Cerca:marc dawn

Highly recommended. About the album Blind Emperor Through wetland, winters, rubble and fallout come horizons new; civilisation shattered under a vengeful cataclysm, eventually led to dawn from the light of a blighted leader. Every action has a reaction, and those who wish to prosper must first be willing to offer something of intrinsic value. As one empire crumbles, another takes its place. The struggle for a fleeting utopia comes at a cost, and those who strive towards golden gates must trek along a solemn valley. The Allegorist Berlin-based artist, The Allegorist, has been meandering through stories with her purposeful and introspective take on electronic music. Each release explores themes that require joint participation from the listener as they look to flood your mind with images of fabled characters and places through her artistic soundscapes. Her carefully build worlds that straddle sci-fi and fantasy, feeding off of the light and dark dualism are the perfect blend of reflective contemplation and storytelling. As a holistic artist, Anna Jordan (The Allegorist) encapsulates a myriad of her talents within her work. Her previous albums, Hybrid Dimensions I. and Hybrid Dimensions II., established her aesthetic and detailed fictitious stories, along with the language ‘Mondoneoh’, a language to unite all nations. Her latest endeavour, and 4th album, The Blind Emperor, portrays the essence of a mythical land that tells of struggle that will lead to prosperity. The protagonist, Blind Emperor, leads the charge into a brighter tomorrow. Like chapters from a novel, each track allows the listener to be carried by the story. It is an epic, cinematic, choral, ambient techno album. The album combines her depictive, written and musical storytelling with a concept portrayed visually, orally and audibly to deliver another saga in her ever-evolving figments of fantasy. It comes as an entire artistic project, as The Allegorist created the album art, wrote the included story and composed a poem that all combine to tell the tale of Blind Emperor.

The third compilation EP to commemorate the 20th anniversary of the establishment is Coastal Haze under the umbrella of Church,

An up-and-coming duo from New Zealand, Manuel Darquart, released on Wolf Music and others. The long-awaited first vinyl version of the popular song released digitally only in 2016.

The dense sound world with a wide range, including the impressive synth bass that penetrates the song, is unique to vinyl release. Including mastering by

Mr. KUNIYUKI, this work that realized a thick groove that is different from the time of digital sound source, there is no doubt that it will shake the entire space.

The up-and-coming French beatdown house S3A, whose long-awaited first album from Dirt Crew was well received. It's no wonder that he grew up listening to Detroit house,

and his unique sense of exquisite combination of sleezy beats, muffled texture and breathing such as disco funk is an excellent work.

The space is gradually filled with layers of euphoria that folds down, and the feeling of exhilaration and sophistication is irresistible!

The Japanese twin duo SATOSHI & MAKOTO, whose two albums released from YOUNG MARCO's label attracted a lot of attention, remixed the songs of SATOSHI FEAT and KUNIYUKI.

It is a remix of the work that was recorded in the label's 20th anniversary edition "20 YEARS SOUND OF SPEED RECORDS VOL.2" and was well received, but it seems that they were strongly influenced by early techno, and there is a melancholic synth work that drifts. The finish that is drawn into. It's a wonderful remix with respect for the original and a fusion of your own colors.

KUNIYUKI is in charge of mastering

Acclaimed Los Angeles indie songwriter Alex Brown Church has announced the release of Sea Wolf - “Through A Dark Wood (Deluxe)” on November 19 via Dangerbird Records. “Having it come out now feels kind of fitting,” Church remarked. “‘Through a Dark Wood’ originally came out in March 2020 at the beginning of the pandemic, when we were all entering into a new ‘dark wood’ together. We’re beginning to figure it out, though we’re still not sure what’s next. Just like the story of the album.” “Through A Dark Wood (Deluxe)” includes 5 new songs from the original sessions where Church, coming out of a bruising divorce, wrote, recorded and scrapped a full album's worth of material before starting anew. Deluxe Tracklist: 1. Witchknife 2. Reflections On A Grey Dawn (feat. Dustin O'Halloran) 3. Two Figures 4. Here For You 5. Animal Mind

Flashes of light rarely burn for long. Bush Tetras exploded into
New York in 1979 and flamed out just a few years later. Yet
somehow this lightning-quick band have risen from their own
ashes again and again for four decades. The spark that ignited
Bush Tetras tapped into a deep grid of power, fuelled by
guitarist Pat Place, singer Cynthia Sley and drummer Dee Pop.
 That chemistry is palpable on ‘Rhythm and Paranoia: The Best
of Bush Tetras’, which features 30 tracks across 2CDs in a 4-
panel digipack / 29 songs across 3LPs pressed onto 180gram
vinyl in a rigid lift-off box with lift ribbon, remastered by Carl
Saff, plus a 40-page (2CD) / 46-page (3LP) book with neverbefore-seen photos, an original essay on the band by Marc
Masters and micro essays by Sonic Youth’s Thurston Moore,
R&B legend Nona Hendryx, The Clash’s Topper Headon and
more.
 From the band’s earliest recordings to their current, vital-asever incarnation, ‘Rhythm and Paranoia’ - for the first time ever
- showcases their unique, influential and body-shaking meld of
rock, punk, funk, reggae and more in one cohesive, immersive
and meticulously constructed box set.
 “Coupled with ‘Too Many Creeps’’ dancey arrangement, Sley’s
monotonous tone signaled that within the Tetras’ newly staked
safe space, misogyny wasn’t a threat: it was just a boring,
predictable damper on the party. Like the rest of their peers, this
band was over it.” - Pitchfork (The History of Feminist Punk in
33 Songs)
 “The Bush Tetras are a national treasure” - VICE
 “Renowned at the dawn of the eighties for pairing the disjoined
guitar skronk of the inaccessible No Wave scene with
irrepressible, funk-infused rhythms, the Bush Tetras were
remarkably influential without ever really receiving their due” -
The New Yorker
 “Bush Tetras bridge the gap between the Ramones and Sonic
Youth.” - NY Post





[e] 5 Cold Turkey [Live in London]










[p] 16 Mr. Lovesong [Alternate Version]













[xd] 30 Run Run Run [Live in San Francisco]

Ben LaMar Gay's critically-lauded 2018 break out Downtown Castles Can Never Block The Sun was more like a greatest hits than a debut album, as it compiled the best of the prolific but obscurity-prone Chicago native artist’s previously unreleased music. Open Arms to Open Us will be our first release of brand new, freshly baked tunes by Gay, a collection recorded entirely at International Anthem studios in Chicago between March-June 2021.

Ben LaMar Gay's critically-lauded 2018 break out Downtown Castles Can Never Block The Sun was more like a greatest hits than a debut album, as it compiled the best of the prolific but obscurity-prone Chicago native artist’s previously unreleased music. Open Arms to Open Us will be our first release of brand new, freshly baked tunes by Gay, a collection recorded entirely at International Anthem studios in Chicago between March-June 2021.

Hell Awaits is the second studio offering by American thrash metal legends Slayer, originally released in March 1985 by Metal Blade Records. When it was released in 1985, Slayer's second full album, Hell Awaits, seemed to many a nearly impenetrable cacophony of sound. However, it proved to be incredibly ahead of its time instead, and has since been confirmed as a mandatory item in the band's remarkable discography

Looks like we are hittin’ a milestone here. A little background has to be provided though, in order everyone to fully understand why it took us that long to put out this Album, which was already
announced at the dawn of 2020. The ELECTRIFIED project started almost 2 (TWO) years ago, with the first vocal takes recorded a few days ahead of Cannonball Weekender in November 2019. Everything seemed fine and in good working order so the release date was
planned and announced for june 2020. All self financed, self conceived and self realised in that style that’s a point of distinction of our small group of labels. Then the CVD damn thing kicked in. “So What?” some of you would be very entitled to ask. And,
believe me, I’d be on the very same
#sowhat lines as you, only that each member of our team reacted to the shitstorm in his very different and individual way. While folks all over the world were confined home
setting up new ventures, creating new labels and dedicating themselves to something productive not to get psychologically annihilated by the media induced fear, our project was totally disrupted instead. It took the first wave to fade away to gather our stuff
together and movin’ the production forward. Anyway, whatever the reasons, the album came ready and mixed by march 2021. So here we are. Further than the two acclaimed singles
“Break Free” and “Sitting On Top Of The World”, the tracklist includes 6 completely new songs, a smashing cover of
Massive Attack’s “Unfinished Sympathy” and the rearrangement of the two classics
“There Are No Winners” and “Mother Got A Way”. The style goes from modern funk experimentation to a more classic soul and a groovy electronic ender foreseeing the future of this beautiful music.

Aukai is a Hawaiian word meaning ‘seafarer’ or ‘traveller’. It’s also used as a proper name, and people who are called Aukai tend to have a mystical, philosophical, introspective nature. All of which makes Aukai the perfect name for the new album and project by multi-instrumentalist and composer Markus Sieber.
It’s a collection of ambient acoustic soundscapes that take the listener on an inward journey to a place of peaceful stillness and tranquil beauty. “This album has a lot to do with memories from travel,” says Sieber, “but also memories from childhood and nature. How did the river smell in summer? I wanted to create a sonic space where music guides the listener into some imaginative inner world.”

After the successful ‘Dawn of the Dead’ live soundtrack performance in 2017 and subsequent live LP release by Claudio Simonetti’s Goblin, Svart Records are proud to present another foray into the world of classic Italian horror soundtracks.
This time, Claudio Simonetti’s Goblin were invited to Finland to perform a Dario Argento two movie set, opening with a live accompaniment to Profondo Rosso and finishing the night with a striking rendition Suspiria. Recorded on May 19th 2019 and mixed and mastered by Claudio Simonetti himself in his studio in Rome, Svart are proud to release limited vinyl editions of the Live Soundtrack Experience.
These exclusive jewels come wrapped in gatefold jackets with sumptuous new artwork by the master Eric Adrian Lee, including new lobby card designs of shots from the performance as taken by the photographer Marco Manzi. Both LPs are available on limited black and even more limited red vinyl. Get closer to the creepy mystique and jarring horror of this quintessential Simonetti’s Goblin soundtrack, live and in the flesh!

After the successful ‘Dawn of the Dead’ live soundtrack performance in 2017 and subsequent live LP release by Claudio Simonetti’s Goblin, Svart Records are proud to present another foray into the world of classic Italian horror soundtracks.
This time, Claudio Simonetti’s Goblin were invited to Finland to perform a Dario Argento two movie set, opening with a live accompaniment to Profondo Rosso and finishing the night with a striking rendition Suspiria. Recorded on May 19th 2019 and mixed and mastered by Claudio Simonetti himself in his studio in Rome, Svart are proud to release limited vinyl editions of the Live Soundtrack Experience.
These exclusive jewels come wrapped in gatefold jackets with sumptuous new artwork by the master Eric Adrian Lee, including new lobby card designs of shots from the performance as taken by the photographer Marco Manzi. Both LPs are available on limited black and even more limited red vinyl. Get closer to the creepy mystique and jarring horror of this quintessential Simonetti’s Goblin soundtrack, live and in the flesh!

Vinyl reissue of this classic Oi! compilation originally released on Secret Records in 1981.

It features tracks by the biggest bands of the genre like: 4 Skins, Blitz, Red Alert, Peter & The Test Tube

Babies, Infa-Riot or The Business. This album went straight to number four of the independent charts and became probably the best Oi!

compilation ever issued. Includes original artwork inner bag.

The second compilation EP to commemorate the 20th anniversary of the establishment of Sound Of Speed!

A-1, by UK Kieron Ifill K15 (WILD OATS, EGLO, APRON) with an impressive sophisticated electric jazzy track that symbolizes the label.

The debut work "Wait" from DISTANT HAWAII is a cult hit, and also from RHYTHM SECTION INTERNATIONAL and MOODS & GROOVES.

A-2 by HIDDEN SPHERES from Manchester, who has release experience and has an impressive unique rhythm composition and airy synth usage.

The Japanese twin duo SATOSHI & MAKOTO, whose two albums released from YOUNG MARCO's label attracted a lot of attention.

Sapporo's KUNIYUKI participated in the music of his brother SATOSHI as percussion, a 90's synth riff reminiscent of the dawn of Detroit techno.

KUNIYUKI from Sapporo, who has live experience on the world stage, participated in the percussion with an ambient feeling that delicate keyboard

work is folded in multiple layers.B-1, which weaves a groove in a quiet humor, a masterpiece electric jazz world that draws you in from the beginning

of the song and gets caught up in the world view in a blink of an eye

Includes 4 songs including KUNIYUKI TAKAHASHI's new song B-2, which has been developed and acclaimed by DJ Sprinkles. KUNIYUKI is in charge of mastering.

Orange Vinyl

Vertigo is a 1958 American film noir psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel D'entre les morts (From Among the Dead) by Boileau-Narcejac. The film was shot on location in San Francisco, California, and at Paramount Studios in Hollywood. It is the first film to use the dolly zoom, an in-camera effect that distorts perspective to create disorientation, to convey Scottie's acrophobia. As a result of its use in this film, the effect is often referred to as the Vertigo effect'. Vertigo received mixed reviews upon initial release, but is now often cited as a classic Hitchcock film and one of the defining works of his career.

Polifonic Records is the melodic balance between antagonistic vibrations, spirits and energies that inhabit the land of Puglia since the dawn of time.
An harmonic exploration into colorful, vibrant sunrise atmospheres and emotional, introspective sunset sensations. One Body. Many Souls.
PF002 // ‘Sequential Circuit’ EP marks the comeback of Hiver duo. The title track displays the melodic and ethereal sound Hiver have been shaping during the years.
‘Clouds the mind’ follows with a sleazy bass-line alongside hazy pads blending into atmospheric textures.
Giving a great addition to the originals, Adiel contributes with vibrant rhythms and sharp synths.
Marco Shuttle up the tempo on the other side with his clever use of percussive elements and floatings sounds.

The conclusive chapter of the two part EP series by DISTANT, which started with 'Dawn of Corruption' in October 2020, was follwed by 'Dusk of Anguish' in March 2020 and is now full embodied in its final form with AEONS OF OBLIVION. Taking the material from both EPs, arranged in the order of the lore accompanying the project - a hellish hour of punishing Downtempo Deathcore.

The conclusive chapter of the two part EP series by DISTANT, which started with 'Dawn of Corruption' in October 2020, was follwed by 'Dusk of Anguish' in March 2020 and is now full embodied in its final form with AEONS OF OBLIVION. Taking the material from both EPs, arranged in the order of the lore accompanying the project - a hellish hour of punishing Downtempo Deathcore.

Far Out Recordings is delighted to present Mora!, and for the first time ever on vinyl Mora! II. Mexican-American percussionist and former member of the Sun Ra Arkestra, Francisco Mora Catlett originally recorded and released his debut solo LP as a private press in 1987, but the sequel he recorded over the course of the next few years with an expanded Detroit jazz brass section was shelved for decades to follow. A pan-American melting pot of hypnotic afro-cuban rhythms, frenetic batucadas and fiery sambas, Mora I & II are holy grails of latin jazz, masterminded by an unsung hero of the genre.

Born in Washington DC, 1947, Francisco Mora Jr is the eldest child of two highly prominent Mexican artists, Francisco Mora Sr and Elizabeth Catlett, to whom this project was dedicated. Being born into a mixed heritage bohemian family provided Mora Jr with what he called a “creative, progressive, and healthy arts environment”, building the foundations for a fascinating career journey ahead. Mora grew up in Mexico City where he began working as a session musician for Capitol Records in 1968, before moving to study at Berklee Music College in Boston, MA in 1970. Once he’d completed his studies in 1973, he very briefly returned to Mexico City with the best intentions of cultivating an avant-garde movement in the city, but when the Sun Ra Arkestra came to perform, Mora ended up leaving with the band to tour the world for the next seven years, a decent innings within a group famous for its constantly evolving line up.

Settling in Detroit after his years with the Arkestra, Francisco set to work on his self-titled debut, gathering an ensemble of musicians that included keyboardist Kenny Cox, founder of the legendary Strata Records, esteemed bassist Rodney Whitaker of the Roy Hargrove Quintet and percussionists Jerome Le Duff, Alberto Nacif, and Emile Borde. The album openly embraces and unites the broad spectrum of improvisation, rhythm, and jazz that has thrived throughout the American continents for centuries. In Mora’s own words the album intended to “manifest the African heritage presence in the American continent.” Epitomising this outlook, album opener ‘Afra Jum’ deploys a melody based on Haitian, African and Native American motifs, which is expanded upon by the soulful excellence of the Detroit veterans Cox and Whitaker, amidst a backdrop of afro-cuban inspired percussion.

The sequel Mora II was recorded shortly after with an expanded line up that included trumpet legend Marcus Belgrave, famed for his work with Ray Charles, Charles Mingus, Hank Crawford, Eddie Russ and Wendell Harrison. Continuing the concept of the first album, the follow up moves deeper into South America with the samba jazz dance belter ‘Amazona’, led by the rich vocals of Francisco’s wife Teresa Mora. The ‘Afra Jum’ concept is further explored, with the original motifs beefed up by the additional horns, and interspersions of Sun Ra inspired rumbling free improvisations. This follow up album remained shelved until 2005, when Mora put it out as a now obscure CD titled River Drum, but only now has it been given the high quality vinyl treatment it so deserves, presented as the sequel to Mora! as originally intended.

Through the 90s and into the the 21st century Mora would continue his Pan-American explorations, moving toward a more electronic afro-futurist direction as part of Detroit techno pioneer Carl Craig’s Innerzone Orchestra. Mora also worked with Carl Craig, moog synth wizard Craig Taborn, and his former Arkestra colleague, the legendary Marshall Allen, to form the Innerzone Orchestra spin-off Outerzone, released in 2007 on Premier Cru Records. Mora I & II will be out as two vinyl LPs, CD and digitally 16th April 2021.

Classic black vinyl, including DLC with estra track. "Here lies our ancient future, Deep England: our hope and compassion in the chokehold of power and glory.Hand in hand, here we cry our rage: summoning a lament into the ether, a divine androgynous force, a transcendental purge of the dizzying chaos of post-truth Britain." - Gazelle Twin & NYX. Gazelle Twin & NYX: electronic drone choir have announced details of their debut release, Deep England, an 8-track album out on vinyl, CD and digitally on 19 March 2021 via NYX Collective Records.Rooted in English pagan and sacred music, Deep England is an electronic-choral expansion of Gazelle Twin's 2018 album Pastoral (Anti-Ghost Moon Ray). Here, tracks from Pastoral, an album whose political themes have only intensified since its original release, are radically reworked and presented alongside original compositions by NYX, Paul Giovanni and William Blake.Gazelle Twin (aka Elizabeth Bernholz) and NYX, the electronic drone choir reshaping the role of the traditional female choir, originally created Deep England for live performance with Movement Director Imogen Knight, Sound Associate Peter Rice and Designer Chloe Lamford. The performance, described by The Times in their 4* review as a "spellbinding febrile techno-pagan pageant", premiered at the Queen Elizabeth Hall in November 2019. Deep England was transferred to the studio soon after, and the resulting album shows a powerful and often dreamlike Jarman-esque depiction of a country divided by its many selves. The performers are Adélaïde Pratoussy, Cecilia Forssberg, Elizabeth Bernholz, Natalie Sharp, Ruth Corey, Shireen Qureshi and Sian O'Gorman. The album was co-produced by Marta Salogni, Sian O'Gorman (NYX) and Elizabeth Bernholz (Gazelle Twin) with mix and additional programming by Marta Salogni, and mastering by Heba Kadry.

Be assured that even dawning on sixty and with a career spanning more than 30 years, Popa Chubby continues to fight against the injustices of this world !
And the least we can say about 2020 and the COVID-19 pandemic is that it offered him the “magnificent” inspiration that fed into the creation of his new album “Tinfoil Hat”! As he writes himself, this record’s creation was self-evident from the beginning of the first lockdown in March.
Back at his base in the Hudson Valley and following his last show played in Florida, our man immediately wanted to send a message of empathy and support to his fans, and that’s how the song “Can I Call You My Friends?” was conceived. The reaction was so sudden, warm, and intense that he found there was enough material for continuing this “dialogue” by composing other songs that today form the framework for “Tinfoil Hat.”
The whole thing was entirely “homemade,” recorded and played by Popa Chubby with the extra Guts and Soul that great causes often bring to life. “Tinfoil Hat” and the 11 songs that make it up were born from a mixture of love, despair, fear, frustration, pain, joy, sorrow, resolution and the leap into the great unknown imposed by the coronavirus that has been with all of us all since last
March. The Trump administration’s chaotic and reckless management of the crisis provided Popa Chubby with the inspiration for uncompromising lyrics. Like those of the title song (supported by, to say the least, an explicit clip) or themes such as “You Ain’t Said Shit,” “No Justice, No Peace,” or “Another Day In Hell.”
Without forgetting to pass on messages of hope (“Someday Soon, Change Is Gonna Come”) or even for good behavior in the face of the virus with “Baby Put On Your Mask.” In the album notes, he writes, “Like all of you, this pandemic has pushed me to the very edge of my humanity. But the music, the sweet music, has put me back on the right path once again. So I offer this work with humility and the deep devotion I have for you!”. That says it all!