in hell they burn forever.
·
TENDERNESS
I'll be there when you cry and when you laugh
In your days of melancholy and in your joys
I'll be there when you sleep and when you dream
In your deepest fears and in your coldest nights
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We are extremely proud to present you our next Physical format release and belongs to rising Italian duo W/CYA. The title of this great EP is 'Priming' and contains 4 original tracks and 4 incredible remix works by Orbe, Viels, Iori and Booz. This is no doubt an outstanding work by the Italian Producers, we couldn't ask for a better debut release from an artist on Illegal Alien Records, 'Priming' will be available on a limited special Cassette Tape edition and Digital format.
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We’re excited to present our next 12” vinyl. This time, we go back in time once again with a brand-new remix of an absolute classic. Yves Deruyter’s Calling Earth was a mega hit back in the day, now in 2020, the track has been given a makeover by electronic music icon, Umek. From those early days at Bonzai, Yves has been at the forefront, dishing out countless tracks under his own name and a host of guises and collaborations. Still rocking the scene today, producing and DJing for the masses, he has surpassed 35 years as a DJ and it doesn’t look like he will be stopping anytime soon. His tracks have a tendency to find their way into modern sets, holding their own in timeless fashion. So, it’s no surprise that in 2020, Umek decided to have a go at remixing this popular track, which has been played by the likes of Adam Beyer and even got an airing on BBC Radio 1’s Essential Mix. Slovenian artist, Umek, started out in 1993. He was pioneering the sound in his country, bringing the music to the masses at such a young age. In 1999 he founded Consumer Recreation and Recycled Loops and has went on to churn out a plethora of work on other world-renowned labels. He currently runs his latest label, 1605, with great success. His fast mixing skills and uplifting sets earned him the most prestigious of gigs and has played a Radio 1 Essential Mix in 2007. A multi-award-winning artist, Umek continues to deliver the goods, and this is just one example of his genius. What is more special about this particular release though, is not only is it a limited edition, but each vinyl features a unique colour pattern. Three colours will be present, blended together in random sequences to achieve the most vibrant tapestry. This will give the records their own character and will be the talking point of many collections.
On the A-side you’ll find Umek’s Remix. Staying true to the original, while bringing in a strong, contemporary Techno vibe. The intro boasts that familiar scratchy synth before monster kick drums take over alongside a pulsating bassline. Tension mounts as the layers pile on, we’re teased with the main melody until it’s unleashed on the first break to the backdrop of a gnarly, gritty Techno pad. The second break brings in those playful percussions that track is so famous for, resolving in a slowed down tempo and then back to full-on mode for the duration.
The B-side features the glorious Original Mix. First released in 1994 as the A-side to IV (backed with Rave City). The track opened with that hollow tube sound laced with bright hats, leading to a solid, pounding beat and then on to that infectious melody line. This one quickly rose to mega status among throngs of ravers and DJ's. A string of remixes followed as well as multiple releases over the years making this the ultimate classic.
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One of Belfast's finest exports, EJECA is no stranger to Shall Not Fade. Initially appearing on the label last year with the infectious hardcore-tinged Polar Nation EP. This time round EJECA demonstrates his knowledge of the harder edge of UK dance music with the weighty Sunburst EP, backed with a killer remix from Cinthie.
The pulsing kick of "Stoke It" is tempting, like the low end frequencies felt echoing out of some dark Berlin club; paired with dramatic analogue synth effects and old-school energy, it pushes straight into high stakes rave callback "Faith". Then closing the A-side is the glimmering electro-disco-beat of "The Basics". Think early Warp Records meets modern space-age drama.
The title track can be found opening up the B-side; unrelenting blissful arps allow space for a slow build-up so that the eventual kick-drum catches you off guard. It swirls towards a cliffhanger drop, forming a beautiful centrepiece to the record. "Looksee" is the slightly more relaxed B2, muted low-end bassline and protracted pads giving a well-deserved breather from previous intensity. Ejeca has enlisted the much-revered Berlin DJ and producer Cinthie on remix duties for the expansive title track; her bouncing house edit reimagines the tense, entrancing production of the original into a seductive groove that closes the driving, dark EP with a bit of sunshine.
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Oranges Vinyl, farbig bedruckte Innenhülle
Real World Records – das berühmte Worldmusic-Label, gegründet von Peter Gabriel - jetzt bei Universal Music! Montparnasse Musique sind der algerisch-französische Produzent Nadjib Ben Bella und der südafrikanische DJ Aero Manyelo.
Gemeinsam produzieren sie einen elektroakustischen Sound voller ansteckender Hooks, kompromisslos und authentisch. Ihre neue, selbstbetitelte LP ist eine kühne Mischung aus den traditionellen Klängen Afrikas, kombiniert mit dem Puls des modernen Johannesburg: Gqom, Kwaito, Techno und Afrohouse.
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Mick Wills is no stranger to Frigio Records, the German Dj and producer has turned his hand to edits and remixes on previous releases and now arrives with his own 12” of edits for the volumen 4th of the label’s Ecdisis series.
The source material for the two pieces on offer comes from Brazil’s Simbolo, a band formed in 1988 and still active with a career spanning more than thirty years, was a central player in South America’s EBM and Synth scene. Wills has selected two tracks from the Brazilian’s back catalogue, the first being “Mind.” Industrial influences come immediately to the fore, complex drum patterns give way to a juddering groove in which guttural vocals depict a scene of hurt and pain.
“Synchrono” occupies the flip. Taken from the 1995 album, In the Danger Zone, the original two minute piece is extended into a seven plus minute epic. Following on from “Mind”, “Synchrono” melts stuttering bass-lines and textured percussion with indecipherable lyrics counter-balancing heady strings. Two cuts of emotive and impacting electronics.
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Phuturistic Electro / Techno Music Written By a secret Microchip, connected to Intergalactic Celestial Circuits. Transmitted across the Space Time Continum from a Distant Galaxy populated by Artifically Intelligent Robots.
This message was Intercepted by The Hacker Command and recorded to wax for Phuture generations to interpret..
One Sided, Stamped
Chris Liebing drops another 'Club Mix' of one of his forthcoming LP ('Another Day') tracks. 'Circles' (featuring Tom Adams) sees Liebing deliver a dancefloor focused, arpeggio driven stomper that sees his dancefloor clout meet his more introspective, melodic LP direction head on
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For our next vinyl release on Prodigal Son we welcome our newest recruit Kaylah from Hackney in London. His sound is tough & grimey, with captivating leads contrasting across this record. Old skool influences seem to be drizzled over this debut solo EP, but all in good measure of course, the music is forward thinking, driven with pace and ready for the rave. Some heavy hitters cut especially for those that are "Ardcore To The Bone".
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The title track is body melting Sub Bass meets synapse smashing 303 ACID riffs that roll over and over you in waves as Mike tweaks the frequencies to perfection. This is real Electronic Music performed not programmed.
Cascading acid lines, washes of stomping crashing 808 drums and a classic synth break with filtered twisted vocal echoing around your head.
Aggressive drums pound you from the outset, heavy distorted 909 type drum sounds, Detroit influences are apparent in the choice of lush pads and dynamic filter sweeps wound together by a gurgling acid line pushing and twisting the sound your head. Definitely not a static affair with all the frequencies in flux.
Tense British Techno with the sickest, heaviest square wave bass possible. A stomper with just a touch of the theme to 80's TV series Knightrider about the nagging synth line underpinning the 303's, The Hoff would be proud.
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(2lp+dl) Lucy And Rrose, Now Coming Together As The Lotus Eaters, Have Established Themselves Separately As Techno Artists Who Are Just As Comfortable Operating In The Uncharted Area Of Experimental Music. Running Their Own Labels (stroboscopic Artefacts And Eaux, Respectively), They Have Gained A Cult Following, Both Influencing And Challenging The Direction Of Techno.
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Phonica AM is a new imprint curated by staff member Luther Vine focusing on a more ‘after hours’ sound. Think tripped-out Techno, Minimal, Electro and every shade in between.
Voodoos and Taboos are up first with the ‘If We Were’ 12”, a four track EP drawing on strains of Tech- House, 90s Breaks and Techno/Electro. The mysterious duo follow up a string of high calibre releases on their own imprint which have gained substantial hype both upon release and on the second-hand market, with Discogs prices skyrocketing.
A1 ‘Doorway’ is a nuanced, spacey Techno banger with intricate synth licks, underpinned by a pumping groove. Title track ‘If We Were’ is a rich and emotive track, blooming pads, euphoric motifs, fortified by a futuristic jacking groove.
On the flip, ‘Witch House’ is wonky, bassline driven Tech-House with a hefty splash of acid. Final track ‘Holyday’ is a refined modern homage to 90s rave, all swinging break beats and slick vocal fragmentation.
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Musique Pour La Danse invites you to rock your body and free your brain with the second and third volume of Break The Limits.
Break The Limits are Bay B Kane and Mister E, two East London underground pioneers who released pivotal and visionary EPs between 1990 and 1991.
Together, they produced some of the most innovative music of the era, a blueprint for the emerging warehouse / hardcore / breakbeat scene in the UK.
In the same way 1977 was a crucial year for punk's explosion, 1990 was a madly creative and truly revolutionary year for dance music, the essence of which is captured in these tracks.
Picture this: a low ceiling sweating red brick basement somewhere at Marshgate Lane, where multicolored lasers, turbo soundsystem and wacky dancers in ecstatic rush.
DJs like Fabio, Bukem or Matthew B would spin an evil blend of early hardcore and trippy NY house, with live PA set by up and coming acts like The Prodigy, Unique 3 or Satin Storm.
This was universal unity, complete mayhem and total freedom taking a country by storm, with a mutant groove that later became the grooves of all the grooves.
Nearly 30 years later, it's still fresh.
Produced in Satin Storm's studio (another pioneer), these have shades of deep house, techno bleeps and rough breakbeat blended in an intuitive and innovative way.
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UNCAGE label owner Marco Faraone is back on Rekids with three massive soulful cuts entitled ‘True Love EP’.
Hailing from Tuscany, Faraone has risen to become one of Italy’s leading house and techno artists over the last fifteen years. When not performing at the likes of Awakenings, Caprices, Tomorrowland and Kappa FuturFestival, the producer has released on leading labels like Ovum, Drumcode and Be As One. Since debuting on Rekids two years ago he’s become a notable fixture on the Berlin-based
imprint, dropping numerous releases including his sophomore album, and he returns again now in fine form.
Opening the release in a big way, ‘True Love’ is built on galloping kicks, rattling shakers and a murky bass throb whilst a distorted vocal sing the track title. A cacophony of percussion then joins deep synths in ‘Want Me’ before introducing a powerful diva vox, leading into ‘Safari’ with its bubbling effects, piercing stabs and swinging hats.
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- A1: Number Nine - Dead Bodies Ecstasy (Edit)
- A2: Number Nine - Zim Boom
- A3: Orbit 48 - Rave On!
- B1: Number Nine - Dodecadarian
- B2: Jean Bruce - Build The Future (French Theory Reshape)
- B3: Men At Werk - A Spanner In The Werk
- C1: French Theory - 2006=1988
- C2: French Theory - 2006=1989
- D1: French Theory - Kids In Belgium
- D2: French Theory - (Lost On The Way To) Destelbergen
- D3: French Theory - Acid Reprise (Edit)
At last, a vinyl re-press of the hard-to-find Classic New Beat tracks from N9 !
For years, the vinyl 12 inches from the French Techno-house & New Beat label N9 were nearly impossible to find, and devoted Oldschool Fans kept asking for represses.
Thanks to a joint venture with fellow Belgian label Fenix Fire Records, the wait is over!
Here’s a deluxe 2x12' compilation, on 180g marbled red vinyl in a beautiful gatefold package.
With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!
From Another Mind founders Obscure Shape & SHDW return to Rekids with three massive techno tracks in 'Der Strum EP' this October.
Marco Bläsi and Luigi Urban first appeared on Matt Edwards' label two years ago with an unforgettable remix of Radio Slave's 'Vision'. Since then the pair have continued to helm their From Another Mind imprint, as well as returning to Rekids for their 'Himmel Und Erde' release, not to mention remix the seminal 'Grindhouse' alongside Slam. Joining the label again, the duo present three cavernous cuts highlighting why they're considered such a key driving force behind Southern Germany's techno scene.
Featuring their signature echoing kicks, 'Der Strum' includes syncopated snares, scintillating pads and piercing stabs to forge a peaktime cut. 'Zeit Des Erwachens' is more of a roller with its undulating percussion and quivering bassline, leading into the effervescent 'Tränen Der Sonne' with its twisted arpeggios and rattling hats.
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Sie ist eine der fleissigsten und meistgebuchtesten Techno-Künstlerinnen unserer Zeit, stammt aus Birmingham, lebt heute in Berlin, veröffentlicht auf angesehenen Labels wie Mord, Soma und Perc Trax: Nun kehrt Rebekah zu ihrem eigenen Elements-Imprint zurück, das sich zu einer Schlüsselplattform für qualitative Talente wie Lag, JoeFarr, Storb oder Axel Picodot entwickelt hat. Ihre neue "Ghost Stories EP" enthält fünf scharfe Originale, die kreiert wurden, um Dancefloors weltweit in Stücke zu reissen. Kraftvoll, elektrisierend, hochenergetisch.
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The 6th release is a split EP between Elad Magdasi, a front left raver in his core, and Sinfol - the talented producer from the label Anagram for his debut on Front Left. They each showcase an original tune, with a remix of their own to each other's tunes.
Elad Magdasi - Silent Thrust: focusing on the groove, a pushing forward bassline, this tune will make you get up and dance! That's the goal.
Sinfol - Drum Spirit: a ritualistic journey with lots of detail on the percussion, an acidic lead and a hypnotic vocal sample, joined together to a massive bomb.
Elad Magdasi - Silent Thrust (Sinfol Remix): full of soul and funk, this Detroit influenced remix is an amazing interpretation of the original, with beautiful uplifting stabs and sneaky pads.
Sinfol - Drum Spirit (Elad Magdasi Remix): a driving & energetic beat, with an underwater vibe, together with fun stabs and a heavy kick.
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After his huge success on Drumcode, Patrik Berg is back on Terminal M with another outstanding ep! I am playing „Never Stop“ since months and every time the track is destroying the dancefloor like crazy! „Psychische Sache“ and „Latika“ have a great dark atmo and vocals combined with twisted melodies, which also rock the crowd very well. I love this ep! I hope you enjoy it as well. (Monika Kruse)
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- A1: Overpowered By Vega Radiations
- A2: Three Suns On Proxima Centauri
- A3: Koi500 System Spacewalk
- B1: Convective Heat Transfer
- B2: Gravity Darkening
- B3: Li-Fi Connected With Rigel B
- C1: Gravity Stirs The Depths Of Insomnia
- C2: Planetary Romance
- C3: Intergalactic Sniper
- D1: Losing Wits On Infnite Moons
- D2: Dark Physical Cosmology
2x12" 180 grams / white vinyl
"The universe,
purity, simplicity and deceits,
profundity, solitude and hardness.
A brilliant yet dark setting.
A place of fleeting ephemeral encounters, real and intense nonetheless, where the forces sustaining it all are neither dark matter nor dark energy, but rather the outcome of the explosion of infinite ancestral love between the creation and its creator, in an era where one was still everything.
Gravity Darkening is an astronomic phenomenon, in which the light emanating from a star is distorted to the eyes of the beholder. A bridge of playful mirrors between reality and its perception in a binary code world, where man can dream unconditionally when reflecting himself in the absence of light.
This album is an expression of the allegorical essence of my lived experience and its resulting analysis, projected into another timeline, parallel to ours".
- Specialivery
Handle with caution: Steel City Dance Discs Volume 21 sees London’s Yazzus carve up a razor-sharp 4-track boost of jacking club music.
With a history of mind-bending dance offerings, Yazzus continues the saga – fusing Techno, Footwork and Juke-leaning sounds into a blistering ball of high-energy rave.
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Second step: G-Man “Quo Vadis”, a track released for the first time in 1995... It had in those years massive support of the greatest exponents of electronic club music and in a short time, it became a real classic. Now on Back To Life Records returns with Original Mix
+ D. Diggler remix (Never released on vinyl) + Sparticus.
Thanks to Gez "LFO" Varley for this gem. He say about the track: “Quo Vadis was born as the perfect track to mix between a house set to a techno set ,the track was inspired after the film Quo Vadis and means 'where are you going to?' ".
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Honeysmack brings the acid back on this fresh take on his track Entity which was lifted from the album “Post Acid” released last year.
He invites remixes from his dear friends in MSTRKRFT, CJ Bolland and the elusive two4K.
This EP is made for the dancefloor with MSTRKRFT creating an acid house style banger from the future and CJ Bolland bringing his A-game with the electro style that never gets old. two4K takes it on a deeper and darker journey while Honeysmack reprises the tune with his trademark acid workout!
With Honeysmack currently tearing up the dance floors by literally setting up and playing live right in the middle of them, it was time to bring this EP to the world!
Need we say any more?
The return of…KiNK. His first original record after the latest album and a few bits here and there, is an ode to the miraculous grip that a piano still holds over almost any dance floor. Unmistakably titled „Piano Power Ep“, the Bulgarian hit factory does what it does best: infectious melodies, moving bass and gnarly acid lines as well as the ill beats around. Born out of studio rehearsals for live sets, „2 love U“ is a freestyle jam with regular collaborator Rachel Row (see Hand Made EP or „Follow The Step“): KiNK on keys and Rachel in the vocal booth results in pure positivism, energetic hooks and a certain pop magic. Think Rozalla, Bizarre Inc. or any other sign long and you are almost there. Instrumental included for the faint at heart.
„I Remember“ on the other hand, which is also available as one of KiNK’s beloved video workouts, is presented here as a „303 Mix“ that loses the classic house sample of the first version, in favor of - well, another classic dance music ingredient - the squelchy sound that DJ Pierre invented.
Last, but not least. „Raw“ is the kind of happy-go-lucky piano-bazooka that revokes the spirit of Baltimore’s production outfit Basement Boys in todays’ pagan parties. Using the minimum amount of music tools (lack of effects, volume changes creating dynamics and no more than four instruments), it als feels like KiNK’s reply to Herbert’s infamous dogma. If the ingredients are good enough, you don’t need any spices.
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Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now classic original. Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats before unleashing loose, clattering breakbeats after a striking, extended breakdown. SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect groove. Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky, chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever. M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get Physical 12” in late July with a digital release following in the Autumn.
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Minimal Force records presents Robert S' final release under this alias. With this 5 track record titled '2009/2021', we celebrate his work over the past 13 years and signify the end of a chapter. His energetic sounds have featured on well established techno labels and we are honoured to be the label he trusted to release his ultimate record.
Dutch groove connaisseur Ivano Tetelepta returns to his home base ESHU Records. Presenting four tripped out originals accompanied by two excellent reworks by befriended artists Jasper Wolff and Ion Ludwig. The pack perfectly captures the loosely and laid back attitude of the label and Ivano himself, doing their own thing as always. The a-side is all about the groove, a stripped down and playful rhythmic jam built for a hazy late night session with Ion Ludwig turning this inside-out, transforming the original into a lengthy minimal dub version. The early morning sun rays bring the vibes on the flipside where 'Loosen Up' is an atmospheric 90s feeling techno floater where Indigo aera head honcho Jasper Wolff shakes this up with a fierce techno twist. As special addition there's a 7" where Tetelepta shows one of his enlightening dub meditations and a rambling early Mills-esque tribal work-out. The whole bunch is mastered by Marco Spaventi and will be released digitally and in special 12"+7" pack.
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Two heady extended grooves from members of the Portuguese collective Aspen Music. Fausto conjures a close, smoky dub techno mood on 'Rabbit Hole', puncturing swampy
chord progressions with crisp percussion and vocal samples that add to the intrigue. On the flip, Pedro Duarte's expansive 'That's True' glides along for a truly cosmic ride that is just made for outdoor dancing as the sun comes up. Carpet's LAB series showcases
upcoming Portuguese artists on limited edition vinyl, as part of a fair and sustainable production model.
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Storming through with the second release on Juicy Gang Records, label founder DJ MELL G invites queer grime artist KARNAGE KILLS to debut his powerful lyrics on the JGR imprint. Packed with silky vocals supplied by the London-based artist and stitched across DJ MELL G's razor-sharp production, the pair have christened the three-track EP 'PU$$Y GALORE'.
Black strikes back.
Pom Pom.
Bumm Bumm.
Ja Ja.
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Parisian DJ, Producer and Elixyr Records label boss AIROD returns to Amelie Lens' Lenske for his third EP on the label. Following 2019's 'Rave Cycle' and 'Voltage' EP's, this year's LP on Molekul and appearances at some of Europe's most revered clubs and showcases including the EXHALE event series, the Frenchman has proven himself as a dominant force in today's techno scene.
'Assassin's Walk' welcomes us with rolling kicks and looping sirens accompanied by foreboding synths that orchestrate a deep sense of tension. As these fade, explosive drums perturb the peace again with the addition of a wavering acid line and incessant hi-hats that conjure urgency and pure exhilaration. Returning to the familiar AIROD sound we've been acquainted with is 'Topaz', employing pounding kick drums, jolting sirens and an indiscernible cut up vocal sample to engage listeners into an ambient delirium. Sharp white noise slices through the resounding beat in a rhythmic assault after the first drop and characterize the remainder of the track.
Title track Venom is imitative of its name with a malicious crescendo and striking electro-esque keys. Though this cut has an electro-feel, AIROD manages to retain the booming kicks and ominous atmosphere created in earlier tracks. We're rewarded with a swift change of pace with 'Enchantment', a delicate mantra that steps away from the usual toughness of AIROD's sound, but does so without compromising on intensity. Major chords ring out, constituting overwhelming feelings of lightness and joy, with heavy drums sitting comfortably under euphoric pads. Echoing hi-hats and a fleeting vocal gradually submerge into the drawn out keys to close on a feeling of elation.
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Way back in 1996, at the height of the widely acknowledged golden period for electronic music, D-Saw a.k.a André Winter released a true classic on Hamburg's highly influential Superstition label. Track 10:30 stood the test of time, becoming widely regarded as a key moment in European techno music history, despite its modest impact at the time. Now, 20 years later, André revisits the source material courtesy of some killer remixes on Oliver Huntemann's Senso imprint. Hamburg's own H.O.S.H. (Holger Behn) delivers an epic twist to the cut, widening out the spaces and adding his own tech-y signature to the original. Re.You offer up another flavour altogether, maintaining the iconic synth pulse of the source but introducing an infectious, driving groove. dubspeeka throw a bit more grit in into proceedings with a tough, machine funk mix, while André Winter himself reworks his classic into a slow burning groover that effortlessly showcases the elements that make this track so timeless.
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talian duo Crossing Avenue debuts on Outis Music with Piromanzia, their fourth solo EP, presenting a fresh batch of their organic rhythm tools. It's the duo's first EP on Dino Sabatini's Outis Music where they released three EPs on Spazio Disponibile before. First track Piromante is a dark and spooky hypnotizer in optimal form. Sacrificio brings out the drums, the pulsating rhythm groove subtly transforms into a playful DJ weapon where the EP closer Fuoco Freddo dives into the deeper techno territories being a true heads down kick drum roller. It's an exciting selection of carefully crafted noodling jams that makes this an essential pack of Italian techno.
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Erika Glück is a producer and musician currently based in Chicago but grew up in the country in Tennessee without electricity and water until she was a teenager. She is closely affiliated with the Tram Planet label and party organizers. Her live sets are always evolving drawing inspiration from 1950-60s and 2000s samples. Erika started making music in 2013 starting “in the box” with Ableton. She wanted to expand out from her computer and subsequently bought an Electribe ESX. Since then her setup has changed quite a bit. However, she uses the same ethos keeping her set-up scaled back to focus more thoroughly on a smaller number of machines.
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Next up on Voam is "Music Sounds Better With Shoe", a new single from the label’s founders, Karenn, and their first release of 2020. On the A-side is “On Request”, a studio version of a sought after track they first played live during a Boiler Room performance back in 2014. This is accompanied by "Shoes Off", on the flip, which was written during the recording sessions for their 2019 album "Grapefruit Regret".
Written and produced by Arthur Cayzer and Jamie Roberts
Mastered by Helmut @ D&M
Artwork and Design by Sean Bell
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amie Behan (Bastardo Electrico Recordings, Subject Detroit IR)
"Quite simply, Mike Storm's "One Target" is one of my favourite techno tracks of this year. Intense, funky, hypnotic, this is a total bomb. Full support in the clubs and charting on RA and Juno". Thought it would be hard to follow up Binny's Millsian madness but this release fucking rocks mate, cant wait to get it on vinyl :)
Jeroen Search (A&S Records - NL)
what's more to say... slamming... both mike tracks are hot but Grg rainy monday's is damn fine as well!
Dimi Angelis (A&S Records - NL)
like both mike's tracks!
CHRISTIAN SCHMIDT / SUBCULTURE STUTTGART
solid ep, nice oldschool sounds! thx
PATRICK SELZER / RAVELINE
reminds me of earlier Surgeon tracks
DJ Mag & Charts Germany
forward stuff
Loukas - 24/7 Magazine UK
One Target Remix for me. thanks
Synus0006
good sounds. support
Astronomical Telegram
awesome release again, looking forward to buy this vinyl.
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Repress
Popping The Cherry of 2020’s latest modern-contemporary record label; Step Ball Chain, is Roza Terenzi with “Stylish Tantrum”. Suggestive title to set the tone; the 5 track EP insisting sharp, sassy, high-tempered bombs with full bodied bounce. Unexpected tempo and timing variations, flared-up bpms, half time drum cuts and slicked modular flourishes, Terenzi’s signature cheek ramps up to an extra twisted club climate, atmospheric and evocative in texture as always. Featuring collaborations with D. Tiffany and Saoirse, the release covers extended dancefloor territory, assertive anthems delivering femme finesse, choreographed to perfection.
The A side fires up with an exuberant 4-by-4-2-the-floor routine, Cosmology. Vocal cuts from the queen Fiorella, billowing bells and dramatic synthetic sweeps to form fluidity over the tight bouncy low end. Whilst flirtatious melodic notions come and go, zip-lock percussion and commanding drumwork hold it down; squeaky steeze not-so-politely letting you know what’s to come. Deceivingly dubwise introductions soon furiously interrupted with Stylish Tantrum. Ricochet rhythms and bone breaking clap backs echo around your head, electrifying percussive fills and vocal spills snatching your attention before the everything glues together vicious harmony, baseline pulsating underneath a whiplash drum display - one for the dangerous deejays.
Chosen Family Feud opens the B side, a collab with seasoned associate D. Tiffany, showing off a bossy stomping brigade. Mumbling voices, waspy sirens and spooked out synth lines haunt the beginnings of the track, stripping back to a bassline breakdown before wailing vocals and clattered percussion take over, cymbals bursting. B2 is a moment to reflect, Illusions brings the energy down, low slung metallic backbeats thrown over encompassing, effortless pads and soaring resonance. The downtempo atmosphere crept up on by a double time d’n’b re-jig, softly gliding in over the growling sub, chopped breaks reflecting and falling. Closing out the record is another joint effort, recorded in Melbourne with Saoirse; Sxc saloon dashing back to the dancefloor, hot and deep. Throbbing bass married with slick galloping drums, sensuous fleeting whispers looping to draw you into hypnosis before a climactic tempo plummet intended to turn heads. STEP01 is kicking its heels up, stomping, strutting and trailblazing for what’s to come.olog
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Ajukaja and Ats got together in a worn-out smoke sauna, behind their rusty synthesizers, squeaking whistlelators and clattering drum-machines and came up with this tape’s worth of loosely funked up improv-not-improv steam-house catching all the night-creatures. Wet monster-toads, eerie moths, springy worms — all gliding in and out on foamy harmonies and rattling beats.
No gimmicks, only drunk alien-bees in the jar. Let's ball.
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Turning into a label and putting out our first record was an exhilarating process. Shoutouts again to everyone who's bought Aroent's "Eleese" EP, gave it airplay or left positive feedback. All of this certainly left us hungry for more, which is why we couldn't be happier to announce our next EP, AWK002 - "Nines" by Lårry.
After solid recent releases on Super Hexagon and Fusion Diagnostics, our dear Lårry goes from strength to strength with this versatile and atmospheric four tracker. From idiosyncratic techno swirls to emotive peak time bangers, every track has its own story and character, all served with immaculate sound design and the inimitable Lårry touch. Without further ado, we'll stop our excited rambles and let the music do the talking.
Thanks for the continued support and we hope you enjoy!
Since debuting on Private Persons in 2017, Russian duo Locked Club has gone on to release well received material on TRAM Planet and, more recently, Boys Noize and pretty new Russian STVOL. Here they return again to the Private Persons fold with their new EP for the imprint in one year. Fans of no-holds-barred, industrial strength electro/techno fusion should check the brain-melting insanity. This new record from Russia's Private Persons provides a healthy dose of twisted electro-minded tech that should appeal to all sorts of DJs seeking that 'raw' edge. This new pile driver comes from the minds of Locked Club, and hungrily to deliver some good old dread into the dance floor, which sees a welcome return to the imprint from no-holds-barred Russian Electro Punk.
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After a short and reflective hiatus for Danse Club, Nobody Home a.k.a Minilogue re-opens the catalogue with a very special vinyl-only EP 'Remains Of Earlier Temples', including remixes from Skudge and label owners Austen/Scott.The EP reflects a maturing of the label into something more considered and spacious yet still effective and aimed primarily at the dance floor. It's all house and techno.
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For its fifth release, Amsterdam's Taped Artifact offers up a various artists EP that features four tracks including one from the boss, Kevin Arnemann, as well as Hiver, Elmer and Physical Therapy. It is a moody and atmospheric deep techno offering that fits in with the label's ever more singular aesthetic. Up first is Physical Therapy, a producer who since 2012 has put out some fine EPs and LPs on labels like 1080p, Unknown to the Unknown and Liberation Technologies. It is a roomy affair with corrugated mid tempo drums down low and haunting pads up top. Building in intensity with some icy hi hats, it ends up as a ghoulish number that adds real theatre to the floor. Next up is Elmer, key part of Brussels' Bepotel Records crew. Melting techno, wave and dub into raw and expressive new forms, this new cut 'Simple Models' makes great use of analog machinery. Again deep and horizonless, a rippling lead synth line plays off an industrial bass riff as paddy drums roll on below. It's humid and heady stuff, to be sure. Then comes the boss who offers a more dubbed out and bumpy dubtechno track with expansive chords rolling off into the distance and light and airy hi hats dancing in the mid ground. It's one to get floors moving before the Hiver duo of Giuseppe Albrizio and Sergio Caio from labels like Curle and Vidab close things out with the dusty old breakbeats and woozy spaced out synths of 'Intersect.' This is a subtle but impactful EP full of sensitive underground sounds that pack a real punch. Vital Sales Points: - 5th release on Taped Artifact - First Various Artists compilation on Taped Artifact - Custom made artwork by photographer Merel Kemp - Artwork
Yellow Vinyl
Zodiac Childs present their debut album “Atoms To Atoms” on Zodiac Wax across three pieces of vinyl in a full and vivid expression of the pair’s passion for classic breaks and the UK’s hardcore legacy. Zodiac Childs have been cultish in their release schedule previously - releasing sell out vinyl on their label Zodiac Wax which aims to work within the standards of rave culture’s key fixtures - records that are made to be played loud in the dance.
‘This album is a proper snapshot into the mind of Zodiac Childs & the foundation of what’s to come. It’s all about a genuine vibe, a feeling, a love for playing with energy & emotion. A rich tapestry of sound, not being confined to a specific genre & a constant obsession with analogue synths & hardware reverbs’ - Zodiac Childs
Released on triple vinyl, cut by Simon Davey at The Exchange with a precision-perfect tri-fold sleeve designed by Ben Rix - the release has been executed in the most sonically and dynamic process as possible in a highly elegant package. In addition to presenting 8 new original tracks, 4 of ZC’s best received previously released works that have been remastered for the album - Goblin, Circuits, O to the M and Basic Process.
The album is designed to move the listener through the moods and feelings of a full night of rave experience - with an atmospheric opener in Submersion setting the tone. Circuits follows - a pure anthem for the convoys of cars, filled with weekend warriors riding their first chemical waves. The release moves through the emotions and sounds that ZC are about - building off their hardcore style breaks and moving between touching melodies, wiggling 303 lines, guttural low end frequencies and spacious hardware reverbs are a constant theme in ZC’s work.
Atoms to Atoms is designed to take you through to the iconic spaces and movements of a transcendent party experience - from the inner city warehouses that set the scene for Breach all the way to the energy of abandoned northern English factories and mills, rusted and empty like on Northern Fury. It’s a timely reminder of the sheer heights of joy and ecstasy that UK dance music culture was designed for produced and presented in an expert package.
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(transparent vinyl in custom transparent sleeve) Following their first collaboration on 'Adrenaline' for Amelie's Exhale Records compilation late last year, Belgium's Techno luminary and French dynamo AIROD will release a 4 track 'Raver's Heart EP' with Amelie on her label Lenske Records. After their first collab held the top spot in the charts for weeks after release, it's clear that Amelie & AIROD's productions are the outcome of a powerful synergy between two of Techno's finest producers.
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Tip!!. Sensible techno with refined layers of sounds and powerful percussion on a foundation of solid subbass on this all Paris affair. "Made in Paris" is the key word of this second release on Taapion Records. All these young artists are part of a new French Techno movement. Antigone or Roman Poncet already crossed borders (Indigo area, Concrete, Figure). Other just emerging from the dark basements of Paris. Shlomo, PVNV and AWB deliver some solid work on the Taapion label.
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Boiled Wonderland Records welcomes Chalo to the label with
four tracks of forward thinking and beat driven dance music.
On the A-Side, ‘Trickster’ sees the Thai producer, and live
performer kick things off with big broken basslines and
cracking breaks §ying dynamically throughout. The title track
‘Lucid’, A2, takes the tempo even faster at 136 BPM and sets
a §oating sensation in motion as long dreamy chords and
sizzling snares wash over the music. The B side commences
with the EP’s biggest track, ‘Mirage’, lashing crisp hats and
acid basslines which roll thunderously through towards the
¦nal climax. B2 brings in Remotif, a Bristol based producer,
with a Jungle remix of Lucid. Remotif, who runs the ‘Familiar
Strangers Label’ has had a string of well received releases
over the past 2 years and holds nothing back on the remix -
bringing a UK jungle hammer to Lucid. Chalos’ lucid is a
superbly quality record, as a full time mastering engineer at
ResurrRec vinyl and his own Resistance Mastering, Chalo
knows how to craft a quality sound and this release will
cement his place amongst the latest homegrown Thai talent.
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We are very happy to announce the 13th release of Cabrera with two special remixes from the label boss', J.C., 'Vertigo' record that came out in the summer of 2017. Side A comes with a special Shed rework. Rene is a huge influence for us and we are thrilled to have him on our catalogue. Keeping the essence of the original, he made a proper raw dub techno banger. On the flip side, Kastil, already part of the family, took Nyame in a whole other level and made a fresh blend of fierce techno.
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This sheer cliff so high.
This soft quiet land,
so frail and so fleeting.
All secrets are buried,
where I left her, my love.
In living color, her shallow eyes.
Expired feast, raging beast.
No more games, no more names.
Supported by: Surgeon, Tommy Four Seven, Speedy J, Dave Clarke, Gary Beck, Audio Injection/Truncate, Perc, Takaaki Itoh, Marcel Dettmann, Svreca, NX1, Sawf, Black Asteroid, The Advent, AnD, Pfirter, Jonas Kopp, Bas Mooy, Par Grindvik, Rivet, Kyle Geiger, Ancient Methods, Exium, Inigo Kennedy, Darko Esser, Paula Temple, J. Tijn, Drumcell, Exium, Cassegrain, Paul Mac, Go Hiyama, Samuli Kemppi...
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Here you have the third installment of our Pole Group 50 milestone release, closing the trilogy in both Vinyl and digital formats. All tracks have been made in common, each of the label foundational members have work sound parts that in a second process have been assigned randomly to others to work with them, in a creation loop that becomes somehow the true essence of the label. You'll never know who is making what, it's just Oscar Mulero, Exium and Reeko in essence and mixed up.
The track-list features four cuts, starting with the broken beated 'Necton', followed by 'Prokariotic', obscure, grey and heavy textured. On the B-side, 'Replican Isolation' offers
complex rhythms, non linear kicks, and diverse percussive workout spiced with white noise drones. Final cut is 'Transmutation', made of continuous synth lines, EBM flavoured drones and ambiances and a fat groove to rely on.
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- A1: Dragon Fly (Loop)
- A2: Dragon Fly - Visions Of Rage (Original Mix)
- A3: Kromozone (Loop #1)
- A4: Kromozone (Loop #2)
- A5: Kromozone - The Rish ( Sub Bass Mix)
- A6: Kromozone - Chillin' Fm (Radio Clip)
- B1: Psychotropic (Intro)
- B2: Psychotropic (Loop)
- B3: Psychotropic - Only For The Headstrong
- B4: Friends Of Matthew (Intro)
- B5: Friends Of Matthew (Loop)
- B6: Friends Of Matthew - Is There Anybody Out There
- B7: Friends Of Matthew - Chillin' Fm (Radio Clip)
HQ 12 EP plus 2 sided 30x30cm liner notes written by Jerome Hill - 4 sought after tracks, plus extra loops and intros for DJs! - For fans of Early Raves and Hardcore Manic House Music circa 1990-1992
Mental Groove Music and Musique Pour La Danse are ecstatic (and there couldn't be any better way to express our feelings here) to announce the first volume of Mental Groove Classics, music played at the early warehouse raves and illegal fields parties of the same name. A compilation of rare, forgotten or sought after gems, topped with extra loops and intros for the working DJs, and each side of the record ends in style with original pirate radio cuts which showcase the music in its original context, extended liner notes and interviews of the featured artists by DJ, producer and radio host Jerome Hill of Don't / Super Rhythm Trax / Kool FM London fame. All tracks are remastered from the original sources by former Dubplates & Mastering engineer Frederic Stader (aka Dj Maxximus / Warp Records) and cut by Daniel Krieger at the legendary Schallplatten Schneid Technik studios
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We are super excited to release our first own Tracks, especially as a physical Vinyl! With that, we hope to gain more Sachsentrance vibes beyond just DJing and setting up sick Parties. We are super grateful to our Friends and Producers making this epic piece possible! A big shout out to all you Ravers for being such an awesome Sachsentrance Crowd! Enjoy and Happy Rave!!!
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We are ecstatic to share this double VA LP to celebrate Telomere 010!
This is an extra stacked release with eight artists, as always blending and bending the spectrum of electronic music.
This releases has been in the works for the last 3 years, and has morphed into an epic 8 tracker for all hours of the day and night.
Limited to 25 copies
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We are ecstatic to share this double VA LP to celebrate Telomere 010!
This is an extra stacked release with eight artists, as always blending and bending the spectrum of electronic music.
This releases has been in the works for the last 3 years, and has morphed into an epic 8 tracker for all hours of the day and night.
Limited to 25 copies
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- A1: Sacred Beliefs
- A2: Honor Your Deity
- A2: The Sacred Handbook
- A3: Résister Pour Exister (Feat Valérie Hendrich)
- A4: Honor Your Deity (Opioid Slot Machine Remix)
- A5: The Sacred Handbook (R Gamble Manual Remix)
- B1: Alpha Sect – Sacred Beliefs (Trenton Chase Remix)
- B2: The Sacred Handbook (Sydney Valette Rmx)
- B3: Alpha Sect – Résister Pour Exister (Feat Valérie Hendrich) (Filmmaker Remix)
- B4: Resiter Por Exister (Ne Re A Remix)
Hailing from Thessaloniki, Greece, Alpha Sect is a project of George McCall, which is focused breaking electro patterns and pumping body music with serious punk influences. Soil Records presents his new release “Dark Rituals” featuring 4 original tracks and remixes by Trenton Chase, Filmmaker, Sydney Valette, Opioid Slot Machine, R Gamble and Ne Re A.
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Repress
Vinyl only label Kvalia resurfaces with its 003 release - this time by inviting polish producer Blazej Malinowski. "States of Consciousness" takes you on a quest into the hypnotic and deep techno soundscape that is characteristic for Blazej's productions. Expect a three track dynamic journey that starts off with a smooth, flowing A-side followed by a B-side containing two darker gems.
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Coachella is Deniro's second full release on Trip. After the success of 2017's Mendoza EP, the TAPE Records owner has prepared a series of live takes for us and we couldn't be more excited. The release received its name from the eponymous festival, where Nina first played the title track of the release during her AV Performance. Sonically this record brings what Deniro is best known for: his signature timeless groove immersed in beautiful, classy techno music.
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It is often said that the best art comes out of adversity, and so it is that producer Frits Wentink, photographer Erik Madigan Heck and actress Tilda Swinton have collaborated on Safe Passage, a fascinating audio-visual project born out of loss. Consisting of classical, choral, and electronic music in three movements, the gatefold album will be presented by Dekmantel with a 40 page booklet of additional photographs and paintings, as well as digital only remixes from Matthew Herbert, The Soft Pink Truth, BvDub, and East of Oceans.
Dutch producer and renowned innovator Frits Wentink helms the Will & Ink and Bobby Donny labels, builds synthesizers and beautiful controllers, and puts out always experimental, left of centre house music that pushes at the boundaries. This project initially started out as him attempting to musically illustrate the photography of American visual artist Erik Madigan Heck. The internationally renowned Heck is known for a lavish and experimental use of colour that has won him the prestigious International Center of Photography’s Infinity Award as well as make him a regular contributor to high profile media such as The New York Times Magazine, Vanity Fair, and Harper’s Bazaar.
Midway through the project, Eriks mother was hospitalised due to breast cancer complications before also contracting Covid-19. By her bedsides and as a means to ease her passage, he repetitively played the first portion of the score, and then, once she passed, he decided to commemorate the music's function as a soundtrack for her transition to afterlife by naming it Safe Passage. The involvement of Academy Award–winning Scottish actress Tilda Swinton has lent the music an extra dimension of spirituality: throughout the album, she interjects whispered fragments of Heck’s poetry, blurring the lines between one phase of music and the next.
The music has three movements across two sides: Side A, Safe, has a sense of hope and reflection as it undulates from minimalist string and brass arrangements to ambient and dissonant classical piano. Side B, Passage, then depicts the start of the transition into the afterlife as the voices of a choral madrigal ensemble gradually diverge, then break down entirely before a grand tonal expansion leads into a frenzied crescendo of choral vocals, hardened dub techno and anxious rhythms that convey the violence of the soul’s exit from this world. Finally, a cathartic Epilogue resets and bids farewell with the gentle sounds of a piano.
Because of the global on-going loss of life as a result of Covid-19, Safe Passage has become a soundtrack in which many people will find solace as they remember the sad transitions made from this life to the next during this unprecedented time in history.
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After having appeared twice on the Figure SPC series, Inland (aka Ed Davenport) now arrives on Figure, providing a trio of well-honed, first-grade club-material. Out the gate comes 'Stainless' - an electrifying piece of machine-power which, already bursting with energy, still manages to turn it up a few notches. Next up, the seasoned producer turns in a powerful chord-rooted tool: 'Swerv' is driven by tides of shimmering beauty along a sea of pounding drums. One to behold is the epic B-side, which amounts to a trance-inducing, enveloping synthetic vortex of sound. A long journey that is deeply rewarding.
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Side One is heart-pounding Techno, Hardcore and Electro. Side Two is 90s inspired UK Jungle with an excellent rework from Tim Reaper.
Of everykune tre
The hawethorn blowet suotes
My lemmon sse ssal be
The fairest of erthkine
Wel was hire dring
The cheld water of the well-spring
Wel was her bowr
The rede rose and the lilye flour
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Roman Poncet's 2018 debut LP stands an impressive work in its own right. Now Figure has invited a group of artists to contribute new takes on standout album cuts. Some clearly for the floor, some nestling on its verges. But all adding to the unique Gypsophila-vibe.
Antigone turns in dust shaking flurry of tribal drumming, ceaselessly pounding and rattling away for an exhilarating and at the same time grounding rhythmic experience.
Wiggling and squelching, Efdemin blends a bunch of lively elements into one wildly roaming remix, which despite all its inner momentum retains an orderly structure, testament to the artist's extraordinary production skills.
On the flipside, Margaret Dygas adventurously goes on a trip of finely tuned acoustics, patiently letting each sound grow into what becomes an enthralling piece of enchanted electronica. Evocative, emotional and of serene beauty, Echoplex closes the collection with an epic track, led by grand strings and flute-like synths, begging to be dropped at the break of dawn.
Khazad Records are proud to present the first instalment in a series of special collaborative Various Artists compilations, released on vinyl and digital. Each release will feature collaborative tracks from a variety of artists including those already associated with the label, and a number of new exciting additions to the Khazad tribe. KHAIS01 comprises four tracks from Khazad regulars Aeit & Vere, Balrog & Grace Dahl and alongside Tim Williams we introduce Taro Records boss, Taro Division. We are also proud to welcome two new members to the Khazad tribe, Dion & Caravel, each of whom have a series of strong releases under their belts. Prepare yourself for earth shattering kicks, distorted synth lines, broken vocals and a whole lot of industrial groove. INDUSTRIAL IN YOUR NOSTRILS Mastering: Micky Nox
Vinyl Only - Limited
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Repress..!
Amelie Lens' EXHALE imprint launches with a myriad of uncompromising techno tracks from the underground's finest established and aspiring artists.
EXHALE's much anticipated first release continues the legacy of the EXHALE event series with a fifteen original track compilation featuring old and new friends from each avenue of the underground. With a shared love of rave culture, the label is a platform for the forward-thinking while simultaneously paying homage to foundations of techno. With this in mind, Amelie gathers familiar faces and upcoming artists to deliver the future sounds of techno.
Purveyor of modular techno MRD combines layered atmospherics and euphoric pads in 'Reach My Hand', kicking of the last vinyl of the newborn label, followed by Mehen (aka Hadone) who maintains pace with his rendering 'Broken Whisper', with a disorentiating and melody driven expedition from Francois X next to switch up momentum. Promising upcoming Dutch producer Grace Dahl ensues with the merciless 'Vermilion Empire', while production virtuoso DYEN nods to EXHALE's roots in rave culture with 'Fantasy', a medley of spiked vocals and ethereal synths that maintain the energy until the final kick.
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Napolitan Techno DJ and heavyweight producer Davide Carbone releases on the French Rave Or Die Records for the very first time! Multiplying records and collaborations just like Mike Tyson was multiplying uppercuts, the co-owner of Repitch Recordings, Cosmo Rhythmatic and 3TH Records and owner of Carbone Records starts with "Dive Or Die" on the A-side: a speedy yet straight to the dancefloor tune based upon trancey acid lines a la Steve Stoll or Leo Anibaldi and aerial melodies. Combined with dark effects, this nostalgic song Made in Italy appears as an authentic Rave anthem from back in the glorious days!
On the flip side, ROD mastermind and dancefloor veteran Umwelt (Voitax, Return To Disorder) delivers a shaking, hefty and tremendous cut. Named with suitability "Tremblements", the jam signs a fascinating ode to smoking warehouses and illegal parties. Metallic pads over no mercy beats fused into industrialized synths and screaming atmospheres characterize this this dark as hell cut interspersed with counter breaks a la The Mover.
Dark, groovy and noisy at the same, two massive absolute bangers with old school roots on ROD twelve release! By the way, if you wonder the significance of the signs on the Rave Or Die logo in the labels, they are taken from the Hobo Code and mean "Keep away, Cops Active, Unsafe Area". You'll be warned.
RAWAX proudly presents Precession aka Steve O'Sullivan with the second release on his own series. This one is very special as it's the first release Steve ever did! 2 tracks on this outstanding ep were co-produced by WIS. Retrograde Motion EP came out originally on the legendary FEROX label, runned by Russ Gabriel. We have the honor to bring it now back after 25 years to you on vinyl. Highly recommended!
Don't feed the Discogs Sharks!
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To kick off 2019 Haven are setting their sights on the farthest reaches of the resurgence in EBM. New Zealand based hardware warrior Body Beat Ritual grew up in the UK exposed to the body music of the 80s and 90s and his experiments in industrial-tinged dance tracks inspired by the likes of Front Line Assembly, Ministry, Subpoena The Past, Nitzer Ebb, and Revolting Cocks were made in complete isolation from, and with no awareness of, the EBM resurgence in Europe's clubland.
This EP represents the first of Body Beat Rituals explorations into this sound. The A1 starts the EP with 'Instinct Primitive' - a certified body moving slammer featuring haunting screams, samples ruminating schizophrenia, a funky bass-line and drum rolls aplenty. The A2 welcomes Poland's VTSS to Haven for the first time with a bouncy gabber kick and distorted tones on her tough remix of 'Instinct Primitive'. The B1 begins the flip with the hectic drum workout, cutting bass and synth programming and political samples of 'Crash Report', followed by the destructive drums and scratchy timbre of Blush Response's remix on the B2. Not one to be missed for fans of dance-floor focused, gnarled industrial techno and EBM!
Clear Blue Vinyl
Unusual times, bring unusual records. So marks 'Hanabi' one of Desroi's most diaphanous works to date. After weaving through deluges of heaviness and penetrating synth lines we are promptly subjected to the ease and effortlessness of tracks such as the title track "Hanabi" or "Stripped From Light . Those tracks stress the fine line between bliss and darkness.
The second release on JD Twitch’s archival label.
“By 1993 I was saturated in Acid. Over saturated!. Since 1987 there had been an endless explosion of records from across the planet using the 303 and it seemed like the sonic possibilities offered by this little silver box had hit a dead end.
And then in 1993, from Germany, came the Blue label with mind-blowing releases by Air Liquide and friends. It felt like a new paradigm, paying homage to Germany’s Kosmische Musik past while paying respect to the Chicago Acid House originators while simultaneously looking ahead to a new form of transcendental music.
And then – BOOM! – the H.E.A.D. “EFS” double album drops. What is this music? Was it beamed in from the future? It ticked every box I loved. Endlessly hypnotic and expertly programmed with an effortless groove that sounds as if Jaki Liebezeit’s syncopations have been absorbed by the machines. It is Acid in ways my ears hadn’t heard before, the little silver box tweaked in new, exhilarating directions.
Made by future Optimo ally Khan, alongside uber talent, Kerosene and recorded in a Brooklyn kitchen, this double disc set became an eternal home listening and back room favourite. It is also a club favourite too, perhaps even more so now than it was then. It is endlessly mixable and playable at multiple speeds. A genuine classic long overdue a second life”.
This fully remastered 2021 edition of this 1993 gem comes with new artwork on a super fat double vinyl pressing.
- A1: Fur Coat- Water Of Life
- A2: Fur Coat - New Species
- A3: Fur Coat - Stay Away
- A4: Fur Coat - Shades
- B1: Fur Coat & Hunter/Game - Alloy
- B2: Fur Coat Ft. Running Pine - Hurricane
- C1: Fur Coat & Julian Wassermann - 3.33
- C2: Fur Coat - Rebirth
- C3: Fur Coat - No Tomorrow
- D1: Fur Coat & Sly Faux - Elysian
- D2: Fur Coat Ft. Delhia De France - Eye Of The Storm
- D3: Fur Coat - Cosmos
With two standout singles under their belt, Fur Coat now deliver their highly anticipated 12 track album, ‘Polyphony’…
‘Polyphony’ is a term specifically chosen by Fur Coat to emphasise the celebratory concept behind their new album. “Firstly, poly means many, and we are celebrating our 10th anniversary this year,” explains Sergio, “so it was important we reflected that milestone in some way. Beyond that we wanted to create a project with many layers that captures the perfect spectrum, ranging from experimental sounds through to more familiar dancefloor tracks. Whether blending a cinematic feeling, infectious groove, indie vocal or slower BPM electronica, we used multiple layers and patterns to create a textured, forward thinking soundscape. ‘Polyphony’ really does say it all in a single word.”
To further the theme of ‘many’, Sergio and Israel also open up their studio, inviting friends in. From the haunting, indie beauty of ‘Hurricane’ with Running Pine (already a Beatport chart topper), to infectious melodies created alongside Julian Wasserman, Hunter/Game and Sly Faux, or Delhia De France’s seductive vocals, the duo generously and effectively demonstrate the benefit of collaboration.
This is not to say their dedicated compositions should be overlooked, quite the opposite, which they are rightfully proud to point out, “This is our second album and we really wanted to deliver something that showed our musical influences and the evolution of the Fur Coat sound. We’ve come a long way in the past decade, with many more years yet to come - the future is undoubtedly polyphonic!”
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This archival release on Organic Analogue digs back into the prolific ‘90s period of Swedish techno maverick Jean-Louis Huhta, aka Dungeon Acid. These days he releases on iDEAL, Fit Sound, Börft and Klasse Wrecks, but he cut his techno teeth on labels like Hybrid, Svek and H. Productions. Clad in artwork details by Swedish graffiti legend Nug, Wormhole Of Time comprises unreleased cuts and long out-of-print jams spanning many of Huhta’s aliases. The release also comes with a zine featuring photographs and an interview reflecting on Huhta’s multifarious life in music.
Different influences can be noticed on this three tracker cut. Techno-dub-house all dressed with a heavy bass and quirky electronic inserts. Blumoog music this time hosts British groovie techno pioneer Mark Broom whose career and acclaimed success spans for over 30 years. Pure Plastic and Beard Man label owner also collaborated and released material on many iconic labels Drumcode, R&S, Blueprint, Soma just to name a few.
M.R.E.U.X opening 'Odyssey' on A1 is a 4 and a half minutes of pure bliss with a dub-tech feel and granular inserts that makes this track even more captivating. A2 is characterised by a sub bass and persistent hi-hats only to be appeased by atmospheric moments half a way through.
Beardman Mark Broom 'Odyssey' remix is a more bouncy take that develops into a jacking realm that for sure will burn down the house.
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Techno isn't a genre that has birthed many consistent albums, and the dub techno subgenre even less so, but one indisputable classic is Porter Ricks' debut 'Biokinetics'. Originally issued on the legendary Basic Channel sub-label Chain Reaction in 1996 following a trio of 12"s, 'Biokinetics' was the first of the label's album releases, and still stands as its crowning achievement. Porter Ricks are Thomas Köner and Andy Mellwig, and between them they re-framed the techno sound, imbuing the spacious ambience pioneered by label bosses Mark Ernestus and Moritz Von Oswald with a frosty, isolated experimental bent, and combining it with the sort of haunted minimalism of early Plastikman.
What separated 'Biokinetics' from other albums at the time was its unwavering narrative - the exact sound has been interpreted countless times since, but the immersive qualities of this singular record have rarely been touched. Maybe it is down to the silvery underwater concept that ties each track together - the bubbling pads, sub-aquatic basses and muffled kick drums. But as with any great album, it's hard to exactly put your finger on what makes it a classic. Simply put 'Biokinetics' is one of the most important records in the genre and one of techno's finest albums. It has been re-released ten years ago by Type Records, and now Mille Plateaux is celebrating Porter Ricks' and Biokinetics' 25th anniversary with this sumptuous double viny edition.
Mechanism is a Rotterdam based organisation focusing on presenting and releasing adventurous techno driven music and art. The first release is by the Mechanism initiators Rotor Militia. The music of Rotor Militia is a combination of technoid digital dancefloor beats and hypnotic abstract layers of ritualistic and synthetic sounds.
Céilí launches new label Mála Ádh (Gaelic for Lucky Bag) with the first outing seeing to a six track Various Artist 12" powered by MarcelDune, DJ Ketaflush, Cressida, Wheez-ie, Julien Andreas and the label head himself. LUCKYBAG001 finds the council of six exploring a new realm of hardcore fit for a post apocalyptic Rave world.
Since her debut onto the techno scene with the 2018 release of her EP 'Post-Traumatic Rave Syndrome' on Paula Temple's "Noise Manifesto" and a string of international festival and club appearances, Femanyst has gained a reputation for militant individuality. Akua Grant sets herself apart from the crowd with her aggressive & unrelenting industrial techno sets tinged with elements of Hardcore and Gabber. She has become known for her rebellious and innovative style in her adopted home of Berlin. Her self-assured approach to gripping and brawling techno tension sees her perform a fast paced and fervent flow on the dance floor. Femanyst continues to bring her unapologetically bold signature sound with her own techno imprint "Dark Carousel" as an extension to her much revered DJ sets of twisted and aggressive, high octane electronic music.
A2 Fluid - Post Industrial Transformation
Fluid is a queer DJ and producer based in Berlin. Supporting FLINTA* DJs, producers and party events are one of his priorities. His first release begun in January 2021 and he is still modelling his sound. His interest in electronic music goes from industrial techno to ebm to trance to hypnotic techno.
Post Industrial Transformation is a track which combines aggressive sounds and a lot of industrial elements. The transformation refers to Fluid's evolving own path. This evolution is similar to the tension that builds up all through the track. This track evokes change, modification, passage from one form to another.
B1 Hybral - Unheard Voices
Hybral is a Berlin-based non-binary DJ and producer drawn to eerie energetic industrial techno. They mix and produce haunting techno, EBM, and noisy-driven experimental sounds. Hybral's productions are made of dark atmospheric patterns linked with pushing percussions and basslines as well as heavily distorted kicks and harsh industrial noises. Mixing DJ sets the track selection is ranging from contemplative ambient to stern and fast techno - connecting vast influences from Hybral's personal experiences of spending days and nights on Berlin's dancefloors. They are founder of the queer label, podcast, and event series 'Subverted' which focuses on a distinct program aiming to lead dance music back to its roots of resistance and diversity.
B2 Marsch - Mrs. Jones
Marsch is a Berlin-based dj and producer from France, who initially began 8 years ago as a music curator and selector. She started to produce when she moved to Berlin, and has mostly been focusing on this for the past few years. She would define her music as a balance between melody, energy and texture, with a blend of minimalistic elements, rhythmic and percussions, and voices and futuristic synths.
DURCH BLN/TLV is a queer collective with a clear vision of solidarity and community building. DURCH operates in Tel Aviv and Berlin trying to bring queer people together, building a culture of inclusion, diversity and tolerance. In the tradition of original raves DURCH organizes solidarity events ranging from parties, to art and community events, with the strong belief that raves are a much needed place for people to come together, celebrate their diversity and learn to respect each other. Musically DURCH is eclectic inspired by hardcore, straight forward techno, ghetto and scouse house and 90s acid.
We proudly announce the release of our first vinyl record "dogged boldness". This is a long held dream by the entire crew. With Femanyst, Hybral, Marsch and Fluid we are happy to showcase four artists that are close and dear to DURCH BLN/TLV. The record is a compilation of four hard-hitting, inciting techno tracks. Rough, bold and aggravating, just the way we like it. We are proud that we are able to continuously work with queer artists and to be a platform to further queer artists visibility.
Disclaimer: The world needs more queer artist, more queer music, more queer techno, more queer perspectives, more queer love and more queer intimacy.
No place for any racist, sexist, trans- or homophobic shit.
Artwork by Rory Midhani
Mastering by Chlar
From the rampaging start of the EP, "Eternal Remorse", not a single note, guttural vocal, or fierce drum hit is out of place. The emerging greek artist Boris Barksdale, portraits the overall feeling of militaristic order encompasses music and vocal samples. The musical equivalent of that image, industrial society's restless march to oblivion rendered as an infinite dance track, as aggressively vibrant as it is alienated.
Buttechno is back with a 6-track album released on his brand new “psy X” imprint (former Rassvet records). While working mostly on the experimental fields lately, prolific Russian producer stepping aside to the dancefloor territory, delivering six minimalistic sounding tunes, which change their intensity from a high-range bpm mutant acid bangers towards a beatless ambient swirls. Keeping their own special groove and deep spiritual flavour these tracks represent artist's visionaire attitude in its best.
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The Signs Within is Drunken Kong's debut album on Tronic, featuring collaboration with label boss Christian Smith. With this work Japanese duo prove they are here to stay with some top notch techno. Whilst keeping the groove alive, they deliver some punching bass lines, rolling subs and deep synths.
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Dan Shake makes a solid return to his Shake Records imprint with three tunes ready to make an impact. ‘Paper’ and ‘Bounce’ are tinged with records from Dance Mania, hip house and acid house legend Tyree Cooper, and a cheeky trance mix Dan made with Yomanda ‘Synth and Strings’ in mind, one of the last track he played out to a crowd.
‘Paper’ and ‘Bounce’ are the reflection of an artist still feeling the vibe from his last gigs, which saw Dan make a debut at Printworks, and coin one of the last live Mixmag labs before the world went into lockdown.
Dan explains - “I made these tracks in April 2020, immediately after the sudden cutoff of nightlife. My last weekend of gigs was incredible and left me with a big room, high energy mentality. I’d been listening to and playing out a lot of ghetto house and Dance Mania style records which no doubt pushed these tracks in that direction. Faster, harder and heavier than the majority of the music, ‘Paper’ and ‘Bounce’ gave me a hit of a sound I was craving and had just been immersed in. Directly inspired by an urge to be back on a dance floor, the thought of playing them out feels slightly surreal, but something that gives me tingles thinking about too.”
Did Dan know he’d sit on this music for over a year before releasing it or playing it out? Perhaps not. However, timing is key and clubs and festivals within reach, he’s waited patiently for a time he knows they’ll hit the sweet spot we’ve all been missing.
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The Italian producer Daniele Serraino aka D/n, label boss of Spazio Magnetico, publishes his EP entitled Phase Transitions, a title connected to the concept of the album which is magnetism, paying homage to the label's name.
There are three tracks produced by D/n, "Anomaly" and "Dipolar" characterized by hypnotic sequencers, tunnels, with dance flore rhythms. With "Polarity" D/n explores abstract, floating settings with broken rhythms.
Thanks to the dotdat remix of track Anomaly, powerful dance floor track.
Cocoon’s unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. US legend Josh Wink keeps it deep and heads down with his gritty roller ‘Nuclei.’ After lush techno trance from Ricardo Tobar.
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Network’s 30th Anniversary celebrations continue with the re-issue of the debut release from the iconic label. The launch of the logo with Neal Howard “Indulge” in 1990 caused a sensation, with the track being instantly acclaimed as a Classic, and Network noted as a new label to watch.
“Indulge” hails from Chicago, but sounds like its’ DNA is Techno City Detroit.
A futuristic call to dance from Windy City mystery man Neal Howard, whose previous releases “The Gathering” and “To Be Or Not To Be” had already reached cult status. Those gems, and “Indulge” were recorded by Chicago label Phuture Sound. Plans were being laid for the transformation the Kool Kat label - the UK outlet for Kevin Saunderson, Derrick May and Juan Atkins - into Network, but the dilemma was finding something “really really special” for the first release. That search for the perfect beat ended when Network’s Neil Rushton on a visit to Chicago heard the just mixed “Indulge” on a cassette played by Phuture Sound boss Terry Baldwin, who after prolonged negotiations agreed to cancel a USA release so the new UK label could have an exclusive.
The label design for this release is a replica of the original DJ Promo 12” that introduced Network to the World with exactly the same tracks; Terry Baldwin’s much loved Club House and Deep House mixes of “Indulge”, coupled with “To Be Or Not To Be” remixes by Chicago’s Bad Boy Bill and Detroit’s Derrick May. network - it is what it was...
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OHM has impressive catalog of releases already and is well known within the dub techno scene already. One thing has united his previous releases and that's the fact they have been done in collaboration with others - such as with Exos, Octal Industries and Kvadrant. Now X/OZ offers the debut solo release by OHM - and what a beauty it is!
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- A1: Xor Gate - Hyperbola
- A2: Shawescape Renegade - Soldiers Of Electro
- A3: Dj Dijital - I Am Morpheus
- B1: Plant43 - Evapotranspiration
- B2: The Exaltics - Don´t Ask Me Why
- B3: Kuldaboli- Draumur Inní Heilann Þinn
- C1: Iko - Approach On Tokyo
- C2: Tom Ware - Take Time To Hurry
- C3: Kuldaboli - Beygluð Sál
- D1: Luz1E - Transvision
- D2: Sansibar - Cyberdine Systems
2x12", Cover by Abdul Qadim Haqq, 56 Page Bubble Chamber booklet included!
Gentrified Underground presents an interdisciplinary project
tackling the sonic fiction & afrofuturism of Drexciya.
Thought as an extension to the Bubble Chamber exhibition happening at Mikro & UP STATE Zürich, GU releases a 2x12 vinyl compilation and a booklet with contributions by Abdul Qadim Haqq, Charlie Mills, chukwumaa, Dominiqueh White, Gentrified Underground, Maïté Chéniere and tracks by Xor Gate (Gerald Donald), Shawescape Renegade, DJ Dijital, Plant43, The Exaltics, Kuldaboli, Iko, Tom Ware, Luz1e and Sansibar.
The goal of this compilation is to showcase the reach and influence which Drexciya had on generations of electronic music producers while linking them together with compositorial predecessors from the early 80s. The musical timeline of the compilation starts from 1982 and reaches its contemporary end in 2019.
The 56 pages booklet contains unseen and unreleased Drexciyan drafts by Abdul Qadim Haqq, an interview between him and GU, contemporary art contributions by chukwumaa, Dominiqueh White and Maïté Chéniere and an academic essay by Charlie Mills.
"More than twenty years after their first release, the sonic fictions produced by Drexciya, the Detroit based electronic duo founded by James Stinson and Gerald Donald at the start of the 1990s, continues to enthral contemporary cultural practitioners. By reimagining the Transatlantic Slave Trade as a fiction of enforced mutation, the Drexciya mythos opened, and continues to open, a speculative space for the reimagining of the posthuman condition, and for questions of becoming, origin and mutation in relation to capitalism, finance and futurity." - Kodwo Eshun.
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G TOWN RECORDS returns in style with a sophomore release from Brisbane’s finest - X CLUB. Following on from enthralling electro and techno EPs on Steel City Dance Discs and 1Ø Pills Mate respectively, the pair show their full deck of cards with ‘NOW OR NEVER’, a four track representation of driving top down in the pouring rain.
Having risen up through the ranks of Brisbane’s colourful club scene, Ben and Jesse’s electric pairing has offered up some of electronic music’s freshest tracks in the past year; these four being picked straight from the root, pressed directly to wax and straight to your doorstep via Galway City.
We kick off with ‘Concentrate’; an unrelenting rolling mesh of drums and tense vocals that culminate to X CLUB’s almost signature UK break sound that doesn’t skimp in intensity. Following on from that we’re met with one of the most in demand tracks of the past year following constant radio and club play, ‘Inna Trance’; an audio representation of a noughties donk and trance fan’s Las Vegas wedding gone wrong.
We flip to the B side where the aptly titled ‘SPORTS THAT REQUIRE PETROL’ takes us back to the gym for a performance enhanced drum workout before drowning us in pads and letting us up for air as we approach the emotional crescendo that is the final track. ‘Elevation’ sees the listener don their best Ryan Gosling-esque driving gloves before embarking on a rain soaked journey to finish the job; it really is NOW OR NEVER.
GTOWN002 stamps X CLUB’s place among the elites right now and certifies G TOWN RECORDS as a label not to be ignored going forward into a brave new world.
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Bright Sounds welcomes BLUNT. The new musical project by Paris based graffiti artist and creative Vincent Desmont where he connects the dots between his musical outings and his visual works.
Over the course of four tracks he delivers a lively package of warm and driven dubtechno. It's a complete and well rounded debut on the ever reliable and fresh Bright Sounds imprint.
***
When you are
standing still
and things
are really slow
***
It's been a while now since dance music stopped suddenly and also it's been a while since the Exium duo released stuff here at home.
Hector and Valentin have been busy in their studios during these uncertain days, extracting the best out of their minds and tools to create this four tracker. If you are familiar with the Exium sound over the years, you can feel here a sort of comeback to their primitive roots. The sound is harsher, more violent, the components are a chosen few but well standing in the mix, the rhythms are broken and twisted. Nothing easy for the ear. If you push the boundaries like they do, there's still hope in techno as a constantly new and risky journey. Totally the opposite of cloning what is done.
"Ascendo" relies on a broken kick surrounded by industrial noises and distorted textures. Merciless
"Atheris" uses again nonlinear drums as the basement, spicing the recipe with overdriven pads and abstract sonic elements.
"Cyclotron" is the only 4/4 cut here. A random square wave distorted synth line is the leitmotiv, joined by different layers of sonic components creating an aggressive sci-fi joint.
"Low Pressure Discharge" closes the release returning to abstract breaks as foundation, with metallic industrial hits on top.
A truly essential EP of the deepest Electro-Funk sounds.
From the vaults of Canadian power-house record label Big Shot we're proud to present a fully legitimate and remastered repress of Hi-Bias' seminal self-titled EP from 1990. Produced by Big Shot records mastermind Nick Fiorucci and Michael Ova this 4 tracker mines a more Electro / Freestyle centric sound that glides effortlessly. Cool, sleek, bass-heavy and immaculately programmed and mixed, the EP is an essential for lovers of analogous grooves, bass and timeless machine-funk. For example, EP opener 'Wind It Up' does exactly what it says, metronomic, clicking drum machines lead us into some epic synth breaks and a tense, sparse mood... a dramatic build-up that eventually crescendos into a deep, futuristic bassline, beautifully mixed and produced this sonic high-quality feeling is evident across the whole record, from the downtempo blissed-out Hip-Hop beats of 'More More More', to the dystopian Electro grooves of 'Don't Look Back' and 'Drive It Home' the whole record is totally heavyweight in every way. Original copies of this 1990 masterpiece are very very hard to come by with second hand copies changing hands for tidy sums when available.
This is the first in a long line of Big Shot reissues, all remastered from the original source materials and with the full involvement of the rights holders.
A collaboration between Above Board distribution and Big Shot records, Canada. Remastered by Optimum Mastering, Bristol UK. 2018.
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Lazarus is back on Shaw Cuts with "The Rescue", a swashbuckling tale of sheer heroism, revolutionary sentiment and resistance in the face of oppression.
Following the fall of the Sung Dynasty, minister Wen, who pens a patriotic song to inspire the nation, is imprisoned by the conquering Mongols. Sung patriots plot to free the lord from the Celestial Prison by having themselves arrested and a spy release them once inside. But the prison general sets a deadly trap. "Harbinger", its heavy drums, mystic pads and untamed spirit perfectly describes the menacing scene inside the prison.
With the help of free-spirited hero Le Heru, patriot Bai Yaerh escapes the carnage. With more fighters in tow, he returns to the prison with a new plan to tunnel underground. Yet this too is a cunning trap that forces Le Heru to cover up the heroes' escape. The intense buildup of "Light The Torch" with its echoing chords and noisy elements, invigorates and drives the pack forward.
After convincing a Mongol-raised guard captain to join them, the patriots make a last attempt to save lord Wen by posing as Mongols and slipping into the jail. They finally reach Wen who has starved himself to death. The shifting drums and emotional synths of "Sinus Node" sets the serene tone needed to compensate for the loss, signaling a promising new dawn.
The legion finds hope while battling out of the prison to preserve the moving song the minister composed before his demise. "Cyto" and its melancholic mood filled with revolving breaks, powerful arpeggios and shimmering drums, leads to a shocking and disturbing end that is hard to handle.
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Part One[8,53 €]
Breaking the circle with a one-off release item consisting of 3 EP's called "Tales From Tramkade". At a first listen slightly out of order with the general view of the label's output till date yet still in balance and recognizable as EMERALD catalog. This collection of work by Remco Beekwilder contains recorded loops and concepts initially produced between 2010-2015 and now re-assembled, polished and finalized at the authentic Tramkade, 's-Hertogenbosch in 2021. Expect everything within the range of sweet melancholic tenderness and raw to the floor takes.
Since debuting on Central Processing Unit with 2018's Projections EP, Silicon Scally has averaged a release a year for the Sheffield label. New offering Revelations finds the one born Carl Finlow keeping up that hit rate. Both Finlow's name and his many aliases have become bywords for top-draw electro productions since he first emerged in the mid-90s, and Revelations is no different - this is dystopian machine-funk of the highest quality.
With its burbling electro groove, piston-precise drum programming and plethora of gurgling synths, Revelations' opening title-track comes beamed in direct from the Dopplereffekt realm. However, as well as being a mid-set weapon of serious heft, the manner in which Finlow daubs the track with some plaintive synth chords will also bring just a hint of pathos to the dance. That wistful edge quickly dissipates when following cut 'Walk Over' homes into view - ushered in by eerie, paranoid synth work, 'Walk Over' has an air of technoid ghoulishness to it which invokes John Carpenter sparring with Egyptian Lover.
Revelations' flip is taken up by a pair of remixes that go deep on the A-side jams. The first of these sees Finlow himself setting aside his Silicon Scally cap and reworking 'Walk Over' under his own name, upping the eerie feel of the original still further by enveloping the track in icy atmospherics as well as phasing grizzled synths and wailing sirens in and out of the mix. Following close behind is Fleck E.S.C, whose reworking of Revelations' title-track marks a first appearance on CPU since 2018 for this French electro expert. Fleck E.S.C delivers a low-slung synth-funk masterclass here - as the track's laser-gun bassline invokes Drexciya, the producer guides the listener through a variety of shadow-realms populated by metallic clangs, insectoid chattering and some strangely hypnotic textures.
Silicon Scally (Carl Finlow) continues his fine run on Central Processing Unit with the Revelations EP, a set of steely electro bangers which comes backed up by remixes from Fleck E.S.C and Finlow himself.
RIYL: Dopplereffekt, Drexciya, I-F, Jensen Interceptor, 96 Back
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Repress
"The Unfinished Fight Against Humanity" is SNTS' third full-length album following "The Rustling Of The Leaves" in 2015 and "Losing Sight" in 2016.
Ten tracks that are born from the combination of historical, mystical and current references, which lead to a reflection of how the human being can complicate its existence due to behaviour and the consequences that derive from such actions. The dark, hard and energetic rhythms of the album narrate the coexistence of diverse human values throughout history, from peace to war, from love to hate, from empathy to ego.
In words of the artist SNTS, "the human being has been created to live in society, the problem arises when society fails to coexist or compete to survive".
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