Street/OI-Punkrocker LOIKAEMIE kehren auf die Bühnen und in die Ohren unserer Zeit zurück! Und sie haben immer noch und auch wieder was zu sagen! Nachdem die Band 2014 ihr 20-jähriges Bestehen feierte, legte sie eine Pause ein, kehrte aber bereits 2019 erstmals live zurück und ist mit den diesjährigen Gigs enorm erfolgreich und gefeiert. Nun mit der brandneuen Single "Lumpenmann" am Start, welches der erste neue Song seit 2007 ist, aber nicht der letzte sein wird. Versprochen! Denn ab dem 16.09.2022 gibt's den Song als Single Digital und zugleich geht diese Doppel-A-Seite-7"-Vinyl-Single mit dem weiteren neuen Stück "Tief Im Herzen" (ebenfalls Single Digital am 04.11.2022) in den Vorverkauf! Und danach geht's in 2023 mit noch mehr neuen Stücken und in der zweiten Jahreshälfte mit Album Nummer 5 weiter... Der LUMPENMANN ist Feuerwehr und Müllabfuhr zugleich. Man braucht ihn vielleicht, aber man mag ihn nicht in der Nähe haben, und wenn er kommt, soll er baldmöglichst wieder verschwinden. In dem Song steht der Lumpensammler für all jene Mitmenschen, die ihre Meinung nicht sagen können oder wollen, wo es zweifelsohne angebracht und notwendig wäre. Wenn alles schief gelaufen ist, alles gegen die Wand gefahren ist, dann kommt der Lumpenmann und muss mit brachialer Gewalt Erfolg erzwingen und die Geschichte wieder in Ordnung bringen. Der Song spiegelt zum Teil persönliche Erfahrungen der Band wider und soll die Notwendigkeit ausdrücken, sich selbst treu zu bleiben, um nicht zu einem reinem Lumpen zu werden. Denn wenn man das nicht tut, wird der Weg durchs Leben Aufgenommen und produziert von KURT EBELHÄUSER mit MICHEL WERN in den OFF THE ROAD STUDIOS /Leipzig , September 2021.- Abgemischt von KURT EBELHÄUSER im TONSTUDIO 45/Koblenz- Gemastert von ANDY "DOG YOUNG" JUNG im KENNER MASTERING STUDIO Berlin. Produzent Kurt Ebelhäuser ist Gitarrist/Sänger von SCUMBUCKET und BLACKMAIL sowie Produzent von u.a. DONOTS, PASCOW, KMPFSPRT, ACHT EIMER HÜHNERHERZER und ADAM ANGST. Schwarze Doppel-A-Seiten-Single mit zweiseitigem Poster und Beilage (limitiert auf 700 Stück weltweit)!
Suche:master c
Columbarium are a Belgian (the village of Zwevegem) heavy doom metal band, formed in 2021 but comprised of seasoned members from the regional doom scene over the last ten years.
Having played about a hundred gigs in a former incarnation (as Loose License) in Belgium, The Netherlands and France with bands like The Gates Of Slumber, Nekromant, Marche Funebre, Serpent Venom, FAAL, Famyne and King Hiss, they have built a serious reputation as a live act in the last decade.
The addition of an extra guitar / keyboard player some years ago (Koen Biesbrouck, formerly also from the avantgarde / instrumental rock band Locus Control) has taken the music to another horizon and that newfound sound was the cradle for the band’s rebirth, which led to renaming the band Columbarium.
The four guys found that sound with Belgian producer Lander Cluyse from Hearse Studio (Amenra and Aborted) and with Brad Boatright from AudioSiege Mastering Studio (Portland - Monolord and Pig
Destroyer).
Featuring guest vocals from Michelle Nocon (Bathseba / Serpentcult / Of Blood And Mercury).
The LP is pressed on green vinyl.
For fans of Paradise Lost, Winter, Tiamat, Swallow The Sun, My Dying Bride, Opeth, Celtic Frost, Anathema, Cemetary, Katatonia, Autopsy, Candlemass.
Eric Carr remained a member of KISS until his death from heart cancer. He took up the rustic orange persona of “The
Fox” and was one of the fan favourites. Rockology is Eric Carr’s only solo record which features former KISS guitarist
Bruce Kulick. This package was designed and mastered along with Loretta Carr (Eric’s sister) to fall in line as the 5th
KISS solo album. The cover is Eric in his “Fox” make up, the 12x24 cm poster is in the same style of the original 4
PICTURE-DISC solo KISS releases.
Philly local talents at the crossing of the 6’s and 7’s, they were initially known as The Twilights. At the time they only recorded 3 songs
for demo purposes. Although all musicians were featured on many productions from Manny Campbell’s stables, The NuRons’ All Of My Life and I'm A Loner being a couple of them. During the mid 1970's The Delights did go on to record and release a few 45's for the Phil-L.A Of Soul Label. Like the previous release in the Unsung Heroes program, these masters are phisically preserved at University of Philadelphia.
- I Feel Free (Ft. Deborah Bonham, Bernie Marsden And Malcolm
- White Room (Ft. Pete Brown, Malcolm Bruce And Clem Clempson)
- Theme For An Imaginary Western (Ft. Pete Brown, Malcolm Bruc
- We're Going Wrong (Ft. Malcolm Bruce And Clem Clempson)
- Sunshine Of Your Love (Ft. Ginger Baker, Joe Bonamassa, Malc
- Deserted Cities Of The Heart (Ft. Joe Bonamassa, Bernie Mars
- Sweet Wine (Ft. Ginger Baker,Nathan James,Pee Wee Ellis,Bern
- Tales Of Brave Ulysses (Ft. Ginger Baker, Nathan James, Pee
- Crossroads (Ft. Ginger Baker, Bernie Marsden, Joe Bonamassa
- Take It Back (Ft. Maggie Bell, Bernie Marsden And Malcolm Br
- Spoonful (Ft. Bobby Rush, Bernie Marsden And Malcolm Bruce)
- Sitting On Top Of The World (Ft. Bobby Rush, Maggie Bell, Be
- Badge (Ft. Deborah Bonham, Bernie Marsden And Malcolm Bruce)
- Politician (Ft. Pete Brown, Bernie Marsden And Malcolm Bruce
- Born Under A Bad Sign (Ft. Paul Rodgers, Bernie Marsden And
Heavenly Cream 'An Acoustic Tribute To Cream' features Ginger Baker, Cream lyricist the late Pete Brown, Free front man Paul Rodgers, Bernie Marsden, Joe Bonamassa, Bobby Rush, Malcolm Bruce (son of Jack Bruce), Debra Bonham, Maggie Bell and others.
For a band that only existed for two and a half years, the influence and fame of Cream seems to have only grown and grown over the decades.
One of the highlights of this project was the participation of Cream's original drummer Ginger Baker. It turned out, sadly, that these were the last recording sessions he ever did.
Another big plus was getting the great Bobby Rush. The 85 year old blues/ funk master verve and energy is spectacular.
Joe Bonamassa didn't quite realize that we were all- acoustic, but plugged in for his slide work on "Sunshine" to great effect.
The powerful vocals of Deborah Bonham gracefully shook the walls of Abbey Road studios when she came in to lay down a couple of tracks. Her husband Peter Bullick also added to the mix, displaying his guitar finesse with great ease.
Maggie Bell's performances were a welcome reminder that she is still one of the greatest British blues/ soul artists of our time. And multi- instrumentalist and singer Malcolm Bruce, who played on every track, did some magical work that his late father Jack would surely have been very proud of.
If that wasn't enough, the phenomenal voice of Paul Rodgers puts the sweetest icing on this fine collection of tracks with his unmistakable presence.
In 2006 Cream won the Lifetime Achievement Award at the Grammys. Features Joe Bonamassa 3 times Grammy Nominee, Bobby Rush 2 time Grammy Winner, Son Of Jack Bruce, Malcolm Bruce, plays on every track.
Produced by Rob Cass, also producer of Silver Rails, Jack Bruce's final album.
Originally released in 2011 on Aurora Borealis. This is the new 2LP version on Archaic Devices. Archaic Devices is a new label founded by Bobby Krlic, aka The Haxan Cloak. It will serve as the home for his future releases as The Haxan Cloak alongside reissues of his past work under the moniker. Krlic admits that starting a record label wasn’t something that had occurred to him until he finished building his own home studio in LA and he regained the master tapes to his records from various underground labels. All of his archival releases have been remastered, with aspects of their design and presentation tightened up by Krlic to present his music exactly as he initially intended. Working with revered visual artist Christopher Leckie, Krlic has built a stark, unique identity for his newly minted label Archaic Devices that extends to a new line of merchandise, as well as new visual directions for the label’s first and forthcoming releases.
Originally released in 2013 on Tri Angle Records. This is the new 2LP version on Archaic Devices. Archaic Devices is a new label founded by Bobby Krlic, aka The Haxan Cloak. It will serve as the home for his future releases as The Haxan Cloak alongside reissues of his past work under the moniker. Krlic admits that starting a record label wasn’t something that had occurred to him until he finished building his own home studio in LA and he regained the master tapes to his records from various underground labels. All of his archival releases have been remastered, with aspects of their design and presentation tightened up by Krlic to present his music exactly as he initially intended. Working with revered visual artist Christopher Leckie, Krlic has built a stark, unique identity for his newly minted label Archaic Devices that extends to a new line of merchandise, as well as new visual directions for the label’s first and forthcoming releases
A quietly funky collection that repays repeated play by creating a mesmeric, almost
hypnotic, cocoon to lose yourself in" Echoes
Examining our relationship with the cosmos as well as more intimate liaisons closer
to home; new transatlantic future soul duo Cosmic Link are set to release their
eponymous debut album on 24th November.
The duo consists of Florida based Jay Myztroh and Bristol based producer Ben
Dubuisson, best known for the Hundred Strong project. Citing influences of Erykah
Badu, Prince, Alice Coltrane, Stevie Wonder and Esperanza Spalding; the album
crosses cosmic soul/RnB, low-end weighted hip hop, and conscious jazz. While the
musical vibrations lay down a groove on a sensory level, the lyrics prompt deeper
subconscious thought.
Under a “Cosmic” header, side one of the album starts with ‘Let It Go’, a song about
releasing the things that no longer serve you in your life, before exploring
meditation (‘Quiet Time’), karma, and responsibility in the way you live your life
(‘Metaphysical’).
Side two of the album is grouped with the theme “Link” and as narrative, explores
the evolution of a relationship: ‘Cellphone’ expresses the desire to be close to
someone, ‘Shoot’ is the introduction to the courting stage, and ‘Show U Love’ is a
request to take a step into a committed relationship.
“All of these songs are personal,” says Jay. “They explore either my experiences or are
written to me as understandings to help me navigate this plane of existence. The
personal nature of the music is what makes it universal to all humans”.
The overall theme of the album is summed up in the lyrics of the closing title track,
“Our motion is perpetual/together we move/at the speed of life/ intertwined by our
timelines/which coincide”.
Jay explains, “There is no separating the all from the source. With all living things
being products of the Cosmos, we are forever linked to it. We all share a source, atimeline, a planet, air, a sun etc. We are linked by simply being and doing the things
beings do”.
Introduced by mutual artist friends, the catalyst for their collaboration was the 2017
album 'Black Diamonds' by Jay's previous project Stono Echo, produced by the late,
great Paten Locke. Over the course of a few years they began remotely exchanging
music and lyrics, building a catalogue of finished tracks. During this time, Myztroh
was also completing his Masters degree in choral conducting that focused on
discovering and promoting compositions from the African Diaspora. Run by Ben
Dubuisson, High Noon Music has been based in Bristol since the early 2000s,
releasing records by artists including Ben’s own Hundred Strong, plus Boca 45,
Joseph Malik, Kali Phoenix, One Cut, Mr Fantastic, and Numskullz.
Volume 3 of the TRUST XY recombination series again sees four unique artists channel sonic echoes from the label's past. Stenny is up first, the Italian producer whose name is synonymous with Ilian Tape's much acclaimed crossover of techno and bass music. He complements the deep pads of Versalife's 'Nova Prospekt' with a scorching bass line and rolling breaks programmed in his unmistakable style. Canadian producer and Planet Euphorique label owner D.Tiffany is a champion of complex percussions and an obvious choice to rework Alex Cortex's percussive electro anthem 'We Run Your Life'. Her take chops and warps Cortex's vocals around a twitching techno beat that's both experimental and effective. Side B has UK electro and breakbeat pioneer Clatterbox return to TRUST, reshaping one of the very first Microthol tracks into modern form. At his hands 'Intertronic' turns into a bleeping and hissing, snarling and growling electro bass monster. Lastly Delsin's dub master and TRUST alumni VC-118A takes on 'Tides' by /DL/MS/, replacing the original's sparse funk with a low slung dub techno groove that serves as the foundation for perpetually cascading ebbs and flows of lush and dreamy soundwaves.
- A1: One Of The Bredrins
- A2: Str8 Outta Mumbai
- A3: Zion Wolf Theme - Unfinished
- A4: Garden Of Paradise - Instrumental Unfinished
- A5: Genevieve - Unfinished
- A6: Raw Beat - Unfinished
- A7: Crush - Unfinished
- A8: Good Time
- A9: Jasmine - Demo
- B1: 100000 - Unfinished
- B2: Vibin' - Unfinished
- B3: Baby Beat - Unfinished
- B4: Desert River - Unfinished
- B5: Chix - Unfinished
- B6: All Night - Unfinished
- B7: Btstu - Demo
Written, Produced, and Mixed by Jai Paul.
RECORDED AT HOME IN RAYNERS LANE, LONDON, ENGLAND.
Published by BMG Music Publishing Ltd. Except:
Str8 Outta Mumbai contains a sample of Bala Main Bairagan - Vani Jairam. Banner: Suchitra International Productions “Meera”. Music: Ravi Shankar. Lyrics: Meerabi. Licensing courtesy of UNIVERSAL MUSIC INDIA PVT. LTD.
Crush Written by Berny Cosgrove, Kevin Clark, Clifford Mueller and Andy Goldmark. P ublished by Warner/Chappell North America Ltd., Universal Music Publishing Ltd. and Shapiro Bertstein & Co. Ltd.
Baby Beat contains a sample of “All My Life” performed by K-Ci & JoJo. Courtesy of Geffen Records, A Division of UMG Recordings Inc., under license from Universal Music Enterprises.
Chix contains a sample from “Adagio For Strings, Op11.” as recorded by Leonard Bernstein and The New York Philharmonic, used courtesy of Sony Masterworks, a division of Sony Music Entertainment.
Lacquers cut by Scott Stratton at Bernie Grundman Mastering, Hollywood CA.
A hard one to put in a box when it comes to genre, floating somewhere between italo and synth pop, originally released in Switzerland in 1985. Written by German pop group Hongkong Syndikat, both tracks with a very distinct and soothing sound that's hard to forget.
"Underboard" is very cool paced downtempo number that builds up with layers of subtle percussion lusciously adorned by some heavy saxy reedsmanship and mysterious vocal accents with no real message - 100% chill o'clock served on ice.
Cedar Of Lebanon picks up the tempo a notch, once again setting the scene for the reeds to shine as the catchy melody is presented, beautiful 80's instrumentalism from a golden age, clearly not made in Ableton. B side features a respectful DJ tool style remix by Anatolian Weapons. Remastered at Manmade mastering in Berlin.
Powerfully epic breaky sound hailing from the UK during the early 90s. Beautiful tempo juxtaposition of fast passed driving beats pushed by low ph bass lines under slower piano riffs and patient vocal elements making it a hard one to forget.
Low end elements clearly carved from primordial UK Bass aesthetics taking the amen break to new plateaus already very much overlapping with Drum & Bass territory.
Ultra dreamy vocals on some kind of The Mamas and The Papas reincarnation, UK dreaming all the way. Heavy ending track vibes. In addition, Juan Ramos' masterful half tempo remix offers the listener a completely different experience with full respect for the original, what else to expect from someone with this caliber of dance floor education <3 meticulously remastered.
Valerie from the Galerie steps back into the low-key, light-dark with another long-playing release for What About Never. An ode to the lost FM waves of talk radio, late-night Quiet Storm jams and WBLS mastermixes, Long Time Listener First Time Caller scans the frequencies between dream house music and midnight blue ambient moods.
Spencer Moralesfeat.Phebe Edwards/Tasha Larae
What Cha Gonna Do With My Lovin / You Gonna Make Me Love...
Next up on DJ Spen’s Quantize Recordings, the main man himself teams up with all time production and remix legend John Morales under the moniker Spencer Morales to deliver a seriously spellbinding set of tracks.
Featuring Phebe Edwards on vocals they have delivered a sublime rendition of Stephanie Mills’ 1979 soul classic, ‘What Cha Gonna Do with My Lovin’ on the A side, with a heavenly cover of The Jones Girls’ ‘You Gonna Make Me Love Somebody Else’ featuring Tasha LaRae on the flip.
When it comes to disco house, it really doesn’t get much better than this. A masterclass of modern production, both crisp and powerful, brimming with instrumentation yet with every element given the space it deserves. What else would you expect when you’ve got DJ Spen and John Morales in the hot seat.
Error Subcutaneo was born under the sweltering sun of Santo Domingo, Dominican Republic, but their project portrays the colder, more urban side of life in the Caribbean, where cacophonous violence and Cold War monoliths collide with dreams of a better tomorrow The duo take elements of hip- hop, modular electronics, island syncretism, and bebop to twist and distort contemporary narratives on music composition, representing the greater movement of Latin American resistance directly from its epicentre Temporada Ciclonica is a recollection of alibis from a quenched island imaginarium. Palm trees dance in sync with the gales, an omen of the upcoming hurricane season. Pictographic technologies seek refuge in time's embrace, as eerie scents of petrichor and blood fill the corridors beneath the temple steps.
The cyclone's ravaging beauty and destruction bring rain, fertility and life to the land, an allusion to the cyclical nature of creation. Masters of musical past ride the storm's eye, a semiotic double- entendre on the spinning nature of the vinyl medium. A pupil glimmers from the dark, a kid rubs its belly in the womb. Press: Truth and Lies - review "a challenging but exhilarating journey through the minds of two young artists who's deep knowledge of local and international music places no harness on their creativity. Raw and instant, these boys look at the world as it is and let its contradictions flow into their creations. 9/10" Received airplay on BBC Radio 6 Music (Gilles Peterson), BBC Radio 3 (The Late Junction - Wolf Eyes' Mixtape) + The Lot Radio NYC - Marco Wibel - Darker Than Wax
Philadelphia's CAGED present the most flawless merger of Death Metal,
Doom, Sludge and Harsh Noise in their crushing debut full length entitled
'From Roving About the Earth'
Mixed and mastered by James Plotkin (Khanate, Scorn, O.L.D., Atomsmasher)
and features artwork by Mark McCoy (Full of Hell, Pig Destroyer, Nothing). Five
songs that purvey determination intertwined with filth and decay
We are delighted to announce the release of TRIGGER ZONE, Ohio's cult power thrash band! Many will certainly be familiar with the band ("Heavy Artillery" cassette compilation, anyone?), others maybe not so much ..
Anyway, one thing we can guarantee: fans of bands like MELIAH RAGE, HERETIC and LAAZ ROCKIT will love this release that we have prepared. Power thrash cannot be delivered in a better way! Fast and masterful riffs, combined with overpowering choruses...
The urge to bang your head and raise your fist will be inevitable! It is with great honor that we bring this limited edition on CD. Includes 9 songs remastered from the original reel tapes, together with a 16- page booklet with band biography and rare band photos.
Fire and water collide again: On her latest album "Wandering Through Time", Swiss sorceress ASHTAR opens up a menacing yet ethereal world of opposing forces, fans of emotional yet dirty Blackened Doom Metal should willingly enter. ASHTAR - a duo at first - emerged on the scene in 2015 with their critically acclaimed debut album, "Ilmasaari", voted by Tom G Warrior (Celtic Frost, Triptykon) as one of his favorite albums of the year in Deaf Forever magazine The follow-up, "Kaikuja", released in 2020, took the project's unique blend of black and doom metal to the next level. Since then, ASHTAR has shared the stage with renowned bands such as Inter Arma, Primordial, Bell Witch, Bolzer, and Schammasch.
Now, with "Wandering Through Time", frontwoman Witch N. takes the helm as a one-woman band, pushing the limits of her creative expression to new heights. On her latest offering, she aims to express the darkness, power, and magic of most notably female forces in nature in a saturnine and poetic way. The deeply personal songs take listeners on a journey through the darkest corners of the human soul while embracing the beauty of the natural world. They never fail to showcase Witch N.'s accomplished songwriting and her talents in delivering tortured, gritty screams as well as super- heavy, leaden guitar riffs. Consequently, she names metal masters such as Winter, Darkthrone, and Black Sabbath as her major influences.
From the gloomy and depressive "Into the Gloom" to the tragic tale of the Waterman in "The Submerged Empire", each track is a cathartic work of art. The lyrics transcend metal-cliches of fantasy and lore by telling stories about personal growth, finding soulmates within a cold world, and keeping one's own inner black flame alive. Recording and mixing of the album were handled by V. Noir at Inferno Studio in Switzerland. He also provided additional guitars and jaw harp. The album was mastered by Greg Chandler (Esoteric) at Priory Recording Studios in Birmingham, UK. The front cover photo was captured by Raphael Wolf, while Anti Graphic laid his skilled hands on the new logo design. For Fans of: Oranssi Pazuzu, Wolvserpent, Mizmor, Mantar, Blut aus Nord, Dark Buddha Rising, Eagle Twin, Glorior Belli




















