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Egle Martin enjoyed a long career as a dancer, actress, singer and played an important role in the promotion of Afro roots in Rio de la Plata and in reclaiming Afro-Argentine culture. Her performances were fresh and powerful, showcasing diversity and, later on in her career, her desire to diffuse Afro-Latin American culture. By the time this single was recorded, Egle Martin had already performed in several plays and films; she had already sung with Dizzy Gillespie and the Berlin Symphony Orchestra; she had already released an album with composer and bandoneon player Astor Piazzolla. And she was already beginning to frequent the Casa Suiza, with its gatherings and carnivals in the neighborhoods of San Telmo and San Nicolás in the beautiful Buenos Aires of the 1960s, teeming with happenings and avant-garde galleries. Egle sings in Spanish and her voice dazzles with a very distinctive sound and texture as she performs these rhythms; you can clearly appreciate the freedom and power in her vocals. In 'El Dombe' tenderness permeates the lyrics as she tells the world what this dance and its cadenced rhythm is all about. 'Dombe Bariló' is bolder and more sweeping in scope: the ritual and empowering message is uplifting... Roberto Montiel's arrangements are a prime example of the brilliant fusion of soul, funk and Latin American music, all linked through Afro roots. Originally released in 1970 on Music Hall in Argentina, it has become an elusive and sought-after record over the years, at the top of many collectors wants list due to its amazing dance floor energy. First time 7” reissue. TRACKLIST Side A EL DOMBE Side B DOMBE BARILO

(18,68 EUR netto)
Endlich auch hierzulande wieder auf LP erhältlich: Dean Martins legendäres Album „A Winter Romance“
aus dem Jahr 1959. Dino croont lässig, smooth und mit einem Hauch Humor nicht nur Weihnachtsklassiker
wie „Winter Wonderland“ und „Let It Snow! Let It Snow! Let It Snow!“, sondern auch Love Songs mit
Winter-Thematik wie den Titelsong und „Baby, It’s Cold Outside“.
Remastert von den Originalbändern und mit dem legendären Originalcover, auf dem Martin eine hübsche junge Frau umarmt und gleichzeitig einer zweiten zuzwinkert, ist diese LP-Wiederveröffentlichung ein
Fest für Ohren und Augen.
140g-Pressung im Singlesleeve mit Original-Linernotes.

Hätte Ivo Martins Genre einen Namen, er könnte "Humble Pop" lauten. In seinen Liedern trifft bildhaftes Storytelling auf detailverliebte Soundwelten - Fesselnde Emotionalität und die großen Fragen des Lebens, verpackt in moderne, zugängliche Popmusik, von Hand gemacht. Mit dem Debut-Album "Puls" gibt es nun erstmalig Ivo's Musik auch als handliche CD und als 12-inch Vinyl in der besonderen Citrus Farbe der Schallplatte inklusive einer hand-signierten Autogrammkarte sowie eines Posters in DinA1. Das Artwork des finalen Produkts wird von der Abbildung abweichen. Die Vinyl besteht aus 100% recycleten Farben.Die als Beispiel verwendeten Farben stellen nicht das tatsächliche Aussehen des bei der Produktion verwendeten ECO Mixed dar.

Dean Martin war nicht nur der amerikanische Crooner per excellence, seine warme, sanft swingende Stimme
machte ihn auch zum perfekten Interpreten amerikanischer Weihnachtsklassiker. Jedes Jahr wieder findet
er sich auch in Deutschland an der Spitze der Weihnachts-Playlists und ganz oben auf dem Weihnachts-CDund LP-Stapel wieder.
Wer nur das Beste vom Besten seiner Weihnachtsaufnahmen auf einem Tonträger versammelt haben
möchte, findet genau dies auf „Dino’s Christmas“, darunter natürlich „Baby It’s Cold Outside”, ”Winter Wonderland”, ”Let It Snow! Let It Snow! Let It Snow!” und “I’ve Got My Love to Keep Me Warm”.
Cozy Christmas vom Feinsten!

'You've Changed' was a transcontinental creation that was first released in 1986 on the Sally B label. It melds Jamaican roots with Canadian electronic enhancements at the legendary Channel One Recording Studio. Jamaican reggae don Horace Martin drew inspiration from greats like Dennis Brown, and Horace Andy, and comedy legends like Richard Pryor and Charlie Chaplin and has an eclectic career spans albums like Watermelon Man from 1985 and this one, the avant-garde gem that arrives now on Arabusta. It's a busy and digitally infused reggae sound with elements of dance hall and plenty of catchy rhythms which all lead to international success, performances across 24 countries and having more than 400 songs aired on 9000 radio stations around the world.

Kevin Richard Martin (The Bug, KRM) und Joseph Kamaru (KMRU) schliessen sich für "Disconnect" zusammen, einer kraftvollen Studie aus Angst, Hoffnung und profunden Sounds, die tiefgründigen Dub mit Kamarus Stimme, Ambient-Sensibilitäten und Negativraum verbindet. Martin wurde durch die Musik zur Kurzdoku "Under The Bridge" (2020) auf den kenianischen Ambient-Musiker KMRU aufmerksam. Das Ergebnis ist ein kreativer Dialog, bei dem die fesselnden Vocals - irgendwo zwischen Intonation und Spoken Word - beschwörende Geschichten erzählen und ihre Poesie sich in die grandiose Graustufen-Musikarchitektur der beiden Produzenten einwebt.

This riotous, psychedelic Latin funk anthem, taken from Martín Buscaglia's 2006 classic album "El evangelio según mi jardinero", sees its very much requested first time on a 7". To celebrate this, and thinking about the AA side, we decided to ask Bosq for a remix.

When we approached him, he said "This track is wild, I love it!" and he started to make his thing. When he finished it, he told us, "I resisted the temptation to bump it up closer to 120 bpm – the world needs more midtempo dancefloor treats!". We couldn't agree more on the midtempo bit, but especially we couldn't be more chuffed with the remix. Bosq has added his magic and a tad of cumbia feel as well and the result is way more than a treat, it's an everyone-smiling-on-the-dancefloor kind of track.

Who said rock'n'roll is dead?! Maybe Dr Frankenstein's made a rock 'n' roll monster cuz it sure seems alive to me. We introduce to you the debut LP of MARTIN SAVAGE AND THE JIGGERZ! All three gentlemen in this power trio have a solid background in the rock 'n' roll business which we won't bore you with here. The band has already released a slew of solid 7" records which we won't bore you with here either. Get on the internet ya lazy sods! Anyway, back to this here album: recorded by Ed Deegan at the esteemed Gizzard Recording Studio up in Fish Island, East London, on magnetic tape it delivers 12 solid senders of pure heart-on-the-sleeve rock 'n' roll action! From the blastin' drumroll of opener 'Between the Lines', a staple in the band's live set, via punk ballad anthem 'Down the Line' leading up to another live favourite called 'Boomerang'. There are covers of should-have-been-legends with bad-ass names like the Backstabbers or the Stripes. There are songs about shitty jobs, troublesome relationships, life on the high and life on the low. It's got everything you need really. Whether ya dig Boston 1976, Medway 1986 or Memphis 1996 there's something for you here. You can call it punk, pub rock, garage, glam or any other label you like but we just call it good ole rock 'n' roll. Hope ya dig!

The 25th anniversary re-issue of the #1, multi-platinum album Ricky Martin - featuring the worldwide hit “Livin’ La Vida Loca”. The album debuted at #1 on the US Billboard 200 with first week sales of 661k copies. It made Ricky Martin the first male Latin artist in history to debut at Number One on the Billboard 200. The lead single “Livin’ La Vida Loca” topped the charts in more than 20 countries. It topped the Billboard Hot 100 chart for five consecutive weeks, becoming Ricky’s first #1 single on the chart. A x14 trk double Black LP Vinyl.

The 25th anniversary re-issue of the #1, multi-platinum album Ricky Martin - featuring the worldwide hit “Livin’ La Vida Loca”. The album debuted at #1 on the US Billboard 200 with first week sales of 661k copies. It made Ricky Martin the first male Latin artist in history to debut at Number One on the Billboard 200. The lead single “Livin’ La Vida Loca” topped the charts in more than 20 countries. It topped the Billboard Hot 100 chart for five consecutive weeks, becoming Ricky’s first #1 single on the chart. A x14 trk double Black LP Vinyl.

The prolific and versatile Ian Martin arrives on Shipwrec with four tracks that make up Future Dawn. Cosmic Garden opens. A piece that blurs genre lines; soft synth-lines are coupled with ruffled rhythms that immerse the listener in gentle orchestral ebbs and flows. Sounds of isolation introduce Future Dawn, modulations reaching over an ever-widening expanse before strings descend. Drums arrive late in this atmospheric journey, one that pulses with a primal energy while conjuring vivid images. The ominously titled Dead Calm opens the flip. Soundtracks have always been an inspiration for Martin and the scores of the silver screen are at the forefront of this work. Brittle beat patterns are the bedrock on which melodies whirl - a bitter acid bass bubbling as tension builds to paranoic peaks. Darker skies loom with the marine chop of Phantom Machine finishing. A flotsam and jetsam of hi hats swirl in the liquid undulations of distorted bass and aquatic echoes, rougher rusted rhythms providing ballast to the eddies and maelstrom of Martin's machines.

Napoleon is the 2023 spectacle-filled action epic film that details the checkered rise and fall of the iconic French Emperor Napoleon Bonaparte, played by Oscar-winner Joaquin Phoenix. Against a stunning backdrop of large-scale filmmaking orchestrated by legendary director Ridley Scott, the film captures Bonaparte's relentless journey to power through the prism of his addictive, volatile relationship with his one true love, Josephine, showcasing his visionary military and political tactics against some of the most dynamic practical battle sequences ever filmed. At the 96th Academy Awards, Napoleon received nominations for Best Production Design, Best Costume Design, and Best Visual Effects. The film features an original score written and composed by 7-time Primetime Emmy nominatated British composer Martin Phipps. Phipps is best known for his work for the series Peaky Blinders, The Crown, and Black Mirror amongst others. Napoleon marked his first collaboration with Scott and was described by critics as “one of the most interestingly unique, albeit brief scores to debut in this genre for many years.” Napoleon is available as a limited edition of 500 individually numbered copies on translucent red coloured vinyl and includes an insert.

Napoleon by Martin Phipps, released 26 April 2024, includes the following tracks: "Josephine ", "Ladies In Waiting ", "We Are Discovered ", "Look Down " and more.

This version of Napoleon comes as a 1xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a translucent, red disc.

repressed !

Along the west coast of Co Kerry in Ireland you will find the amazing Valentia Island.

Attached by a bridge to the mainland, it is a place of beauty touched by years of history and the songs of the sea.

I managed to obtain a house there for a few weeks, I took my computer and mic with me not knowing what to expect when I got there. In one of the rooms sat a piano, and as my fingers touched the keys I knew there was a story there waiting to be told.

The sound of the piano in that place was something very magical as 100mph winds battered the house and interrupted my recordings.
Other material has since emerged from those days spent on the island, but the main body of work that I recorded there makes up this album that I now present to you.

Album support from: Gilles Peterson, Skream, Laurent Garnier, Patrick Forge, Jean-Claude (IF), Soulclap, Joszif, Makoto, Breach, Flight, dBridge, Doc Scott, Trevino, Craig Richards, John B, Klaus
Fiehe. Mr Scruff....

This record is to be listened to as a moment spent in Laura Lippie's studio-living room with her good friend Martin Vital. This is like a delusional spontaneous and improvised exercice with a special sens of lightess. Created through nights and days of the winter of 2022, La Noce Des Éléments offers 6 singular songs of their complicity mingling both folk, rock and psychedelic electronic or some interspace of spoken word or poetry.

This vinyl re-pressing of Martin Carthy's Debut album is released to commemorate Topic's 85th anniversary in 2024 - Limited edition of 1000 copies - Black vinyl, standard weight with black, polylined inner sleeves. In the early 1960s, the approach Martin Carthy took to folk music was nothing short of revolutionary, albeit a relatively quiet revolution befitting of his humble nature. You wouldn't find Carthy's music clambering up the singles charts; his was not a face adorning the teen magazines. Instead, his influence was felt at a grass-roots level. He plied his trade in the folk clubs, which is where the likes of Bob Dylan and Paul Simon sought him out, enamoured of his traditional repertoire and keen to learn songs like 'Scarborough Fair' and 'Lord Franklin' directly from him before adapting them for their own purposes.

His debut eponymous album, re-released here, on vinyl by Topic Records as part of their ongoing Topic Treasures series, is a snapshot of the work he was doing at the time.

Originally finding its way into the world in 1965, courtesy of Fontana Records, Martin Carthy pulled together 14 songs from his burgeoning repertoire. Produced by Terry at the Philips Recording Studios in Marble Arch, the album was a must-learn checklist for budding guitarists and folk club orgas, and, to this day, remains an essential listen for anyone attempting to find their way into traditional English folk music. Most people turn up for 'Scarborough Fair', very few leave without getting hooked on 'High Germany', 'Sovay' and 'Ye Mariners All'.

The album also introduces Carthy's earliest collaborations with Dave Swarbrick, an enduring and much-copied partnership that lasted, off and on, until Swarbs death in 2016, and became a blueprint for how guitar and fiddle duos ought to sound. While Carthy had been building up his solo repertoire over the previous five or six years, several of the duo arrangements on this album ('Lovely Joan', 'A Begging I Will Go', 'Broomfield Hill') were thrown together in the studio, adding a fizz and freshness to the recordings. This became the pair's standard way of working. "We used to rehearse on stage, in front of the audience," he explains today.

In the years since, Martin Carthy has become the veteran of over 40 studio albums and a veritable beacon for musicians and music lovers seeking "the real stuff." Pressed to name his favourite, he needs no time to think it over. "I always stand by the first album," he says of his 1965 debut. "I love it. There are some things on it I think I couldn't have done better. There was a clarity of purpose."

And, with this re-release, we can be sure that newcomers get to hear that sense of purpose in the best possible quality, as clearly as Bob Dylan, Paul Simon and a generation of folk lovers did six decades ago.

A repress of this long out of print album. 300 only LPs some on Yellow vinyl and some on Green vinyl randomly picked. Gatefold sleeves with 180gm vinyl. Discovered by friends of Martin Hannett and with input from one of his relatives,these recordings give a rare insight into his production ideas for Joy Division and his relationship with the band.,the strange things/ sound effects they recorded in the studio together etc etc. The studio chit chat and interplay between Hannett, Gretton and Joy Division members is all here as Martin left his own tape machine running throughout studio sessions. On this album we have rare alternative mixes of Joy Division that were Martin's personal favourites and he had the forethought to get the band members to give him control of these recordings. A must for all Joy Division fans.

Debütalbum des amerikanischen Melodic-Metal-Projekts DESTROYER OF DEATH von Martin Simson. 'Eternal Reign' enthält 10 Titel, acht davon mit Rob Rock als Leadsänger und zwei mit Jørn Lande als Sänger. Weitere bekannte Musiker, die mitwirken, sind Rex Carroll (Whitecross) an der Gitarre und Anders Köllerfors (All For the King) am Schlagzeug. Eine Empfehlung für Fans von Bands und Künstlern wie Narnia, Impellitteri oder Rob Rock Solo!

The trio of John Medeski, Billy Martin, and Chris Wood did as much to reinvigorate and reimagine jazz as anybody over the last three decades. Now, Real Gone Music is proud to provide the band’s classic second album It’s a Jungle in Here its first widespread vinyl release. That this record includes covers of tunes by John Coltrane, King Sunny Ade, and a mash-up of Bob Marley with Thelonious Monk speaks volumes as to Medeski Martin & Wood’s fresh approach to the jazz tradition; but their ability to compose and perform startlingly original material is what really sets them apart. Black vinyl pressing for optimum sound!

Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!

Der Raum zwischen dem Alten und dem Neuen, dem Klassischen und dem Modernen, dem Erbe und dem Fortschritt haben Martin Rott schon immer fasziniert. Mit 11 hatte der Sohn klassischer Musiker seinen ersten Gig als Drummer, seitdem hat er als Live- und Studiomusiker, Arrangeur und Komponist in den verschiedensten Genres und Ecken des Musikbusiness gearbeitet, von Indie-Künstlern bis hin zu großen Pop-Bands und TV-Shows. Auf seiner Solo-Debüt-LP verschmilzt der in den USA geborene, in Berlin lebende Komponist und Multi-Instrumentalist die Ideen der neoklassischen Filmmusik mit spielerisch detaillierten Beats und Soundscapes, eine Filmmusik zu einer Reise, die noch nicht auf Film gebannt wurde.

Recorded Live in Italy in October 1985 and mastered directly from the old dusty cassette, here's a previously unheard Steve Lacy recording from a rare duo appearance with pianist Martin Joseph, a little known yet fascinating British musician who had worked with Harry Beckett, John Surman, Ian Carr, Tubby Hayes among others, and who later became a regular presence on the Rome mid 70's creative Jazz scene. This recording gives us an opportunity to listen to the soprano sax giant in a repertoire not frequently found on his other duo recordings with pianists. The set list includes some of Lacy's finest compositions like "Prospectus", "Flakes" and "Coastline", plus Thelonious Monk’s classic "Bemsha Swing" a tribute to Monk's visionary mastery where Joseph’s contrapuntal response to Lacy's angular lines leads the music towards a multidimensional space, a quality to be found throughout the whole album, This is a wonderful discovery! and a significant addition to Lacy's discography and legacy.

Contains printed inner sleeve with archival photos and extensive liner notes by two Italian soprano saxophone specialists Roberto Ottaviano and Eugenio Colombo, and pianist Martin Joseph himself.

Exhausted from a 3 years in the making album called Lagarius released in 2023. Gary Martin had a plan to not work in the studio this summer until he realized his Facebook keyboard playing friend named Brian Mars was a.k.a. Javonntte the writer of an exceptional good song on The Mahogany compilation released that year.

Gary created the beat for The Infinite Time and Brian sent the bass line and the keys. Then, picking the exotic scale called Persian was how the creation of Zurvan started. Gary Made the beat and Brian sent the bass line and the keys and Lot’s of Teknotika studio wizardry followed to complete this concept Ep.

Starkes Singer/Songwriter Album des US-Amerikaners auf Loose Music! Mit 'Thank God We Left The Garden' Album, das Anfang November auf Loose Music (Israel Nash, Handsome Family, Courtney Marie Andrews) in Europa erscheint veröffentlicht der aus Portland, Oregon operierende Singer/Songwriter sein erstes Album auf dem renommierten Americana/Alternative-Country Label aus London. Mit der bereits veröffentlichten Single "Red Station Wagon" gewährt uns Jeffrey Martin einen spannenden Ausblick auf das kommende Werk - sparsam, intim, wahrhaftig - ein leiser, dennoch starker Song des US-Singer/Songwriter. Perfekte Musik für den anstehenden Herbst!

Der prägende Sound von Martin Rev, der vor allem im Zusammenspiel mit seinem langjährigen musikalischen Partner Alan Vega und der gemeinsamen Band Suicide in seiner Radikalität und Einzigartigkeit zu einem Einfluss für mehrere Generationen von Musikern werden sollte, findet seinen Ursprung insbesondere in der essentiellen Energie des Rock"n"Rolls, der Rev als Teenager prägte und so etwas wie die musikalische Entsprechung der urbanen Atmosphäre seiner Heimatstadt New York war. Nachdem Rev zunächst im Free Jazz und freier Musik nach neuen musikalischen Ausdrucksformen suchte, entwickelte er rasch eine Faszination für die elektronische Klangerzeugung, die es ihm ermöglichte, völlig alleine und autark zu arbeiten. Er experimentierte mit einfachstem Equipment, kombinierte verschiedene Geräte und Effekte und übersetzte so die Wurzeln des Rock"n"Rolls in einen neuen, bisher ungehörten elektrisierenden Sound, der sowohl der Beginn von Suicide als auch einer spannenden Solo-Karriere sein sollte. Die vorliegende Sammlung "The Sum of Our Wounds" umfasst verschiedenste Aufnahmen, die zwischen 1973 und 1985 entstanden. Dabei ist die Zusammenstellung weitaus mehr als nur eine Kollektion von Demos und Outtakes; vielmehr hat man das Gefühl, ein in sich geschlossenes Album zu hören und sich selbst Kompositionen, die einem bereits bekannt sind, gänzlich neu zu erschließen. Die Kassettenstücke besitzen in ihrer spröden Brüchigkeit eine große Sensibilität, eben wie eine Sammlung von Verwundungen.

Fresh from starring as the town drunk, no typecasting here!, in Rio Bravo’ (the movie) Dean was at the height of his popularity when he entered the Capitol studios in the summer of 1959 to record his first
Christmas-themed songs accompanied by an orchestra arranged and conducted by Gus Levene. The results of the recordings were a charming, thoroughly entertaining Christmas record, highlighted by
fine versions of “White Christmas”, “Let It Snow! Let it Snow! Let It Snow!”, “Winter Wonderland”, “Baby, It’s Cold Outside”, “The Christmas Blues”, “Rudolph, The Red- Nosed Reindeer” and bonus
broadcast recordings of “Silent Night”, “Silver Bells” and “It’s Beginning To Look Like Christmas.

Limited coloured Crystal Clear vinyl.

His jaw- dropping, natural sounding, and unschooled skill on acoustic guitar, matched with an authentic 'Belfast Blues' voice, drew comparisons to John Martyn and Rory Gallagher, with nods to Van Morrison and Foy Vance. In addition to being an acoustic guitar star, Dom is equally adept on electric guitar, showcasing his talents with his power trio.

Dom has won a handful of European and UK Blues Music Awards. His sophomore studio album, 'A Savage Life' received rave reviews with Rock and Blues Muse declaring, "Dom Martin is the next rising star in the global roots scene.

Jump aboard now before he passes you by." Blues in Britain declared that Dom was "A rare talent of such sheer genius," and Classic Rock effused, "The Belfast guitarist is a sprawling talent."

His latest effort,' Buried in the Hail 'was co- produced by Grammy nominated producers Chris O'Brien & Graham Murphy. The album takes the listener on a very personal journey. "Unhinged" is all anger and fury, sparks and smoke and flames, from screaming amps. Taking a positive turn is "Daylight I Will Find", a song about life's challenges and how through self- love, one can find the answers. The sole cover on the album is a broken down, heartbroken version of "Crazy".

The album describes an extraordinary time period of the global lockdowns and crises. It is also a portrait of one of this generations most intriguing guitarists.

Ole Martin Huser Olsen was names 'Performer of the Year' by the Norwegian Society of Composers in 2022. The critically acclaimed album is available on vinyl from 1st September, 2023.

Celebrating dubwise origins, Mole Audio delivers two fresh remixes of their very first release: Andy Martin ft. Gavsborg’s Plato & Caves.

Gavsborg is a towering figure in Jamaica’s dancehall scene. So when Andy found an acapella, he set to work on a renegade edit. Subsequently approved and embraced by Gavborg himself, Andy’s interpretation provided the launch point for Mole Audio – and is re-envisioned twice more here.

Paired with the original A-side, the first B-side remix comes courtesy of Dub War’s legendary Bill Fuller. A progenitor of London bass music, Bill’s records as Dubwar are prized among collectors. Pairing hypnotic beats with spacious textures, an insistent analog bass line weaves its way through an infectiously dystopian atmosphere.

Taking a minimalistic house-driven approach, Andy’s all-new Mad Magnetism Version brings Gavsborg’s original vocal to a prime time environment. Sizzling high hats and diving bass drops combine to keep the dancefloor in motion before insistent dub chords further elevate the urgent atmosphere.

Combined with the original and Nit Yardman’s remix, the resulting package once again showcases Mole Audio’s unique approach to modern dub aesthetics.

BABY BLUE VINYL

"Workin' all day, trying to forget about the old me." Like most of us, Martin Frawley is busy trying to work himself out. He lives alongside the long shadow of his late dad, musician and songwriter Maurice Frawley, a cultural icon of the Australian underground and collaborator of Paul Kelly, Tex Perkins and Mick Thomas. Most of Martin's 20s were spent writing and playing songs in locally beloved Melbourne band Twerps - a collection of pals who were on the forefront of the city's jangle pop renaissance. A few albums, US tours and band rotations under its belt, Twerps split up in 2018 and Martin turned his compass towards a solo project. His first album, Undone at 31 (2019), was a bit of a reckoning; a wild ride through the wreckage of both a band and longterm romantic break up. His new album The Wannabe is a personal, cheeky and, at times, self-depreiciating collection of songs unpacking the reality of finding his way as an adult without his dad around, and ultimately falling back in love with life, music and someone new. Martin and his band - friends Dan Luscombe (The Drones), Steph Hughes (Boomgates, Dick Diver), Nik Imfeld (Tyrannaman) and Dan Kelly - had heaps of fun recording The Wannabe in Melbourne. The title track is a particularly spicy take on an entertainment industry that seems to give more shits about marketing than music. The album is a bit of an emotional tour, from anger and derision, through to comedy, through to deep and honest love. It's positive with a lot of sadness. Not unlike Martin himself. As well as the guitar, Martin had some fun playing the piano on this record. The technical term is `multiinstrumentalist' but Martin's more of a musical explorer of sorts. No one is exactly sure how these things work - if Martin was born into music or if it was born into him, but it doesn't really matter. Music is what he loves. It's what he does. It's not about the industry or about success - not anymore. It's about the freedom of creating songs on his own terms, and trying to let go of the feeling he has something to prove: to his dad, to his critics, and to himself. And while he's not sure he'll ever fully shake that feeling, he's at least relaxing and having a bit of fun doing it. Like his dad, Martin has a reputation as a `musician's musician'. He hosts a pretty sporadic podcast Dive For Your Memory, where he has fast and loose chats with musicians while doing a deep dive into their musical inspirations and canon. He and his fiancé Lauren also make wine under the label El'More Wines, named after the farm and small town where his dad grew up. It's all come a bit full circle, really.

Following on from Melodic Motion, Martin Matiske returns to Bordello A Parigi with a track that first appeared over a decade ago. Released on his first album on Stilleben, “Dimension Phantasy” has been dusted down and given a new lease of life.

This extended version bubbles with the same energy as the original. Steady kicks give way to scaling chords as a racing piece of future gazing brilliance takes hold.

Melodies are addictive, yet cold, with a common ground between disco and electro being forged. Sharing the 12” real estate are two good friends, each offering their own remix. Captain Mustache is a musician who can turn his hand to any style.

Here the French producer remains true to the Matiske’s version, adding layers of warmth while maintaining the Springtime coolness of beats and harmonies. The flip is given over to Play Paul, a trailblazing figure in electronics. BPMs are reduced as sweetened lines take flight in the “Oh Lord! Remix”. Arpeggiators rumble before bold keys and heartfelt vocals enter in this emotive reinterpretation. The finale strips back lyrics to focus on those succulent synthesizer sounds. A celebration of past, present and future on one very special release.

Unforgettable moments of beauty and peace. Eternal Reality is an electronic listening experience to the inner self while it was created in a state of deep consciousness. "Be Free" has got the pulse of endless time and describes the feeling of wellbeing and balance in a temporary world. It can be seen as a listening meditation and a call to take a break.

"Behind The Scenes" describes moments of escaping from daily routines and small moments of silence between tasks and before next rush hour.

„Shape“ is a global thought about the beginning of life and existence. All material things on earth have got a shape made by man or nature.

„Kotodama“ describes the beauty of words and languages. Information interchange for progress.

This product was created using vintage synthesizers for maximum fun!

"I'm an overthinker, especially at night, this song is a positive train of thoughts almost like a daydream.” The majority of the album was written in her bedroom and living room and depicts struggles with mental health (antidepressants, burnout, friends and family going through difficult times) and many late-night thoughts, both positive and negative. shy has written for herself as an artist for the first time, focusing on her story and what she wants to share."

Though the trio of John
Medeski, Billy Martin, and
Chris Wood had already
expanded the jazz genre with
their first three records (two
of which we have reissued
here at Real Gone Music),
it was this 1996 album that
really crossed over and won
the ensemble a whole new
legion of listeners in the “jam
band” camp. Recorded in a remote, solar-powered plywood
shack in Hawaii (hence the title), Shack-Man brought the ‘70s
soul-jazz beloved by the band firmly into the ‘90s, propelled
by Medeski’s simultaneously nostalgic yet forward-thinking
excursions on the Hammond B-3. A masterpiece of groove, out
on vinyl for the first time!