Techno News

LTD Dark red marbled vinyl - essential repress, be fast to secure your copy

Number 060 in our catalogue, and we are keeping it tight and sharp. Oscar Mulero is the mind behind this creature, offering three cuts of merciless techno exercises both physically and digitally.

Opening track is "Tormenta", Storm in spanish, a fast paced groove with almost all elements up from the very beginning. Wisely distorted drums, continuous filtered sequences, a sharp elastic line running and mutating across the structure. Direct and mental at the time.

"Espectro Rojo", Red spectrum translated begins with obsessive distorted evolving lines, shuffled hi hats and precise kicks. The stereo field is constantly worked out augmenting the experience exponentially.

"Gradiente de Voltaje" closes the EP, the overall feel is less distorted and more opaque and lo-fi. The liquid filtered bassline is soon joined by distorted hats, alternating patterns and twisting the sounds wisely. No sudden interruptions, no abrupt changes, just the right dose of hypnosis to use as a powerful tool.

***
interference, social, war.
automation, face, store.
sonic, movement, border.
chaos, increasing, order.
aqua, irreversible, delay.
laws, iron, obey.
***

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53 Degrees North marks SK_eleven s seventh release, as Setaoc Mass continues to add to his flourishing imprint; this time with a two-part EP release. 53 Degrees North Part One focuses its efforts on four-to-the-floor club-centric music the label head is renowned for. All four tracks are emblazoned with his signature, disparate pairing of light and dark sound palettes glued beneath rich, atmospheric textures and hypnotism - all the while keeping its muscular club chassis gleaming beneath. Part Two of the double release sees Coates revealing more of his experimental side. The second cut pays homage to past influences of the producer as he floats between ambient, IDM and electro cuts with ease, all rife with emotion and passion.

Shkema's debut EP 'Kronikos' is a double release with four originals and four remixes. The author describes it as 'world news show, where each song represents a different story'. Some of them he has experienced himself, some are hearsay from TV news programs, and some are actually imaginary. Stories are not really related - just like in the news. 'Ispanija' was created during a friend's band rehearsal. Psychedelic vocals sounded interesting in Shkema's headphones while he was watching soundless singers and the muted musicians. The true reason why this track is called 'Ispanija' is still unknown to this day. According to Shkema, 'Ola' is an allegory of Plato's cave. It's a story about prisoners, chained in the cave and the only moving thing they could see was a passing shadow - quite deep, uh? Justin Strauss and Max Pask recently have joined up to form new project Each Other. True dance floor legends delivered bass-busy remix of 'Ispanija'. It could probably be best described as 'juicy distorted badboy from New York you don't want to mess with'. Moscow's finest - Simple Symmetry - joined the pack and went back to the roots. Their remix for 'Ola' is future clubbing classic, four to the floor banger with a drop perfect for pogo.

Four new tracks by Sierra Romeo, the perhaps lesser known pseudonym of Stefan Robbers, focussing on ambient, downtempo and experimental electronica works. The legendary Dutch producer, known for his releases on Djax-Up-Beats, Planet E and his own Eevo Lute Muzique, revitalises the moniker to present four beautiful electronica pieces on the Delsin Eevo Lute series, that also remind of his beautiful Florence tracks.

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180 grams / white vinyl

One year after his last release "Empire Of Loss", SNTS announces this new project recorded during 2018 and 2019, being his first EP using only hardware. Four hypnotic dancefloor tracks unleashed in a paranoid elation form this EP.

Subradeon is a Neapolitan new school techno producer who carries on in the fine tradition of the likes of Marco Carola and Joseph Capritati. His sound is more fulsome than theirs - soulful, with bouncy drums and vocals to embellish the grooves and really make sure they strike hard. 'The Last Trumpet' is a sleek and clean banger, an early Detroit styled anthem for the peak of the night that still has its foot in the underground. 'We Don't' is lit up with silvery synths and chattering percussion, again a la Motor City sound of Underground Resistance. The closing two tracks bring yet more high energy, stirring laced sounds that are epic and excellent in equal measure.

Float Records first vinyl release is a fact. And what could be better then divide it in 2 parts. The first output reflects the second. Label owners TWR72 presents you 'Reflect'.
The 1st remix comes from Berlin based Markus Suckut. A subtle angle is taken on Reflect which makes the remix feel sustainable. Just the perfect remix to include in his impeccable oeuvre. All the way from Finland is analog devotee Samuli Kemppi, who takes care of the 2nd remix. Samuli creates a sudden tension with builds up until the very end. A001, from Amsterdam, turns the original Reflect into a obscure remix with an perplexing 2nd half. A001's mysterious and quiet appearance is a paradox compare to his musical output. TWR72 closes the EP with the bonus track 'Response'. A solid and barbarous answer to Reflect. No words are further needed.

Unbalance - a state of instability, the absence of symmetry. Rebalance - an attempt to balance the unstable state, reconfigure the system and return control. Overbalance - moment, movement, action; an important event in the system when the state leaves the equilibrium point; fall, superiority, advantage; techno music.

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KRTM is back with a solo EP for SSSPCR005. These new tracks are diving further into the vast spectrum of electronic music with an obsessive, yet playful tone. Although, throughout the entirety of this record, deranged and demented tendencies are hiding underneath the layers of electrical grain.

On this edition's artwork, Casimir is collaborating with the illustrator and graphic virtuoso Lukas Verstraete, forming a series of energetic and radical drawings covering the narrative nature of these tracks.

Designed by Lukas Verstraete.
Mastering by Casimir Desmet.

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Inner Tension is the record label of Polish (Berlin-based) artist Blazej Malinowski which is an expression of his deep interpretation of techno. The label aims to provide an eclectic vision of dance music which reaches deep within the mind itself and projects atmospheric and warm sounds for the dancefloor.

The 001 sees a 4-track EP released January 2021 on vinyl/digital containing 3 originals by Blazej himself & a remix by Oscar Mulero.

The first release Inner Tension 001 called 'Katharsis' signifies the birth of the label and its sound & direction.

Katharsis (from Greek κάθαρσις, meaning "purification" or "cleansing" or "clarification") is the purification and purgation of emotions -- through art or any extreme change in emotion that results in renewal and restoration

The 4-track EP contains 3 originals by Blazej himself & great rework by Oscar Mulero. The A1, 'Katharsis' is a classic trippy and deep techno signature from Blazej. A2 follows with a more clubby track 'Behind' with a hint of psychedelic deep techno feeling. B1, 'The End' brings plenty of energy and without a doubt a peak-time flow; uplifting & high hats hitting.

B2, the Mulero remix of 'The End' captures a real twisted yet emotional journey with a long build up and subtle breakdown with a raw finish.

Original Cover Photo by eerie.mydriasis

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As a young person growing up in West Yorkshire, my experiences of true underground clubbing became intertwined with names such as Back to Basics, 20/20 Vision and Carl Finlow. That period in the early 2000's became a life-affirming time for my young self.

Frequent trips to Back to Basics, then held at the Mint Club helped forge my outlook on electronic music and how it should be played in a club environment. I would often hear stories about ""the Farm"" and the late night parties and studio sessions. The anecdotes and tales of US icons recording in the countryside with the local guys provided only a small insight into the creativity and fun that must have gone on during those years. Cut to now in 2017, whilst looking back to those times more than fifteen years ago, I can proudly say that the dots have been joined and the connections now formally established.

I'm immensely proud to say that Carl Finlow, the understated king of British electro, and I, have put together a selection of his works that provides a themed snapshot into his musical history. The music I have chosen with Carl may not be all of his biggest tracks but it is the music that is special to me. The selection has a vibe, one that is deep and emotive, music for the head as well as the feet - Hope, you hear it in the same way (...)

Dublin’s Woozy label premieres on wax with Radial, the debut EP from newcomer Coe. 3 dubstep-informed club weapons b/w a percussive rework from Or:la.

The title track recalibrates mid-noughties FWD> pressure, suspending us in an E-licked smog before puncturing the rave-lry with thrusting bass stomps and fervorous IDM-adjacent drums for an electro-id crazed stomper. Say (KL Tribute) flexes Coe’s wub mechanics, presenting computerised sound chaos before dropping a half-step hungry wobble fest, mounting the pressure on the ‘floor to a near combustible, skanking peak.

On the flip, 403 slightens the pace for a chugging techno/electro zinger with a faint dembow shell, sounding like the soundtrack to a sinister salsa dance. Or:la’s drum-tastic Radial rework sees us out, conducting an orchestra of percussive pistons akin to a ravey engine room for a mid-tempo grooving killer.

Founded in Amsterdam in 2018 by CYB and Elisa Batti, Immaterial.

Archives is driven by the desire of exploring the boundaries of electronic music. The label always strives to innovate, while bringing on board the most talented producers from the underground contemporary techno scene.

'IA003' contains 4 powerful peak time techno tracks, which you find next in ne tracklist.

Ballistic006 consists of 2 original versions and 2 remixes from British Producers Makaton and Codex Empire.

A dark disc in which techno and industrial sounds have a preponderant role and which is already available in its digital edition.

First complete vinyl release of the 1989 debut album by Detroit industrial techno group Final Cut, produced by Jeff Mills and Anthony Srock. Recorded prior to Mills's departure from the project, Deep into the Cut marks a significant moment in the convergence of the classic industrial aesthetic and the emerging sound of Detroit techno. This reissue serves as a window into this unique moment, evoking both the transgressive spirit of European industrial music and the raw militant power of early Underground Resistance. The album declaims a message of sonic urgency across its 11 tracks, and still stands as a landmark statement of the industrial techno sound. Remastered in Berlin by Rashad Becker, this edition presents the full album as a double vinyl release for the first time.

Ever since he first stepped in the production game in 2013 with his self-released debut, Newcastle’s Junes has worked tirelessly on establishing an identifiable sound, exempt from ephemeral trends and bound to withstand the test of time. The Berlin-relocated Englishman now escapes from his home platforms Galdoors and Dote to land a round of his typically atypical dub blends and elegantly pared-down electronics on KOC.

A crisp, opium-scented bassy tech number in its own right, “Witching Hour” kicks things off to the sound of rattling darbukkahs, chirpy hats and thick volutes of Prince of Persia-extracted synths. A2 “Vessel” keeps the mystery intact with its curtains of randomly cascading chimes and bloopy signals gone astray.

Flip it over and let the title-track “Shifting Sands” work its stealth magic on you. Whereas the original takes us on a speleological ride across mineral chambers and bottomless spectrum depths where weird machine monsters and their warped cousins reside in relative tranquility, Aarhus-based producer and Help Rec. boss Central drops the hammer with a shuffling, oneiric reshape primed for an all-organic workout in the wild.

This EP will meet your requirements.

I am happy to have Transcode back on Terminal M. The way Stevie works with the deep bass and melodies is very unique and enchants me every time. The master of deep bass. (Monika Kruse)

Founded in Amsterdam in 2018 by Elisa Batti- and CYB, Immaterial Archives is driven by the desire of exploring the boundaries of electronic music. The label always strives to innovate, while bringing on board the most talented producers from the underground contemporary techno scene.

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Molekul invites PERC Myler and Randomer to remix Airod.
A bloody masterpiece !!!!

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Renowned record label and events brand Renaissance announce the next release in their acclaimed The ReMix Collection - a scintillating reworking of Jaydee’s 1992 R&S classic ‘Plastic Dreams’ from one of the leading names in techno: Producer, DJ & MOOD Records label boss Nicole Moudaber.

Nicole Moudaber’s spectacular and atmospheric remix of ‘Plastic Dreams’ is already receiving strong DJ support, not least from Carl Cox, who has been playing it out as a highlight of his recent sets.

A track that Nicole Moudaber had always wanted to remix, when approaching such an iconic track as ‘Plastic Dreams’, she applied her trademark tough yet melodic sound, emphasising the jazzy bass notes and famous organ synthesiser refrain, to deliver a fresh and vibrant reworking.

On her remix, Nicole Moudaber said: “I didn’t want to lose the essence of this ground-breaking track. I kept the balance between house and techno and added a little touch of jazz. I was in New York when I first heard it; I was dancing, I was flying, I was connecting with people, I was making memories. I believe I gave it justice, I certainly gave it a lot of space and respect of its original identity.”

‘Plastic Dreams’ will be available as a Limited-Edition vinyl, produced to go toward part of a highly collectable and beautifully packaged 6 release box-set (6th release dropping at Christmas). The release features Nicole’s mix on the A-side, whilst the B features a remaster of the Original Long Version.

The ReMix Collection celebrates Renaissance’s proud heritage which has seen the brand at the forefront of electronic music since its inception in 1992. The concept behind the collection is to put a fresh and exciting take on seminal tracks that are closely connected with Renaissance’s early years.

2x12", 180g

Keith Carnal's debut album on his own Second Degree imprint.

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True Dutch legend delivers gems on this mega bomb EP for Deeptrax Records! Orlando Voorn is one of the most gifted Dutch producers out there. The man is well known for his many monikers and anthems like Fix - Flash, Playboy - In Da Jungle, Format One - Solid Session to name but a few. Tirelessly releasing classic after classic for almost three decades now, Orlando keeps pumping out tracks and reaches a new high in his creative output with this ultra fresh release! Anthem alert!

* Atheos is a ferocious new collection from Rotkeller, which sees the Swiss electronic duo (Laurent Schmidhäusler and Federico Sutera) double-down on the brooding energy of their previous releases with a renewed intensity—fusing bold electronic experimentalism to dense, maximalist techno.

* Whether on the slow-burn immensity of opener 'SW', the monolithic, doom-laden expanses of 'Malz' or the spellbinding surge of '17. October', Atheos showcases a dark melodic complexity from the duo—in part brought on by the use of both digital and analog recording techniques.

* While the mesmeric, choral melancholia of EP closer 'Godless'—its eerie and beguiling textures echoing all that has preceded it—offers-up ominously open-ended ending; solidifying Atheos as Rotkeller's most atmospheric and cohesive work to-date.

* As if that wasn't enough, EOMAC (Stroboscopic Artefacts, Killekill, Trilogy Tapes, Bedouin) caps Atheos off in style, with a savage edit of '17. October'. The remix that pushing Rotkeller's original track into new rhythmical directions—the glassy rhythms splintering like shards of light across an eternally eclipsed landscape.

Set for release in both physical and digital formats on May 5th, Atheos marks Rotkeller's first EP for Swiss-based record company Thrènes (which takes its name from the Greek word for funeral lament) and are a label dedicated to the release of tenebrous electronica and techno.

Latest Vaerel Records artefact limited to 200 copies, bringing together 5 different visions of the label's esoteric aesthetics. The manager of the label Raar bringing powerful percussion accompanied by samples of "Making of a Cyborg". Newcomer Quelza provides us his signature techno with broken rhythms and intriguing synths, then AWB continues to hypnotize us with his deep techno and finally Zadig & Ruhbarb team up for a tool full of high-speed drums and sharp cymbals.

The System 108 anniversary record sums up the label's five-year work without words. The new collection is an impression of everything that the team has become during its existence. System 108 has matured nominally and stylistically, defining for itself three main directions: post-industrial, techno and break-beat, disco and house. Each of the three parts of the new collection reveals one of the musical trajectories of System 108 development: (Part 2) -- techno, breakbeat, old school trance by friends and residents of the label.

The mysterious Cult 48 with another future classic IDM album, for fans of Boards Of Canada etc..

Limited pressing of 200 copies.

Smartbar resident Jeff Derringer takes the reigns for the latest Suara release, alongside remixes from Blueprint boss James Ruskin and German duo Cassegrain.

Hugely respected as a producer, Derringer unleashes 'Mercury' - a heavy hitting, expansive techno weapon. Analog weight and synth stabs intertwine, reverberating around this constructed chasm, whilst a booming kick, crunched up hats and modulated toms provide a dizzying spell of suspense and tension.

Up next, 'Apollo' is a gritty, glitched out emotive number. Beginning with an twisted synth line and pulsating kick combo it develops into an introspective journey, with Derringer panning percussion and distorted claps to build a dystopian soundscape in the mind.

On the B side, UK techno linchpin and Blueprint mastermind, James Ruskin, takes to remixing 'Mercury' - harnessing that 90's flair that has cemented him as a long-standing bastion of the UK's scene. It's a heavyweight slammer, injecting hydraulic hats and warped samples to give an almost primeval air to its makeup. An added sense of urgency and complexity, with moments of suspense and tension when required, showcase exactly why Ruskin is held in such legendary status.

To close out the EP, German duo Cassegrain turn 'Apollo' into a dark, droning atmospheric groove. It's frenetic, fist pumping stuff, with an underwater essence made ever more present by the sonar-like bleeps. A no nonsense closer, that deserves to be unshackled on the heaviest of systems.

DJ Support:

Ame
this is a very good techno ep!!!....

Sasha
bangers!!!!

Truncate
Solid tunes all around!

Amelie Lens
incredible EP!!

James Zabiela
Excellent release! Great remixes

Monika Kruse
I really like that suara brings us a james Ruskin rmx. he is a legend! good release!

SevenDoors
love this!

2pole
Apollo and remix are the one for us!

Weska
mercury is great, thanks :)

Ian O'Donovan
Cool EP from Jeff! Mercury orig and apollo rmx are my favs. Thx

Luca Agnelli
nice pack, and great remixes

Andres Campo
YEAH!!! Ruskin's remix is ace! thanks

DJ Boris
Nice techno tracks

Ramiro Lopez
Los gatos are on fire! meeow

Oliver Deutschmann
Remixes and Apollo Original for me. Thanks!

Michael Klein
The remixes are super strong. Thank you.

DEAS
Cassegrain what the remix ! amazing groove roller coaster ! Love it

Sisko Electrofanatik
Awesome works! James Ruskin remix is Huge!

Laurent Garnier
All tracks are great -- Will play for sure

Marco Effe
Great Remix from Cassegrain!

Bastian Bux
James Ruskin Remix and The Astronaut are my favs!

Angel Molina
Great release, will play some of the tracks but 'Apollo' (both versions) and 'Mercury (James Ruskin Remix)' are my fav ones at 1st listening.

Jeff Rushin
Solid stuff

Kosmos
great release, radio and club play assured

Gabriella Vergilov
Ruskin's remix, Apollo Original and The Austronaut Original for me, please. In general- dope shit! Merci, *GV*

Misstress Barbara
james rmix for me :)

Ramon Tapia
ruskin & cassegrain mixxes are great !!

Drumcomplex
All in all a massive EP my fav is the Ruskin Remix what a monster

Talented duo Moddullar from Portugal are back on Faut Section. A solid EP with an excellent remix from Kwartz.

That was the question put to Mark Gamble when the initial mixes of “Take Me Back” were delivered to Network in 1990.

Mark - he of the mad Mohican haircut - replied as low and dirty as you want. His subsequent definitive Bass Heads mix became the ultimate Dance Music With Bleeps anthem, causing chaos and literally carnage as bass bin speakers in clubs throughout the World were well and truly blown. Network had to get a lawyer on board to deal with compensation claims from outraged club owners as Take Me Back was hailed as an instant iconic classic.
A Robert Gordon edit “with extra bass” added Steel City credibility and that, plus promo copies on a spoof 0742 label, built up the myth that Mark hailed from Bleep capitol Sheffield.

In fact despite being a member of Krush whose mega “House Arrest” generated headlines hailing Sheffield as the UK’s equivalent of Detroit, boffin Mark was creating his brooding earthquake sonic booms from a tiny bedroom studio in his Nottingham house.

To celebrate Network’s 30th Anniversary, Mark searched for the master tape of his 1990 gem and has come up with a typically sound splat of a remix.

It’s Track 1 here and “Take Me Back” also features with a TJ edit of the Anniversary remix, plus the aforementioned classic Bass Heads and Rob Gordon edit versions.

There’s also the original versions of “Frequency” and “Demons” which each followed up “Take Me Back” and were also acclaimed as iconic Dance Music With Bleeps moments. The late great John Peel’s Radio 1 show hammered “Demons” which went to top the USA Billboard Dance Chart.

These frequencies still resonate.

Long-awaited follow up to the hugely succesful 'Floorshow pt. 2' Four live interpretations of classic Surgeon tracks...

« The pioneer of Dusselcore is back! »

Maddie Chavez

« Once upon a time Tera Octe’s debut album »

Eduardo Nash

« New Big Room »

Zach Tippit

« On loop at the office »

Chad Ferguson


Mastering by legendary Arjan Rietvink (Qlimax, Armin Van Buuren, Headhunterz…)

Design by Coquelin & Cloarec

Social rules and understandings shape what people feel and how they do or don't express their feelings... and this is the Interactive View of Emotions. Berlin based, Iranian Kamyar Keramati inaugurates his own label, taking you on a Voyage through low-end leaned Techno, Trance, New-beat and Break-beat with sharp and punchy beats that were caught in the air, and expressed amongst the midst of the winter pandemic. Tracklist A1 - dɪˈfɛktɪv A2 - Mad World of Mr Ghara'ti B1 - Interactive View of Emotions B2 - Abyss

Dance music legend Mark Archer returns with our own Shadow Child under the M.A.S.C alias with the Grandstand EP.

2 new slices of new dance floor hardware come in the shape of 'Grandstand' & 'Bumpy Shit', and the much in demand original 'Rise Up’ and instrumental is finally yours.

'Grandstand' pounds its way into the lead spot with earth shaking drums, acid lines and rave bleeps whilst 'Bumpy Shit' does exactly what it says on the tin.

In life everything is cyclic. It’s said, the wave is the most essential form of creation existing in nature. People, moments, come and go…it’s the law of life. But, in reality, the cycles of our life are all linked together, while one is closing another is opening. 012 (twelve) is a new cycle, a new space dedicated to sounds and art.

RAWAX welcomes Thomas barnett to the family! It was more than about time to invite this great artists to our label. We are very happy to present you a great treasure from the past back on vinyl. It's the "Foundation Series Volume One". Originally released in 1997 on Visillusion Records, Detroit.

The second volume of Nothing Is Real’s self-titled compilation builds on their towering reputation as leading lights within the global electronic music community. As the label’s first release distributed by the respected Dutch record label and store Bordello A Parigi, the collection is set to further establish their international presence and spread their eclectic sound far and wide.

Bringing together diverse influences from across the spectrum of electronica and into new wave and ambient music, Nothing Is Real stand at the forefront of modern dance music as sonic innovators that continue to push boundaries with each offering.

Curated by Alberto Iovine and Alessandro Fumagalli, also known under the stage name Modular Project, this four-track collection takes listeners on a journey through the outer atmosphere of techno, expanding and evolving the genre into new forms along the way.

Cantor’s opening track kicks things off with a hypnotic, driving groove built on acidic synths before Niv Ast & Roe Deers bring a human touch to the proceedings with a vocal-led heater that recalls classic ‘80s sounds. Dharma pairs shuffling rhythms with extraterrestrial soundscapes that recall Squarepusher and Aphex Twin, before Argia closes the record with force and momentum, surrounding voltaic synthesizers and tribal drums with expressive atmospherics.

Batu returns to his very own Timedance imprint with the long awaited follow-up to 2019's False Reeds, this time with some of his hardest tracks to date.

Here he expands his aptitude for bass-heavy grooves, harmoniously bringing it together with FWD drum-craze and deep techno kinetics.

Meticulously crafted for rave efficiency, the EP shines with a dazzling sense of nuance, enriched by frisky and intoxicating sound design.

Mastered by Beau Thomas at Ten Eight Seven.

Artwork by Butt Studio.

Jay Clarke's masterful BLACKAXON imprint returns with a shapeshifting EP from Davide Piras.

What began as a sonic sketchbook for Clarke to express his expansive view of electronic music, is evolving. The label is opening up to artists who hold a shared passion for creating dynamic and interesting techno compositions, with a few surprises here and there. Following last October's superb contribution from rising talent Yant, experimental techno artist David Piras drops a quadruplet of cuts to join the BLACKAXON fold.

His BLACKAXON debut, "Beyond Our Reach", is a true all-rounder. It leads with the dusty slow bass monster "Radiation Belt", before the gritty electro noodlings of "Multipolar" enter the fore. The analogue-infused rave cut "System Cartesian" takes the EP into otherworldly realms, before atmosphere-heavy "Pangaea Heritage" closes out the work, evoking a hazy afterhours vibe.

"Davide's productions hold an air of Convextion about them, he's one of my favourite artists. I locked into that right away and knew I wanted to release his music. When I listen to Davide's tracks I feel as though I'm in the middle of a sci-fi movie, they're funky and futuristic tales from the deep. Amazing!" - Jay Clarke

Zosh! is no debut but its the first track since ages. Gunjah releases
a maturred record with his longterm experience from countless hours
behind the decks. With a lot of precision and clean arrangement this
is nothing besides the rest..its Techno on the point. The Remix is coming from a man who - like Gunjah - breathes electronic music since years: Daniel Stefanik. (Cocoon, Mobilee, Freude Am Tanzen, Moon Harbour).

eon Vynehall veröffentlicht den Nachfolger seines von der Kritik gefeierten Debütalbums auf Ninja Tune!

Auf „Rare, Forever“ erforscht Vynehall zum ersten Mal, wer er als Mensch und Künstler im einzelnen, jeweiligen Moment ist, anstatt in die Vergangenheit zu schauen, um herauszufinden, was und wer ihn geprägt hat. Das Ergebnis enthält dann zwar mehrere Seiten von ihm, aber Abwechslung ist etwas, an das Vynehall in seiner Kunst gewöhnt ist, so beschrieb er in seinem Resident Advisor Podcast 2018, dass er den Dancefloor „links und rechts, oben und unten“ mitnimmt. Auf „Rare, Forever“ begibt er sich auf eine Sieger-Runde. Das Album ist eine wunderbare Mischung aus allem, was er bisher gemacht hat, und bleibt dabei wirklich progressiv; das Endergebnis klingt wie „Nothing Is Still“, nur, dass die Erzählung abgeschwächt und der Dancefloor aufgedreht wurde. „Rare, Forever“ wird sich für Fans von Vynehalls DJ-Kicks-Mix oder seinen eklektischen Ausflügen beim weltbekannten Community-Radio NTS vertraut anfühlen, während es gleichzeitig anders klingt als alles, was er bisher gemacht hat. Auch wenn es viele Dancefloor-Erinnerungen und -Momente gibt, ist es keineswegs eine reine Dance-Platte - stattdessen ist „Rare, Forever“ die klarste Repräsentation des breiten Spektrums an Musik, die er bisher gemacht hat. Zuletzt hat Vynehall mit dem „Studio Ooze“ einen neuen Aufnahmeraum eingerichtet, um seine Kollaborationen zu erweitern und hat für Leute wie Kam-Bu, Wesley Joseph, Kenzie TTH und Jeshi geschrieben und produziert, die in naher Zukunft ihre jeweiligen Tracks veröffentlichen werden.

The Dantze boys Niconé & Philip Bader locked themselves in the studio to deliver a strong & powerful double A-sider with straight Techno !

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30 years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in....

Having previously collaborated as SYT for releases on Sabres of Paradise and also having had releases on Hard Hands, DJ Scott James and producer, writer and musician Chris Hayne teamed up once again forming Sound Virus to share their more esoteric dancefloor visions. 'Swirl' was originally appeared in 1995, a limited vinyl only release on their own imprint Lux Recordings,

First up 'Follow Your Feet' opens with haunting synths that lead into razor sharp percussion and a forceful b-line that drives the track to a mesmeric peak, whilst a repetitive vocoded vocal stirs the electro soul. 'Continuum' heads off into electo-tech territory, defty programmed breakbeats underpin the filthiest of bass lines making this track a true dancefloor devastator. 'Swirl' takes a deeper approach, with pumping bass and driving beats supporting lush chords and a subtle, chiming synth riff. EP closer 'Bossa Blue Dub' drops the tempo slightly for a more other-worldly chug, whilst remaining no less compelling.

This EP is a true rarity that has achieved a cult status amongst the most discerning DJs and record collectors alike. It has been legitimately re-released with the full involvement of Scott James and Chris Hayne from Sound Virus and Lux Recordings, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Steve has an undeniable fingerprint that proves his passion for futuristic techno beats with acidic bass-lines, and a special talent for creating atmospheres that generate hypnosis. Two tracks that make proper tension at the dance-floor with an essential force to stand out in the mix with tenacity and groove. On the other hand, JP Enfant, the Dutch DJ and producer who debuts in Triamb with a devastating remix of the track "Codex", has under his sleeve some well crafted releases in prominent labels including DGTL. His version of the track "Codex" is a surgical tool from which he reveals strong passion for pure techno sounds with a majestic festival spirit. To close with a flourish, the multidisciplinary artist based in Berlin, Saumeth, presents a remix of the track Acid Receiver, delivering a solid industrial techno sound, which transports us to that characteristic Berlin raw techno mood, emblematic in bunkers and abandoned places because of their capability to bring a unique sound coming from enormous concrete structures. An essential remix that talks by its own

Monomood, Insect O., El Choop, Planetary Secrets.
We are kicking off the labels 20th anniversary with two parts white vinyl edition of Etui Winter Camp 4. Part one focuses on dub techno.

Early support by: Laurent Garnier, AME, Marco Bailey, Jennifer Cardini, Terrence Fixmer, Kyle Geiger, Marcel Dettmann, Apparat, Richie Hawtin, Vril, Charlotte De Witte, Sasha, Benjamin Demage any many more..



Fresh off of a remix for Grimes’ “My Name is Dark”, producer Julien Bracht has been powering through CV19 studio seclusion on full-power, with a distinct vision for brighter days ahead. Bracht’s new album, “Now Forever One,” an emblem of dark analog synthwave, is set to drop June 11. Bracht’s first solo album under his own namesake is cut with surgical precision for the shoegazing astral sound travellers who long to break out of their pandemic quarantines, and reconvene for techno-induced ascension. The album’s first single, “Melancholia,” and it’s accompanying video, is already breaking hearts and charts. An exquisite sonic hybrid of communal revelry and profound introspection, “Now Forever One,” focuses Bracht’s multilayered craftsmanship on resolving this era’s angst with sensory exploration and optimism.



As a lifelong drummer, Bracht’s insatiable musical energy lead him to bang out his first 3 EPs within one year of first being signed in 2011-12. In 2015 he founded the band Lea Porcelain with Markus Nikolaus in London. Their hypnotic post-rock debut release in 2017, “Hymns to the Night,” gained instant acclaim from UK tastemakers Lauren Laverne, Steve Lamacq and Zane Lowe, to name a few. The lads broke back onto the international stage with dates on several major festivals around Europe, including the Leeds/Reading Festival, Great Escape Brighton and Latitude. Rich output combined with the inclusion of live drums in his solo live sets quickly gained Bracht recognition and slots on the global tour circuit.

“Now Forever One” forges Julien Bracht’s transition from techno djing, while continuing the explorations of texture and timbre over functional song structures from Lea Porcelain, to a more open-ended search for the aural sublime — the substrate on which music, life and light glide to create momentary nodes of meaning in an increasingly meaningless sociopolitical atmosphere. These are crucial themes to Bracht’s process and approach. “The intention in my music is to strengthen people’s awareness and minds… I want us all to gather in spirit and stick together.”

The album exemplifies Bracht’s hunt for elemental juxtaposition with the warm Prophet 6’s sawtooth howls and bright pads against chillingly indifferent pulsing basslines and percussion. Clocking in at just under 65 minutes, “Now Forever One’s” tracks are sequenced to take the listener through the full emotional arch of a 15-hour rave, with an emphasis on those moments of collective epiphany where heaving techno floors become the perfect microcosm for an idealistic and interconnected future. Interspersed with improvisational one-takes, the album submerges the listener in polyrhythmic meditations, of which “Streets” and “Nocturne” are standout examples, and soars on the vaulted synth melodies of future dance floor favourites “Melancholia” and “Dreams of Euphoria.” Sascha Ring of Apparat & Moderat puts it perfectly: “I played “Melancholia” the night I got it at Mutek Festival in Mexico City, and instantly knew it’ll shine on a big floor at the right time. It’s just the right balance of majestic melodic deepness.” The sounds are both triumphant and exploratory.

Greater than the sum of its parts, Bracht’s latest release hints at the artist’s emerging potential for nailing our moment’s zeitgeist; learning to live smaller while constantly seeking higher heights. Inhabiting the fertile ground between solitary rumination and dance-floor convenance, the launch of “Now Forever One’s” lunar expedition into the techno oblivion of pandemic lockdown is oddly fitting.

WAREHOUSE FIND!: Thule Records is considered by many to be a pioneer s in the field of dub - influenced techno music and was a starting point for many of Iceland's most renowned electronic musicians since 1995.

(original sales notes from 2000): It's time for new minimal audio structures from one of Thule Records' original artists, known before as Ozzy, but has now changed his name to Ozy, not to follow up on the latest millennium trends but to cut on the very obvious connection, that links him to the heavy metal monkey himself. Now, from the darkest part of Reykjavik, comes an epic story of how to survive this new time of crystallised surroundings and sterilized coffee-machines. It's also about a musician that connects his equipment the wrong way but still gets satisfying results.

Primal Code's fifth record on Hypnus introduces a refreshing evolution of their contemporary fusion of electronic music genres.

Early support from Brando Lupi, Abstract Division, Giorgio Gigli, Samuli Kemppi, Takaaki Itoh and Ness to name a few.

Repress

The album is the second full length album by Shawn Rudiman for Pittsburgh Tracks and follows his latest release--the joint EP with Jordan GCZ entitled AMS>PIT on Love What You Feel

* Artist Statement:
Conduit contains moments from the last two or so years of my life. There have been a lot of trying times and ups and downs in there. These moments are the exhaust of that life. Some more subjective than others. We are simply conduits for whatever flows through our cores. We tap into it. We allow it to flow through us. As it takes shape, we select its forms and hone its output. We are simply conduit for our work. Maintain the Flow State.

A new collaborative EP from Dwayne Parris and Joseph Richmond Seaton, a.k.a. Call Super

I took a trip to see something sublime. There was no need to satisfy, nothing to fill. I just wanted to look. If only you knew what these forms meant to me, we could fill this dead room with talk. They’ve been there for so long, floating, bending the space, sculptural hymns to colour a vacant spirit. In some time, like you and me, they will be lost.

An intricate lattice of runaway storms are tailored into E-Saggila's latest EP, 'Anima Bulldozer.' Careering off the edge from its own furious torque at some intersections, E-Saggila resolves the heady gains of the commotion with some of her most soothing composition to date by the EP's close.

140 gram vinyl

Hailing from Georgia’s capital Tbilisi, Gacha Bakradze is one of the national scene’s leading electronic music exponents. He returns to Lapsus Records with his new album 'Obscure Languages', his second release for the Barcelona label.

Following the superb LP 'Word Color' Lapsus Records, 2018, which appeared in several ‘album of the year’ lists for publications such as Pitchfork and XLR8R, the prolific producer now presents 'Obscure Languages'. This new piece of work could well be described as a sound continuation from his previous album and maintains a powerful narrative at its core.

‘Obscure Languages' delves into the world of cinematic soundscapes, replete with microscopic details and fragments that showcase a luscious IDM style audio palette, laced with ambient, avant-techno, bass and sound design.

Amsterdam's rising dark horse / talented misfit / rising talent mayo presents her debut EP for United Identities. ''Sad Violin Music'' holds three dirty jams, driven by her self-built modular synth.

Grey Marbled Vinyl

Neighborhood Watch Patrol is back, already.Another four track EP blending breaks, minimal and tech house. Continue protecting your Neighborhood with this delicious little white label. Limited to 50 copies. Be Quick!

Grey Marbled Vinyl

Neighborhood Watch Patrol is back, already.Another four track EP blending breaks, minimal and tech house. Continue protecting your Neighborhood with this delicious little white label. Limited to 50 copies. Be Quick!

Following their hugely well-received, refreshingly outlandish debut EP for Phantasy, Israeli club outsiders Red Axes return to the label with another three-track delight of leftfield dance entitled 'Sound Test'. Debuting on Phantasy in 2018, 'Sipoor' by Red Axes was massive.

The release received critical acclaim, not to mention heavy support within the club realm from DJs like Call Super, Jennifer Cardini, Ewan Pearson, Fort Romeau, Massimiliano Pagliara, Chloe, and many more.

Highly soughtafter by those who've heard Erol Alkan unleash it in recent months, 'Sound Test' kickstarts Phantasy Sound's 2019 - a rolling tool for a dance floor sliding into another dimension, constructed around a dramatic, numeric countdown.

A minimal, skeletal build builds hroughout to one of the most out-there breakdowns in recent rave-blotted memory, as the Axes slowly but surely rebuild their house to even more outlandish new proportions.

'Shabak Shalom' quickly snatches the record back from outer space and drags it deep into the basement, zoning in on the gritter, strobe-ready sound that defines the duo's most club-ready work.

All of the Axes' weapons of choice are deployed as unusually as per usual; militant drums, battered electronics, fucked- frequencies, wiry post-punk guitar lines and lovingly drowned traditional instruments blend to create their own special, slightly-menacing interpretation of hi-NRG.

Finally, on the unapologetically sprawling and immediately effective closing number, 'Kookoo Pa-pa', Red Axes demonstrate their inherent talent, if proof were ever needed, of conjuring rolling, simmering tension in otherworldly shades. Those who enjoyed the cartoonish motor FX of 'Teroof' will be delighted to find themselves found into an even wackier race this time round, hitting on the origins of Chicago jack, acid meltdowns and screeching no-wave.

Mint Condition - A brand new record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....

Terry Francis' name is synonymous with London's mid 90's to early noughties underground Tech-House heyday. A longtime underground DJ and tastemaker who has graced the booth in every major club you'd care to mention, Francis was also a prodigious producer and label owner who found himself working alongside the infamous SWAG mob and heading up the now seminal labels 'Wiggle' and 'Eye 4 Sound' labels. With a fervent international DJ schedule and numerous productions appearing all over the place, a residency at Fabric, major label remixes piling up and everything else in-between, Francis' name has been solidified as a bonafide UK legend, a force to be reckoned with. Let's rewind to 1999, Surreal Records, a subsidiary of SWAG, 'Took From Me' drops and is an instant classic.... even now, a decade later, it's a record that peels the roof off a night-club (in the right hands, of course!) It's all here inside 'Took From Me', the sparse, chopped up drum programming, ominous floor-shaking basslines and weirdly warped vocal samples that make you wonder. B-side see's the equally sparse yet compelling 'Clint's Groove' spreading out over one whole side of wax, it's all filtered rolling drums, aquatic sirens and a monstrous bassline that could easily swallow London town whole! Insanity! This one will easily slide into your record for months, if not years. Essential transmissions from London's underbelly, often imitated.....

'Took From Me' has been legitimately re-released with the full involvement of all license holders for 2019 and remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Somewhere in Haute Vienne during a harsh winter, in a factory near a misty wood, the Desmont ASHPPE series has been summoned once again.

As we continue on our journey here at Futurepast, we are pleased to welcome a trio that, for many years, we felt shared our vision, Frak! From Sweden, Frak have been founding an original hardware-based sound since the 80's, first via their own label Borft before collaborating with other labels over three whole decades.

On their "Formless Obstruction" EP, Frak have provided a window into the sinister twists and turns of their work. On the A-side, you see creeping Detroit stylings of "Scientific Bella" set against "Wrong Owl" with it's EBM underpinnings and industrial inflections.

On the flip, "Concentrated Feed" bubbles next to the razor sharp "Capacity Faun", both are filled with characteristic machine quirks and experimentalism.

Jenkem Magazine and Steel City Dance Discs unite for a high-energy compilation – each team bringing forth two artists of their choosing for a heavyweight bout across 4 tracks.

A personal release for both Mr. G and the label, where a friendship was born in Temasek, the earliest recorded name of a settlement in Singapore. From the stay at the Pan Pacific hotel with great views of the city centre, to a bespoke cocktail bar and tucking into black pepper crab, the memorable excursion is now forever captured in this EP. Liner notes: Thought out by Mr G after been shown the time of our life's.....@ 23 The Heights Thanx to Phoenix G 2015

Prince de takicardie debuts on Cartulis music with the first part of a three-vinyl series. A music triptych.

Rhyw is back on his own Fever AM for the label’s 10th release. “The Devil’s in the Dlzlzlz” presents four new tracks of non-linear mutant-techno and electronica, including his first foray into 160bpm territory. Rhyw continues to seek out space within the groove, dissecting conventions in his detailed, minimalistic and adventurous style.

Steinmetz - Kraft / Neuinterpretationen von Edit Select und Takaaki Itoh

2021 REPRESS! Robotic, atmosferic, dark electrotechno as we have come to expect from The Exaltics. This time with harder, more acidic tracks compared to part 1.

Proletarijat's 9th workers action brings comrades Sev Dah and Nihad Tule together as UNIS. The hard hitting "Pogon" and the 90's techno influenced "14.II.1945" fully ground the a-side, contrasted by the expansive but equally pounding "Iskra" on the b-side, complete another EP of working class machine music for the united world proletariat.

Essential Electro from 1996 the mighty Thomas P. Heckmann aka Electro Nation!

limited

At last, a vinyl re-press of the hard-to-find Classic New Beat tracks from N9 !

For years, the vinyl 12 inches from the French Techno-house & New Beat label N9 were nearly impossible to find, and devoted Oldschool Fans kept asking for represses.
Thanks to a joint venture with fellow Belgian label Fenix Fire Records, the wait is over!

Here’s a deluxe 2x12' compilation, on 180g marbled red vinyl in a beautiful gatefold package.

With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!

Prince Madonna. Techno not Techno. Electronic experiments from a non-binary-sound-nerd-artsy-pop-sphere. A concept putting the works of art into focus: Every release is first published vinyl only under the alias "Prince Madonna". A few weeks later, only with the digital release, the artist behind "Prince Madonna" will be announced.

As Madonna herself once told Prince: "It’s about the music, not the hype.“

On PM001, "Prince Madonna I." mixes smoke, sweat and ecstatic bodies and embeds this poisonous mixture with techno and groove. 'Nuff said, just tune in and find out who is behind "Prince Madonna I." with the digital release soon.

Nuclear Device / Mahres 001 is a mini-album with 6 hot tracks produced by STIGMA the first time use alias of Steve Marie. The tracks are written during pandemic, it's a mixture of some slow industriel influenced compositions, late night club bangers and 2021 revisited synth pop 80's sounds.
The whole record is mixed & mastered at South End Studios by the master Chris Key It comes with an original artwork on labels and a fat old school 30 x 10 cm stickers on sleeve. Limited 300 copies.

Nature never sleeps.... For the fifth release TALISMANN arose and harvested the life-force energies of the oldest and biggest trees known to man. Their supranatural frequencies will creep down your spine and massive base will simply leave you gnarled, twisted and unrooted.

Repress
Limited clear yellow repress

Big acid burner!

Jeff Rushin presented himself as one of the biggest icon of Functional Effective Techno, this second EP in the catalog is going further on the sonic spectrum. Tension all over.

Martinou lands on Nous'klaer Audio with his debut album RIFT. Emerging from a waking forest entranced by sun-rays reflected in the morning dew and the sound of rustling leaves in the rising wind. RIFT is a captivating road through the riddles of an imaginary landscape, full of noisy and organic textures bound by hypnotic and soothing melodies. From the calm opener of Absorption (Citywide) to the breathtaking Cirrus Apparition, and from the piercing tones of Velvet back to the closing act ...in all it's splendor. An album consisting of twelve tracks for every moment, a triple vinyl suited for warming up and tearing down a dancefloor, but best listened to from start to finish. Artwork by Romee van Oers. Including download code.

Vilnius based Moisk turns to the new Belgian imprint ‘Pleasure Express’. Their Melancholic Raver EP combines deep tribal rhythms with out-of-this world voices and soundscapes. Acidic goodness elegantly draped over slowed down breakbeat patterns and percussions. Dusseldörf based AKI AKI did his magic on the remix. Let’s take a ride on the Pleasure Express!

Radikal Kuss joins BARRO Music Label, and they offer us BARRO # 005, a 5-track EP, available in both physical (vinyl) and digital format. The EP is a complete bomb, from WAR, the destructive kicks off track, to IGNORANCE IS A CRIME, the closing track, with sensual rhythms and suggestive vocals.

Radikal Kuss is an enigmatic belgian Techno Body Music duo hidden behind an idea: shake minds and bodies with their techno body concept. Poetic lyrics, erotic tension, powerful rhytm, dirty bass, and sharped synths.

With this release in BARRO Music Label they reaffirm their commitment. Synthesized voices, with a deep message, winding dance, frenetic rhythms, like hypnosis introduced to your body through your ears and shakes it with no mercy or concessions.

Their sound is a perfect match for the Madrid based label and his 5th release, with previous references of artists such as Esplendor Geométrico, Amato or Years of Denial, consolidating itself as a benchmark label in EBM, Electro, Techno or Industrial in Spain. The above references have been supported by artists such as Dave Clarke, Phase Fatale, The Hacker, Lokier, NX1, Unhuman, Alienata, Reka, and many more.

Punk spirit. Taste of freedom. Unfiltered intensity.

Der in LA ansässige Produzent Bonobo (alias Simon Green) veröffentlicht mit ‘Linked’ einen atmosphärischen Dancefloor Hit für den perfekten Festivalsommer. Die one-sided 12” enthält den bisher unveröffentlichten Song und das Cover Artwork wurden von Green selbst gestaltet.

Byron the Aquarius (aka Byron Blaylock), an accomplished keys player as much as he is a producer, has a deep love for the organic side of music. This shines through in his creations, back to his debut EP in 2007. More recently, Blaylock's skillful jazz beats have found a home on the one and only Jeff Mills' Axis Records. From his birthplace in Birmingham Alabama, Blaylock has grown into an international figure of acclaim for his explorative compositions.

Already having two successful EPs with Shall Not Fade under his belt - most recently marking the labels' 50th release with What Up Doe? Vol.2 - Byron the Aquarius returns for a gorgeous double LP. Expect the smoothness of deep house, melodic instrumental hip hop production of the J Dilla creed along with tight jazz pieces.

The New Beginning LP showcases range and expertise from the off, exploding with pulsing discordant jazz in "Amaya's Voyage". Psychedelic g-funk is the MO of "Smoke One For Huckaby", before a B-side milieu of jazz and hip hop reminiscent of Guru's Jazzmatazz. The album settles into a deep groove across its C-side, the highlight of which is the percussive workout of "Underground Was Black", complemented delicately with dazed pads and buoyant but smokey lounge jazz sounds in "Cosmic Jazz". Off kilter hip hop shines through in "Last Time We Gonna Do This" and its eclectic sound palette, then we are blindsided by the heavy electro distortion of "The End Of The World". The record closes with a collaboration of the genres explored throughout, pieced together into the pumping "Lost People of Tron". The album feels like a lap of honour around all the influences in Byron The Aquarius' sound - it's yet another artistic triumph.

- clear vinyl repress -

he first release of Escape Artist’s new imprint is a various artists affair brought together by the power of friendship. After years of being sent amazing music by new and old friends from near and afar, the time has come to share this joy with the rest of the world. As a label, we will seek to shine a light on psychedelic music of all designs and the first release will focus on the dance variety. It is the label’s hope that the love and friendship that brought this project together will shine through in the music.

Side A opens with cris. p’s ‘Lemon’, a mid-tempo breakbeat roller that epitomises the ideal qualities of a track found in an opening set. Playful acid notes and indecipherable spoken work glisten against a backdrop of thumping kicks and warm sub-bass. Grim Beazley’s ‘Acid Leaf’ evokes a memory of crowded peak time floors. The song’s gentle introduction gives way to powerful 303/909 interplay and leaves us yearning to go back to that place.

Hex Editor’s transcendental breakbeat dreamscape ‘Tuesday’ opens the B side with expert precision. Soaring pads and swimming arpeggios provide the perfect spot for the listener to land after their flight from the previous side. Escape Artist & cris. p’s ‘People Division’ rounds out the release. A kaleidoscopic downtempo introduction leads to a groove punctuated with intricate polyrhythmic basslines. Produced during the lockdown, this piece is an attempt to sonically manifest our collective desire to return to the dancefloor.

PSY SECTION was founded on stolen land. We acknowledge that this release was created on the lands of the Wurundjeri people of the Kulin nation. We pay our respects to elders past, present, and emerging.

Attention due to pressing problem only a few copies are available expecting the repress. First comes a Hardtechno very musical killer... Story teller, full of motions and melodies. Wicked crazy tune by Leks. Then you'll get a sweet collab between Stannik and Militatek : a dancelfoor pusher for acid survivors. Numéro Bleu offers on the flip a Rave ambiance inna answering machine Phone eyeblink. The finish comes with Blaame and a Hangar rave Electro Hardtechno acid bassliner... FAT and distorded ! Again Vinyl Bleu makes it wicked !!

Dance music titan Melleefresh joins forces fellow Canadian dj genderfluid for a full-frontal EP containing three sexy, flamboyant vocal hard house tracks clocking in at warp-speed 150 BPM, complete with instrumental mixes for all your naughty needs.

After his very successful remix of 'Slip Away' on Noir Music we are extremely delighted to release this incredible EP from Olivier.
Paris based Giacomotto is no new name to the scene but he has hit a sweet spot on Noir Music with his recent productions and this 'Postgalactic' 4-tracker might be his best effort to date.
All 4 tracks move in the same universe but show Giacomotto from melodic to the more minimal sound. Its been ages since we've heard such a solid effort from 1 artist and we have been all smiles here since Giacomotto decided to shower Noir Music with his great productions.No more praising words - let the music do the talking.

Grey Vinyl

Fourth EOP split release. Hypnotic and club oriented sounds from ORBE and Eric Cloutier pressed on 180g transparent grey 12".

Up next on Club Qu is UK producer Otik, delivering a highly detailed EP melting techno, jungle, ambient and just about any type of bass music down to his own creation. Munich Duo Zenker Brothers add a rowdy signature remix of theirs to the pack and it's done - a heavy 12 suited for many different record bags.

Full side tune, The Truth, is a bloody roots acid tribe tune, with a true story, a hidden melody,sweet acid sounds, reminding me the acid belgium Bonzai sound. B-sdie stands 2 perls, the first one is Different World a total full-out acidcore tracks. Dancefloor killer. And second position Locked By The Acid : an experimental broken acid mental sound, very nostalgic and soulfull, at the frontier to be IDM acid, my fave tune here i recogn... nice little perl. Enjoy ! LIMITED 200 copies !

Tim returns on home label Offworld Records with a classic 4-track EP of future-focused ethereal techno and electro. A-side opener Dystopia paints a bleak post-apocalyptic image that flows into the uplifting pad-driven 303 cut Enrichment. Driving electro vibes feature on title track Echo Waves, closing out with the late-night Detroit atmospheres of Form Fatigue. Essential deep techno release on limited colour vinyl!

METHODICAL 3x12" sales pack including:
* Mod21 / Drafted - METHODICAL003 (METHODICAL003)
* MTD - From The Heart (METHODICAL0004)
* Forward Strategy Group / Rommek - METHODICAL 0005 (yellow vinyl) (METHODICAL005)

This time round we have a double announcement to make.

Here at Seven Hills we are joining forces with our esteemed friend Bobby. over at Pleasure Club to roll out a brand new collaborative series: Seven Pleasures. We’ll be bringing you the best from both with a run of seven sinfully good releases to ignite the senses.

First up on part 1, we have Omar and Bobby in cahoots on the A side representing the Pleasure Club camp; their heavyweight offerings make dynamic synth lines and shrewdly stripped back breaks the focus. Whilst on the Seven Hills flip, we have our friend, beat conjurer and mastering artiste Thee J Johanz, with his tracks flaunting the perfect measure of carefully crafted hypnotism and harmony.

PRIMITIVE REPRESSES !!

25 years after this cult UK label first emerged, we're very happy to present some of their most sought after releases, in remastered and hand-stamped form for a new generation.
Primitive represented a stripped down and sonically heavyweight series of essential DJ tools, winning wide support from Techno an House DJ's alike & enduring - perhaps due to their raw, basic construction - way beyond their original inception.
Despite serious demand, we will only be able to access limited quantities of these special 21st century repress editions, so buy or cry !