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The France-based label Handwerk Sounds makes its debut with a Various Artists compilation, featuring four tracks crafted right in the neighborhood.

Vinyl-only release.

For the 6th release in the 303 Pattern series, we're revealing the artists identities for the first time!
Expect a dynamic blend of hard-hitting, hypnotic and atmospheric acid techno, with the iconic 303 taking center stage.

Alien Rain makes his debut on Zodiak Commune Records with the explosive track Holosexual, featuring raw, pounding drums, a distorted 303, and an irresistibly catchy vocal guaranteed to make the crowd lose control.

Akkaelle brings the heat with Acid Mood, a hard-hitting yet atmospheric track that pushes forward with relentless energy.

Sour returns to Zodiak Commune Records with another explosive bomb in his signature hard, hypnotic style truly unstoppable!

To close the release in style, Dima Gastroller drops a hypnotic, heart-pounding acid techno track that will accelerate your heartbeat.

More Rice Co-Founder DOTT returns with his first solo EP on More Rice since MR002.

One the A-side Semitone Revolution brings a groovy repetitive bassline with an unpredictable transparent rhythm with a combination of different sounds and a quirky sequence that makes it a dancefloor track for many occasions. One Foot Forward, not a typical Tech-House track that uses detailed sounds and interesting swing. The original track is accompanied by a remix from groove addict Sweely, adding that Sweely touch, making it playable at almost any time.

On the flip side, About Quality Time, DOTT shows off his signature bassline with his interpretation of House music with his groovy rhythm, a track that truly combines after hours and peak time. About Quality Time comes equipped with a remix from Mr_Barcode or Jay Tripwire, putting a super trippy spin on the original track.Sleep deprivation is the secret sauce to his sound.

Last time Touch From A Distance released a Brother Nebula record the moniker was still shrouded in mystery. A few years later the veil has been lifted and anyone inclined would know our favourite Texan Lance DeSardi has been behind those meticulously crafted tracks all this time.

In line with his past outings on his own imprint Legwork, Brother Nebula keeps exploring the nooks and crannies of varied tropes of club music. There's the razor sharp, Dub Techno inspired stomper „Mach Loop“. There's „Ice Giant“, a heavy drum workout equally indebted to UK Garage and Jeff Mills. There are „The Grandeur Of Delusion“ and „God's Green Earth“ invoking the forgotten transantlanticism between West London and Detroit.

Having relocated to London and immersed himself in the local scenes and culture, Brother Nebula connects the dots of his past, present and future. Smooth melancholia meets icy beat science creating vivid contrast which makes this ep such an intriguing offering.

Italian magic man Walter Del Vecchio aka Quiroga is back on Hell Yeah. After the success of his Acid Dropout EP here last year, this time he offers up a varied package of tasteful and timeless house music with a deep and Balearic twist.

Naples artist Del Vecchio is a Hell Yeah mainstay who has also released a fantastic LP here, Passages, and always takes inspiration from the Mediterranean energy of his hometown whether making late-night jams or house anthems.

The heartfelt 'French Kiss' opens this one with super smooth and classic deep house drums topped with a sweet female vocal and jazzy chord work. It oozes romance while the Baia Club Ambient Version is a blissed-out post-club comedown with soft acid lines, ambient pads, flutes and chords straight from a '90s afterparty.

'Ask Coppede' is another breezy and soulful house jam with live-sounding drums and percussion and golden chords that keep the good vibes flowing. Balearic bass gem 'Cala Ventosa' shuts down with gentle cosmic leads and glowing pads drifting through the night sky over supple electro rhythms.

Embark on a timeless musical journey: "Overture", one of the most iconic works from the golden era of progressive trance, is making a grand return.

Released in 1999, this Dutch masterpiece quickly established itself as a quintessential classic, starting in Belgium before taking dance floors across the globe by storm. A resounding success, played not only by club and trance DJs but also by those with a broader musical range, "Overture" is a track with a unique aura. Over 25 years after its release, it continues to electrify retro parties and remains an elegant, timeless standard.

To celebrate this legendary track, we are proud to present a special reissue, elevated by an exceptional remix from the talented Maxim Lany, the mind behind the iconic hit "Renaissance". The Belgian DJ and producer, renowned for reimagining classics with his modern touch, delivers a 2025 version that will resonate with both nostalgic fans and a new generation of listeners.

Maxim Lany shares:

"Reworking this epic classic has been an exciting creative journey. Inspired by the depth of the vocals and the power of the original strings, I set out to transform this track into a version worthy of 2025's dance floors while staying true to its timeless essence."

This exclusive vinyl release is a must-have for collectors, progressive trance enthusiasts, and DJs seeking a centerpiece for their collection. And as always, the Serious Beats touch ensures the original has been fully remastered to deliver an incredible sound, especially for vinyl purists.

Don't miss this chance to relive history while looking to the future. Act fast before it's too late!

2025 Repress
2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. last release of the series is swedish house maffia axel boman.

first track,”chestnut hearts” is super emotional no beat club banger,axel played at his latest boiler room,”slave to the vibe” is slow mo cosmic tune,”paid by the rhythm” is axel’s signature floating house,”copacabana dub” is epic brazilian affair deep house anthem, “don’t bug me” is dubby rasta tune,”konoba boba” reminds little bit early border community sound.

thank you so much for supporting us 15 years!

Considered by many as one of Europes finest selectors, Lola Palmer makes her first appearance on get-traum with a blend of what the ukrainian artist cherishes the most: groovy, acid & deep sonorities that will keep your feet on the dancefloor for hours. Alci, swiss based producer & sunwaves regular delivers a reduced, yet very efficient version of "Step Forward", wrapping up the EP in style.

Mark Hawkins has had a career in music spanning the past 25 years.
It has encompassed torturing Goa trance ravers with esoteric techno records on Welsh hillsides in the mid '90s, hanging with UK house heads like the DiY and Smokescreen sound-systems around quarries, fields, clubs and pubs in the Midlands, after which he found his initial niche in producing punky techno around the turn of the millennium for labels like Djax Up Beats and Mosquito.
After an eight-year stint producing, releasing and playing out proper underground house music as Marquis Hawkes on labels like Houndstooth and Aus Music, making techno records for DVS1's Mistress imprint and Len Faki's Figure recordings as Juxta Position, alongside other work under the names Contactless and Falcon Black Ops for Unknown To The Unknown, Hawkins now embarks on the next phase of his career, which will gradually amalgamate his broad influences into one unique sound.

The 1980s were a golden era for Mike Mareen and his label, Night’n’Day Records. In just a few short years, Mareen carved out a stellar reputation on the German electronic dance music scene, excelling both as a groundbreaking artist and a hit-making producer. His tracks, alongside those he produced for other artists, dominated the charts and filled DJ crates across Europe. One of the standout talents he nurtured was Luisa, a singer from Bad Oeynhausen, who recorded “Parole” under Mareen’s guidance. With its Italian title and lyrics penned by Italian songwriter Rocco Caruso, the track exuded a breezy, summery vibe. While it didn’t achieve massive chart success at the time, “Parole” became a staple in DJ sets across the Eastern Bloc, quietly winning fans with its airy charm.

Over the years, the track’s cult following grew – and now, there’s even more reason to celebrate. Recently unearthed session tapes from Night’n’Day Records have revealed previously unheard versions of “Parole.” These rare gems, along with the original release and a special DJ edit, are now part of a brand-new reissue, fresh and ready to spin for a new generation. Get ready to rediscover the magic of “Parole” – a timeless piece of ’80s nostalgia brought back to life!

La Pointe debut on Damian Lazarus’ Secret Teachings with ‘Umbra’, featuring remixes from Nathan Fake and Jonny Rock. The experimental label opens its 2025 schedule on 24th January with the Geneva-based trio’s warping original backed by a pair of late-hours remixes from two of the best in the scene.

Emerging from a confluence of rave culture and artistic mastery, La Pointe make an impressive label debut on Damian Lazarus’ Secret Teachings imprint with the enigmatic ‘Umbra’. The release, set for 24th January, is accompanied by stellar remixes from revered producer Nathan Fake and the ever-versatile Jonny Rock, delivering a sonic journey that transcends the ordinary. La Pointe, a trio formed by Geneva-based techno pioneers Crowdpleaser and Entlet alongside New York City’s Jonny Sender, represents a fusion of cultural and musical legacies. Rooted in the dynamic after-hours scenes of Geneva and New York’s underground club culture, the trio creates music that is both innovative and steeped in tradition. Their studio, located in an old factory by the meeting point of the Rhone and Arve rivers, lends its name—and its industrial inspiration—to their project.

The original mix of ‘Umbra’ is a hypnotic exploration of light and shadow, blending atmospheric melodies with deep, pulsating rhythms—a testament to their ability to craft soundscapes that resonate emotionally and physically. Nathan Fake’s remix ventures into intricate, textural layers, marrying ethereal tones with electronic intensity. Jonny Rock injects a raw, off-kilter groove and late-hours energy into his reinterpretation, blending his eclectic influences from disco, funk, house, and beyond. The genesis of La Pointe is as captivating as its sound. Crowdpleaser and Entlet are celebrated architects of Geneva’s rave scene, running the legendary after-hours party The Shark for over a decade and hosting luminaries like Alexander Robotnik, Boo Williams, and Sonja Moonear. Jonny Sender, a stalwart of New York’s downtown music revolution in the 80s to 00s and bass player of post-punk band KONK, brought his unique perspective honed in venues like Mudd Club to the trio when he moved to France. This debut appearance on Secret Teachings is not just a collection of influences but a narrative woven from decades of underground culture and musical exploration - making it a perfect fit for Lazarus’ label as he continues to champion boundary-pushing artistry, curveball signings and inspired remix curation.

Studio, the influential project of Swedish musicians Dan Lissvik and Rasmus Hägg, presents their legendary 2006 debut in remastered form, in partnership with Ghostly International. Available in limited edition "Fog Machine Vinyl", CD, and cassette. "One of the finest pieces of electronic music you'll hear this year.” - The Guardian (2006). Included in year-end best-of write-ups by Pitchfork, FACT Magazine, and Rough Trade. Physical copies have long been out of print for West Coast, and the album has also been notably absent from most streaming services until now.

“Somehow, I knew I wanted to make a conceptual record that, although only imaginary at that point, could represent or define how our city sounded,” says Lissvik of Gothenburg's influence on West Coast. Some called Studio, the project of Swedish musicians Dan Lissvik and Rasmus Hägg, “the missing link between The Cure and Lindstrøm,” Pitchfork heard Durutti Column and Can, as the duo’s story became swept up in a loosely developing scene — adjacent first to the label Service (Jens Lekman, The Whitest Boy Alive) and later Sincerely Yours (The Tough Alliance, jj) — and a precursor to the 2010s boom at the axis of electronic and psychedelic music guided by indie greats like Caribou, Four Tet, and Darkside.

West Coast, their seminal 2006 debut, captured a faraway romanticism of Balearic brushed up against Krautrock, disco, dub, and afrobeat, with pop lyricism lifted from new wave, all made modern by two art school grads in Gothenburg. First pressed in a small vinyl-only run via their own Information label, the album has been notably absent from most streaming services, and the internet’s record of its initial impact is all but fossilized from a bygone blog era, while its sound is simply untraceable to any one moment in music.

Outside of three 7” releases, they’d keep the music to themselves for several more years. In 2005, Hägg remembers, “We got our degrees and were kicked out of our studio spaces so all these recordings were just piled up. A year later we dusted them off and started to deconstruct and assemble them in a more drawn-out fashion.” In the same breadth, they cite DJ Screw, J Dilla, and Joy Division, along with early ‘80s European live DJ sets from the likes of Beppe Loda, Dj Mozart, and Baldelli as reference points.

“The anything-goes mentality was very encouraging and was a big cornerstone to the Studio sound,” says Hägg. “But there’s so much more to the picture, we were not that young then and had lots of musical baggage in our suitcases, the new thing was that we finally let it all come through, not bound by any borders that was often the case with music identity in Sweden during the 90s.” In the afterglow of the record’s 2007 reception, Studio receded from view, clouded behind a mountain of remix requests (including one for Kylie Minogue that saw release) and label bureaucracy. “It’s easy to wish we would have done some proper recordings of our own instead,” Hägg reflects. But both artists, now well into respective careers beyond Studio, have come to peace with West Coast as their most enduring effort together. Lissvik adds, “It serves as a good reminder for me to keep to that decision and promise and to continue exploring and growing

'La Quinqui' / 'Llora' is Gipsy Power Band's debut single, where they merge flamenco rumba, rock and funk astonishingly, evoking a unique era of Spanish music.

Formed in Madrid in 2022, Gipsy Power Band was originally conceived to pay live tribute to the music of the Spanish exploitation film genre known as "cine quinqui", performing tracks from those movies and many other foundational songs: hits, some flops and hidden gems released in Spain from the mid-70s to the early 80s. Rock, funk, disco and flamenco rumba productions by Los Chichos, Las Grecas, Los Chunguitos and Los Chorbos, among others.

After two years setting the Madrid stages on fire and making the public dance to this vintage repertoire, the time has come to move to the next level. The band has evolved and now they are releasing their first own songs: a dramatic love story told from two points of view worthy of a period "cine quinqui" movie, the spirit of which inspires the compositions.

Unex Pected Records, the advanced sub-label of Mixcult Records, is proud to present its first release compiled by none other than Ultranoise, a master. The “Color Filters EP” UNX001 is a sonic tour that conveniently merges the current and past of electronic music offering an enthralling amalgam of progressive, tribal and garage influences in today’s jazzy wrapping.

From the moment the first beat drops until the closing note, it is clear that every Ultranoise composition has been crafted with love and attention to details, meaning that this album will not only make you feel nostalgic but also excited about what lies ahead. Each track on this record aims at attracting all those who love dancing; they come with entrancing melodies that are backed up by pulsating beats which can either be deep or infectious making one respond by simply moving.

Rediscover the old school essence of electronic music in new colours. If you are already a seasoned collector of vinyl records or if you want to attract more beauty into your ears as a beginner, then this piece should never be out of your shelves. Don’t be left out when Unex Pected Records’ debut ever comes calling.

This is a highly recommended album for any serious collector interested in adding some new life onto their dancefloor.

lunch Money Flips Vol. 1: Espresso Con Panna b/w Pain Au Chocolat by | Galaxy Sound Company — GSC45-045, @galaxy_sound_company is reknowned for its always on-point, cop-on-site 45 edit series but over the last few years has also turned plenty of heads with their instrumental hip-hop interludes with label regular Michigan’s @strictlybutters who hails from the same small place that gave us Lyman Woodard & now gifts us with a super sweet pair of beatstrumentals. I’m fortunate to get a limited test pressing to share with you all to preview what the skateboarder, runner, sneaker-head & bedroom b-boy beat maker has in store.

For those that follow him, Strictlybutters frequently shares his lunchbreak/dollar bin finds that he has flipped & spun into juicy, head-nodding gold. With this release, no. 45 in the GSC45 series, we get that on wax live & direct.

Side A’s “Espresso Con Panna” flips the gospel, soul-funk gem “Love Light II” by Salt Of The Earth, from the 1984 LP “He Will Deliver”. SB delivers that thumping bass, hip-hop flip that keeps you going until he tops you off with a jazzy-sax outro to smooth things out just right. On the flipside, “Pain Au Chocolat” hits you in the gut with what feels almost like an alternate Detroit-style beat that ATCQ might have dug into & felt right at home with. & like the A-side, he gives us an “extra butter bonus beat” outro with a funky bass line you will hit the back button to replay more than a few times. & the subtle extra buttered sauce of unique samples with more Axelrod groovy flares & flourishes to tickle your fancy.L

The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.

Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.

The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.

Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.

Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.

This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."

Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.

2025 Repress

Wide Yonder’ is a truly remarkable album, offering as much depth and soul as it’s predecessor, yet sounding ultimately fresh and different. Above all, the ten tracks show an artist that’s willing to take risks, find in- spiration in new places and move beyond the sound of his previous album. Trentemøller: ‘Of course I didn’t want to make the same record twice. So the album is for me a logic development from ’The Last Resort’’. Instead he just started to collect new ideas, without thinking too much about the direction the music would take him: ‘The only thing I knew was that I’d want the music to sound more organic and analog.’ Compared to the intimate electronic mood pieces of ‘The Last Resort’, the ten tracks on the new album indeed have a more strange, mystic and dramatic vibe, with a lot of dynamics, distorted, driving twang- guitars, real and electronic drums mixed with haunting synths. With ‚Into The Great Wide Yonder‘ Trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. The original chord progressions and feel for melodies is fundamental to him, and that‘s also the reason why most of the instruments are played by Trentemøller himself on this album. ‚I like the possibility to be surprised that chords and melodies change into something new. The music that I like most lets the themes and sounds come back in different disguises‘. The Danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. The first single of the album, the beautifully tender ‘Sycamore Feeling’, featuring Marie Fisker, is a typical highlight. In fact, all the vocal tracks are stunning. Trentemøller chose to collaborate with the English artist Fyfe Dangerfield from UK based Guillemots and Danish singers Solveig Sandnes and Josephine Philip from the debuting Danish indie girlduo Darkness Falls. They all manage to add their own sound and flavour to the album, while their voices blend perfectly with Trentemøller’s atmospheric songs. This is an album that keeps growing for a long time, as every track works its way stealthily under your skin. The sound of ‘Into The Great Wide Yonder’ might be one step ahead of his previous work, but we still easily recognize the hand of Trentemøller, in this inspired collection of songs and atmospheres. The sonic richness, sharp contrasts and daring musical colours are vintage Trentemøller. Into The Great Wide Yonder’ might demand more from the listener than ‘The Last Resort’, as it ended up being quite a dramatic album. This album is more noisy, there’s more happening.‘ But getting to know the tracks definitely is a rewarding experience, as the album will keep growing and growing for a long time to come and its safe to say that Anders Trentemøller has managed to create

Dub Shepherds met Echo Minott in 2016 through the Dub Master Clash project, a dub evening concept that saw several dub producers “battle it out”. A solid friendship was born between the Jamaican and the young Clermont-Ferrand producers.

From these reverb and echo clashes came a 12” maxi, ‘This World is inna Mess’, etching in wax the first collaboration between Dub Shepherds and Echo Minott.

In 2023, Dr Charty and I Fi travel to Jamaica with a bag full of riddims produced at the Bat Records studio, and are greeted on the spot by Echo Minott. Get the picture? We’ll spare you the photos of the trip here, and just select the fruit of this musical journey : five tracks and five dubs between roots and 80’s rub a dub that make up the Mango Tree showcase. Enjoy Music Lovers!

Piska Power presents Hazardous Marine Creatures.Techno with constant modulations that will make your room vibrate. Movements that envelop you and capture you at all times. Includes remixes from Squaric, a Techno version for the dance-floor and an Electro-classic version from Ilektrolab to travel to another dimension. Printed cover!