Cerca:mai bi

On Loop marks it's third year with the Volume 3 compilation curated by Moxie, due for release this Autumn. Sampler 1 of 2 provides 4 tracks from the main compilation, featuring exclusive productions from Shanti Celeste, Traxxploitation, Benedikt and Admin. Compiled of music from artists she continues to support on her bi-weekly NTS show, Moxie's selection know-how is apparent throughout. Opening up sampler 3.1 is Bristol DJ Shanti Celeste, kicking off the compilation with deep bongo cut 'Moved', followed by Traxxploitation's exploration of jazzy chicago house in 'Honey Pot'. On the flip, Benedikt switches things up with high-octane track 'Mnemonic', before Admin winds things down with dreamy percussive number 'Space Cadet'. With 2016's Volume 2 gathering support from names like Gilles Peterson, Benji B and Annie Mac - this year's release is set to meet a similar reception. In addition to Moxie's label, the On Loop party series has just celebrated it's 1st birthday with Kornel Kovacs and LK at On Loop's London home The Pickle Factory. The On Loop family has been growing all year, with Moxie inviting guests like Avalon Emerson, Damiano von Erckert, Alexander Nut and many many more, to over 20 parties at venues like Manchester's Soup Kitchen, Edinburgh's Sneaky Pete's and Lyon's Le Sucre. With more parties to be announced this year, an ADE showcase lined up, and a festival stage curation under her belt - Moxie's On Loop imprint is set to continue on it's upward trajectory.

The soundtrack for this epic western movie featuring the great Lee Van Cleef bears the signature of Ennio Morricone: Guitars, flute, piano, timpani, drums and a Native-American choir style make this motion picture a kind of original masterpiece in the maestro's oeuvre. I Cantori Moderni di Alessandroni perform here in their own unique way with Alessandro Alessandroni on evidence with his original whistling. The main musical theme was employed by Quentin Tarantino in Kill Bill vol.1 and in Inglourious Bastards!

- FIRST TIME COMPLETE EDITION ON DOUBLE VINYL LIMITED EDITION OF 500 COPIES ON COLORED VINYL
- CONTAINS INSERT WITH TRACKLIST AND ORIGINAL MOVIE PHOTOS

MICK HARRIS (SCORN, QUOIT, PAINKILLER) returns after several years of hiatus with ten tracks of blasting landmine bass and interlocking shrapnel rhythms.I've been asked to write a press piece for the dark lord MICK HARRIS.Where does one even start Especially for someone with decades of releases over various solo projects, collaborations and pseudonyms, whether it's doing blast beats in the original NAPALM DEATH to crushing techno brutality as MONRELLA, or savage drum & bass as QUOIT. Then of course there's the mighty SCORN and his numerous collaborations with fellow luminaries such as JOHN ZORN and BILL LASWELL (in PAINKILLER).Rather than being tied to genres or scenes, MICK HARRIS is one of those producers who creates a whole sonic world uniquely of his own, in which varying tracks, styles and tempos take form, but yet in which everything sounds unmistakably characteristic of the creator. Needless to say his work has influenced legions of producers like SURGEON, REGIS, ONTAL, VATICAN SHADOW / PRURIENT, FAUSTEN, SHAPEDNOISE et al, and pretty much anyone in the world of powerfully dark, abrasive music you could name-drop. And yet after all this time, it is impressive that HARRIS still stands way above his successors and has never been surpassed in his own production/performance game.After a hiatus of several years, he is back with a new album under the guise of FRET.Working at a faster tempo than his SCORN material, the FRET project first surfaced years ago on the DOWNWARDS label, rooting it firmly in the dark, industrial and technoid world, and appeared more recently on Tresor (Kern mix by OBJEKT), maintaining the characteristic colossal bass-heaviness and textural depth.And now a full album on KARLRECORDS, Berlin. HARRIS fans will be delighted to know that despite the 130 bpm tempo, the newest FRET still resolutely avoids any straight four-on-the-floor kickdrums, every track lurches, stumbles, staggers and charges forth with beats in beautifully broken asymmetry.We get 10 tracks of crushing, percussive destroyers, each itself a storm of precision chaos, with colossal low-end frequencies that'll cause stampedes in the right circumstances. The classic HARRIS sound is there, searing waves of feedback distortion, intricate, interlocking rhythms and cold, abattoir atmospheres, especially track 6 "Stuck in the track at Salford Priors" which sounds like you're being continuously suspended in the air from multiple explosions all around, each kickdrum throwing you up in the air, the next one going off before you can fall completely back to the ground.The lazy-minded would probably lump it in with the term "techno", but the disciplined brutality, blasting landmine bass and interlocking shrapnel rhythms are clearly HARRIS' own trademark style, sitting somewhere between SCORN and QUOIT.The tracks appear deceptively chaotic on the surface, yet each is meticulously and masterfully composed with great attention to layering and detail. MICK HARRIS fans rejoice, the dark lord still remains at the top of his game.

(Derek Szeto / Fausten / Combat Recordings)

Excise is a vinyl-focused label based out of San Francisco, California. Each release pairs a regional Californian techno artist and a local visual artist, thus serving as a platform to fuse the two local creative scenes. Its first release features label co-owner Muon with 3 hypnotic raw analog tracks. Many of these tracks received heavy play time in the San Francisco underground, and now are seeing a broader release for the first time.

Artist biography:

US based artist, Muon (real name Marc Kelechava) spent his formative musical years in Brooklyn, NYC, but has resided in Northern California since 2013. His initial release on Excise is an attempt to combine hypnotic synth work with heavier dance floor elements: music to get lost to.

As a DJ, he now co-manages the iconic Direct to Earth crew, which started as an Oakland underground rave in 2011. The group's primary goal is to help bring international stars to the San Francisco community for the first time. This year alone they've hosted (or will host) Phase, Cosmin TRG, Yan Cook, Ansome, Marla Singer, and Ben Sims. Muon's an opening mainstay with his hypno-aggressive mixing work.

A split single featuring Washington, D.C.'s Escape-Ism and Light Beams. The digital
download in- cludes an extra track by each band.

Escape-ism is called "the found-sound-dream-drama," "the grieving widow of rock 'n' roll" , the "press play and run away group", the strrrripped down sound machine starring Ian Svenonius, star of Chain & the Gang, singer in The Make Up, author of 'Supernatural Strategies for Making a Rock 'n' Roll Group.' Its a single occupancy combo, a one banana bunch, the gestural rock 'n' roll provocation which combines cave person poetry with beats and melody translated incorrectly from hieroglyphs found in arch-pharaoh Cheops' triangle shaped record collection. Escape-ism is a bid at inciting long- ing for a past behind an IRON CURTAIN, and hope for a future in flames. Escape-ism -- hear it, fear it, cheer it.'

Light Beams began in 2015 when Justin Moyer (Puff Pieces) -- influenced by 80s-era freestyle music and Sheila E. -- started playing sampler and timbales with Sam Lavine, the longtime drummer of D.C. hip-hop mainstays the Cornel West Theory. With the addition of bassist Arthur Noll the result- ing polyrhythmic melange, sometimes called "zap-tone" or "block rock," reinvents late-20th century dance-pop using the tools of the 21st.

Orbis X is a sublabel of Orbis Records and will be mainly focusing on softer yet often usable as DJ material for the broader mass interested in Electronic music. This sublabel is an extension of Orbis Records softer, more melodical and experimental side.

Music will be ranging from house, dub, chicago over melodic acid and even breaks. Not any track makes it to this sublabel if it can't stand on its own and stand the test of time! We warmly welcome the Dutch duo Dennis Pors & Stephan de Bruijn to OrbisX. New fresh talent, ready to conquer the world. We feel obliged to support these
fine gentlemen to get their music spread across the globe. Dennis & Stephan know each other through their musical perspectives.
They share a similar taste for music, Detroit techno. Before they worked together, Dennis experimented with deep house through digital synths and learned the ins and outs of programming music in Logic.
Stephan was well known with the detroit techno scene. His passion goes out to well balanced electronic music with hypnotizing emotional feeling to it. Add a layer of atmospheric grooves on top of that and you have the perfect blend to potential timeless music.
Soon enough they made the switch to analog gear to be able to create a cleaner and better sound. After three years of hard work, they have reached the sound they were looking for. And this is it!
Their debut on vinyl. D&S servers a full EP called Thoughts EP. A great cocktail of dreamy and diverse electronic tunes. This EP fits well in the back of any DJ bag to warm up the place or fix the atmosphere on roof-top bar in NYC. Smooth cruising, roof down car music or background music on a spring night with a summery breeze This EP is amazing and works best on a big sounds systems and major festivals! Childs play , what s in a name. Nothing like that melody. Creating a generously opening atmosphere, but actually brilliantly mixed creating the perception of simplicity. Groovy, acid touches and funky. Can t keep still when being played. A-track for sure! Thoughts might have a dark feel to it but evolves in a very uplifting track in just a few moments, making
it very bright and fun to play. Shed light to the place, should have been a great title as well, but thoughts is the best name for this track. The story in this track is definitely there to be told and listened to. Edge Of Insanity kicks of the B-side. Goosebumps, as from the start. Building up slowly to a very melodic and yet simply track, it s the perfect translation for a sunrise at the beach. Potential
Ibiza hit if you ask us. Submission is a track straight out of a movie. Clever, nice build up, dreamy, spacey and above all so amazingly subtle. This is what falling in love should sound like. We re humble. We re amazed. We re honoured to host D&S. We hope this duo gets the attention

This obscure and difficult to find LP is the Heath Brothers' debut album and is considered to be their best. 'Marchin'on' is unquestionably a masterpiece and is a much sought-after album. With its wealth of riffs, it is much appreciated by samplers and has been sampled by various contemporary artists. It was originally released in 1976 on Strata-East, a label at the time co-owned by Stanley Cowell. The album flows fluidly, meticulously in a warm rich blend with the four part 'smilin' Billy suite being a tour de force on its own. All suites have the same anchor in melody but each branches out to its own distinctive song varying from relaxed to light to dramatic and upbeat. The Heath Brothers was formed in 1975 by brothers Jimmy, Percy, Albert Heath and the much celebrated pianist Stanley Cowell in Philadelphia. The band later on continued with the brothers and alternate new members, with at one point the very talented 'Mtume' who is Jimmy Heath's son, joining. - Rachel Kinoti

Sunlightsquare keeps on exploring multiple style of House music this summer. The previous single from the last month "Oyelo" was a winning combination of authentic Latin Cuban music and classic 909 House beats. It was championed by Ron Trent, Osunlade, Hunee, Bradley Zero, Nick The Record and Atjazz to name a few. This time, the main man and keyboard wizard Claudio Passavanti deployed two remixers for deeper and more spiritual endeavour to showcase his magical composition.

Hailing from the birth place of South African House music Pretoria, the talented young producer Blaqtone laid out beautiful sunset pad, earthy African percussions and solid rolling beats, all work like magic with Claudio's original spiritual keyboard works.

On the flip side, Kay Suzuki pulled off another dubbed out psychedelic mix with "Astro Dub", just like the previous release, and the more dance-floor oriented classic deep House style of "Moon Mix" influenced by the likes of Larry Heard. The track features sequenced Mini-Moog bass line and call & response drum programming before blissful harmonies and melodies kick in.

Short Bio:
Critically acclaimed Jazz pianist, multi-instrumentalist & bandleader Claudio Passavanti aka. Sunlightsquare has been associated with Latin & Cuban music since his top selling vinyl releases such as "I Believe In Miracles"(2010), "Pastime Paradise"(2010) and "Heart's Desire"(2012) as well as producing the main title of the soundtrack on the feature film "Cuban Fury" (Studio-Canal/Film4) starring Nick Frost (2014). Claudio's talent also extends to house music production with the 2016 Osunlade's Yoruba Soul Records release "Celebration Of Oggun", as well as his remix work for Gilles Peterson's Brownwood Recordings.

After his memorable 'Wolves' EP of last year (which garnered great support and earned record of the week on B.Traits BBC Radio 1 show) Florian Busse returns to connected for his new release 'Heus' EP on vinyl and digital,retaining and developing his idiosyncratic sound sculpting, Florian has delivered another unique take for the dancefloor.
1. 'Heus' A hypnotic tom and bass groove, heavy on atmosphere and noise, foreign and far away synthesizers and a deceptive bass note, the melody starting slow with a repetative phrase, then telling its whole melancholic, wistful, but powerful story before an arpeggio in the main break brings things to an end and delivering a powerful moment in the club when the beat comes back. Memories of summer.
2. 'Intro'. As the track name says, the long intro is the 'featured' part of the track, a good starter for any dj-set where people do not leave the dancefloor if the beat hasn't kicked in after the first 10 seconds. Child like voices, steady synthesizer note coming and going and a low bass create an intense first 3mins before the beats kicks in for the first time continuing with a pretty minimal beat before the elements of the intro come back and voices replace the synth line.
3. ''Guem'. A steady bass note and a waylaying, moody synthesizer theme ,tastefully selected drums, heavy beat and percussion ,joined by weird bird like sounds place you into a wood where the sun has already set.

eRRe has been doing damage on dub for some time already and is proving to be a deadly dj weapon.Robotic bleeps meet percussive beats as the intro announces the shape of things to come.The instantly recognizable "Play with us" sample gives way to a massive bassline which kicks in with the impact of a head on collision and works perfectly alongside the technoid elements.This cut succeeds in not only frying your brain with its acid synthwork but its pure bassbin pressure will also get your body shaking!

Vengeanze "T.M.A.C" starts off in outer space, gradually gathering energy as it comes closer, swirling, twisting and haunting the listener with shuddery sound effects and vocals.The massive build up finally unleashes an even bigger drop as a huge drum rollout rides over a squelching bassline.Crafty edits and techy effects manage to maintain an urgency about this track, driving it relentlessly through the system and leaving the ravers weak in the knees.Don't sleep on this one!

Pet Shop Boys are pleased to announce 'Catalogue: 1985-2012', a very special series of reissues of all their studio albums released on Parlophone. This definitive edition will feature each album from the duo's peerless discography on the label, remastered and released with additional 'Further listening' albums of bonus tracks, demos and mixes created in the same period of time as each album. Many tracks are being released for the first time. Each album will be accompanied by an extensive booklet in which Neil Tennant and Chris Lowe discuss each song, illustrated with many archive photographs. The entire project is designed by Farrow.
Alongside the 'Further Listening Editions' the remastered original albums will also be reissued on 180gm heavyweight vinyl.

avorite Recordings proudly presents Natureza, first album of Joao Selva. The story of Natureza is made of the meeting between two passionate artists who are Jonathan "Matuto" Da Silva and Bruno "Patchworks" Hovart.Born and raised in Ipanema and son of a pastor, Jonathan Da Silva grew up in a community of ex-prisoners and converted artists. He made his first guitar notes before his 10th birthday, under the watchful eye of Wanda Sa (muse of the bossa nova), and influenced by a father who in addition to his work, was also a true music lover with a collection, where black music, rock and classical meet. From the age of 18, Jonathan began a life of entertainer, traveling the world to offer shows for disadvantaged children and intensively practicing the Brazilian traditional music arts (Capoeira Angola, Maracatu, Samba de Roda, Coco de Roda...). It was later in France and in Lyon that he put down his instruments. There he formed the trio Forro de Rebeca in 2008, touring the all country and winning many praise in media. The trio recently joined forces with American producer Maga Bo on the project Sociedade Recreativa, whose album was released in 2016 on The Jarring Effects label.Bruno Hovart is a recognized producer, multi-instrumentalist, and remixer. After passing through Angers, Birmingham and London, he's based in Lyon since 2001. Bassist and guitarist for various bands, he switched to production in the mid-90s. Passionate about music and tireless creator, Bruno has practiced in almost every imaginable style, when it comes to groove music, collecting many aliases and projects for more than 10 years: Patchworks, Voilaaa, Uptown Funk Empire, Mr President, Taggy Matcher, Mr. Day, Hawa, John Milk, Lightnin 3, The Dynamics or Metropolitan Jazz Affair ... Nothing resists and escapes his talent and production skills. Thus, when he discovered and met Jonathan and his music, Bruno saw an immediate opportunity to broaden the spectrum of his discography a little more, by looking at Brazil. Beyond its traditional heritage, Brazil has always been a land of extremely varied music, influenced by the international scene. Soul, Jazz and American Pop did inspire many local stars such as Chico Buarque, Carlos Jobim, Gilberto Gil, Tom Zé, or Erasmo Carlos. Both fervent lovers of this movement and these names, it's with the idea to pay them a faithful tribute, that Jonathan and Bruno began the Joao Selva adventure. Together they gave birth to Natureza and embark us for a trip into the heart of the Tropicalist Pop influences of Jorge Ben and Caetano Veloso, the intoxicating Funk of Tim Maia, and the social poetry of Vinicius de Moraes.

Since the release of his 2 first albums on Favorite Recordings, Lucas Arruda has quickly established himself as one of the most talented young artist and composer from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul and Funk music.

In spring 2015, it was also not surprising to find Lucas Arruda back with a new LP called SOLAR, receiving great supports and feedbacks from international media and tastemakers. One of the highlight of the album was the song 'Melt the Night', on which Lucas asked legendary producer Leon Ware for his help, reminding his collaborations in the 80s with Marcos Valle, when they perfectly merged together the sophisticated Boogie and AOR touch from California, with the blazing sense of rhythm from Brazil.

Today, Lucas Arruda and Favorite Recordings proudly present a brand new single, announcing the release of Lucas' third efforts later this year. This new opus is pursuing the music direction set with SOLAR, mixing touch of Blue-Eyed-Soul, Pop, Soul and Brazilian styles together, and influenced by the path of legendary Brazilian producer Lincoln Olivetti, who recorded some of the biggest stars of Brazilian music (Marcos Valle, Jorge Ben, Tim Maia...).

In Lucas words: 'These two tracks represent the whole spirit of the new album. In this record I really wanted to honor Robson Jorge & Lincoln Olivetti. They are the main influence on this record. We recorded the basic tracks for the album in the same studio that Lincoln Olivetti did his last works. So, this was very important to capture the true essence of Brazilian Funk/AOR tradition. Hope you guys enjoy it!'

First vinyl release for 10 Years Of Metroline Limited series - Produced by label bosses Octad and Phiorio

This release is one of round numbers. It's Metroline Limited release number 50. You may have actually noticed that we almost got to release 90 by now but number 50 was always kept behind for a collaborative release between the two men behind the label: Andrea and Gianpiero aka Octad and Phiorio. It took a fairly long time to put this release together, mainly because running a label with a DIY ethos is a time consuming affair and most of the time doesn't leave too much free time for sonic experimentations. We really hope it was worth the wait! And what a better opportunity to release Metroline number 50 like for the label's 10 years anniversary. So much has happened since 2007, we released a LOT of music, some of our tracks have been played in the best clubs and festivals and by some of our favourite dj's. We are not going to name names but we are extremly proud of what we have achieved in our 10 years history. We are also proud of the fact that we are still around with energy and enthusiam to keep on releasing new music, this time (finally) by our label owners and also soon by a lot more talented producers in the months to come. Music wise, in this EP you will find some of the syles that made Metroline music known over the years. The two tracks on the A side are produced by Octad. Missing Bits has Octad's trademark minimal groove with hissing hats and a huge sub bass. There is a clever use of percussive bits, dark stabs and vocals to create a sublime dark minimal techno builder. Synopsis of 8 keeps the A side atmosphere well dark. Andrea managed to create a solid machine funk dark and spooky techno number with metallic percussion and plenty of groove. Phiorio takes control ot B side with the opening

'Spirit Reflection' is the third album LP from Los Angeles singer-songwriter
Gaby Hernandez. Blissful layers of instrumentation, electronics, vocal harmonies and folkloric percussion intertwine with west coast feel to create aunique, beautiful and multi-layered album.
The album features a stellar line-up of LA talent, jazz star Kamasi Washington, Stuart Howard (AKA Lapalux), Kelis and Gaslamp killer collaborator Dexter Story, plus Ninja Tune, Plug Research and Soul Jazz artist Carlos Niño, Miguel Atwood-Ferguson and Gabriel Reyes-Whittaker all accompany Gaby, with stunning results. Even before Spirit Reflection had been finished, the demo mixes caught the ear and gained support from Gilles Peterson, Lefto, Toshio Matsuura (U.F.O.) and JRocc (Beat Junkies). Born, raised and based in Los Angeles and of Chilean descent, Gaby Hernandez has been writing and recording since 2001. She was a founding member of the 'creative music ensemble' Build An Ark alongside others including Carlos Niño, Dexter Story and Dwight Trible.

Gaby was the only vocalist on Teebs' debut Brainfeeder release Ardour. She made major contributions to AmmonContact's Ninja Tune releases New Birth and With Voices, plus The Life Force Trio's Plug Research album Living Room. She was also the vocalist on Dimlite's Outernational Duet - released as part of his highly acclaimed Sonar Kollektiv longplayer This Is Embracing.
Hernandez was invited by Mia Doi Todd to sing on the Jonathan Wilson produced song Canto de Iemanja, which was included on Todd's City Zen record Cosmic Ocean Ship and the Red Hot + Rio 2 compilation, which also featured Beck, Seu Jorge, Aloe Blacc, David Byrne and Madlib. Among her main musical comrades is the prolific multi-instrumentalist, composer and producer Dexter Story, for whom Hernandez sang on the track Water Bearer from his LP Seasons, on Kindred Spirits. David and Graham from Mr Bongo met Gaby and Carlos Nino at the end of their hugely successful Arthur Verocai album launch and rare record sale at the RAPPCATS venue in LA. Gaby and Carlos passed us a copy of 'Spirit Reflection'.and we put it on the deck. It immediately grabbed us and we couldn't stop listening to it. When we got back to the UK we got in contact straight away and signed the album. We're very proud to be releasing it'... ...this is a future classic, an 'album' in the truest sense of the word. Brilliant.' says Graham.

The quiet before the storm. The abyss before birth. The moments that came before everything else. This is Episode Zero, Ben Gibson's inaugural album on Chronicle. It takes us soaring through a musical narrative, beaming down into vast acoustic valleys of sound. From the very rst notes the intent is apparent, lucidly slipping into a pool of full moon atmospherics. Departing deeper he carefully calculates each and every step, building momentum and pace until the way back is completely forgotten. Tracks like "Foreclosure" reach peak potential with crushed, mangled percussion, while others such as "Symptom" maintain a more seductive yet equally deadly pull. Building upon pillars of 12"s, Chronicle and Ben Gibson are now venturing into a new territory with Episode Zero marking the rst step. Join us.

MAIN MAIN MUSIC is a record label and event management from Slovenia at the moment based in Berlin.
The word main main is from the Malay language, which means to be playful, playfulness .

"Main Main Music" wish to create a harmony in a word of music and outside of it, which is very important for a success and a great vibe as well as excellent being at our parties.

With our story, we want to put all energy and focus in a quality sound and music made with passion, organic elements, analog sound, true feelings, and character. Through our vinyl releases, we would like to present wide styles of deep, minimal, tech house music with already known and young talented producers from the whole world, which works in a creative way and wants to be recognized for their unique sound.

For our first VA CONNECTION Vol.1 release, we have prepared for you various artists feelings from different countries of the world. On this excellent compilation, you can listen to four original tracks which are flowing between deep warm after hour sound, minimal feelings, tech house groove, organic elements with spacey atmospheric pads and dance floor rhythmic.

With our first opening release, we are introducing you our label boss and producer MARTELLI ( Berlin ) with his uplifting, hypnotic, spacey and organic track A1. " Trippin Birds "which contains a beautiful voice of Slovenian singer AVA LOON combined with live-recorded elements of guitar, percussion and sounds of nature. Our next artist on the board well knows producer GORBANI ( Moldavia ) deliver to us dancefloor killer tracks. " Tanzweise " with very clear sound and spiced with old school tb 303 acid groove. The third artist of our selection is label owner of Mumble records / Druzhba records, JUST_me ( Berlin ) who made it for us really nice deep flow track B1. " Sputnik " which is perfect for some after hours sessions when the music takes you away. The last and not the least is Switzerland talented producer NAHSTE ONER with his super groovy dirty track B2. " Wet " which will definitely stretch your body on the dance floor.

Repress
From Chicago Noleian Reusse (Africans With Mainframes) serves 3 tracks of alien jacking weirdness. The package is completed with a remix by labelboss Paul du Lac aka Paul West. Handstamped limited edition.

(2x 180 gr LP in a gatefold sleeve with download card) The debut album of Talamanca System, aka Gerd Janson + Mark Barrott + Philipp Lauer. Their past is your future!

On the white island, between Ibiza Town and the infamous fish shack high up on a rock next to a bird sanctuary, you will find the beach of Talamanca. Plagued by too much seaweed, anchored middle-class yachts and joggers, it is also surprisingly the spiritual home of a correspondent post-Balearic group. As luck would have it, a remix request by Mark Barrott bedded the International Feel boss in a trio with Philipp Lauer and Gerd Janson, alias Tuff City Kids. A highly sought-after 12-inch later ("Balanzat"), as well as fantasies of getting together to work on more material, led to a fruitful and effortless studio session on the non-Balearic outskirts of Frankfurt am Main.

The outcome of that meeting forms the homonymous debut album of Talamanca System. A documented vision, or a sunburned imagination of a day and night spent on said island, during a moment in time that probably never was or will be. Still summed up best by dungarees, long hair, yellow sunglasses, espadrilles or that famous picture of people grouped around roofless Amnesia's pyramid well, it is the food of the Balearic gods. But, dear nostalgia, stop right here! Even though Talamanca's debut flies the Balearic flag, it is not about turning back the clock, but rather about a past that could be the future. Dusted, danceable, driving, dreamy and dapper at the same time, this is an album for the club, the car, the beach, the (coke)float and the fountain.

Coined by the colourful and respective talents of the three individuals behind Talamanca, you will hear nine tracks ranging from up to downtempo, piano house smashers that would have deserved the prefix Italo-, percussion rituals captured by a group of Zoo animals on the loose, soundtracks for dusk and dawn, hushed vocals, rites of ambient passages, powerful synth ballads and vamp choirs. If this album were a car, it would be a Citroen 2CV remade by Tesla.

We've said it before and we'll say it again: their past is your future!

Musically and emotionally, Superpitcher's third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

And full-length it is:

The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period by record label, HippieDance.
We are thrilled to bring you the third chapter of The Golden Ravedays saga, released in March 2017.

Number 3 of the series introduces two further tracks of the haunting sound adventure that Superpitcher is taking his fans on during 2017.

Side A features 1984.

It has nothing to do with George Orwell's magnificent book but it could remind some of how the apocalypse might sound one day.

1984 is as sweet as the very first track, Little Raver, of The Golden Ravedays album but it stresses the fact that even though Superpitcher produces music mainly intended for the dance floor, he creates sound that is bordering on the shamanic.

1984 might as well be the meeting of a group of supersonic bottlenose whales that are overly excited to see each other after being separated by many an ocean and moon.

Side B of this edition brings us Pocket Love.

Or shall we rather say, Side B gifts us Pocket Love

Because we believe this is nothing other than a gift to us all.

Imagine looking into a kaleidoscope and turning the dial and experiencing all those colors as pockets of love rushing your way and exploding in satin wonderment the moment they past your eyes and ears. Imagine how it must sound like if all the e mails, tweets, facebook posts, instagrams, pinterests, grandma's postcards, text messages, letters on rice paper, hearts scratched into trees, declarations of eternal loyalty written in sand, phone calls and videos of the whole universe were all messages of love stuffed into pockets and sent to you.

Imagine the treasure you will receive!

Imagine being one big ear drum and listening to the very energy that this love exists of - imagine it and you will find yourself inside Pocket Love.