Techno Novedades

Periphylla the sub-label of Diffuse Reality releases its first vinyl reference with an album by the duo I Tpame I Tvrame,formed by Franc Kurti, from Albania, and Dina Hajrullahu, from Kosovo. The duo’s style is a mixture of darkwave, industrial and other post-punk genres, and they have a sound of their own, led by Dina’s mystical voice and the wide range of sound they possess.

We are proud to present a new addition to our artist roster.
STÄRKER have crafted an AURA of Uniqness in their compositions, it is rare to find such denseness and well crafted sound design says Label head kareem.
STÄRKER's 2nd ep "Scorched" delivers raw, pulsating rhythmic
progressions all masterfully connected to deep ambient drones.
The Berlin-Montreal based duo of Frederic Arbour (Cyclic Law) and Martin Dumais (AUN) deliver haunting industrial rhythms and brooding atmospherics, drawing from an austere palette of abstract sonorities

incl. Codex Empire Rmx + D. Carbone Rmx

Token sees the return of Brussels-based Border One for 4 tracks of no nonsense, body focused music. This collection of tracks, meant to deliver uncompromising groove, affirms Border One's sonic identity through his use of evolving yet persistent tension brewing above hypnotic elements. This signature storm adds a dimension to Cyclone that guides the listener between club and mind by adding this constant yet recognizable anticipation.

The EP opens up at full capacity with the title track; bent metallics over an intimidatingly deep kick are stalked and circled by a sinister pad that leaves only to release maximum tension. This peak-time cut is followed by the subdued A2 'Halo' where, this time, melodic ambience is prioritized. Light toms drive us forward to undress a track with a patiently strained arrangement, partially through a filter only opening fully midway through, imposing the producer's pace. Border One then lifts the energy with 'Stratus' through 1/16th rhythmics with an almost psychotic arpeggio and tunneling hi hats in a track that can be visually described as racing fractals. The invigoratingly hypnotic quality of 'Stratus' creates an ultimate closed-eye dance floor experience to then pull us into 'Spheric' that closes the EP out in an entirely new but familiar cosmic atmosphere. Space is given to this last cut, with short plucked synths resonating through vast soundscapes, giving the project an ethereal closing over lighter, bouncing percussion.

A limited edition 12" blue and white mixed with black colored vinyl record.

"Organic textures and industrial experiments."

Supporters of HYPNUS003 by BLNDR:
Alessio Pili, Antonio de Angelis, Astronomical Telegram, Cassegrain, Chris Page, Cio D'Or, Deepbass, Eomac, Gianluca Meloni (Modern Heads), Hector Sandoval (Exium), Mattias Fridell, Samuli Kemppi, Subforms, Takaaki Itoh, Unam Zetineb, Reggy van Oers, Xhin, Yuka, DJ Sandrien, Eric Cloutier, Echologist, Slam, Dubfire, Arnaud le Texier, Adriana Lopez, Ness, Kriz, Surgeon, Speedy J, Tadeo, Attemporal, Chris Leibing, CTRLS and many others.

Defiance is a collection of tracks constructed while experimentation was underway in the ASC studio between 170BPM Techno and the creation of the Grey Area sound. Upon revision, the vitality and strength of these tunes as a collection became apparent. Leaving these unreleased would be a travesty in our mission to be part of documenting the evolution of the voluminous ASC production legacy. While heavy on effective floor tunes that ASC utilised in his last tour of Europe, Defiance is given an ethereal LP narrative with tunes like opener Exulansis, Tensile, and Sarif. Defiance helps to complete the story of the development of the ASC sound as we know it today.

Experimental electro, hard and dark. Original style !

Terrence Dixon and M.R.E.U.X are back in business!

A stylish return on the stage with 4 tracks of pure Detroit style techno. Psychedelic sounds demorstate, again, the great mentality of these two artists, loyal to old school underground techno. Terrence presents two minimalist tracks which will capture attention from everybody on the dancefloor; M.R.E.U.X insists with his unique style, distinguished by dizzying rithms and pure energy.

Big return for this duo, you must better move your ass!

Repress

"The 3rd Vinyl Only Release from London Techno label Monnom Black sees 4 new original tracks from Dax J.

Acidic, rave, dance-floor weapons ready to do some damage. Released on limited edition red marbled vinyl with additional photocard insert. Highly Recommended!"

Acid percussive grind sound. A bloody massive night Acid sound. This will drive really crazy for sure !!

Brand new limited Detroit / IDM killers on Redsonja Records.
80 copies only.

Redsonja Records is proud to present reference number 20 in our catalog, Visionary 02, in the same format as the previous release (Visionary 01 - RS16). The EP compiled by various artists also showcases the new image of our label: the warrior in action. These special edition vinyl represent the philosophy of our label, a vision!

Pelacha works with 4x4 rhythms in her track titled ʻAsteroidʼ resulting in a very groovy track, with Detroit touches and pads that accompany and enrich the trip, leading us into a climax of delicious rhythms.
Serkin then takes us through a beautiful landscape of emotions contained within a melody, reaching us deep inside the heart with ʻSomething in The Skyʼ, a structured track in the style of IDM where musicality and rhythms break in a sublime yet orderly manner.

K3rn3l Pøissøn surprises us once again with his far out vision of the future. ʻSwagger Particlesʼ, a finely chiselled track, which envelops us in a plethora of hammered out beats and deep cuts that stand strong together in motion.

Finally, Trømmel introduces us to the world of breaks with his broken rhythms and bounding vibe. ʻTime Is Running Outʼ is simplicity and creativity all rolled into one, resulting in a track high in calibre and low in frequency.

Ancestral Revolt are humans from different continents channeling their ancestors through voltage control and this is their debut EP.

There are 2 original tunes on the a-side ... The deep, dark and dirty Atrukuatu and the techno-break banger El Afilador, plus 2 remixes of the title track on the b-side.

An atmospheric electro mix by legend Mark Ambrose and also an emotional deep-techno take by the duo Sibling.

The new SYNTAX Electronix Sub-Label is called SYNTAX Down and it is born with this EP manufactured by “InHum’AwZ”, a French couple who are making their way into the international electronic circuit.
Her musical proposal is open and varied, but one of her axes is in the lower areas, very complete compositions with psychedelic messages and a great work of stereos, her set up is completely analog and her desire to remain in this electronic circuit is intense and sincere.

Where Is Your Toughness Now (No Forgiveness) finds the listener surrounded by a sense of dread and imminent doom, a collection of shrilling glimpses and brooding ambiances, distant broken memories made sound and sudden disturbances. At the end of the track added piano notes will increase the creepiness, preparing us for what will come next. More More More More (Courting Insanity) dwells in deep power electronics territory, and we will find ourselves in a bleak sea of chaos and madness. Obsessive rhythmic patterns and majestic effects impose a robust march, evoking a mechanical world inside our vicious mind. Just when you think this is it an eerie melody complete the scenario. Breasts In Sight (Demand A Choice) surprises with delicate ambient synth sounds and crystalline atmospheres in a droning course, reaching after a while a stomping movement with martial innuendos and distorted kick drums. The listener finds himself in a complex mix of emotions underlined by melancholic notes and ominous soundscapes, perhaps showing us personal facts from the author’s life.

Lifestyle (After The Rise Comes The Fall) is a rhythmic noise affair with cinematic elements and abrasive atmospheres with suspended parts and heavily manipulated vocals. A nightmarish voyage into anarchic assaults and controlled darkness reaching orchestral greatness. Monogamy Rules (Not Belonging To Anyone) uses suspense as a device showcasing broken sounds and shrilling lines, conjuring an alarming sonic world for us. The tension grows as the highly cinematic crescendo reaches an industrial climax with sci-fi qualities. Inner thoughts and ideas become a compulsive soundtrack to the demise of our preconceptions and in-built credos, leaving us with a sense of uneasiness. The last track Masculine Norms (The Many Faces Of Manhood) drives the message home by the means of eerie soundscapes and cut-up sounds, giving us a crawling movement with sparse rhythms and soothing hidden melodies. Distant laments evoke a deeply disturbing portrait of struggle and mixed emotions.
credits

"Neon Lies" started as a synth-wave bedroom one-man project in late 2015 by Goran Lautar while he was still singing and playing guitar in Modern Delusion and The Celetoids, prominent bands from Zagreb D.I.Y. punk and post-punk scene. Soon after that initial period, the project already became a full-time one-man-band adventure.

Since then, Neon Lies toured and played shows endlessly, releasing two albums (“Neon Lies” and “II”) and now presenting his third full-length album “Loveless Adventures”. The 9-track album is a result of one-year making and relentless touring and it’s a perfect blend of minimalistic lo-fi darkwave sound of Neon Lies’ early stages when Goran was revisiting his teenage crush for early minimal synth-punk and proto-industrial, and the second album, when he was more into exploring experimentation with repetition, noise, electro and up to date sounds and ideas from European underground dance floors.

This album, recorded and mixed, as always, directly on tape by the man himself, finally brings all of this together in one deeply moving and authentic intimate disclosure of personal loss and gain, euphoria, happiness, and sadness. But no matter how much this journey was loveless, it was profoundly loveful. Dedicated to all the loners and their dealers.

Repress

France's I Hate Models has had a phenomenal rise since his first releases in 2016, now he arrives on Perc Trax to serve up the label's last release of year.

Already fitting in with the label's no nonsense aesthetic after appearances at a number of label showcases this year, this EP shows a hardening of his sound, without losing any of the melodic touches that have made his releases so memorable.

The original mix of "Spreading Plague" fills the A-side of the record with a near 10 minute journey though classic Perc Trax metallic percussion, quivering acid and soaring analogue lead lines. Epic is a word not often used in relation to Perc Trax, but
here it is perfectly applicable.

On the flip side, Perc remixes the lead track, honing in on the acid and adding swarms of claps and hihats for his first new production on Perc Trax in 2018. "Martial Order" closes the EP moving the percussion to the front of the mix once again, as metallic hits rain down on the listener, delivering a fresh take on one of Perc Trax's signature sounds.

2LÄRM UND STAHL 2" is a new worldwide radiography of the actual “hidden” scene in dark electronics offering sharp- and crude minimal industrial beats as it's best; the featured bands are 89’s† from Mexico, S.A.D from UK, PALMARIELLO from Argentina & CHRIS SHAPE from Italy. All tracks have been specially remastered for LONG CUT Vinyl by Daniel Hallhuber at Young & Cold Studios!

After four technically and aesthetically impressive salvos of eclectic electronics, the 5-year anniversary compilation from Stroboscopic Artefacts reaches its terminus with this new release. Worrying about whether or not the series 'goes out with a bang' seems unnecessary, since the series has always felt pleasingly unconventional, and thus not too concerned with the conventional act of providing listeners with a grand finale. Simply put, this high-quality 'retrospective' series has been more about challenging the S.A. constellation of artists to forge new paths than it has been about nostalgically revisiting the past, and so it's better to approach this last installment as a statement on the past informing the future. Donato Dozzy, Lucy, and the Sendai duo are the parties responsible for bringing us the final report of the series. Those already familiar with these artists' past works for S.A. will understand immediately that these artists are not all cut from the same cloth, and those who didn't know that will soon find out. As with the previous 'anniversary' records, the intent here is to synthesize significantly different sounds into a uniform or seamless listening experience, to the point where the record seems more like a genuine collaboration between the artists than a mere 'sampler' record offering eclecticism for its own sake. Donato Dozzy's entry here is very much in keeping with the spirit of his S.A. release Terzo Giorno. It is as propulsive as any of the best techno music of past decades, exhibiting a marked indifference to the inessential and a knack for smashing together percussive atoms of a thick and bombastic quality. To do so without punishing speakers completely into submission or turning everything into a fatiguing mess is more difficult than it sounds, but Dozzy is certainly up to the task here.

Fourth release by Northern Ireland's Tony McMurray as Ethical Governor on his own Enclosed Order imprint. Expect 4 bangers with trippy edges.

Hot on the heels of our tentacular project "The Most Famous Unknown", Planet Phuture is proud to welcome rising French talent Cuften to the fold. A most fitting match for PP's phuture-facing vision, Damien Peltier has been pushing some of the finest techno around over the last couple of years, landing a handful memorable cuts via the likes of Parisian label Tripalium and his own imprint, Purusu. Cloaked in dim-lit atmospheres and open-ended post-apocalyptic narratives, his debut solo 12" blends in all of the elements that made his sound stand out from the crowd of releases coming up these days - traversed by dogged primitive rhythms and reassessed 303-infused Detroit'isms, but also stamped with his signature no-frills rave elegance.

Speeding up the cosmic highway like Deckard roams San Fran's neon-splattered alleys on the hunt for replicants, Cuften takes us on a full-immersion journey into dystopian electronic soundscapes. Full-beam on, "Solar Ashes" has us drifting amidst ruins of a devastated city - its lysergic bass languidly threading its way across brutalist concrete facades and cold ember set for reignition. A more martial affair, "The Black Rain Order" pulls out the rattling drums, slo-boiling arpeggios and moebius-strips of wistful acid to score a supremely tense crescendo, both optimally tasted on and off the dance floor.

Moving up closer to the free-spirited vibe of the '90s open-air raves, "Rise Of The Neo-Humans" unleashes a baroque firestorm of sucker-punchy toms and hyperventilating shuffle, woven against an endlessly expanding corolla of hallucinogenic shapes and fluttering harmonics. Sinking further deep into all-dark dubby grounds, "Lasttt Batttle" extrudes its obsessive melody out a thick gangue of squelchy chords and bleepin' engineering to form the kind of brain-washing hybrid pumper that'll roast your last remaining neurones. Trouble-brewing isn't over though and the droney "Kjhfskjoize" shall take you to places unknown through eleven minutes of envelope-shifting shamanism, thinking noise bake-off and gravity-defying arrangements. Bend your mind.

‘Verdigris’ the new EP from Japanese artist Atsushi Izumi, is a deep dive into the crevice of the mind. It is an exploration of where fearful emotions lie and confronting them. It is only through this conflict that light can shine through in the end.

The Osaka native has a background in music and sound design and as such found his sound going through a metamorphosis from Drum n Bass to a more experimental sound. His EP ‘Snow’ was released under the subtract imprint last year and saw the initial phase of this transformation. It was followed up by ‘Lansing / Mistrust’ via The Collection Artaud, which continued his growth of using slowed out heavy percussions surrounded by frantic synths and modulations.

Atsushi Izumi’s use of long drawn out hallow synths is like an ominous cemetery at night before these powerful percussions detonate in. He uses heavy spaced out bass drums, either as a single or double beat, which simmer as they echo and roll. They are surrounded by these chaotic, textured synths, which can sound like a cicada, hovering and distorted to give a mechanical effect. It feels like being thrown into the woods late at night, eerie yet calm in the beginning, before extreme panic sets in and you feel like you’re being chased.

Japan witnessed the end of the world up close and it is still reflected in their art and music: it delves into the sadistic and explores deep themes of melancholy and the apocalypse. This is juxtaposed against pure joy and serenity, showing that life is there to be enjoyed and struggles have an end, which is translated quite coherently to this piece.

As an extra bonus to all this, there is a scintillating remix from ANFS. The Greek adds a bit of pace to the track Zeit. He is an artist who enjoys frantic distorted techno and it shows in this cut. He takes the basic elements but whereas the original slowly introduces the percussions, ANFS bangs straight in. It’s structured yet frantic and a massive sound.

‘Verdigris’ is due for release on 17th May 2019 under the mysterious Swiss label Thrènes, that is known for eye-catching signature artwork and a deep and dark techno sound.

‘Verdigris’ the new EP from Japanese artist Atsushi Izumi, is a deep dive into the crevice of the mind. It is an exploration of where fearful emotions lie and confronting them. It is only through this conflict that light can shine through in the end.

The Osaka native has a background in music and sound design and as such found his sound going through a metamorphosis from Drum n Bass to a more experimental sound. His EP ‘Snow’ was released under the subtract imprint last year and saw the initial phase of this transformation. It was followed up by ‘Lansing / Mistrust’ via The Collection Artaud, which continued his growth of using slowed out heavy percussions surrounded by frantic synths and modulations.

Atsushi Izumi’s use of long drawn out hallow synths is like an ominous cemetery at night before these powerful percussions detonate in. He uses heavy spaced out bass drums, either as a single or double beat, which simmer as they echo and roll. They are surrounded by these chaotic, textured synths, which can sound like a cicada, hovering and distorted to give a mechanical effect. It feels like being thrown into the woods late at night, eerie yet calm in the beginning, before extreme panic sets in and you feel like you’re being chased.

Japan witnessed the end of the world up close and it is still reflected in their art and music: it delves into the sadistic and explores deep themes of melancholy and the apocalypse. This is juxtaposed against pure joy and serenity, showing that life is there to be enjoyed and struggles have an end, which is translated quite coherently to this piece.

As an extra bonus to all this, there is a scintillating remix from ANFS. The Greek adds a bit of pace to the track Zeit. He is an artist who enjoys frantic distorted techno and it shows in this cut. He takes the basic elements but whereas the original slowly introduces the percussions, ANFS bangs straight in. It’s structured yet frantic and a massive sound.

‘Verdigris’ is due for release on 17th May 2019 under the mysterious Swiss label Thrènes, that is known for eye-catching signature artwork and a deep and dark techno sound.

"WE ARE NOT BROTHERS" is coming back after the acclaimed and award winner “III” album! THE BEST SPANISH ELECTRONIC ALBUM OF THE YEAR! On their new EP they re-explore again that industrial punk attitude that served them to be compared to truly totems of the industrial spanish scene such as Esplendor Geométrico.

Again they have had the help and support of the Darkwave-Diva
"Ana Curra", remember Parálisis Permanenter. FUCK WORK is a truly gem for people interested in music not oppressed by any commercial corset. All tracks have been specially remastered for LONG CUT vinyl by Daniel Hallhuber at Young & Cold Studios.

Subsist re- edit in cassette edition of German Army album, Interesting sound from San Gabriel California.

Wretched Cuts is the new solo EP by gender-nonconforming techno artist, Projekt Gestalten. The release comes via the New York’s Mild Fantasy imprint run by DJ Elle Dee and features three original themes focusing on introspective techno plus a remix by veteran, The Lady Machine.

The project reflects an array of themes using as the starting point the story of Estamira and the Brazilian documentary of the same name, telling her life story. Estamira was an incredibly enlightened older woman who scattered one of the largest landfills of Rio de Janeiro for food. Not because she had to, but because she loved that place as she loved “her own children” and enjoyed making a living out of other people’s disposable goods. Simultaneously, while dealing with schizophrenia and abuse, she believed she was a superior spiritual being whose magical powers could control time, space, and other elements of nature.

The tracks are inspired by some of her most memorable quotes and moments that made an impact on Projekt Gestalten. “Wise People In Reverse” goes into a darker approach and samples Estamira’s voice talking in a mysterious unknown language with an unrevealed force, using only a broken piece of a telephone that she had just found it in the trash. “Morte Macaca” takes a rhythmic approach towards dub techno, and “Holographic Principle” gets trippier and hallucinogenic with Projekt Gestalten’s signature acid lines. The Lady Machine’s “Wise People In Reverse” remix takes the original theme to a driving, peak hour approach and transforms it into an effective DJ tool.

“There are no more innocent people on Earth, only wise people in reverse”.

Repress
If there is one album that we would take with us an a desert island its this one. The worst of KRTM is one of the most refreshing records we have heard in a long time. Perfectly blending industrial Techno and Hardcore to one unique beautiful/terrifying work of art.

We could almost write a book on how unique and great this album is but lets just stop here and let the music do the talking.

All Hail KRTM!

Mexico (Mufti and Colossio), France (Cornelius Doctor), and Germany (Sebastian Voigt) unite on the 10th Ombra International release.

Hammer hits glass. Glass goes smash. Thunder and lightning, return to the future.

“It’s not easy to transform a jam into a proper tune that haunts forever. The two Glaswegian friends MR TC and Lo Kindre are in possession of that special skill that can transform spontaneous tuned-in music into something significant without losing the gut feeling along the way.

As solo artists they have released on labels like Optimo Music, 12th Isle and Against Fascism Trax, and together released 'The Storm EP' in late 2018 on Vienna's Neubau. Now they continue their collaborative work on PHASE001 – an EP that also marks the launch of their own label that listens to the same name. The start-up brings four analogue tracks that courageously link cold waving synth-shocks, neon-light nonchalance and haunted spoken words; deep hypnotic musical witchcraft that peels itself out of the history of dark electronic music with a pulsating and haunting atmosphere.”

- Words by ML

Inhabited Shadows” is the new album by pioneering, Berlin-based techno artist Headless Horseman. This is his most daring and emotional release to date: the culmination of live performance, studio experimentation, and global exploration.

A total sonic experience, “Inhabited Shadows” takes listeners on a deeply personal journey through Headless Horseman’s creative brain. Dark industrial synths and broken beats form the spinal chord. A spirit of lightness and compassion guides the way forward.

From its opening, the album sets hard edges and metallic surfaces against dense and delicate textures. A-tonal figures and percussive attacks merge with melodic flights and soulful rhythms. Classical counterpoint and cinematic soundscapes conspire together. The result is discordant joy.

Headless Horseman’s vitality comes from his determination to remain open and vulnerable as an artist. “Inhabited Shadows”, recorded over eight months in 2019, reflects a period of intensive growth. Each of its nine tracks ventures into uncharted territory, embracing many moods, changing climates, old ghosts, and new risks.

“Over years of trials and tribulations, music has been the antidote”, says Headless Horseman. “I’ve learned to live in shadows and darkness. Now I’m chipping off pieces of my shell and portraying directly how I feel without compromise. I still inhabit shadows, but I can move back and forth between darkness and light.”

Fear is the vilest of human emotions - it weakens and corrupts, leaving mistrust and paranoia in its wake. In Against the Dying Light, Swarm Intelligence embraces and wields fear, all the while breathing life into its rival: hope. To explore these concepts, Swarm Intelligence turned to horror films for inspiration - choosing dissonance and atonality to create sinister and unsettling melodies, as well as Foley techniques to produce disturbing, unnatural sounds. The results are at times vicious and abrasive, at others acquiescent and almost mournful. Swarm Intelligence's Against the Dying Light marks the first, full-length album on Voitax. With moments of seething tension, unrestrained fury and dejection, as well as glimmers of hope - this record may have its roots in industrial techno, but ultimately it defies classification.

In a Greek mythology, the river STYX is the connection to the underworld, but also one of the few river goddesses. According to the myth, the river STYX represents the border between the world of the living and the realm of the dead. The souls of the dead hoping at the riverbank to crossing into the Underworld so as not to remain there forever.

The second release of the label Unterland defines the Stygian sound with its mystic and underworldly tone. Additionally, the artwork underlines the musically interpretation also in a visual way. The image was created by talented photo artists Salar Kheradpejouh. His identity thrives on cinematic vision and matches perfectly to interpret the Stygian sound artistically.

Unterland 02 is a Various Artists EP by Monoloc and Jonas Landwehr. With his dark production the young artist gained the attention of Monoloc already 1.5 years ago, who then started to followed him closely as an artists as well as his creations. For Monoloc it was clear that he wants to publish Jonas' music on his new arising label. Jonas Landwehr delivers three melancholic Dub Techno production, which are mostly influenced by his stay in the taiwanese capital Taipeh.

Monoloc continues to determine the Stygian sound with three further productions. Strong atmospheric plains, which are characterized by various cinematic sound elements.

Inhabited Shadows” is the new album by pioneering, Berlin-based techno artist Headless Horseman. This is his most daring and emotional release to date: the culmination of live performance, studio experimentation, and global exploration.

A total sonic experience, “Inhabited Shadows” takes listeners on a deeply personal journey through Headless Horseman’s creative brain. Dark industrial synths and broken beats form the spinal chord. A spirit of lightness and compassion guides the way forward.

From its opening, the album sets hard edges and metallic surfaces against dense and delicate textures. A-tonal figures and percussive attacks merge with melodic flights and soulful rhythms. Classical counterpoint and cinematic soundscapes conspire together. The result is discordant joy.

Headless Horseman’s vitality comes from his determination to remain open and vulnerable as an artist. “Inhabited Shadows”, recorded over eight months in 2019, reflects a period of intensive growth. Each of its nine tracks ventures into uncharted territory, embracing many moods, changing climates, old ghosts, and new risks.

“Over years of trials and tribulations, music has been the antidote”, says Headless Horseman. “I’ve learned to live in shadows and darkness. Now I’m chipping off pieces of my shell and portraying directly how I feel without compromise. I still inhabit shadows, but I can move back and forth between darkness and light.”

Dark-Side Electro Conjurations- and Gnashing EBM from Medellin, Colombia, Seething with Raw-Punk Energy & Foamy Blood around the Mouth. No nonsense Body Music!

A collision is an interaction between two objects creating a new energy force.

The fourth release on Irish imprint Xerophkz marks the first meeting of label owner Conan_ and fellow compatriot Pineal Navigation. The EP comprises 6 tracks of Electro and Techno bringing together influences from the past, the present, and the future.

Next up on Inner Surface Music we introduce New York artist Angus Tarnawsky to the label. 'Pitched' is first up with its syncopated drum patterns both programmed with electronic drum machines and textured drums played by Tarnawsky himself. Heavy bass and ice cool modular synths lead the track to new territories for Inner Surface. AnD then step up to remix 'Pitched' taking it in a more dancefloor direction while still retaining the original feel of the original with added distortion and twisted melodies as the track unfolds. 'Ad Nauseum' is a beautiful textured track built around Tarnawsky's drums, deep layers unravel to take you into a subterranean alien world. 'Expand Contract' is the most dancefloor cut of all the originals, but it still twists and turns with expert precision, sounding like a jam between Alva Noto and Vladislav Delay. 'Tour Maline' closes the EP with a 5 minute journey of modulating sub bass and ambient washes of glass-like synthesis from Tarnawsky's modular system...

Berlin duo NNHMN creates moody and evocative music infected with dark synth sounds, eerie ambiances and mysterious female volcals. They are coming back to Oráculo Records with “Deception Island Part 1” where fresh cold beats meets hypnotic techno and avant-garde of a ferociously experimental nature. All tracks have been specially remastered for LONG CUT vinyl by Daniel Hallhuber at Young and Cold Studios.