Bonus 7' - Black Hat Daddy & The Silver Comb Gang by Child Support Instrumental
JEROME BRAILEY funk drummer and former member of George Clinton’s PARLIAMENT FUNKADELIC is most famous for co-writing PARLIAMENT’s 1976 gold hit single “Give Up The Funk (Tear The Roof Of The Sucker)". But thanks to poor management, in 1978 he and several other members mutinied and left the group.
That same year Jerome gathered his own crew, dubbed them MUTINY, and issued two classic funk albums on Columbia Records: “Mutiny On The Mamaship” (1979) and “Funk Plus The One” (1980). A third album entitled “Black Hat Daddy & The Silver Comb Gang” was scheduled for release on Jerome’s own label J.Romeo in 1981 but, due to unforeseen circumstances never saw an official release, although a handful of tracks were included on MUTINY’s 1983 album “A Night Out With The Boys”.
So now, Jerome Brailey & Regrooved Records proudly presents the original mixes and line-up for the true 3rd and unreleased MUTINY album “Black Hat Daddy & The Silver Comb Gang”.
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- A1: Mozart - Theme (Twelve Variations On "Ah Vous Dirai-Je, Maman" K.265/300E)
- A2: Dohnanyi - Variation 1
- A3: Debussy - Variation 2
- A4: Schumann - Variation 3
- A5: Variation 4
- A6: Variation 5
- A7: Variation 6
- A8: Variation 7
- A9: Variation 8
- A10: Variation 9
- A11: Variation 10
- A12: Variation 11: Adagio
- A13: Variation 12: Adagio
- A14: Introduction. Maestoso (Variations On A Nursery Song For Piano & Orchestra Op 25)
- A15: Theme. Allegro
- A16: Variation I. Poco Piu Mosso
- A17: Variation Ii. Risoluto
- A18: Variation Iii. L'istesso Tempo
- A19: Variation Iv. Molto Meno Mosso (Allegretto Moderato) (Allegretto Moderato)A20 . Variation V. Piu Mosso
- A21: Variation Vi. Ancora Piu Mosso (Allegro) (Allegro)
- A22: Variation Vii. Walzer (Tempo Giusto) (Tempo Giusto)
- A23: Variation Viii. Alla Marcia (Allegro Moderato) (Allegro Moderato)
- A24: Variation Ix. Presto
- A25: Variation X. Passacaglia (Adagio Non Troppo) (Adagio Non Troppo)
- A28: Doctor Gradus Ad Parnassum (Children's Corner L 113)
- A29: Jimbo's Lullabya30 . Serenade For The Doll
- A31: The Snow Is Dancing
- A32: The Little Shepherd
- A33: Cakewalk
- A34: Von Fremden Landern Und Menschen (Kinderszenen Op 15)
- A35: Kuriose Geschichte
- A36: Hasche-Mann
- A37: Bittendes Kind
- A38: Gluckes Genug
- A39: Wichtige Begebenheit
- A40: Traumerei
- A41: Am Kamin
- A42: Ritter Vom Steckenpferd
- A43: Fast Zu Ernst
- A44: Furchtenmachen
- A45: Kind Im Einschlummern
- A46: Der Dichter Spricht
- A26: Variation Xi. Choral (Maestoso) (Maestoso)
- A27: Finale Fugato (Allegro Vivace) (Allegro Vivace)
Isata Kanneh-Mason erweckt in dieser bezaubernden Sammlung den Zauber der Kindheit: klassische – und nostalgische – Musik über Kinder, komponiert von Wolfgang Amadeus Mozart, Claude Debussy, Robert Schumann und Ernst von Dohnányi. Begleitet vom Royal Liverpool Philharmonic Orchestra erinnert sich die Pianistin daran, wie sie als Kind Dohnanyis Variationen über ein Kinderlied hörte, aber auch daran, wie sie Mozarts Variationen über dieselbe Melodie lernte. Zu hören auf „Childhood Tales“ sind außerdem Debussys „Children’s Corner“, das der Komponist für seine 6-jährige Tochter geschrieben hat, und Robert Schumanns schlichte Kinderszenen.
- A1: Strange Effect (Killing Eve)
- A2: Eyes (Killing Eve)
- A3: Anything To Be Cool (Killing Eve)
- A4: Careful, Baby (Killing Eve)
- A5: Two Minds (Killing Eve)
- A6: Unloved Heart (Killing Eve)
- A7: Dare Or Truth (Killing Eve)
- B1: La La La (Killing Eve)
- B2: Without Love (Killing Eve)
- B3: Mama (Killing Eve)
- B4: Carnival (Killing Eve)
- B5: Tales Of The Unexpected (Killing Eve)
- B6: It Won’t Be Long (Killing Eve)
Die Musik von Unloved hat die Stimmung der bahnbrechenden BBC-und Netflix-Serie 'Killing Eve' perfekt untermalt. Während der vier Staffeln trugen ihre Tracks dazu bei, die Welt zu erschaffen, durch die sich Villanelle und Eve bewegten; ihr Sound war so unverwechselbar, dass er fast zu einem weiteren Charakter wurde. 'Ode To The Lovers' versammelt alle Unloved-Tracks, die während der Killing Eve-Staffeln 1 - 4 zu hören waren und erscheinen nun erstmals auf einer Vinyl. Diese Sammlung ist faszinierend und schön, voll von zeitloser Musik. Egal, ob Sie 'Killing Eve' gesehen haben oder nicht, dies ist ein Sound, der für Liebhaber gemacht ist - wo auch immer sie sein mögen.
He made his recording debut in 1961 and the following year joined Dizzy Gillespie's band which firmly established the pianist in jazz circles. Though Barron might be best known for his association with the sections of Gillespie (1962-66), Freddie Hubbard (1970-75), and Ron Carter (1976- 80), remarkably, Barron has played with virtually every leading figure in his journeyman career. This includes George Benson, Booker Ervin, Ella Fitzgerald, Chico Freeman, Stan Getz, Dizzy Gillespie, Elvin Jones, Abbey Lincoln, Buddy Rich, and Clark Terry, just to name a few. This album originally released in 1991 showcases the warm, undiluted lyricism of Barron's playing, with stellar performances from Ray Drummond on bass and Ben Riley on drums
- A1: Scott Mckenzie - San Francisco (Be Sure To Wear Some Flowers In Your Hair)
- A2: The Byrds - Mr Tambourine Man
- A3: Cher - Blowin' In The Wind
- A4: Tommy James & The Shondells - Crimson And Clover
- A5: Cream - Sunshine Of Your Love
- A6: The Beach Boys - Good Vibrations
- B1: Zager & Evans - In The Year 2525 (Exordium & Terminus)
- B2: The Mamas & The Papas - California Dreamin
- B3: The Troggs - With A Girl Like You
- B4: Free - All Right Now
- B5: The Moody Blues - Nights In White Satin
- B6: Albert Hammond - It Never Rains In Southern California
- C1: John Lennon - Imagine
- C2: Tim Hardin - If I Were A Carpenter
- C3: The Spencer Davis Group - Gimme Some Lovin
- C4: The Kinks - Lola
- C5: Joan Baez - Love Song To A Stranger
- C6: Cat Stevens - Peace Train
- D1: The Animals - The House Of The Rising Sun
- D2: Melanie - Brand New Key
- D3: Joe Cocker - Feelin' Alright
- D4: Procol Harum - A Whiter Shade Of Pale
- D5: The Who - Pinball Wizard
- D6: Canned Heat - On The Road Again
Die Kopplung „Flower Power – Best Of Love, Peace and Happiness” erinnert an die Zeit von Woodstock, Hippiebewegung und nicht zuletzt an ziemlich gute Musik.
Das Lebensgefühl der damaligen Zeit spiegelt sich in diesen Songs wieder: Freiheit, Liebe, Verbundenheit.
Auf 2LPs bzw. 1CD befinden 24 Songs aus den 60er und frühen 70er-Jahren. Von Künstlern, wie Joe Cocker, Cat Stevens, The Mamas & The Papas, Joan Baez, The Beach Boys, Melanie, The Who und
vielen anderen.
Die 2LP kommt im Gatefold-Cover und in farbigem Vinyl.
Following up on their acclaimed debut EP Yagana in 2022, the 5-piece band Pigeon return with a brand new offering: Backslider.
As Pigeon develop and hone their sound further, Afro-disco remains at the core while jazz and no-wave make way for new elements of electro, rock and synth pop.
With their debut Yagana EP gaining critical acclaim, each member has found themselves heavily in demand on top of their own individual pursuits – Falle Nioke is releasing his solo work as well as other projects, while Steve Pringle and Graham Godfrey play in various bands (Michael Kiwanuka and SAULT to name a few). Adding to the creative melting pot, Tom Dream pursues filmmaking and bespoke music composition via his own studio, and Josh Ludlow runs his own record label M.A.D. Records.
Lead single 'Backslider', a laid-back, 80s funk-rock bassline is backed by a deliberate, plodding drum kit - frontman Falle Nioke proceeds to sing in English and French - calling someone a 'backslider', for their dishonesty and bad behaviour.
Track 'Ikanabore', is a fast-paced, Afro-disco workout primed for the dancefloor, driven by a catchy chorus, guitar hooks, a heavy rollicking kick drum and plenty of modulated synth - highlighting the band's ability to effortlessly cross between tempos and genres.
Raveena Aurora’s debut album was released on EMPIRE in 2019. As she wrote on social media the evening of its release, “What a dream to be able to give u this piece of my soul.”
The album features 12 songs exploring themes of sexuality, womanhood, and her Indian heritage. Raveena cites Sade, Corinne Bailey Rae, Minnie Riperton, and Indian singer, Asha Puthli, as inspirations.
In Togo, Gazo doesn’t need any special occasion to resonate with people. Like an everyday life soundtrack, it is present when everything is fine but also when sadness sets in. In France, electronic music is also a popular remedy at any time, but it is often far away when we look at the money we spent the night before with watery eyes. Ago Gazo set the scene for a hybrid genre in which the notions of trance and liberation are palpable. Percussion, instruments and traditional chants from Togo, analogical machines and modular synths share a common destiny in this project : bruising emotions like a boxer’s ears.
Oikoumene" bedeutet "Ökumene" und bezieht sich auf einen altgriechischen Begriff, der die bewohnten oder "zivilisierten" Teile unseres Planeten bezeichnet, mit anderen Worten diejenigen, in denen die Menschheit ihre Spuren hinterlassen hat. In diesem Rahmen hat THEODOR BASTARD Musiker russischer, Zulu-, indischer, britischer und französisch-afrikanischer Traditionen und eine beeindruckende Reihe von Naturinstrumenten (daf, doira, dumbek, udo, kalimba, reko-reko, caxixi, ashiko, talking drum) aus der ganzen Welt zusammengebracht, um dieses Album zu schaffen. Ursprünglich im Jahr 2012 veröffentlicht, wird es nun endlich wiederveröffentlicht! Wie Aki Nawaz von der britischen Kultband Fun-Da-Mental sagt, "spiegeln Theodor Bastard die wahre Kunst des musikalischen Ausdrucks in all ihren Parametern wider".
Oikoumene" bedeutet "Ökumene" und bezieht sich auf einen altgriechischen Begriff, der die bewohnten oder "zivilisierten" Teile unseres Planeten bezeichnet, mit anderen Worten diejenigen, in denen die Menschheit ihre Spuren hinterlassen hat. In diesem Rahmen hat THEODOR BASTARD Musiker russischer, Zulu-, indischer, britischer und französisch-afrikanischer Traditionen und eine beeindruckende Reihe von Naturinstrumenten (daf, doira, dumbek, udo, kalimba, reko-reko, caxixi, ashiko, talking drum) aus der ganzen Welt zusammengebracht, um dieses Album zu schaffen. Ursprünglich im Jahr 2012 veröffentlicht, wird es nun endlich wiederveröffentlicht! Wie Aki Nawaz von der britischen Kultband Fun-Da-Mental sagt, "spiegeln Theodor Bastard die wahre Kunst des musikalischen Ausdrucks in all ihren Parametern wider".
Tapestry is a work born from collaboration, homage and the best sound.
“La Collaboración” is created when Arturo Bambini, a producer, jazz bassist and full-time musician, meets a young Lynx 196.9 on the other side of the world, a poet and rapper from Philadelphia who captivates him with his rhymes. And its deep and melancholic tone.
From this understanding arises this work, “El Homenaje” by Lynx to Carole King's Tapestry album, whose sound accompanied him throughout his childhood.
“Tapestry” lives up to its name and like a good “Tapiz” it was built with scraps in the form of collaborations such as Dirty Winters, Simón Taibi or the masterful Kool Keith (AKA Dr. Octagon / Dr. Dooom!)
All this sewn with the mastery of Arturo Bambini, the Italian musician based in Barcelona, who with his red tracksuit and rat head wraps us through hip hop and jazz with an urban cadence taken from the very heart of the "best sound".
"To think, this all started with Posture, a record done with some minor misunderstandings in play. Primaruly due to the language barrier between Arturo Banbini and I. To now a fully conceived project, unbelievable and simply God's work. To be honest, I wanted to pay homage to one of the greatest album I've ever heard (Tapestry, Carole King). A Rose to you, you've been nothing short of an inspiration to my music."
- A1: Lynyrd Skynyrd – The Seasons (4.09)
- A2: Barefoot Jerry – Smokies (2.14)
- A3: Joe South – Hush (3.47)
- A4: Bobbie Gentry – Papa, Won’t You Let Me Go To Town With You (2.34)
- A5: Area Code 615 – Stone Fox Chase (3.17)
- A6: Cher – I Walk On Guilded Splinters (2.32)
- B1: Cowboy – Please Be With Me (3.48)
- B2: The Allman Brothers – Ain’t Wastin’ Time No More (3.40)
- B3: Link Wray – Be What You Want To (4.29)
- B4: Boz Scaggs – I’ll Be Long Gone (4.08)
- B5: Lynyrd Skynyrd – Comin’ Home (5.29)
- C1: Bobbie Gentry – Seasons Come, Seasons Go (2.52)
- C2: Leon Russell – Out In The Woods (3.37)
- C3: Tony Joe White – Polk Salad Annie (3.42)
- C4: Barefoot Jerry – Come To Me Tonight (4.43)
- C5: Dan Penn – If Love Was Money (3.29)
- C6: Linda Ronstadt – I Won’t Be Hangin’ ‘Round (2.59)
- D1: Waylon Jennings – Big D (2.30)
- D2: Big Star – Thirteen (2.37)
- D3: Bobbie Gentry – Mississippi Delta (3.06)
- D4: Travis Wammack – I Forgot To Remember To Forget (2.54)
- D5: Johnny Cash & June Carter – If I Were A Carpenter (3.01)
- D6: Billy Vera – I’m Leavin’ Here Tomorrow, Mama (4.13)
Black Vinyl[29,62 €]
Long out of print (10 years!), this new edition of Soul Jazz Records' classic Delta Swamp Rock, features a killer all-star line-up of seminal artists who all first blended rock, soul and country together to create a stunning new sound of southern American music in the 1970s.
Featuring the Allman Brothers, Dan Penn, Leon Russell, Tony Joe White, Johnny Cash, Bobbie Gentry, Big Star, Link Wray, Area Code 615 and loads more!
This album comes as a superb limited-edition gold vinyl double vinyl release complete with extensive original sleevenotes, interviews and exclusive photography, all spread over a 12-page full-size magazine and two bespoke inner sleeves. The works!
Delta Swamp Rock is an interstate southern road-trip through the United States of America where country, rock and soul met at the crossroads - an exploration of the musical and cultural links between the cities of Memphis, Muscle Shoals and Nashville in the 1960s and 70s.
At the start of the 1970s, a new type of music emerged out of the southern states of Alabama, Tennessee, Georgia, Mississippi and Florida. Southern rock, the creation of young blue-collar white Americans, blended rock, soul, country and blues music together to present a new vision of the south – a post-civil rights southern identity complete with a celebration of the regions natural landscape and its way of life.
The Allman Brothers and Lynyrd Skynyrd epitomised the definitive southern rock groups – a mixture of blues-rock and country with a southern rebelliousness and attitude. Unfortunately both The Allman Brothers and Lynyrd Skynyrd were to be struck by tragedy, which would affect the movement’s rise and fall.
The backstory to southern rock is the fact that a number of the people involved in its creation had been central to the production of southern soul music in the 1960s mainly in Memphis, Tennessee, and the small town of Muscle Shoals (population around 10,000) deep within the bible-belt, liquor-free, deeply segregated state of Alabama, creating 100s of R&B hits on an almost daily basis.
Here in Muscle Shoals, with its proximity to Memphis and Nashville, an all-white group of in-house musicians, (famously referred to by Lynyrd Skynyrd in the song ‘Sweet Home Alabama’ as the ‘Swampers’), created countless classic soul records for the likes of Aretha Franklin, Wilson Pickett, Etta James, Clarence Carter and more during the 1960s.
This album charts the rise and fall of southern rock from its funky swamp roots in southern soul to its phenomenal success in the first-half of the 1970s, including its influence on Nashville’s ‘outlaw’ country and tracing it right back to the arrival of rock and roll in the 1950s - the first meeting of black and white American music at the crossroads.
- 1: Mr Cutts - Loving You
- 2: Jitwam - Fukswityu
- 3: Mylo Mott - Thru The Phone
- 4: Dwyer - Potato Peeler Blunt
- 5: Vooo - The Great Beyond
- 6: Apltn - Splash
- 7: G Mills - Whirl
- 1: Shopan - Toki
- 2: Eric Lau - Back Aligned
- 3: Flofilz - Finistère
- 4: Apollo Brown - Glimpse
- 5: Quinn Oulton - Jump
- 6: Evil Needle & Venuz Beats - Bliss
- 8: Makzo, Mama Aiuto & Sam Pomanti - Moon Patrol
- 1: Desh & Nico Harris - Aesthetics
- 2: Cumulus Frisbee - Triangulator
- 3: Teeze - Floatatious
- 4: Kalaido - Summoning Bell
- 5: Hemai & Buddy Analogue - Jaywalk For Pleasure
- 6: Tambala - Coconut Sly
- 1: Don Papa 海賊 - The Merry-Go-Round
- 2: Anatole Muster, Andris Mattson & Çağrı Sertel - Cable Car
- 3: Relyae - Take Time
- 4: Sem0R - Peppermint
- 7: Tall Black Guy (Pharaoh's Spirit)
- 8: Oliver Crosby - Time Of Day
- 5: Kissamilé - Resilience
- 6: Keeth - Gemstone
- A1: Hanif Reads Toni (Feat. Hanif)
- A2: Sun, I Rise (Feat. Angélica Garcia)
- A3: Mezzanine Tippin' (Feat. Teller Bank$, Alfred.)
- A4: Run, Run, Run
- A5: Live! From The Kitchen Table (Feat. Ghais Guevara)
- B1: Tyler, Forever
- B2: Dedicated To Tar Feather (Feat. Anjimile)
- B3: The Story So Far (Interlude)
- B4: The Story So Far (Feat. Seline Haze)
- B5: Beloved! Paradise! Jazz!? (Feat. Ms. Jaylin Brown)
Recycled Col. LP
McKinley Dixon calls the late Toni Morrison the greatest rapper of all time; and the way he tackles topics like survival, violence, and religion within the expansive landscape of the Black experience, evokes her novels. It is from the title of Morrison‘s Beloved trilogy where he finds the title of his new album with City Slang Records: Beloved! Paradise! Jazz!? Musically his household was defined by “artists whose first name was Mary,” including Mary J. Blige and gospel duo Mary Mary. Discovering Outkast was formative for Dixon, deepening his love for hip-hop while he also grew curious about the more theatrical rock of groups of the day, bands like My Chemical Romance and Panic! At The Disco that his Maryland friends introduced him to. “Those groups also helped me with my sense of longing, since their music reflected a sense of longing,” he says. Eventually he channelled these competing influences into a debut EP he released in 2013. With time, his music became his primary means of self-expression, whether discussing Blackness or his own relationship with healing. Across his next releases, his style evolved and his confidence grew, especially when it came to live instrumentation. His 2021 debut album For My Mama and Anyone Who Look Like Her was a game changer, as Dixon set his sights on heartache and grief. “I was making these really dense and chaotic songs, stuffing whatever thought I had into five and a half minutes,” Dixon says of that project. Beloved! Paradise! Jazz?! is an attempt at channeling different impulses. Sometimes rough and other times delicate, this record is a journey into is a journey into the psyche of McKinley Dixon, with all of the of the attendant peaks and valleys.
A nomad in France and elsewhere, a dandy of the highways and byways, Antonin carries his poetically gaunt figure along the beaches of Cap-Ferret, where he is originally from, his long Cossack hair and his profile of a night owl with a sharp sweetness. Born "sea-drunk", he grew up in a wooden hut on the sand in the middle of the pines, and his only masters are time, the ocean and the six strings of his acoustic guitar. His music is like him: sun-drenched, free as air, necessary as water. Heady pop ritornellos, ballads to sing in chorus and dance barefoot, island saudades. Somewhere between Nino Ferrer and Nino Rota, Air and Moustaki, with Antonin's casual and chameleon-like ability to pass himself off as an Italian or an Israeli when the wine or the atmosphere encourages him to do so.
NGHTCRWLR is the latest embodiment of NYC based Iranian Artist Kris Esfandiari.
After a decade of fronting monumental Relapse & Sargent House affiliate King Woman, Kris now shape-shifts into her latest impulse. NGHTCRWLR: a hybrid of expressions; erupting into a slithering mass of noise, industrial, and 808’s. This debut sonic mutation contains the familiarity of Dean Blunt’s aplomb cadence twisted with the electronic jolt of The Prodigy.
“Let the Children Scream” is a lyrical divulgence of nefarious characters in power, a memorial erected for innocence lost by way of cloaked monstrosities. This theatrical odyssey will transport you into another dimension and leave you stupefied.
NGHTCRWLR’S long awaited LP will be ushered into the world on January 29th 2020 via Copenhagen based Amniote Editions overseen by Mama Snake and Rose Johansen.
We Are Vinyl label release - 30th anniversary edition. Considered to be one of his most successful and popular albums, Osbourne’s sixth solo studio record was originally released in September 1991 and featured four songs co written by Motörhead’s Lemmy Kilmister. The album went on to become quadruple platinum in the US, becoming one of Ozzy’s two best selling albums alongside his groundbreaking solo debut "Blizzard of Ozz". An 11 song double album pressed on 180gm black vinyl. No download code.
Borgo Dora is a multiethnic neighborhood located in the centre of Torino. A perfect example of inclusion between different people from (mainly) the Mediterranean area and home to Porta Palazzo, the largest open-air market in Europe.
In 1991, a newly born studio located in the middle of the district guided by Biagio Puma decided to give birth to a dance lp called Teknoafro with the support of local Techno dj Bart Spinelli. The title almost speaks for itself, mixing the Italian "Afro" dj culture and the new Akai samplers with 909-driven Techno rhythms. The result was impressive, giving birth to a quite unique recording that reveals many aspects of the '90s Italian dance creativity and tapestry.
Dualismo Sound comes with a fully remastered selection of 6 tracks taken from the original lp.
- A1: Good Love_88 1:11
- A2: Bittersweet_75. 1:24
- A3: Mamas Cooking_88 1:10
- A4: Dropout Years_82 1:19
- A5: Autumn Walk_68 1:34
- A6: Just Sorry_86 1:01
- A7: Moody Jazz Night_73 1:16
- A8: Jazzmen_74 1:38
- A9: Street Life Is A Misery_69 1:00
- A10: Morning Sunrise_82 1:05
- A11: Love Movement_83 1:13
- A12: A Brooklyn Love Story_85 1:07
- A13: Inglewood Sunset_60 1:37
- A14: Funk Doc_82Bpm 1:11
- A15: Ain’t No Love In_82 1:07
- B1: Dark Knight_90 1:06
- B2: A Lonely Street Walk_75 1:40
- B3: Tyler_118 1:17
- B4: Jazzy Sunday_79 1:08
- B5: R&B In My Vein_70 1:13
- B6: Alchemist_70.5 1:18
- B7: In My Closet_88 1:08
- B8: Lonely Streets_76 1:06
- B9: 80S Champagne Lover Boy_100 1:02
- B12: Pan Tao_70 1:12
- B13: Ghost Manor_85 1:13
- B14: King Edward_120 1:14
- B15: Sunlight Kiss_84 1:02
- B16: Mirage_73 1:09
- B10: Lori Heaven_71 1:17
- B11: Gone Till November_70 1:18
Shuko´s new LP is something different. He and the producer Basti (Kanye West, Joey Badass, Timbaland) spent the last 3 years creating samples, learning vintage recordings and putting their knowledge of vintage soul jazz, 60´s and 70´s composer and r&b music into crafting this 31 track album. What makes this release so special is that you now are able to use those samples for your own music and recreating something new without the hustle and pain of clearing samples. Just visit tracklib, pay a little licence fee and register your new work with them. And even if you are not into creating music, this LP is a perfect soundtrack for a calm start into the day or something you will love to relax to.
- 1: Doc's Guitar / Black Mountain Rag Featuring Billy Strings
- 2: White Freight Liner Blues Featuring Molly Tuttle
- 3: Daddy Frank (The Guitar Man) Featuring Jamey Johnson,Jimmie Fadden & Bill Payne
- 4: Precious Time Featuring Sierra Hull
- 5: Cajun Girl Featuring Little Feat & Sam Bush
- 6: Another Man Done A Full Go Round Featuring Jorma Kaukonen
- 7: Son Of A Gun Featuring Richard Smith
- 8: Someone Like You Featuring Michael Mcdonald
- 9: Mombasa Featuring Yasmin Williams
- 10: Everybody Loves You Featuring Larry Campbell & Teresa Williams
- 11: Mama Knows Featuring Jerry Douglas & Don Harper
- 12: Sweet Temptation Featuring The Del Mccoury Band
- 13: Yeller Rose Of Texas Featuring Sam Bush
- 14: Tennessee Stud Featuring Nitty Gritty Dirt Band
- 15: Seven Come Eleven Featuring David Grisman
- 16: Far Away Places Featuring Raul Malo
Tommy Emmanuel ist ein australischer Gitarrist, Schlagzeuger, Bassist und Songwriter. Er wurde bisher zweimal für den Grammy nominiert und gilt als einer der weltbesten Vertreter des sogenannten Fingerstyle, einer speziellen Spieltechnik insbesondere für akustische
Gitarre.
Tommy Emmanuels Duett-Album "Accomplice Two" bietet eine erstaunliche Vielfalt an Künstlern und Stilen. Es gibt Songs mit den Rocklegenden Michael McDonald, Jorma Kaukonen und Little Feat; lassen Sie sich von Bluegrass-Superstars wie Billy Strings, Molly Tuttle, The Del McCoury Band, Sam Bush, Jerry Douglas, Sierra Hull
und David Grisman überraschen. Außerdem sind die Country-Ikonen Nitty Gritty Dirt Band, Jamey Johnson und Raul Malo sowie die Gitarren-Schwergewichte Yasmin Williams, Larry Campbell und Richard Smith mit dabei.
- A1: Dotlights - Come In & Stay
- A2: Bao, Broken Transient - Mantilla
- A3: Poldoore - Warmer Days
- A4: The Doppelgangaz - Dole Out
- A5: Afroham - Satisfaction
- A6: Flavors, Floridomi, Chief - Softly Spoken
- A7: C Y G N - Time To Chill
- B1: Birocratic, Soren Sostrom - Want To
- B2: Nymano, Suuna - Moving On
- B3: Sofasound - The Loveliest Dream
- B4: Chromonicci - Northern Lights
- B5: Invention - Igloo Palace
- B6: G Mills - Long Grain Game
- B7: Oddfish - Pine Away
- C1: Moderator, Thomas Prime - Drowning Eyes
- C2: Psalm Trees - I Go To Rio
- C3: Odyssee, Lucid Green - Slowly
- C4: Parkbench Epiphany - Ether
- C5: Kendall Miles - Avalanche
- C6: Masked Man - Fuyez
- D1: Yoann Garel, Aphrow - Soul Reflection
- D2: Blue Wednesday - Window Seat
- D3: Stan Forebee - Swirl Solstice
- D4: Mama Aiuto, Hm Surf - Napping Bell
- D5: Swum, Takeo - Long For
- D6: Less People - Special Person
Cozy up for winter with our newest Chillhop Essentials seasonal compilation 2022. The calming and laid-back lofi instrumentals welcome winter leaves and comfy hoodies. It's time for some coffee or tea and an evening to relax. All the song project features an impressive list of producers.
Fat Albert Rotunda is the venture into jazz-funk by keyboardist Herbie Hancock. The record is centered around the music Hancock wrote the Fat Albert cartoon show. It's one of the records which appeared in the period between his landmark album Maiden Voyage of 1965 and his 1973 classic Head Hunters. Fat Albert Rotunda is a unique item in Herbie Hancock's long and diverse catalog, with funky tracks like 'Fat Mama' and modern jazz-oriented tunes like 'Tell Me A Bedtime Story'. The sextet which is backing Hancock consists of some of the most prominent musicians of that time, like Joe Henderson on tenor sax, Johnny Coles on trumpet and Buster Williams on the bass.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets & buttons and he was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound. In fact, he always bounced back and forth between his electronic and acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an original and distinctive voice.
* New pressing on red colored vinyl * Betty Davis' 1974 sophomore album They Say I'm Different features a worthy-of-framing futuristic cover challenging David Bowie's science fiction funk with real rocking soul-fire, kicked off with the savagely sexual "Shoo-B-Doop and Cop Him" (later sampled by Ice Cube). Her follow up is full of classic cuts like "Don't Call Her No Tramp" and the hilarious, hard, deep funk of "He Was A Big Freak."
- A1: Mon Amour
- A2: Don’t Say Goodbye
- A3: Sevilla
- A4: The Clown
- A5: Lady Mccorey
- A6: Felicidad
- A7: Marching On
- B1: Oh Me Oh My
- B2: Pearyldumm
- B3: Rockin’ The Trolls
- B4: Chanson D’amour
- B5: The Old Calahan (Live)
- B6: Blue Eyes
- B7: Twilight
- C1: Just An Illusion
- C2: Le Legionnaire
- C3: If I Say The Words
- C4: The Summertime
- C5: La France
- C6: Amore
- C7: If I Had Only A Chance
- D1: Yeppa
- D2: Medley: It Happened 25 Years Ago
- D3: Che Sara
- D4: My Number One
- D5: The Banjo Man
- D6: Mama (Live)
- D7: Wedding Bells
BZN (Band Zonder Naam, a.k.a. Band Without A Name) started out as a pop-rock band, based in Volendam in 1966. Switching from hard rock to pop, the band went through several changes in line-up and scored their first commercial success with “Mon Amour” in 1976. This first success led to a string of hits, charting in the Netherlands, Germany, Belgium, and even South Africa. After 42 years, their career came to an end in 2007 with a final concert at Ahoy Rotterdam
This double album features their biggest hits, including “Mon Amour”, “Don’t Say Goodbye”, “Yeppa”, “Pearlydumm”, “Chanson D’Amour”, “Just An Illusion”, and “Lady McCorey” amongst others. The Very Best Of BZN includes an insert.
- A1: Latimore - Are You Where You Wanna Be
- A2: Gwen Mccrae - Rockin' Chair
- A3: Lew Kirton - Let Me Up Off My Knees
- A4: Joey Gilmore - Give Me Your Love
- A5: Helene Smith - I Tried So Hard To Be Good To You
- A6: All The People Feat. Robert Moore - Wish I Had A Girl Like You
- B1: George Mccrae - You Can Have It All
- B2: Timmy Thomas - Why Can't We Live Together
- B3: Paulette Reaves - I Forgot To Be Your Lover
- B4: The Charms - Hearts Of Stone
- B5: Robert Moore - Tears Of The World
- B6: The Charmettes - Surrendering My Love
- C1: Betty Wright - Shoorah! Shoorah!
- C2: Little Beaver - Mama Forgot To Tell Me
- C3: Miami - I'll Hold The Groove
- C4: Wilson Pickett - The Best Part Of A Man
- C5: The Facts Of Life - Uphill Places Of Mind
- C6: Doris Duke - A Little Bit Of Your Love
- D1: Willie Johnson - Between The Lines (Unreleased)
- D2: Milton Wright - Be With Me
- D3: The Twans - I Can't See Him Again
- D4: The Diamonettes - Don't Be Surprised
- D5: Audrey Royal & The Reid Singers - Come On Playboy
- D6: The Blue Notes - Here I Am
It is no longer a secret that Lady Linn has a very rich and unique voice with a versatility that is second to none, ensuring that she is right at home in a myriad of styles.
She proved exactly that in her new 'trilogy', a series of three E.P.'s - 'I'm Fine', 'Sea of Trees' & 'Nocturne'- each one telling its own unique story, and now bundled on the album 'Trilogy'.
The common thread throughout the album is her affinity with jazz, soul and dance, but also lyrically, various themes return: the tenderness within family life, melancholy, nature, and the magic of the dance floor.
There is also a clear evolution with the arrangements going from a sober, stripped-down quasi-electronic sound of the JX-03 on 'I'm fine' (with contributions from Gustaph, Gregory Frateur and producer Frederik Segers) to dreamy and warm analog synths by producer Joris Caluwaerts on 'Sea of Trees', to an organic, energetic sixties sound on 'Nocturne' with starring role for her partner and bass player Filip Vandebril and partners in crime: The Magnificent Seven, arranger Frederik Heirman and producer Jan Chantrain.
In addition to a selection of the three EPs, 'Trilogy' also includes the extra song 'Hurricane', one of Linn's personal favorites, recorded at Daft Studios with The Magnificent Seven:
'I had just watched a documentary on Laurel Canyon (on the topic of Los Angeles - the epicentre of the 'counter culture' or better 'hippie culture' - in the late 60's and early 70's and the habitat of The Mamas and the Papas, Frank Zappa, Jim Morrison, etc.) which fed my fascination for the 60's that I already had thanks to my parents. The way in which music was created and recorded in that era is a dream for every musician, me included. With the surplus in time due to the lack of gigs during the pandemic the time was right to follow my dream and record in the Daft Studios with my own band. I felt a bit like Carol King behind my piano, but I was also inspired by Joni Mitchell.'
A quote from the lyrics of 'Hurricane': 'I wanna feel the wind like the birds outside/Dive like a seagull, enter the water from flight/Into the deep I slide'.
'A very personal song about losing yourself and the longing for freedom. I composed this one specifically with 60's songs in mind, with loads of modulations and pretty complex chords.'
Lady Linn wrote a versatile trilogy, inspired by a diverse set of influences that had her digging in music history in a very original and contemporary way. She also made her mark on the sound of the productions. On both 'I'm Fine' and 'Nocturne' she was co-producer.
Das neue Album "Risiko" von Steiner & Madlaina ist einmal mehr eine sehr persönliche Angelegenheit, die sie aber hin und wieder mit einem rotzigen Statement gehörig aufmischen. Nora und Madlaina haben sich für die Aufnahmen der zwölf Songs des neuen Albums neun Tage lang mit ihrer Band in das französische "Black Box Studio" in der Normandie zurückgezogen. Dort wurden alle Takes live eingespielt und zusammen mit Giuliano Sulzberger produziert.
"Die Aufnahmen zählen zu den besten Zeiten, die wir als Band erlebt haben", sagen Nora Steiner und Madlaina Pollina über ihr bereits drittes Album. Genau DAS hört man aus jedem der zwölf Songs heraus. Ob es damit das beste Album ist, das sie je gemacht haben? Die Entscheidung überlassen sie anderen.
Der Vorgänger "Wünsch mir Glück" landete in ihrer Heimat auf Platz 2 der Album-Charts - in Deutschland wurde es Platz 32. Gehen wir also am Ende ruhigen Gewissens mal ins "Risiko" und sagen: Dieses Album würde sich wirklich gut auf der 1 machen. Ob in Deutschland oder der Schweiz? Ach, warum nicht in beiden Ländern?
- A1: Phoniks - Up In The Sky
- A2: Kaspahauser - Magic Mellow
- A3: Flofilz & Saib - Matcha Pond
- A4: Luchii - 229
- A5: Konteks - 2002
- B1: Move 78 - Hal Wandered Off
- B2: Cookin Soul - Rainbow City
- B3: Jadu Jadu & Tambala - Lunar Juice
- B4: Klim - Oh World
- B5: Leaf Beach & The Deli - Twoday
- C1: Desh & Delaney. - Sunbeams
- C2: Wun Two - Adele
- C3: Koralle - Labirinto
- C4: Swum & Eden Ladin - Above
- C5: Knowmadic - Summer Walk
- D1: Flughand & Steichi - Fugla
- D2: Mama Aiuto & Daphné - Tangs Kantine
- D3: Samuw - Kount It Up
- D4: Dualizm - Cassandra
- D5: Soulchef - Here
In 2015, when we launched Hip Dozer, we were overwhelmed by the amount of talent that was still championing this old school way of making beats and the incredible creativity that was circulating in the scene.
In a period where hip hop was evolving so much and going further (sometimes for the better but also for the worse), it was obvious to us that we had to defend this rising scene of young beatmakers who were so attached to the roots of old-school beatmaking but who were always taking it to another level.
It's been 7 years since we created Hip Dozer Records with our first anniversary compilation and that's what makes this compilation so special every time. Its purpose remains the same and will always be to champion the art of beatmaking that we love and to help showcase new artists in the scene.
This year we are lucky enough to have some of our favourite talents from the scene on board with artists like Saib, Flughand, Phoniks, Cookin Soul, SoulChef and Wun Two.
We would like to say a huge thank you to all the artists who have been involved in this project and who have been as enthusiastic as we are in making it happen. It has been such a pleasure since the beginning of this adventure and this is only the beginning. Much love to all of you who listen and support wherever you are.
- A1: The Revolution Will Not Be Televised – Gil Scott-Heron
- A2: Just In Time To See The Sun - Leon Thomas
- A3: Head Start - Bob Thiele Emergency
- A4: See Saw Affair - Cesar
- A5: Peaceful Man - Esther Marrow
- B1: Expansions – Lonnie Liston Smith & The Cosmic Echoes
- B2: Bolivia - Gato Barbieri
- B3: Friends And Neighbors - Ornette Coleman
- C1: 125Th St & 7Th Ave - Oliver Nelson
- C2: Mama Soul - Harold Alexander
- C3: Heavy Soul Slinger - Pretty Purdie
- C4: Soulful Strut – Steve Allen
- D1: Whitey On The Moon - Gil Scott-Heron
- D2: Lament For John Coltrane (Take 1) – Bob Thiele Emergency
- D3: Peaceful Ones – Lonnie Liston Smith & The Cosmic Echoes
- D4: Echoes - Leon Thomas
• Bob Thiele is one of the great producers. For his work with John Coltrane alone, where he gave free reign to the saxophone great's wildest musical visions including “A Love Supreme”, ignoring the usual cost consciousness of a major label, he deserves to be lauded. In addition to this, his eight years at Impulse! saw him recording seminal works by scores of musicians including late-blooming masterpieces by Duke Ellington and Johnny Hodges, and a whole wave of 'new thing' jazzers such as Archie Shepp and Pharoah Sanders. He didn't stop there and when he launched his own label, Flying Dutchman in 1969, he continued to innovate and record music that reflected its times, but that also resonates down through the ages. It is to Flying Dutchman that we are paying tribute on this compilation.
• Gil Scott-Heron's recordings for the label ran to three records, which sold well but not spectacularly at the time. They have since taken on a resonance that makes the album "Pieces Of A Man" in particular one of the most important recordings of the last century, and its opening track 'The Revolution Will Not Be Televised' an anthem. Pianist Lonnie Liston Smith had been on Thiele's final important Impulse! Recording, Pharoah Sanders’ "Karma", and continued to appear on Flying Dutchman, first as a sideman and then as a leader. His 1975 album "Expansions" was the perfect encapsulation of his 'cosmic jazz' and the title track is a moment of near perfection which has become one of the foundation pieces of modern dance music.
• Flying Dutchman's other great discoveries are here. Vocalist Leon Thomas found a new route for jazz vocals in the early 70s, which made him a star and earned him a place in Santana. Gato Barbieri became one of the major saxophone stars of the era, after Thiele enabled him to meld his free jazz leanings to the rhythms of South America. The label also made important recordings with Tom Scott (featured on Thiele's own 'Head Start'), Ornette Coleman and Oliver Nelson, whilst interesting records appeared by Esther Marrow, Harold Alexander and many more.
• This is Flying Dutchman is a considered tribute to the label, and features in depth and fully illustrated sleeve notes. In the year when Bob Thiele's son is gearing up to release the first new music on the label since 1976, it is an apt and timely reminder of the power of the music.
- A1: The Leaders - Wait A Minute
- A2: Archie Shepp - Song For Mozambique
- A3: Oliver Lake Quartet - Tap Dancer
- A4: Karl Berger And Friends - Guitar Vibes
- B1: Sun Ra Arkestra - Mayan Temples
- B2: Muhal Richard Abrams Octet – Laja
- B3: Andrew Cyrille & Maono - Metamusicians’ Stomp
- C1: The John Carter Octet - Ode To The Flower Maiden
- C2: Diedre Murray, Fred Hopkins - Zebra Walk
- C3: Joseph Jarman, Don Moye Feat Johnny Dyani - Mama Marimba
- D1: Sun Ra Arkestra - Love On A Far Away Planet
- D2: The Don Pullen Quartet - The Sixth Sense
- D3: World Saxophone Quartet
Woke rhythms and high-spirited grooves from the vaults of two seminal Italian jazz labels, between the 70s and 80s. Intensely curated by Khalab.
Hyperituals is a philological investigation that deeply delves into the possibilities of sound, rhythm, remix, and endless sampling. Inspiring listening, interpretation, and reinterpretation.
This volume is dedicated to the catalogue of the Italian Black Saint. Thanks to a constant, cutting-edge, and meticulous commitment, Black Saint & Soul Note established themself as two of the most important imprints for international jazz. They always placed the artists, their visions, and their music at the centre, giving them total freedom of creative expression. By combining jazz tradition with the political vanguard sentiment of the time, the two labels were able to press and produce more than five hundred records, many of which are by some of the brightest names in creative jazz or the ‘avant-garde’ of the era.
Curated by Khalab, the selection - focused on rhythms, grooves, and Afrocentric traditions - blends moments in which the rhythmic aspect is powerfully explicit, with others in which the kinetic aspect dialogues on different levels with African American cultural contexts.
- 1: Latimore - Are You Where You Wanna Be
- 1: 2 Gwen Mccrae - Rockin' Chair
- 1: 3 Lew Kirton - Let Me Up Off My Knees
- 1: 4 Joey Gilmore - Give Me Your Love
- 1: 5 Helene Smith - I Tried So Hard To Be Good To You
- 1: 6 All The People Feat. Robert Moore - Wish I Had A Girl L
- 1: 7 George Mccrae - You Can Have It All
- 1: 8 Timmy Thomas - Why Can't We Live Together
- 1: 9 Paulette Reaves - I Forgot To Be Your Lover
- 1: 0 The Charms - Hearts Of Stone
- 1: Robert Moore - Tears Of The World
- 1: 2 The Charmettes - Surrendering My Love
- 2: 1 Betty Wright - Shoorah! Shoorah!
- 2: Little Beaver - Mama Forgot To Tell Me
- 2: 3 Miami - I'll Hold The Groove
- 2: 4 Wilson Pickett - The Best Part Of A Man
- 2: 5 The Facts Of Life - Uphill Places Of Mind
- 2: 6 Doris Duke - A Little Bit Of Your Love
- 2: 7 Willie Johnson - Between The Lines (Unreleased)
- 2: 8 Milton Wright - Be With Me
- 2: 9 The Twans - I Can't See Him Again
- 2: 10 The Diamonettes - Don't Be Surprised
- 2: 11 Audrey Royal & The Reid Singers - Come On Playboy
- 2: 1 The Blue Notes - Here I Am
- A1: Atta Frimpong - Bepo So Dua
- A2: Alan Cosmos & His Bam-Baara Soundz - Soca For Your Pleasure
- A3: Ab Crentsil - Mama Dwen Meho
- B1: Dj Lawyer Okyere - Ohia Kannye Ya (Medley)
- B2: Alan Cosmos & His Bam-Baara Soundz - Onua Gyae
- B3: Pope Flyne Ackah - I Think You Are Right (Jepense Que Tu A Raison) (Jepense Que Tu A Raison)
- C1: Atta Frimpong - Yaako
- C2: Pat Thomas - Obae
- C3: Mawuli Decker - Mawu Nafako Nam
- D1: Nana Aboagye Da-Costa - Sikyi (Medley)
- D2: Alan Cosmos & His Bam-Baara Soundz - Yebi/Fontonfrom
Kalita are proud to unveil the second volume in their "Borga Revolution!" compilation series, focussing on the phenomenon of "Burger Highlife", a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980"s and beyond. Featuring both highly sought-after recordings by artists including Atta Frimpong and D.J. Lawyer Okyere, as well as seminal performances by greats such as Pat Thomas, A.B. Crentsil and Alan Cosmos, Kalita once again come to the rescue of audiophiles, DJs and music-lovers alike with "Borga Revolution! - Volume 2". Spread over a double-LP housed in a gatefold sleeve. Accompanied by a 12-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.
Slade waren in den siebziger Jahren nicht zu stoppen
und wurden zu einer der größten Bands Europas. Sie
veröffentlichten sechs Hit-Alben, darunter drei britische Nr.
1-Hits und 17 aufeinanderfolgende Top-20-Singles. Ihre
Hits sind ein Synonym für die Glam-Ära. Auf dieser 1976
erstmals veröffentlichten Splatter-Vinyl von "Nobody's
Fools" ist die Band mit einer Reihe von Hits zu hören,
darunter "In For A Penny", "Let's Call It Quits" und
"Nobody's Fool".








































