Buscar:master of progress

Benny Blanco debuts with a five-tracks "Staraya Ep" onto his Valkea Music. Every detail has been taken care, from mixing
to the master from the WHITE 180 GRAMS vinyl press to artwork. Following a short description about "Staraya EP"
STRY 1 by Ricky L Red "Is Not Dead Mix" intense and majestic, the track of rare and profound beauty.
STRY 2 "Original Mix" it's a tribute to Benny Blanco's origins and to the electronic/progressive sound of the mid nineties
that had great influence on him and became his trademark from the very beginning.
STRY 3 by Giammaria Coccoluto & Luca Vera "As Soul Sonic Remix" an ethnic rhythm full of grooves thanks to the addition
of percussive elements and a masterly used organ, which won't keep you still.
STRY 4 "The THC Revenge Remix" an atmosphere that captures and hypnotizes, where it extrapolates and magnificently
enhances the most melodic part.
STRY 5 "Erly Tepshi Dark Vision Mix" an esoteric and astral journey in the furthest and most remote corners of your mind.
This original project to the artwork that will in essence, satisfy your eyes and especially the ears.

the work of BIG|BRAVE is ever-expanding. The trio"s singular masterful sculpting of sonics into songcraft tucks layers of vulnerability into frenetic storms. in grief or in hope is an innovative vision of electro-acoustic sound and emotive storytelling, an endless bounty of overwhelming distortions and devastating beauty. The album marks a shift for BIG|BRAVE towards denser guitar-oriented compositions. With longtime touring bassist Liam Andrews (MY DISCO, Aicher) joining guitarist/vocalist Robin Wattie and guitarist Mathieu Ball in the studio for the first time, the pieces are keenly layered with a rich tapestry of harmonics and tonal intricacies. The trio"s instinctual progressions made more vivid through live recording, harnessing the gargantuan and storied sound of their performances. Wattie writes: "All that I could reflect on was grief and hope; death and life; cause and effect; shared experiences of being a human person." The tenth album for the ensemble, in grief or in hope pays homage to their past while looking into their future. Together the trio shift deliver emotional momentum that vividly describes the complex and deep feelings of struggle, pain, and transcendence. in grief or in hope transmits that sense of humanity with every gesture.

the work of BIG|BRAVE is ever-expanding. The trio"s singular masterful sculpting of sonics into songcraft tucks layers of vulnerability into frenetic storms. in grief or in hope is an innovative vision of electro-acoustic sound and emotive storytelling, an endless bounty of overwhelming distortions and devastating beauty. The album marks a shift for BIG|BRAVE towards denser guitar-oriented compositions. With longtime touring bassist Liam Andrews (MY DISCO, Aicher) joining guitarist/vocalist Robin Wattie and guitarist Mathieu Ball in the studio for the first time, the pieces are keenly layered with a rich tapestry of harmonics and tonal intricacies. The trio"s instinctual progressions made more vivid through live recording, harnessing the gargantuan and storied sound of their performances. Wattie writes: "All that I could reflect on was grief and hope; death and life; cause and effect; shared experiences of being a human person." The tenth album for the ensemble, in grief or in hope pays homage to their past while looking into their future. Together the trio shift deliver emotional momentum that vividly describes the complex and deep feelings of struggle, pain, and transcendence. in grief or in hope transmits that sense of humanity with every gesture.

Two decades into their existence, Elder remain an anomaly in the heavy underground - a band with the ability to absorb and shed influences from a myriad of genres without falling into pastiche or losing their identity. Their new album Through Zero is a reaffirmation of their commitment to pushing boundaries and cements their status as leaders in heavy psychedelic rock. Elder has long since mastered crushing riffs, melodic jaunts, progressive patterns, hypnotic grooves and ethereal atmosphere along their path of music-making in the past twenty years. On Through Zero, Elder takes these years of experience and forms possibly their most immediate and engaging record to date, while allowing seeds from outside the sphere of rock music to take root and bloom within their progressive framework. Listeners will find familiar elements of new textures, sequences, and sounds alongside Elder"s iconic take on heavy rock. As always, every spin reveals new details. Recorded in Berlin across several months between tours in 2025, Through Zero is the first album which the band not only produced but also comixed together with longtime collaborator Richard Behrens. The album sounds more like a full extension of the band"s creative intentions than ever before.

Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth's run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members' performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics.

The album hosts a wonderful mix of tempos and styles, from Alex Malheiros' earth-shaking slap-bass on 'Dear Limmertz', which was to become a hit on London's underground disco and jazz-dance club scenes alike, to the late maestro Jose Roberto Bertrami's genial melodic Rhodes excursions on the vocoder laden, samba-jazz masterpiece 'Un Amigo', while Ivan 'Mamao' Conti's signature swing on 'Maracana' exemplifies the root of Azymuth's 'samba doidoi' (crazy samba) philosophy.

The two cover versions on the album consist of the title track which was originally penned by Milton Nascimento and Chick Corea's '500 Miles High', both of which magically reimagine the originals and further demonstrate the immense virtuosity of this cult recording. This Far Out Recordings release is mixed and mastered from the original tapes and will be released on 180g vinyl and CD.

MELODI is the debut full-length album from Norwegian artist Sommerfeldt; a collection that takes listeners through the artist's mind, inspirations, experiences, and travels.
With a 20 year track record and releases on labels such as Full Pupp, Paper Recordings, and his other home Badabing Diskos, this album showcases a playful approach to genre, where a tight drum machine groove forms the foundation of a colourful record that touches on ambient, '80s, new wave, deep house, balearic, and downpitched progressive trance from the early millennium (which Sommerfeldt himself highlights as his formative years).

The album has been four years in the making. Several of the tracks were recorded around the world on hardware samplers and synths; bird sounds and ocean waves were captured, processed, and later finalised in his studio in Oslo.
Joining him is a stellar team of contributors; Embla Maria, Sigmund Floyd, Toshybot, Guro Kverndokk, Kristian Solhaug and Magnus JJ, adding outstanding vocal performances, gritty guitars, and oval percussion, the original cover artwork signed by Sommerfeldt's own favourite artist, Quentin Desveaux.

All of this is woven together into a cohesive whole that will make you want to listen again and again.
The six track musical masterpiece is set for physical release May 29th 2026 on a bold orange 12"

Over the course of their respectively stellar careers, Jeff 'Tain' Watts, Mark Turner and Orlando le Fleming have each brought their wide-ranging musicality and powerful musical imagination to a plethora of different projects that encompass all the variety and progressive excitement of contemporary jazz Yet at the heart of their music- making is their deep understanding of the essential verities of this music, as established by the long tradition of the masters. This new vinyl- only issue of Misterioso pressed on 180g black vinyl presents three master musicians exploring the heart of that tradition - free- flowing collective improvisation over the standard repertoire, all captured in glorious sound quality exactly as it went down on the day, with no overdubs or edits.

Alchemical amalgamations abound on Gloomy Reflection's Debut LP. The combining of two explosive musical forces in Lord Gordith (Quest Master, Steröid) and Will Spectre (Crypt Vapor, Dracula, Tarot, The Wizar'd) is in and of itself an act of strong and dangerous magick yielding the potent chemical reaction that has brought forth The Oath of the Paladins.
These seven tracks of synth drenched hard rock/heavy metal are each the product of significant symbiosis. Wrenching together lofi basement blackened heavy metal, with bombastic fist pumping progressive hard rock. The fusion of these ever so unstable elements has resulted in one of the most electric albums of 2025.

FOLLOWING THE SUCCESS OF “THE OTHER HELL”, GOBLIN ARE BACK FOR RECORD STORE DAY 2026 WITH AN EXCLUSIVE COMPILATION OF SINGLES RELEASED BETWEEN 1975 AND 1979!

For the very first time on vinyl, this compilation gathers together all the singles released by Goblin during their golden era between 1975 and 1979, a journey that begins with the explosive, legendary debut Profondo Rosso, a true chart phenomenon of its time, and reaches the rare Amo Non Amo, passing through unforgettable milestones of Italian film music and progressive rock.

The collection opens with Profondo Rosso and Death Dies, taken from the soundtrack of Dario Argento’s masterpiece that catapulted Goblin to fame, blending dark atmospheres, virtuosity, and a unique sense of cinematic tension. It continues with Roller and Snip Snap, drawn from the instrumental album Roller (1976), a record not tied to any film, yet considered a cult cornerstone of Italian progressive music for its intricate structures and expressive power.

Chi? and Chi? - Parte Seconda follow; two tracks originally composed as the theme for a 1976 RAI television show, which saw Goblin bring their unmistakable sound to a different medium, experimenting within a shorter, punchier format.

Next comes Suspiria with its haunting counterpart Blind Concert, from the soundtrack of Argento’s 1977 horror classic. This remains one of Goblin’s most iconic and unsettling works, where music becomes an active narrative force: hypnotic, percussive, and filled with eerie vocal layers that made it a cornerstone of horror soundtracks worldwide.

From Il Fantastico Viaggio del Bagarozzo Mark (1978) come Un Ragazzo d’Argento and Opera Magnifica, two tracks that highlight the band’s more conceptual and visionary side, a move away from cinema toward a self-contained narrative and progressive experimentation.

The single Yell stands as another late-decade gem. Originally composed as the opening theme for the RAI television series “Sette storie per non dormire” (1978), it captures Goblin’s ability to merge rock energy with electronic pulse, proving their versatility far beyond the horror realm.

The compilation closes with Amo Non Amo and Funky Top, taken from the soundtrack of the 1979 film Amo Non Amo, one of the group’s lesser-known but fascinating cinematic works.

Far more than a simple anthology, The Singles Collection 1975–1979 maps the evolution of Goblin’s sound, from the worldwide success of Profondo Rosso to their most mature and experimental phase. It finally restores to vinyl a body of work that had long been scattered across rare 45 rpm releases, offering fans and collectors a complete, vivid portrait of one of Italy’s most inventive and influential musical ensembles.

Ten years ago, Norrköping's own Skraeckoedlan released their second full-length album, Sagor (Fairy Tale/Stories). Spring 2026 marks its 10th anniversary, and the band is celebrating with a newly remastered edition along with a special tour that once again invites listeners back into their myth-filled universe. Rooted in the Riff-driven heaviness of stoner rock and the storytelling spirit of progressive rock, Skraeckoedlan craft sonic worlds where myths, cosmic beings, and the forces of nature feel as alive as the guitars driving them. Back in 2015, they released the concept album Sagor, weaving together their love of grand narratives with their massive, immersive sound - a musical journey through Nordic legends, timeless natural mysticism, and entirely original realms. It became a landmark release, firmly establishing Skraeckoedlan as one of Sweden's most ambitious and imaginative heavy bands. Today, they stand as one of the Nordic region's most distinctive and celebrated fuzz acts-musicians who don't just write songs, but entire stories. In 2026, the band will take Sagor back on the road, celebrating another major milestone together with their fans! But wait, there's more from our friends in Skraeckoedlan..!

The album opens with the ominous guitar-driven Hollow Sky, accompanied by its haunting music video's verdant vistas. The song, with Iceglass ghostly vocals, shimmers with that sounds like an Omnichord flittering like sonic firefly lights and brooding bass. This perfectly scores the less traveled wanderings through the dark wooden path of Dante's perdition, leading to the titular well that graces the album cover. The Crater opens with an unsettling riff and bass, with low, repetitive frequencies on the synth create a sense of unease. Here, Iceglass recounts a fatalistic requiem for the king of romance that is cataclysmic and leaves a scar upon the earth. With Fall Industrial Wall, once again, Iceglass channels a silky and Nico-like emotive deadpan; against a dirgelike melody backed by minimal synth, bass, and drum. Almost medieval and plaintive, with its folk droning horns, deep and shallow in their resonance. This song is anachronistic, setting the scene of ruins centuries-old with crumbling edifices strewn about like memories lost in time. With the poetic lyrics of The Chamber do we find the eponymous abyss. Here, dualities are laid bare; besides love, there is heartbreak, and without this sorrow, what meaning would there be to love if one knows not what it is to lose? This song encapsulates the idea that love is heartbreak, and love lost is reaching the deepest chamber of the heart. This is carried through a sombre horn, minimalist drum machine, and deliberate bassline overlaid with Iceglass german and english lyrics. The Well is led in with a softly distorted bassline overlaid with eerie banshee howls give way to Iceglass otherworld vocal refrain, echoing through time as if emanating from a hole in the ground, and encircling that hole is a garden of woe and despair. The sinfully seductive song The Moor features a captivating SAX SOLO courtesy of Perseas; a welcome shift in tone, juxtaposed well with the intensity of Iceglass tenebrous vocal purr. This hitherto unexplored foray into dark sensuality takes the song into sordid mid 80s territory, bringing to mind a dusky drive along a serpentine road, with equally haunting instrumentations straddling time with icy fire. Broken Characters is an acoustic folk interlude featuring Selofan's Dimitris Pavlidis on guitar. Here we find a more gentle approach with its earnest and romantic lyrics. The song's melodic hook is a soft caress along with the forlorn horn elements highlighting Iceglass at her most Nico-sounding vocal yet, singing the sorrowful truth that most artists are indeed broken characters. Chimerical opens with dirgelike synth organs. The chill of winter has befallen the lamentations sung by Iceglass carried by haunting chord progressions and minimal percussion, plaintively beseeching the song's subject to remain elusive, idealistic, and a dreamer. After an album highlighting more Jill than Jack, our male protagonist finally makes his ascent in the sonorous and breathtaking Dark Hill, a masterful march of sweeping synth horns, and trepidatious drum machine with William Maybelline's bellowing voice cracking like thunder, rattling the atmosphere like his heart against his ribs. Spirals swirls in a cautionary knell of cathedral-esque droning synth dirge, with Icarian lyrics shining like a sombre ray of hope; like the sun's rays creeping into the darkest of places. The song, minimalist in its tight percussion, echoes with the solace of Larissa Iceglass vocal litany; invoking elements of the supernatural, almost like a Casio preset sequenced to the beating of an angel's wings.

This new EP from 30-year US progressive veteran and master sound engineer Darwin Chamber was written with the idea of a San Francisco acid trip in mind, from the initial dose to the first onset of weirdness, then on to peak time mind melting. A DJ Spun remix of 'The Acid Test' is jacked deep house with hints of strangeness hidden in the background, then things really get liquid and trippy on 'Never Coming Down', 'The Acid Test' in original form is pure 303 aquatics and '25th Century Acid Cat' is an explosion of colour. 'Get Down' brings a bit more tension and anxiety as things begin to unravel.

Soft Echoes presents the first physical edition of ‘In a Few Places Along the River’ by Abul Mogard as a limited run of 500 vinyl copies. Originally released digitally in 2022, the album now appears in its intended form, marking the label’s second release.

Three long pieces, composed between 2019 and 2022, emerged from Mogard’s meticulous experimentation with analogue and digital instruments. Slowly evolving harmonic fields of layered drones and spectral textures drift across the record. They are enhanced by reverb from Scotland’s Inchindown oil tanks, which hold the longest reverberation of any man-made structure, giving the music a haunting resonance and a sense of suspended space.

‘Against a White Cloud’ and ‘In True Contemplation’ open the album with their nocturnal tones that gradually intensify into dense, immersive waves of sound. Side B is devoted to the 21-minute elegiacal piece ‘Along the River’, which flows between weight and silence, unfolding with reflective depth and moments of subtle transcendence. As one listener observed, “His music doesn't break the wilful suspension of disbelief: you stay in its trance.”

“Recording for this album began in 2019, when I was still living in London,” Mogard explains. “The first version of ‘Along the River’ was created at my studio near Brick Lane. It started with experimenting around a chord progression inspired by a classical piece I had once been recommended, though, strangely enough, I no longer recall what it was. Early in 2022, I revealed the identity behind Abul Mogard and wanted to mark this new period, so I decided to release it quickly, by myself, as digital-only.”

After returning to Rome, Mogard created the other two pieces, working with new digital instruments alongside his modular synthesiser, and integrated recordings from the London sessions. The music reveals a patient attention to texture and space, defining his usual restraint. Mogard adds, “I was trying to explore very subtle changes in the spectral characteristics of the music using extremely slow, intertwined tones.”

Described by critics as one of Mogard’s most melancholic and absorbing releases, the album maintains an austere beauty and contemplative weight, leaving a lingering impression that lasts far beyond the final note.

The music has extended beyond the album itself, with tracks appearing in films and contemporary artworks. Most notably, Swedish artist Peder Bjurman’s ‘Slow Walker’ audiovisual installation and French filmmaker Fleuryfontaine’s politically charged animated film ‘Soixante-sept millisecondes’.

Mastered by Rafael Anton Irisarri and cut to vinyl by Lupo, the record emphasises the clarity and depth of Mogard’s frequencies, with each layer precisely balanced. The cover artwork and design are by Marja de Sanctis, who has collaborated with Abul since his first cassette release in 2012.

Emerging artist Beifer presents his highly anticipated debut album "constant.transition": an eclectic fusion of electronic music with strong influences from dubstep, garage and drum&bass, enriched with captivating jazz elements. This cross-genre work takes listeners on a journey through dark atmospheres and avant-garde soundscapes, brought to life by the artist's complex percussion layers and interesting chord structures.
With great experimentation and a desire to break new ground in electronic music, Beifer has created an album that captures the listener's attention with its unique textures and unconventional soundscapes. Each track is an exploration of musical possibilities, with Beifer masterfully blending a wide variety of genres while creating a cohesive and infectious atmosphere.

The album also features notable collaborations with renowned musicians. Wanja Slavin, Moritz Stahl (Ark Noir/Lyder) and vocalist Enji have collaborated with Beifer to add an additional dynamic and layered dimension to the album. Their unique talents and empathy blend seamlessly with Beifer's vision, opening up new worlds of sound for the listener. Beifer has managed to push the boundaries of electronic music and make an impressive artistic statement with his debut album.

"constant.transition" is the first release on the newly founded tunnel.visions label. Starting as a event-series, the three members of the electronic alternative experimental jazz band Ark Noir have made it their mission to present progressive, contemporary music that includes acoustic and electronic instruments, takes up compositional and improvisational concepts and thus breaks down the boundaries between academic and autodidactic practice.
Over the past year, Ark Noir has featured Beifer several times at concerts and brought the music of "constant.transition" to the stage with live instrumentation. The program was enthusiastically received by the audience.

Dae Han is the unsung backbone behind progressive Honolulu acts and international artists. He’s the go-to drummer whenever Japanese rapper Shing02 tours the US and Asia with a full band. In 2019, Takuya Kuroda tapped Dae to organize a band to support the Brooklyn-based trumpeter’s gig at Blue Note Hawaii. Dae also recently teamed up with guitarist Gilbert Batangan and bassist Mark Tanouye to open for Khruangbin. And every year he organizes an always impressive jazz-forward tribute to the late J Dilla.

On the drums, Dae’s swift, technical style compliments every situation, from jazz and funk to R&B, reggae, and hip hop. Much the same, Dae has approached the compositions and arrangements for his debut with craft and purpose.

BLUE, coming in February 2020, came to fruition over the past 12 months with the help of Nelson Cho, the musician and recording engineer behind Lightworks Recordings in Wahiawa, Oahu. Together, the two spent countless hours honing a sound that travels across hip hop, jazz, and house.

The resulting songs act as a diary of the artist’s fateful journey from Washington D.C. through New York to Honolulu, where he resides today. Reflecting on joyful highs and the lowest lows, Dae creates a collage for the listener to hear, appreciate, and understand the path he’s traveled thus far.

On "Another Year Older," Larry Fleet cements his status as country music’s premier blue-collar soul-singer, delivering a masterclass in honest, salt-of-the-earth storytelling. Shifting his gaze toward the reflective milestones of adulthood, the White Bluff, Tennessee native trades the restless energy of his earlier work for a grounded, hard-won perspective on what truly lasts. The project seamlessly blends the grit of classic 70s country with the soaring, gospel-infused vocal power that has become his trademark, capturing the quiet dignity of the working class and the profound beauty found in the everyday. From the steady wisdom of the title track to the heartfelt odes to faith and family, Fleet treats the passage of time not as a burden, but as a teacher. It is a record for the dreamers and the doers alike—a soulful, unvarnished progress report from a man who has clocked the miles, felt the weight of the world, and realized that getting older is just another word for getting it right.

For the first time, all the 1978 recording sessions of Lino Capra Vaccina's legendary Antico Adagio - including Frammenti da Antico Adagio and Echi Armonici da Antico Adagio - collected in one definitive deluxe edition. Minimalism, and so much more. Sheets of resonance, stunning harmonic interplay, intricate rhythms rising as one. Sidelong works of pulsing, hypnotic, ritualistic drone built from vibraphones, marimbas, gongs, bells, and cymbals, threaded by the sustained vocal tones of Juri Camisasca and Dana Matus. A trance-inducing, meditative, cosmic world of sonic interplay - the world beyond, joined with that which lays within.

Before an aberrant idea of progress ludicrously sped up our daily lives, even in hectic Milan it was possible to "play slowly" - with no pressure, simply following the path your art was showing you. This music moves between modal fascinations, ritual evocations, and states of hypnotic trance, evoking the acoustic environment of Tibetan and Zen Buddhist ceremonies and the temporal structures of Noh theatre, from which Vaccina took the name of his original label, Nō. Now, fittingly, this complete collection appears on Ubi Kū, the label of the Italian Buddhist Union.

Lino Vaccina (1953) first gained note as a member of Aktuala, creating a hybrid of rock, avant-garde, and ancient musics while incorporating sonic traditions from across the globe. After leaving in 1974, he studied at Milano's Civica Scuola di Musica, collaborating with Franco Battiato and Juri Camisasca, and forming Telaio Magnetico in 1975. In 1978 he self-released Antico Adagio in a tiny edition and wouldn't be heard from again until 1992. From 1979 to 1985 he was percussionist with the Orchestra of Teatro alla Scala under maestros such as Abbado and Ozawa. His career has been marked by an incredibly high bar of quality and a tragically slim recorded output - a rigorous and sensual language fusing Oriental, Mediterranean, and African influences with ritual elements and a cosmic sense of time.

As Massimo Torrigiani writes: "Lino Vaccina's music captivates through its internal coherence and its ability to generate states of suspension and deep listening - through undulations, small melodic fragments, dialogues between acoustic instruments and resonances that seem to evoke a phantom orchestra. An example of personal exploration, discipline and openness that speaks across time to anyone willing to be drawn into its sound."

Frammenti da Antico Adagio and Echi Armonici da Antico Adagio contain material from the original sessions, restored and issued by Die Schachtel in 2014 and 2017. The new masters, prepared by Giuseppe Ielasi, are based on those restorations and the original material. The package includes previously unpublished photographs from the May 1978 sessions and liner notes by Mauro Radice in Italian, English, and French. Cover art by Dana Matus. Printed by Legno, Milano & Mother Tongue, Verona.

Personnel: Lino Capra Vaccina (vibraphone, marimba, tablas, wooden drums, darbuka, cymbals, gong, metal sheets, bells, bass drum, tom, snare drum, piano, voice), Dana Matus (voice, percussion, cetra), Juri Camisasca (voice), Mario Garuti (violin), Roberto Mazza (oboe). Original production by Massimo Villa & Lino Vaccina with Piero Cannizzaro. Recorded May 1978 at Circle Studios, Milano.

The heights of the Italian avant-garde, at their very best.

Tales from Topographic Oceans (Super Deluxe Edition) is the definitive version of Yes' ambitious sixth album, the record that stands as one of the most sprawling and intricate works of the progressive rock era. This expansive album version includes twelve CDs, two LPs, and a Blu-Ray disc. Introducing, a newly mastered/remastered version of the original album by Bernie Grundman for vinyl and CD. Delve deeper with new 2026 Steven Wilson remixes of the core album, including instrumental versions, alongside a treasure trove of previously issued rarities. This collection is further enriched by portions of two previously unreleased live performances from the legendary Tales tour. A Blu-Ray disc completes the collection with Steven Wilson's new mixes, including the album in immersive Dolby Atmos and 5.1 Mix DTS-HD MA.
Tracklist: 11CD + Blu-Ray
Disc 1 Original Album Remastered
1. THE REVEALING SCIENCE OF GOD 22:01
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY

Disc 2
1. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
2. RITUAL [21:35]
NOUS SOMMES DU SOLEIL

Disc 3 Steven Wilson 2025 Remixes
1. THE REVEALING SCIENCE OF GOD [22:01]
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY

Disc 4
1. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
2. RITUAL [21:35]
NOUS SOMMES DU SOLEIL

Disc 5 Steven Wilson 2025 Instrumental Mixes
1. THE REVEALING SCIENCE OF GOD [22:01]
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY

Disc 6
1. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
2. RITUAL [21:35]
NOUS SOMMES DU SOLEIL

Disc 7: Rarities
1. THE REVEALING SCIENCE OF GOD (Single Edit) [3:54]
DANCE OF THE DAWN
2. THE REMEMBERING (Single Edit) [2:50]
HIGH THE MEMORY
3. THE ANCIENT (Single Edit) [3:26]
GIANTS UNDER THE SUN
4. RITUAL (Single Edit 1) [4:20]
NOUS SOMMES DU SOLEIL
5. RITUAL (Single Edit 2) [3:47]
NOUS SOMMES DU SOLEIL

6. THE REVEALING SCIENCE OF GOD (Version 1) [23:36]
DANCE OF THE DAWN
7. THE REMEMBERING (In Progress) [20:36]
HIGH THE MEMORY
8. THE ANCIENT (In Progress) [17:18]
GIANTS UNDER THE SUN

Disc 8: Rarities
1. THE REVEALING SCIENCE OF GOD (In Progress)* [27:50]
DANCE OF THE DAWN
2. THE ANCIENT (In Progress 2)* [19:30]
GIANTS UNDER THE SUN
3. THE REVEALING SCIENCE OF GOD (In Progress 2)* [21:52]
DANCE OF THE DAWN

Disc 9: Rarities
1. THE REMEMBERING (In Progress 2)* [20:42]
HIGH THE MEMORY
2. RITUAL (In Progress)* [24:37]
NOUS SOMMES DU SOLEIL
3. THE REVEALING SCIENCE OF GOD (Version 2) [22:23]
DANCE OF THE DAWN

Disc 10: Live 1973
1. THE REMEMBERING (Live TBD 1973)*
HIGH THE MEMORY
2. THE ANCIENT (Live TBD 1973)*
GIANTS UNDER THE SUN
Live at Capitol Theatre, Cardiff, Wales, December 1, 1973
3. THE ANCIENT* [19:55]
GIANTS UNDER THE SUN
4. RITUAL* [20:41]
NOUS SOMMES DU SOLEIL

Disc 11: Live at Hallenstadion Zürich, Zürich, Switzerland, April 21,1974
1. AND YOU AND I* [10:10]
I. CORD OF LIFE
II. ECLIPSE
III. THE PREACHER THE TEACHER
IV. APOCALYPSE

2. CLOSE TO THE EDGE* [19:12]
I. THE SOLID TIME OF CHANGE
II. TOTAL MASS RETAIN
III. I GET UP I GET DOWN
IV. SEASONS OF MAN

3. THE REVEALING SCIENCE OF GOD* [14:38]
DANCE OF THE DAWN

Disc 12: Live at Hallenstadion Zürich, Zürich, Switzerland, April 21,1974
1. THE ANCIENT* [20:12]
GIANTS UNDER THE SUN
2. RITUAL [23:00]
NOUS SOMMES DU SOLEIL

Blu-Ray:
2025 Dolby Atmos Mix
2025 5.1 Mix DTS-HD MA
2025 Stereo Remix
2025 Stereo Remaster
2025 Instrumental Mix

1. THE REVEALING SCIENCE OF GOD [22:01]
DANCE OF THE DAWN
2. THE REMEMBERING [20:38]
HIGH THE MEMORY
3. THE ANCIENT [18:34]
GIANTS UNDER THE SUN
4. RITUAL [21:35]
NOUS SOMMES DU SOLEIL


[a] a1 THE REVEALING SCIENCE OF GOD [22:01]

[c] b1 THE REMEMBERING [20:38]

[e] c1 THE ANCIENT [18:34]

[g] d1 RITUAL [21:35]

Basket of Light is the most progressive and complex release by the British folk-rock group Pentangle. Traditional English folk songs are reinterpreted with a mix of jazz, pop and rock influences. Everything their previous works promised is fulfilled here. The album opener 'Light Flight' has become their signature song. If there is a prog folk masterpiece then it is Basket Of Light. Pentangle proved they could release a progressive, ground-breaking work without keyboards, much studio trickery or even electric instruments.

The original Pentangle was active in the late 1960s and early 1970s. The original line-up includes Bert Jansch (vocals & guitar) and John Renbourn (vocals & guitar).