Crazy tooth brush washin for the first track... acid suspense...
The second side opens with a martial acid mental tune, hidden an obsessing melody...
The EP finishes with Beatsch and a flangy tribe tune, very in the mood of some early Network23 productions. Sweet !
expected to be published on 15.01.2021
This is the 13th release on RIOT Radio Records, an independent techno label based in Scotland.
Mickey Nox is a techno enthusiast, label owner, DJ and producer from Melbourne, Australia. His impressively unique style and attitude towards his constantly evolving productions and DJ sets is dark, menacing, and always maniacally exhilarating as he becomes progressively more entangled within his heavy hitting hardware.
This 2 x 12” vinyl has five original tracks and three insane remixes from a trinity of head bangers. Not only are all the original tracks on this release techno missiles solely intent on becoming club destroyers, but the additional remixes from Ayarcana, Myler and Ansome devilishly turn it into a weapon of true annihilation.
WARNING: THESE ‘FUCKING HAMMERS’ ARE INSTRUMENTS OF ASSAULT TO POUND YOUR SUBJECTS INTO SUBMISSION.
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Worst records is proud to present the third release of its growing catalogue. Unlike his
alias could evoke, Christian Coiffure is not so much specialized in online hairdressing
tutorials but has a fierce passion into brushing serious quality tracks. « Un Nouvel Âge
Réminiscent » hits hard with its progression into sharp and colorful forms, never bound to
redundancy. From slow EBMish , industrial tainted marching anthems of « A New New
Hope » and « Slowly Merging Into One » to synth-infused acid railroads built for futuristic
Trance Europe Express trains in « Révolutions Synchrones » and « La Dernière Volonté
des Atlantes », everything functions as a toolkit for imagination. Add to this a breaky
andrefreshing post-dubstep turn on « Biosphere is Reborn » alongside a delicious
headshot surprise on digital bonus with « Pouvoir Lacrymal Renforcé », and you will
never see the word « coiffure » the same way again.
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Intense minimalist industrial acid tekno mantra beats by Albert van Abbe as Datasmok. A 'mini-concept-album' full heavy-hitting, brutal mean-and-lean, 'dirty-brown-and-miserable' psychotic visions. The Datasmok project was kickstarted by default when Guy Tavares and Albert decided to release archived tracks from Van Abbe on Tavares' Bunker Records. All tracks of this second volume of back-catalog material got special treatment in Tavares' subterranean master studio...
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2LP Repress
Written and produced in a country house surrounded only by vast, empty landscapes and an endless sky,
‘Suicide Disco’ is the fruit of a 3-year long collaboration and Years of Denial’s debut LP for Veyl.
Urged to escape from crowded cities and information overload, the duo sharpened their sound and working
process through isolation and introspection, crafting 11 songs filled to brim with enormous hooks, New
Wave nostalgia and razor-sharp production details.
Barkosina’s voice echoes and oscillates against Jerome’s snares, profound and wounded at once. Her
expressionist narrative take us to unknown yet familiar places, amplified by dub delays and otherworldly
reverbs. Each track tells a story based on the intensity of relationships, a touching and distorted invitation
into intimacy and complicity
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SUMMA CUM LAUDE is ready for the next installment, this time is a rave boy from Italy SOUR.
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Variable Is The First Compilation On Pi Electronics, Which Also Kicks Off The New Catalogue Peva. This Various Artists Release Includes The Works Of Several Artists Involved In The Label Till Now, Along With Some Very Familiar Faces To Pi That Have Been Supporting The Parties In The Past Years. The Aim Was To Bring The Main Label Roster - Artists With Original Music On Pi, Such As Jk Flesh, Ontal And Damcase - Under The Same Roof As Artists That Have Been With The Pi Electronics Project Since Its Early Days: The Label's Party Residents, 3.14, Nemmett And Das Along With Other Fellow Athenians, Unhuman, Bmsk And The Project 'i Am Legion, For We Are Many'. The Outcome Will Be Available In Cd, Vinyl And Digital Format, While The Vinyl Sampler Will Feature Jk Flesh, Ontal, Nemmett And Bmsk.
Regardless Of The Different Variables, Equation Drops Back To The Same Constant Result.
Divide And Rule. Sticks Over Carrots. Repent Or Collapse.
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HEL.IV on Sacret Court
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Red Vinyl Repress
Perc Trax is proud to announce Breaking The Seal; the debut album from Ghost In The Machine. Having already hit hard on the label with their "One Louder" (2017) and "King Dead" (2018) EPs now the time has come for them to expand their range even further across the ten tracks that make up Breaking The Seal.
Frank Nitzinsky & Nils van Lingen began collaborating as Ghost In The Machine in 2016, first releasing on the Genosha Basic label before working with Perc Trax. As remixers they have turned in acclaimed rerubs of Paula Temple's Joshua & Goliath and Perc & Truss' Leather & Lace whilst their DJ performances began in their home country of the Netherlands but soon took them across Europe including making their Russian debut recently in Moscow.
From the extended scene setting intro of title track "Breaking The Seal" to the genre fusing antics of "Combo Breaker", "Form Of Steam" and "Nexus 96" these 8 tracks build on the established Ghost In The Machine sound, but add something new to each track, taking their sound in directions we've not heard from them before and which we might not have expected.
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Celldod is Swedish producer Anders Karlsson. Anders has been active in the music scene for some time working on different musical projects, always with a strong DIY ethic His Celldod project has released several cassettes under his own label Brutal Disciplin and has also released records on Suction Records, Kess Kill and Femur Records. In 2017 Anders released an album under the name Vargdd on Opal Tapes together with Swedish techno artist Varg. Anders hardware driven sound has evolved over time now personifying finely sharpened EBM and techno crossover of the highest calibre. With a nod to the greats but with a forward thinking direction, we have four new cuts to destroy the darkest dance floors. Relentless, bass-heavy and blown-out bangers. Fans of DAF and maybe 242 meets Silent Servant will be blown away. Mastered by Martin Bowes at the Cage, UK.
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Alex Dorn aka Credit 00 takes a sidestep from his Uncanny Valley/Rat Life camp to showcase his rumbling, industrial machine funk and bad-ass attitude on Pinkman. Vision gets blurry and panic sets in as the A-Side track "Exctasy Overdose" blasts with vibrating basslines and shrieking sirens. On the flip we have the stripped slowbeat electro cut "Data Control", showing a huge middle finger to online mass surveillance. The EP ends with the weirdo jam "Weg von diesem Ort" in which Alex samples synth and covers vocals of an obscure, industrial cassette tape from the early 80s."
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Very industrial and heavy, certainly no manierism of 'techno music' anymore, but rather transcended into 'phenomenai' of the fearful 'Kosmos', tragic Ouranos' 'Pankration', all that seems to manifest both wave and particle properties, as apparantly the right block of 'Parian marble' had been provided, already containing the very statue itself inside it, for the old, yet merciless tape and tube mastering machines that simply generate 'Xaos', this elusive and inscrutable 'quantum-engineering' process of 'Natura ex Machina', and that, guided by Providence herself, 'chiseled away like old Praxiteles the soft flesh of the 'kouros' until the bare shapes, 'ideai' of things finally came discovered and exposed' to the human ear and body, simply allowing the sound to 'fall right into its proper natural space form' or, perhaps, like in 'La Divina Commedia' our sad Poet Laureate in Purgatory did wonder: 'Poi s'ascose nel foco che li affina', 'Then hid him in the Fire that purifies them'.
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Just before the end of the year Mute. finally returns on the mighty Symp.tom imprint after a very long absence. Luckily, all that lost time wasn't in vein as he delivers a stunning release in his own unique style.
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Wælder are moving between ambient, industrial and pop. Their rhythms and soundscapes of voices, obscure samples and distorted field-recordings build spaces of barren material and soft ground, which teem and crawl - strange and harmonious. To present their music live, Wælder are mixing analogue and digital effects with guitar, synthesizers, vocals and loops. Rhythms and atmospheres blur, dissolve and re-assemble. Their live shows are often framed by visuals, generated in collaboration with various visual artists.
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We first encountered DJ Varsovie back in 2018 when Guillaume Labadie proposed him as the remixer for Walpurgis Night on the I Hate Models / Khemia release Midnight Cults.
So the dark love affair began and developed into an intoxicated obsession, The spores were planted in the dark substrata late at night and the mycelium thread led us to where you are now. The Monster devoured the Labyrinth.
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Medical Records presents the eleventh release in our Transfusions 12" singles series. Guilt, the collaborative project of New York City based artists, Oliver Chapoy and Nathaniel Young, is the result of 2 recording sessions during the spring of 2017. Their self-titled debut perfectly illustrates their shared taste for cold and dissonant synth programing across 3 driving dance-floor ready cuts all rounded off by an unhinged remix from The Bunker New York's Lt.te. The material focuses on blurring the lines between texture and melody and exploring the tonal qualities that result. For fans of labels such as Perc Trax, Aufnahme + Wiedergabe, Rodz-Konez, and Sonic Groove.
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Perc returns to Perc Trax for his first original release of 2020 and his first full EP since 'Three Tracks To Send To Your Ghost Producer' was released back in March 2019. 'Fire In Negative' includes three tracks adapted from his live set at Reaktor's Unpolished event in Amsterdam earlier of this year, plus another completed directly after that set when the atmosphere and energy of that event was still fresh in his mind.
Title track and opener 'Fire In Negative' fuses crushing kicks with covert art gallery recordings and the crackling flames of the title, topped off with Ventolin-esque sine tones. Another statement track from Perc, sidestepping the current trend for rave revivalism whilst matching its energy toe to toe.
'E Mono' is a classic Perc drum track, skipping big builds for an unexpected switch in the middle section, whilst 'Snare' goes in the opposite direction, breaking down into two minutes of abrasive feedback before finally kicking back in.
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Rotterdam Fuses With Berlin, As Das Ding Lands On Mechatronica For The Third Record In The Label's White Series, Dedicated To Limited Vinyl-only Pressings Of Ebm, Wave, Synth, Electro, Italo, Industrial And Experimental Sounds.
'alien Insane' Opens The Record With A Relentlessly Progressing Piece Of Dark Machine Music, Followed By The Dazzling Cosmic Journey Of 'idiomatic Transnominator', Both Tracks Vividly Blending Das Ding's Signature Sound With Classic Dutch Electro, Synth And Italo Styles.
On The Flip, 'i Am Not A Robot' Presents A More Blissful Soundscape, Elevating Higher Through Dreamy Synths, Tight Percussion And An Inescapable Bassline, Before Ksitigarbha Rounds Off The Record With A Slow, Enchanting Sonic Journey Into Strange And Ghostly Territory.
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After a prolific career releasing on platforms such as Audio Assault, Token, PercTrax, Stroboscopic Artefacts and the HueHelix imprint Go Hiyama is back with an astounding piece of work that dictates its own path. 'I Am Goodbye' graces us with wondrous sound-design and drum patterns that are just as menacing as they are intricate. Based on the concept of denial this full-length takes a steep dive into what here at Parachute we cherish the most - individuality. Steering away from what are his canonic approaches to producing he chooses to leave behind sequencers and synths to further explore the nature of instruments such as piano and vibraphone as well as an array of field recordings. The end result is remarkable proof of the concept behind this album, interpreting denial in an unusually positive course of action allowing him to explore areas of sound he had previously never visited. A definite highlight here at Parachute and an exemplary release to kick off our 2017 schedule. The year couldn't have started any better! ‚I Am Goodbye' is designed by Atilla Fidan and released on LP and digital formats.
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The term 'cruelty' is so limiting according to our cultural expectations of it, an act may give perceived 'good' to the perpetrator and 'bad' to the victim. It may give good in the long run and bad in the short run or vice versa. The unifying factor to all forms of cruelty is GHOULIA.
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* Following on from successfully funding her How To Make A Symphony Kickstarter project, Emika returns with a new four-track EP that sees her chart yet more new territory.
* Lead track Flashbacks is a typically haunting affair whose deeply personal lyrics are a heartening example of how art can turn feelings of trauma into something beautiful
* Her velvety voice belies the deep subject matter while the sounds gracefully tread the line between the brooding and the ethereal, with pulsing, filtered synth delays, low register piano bass octaves and a stuttering slo-mo beat produced with The Exaltics, building an engrossing atmosphere
* Restless Wings goes into more experimental territory - both in terms of composition and concept. 'It's about creating a new personality which lives in the internet - something we all know
* Total features the silver-toned soprano star of How To Make A Symphony, Michaela Srumova, and tackles the complicated relationship between a mother and her daughter
* French musician Franck Vigroux provides a stark, shuddering remix of Flashbacks to complete the EP, driven by gnarled blasts of wildly distorted synths and bass grunts, rising to an intense, mesmeric crescendo
* This EP brings together the classical and electronic extremes of the Emika sound, proving that her signature is like no other and continues to evolve.
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Industrial changeling Oliver Ho returns to his Slow White Fall alias for a howling and paganistic suite of industrial music in an English medieval Gothic mode channelling Dead Can Dance via Killing Joke, Scott Walker, Silent Servant and Godflesh.
Slow White Fall is the latest of Ho’s revolving monikers (Broken English Club, Raudive, Zov Zov), and here used to signify a shift into more muscular Industrial music that treads heavily to the right side of fantasy dramatic, wrought with a finely crafted atmospheric finesse that speaks to decades of crookedly functional electronic production expertise and an enduring fascination with the darkside. Think ritual music for a bacchanal at John Dee’s gaff, or the soundtrack to a plague rave held in 1347.
‘Pushing Through A Wall’ marks up as Ho’s most ambitious and convictive collapsing of industrial tropes into bleached out acid noise and dungeon gloom. Over the cursed course of seven tracks he works at the tipping point where noise metastasises into a form of industrial blues for the end of days ranging from Adrian Sherwood-era Ministry styles, to Datura-induced panic attack heartbeats and chalkboard sax in ‘Earthquake Seducer’, and Coil-ed noise in ‘The Golden Lunatic Ascending’, with raging highlights in the fanged arps of ‘A Crimson Body’, and a closing couplet of duets meshing doom guitars to sparing etheric female vox with strong echoes of Sunn 0))) & Scott Walker’s ‘Soused’ as much as an instrumental take on Godflesh’s brum doom.
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For the fourth installment of Eel Behaviour (and the very important 23rd Earwiggle release), we have the heaviest slab in the eel series so far. Featuring French wunderkind I Hate Models, Scottish techno legend Dave Tarrida, emerging modular whizz Vlaysin and the irrepressible House Of God resident Sir Real. No messing around on this one, get ready! On transparent red vinyl in custom hologram stickered sleeve.
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Debut EP from Brooklyn label Mild Fantasy featuring collab between Elle Dee & False Witness.
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Red Vinyl Limited Pressing
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Industrial Hard techno first venue for ASKORN on vinyl !! a new genereation with a new sound.. defenitly industrial and boiling creative... MUST HAVE !
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"From a galaxy far away, they came to earth and decided to stay". You could call them Visitors... but they might have arrived here long before we did.
Staatseinde spent their recent earth time creating their third EP called Darüber Reden Wir Nicht. Combining their own Neue Niederlandische Welle with synthwave and EBM, these three extraterrestrial musicians adapted four European languages to spread their message.
First track on the A-side is Staatsanthem, a heroic soundtrack meant as a hymn to their home planet. Next up is title track Darüber Reden Wir Nicht, followed by No Return. Two bold, minimalistic EBM like tracks performed in a much harder style than they've ever done before.
Moving to the B-side. Laat Het Gebeuren warns about the selfdestructive nature of mankind, and sometimes mother earth answers. Grenztruppenführer is about the strict door policies that some nightclubs have, a wall between east and west, politics versus freedom, will you get in? Grenztruppenführer decides. Closing off with Vi Åker Dit, which started off as the Swedish translation of their hitsong Ruimtevaart Vooruit. A call to fly away, to another dimension.
Even though this EP was created on earth, it's already much spoken about beyond the boundaries of our solar system... and now it will find you.
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Toulouse-based trio Blind Delon like distorted basslines, dirty beats and cold synths. On that new post-punk-ebm-techno 4-tracks EP, “Drugs”, they invite french industrial veteran HIV+ for his harsh lyrics and his smashed voice under the influence of psychotropic substances. Including a post-apocalytic remix from russian producer Alexey Volkov !
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Massive debut from Chontane
Industrial Techno x UK Hardcore x Electro
Featuring a roof raising JoeFarr remix.
For fans of: Deapmash, Ansome, Scalameriya
DJ SUPPORT:
FJAAK
Peder Mannerfelt,
Scalameriya
Manni Dee
JoeFarr
Lag
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Arcola is proud to present Ascetic, the debut EP from acclaimed artist and DJ Anastasia Kristensen. Having delivered killer remixes and notable productions for various compilations - Anastasia further refines her craft with this debut, continuing to justify her reputation as a leading light within techno.
Proving herself to be equally strong a producer as she is a selector, Ascetic presents four tracks that exemplify the broad spectral soundscapes of Anastasia Kristensen's style. While it may have its roots in techno, Ascetic offers a multitude of audio dimensions to explore.
From the skeletal noise techno of 'LXR Jam', the brazen hardcore flex of 'Ascetic' and its breakbeat counterpart 'Ascetic (In Breaks)' and the industrial/dub tech-noir of 'Donni', Ascetic EP is the perfect accompaniment to the whirlwind of emboldened intensity witnessed at Anastasia's international DJ sets every week.
Set to be one of 2019's strongest debuts, Ascetic's four tracks show that when it comes to genre and composition, Anastasia Kristensen has no intention of staying in one lane.
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7am. Tilburg. Black room. Strobe light. Dutch Soundsystem Wirwar. "Party Like It's '96" celebrates 23 years of musical debauchery, rinsing BPMs and battering bodies in forests, squats or wherever a PA system could be plugged in. Five tracks from five different aliases make up this descent into drum beat battery. Noses are up against sweat drenched wall from the needle drop, the thundering pace of Trippy D's maniacal offering being elbowed in the ribs by Bart Bral's nosebleed inducing "No Shit, Sherlock!" Distortion slices into squalid acid lines in the blazing "Water On Mars" by RAF before broken beats are blended and blitzed by Just So Nah. The night, or morning, comes to an end in Roel's nightmarish fairground ride. "Wurlitzer Express" minces chiptune cuteness with splintered snares, cracked kicks and mutated percussion to leave hearts, minds and souls thoroughly stained.
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Die Form is the legendary post-industrial electronic project leaded by French artist Philippe Fichot and active since the late 70's. Tears of Eros was originally released by the German imprint Hyperium Records in 1993 and shows Die Form on it's most intense and productive years. Sexual deviations, sadomasochism, fetish and domination set to danceable beats with a dark atmosphere.
This mini-album is re-issue for the first time on vinyl including all the original songs plus a different version of Doctor X. Limited to 333 copies with die-cut jacket silk-screen printed on deluxe black paper, printed inner sleeve and numbered card.
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Alexey Volkov, Terence Fixmer (with an unreleased track from 2005!), VTSS and label bannermen Empire
State join Neud Photo (Return to Disorder) and The Sixteen Steps (Cititrax) on the third and final chapter of
Veyl’s ‘Previously Undisclosed Rituals’ series.
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One of Sonic Groove's longest standing label artists, Realmz returns with an infectious well rounded four cut extended EP entitled 'Mindfold'. Straight out of Pittsburgh the steel city capital of the USA Realmz has been involved in electronic music since the last decade of the 20th century. Growing up on a steadfast diet of Industrial/EBM/IDM/Detroit techno and Drum & Bass, Realmz has taken inspiration from these many underground forms of electronic music. In his signature style, the Sci-fi sound design on 'Mindfold' weaves it's way in an out of bleak futuristic overtones set across a multitude of uniquely written broken beat and 4/4 drum rhythms. This heavily thought provocative & extremely well produced, contemporary Industrial Techno EP is a must for any aficionado of the genre.
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Art Kinder Industrie was a band
from Tarbes, south of France. Formed in 1988 by Xavier Vincent (R.I.
P.) and David Carretta it was the first EBM act in France to have
distilled the legacy of DAF, Front 242 and Nitzer Ebb. Active between
the end of the eighties and beginning of the nineties their output
consisted of a few self released tapes and various live performances.
Lux Rec selected 6 tracks produced between 1988 and 1990 to be
released on vinyl. Andrea Merlini remastered them analogically, truthful
to the spirit of that age. In collaboration with Unknown Pleasures
Records.
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7"
2 Heavy bangers for the early morning hours on a 7 inch.
6 minutes of cyberpunk techno prime time extravagance by SANE , 6 minutes split up
in a heaven and a hell mix of "Seelenkrieg" ie mona lisa overdrive influenced metallic glitchy electro with aftermath asthetics reflecting the mood of the matrix of the shadowrun universe or the originalprototype defined by william gibson.
Artwork by UNKO .
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