Techno Vinyl New Releases - News

Medical Records presents the eleventh release in our Transfusions 12" singles series. Guilt, the collaborative project of New York City based artists, Oliver Chapoy and Nathaniel Young, is the result of 2 recording sessions during the spring of 2017. Their self-titled debut perfectly illustrates their shared taste for cold and dissonant synth programing across 3 driving dance-floor ready cuts all rounded off by an unhinged remix from The Bunker New York's Lt.te. The material focuses on blurring the lines between texture and melody and exploring the tonal qualities that result. For fans of labels such as Perc Trax, Aufnahme + Wiedergabe, Rodz-Konez, and Sonic Groove.

Perc returns to Perc Trax for his first original release of 2020 and his first full EP since 'Three Tracks To Send To Your Ghost Producer' was released back in March 2019. 'Fire In Negative' includes three tracks adapted from his live set at Reaktor's Unpolished event in Amsterdam earlier of this year, plus another completed directly after that set when the atmosphere and energy of that event was still fresh in his mind.

Title track and opener 'Fire In Negative' fuses crushing kicks with covert art gallery recordings and the crackling flames of the title, topped off with Ventolin-esque sine tones. Another statement track from Perc, sidestepping the current trend for rave revivalism whilst matching its energy toe to toe.

'E Mono' is a classic Perc drum track, skipping big builds for an unexpected switch in the middle section, whilst 'Snare' goes in the opposite direction, breaking down into two minutes of abrasive feedback before finally kicking back in.

Rotterdam Fuses With Berlin, As Das Ding Lands On Mechatronica For The Third Record In The Label's White Series, Dedicated To Limited Vinyl-only Pressings Of Ebm, Wave, Synth, Electro, Italo, Industrial And Experimental Sounds.

'alien Insane' Opens The Record With A Relentlessly Progressing Piece Of Dark Machine Music, Followed By The Dazzling Cosmic Journey Of 'idiomatic Transnominator', Both Tracks Vividly Blending Das Ding's Signature Sound With Classic Dutch Electro, Synth And Italo Styles.

On The Flip, 'i Am Not A Robot' Presents A More Blissful Soundscape, Elevating Higher Through Dreamy Synths, Tight Percussion And An Inescapable Bassline, Before Ksitigarbha Rounds Off The Record With A Slow, Enchanting Sonic Journey Into Strange And Ghostly Territory.

After a prolific career releasing on platforms such as Audio Assault, Token, PercTrax, Stroboscopic Artefacts and the HueHelix imprint Go Hiyama is back with an astounding piece of work that dictates its own path. 'I Am Goodbye' graces us with wondrous sound-design and drum patterns that are just as menacing as they are intricate. Based on the concept of denial this full-length takes a steep dive into what here at Parachute we cherish the most - individuality. Steering away from what are his canonic approaches to producing he chooses to leave behind sequencers and synths to further explore the nature of instruments such as piano and vibraphone as well as an array of field recordings. The end result is remarkable proof of the concept behind this album, interpreting denial in an unusually positive course of action allowing him to explore areas of sound he had previously never visited. A definite highlight here at Parachute and an exemplary release to kick off our 2017 schedule. The year couldn't have started any better! ‚I Am Goodbye' is designed by Atilla Fidan and released on LP and digital formats.

The term 'cruelty' is so limiting according to our cultural expectations of it, an act may give perceived 'good' to the perpetrator and 'bad' to the victim. It may give good in the long run and bad in the short run or vice versa. The unifying factor to all forms of cruelty is GHOULIA.

* Following on from successfully funding her How To Make A Symphony Kickstarter project, Emika returns with a new four-track EP that sees her chart yet more new territory.

* Lead track Flashbacks is a typically haunting affair whose deeply personal lyrics are a heartening example of how art can turn feelings of trauma into something beautiful

* Her velvety voice belies the deep subject matter while the sounds gracefully tread the line between the brooding and the ethereal, with pulsing, filtered synth delays, low register piano bass octaves and a stuttering slo-mo beat produced with The Exaltics, building an engrossing atmosphere

* Restless Wings goes into more experimental territory - both in terms of composition and concept. 'It's about creating a new personality which lives in the internet - something we all know

* Total features the silver-toned soprano star of How To Make A Symphony, Michaela Srumova, and tackles the complicated relationship between a mother and her daughter

* French musician Franck Vigroux provides a stark, shuddering remix of Flashbacks to complete the EP, driven by gnarled blasts of wildly distorted synths and bass grunts, rising to an intense, mesmeric crescendo

* This EP brings together the classical and electronic extremes of the Emika sound, proving that her signature is like no other and continues to evolve.

Industrial changeling Oliver Ho returns to his Slow White Fall alias for a howling and paganistic suite of industrial music in an English medieval Gothic mode channelling Dead Can Dance via Killing Joke, Scott Walker, Silent Servant and Godflesh.

Slow White Fall is the latest of Ho’s revolving monikers (Broken English Club, Raudive, Zov Zov), and here used to signify a shift into more muscular Industrial music that treads heavily to the right side of fantasy dramatic, wrought with a finely crafted atmospheric finesse that speaks to decades of crookedly functional electronic production expertise and an enduring fascination with the darkside. Think ritual music for a bacchanal at John Dee’s gaff, or the soundtrack to a plague rave held in 1347.

‘Pushing Through A Wall’ marks up as Ho’s most ambitious and convictive collapsing of industrial tropes into bleached out acid noise and dungeon gloom. Over the cursed course of seven tracks he works at the tipping point where noise metastasises into a form of industrial blues for the end of days ranging from Adrian Sherwood-era Ministry styles, to Datura-induced panic attack heartbeats and chalkboard sax in ‘Earthquake Seducer’, and Coil-ed noise in ‘The Golden Lunatic Ascending’, with raging highlights in the fanged arps of ‘A Crimson Body’, and a closing couplet of duets meshing doom guitars to sparing etheric female vox with strong echoes of Sunn 0))) & Scott Walker’s ‘Soused’ as much as an instrumental take on Godflesh’s brum doom.

For the fourth installment of Eel Behaviour (and the very important 23rd Earwiggle release), we have the heaviest slab in the eel series so far. Featuring French wunderkind I Hate Models, Scottish techno legend Dave Tarrida, emerging modular whizz Vlaysin and the irrepressible House Of God resident Sir Real. No messing around on this one, get ready! On transparent red vinyl in custom hologram stickered sleeve.

Debut EP from Brooklyn label Mild Fantasy featuring collab between Elle Dee & False Witness.

Red Vinyl Limited Pressing

Industrial Hard techno first venue for ASKORN on vinyl !! a new genereation with a new sound.. defenitly industrial and boiling creative... MUST HAVE !

"From a galaxy far away, they came to earth and decided to stay". You could call them Visitors... but they might have arrived here long before we did.

Staatseinde spent their recent earth time creating their third EP called Darüber Reden Wir Nicht. Combining their own Neue Niederlandische Welle with synthwave and EBM, these three extraterrestrial musicians adapted four European languages to spread their message.

First track on the A-side is Staatsanthem, a heroic soundtrack meant as a hymn to their home planet. Next up is title track Darüber Reden Wir Nicht, followed by No Return. Two bold, minimalistic EBM like tracks performed in a much harder style than they've ever done before.

Moving to the B-side. Laat Het Gebeuren warns about the selfdestructive nature of mankind, and sometimes mother earth answers. Grenztruppenführer is about the strict door policies that some nightclubs have, a wall between east and west, politics versus freedom, will you get in? Grenztruppenführer decides. Closing off with Vi Åker Dit, which started off as the Swedish translation of their hitsong Ruimtevaart Vooruit. A call to fly away, to another dimension.

Even though this EP was created on earth, it's already much spoken about beyond the boundaries of our solar system... and now it will find you.

Toulouse-based trio Blind Delon like distorted basslines, dirty beats and cold synths. On that new post-punk-ebm-techno 4-tracks EP, “Drugs”, they invite french industrial veteran HIV+ for his harsh lyrics and his smashed voice under the influence of psychotropic substances. Including a post-apocalytic remix from russian producer Alexey Volkov !

Massive debut from Chontane
Industrial Techno x UK Hardcore x Electro
Featuring a roof raising JoeFarr remix.

For fans of: Deapmash, Ansome, Scalameriya

DJ SUPPORT:

FJAAK
Peder Mannerfelt,
Scalameriya
Manni Dee
JoeFarr
Lag

Arcola is proud to present Ascetic, the debut EP from acclaimed artist and DJ Anastasia Kristensen. Having delivered killer remixes and notable productions for various compilations - Anastasia further refines her craft with this debut, continuing to justify her reputation as a leading light within techno.

Proving herself to be equally strong a producer as she is a selector, Ascetic presents four tracks that exemplify the broad spectral soundscapes of Anastasia Kristensen's style. While it may have its roots in techno, Ascetic offers a multitude of audio dimensions to explore.

From the skeletal noise techno of 'LXR Jam', the brazen hardcore flex of 'Ascetic' and its breakbeat counterpart 'Ascetic (In Breaks)' and the industrial/dub tech-noir of 'Donni', Ascetic EP is the perfect accompaniment to the whirlwind of emboldened intensity witnessed at Anastasia's international DJ sets every week.

Set to be one of 2019's strongest debuts, Ascetic's four tracks show that when it comes to genre and composition, Anastasia Kristensen has no intention of staying in one lane.

7am. Tilburg. Black room. Strobe light. Dutch Soundsystem Wirwar. "Party Like It's '96" celebrates 23 years of musical debauchery, rinsing BPMs and battering bodies in forests, squats or wherever a PA system could be plugged in. Five tracks from five different aliases make up this descent into drum beat battery. Noses are up against sweat drenched wall from the needle drop, the thundering pace of Trippy D's maniacal offering being elbowed in the ribs by Bart Bral's nosebleed inducing "No Shit, Sherlock!" Distortion slices into squalid acid lines in the blazing "Water On Mars" by RAF before broken beats are blended and blitzed by Just So Nah. The night, or morning, comes to an end in Roel's nightmarish fairground ride. "Wurlitzer Express" minces chiptune cuteness with splintered snares, cracked kicks and mutated percussion to leave hearts, minds and souls thoroughly stained.

Die Form is the legendary post-industrial electronic project leaded by French artist Philippe Fichot and active since the late 70's. Tears of Eros was originally released by the German imprint Hyperium Records in 1993 and shows Die Form on it's most intense and productive years. Sexual deviations, sadomasochism, fetish and domination set to danceable beats with a dark atmosphere.
This mini-album is re-issue for the first time on vinyl including all the original songs plus a different version of Doctor X. Limited to 333 copies with die-cut jacket silk-screen printed on deluxe black paper, printed inner sleeve and numbered card.